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Where to start.

A path through the catalog, not a top-seven ranking. Seven records, ordered for a first listen. Each one takes the same idea from a different angle. Start at the top and move on when you're ready.

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  1. 01
    Extension — 1964 (released 1967), Blue Note

    The Blue Note years in one record. Organ-combo groove, post-bop reach, the double-horn idea, all in the same room at the same time.

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  2. 02
    Two Souls In One — 1963, Blue Note

    The debut, and a way to hear the original problem in his hands. Grant Green and Billy Gardner are tight behind him from bar one.

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  3. 03
    Soul Stream — 1963 (released 1964), Blue Note

    The album where the writing comes forward. Even a hedging contemporary review stopped to credit him as a composer.

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  4. 04
    Laughing Soul — 1966, Prestige

    Earthier, heavier than the Blue Note dates. Big John Patton on organ, Grant Green on guitar, congas in the mix. The harmonic ideas inside a wider, more physical band.

  5. 05
    Musart — 1966–67 (released 1967), Prestige

    The most open and modal of the 1960s records. He called it "a concert in miniature" in his own liner notes, and that holds up.

  6. 06
    Blue John — John Patton's date, recorded 1963, released 1986, Blue Note

    Braith on soprano and stritch. Same Grant Green, different point of view, and some of the most direct playing he laid down in the 1960s.

  7. 07
    New York Soul — 2021, Excellence Records

    On Spotify. Come here last, or first if you want to know where things stand now.

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George Braith

© 2026 George Braith. Saxophonist · inventor of the Braithophone. Privacy

Last updated 2026-04-30