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259		</div>
260	</section>
261						<section class="section-text bottom-space-default">
262		<div class="section-text-inner">
263			<h2 class="h2">What is the WFAE?</h2>
264<div>Founded in 1993, the World Forum for Acoustic Ecology (WFAE) is an international association of affiliated organizations and individuals who share a common concern for the state of the world’s soundscapes. Our members represent a multi-disciplinary spectrum of individuals engaged in the study of the social, cultural, and ecological aspects of the sonic environment across the world.&nbsp;</div>
265<div>&nbsp;</div>
266<div>The WFAE works in collaboration with its world-wide network of affiliated organizations to produce and promote research, education, events, conferences and publications revolving around the interdisciplinary field of acoustic ecology.</div>
267
268		</div>
269	</section>
270
271	
272				<section class="section-text-columns columns-3 bottom-space-default">
273					<div class="text-item">
274				<h3 class="">WFAE's mission</h3>
275				<div class="text-content">
276					<p>WFAE works in collaboration with its world-wide network of Affiliated Organizations to promote:</p>
277<p>&nbsp;</p>
278<p>Education &#8211; in listening to the soundscape, sharpening aural awareness and deepening listeners’ understanding of environmental sounds and their meanings.</p>
279<p>&nbsp;</p>
280<p>Research and Study &#8211; of the social, cultural, scientific and ecological aspects of the sonic environment.</p>
281<p>&nbsp;</p>
282<p>Publishing and Distributing &#8211; of information and research on Acoustic Ecology.</p>
283<p>&nbsp;</p>
284<p>Protecting and Preserving &#8211; existing natural soundscapes and times and places of quiet.</p>
285<p>&nbsp;</p>
286<p>Designing and Creating &#8211; healthy and acoustically balanced sonic environments.</p>
287
288				</div>
289			</div>
290					<div class="text-item">
291				<h3 class="">Learn more about the WFAE</h3>
292				<div class="text-content">
293					<p>Read: The online <a href="https://journals.lib.sfu.ca/index.php/aer/index">Acoustic Ecology Review</a>, the successor to the print publication, <a href="https://journals.lib.sfu.ca/index.php/aer/index">Soundscape: The Journal of Acoustic Ecology</a>.</p>
294<p>&nbsp;</p>
295<p>Converse: We encourage you to participate in on-going discussions through Acoustic Ecology Google Discussion Group. Email&nbsp;<u><a class="moz-txt-link-abbreviated" href="mailto:[email protected]">[email protected]</a></u> and follow the confirmation instructions. Check spam folders if needed.&nbsp; The most reliable way to confirm is to reply to the confirmation instructions, using the same address that sent the subscription request.&nbsp; Clicking on the “Join This Group” button will only work if you are subscribing from a Gmail address.&nbsp; You can also visit the Google Groups page <a href="https://groups.google.com/g/acoustic-ecology-discuss"><u>directly</u></a>.</p>
296<p>&nbsp;</p>
297<p>Network: The WFAE is on <a href="https://www.facebook.com/worldforumforacousticecology.wfae">Facebook</a> and <a href="https://www.instagram.com/worldforumforacousticecology">Instagram</a>. Many of our Affiliate Organisations also provide social networking for their members.</p>
298
299				</div>
300			</div>
301					<div class="text-item">
302				<h3 class="invisible">&nbsp;</h3>
303				<div class="text-content">
304					<p>Join: The WFAE encourages individuals to join one of our affiliated organisations. Where no affiliate organisation exists, we encourage you to join as an individual member. Affiliate and individual members receive the WFAE’s annual publication, Soundscape: The Journal of Acoustic Ecology, access to a global network plus the benefits provided by our global network and associations. For more information, please visit the <a href="https://wfae.net/get-involved/">WFAE Membership page</a>.</p>
305<p>&nbsp;</p>
306<p>Participate: WFAE members and others participate at WFAE events around the world. Researchers, teachers, sound producers, musicians, and acoustic ecologists have presented papers, panel discussions, workshops, sound installations, and have given sound art performances during many events.</p>
307
308				</div>
309			</div>
310			</section>
311
312	
313				<section class="section-text bottom-space-default">
314		<div class="section-text-inner">
315			<p class="h2">WFAE Board</p>
316<p>The WFAE Board is composed of engaged members from our various affiliated groups and WFAE Individual Members</p>
317
318		</div>
319	</section>
320
321	
322				<section class="section-team bottom-space-default">
323		<div class="team-members">
324												
325				
326								
327				<div class="member-item" member-index="1" member-name="Hanbing Liang" role="Board Member" location=",">
328					<figure>
329						<img data-src="https://wfae.net/wp-content/uploads/2025/09/HanbingLiang-e1724360122944-768x763-1-480x477.jpg" alt="">
330					</figure>
331
332					<div class="member-details">
333						<p class="member-name">Hanbing Liang</p>
334						<div class="member-role">
335															<span>Board Member</span>
336													</div>
337
338													<div class="member-bio">
339								<p>Hanbing is a passionate researcher and teacher with a background rooted in the professions of planning and landscape architecture. Han has diverse experience teaching undergraduate and graduate-level planning and landscape architecture courses at multiple institutions. Her teaching, research, and practical experiences can be viewed through a shared lens of equity and inclusion, embodied by extensive experiences engaging with local communities, especially communities of color in the U.S., understanding their experiences in the built environment, and their fundamental needs when navigating everyday life. Han’s research develops from two under-explored themes within urban systems: soundscape and food systems. Her dissertation investigates the role of soundscape in outdoor learning environments. Additionally, she is a researcher at the Kaufman Lab, examining the impacts of farmers’ markets on local and regional food systems. Professionally, Han has worked at the Michigan Department of Natural Resources to develop general management plans for state parks. She has also contributed to various local and regional design and research projects in Michigan, Wisconsin, California, and Missouri and abroad in China. Currently, Hanbing is finishing her Ph.D. in Urban and Regional Planning at the University of Wisconsin-Madison. She holds a Master’s degree in Environmental Design and dual Bachelor’s degrees in Urban and Regional Planning and Landscape Architecture from Michigan State University.</p>
340
341							</div>
342						
343													<div class="member-links">
344																										
345									
346									<a href="https://dpla.wisc.edu/staff/liang-hanbing-2/" target="">University Profile</a>
347															</div>
348											</div>
349				</div>
350
351				<div class="member-item-lightbox" data-lightbox="Hanbing Liang">
352					<button class="btn close">
353						<span class="sr-only">Close</span>
354
355						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
356							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
357							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
358						</svg>
359					</button>
360
361					<div class="lightbox-inner">
362						<figure>
363							<img data-src="https://wfae.net/wp-content/uploads/2025/09/HanbingLiang-e1724360122944-768x763-1-480x477.jpg" alt="">
364						</figure>
365
366						<div class="member-details">
367							<div>
368								<p class="member-name">Hanbing Liang</p>
369								<div class="member-role">
370																			<span>Board Member</span>
371																	</div>
372
373																	<div class="member-bio">
374										<p>Hanbing is a passionate researcher and teacher with a background rooted in the professions of planning and landscape architecture. Han has diverse experience teaching undergraduate and graduate-level planning and landscape architecture courses at multiple institutions. Her teaching, research, and practical experiences can be viewed through a shared lens of equity and inclusion, embodied by extensive experiences engaging with local communities, especially communities of color in the U.S., understanding their experiences in the built environment, and their fundamental needs when navigating everyday life. Han’s research develops from two under-explored themes within urban systems: soundscape and food systems. Her dissertation investigates the role of soundscape in outdoor learning environments. Additionally, she is a researcher at the Kaufman Lab, examining the impacts of farmers’ markets on local and regional food systems. Professionally, Han has worked at the Michigan Department of Natural Resources to develop general management plans for state parks. She has also contributed to various local and regional design and research projects in Michigan, Wisconsin, California, and Missouri and abroad in China. Currently, Hanbing is finishing her Ph.D. in Urban and Regional Planning at the University of Wisconsin-Madison. She holds a Master’s degree in Environmental Design and dual Bachelor’s degrees in Urban and Regional Planning and Landscape Architecture from Michigan State University.</p>
375
376									</div>
377															</div>
378
379															<div class="member-links">
380																											
381									
382									<a href="https://dpla.wisc.edu/staff/liang-hanbing-2/" target="">University Profile</a>
383																</div>
384													</div>
385					</div>
386				</div>
387												
388				
389								
390				<div class="member-item" member-index="2" member-name="Lauren Knight" role="Board Member" location=",">
391					<figure>
392						<img data-src="https://wfae.net/wp-content/uploads/2025/09/LaurenKnight_Headshot-480x477.jpg" alt="">
393					</figure>
394
395					<div class="member-details">
396						<p class="member-name">Lauren Knight</p>
397						<div class="member-role">
398															<span>Board Member</span>
399													</div>
400
401													<div class="member-bio">
402								<p>Lauren Knight (she/her) is a sound artist and PhD candidate in the Faculty of Information at the University of Toronto. Her research interests include acoustic ecology, cultural sound studies, media history, and research creation. She has published articles in various journals including the Radio Journal: International Studies in Broadcast & Audio Media and the Journal of Urban History. She also has produced several podcasts, sonic projects, and documentary films. She is a current board member on both the Canadian Association for Sound Ecology (CASE) and the World Forum for Acoustic Ecology (WFAE). You can discover more of Lauren’s work on her website: www.laurenknight.ca.</p>
403
404							</div>
405						
406													<div class="member-links">
407																										
408									
409									<a href="https://www.laurenknight.ca/" target="">Website</a>
410															</div>
411											</div>
412				</div>
413
414				<div class="member-item-lightbox" data-lightbox="Lauren Knight">
415					<button class="btn close">
416						<span class="sr-only">Close</span>
417
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419							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
420							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
421						</svg>
422					</button>
423
424					<div class="lightbox-inner">
425						<figure>
426							<img data-src="https://wfae.net/wp-content/uploads/2025/09/LaurenKnight_Headshot-480x477.jpg" alt="">
427						</figure>
428
429						<div class="member-details">
430							<div>
431								<p class="member-name">Lauren Knight</p>
432								<div class="member-role">
433																			<span>Board Member</span>
434																	</div>
435
436																	<div class="member-bio">
437										<p>Lauren Knight (she/her) is a sound artist and PhD candidate in the Faculty of Information at the University of Toronto. Her research interests include acoustic ecology, cultural sound studies, media history, and research creation. She has published articles in various journals including the Radio Journal: International Studies in Broadcast & Audio Media and the Journal of Urban History. She also has produced several podcasts, sonic projects, and documentary films. She is a current board member on both the Canadian Association for Sound Ecology (CASE) and the World Forum for Acoustic Ecology (WFAE). You can discover more of Lauren’s work on her website: www.laurenknight.ca.</p>
438
439									</div>
440															</div>
441
442															<div class="member-links">
443																											
444									
445									<a href="https://www.laurenknight.ca/" target="">Website</a>
446																</div>
447													</div>
448					</div>
449				</div>
450												
451				
452								
453				<div class="member-item" member-index="3" member-name="Marcus Maeder" role="Board Member" location=",">
454					<figure>
455						<img data-src="https://wfae.net/wp-content/uploads/2025/09/csm_Portrait_MM_2a92c0f8ff.jpg" alt="">
456					</figure>
457
458					<div class="member-details">
459						<p class="member-name">Marcus Maeder</p>
460						<div class="member-role">
461															<span>Board Member</span>
462													</div>
463
464													<div class="member-bio">
465								<p>Marcus Maeder is an artist, researcher and composer of electronic music. As an author, Maeder has written on a number of topics in the fields of sound art, acoustic ecology, artistic research and digital media.</p>
466<p>Maeder studied Fine Arts at the Lucerne University of Applied Sciences HSLU, Philosophy at the Fernuniversität in Hagen and completed his PhD in Environmental Systems Science at ETH Züric
466h. He runs the music label domizil together with Bernd Schurer. Maeder has worked as an editor and producer for the Swiss radio station SRF and has been working as a researcher and lecturer at the Institute for Computer Music and Sound Technology (ICST) of the Zurich University of the Arts ZHdK from 2005 until 2025. Marcus Maeder is currently heading the ‘Knowledge to Society/KNOTS’ degree program at the University of Applied Sciences Lucerne/Art and Design as a professor. He is guest scientist at the Swiss Federal Institute for Forest, Landscape and Snow Research WSL and is research fellow at Freie Universität Berlin. Maeder is vice president of the Swiss Society for Acoustic Ecology SSAE and a board member of the World Forum for Acoustic Ecology WFAE.</p>
467<p>In his research, Maeder is working on bioacoustic and ecoacoustic investigations of areas, communities and organisms under the influence of climate change and other environmental issues. He contextualises his scientific work in the fields of Acoustic and Soundscape Ecology, as well as Artistic Research. Marcus Maeder’s art is located in the field of envrionmental and ecological art.</p>
468
469							</div>
470						
471													<div class="member-links">
472																										
473									
474									<a href="https://marcusmaeder.ch/" target="">Website</a>
475															</div>
476											</div>
477				</div>
478
479				<div class="member-item-lightbox" data-lightbox="Marcus Maeder">
480					<button class="btn close">
481						<span class="sr-only">Close</span>
482
483						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
484							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
485							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
486						</svg>
487					</button>
488
489					<div class="lightbox-inner">
490						<figure>
491							<img data-src="https://wfae.net/wp-content/uploads/2025/09/csm_Portrait_MM_2a92c0f8ff.jpg" alt="">
492						</figure>
493
494						<div class="member-details">
495							<div>
496								<p class="member-name">Marcus Maeder</p>
497								<div class="member-role">
498																			<span>Board Member</span>
499																	</div>
500
501																	<div class="member-bio">
502										<p>Marcus Maeder is an artist, researcher and composer of electronic music. As an author, Maeder has written on a number of topics in the fields of sound art, acoustic ecology, artistic research and digital media.</p>
503<p>Maeder studied Fine Arts at the Lucerne University of Applied Sciences HSLU, Philosophy at the Fernuniversität in Hagen and completed his PhD in Environmental Systems Science at ETH Zürich. He runs the music label domizil together with Bernd Schurer. Maeder has worked as an editor and producer for the Swiss radio station SRF and has been working as a researcher and lecturer at the Institute for Computer Music and Sound Technology (ICST) of the Zurich University of the Arts ZHdK from 2005 until 2025. Marcus Maeder is currently heading the ‘Knowledge to Society/KNOTS’ degree program at the University of Applied Sciences Lucerne/Art and Design as a professor. He is guest scientist at the Swiss Federal Institute for Forest, Landscape and Snow Research WSL and is research fellow at Freie Universität Berlin. Maeder is vice president of the Swiss Society for Acoustic Ecology SSAE and a board member of the World Forum for Acoustic Ecology WFAE.</p>
504<p>In his research, Maeder is working on bioacoustic and ecoacoustic investigations of areas, communities and organisms under the influence of climate change and other environmental issues. He contextualises his scientific work in the fields of Acoustic and Soundscape Ecology, as well as Artistic Research. Marcus Maeder’s art is located in the field of envrionmental and ecological art.</p>
505
506									</div>
507															</div>
508
509															<div class="member-links">
510																											
511									
512									<a href="https://marcusmaeder.ch/" target="">Website</a>
513																</div>
514													</div>
515					</div>
516				</div>
517												
518				
519								
520				<div class="member-item" member-index="4" member-name="Eve Payor" role="Board Member" location=",">
521					<figure>
522						<img data-src="https://wfae.net/wp-content/uploads/2025/07/singing-pines_1726252331-480x480.jpeg" alt="">
523					</figure>
524
525					<div class="member-details">
526						<p class="member-name">Eve Payor</p>
527						<div class="member-role">
528															<span>Board Member</span>
529													</div>
530
531													<div class="member-bio">
532								<p>Eve Payor (aka Lady Eve) is a deep listener, a musician, a dendrophile, and a certified forest bathing guide by the Association of Nature and Forest Therapy. As a Bardic Druid (with the Order of Bards, Ovates and Druids) she incorporates meditation and subtle awareness throughout her artistry, focusing on the connection between music, environment, accessibility and spirituality. In 2016 she began leading ongoing soundwalks, which quickly grew into establishing an artist residency called the ACA Soundscape Field Station at Canaveral National Seashore, and an accessibility program for blind and partially sighted youth called Young Sound Seekers, sponsored by the National Park Service. As a musician and soundscape artist, she uses field recordings, electronic music, spoken word, and classical oboe in her compositions and collaborations. </p>
533
534							</div>
535						
536													<div class="member-links">
537																										
538									
539									<a href="http://www.ladyeve.co" target="">Website</a>
540															</div>
541											</div>
542				</div>
543
544				<div class="member-item-lightbox" data-lightbox="Eve Payor">
545					<button class="btn close">
546						<span class="sr-only">Close</span>
547
548						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
549							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
550							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
551						</svg>
552					</button>
553
554					<div class="lightbox-inner">
555						<figure>
556							<img data-src="https://wfae.net/wp-content/uploads/2025/07/singing-pines_1726252331-480x480.jpeg" alt="">
557						</figure>
558
559						<div class="member-details">
560							<div>
561								<p class="member-name">Eve Payor</p>
562								<div class="member-role">
563																			<span>Board Member</span>
564																	</div>
565
566																	<div class="member-bio">
567										<p>Eve Payor (aka Lady Eve) is a deep listener, a musician, a dendrophile, and a certified forest bathing guide by the Association of Nature and Forest Therapy. As a Bardic Druid (with the Order of Bards, Ovates and Druids) she incorporates meditation and subtle awareness throughout her artistry, focusing on the connection between music, environment, accessibility and spirituality. In 2016 she began leading ongoing soundwalks, which quickly grew into establishing an artist residency called the ACA Soundscape Field Station at Canaveral National Seashore, and an accessibility program for blind and partially sighted youth called Young Sound Seekers, sponsored by the National Park Service. As a musician and soundscape artist, she uses field recordings, electronic music, spoken word, and classical oboe in her compositions and collaborations. </p>
568
569									</div>
570															</div>
571
572															<div class="member-links">
573																											
574									
575									<a href="http://www.ladyeve.co" target="">Website</a>
576																</div>
577													</div>
578					</div>
579				</div>
580												
581				
582								
583				<div class="member-item" member-index="5" member-name="Tania Rubio" role="Board Member" location=",">
584					<figure>
585						<img data-src="https://wfae.net/wp-content/uploads/2025/09/Tania_Rubio_photo-scaled-1-480x320.jpg" alt="">
586					</figure>
587
588					<div class="member-details">
589						<p class="member-name">Tania Rubio</p>
590						<div class="member-role">
591															<span>Board Member</span>
592													</div>
593
594													<div class="member-bio">
595								<p>
595I am a composer, sound artist, researcher and field recordist. I focus on contemporary concert music, multichannel electroacoustic music and sound installation. My line of research focuses on acoustic ecology, and soundscape studies, with particular interest in the intersections between sound art and biological sciences. I am the recipient of several awards and grants, most recently, "Sistema Nacional de Creadores de Arte 2023-2026"; “Sharing Knowledge” by the Danish Composers' Society and Art Music Denmark in collaboration with Initiative Neue musik, Berlin 2023; "Internationaler Koproduktionsfonds 2022-2023" by the Goethe Institut, "Art/Nature Composer in Residence 2021" by the Crespo Foundation, in Glekeen Garden, Ireland. "Jovenes Creadores FONCA 2021-2022", "Composer in Residence 2019" by the Archiv Frau und Musik in collaboration with the Höschule für musik und Darstellende Kunst in Frankfurt, Germany. "Arte, Ciencia y Tecnología ACT, FONCA-UNAM 2019-2020", "Ibermemoria Sonora y Audiovisual 2021" in collaboration with Abirds and the Centro de Investigaciones Biológicas de la UAEM. I am currently pursuing doctoral studies focused on "Biomusic" with Carola Bauckholt at the Anton Bruckner Private University, in Austria. Graduated from the Master in Musical Creation, New Technologies and Traditional Arts, from UNTREF; Specialization in Object Theater, Interactivity and New Media from UNA, in Argentina, with support from the program Studies Abroad 2015-2017 of FONCA-CONACYT. Graduated in 2014 with honors from the Faculty of Music of the UNAM.</p>
596
597							</div>
598						
599													<div class="member-links">
600																										
601									
602									<a href="https://taniarubio.com/en/" target="">Website</a>
603															</div>
604											</div>
605				</div>
606
607				<div class="member-item-lightbox" data-lightbox="Tania Rubio">
608					<button class="btn close">
609						<span class="sr-only">Close</span>
610
611						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
612							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
613							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
614						</svg>
615					</button>
616
617					<div class="lightbox-inner">
618						<figure>
619							<img data-src="https://wfae.net/wp-content/uploads/2025/09/Tania_Rubio_photo-scaled-1-480x320.jpg" alt="">
620						</figure>
621
622						<div class="member-details">
623							<div>
624								<p class="member-name">Tania Rubio</p>
625								<div class="member-role">
626																			<span>Board Member</span>
627																	</div>
628
629																	<div class="member-bio">
630										<p>
630I am a composer, sound artist, researcher and field recordist. I focus on contemporary concert music, multichannel electroacoustic music and sound installation. My line of research focuses on acoustic ecology, and soundscape studies, with particular interest in the intersections between sound art and biological sciences. I am the recipient of several awards and grants, most recently, "Sistema Nacional de Creadores de Arte 2023-2026"; “Sharing Knowledge” by the Danish Composers' Society and Art Music Denmark in collaboration with Initiative Neue musik, Berlin 2023; "Internationaler Koproduktionsfonds 2022-2023" by the Goethe Institut, "Art/Nature Composer in Residence 2021" by the Crespo Foundation, in Glekeen Garden, Ireland. "Jovenes Creadores FONCA 2021-2022", "Composer in Residence 2019" by the Archiv Frau und Musik in collaboration with the Höschule für musik und Darstellende Kunst in Frankfurt, Germany. "Arte, Ciencia y Tecnología ACT, FONCA-UNAM 2019-2020", "Ibermemoria Sonora y Audiovisual 2021" in collaboration with Abirds and the Centro de Investigaciones Biológicas de la UAEM. I am currently pursuing doctoral studies focused on "Biomusic" with Carola Bauckholt at the Anton Bruckner Private University, in Austria. Graduated from the Master in Musical Creation, New Technologies and Traditional Arts, from UNTREF; Specialization in Object Theater, Interactivity and New Media from UNA, in Argentina, with support from the program Studies Abroad 2015-2017 of FONCA-CONACYT. Graduated in 2014 with honors from the Faculty of Music of the UNAM.</p>
631
632									</div>
633															</div>
634
635															<div class="member-links">
636																											
637									
638									<a href="https://taniarubio.com/en/" target="">Website</a>
639																</div>
640													</div>
641					</div>
642				</div>
643												
644				
645								
646				<div class="member-item" member-index="6" member-name="Jacek Smolicki" role="Board Member" location=",">
647					<figure>
648						<img data-src="https://wfae.net/wp-content/uploads/2025/07/1747243299-bpfull-480x480.jpg" alt="">
649					</figure>
650
651					<div class="member-details">
652						<p class="member-name">Jacek Smolicki</p>
653						<div class="member-role">
654															<span>Board Member</span>
655													</div>
656
657													<div class="member-bio">
658								<p>Jacek Smolicki (born during martial law in Kraków) is a Stockholm-based cross-disciplinary artist, designer, researcher and educator. His work explores temporal, existential and technological dimensions of listening, recording and archiving practices in human and more-than-human realms.</p>
659<p>Besides engaging with historical archives, media, and heritage, Smolicki develops other modes of sensing, recording, and mediating stories and signals from specific sites, scales, and temporalities. His work is manifested through hybrid soundwalks, soundscape compositions, diverse forms of writing, site-responsive performances, experimental archives, and audio-visual installations.</p>
660<p>He has performed, published, and exhibited internationally (e.g. In-Sonora Madrid, Atlantic Center for the Arts, Moscow International Biennale for Young Art, AudioArt Kraków, Ars Electronica, Linz, Sonorities, Belfast, and Historical Museum of Bosnia and Herzegovina, Sarajevo). </p>
661
662							</div>
663						
664													<div class="member-links">
665																										
666									
667									<a href="https://www.smolicki.com/" target="">Website</a>
668															</div>
669											</div>
670				</div>
671
672				<div class="member-item-lightbox" data-lightbox="Jacek Smolicki">
673					<button class="btn close">
674						<span class="sr-only">Close</span>
675
676						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
677							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
678							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
679						</svg>
680					</button>
681
682					<div class="lightbox-inner">
683						<figure>
684							<img data-src="https://wfae.net/wp-content/uploads/2025/07/1747243299-bpfull-480x480.jpg" alt="">
685						</figure>
686
687						<div class="member-details">
688							<div>
689								<p class="member-name">Jacek Smolicki</p>
690								<div class="member-role">
691																			<span>Board Member</span>
692																	</div>
693
694																	<div class="member-bio">
695										<p>Jacek Smolicki (born during martial law in Kraków) is a Stockholm-based cross-disciplinary artist, designer, researcher and educator. His work explores temporal, existential and technological dimensions of listening, recording and archiving practices in human and more-than-human realms.</p>
696<p>Besides engaging with historical archives, media, and heritage, Smolicki develops other modes of sensing, recording, and mediating stories and signals from specific sites, scales, and temporalities. His work is manifested through hybrid soundwalks, soundscape compositions, diverse forms of writing, site-responsive performances, experimental archives, and audio-visual installations.</p>
697<p>He has performed, published, and exhibited internationally (e.g. In-Sonora Madrid, Atlantic Center for the Arts, Moscow International Biennale for Young Art, AudioArt Kraków, Ars Electronica, Linz, Sonorities, Belfast, and Historical Museum of Bosnia and Herzegovina, Sarajevo). </p>
698
699									</div>
700															</div>
701
702															<div class="member-links">
703																											
704									
705									<a href="https://www.smolicki.com/" target="">Website</a>
706																</div>
707													</div>
708					</div>
709				</div>
710					</div>
711	</section>
712
713
714	
715				<section class="section-text bottom-space-none">
716		<div class="section-text-inner">
717			<p class="h2">WFAE Executive</p>
718<p>WFAE executive board manages day to day operations</p>
719
720		</div>
721	</section>
722
723	
724				<section class="section-team bottom-space-default">
725		<div class="team-members">
726												
727				
728								
729				<div class="member-item" member-index="1" member-name="Linda O'Keeffe" role="President" location=",">
730					<figure>
731						<img data-src="https://wfae.net/wp-content/uploads/2025/07/Linda-OKeeffe_s-320x480.jpg" alt="">
732					</figure>
733
734					<div class="member-details">
735						<p class="member-name">Linda O'Keeffe</p>
736						<div class="member-role">
737															<span>President</span>
738													</div>
739
740													<div class="member-bio">
741								<p>Linda O’Keeffe’s work merges equality, science, technology, ethics, society, and communication. Her project “Evolving Ourselves with Unnatural Selection,” supported by Creative Scotland and the SETI Institute, explores gene editing and climate adaptation through art and science. O’Keeffe’s installation “Hybrid Soundscapes I-IV,” part of the “Sounds Like Her” exhibition, reflects on renewable energy’s impact on rural areas, based on three years of research. This toured UK galleries from 2017-2020. Her album “Silent Spring” highlights field recordings and challenges perceptions of climate change soundscapes.</p>
742<p>As the founder of Women in Sound Women on Sound (WISWOS), O’Keeffe promotes diversity in sound art. Recognized by the Arts Council of England in 2018, she traveled to Brazil, delivering talks and workshops, and released two albums. Her book “The Body in Sound, Music and Performance” (2022), features contributions from over 20 women globally.</p>
743
744							</div>
745						
746													<div class="member-links">
747																										
748									
749									<a href="#" target="_blank">Sonora</a>
750																										
751									
752									<a href="#" target="_blank">Lisboa Soa</a>
753																										
754									
755									<a href="#" target="_blank">Invisible Places</a>
756															</div>
757											</div>
758				</div>
759
760				<div class="member-item-lightbox" data-lightbox="Linda O'Keeffe">
761					<button class="btn close">
762						<span class="sr-only">Close</span>
763
764						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
765							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
766							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
767						</svg>
768					</button>
769
770					<div class="lightbox-inner">
771						<figure>
772							<img data-src="https://wfae.net/wp-content/uploads/2025/07/Linda-OKeeffe_s-320x480.jpg" alt="">
773						</figure>
774
775						<div class="member-details">
776							<div>
777								<p class="member-name">Linda O'Keeffe</p>
778								<div class="member-role">
779																			<span>President</span>
780																	</div>
781
782																	<div class="member-bio">
783										<p>Linda O’Keeffe’s work merges equality, science, technology, ethics, society, and communication. Her project “Evolving Ourselves with Unnatural Selection,” supported by Creative Scotland and the SETI Institute, explores gene editing and climate adaptation through art and science. O’Keeffe’s installation “Hybrid Soundscapes I-IV,” part of the “Sounds Like Her” exhibition, reflects on renewable energy’s impact on rural areas, based on three years of research. This toured UK galleries from 2017-2020. Her album “Silent Spring” highlights field recordings and challenges perceptions of climate change soundscapes.</p>
784<p>As the founder of Women in Sound Women on Sound (WISWOS), O’Keeffe promotes diversity in sound art. Recognized by the Arts Council of England in 2018, she traveled to Brazil, delivering talks and workshops, and released two albums. Her book “The Body in Sound, Music and Performance” (2022), features contributions from over 20 women globally.</p>
785
786									</div>
787															</div>
788
789															<div class="member-links">
790																											
791									
792									<a href="#" target="_blank">Sonora</a>
793																										
794									
795									<a href="#" target="_blank">Lisboa Soa</a>
796																										
797									
798									<a href="#" target="_blank">Invisible Places</a>
799																</div>
800													</div>
801					</div>
802				</div>
803												
804				
805								
806				<div class="member-item" member-index="2" member-name="Leah Barclay" role="Vice-President" location=",">
807					<figure>
808						<img data-src="https://wfae.net/wp-content/uploads/2025/04/leah-barclay-385x480.jpg" alt="">
809					</figure>
810
811					<div class="member-details">
812						<p class="member-name">Leah Barclay</p>
813						<div class="member-role">
814															<span>Vice-President</span>
815													</div>
816
817													<div class="member-bio">
818								<p>Dr. Leah Barclay is an Australian sound artist, composer and researcher working at the intersection of art, science and technology. She specialises in electroacoustic music, acoustic ecology and emerging fields of biology exploring environmental patterns and changes through sound. Her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including UNESCO, Ear to the Earth, Al Gore’s Climate Reality and the IUCN. She is currently the director of Biosphere Soundscapes and a research fellow at Griffith University in Australia where she is leading a portfolio of research in acoustic ecology and climate change.</p>
819
820							</div>
821						
822													<div class="member-links">
823																										
824									
825									<a href="https://leahbarclay.com/" target="_blank">Website</a>
826															</div>
827											</div>
828				</div>
829
830				<div class="member-item-lightbox" data-lightbox="Leah Barclay">
831					<button class="btn close">
832						<span class="sr-only">Close</span>
833
834						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
835							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
836							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
837						</svg>
838					</button>
839
840					<div class="lightbox-inner">
841						<figure>
842							<img data-src="https://wfae.net/wp-content/uploads/2025/04/leah-barclay-385x480.jpg" alt="">
843						</figure>
844
845						<div class="member-details">
846							<div>
847								<p class="member-name">Leah Barclay</p>
848								<div class="member-role">
849																			<span>Vice-President</span>
850																	</div>
851
852																	<div class="member-bio">
853										<p>Dr. Leah Barclay is an Australian sound artist, composer and researcher working at the intersection of art, science and technology. She specialises in electroacoustic music, acoustic ecology and emerging fields of biology exploring environmental patterns and changes through sound. Her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including UNESCO, Ear to the Earth, Al Gore’s Climate Reality and the IUCN. She is currently the director of Biosphere Soundscapes and a research fellow at Griffith University in Australia where she is leading a portfolio of research in acoustic ecology and climate change.</p>
854
855									</div>
856															</div>
857
858															<div class="member-links">
859																											
860									
861									<a href="https://leahbarclay.com/" target="_blank">Website</a>
862																</div>
863													</div>
864					</div>
865				</div>
866												
867				
868								
869				<div class="member-item" member-index="3" member-name="Sabine Breitsameter" role="Vice-President" location=",">
870					<figure>
871						<img data-src="https://wfae.net/wp-content/uploads/2025/09/Breitsameter-480x320.jpg" alt="">
872					</figure>
873
874					<div class="member-details">
875						<p class="member-name">Sabine Breitsameter</p>
876						<div class="member-role">
877															<span>Vice-President</span>
878													</div>
879
880													<div class="member-bio">
881								<p>Professor of Sound and Media Culture at the Media Department of Darmstadt University of Applied Sciences. Appointed in 2006.</p>
882<p>Co-founder of the Master's program "Sound Studies" at the Berlin University of the Arts. She was a visiting professor for experimental sound design there from 2004 to 2008.</p>
883<p>2005/2006 Director of the temporary German-Polish artist radio station “Radio_Copernicus” on behalf of the Federal Cultural Foundation.</p>
884<p>Since 1988, she has worked as a writer, director, editor, and dramaturge for the radio drama, feature, and cultural departments of ARD, and since 1998 for SWR, particularly in the field of radio drama and new media. From 1993 to 1996, she lau
884nched the experimental broadcast series "International Digital Radio Art" on Sender Freies Berlin.</p>
885<p>Artistic and scientific director of international festivals and symposia, including “Sound Environments” (Academy of Arts Berlin 1995), “All Ears” (Kassel/Documenta 1997), City Voices (State Capital Wiesbaden 1999), “Trans_Canada” (ZKM Karlsruhe 2004), “Sound, Media and Urban Space” (Academy of Arts Berlin 2005), “Expanded Interface” (Ars Electronica Linz 2010).</p>
886
887							</div>
888						
889													<div class="member-links">
890																										
891									
892									<a href="https://hfmakademie.de/de/people/prof_sabine_breitsameter" target="">University Profile</a>
893															</div>
894											</div>
895				</div>
896
897				<div class="member-item-lightbox" data-lightbox="Sabine Breitsameter">
898					<button class="btn close">
899						<span class="sr-only">Close</span>
900
901						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
902							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
903							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
904						</svg>
905					</button>
906
907					<div class="lightbox-inner">
908						<figure>
909							<img data-src="https://wfae.net/wp-content/uploads/2025/09/Breitsameter-480x320.jpg" alt="">
910						</figure>
911
912						<div class="member-details">
913							<div>
914								<p class="member-name">Sabine Breitsameter</p>
915								<div class="member-role">
916																			<span>Vice-President</span>
917																	</div>
918
919																	<div class="member-bio">
920										<p>Professor of Sound and Media Culture at the Media Department of Darmstadt University of Applied Sciences. Appointed in 2006.</p>
921<p>Co-founder of the Master's program "Sound Studies" at the Berlin University of the Arts. She was a visiting professor for experimental sound design there from 2004 to 2008.</p>
922<p>2005/2006 Director of the temporary German-Polish artist radio station “Radio_Copernicus” on behalf of the Federal Cultural Foundation.</p>
923<p>Since 1988, she has worked as a writer, director, editor, and dramaturge for the radio drama, feature, and cultural departments of ARD, and since 1998 for SWR, particularly in the field of radio drama and new media. From 1993 to 1996, she launched the experimental broadcast series "International Digital Radio Art" on Sender Freies Berlin.</p>
924<p>Artistic and scientific director of international festivals and symposia, including “Sound Environments” (Academy of Arts Berlin 1995), “All Ears” (Kassel/Documenta 1997), City Voices (State Capital Wiesbaden 1999), “Trans_Canada” (ZKM Karlsruhe 2004), “Sound, Media and Urban Space” (Academy of Arts Berlin 2005), “Expanded Interface” (Ars Electronica Linz 2010).</p>
925
926									</div>
927															</div>
928
929															<div class="member-links">
930																											
931									
932									<a href="https://hfmakademie.de/de/people/prof_sabine_breitsameter" target="">University Profile</a>
933																</div>
934													</div>
935					</div>
936				</div>
937												
938				
939								
940				<div class="member-item" member-index="4" member-name="Jesse Budel" role="Secretary" location=",">
941					<figure>
942						<img data-src="https://wfae.net/wp-content/uploads/2025/05/457856706-18459290626048528-3097617139303614101-n-480x480.jpg" alt="">
943					</figure>
944
945					<div class="member-details">
946						<p class="member-name">Jesse Budel</p>
947						<div class="member-role">
948															<span>Secretary</span>
949													</div>
950
951													<div class="member-bio">
952								<p>Jesse Budel is a composer-performer and sound artist based in Adelaide, South Australia. He recently completed a PhD at Elder Conservatorium of Music, The University of Adelaide (with an Australian Postgraduate Award), focussing on adapting soundscape ecology frameworks and methodologies to creative process, applied in the production of works responding to engagement with specific sites, and related ecosystems and s
952oundscapes.  In 2024, Jesse is an Arts South Australia Fellowship for higher-order ambisonics research and creative practice. Currently, he is a Research Associate at The University of Adelaide, and also serves as the Secretary for the Australian Forum for Acoustic Ecology.​</p>
953
954							</div>
955						
956													<div class="member-links">
957																										
958									
959									<a href="#" target="_blank">Website</a>
960															</div>
961											</div>
962				</div>
963
964				<div class="member-item-lightbox" data-lightbox="Jesse Budel">
965					<button class="btn close">
966						<span class="sr-only">Close</span>
967
968						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
969							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
970							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
971						</svg>
972					</button>
973
974					<div class="lightbox-inner">
975						<figure>
976							<img data-src="https://wfae.net/wp-content/uploads/2025/05/457856706-18459290626048528-3097617139303614101-n-480x480.jpg" alt="">
977						</figure>
978
979						<div class="member-details">
980							<div>
981								<p class="member-name">Jesse Budel</p>
982								<div class="member-role">
983																			<span>Secretary</span>
984																	</div>
985
986																	<div class="member-bio">
987										<p>Jesse Budel is a composer-performer and sound artist based in Adelaide, South Australia. He recently completed a PhD at Elder Conservatorium of Music, The University of Adelaide (with an Australian Postgraduate Award), focussing on adapting soundscape ecology frameworks and methodologies to creative process, applied in the production of works responding to engagement with specific sites, and related ecosystems and soundscapes.  In 2024, Jesse is an Arts South Australia Fellowship for higher-order ambisonics research and creative practice. Currently, he is a Research Associate at The University of Adelaide, and also serves as the Secretary for the Australian Forum for Acoustic Ecology.​</p>
988
989									</div>
990															</div>
991
992															<div class="member-links">
993																											
994									
995									<a href="#" target="_blank">Website</a>
996																</div>
997													</div>
998					</div>
999				</div>
1000												
1001				
1002								
1003				<div class="member-item" member-index="5" member-name="TBA" role="Treasurer" location=",">
1004					<figure>
1005						<img data-src="" alt="">
1006					</figure>
1007
1008					<div class="member-details">
1009						<p class="member-name">TBA</p>
1010						<div class="member-role">
1011															<span>Treasurer</span>
1012													</div>
1013
1014													<div class="member-bio">
1015								<p>TBA</p>
1016
1017							</div>
1018						
1019													<div class="member-links">
1020																										
1021																																						
1022									<a href="#" target="">#</a>
1023															</div>
1024											</div>
1025				</div>
1026
1027				<div class="member-item-lightbox" data-lightbox="TBA">
1028					<button class="btn close">
1029						<span class="sr-only">Close</span>
1030
1031						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1032							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1033							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1034						</svg>
1035					</button>
1036
1037					<div class="lightbox-inner">
1038						<figure>
1039							<img data-src="" alt="">
1040						</figure>
1041
1042						<div class="member-details">
1043							<div>
1044								<p class="member-name">TBA</p>
1045								<div class="member-role">
1046																			<span>Treasurer</span>
1047																	</div>
1048
1049																	<div class="member-bio">
1050										<p>TBA</p>
1051
1052									</div>
1053															</div>
1054
1055															<div class="member-links">
1056																											
1057																																						
1058									<a href="#" target="">#</a>
1059																</div>
1060													</div>
1061					</div>
1062				</div>
1063					</div>
1064	</section>
1065
1066
1067	
1068				<section class="section-text bottom-space-none">
1069		<div class="section-text-inner">
1070			<p class="h2">WFAE Advisory Committee</p>
1071
1072		</div>
1073	</section>
1074
1075	
1076				<section class="section-team bottom-space-default">
1077		<div class="team-members">
1078												
1079				
1080								
1081				<div class="member-item" member-index="1" member-name="Vicki Hallett" role="AFAE Representative" location=",">
1082					<figure>
1083						<img data-src="https://wfae.net/wp-content/uploads/2025/07/Vicki_389632_07-1-480x480.jpg" alt="">
1084					</figure>
1085
1086					<div class="member-details">
1087						<p class="member-name">Vicki Hallett</p>
1088						<div class="member-role">
1089															<span>AFAE Representative</span>
1090													</div>
1091
1092													<div class="member-bio">
1093								<p>I am a musician, acoustic ecologist, sound artist and composer. I seek spaces with limited anthropogenic sounds including infrasound interactions. With an ongoing quest for sonic immersion and creative compositional devices with authenticity and inspiration I delve into an organic landscape of sound. I records sounds and create works which open the senses to rarely heard sounds existing within the environment and explore the spaces between hearing music and sound as a cultural experience and the aural vibration, not only within the being but beyond. I am fascinated by questions such as: How do our sounds impact our own beings and how do they impact ecosystems? How does another being perceive but a human may not? Can we attempt to hear the world as it is experienced by a particular organism? How do different animals in the same ecosystem tune into different environmental signals and how are these signals fundamental to their communication and signification? How can we hear beyond the limits of our hearing? My focus is to record, compose with, and feature ever-diminishing habitats and species. Highlighting unique sounds from the micro to the macro, I utilise sounds we rarely or can not hear. I have composed, produced and performed in live concerts, international conferences, solo recordings and videos ranging from chamber music to exploratory work with sound art. I travel the world recording nature’s sounds as well as performing in acoustically interesting environments including Mabolel Rock (South Africa) with a pod of Hippopotami, the Amazon jungle and Antarctica.</p>
1094
1095							</div>
1096						
1097													<div class="member-links">
1098																										
1099									
1100									<a href="https://www.vickihallett.com/" target="">Website</a>
1101																										
1102									
1103									<a href="http://www.afae.org.au" target="">AFAE Website</a>
1104															</div>
1105											</div>
1106				</div>
1107
1108				<div class="member-item-lightbox" data-lightbox="Vicki Hallett">
1109					<button class="btn close">
1110						<span class="sr-only">Close</span>
1111
1112						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1113							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1114							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1115						</svg>
1116					</button>
1117
1118					<div class="lightbox-inner">
1119						<figure>
1120							<img data-src="https://wfae.net/wp-content/uploads/2025/07/Vicki_389632_07-1-480x480.jpg" alt="">
1121						</figure>
1122
1123						<div class="member-details">
1124							<div>
1125								<p class="member-name">Vicki Hallett</p>
1126								<div class="member-role">
1127																			<span>AFAE Representative</span>
1128																	</div>
1129
1130																	<div class="member-bio">
1131										<p>
1131I am a musician, acoustic ecologist, sound artist and composer. I seek spaces with limited anthropogenic sounds including infrasound interactions. With an ongoing quest for sonic immersion and creative compositional devices with authenticity and inspiration I delve into an organic landscape of sound. I records sounds and create works which open the senses to rarely heard sounds existing within the environment and explore the spaces between hearing music and sound as a cultural experience and the aural vibration, not only within the being but beyond. I am fascinated by questions such as: How do our sounds impact our own beings and how do they impact ecosystems? How does another being perceive but a human may not? Can we attempt to hear the world as it is experienced by a particular organism? How do different animals in the same ecosystem tune into different environmental signals and how are these signals fundamental to their communication and signification? How can we hear beyond the limits of our hearing? My focus is to record, compose with, and feature ever-diminishing habitats and species. Highlighting unique sounds from the micro to the macro, I utilise sounds we rarely or can not hear. I have composed, produced and performed in live concerts, international conferences, solo recordings and videos ranging from chamber music to exploratory work with sound art. I travel the world recording nature’s sounds as well as performing in acoustically interesting environments including Mabolel Rock (South Africa) with a pod of Hippopotami, the Amazon jungle and Antarctica.</p>
1132
1133									</div>
1134															</div>
1135
1136															<div class="member-links">
1137																											
1138									
1139									<a href="https://www.vickihallett.com/" target="">Website</a>
1140																										
1141									
1142									<a href="http://www.afae.org.au" target="">AFAE Website</a>
1143																</div>
1144													</div>
1145					</div>
1146				</div>
1147												
1148				
1149								
1150				<div class="member-item" member-index="2" member-name="Mickey Vallee" role="CASE/ACÉS Representative" location=",">
1151					<figure>
1152						<img data-src="https://wfae.net/wp-content/uploads/2025/09/mv-in-lundbreck_orig-480x356.jpg" alt="">
1153					</figure>
1154
1155					<div class="member-details">
1156						<p class="member-name">Mickey Vallee</p>
1157						<div class="member-role">
1158															<span>CASE/ACÉS Representative</span>
1159													</div>
1160
1161													<div class="member-bio">
1162								<p>Mickey Vallee holds a Tier 2 Canada Research Chair in Sound Studies at Athabasca University. He uses traditional qualitative methods to understand the personal and collective experiences that researchers, cultural producers and people in everyday life have with emerging sound technologies. He is also experimenting with “inventive” methods to test the value of creative interdisciplinary research and collaboration, including the use of digital apparatuses and storage, and analysis software. He has published three books and over 30 academic articles and chapter contributions on how sound contributes to knowledge in science, philosophy, and the arts. His current research project involves a novel approach to bioacoustics as a lived experience between humans, animals, and the environment, and is situated entirely in the wilderness of Southwest Alberta, Treaty 7 territory of the Blackfoot/Niitsítapi. </p>
1163
1164							</div>
1165						
1166													<div class="member-links">
1167																										
1168									
1169									<a href="https://www.athabascau.ca/humanities-and-social-sciences/our-people/mickey-vallee.html" target="">University Profile</a>
1170																										
1171									
1172									<a href="https://www.soundecology.ca/" target="">CASE/ACÉS Website</a>
1173															</div>
1174											</div>
1175				</div>
1176
1177				<div class="member-item-lightbox" data-lightbox="Mickey Vallee">
1178					<button class="btn close">
1179						<span class="sr-only">Close</span>
1180
1181						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1182							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1183							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1184						</svg>
1185					</button>
1186
1187					<div class="lightbox-inner">
1188						<figure>
1189							<img data-src="https://wfae.net/wp-content/uploads/2025/09/mv-in-lundbreck_orig-480x356.jpg" alt="">
1190						</figure>
1191
1192						<div class="member-details">
1193							<div>
1194								<p class="member-name">Mickey Vallee</p>
1195								<div class="member-role">
1196																			<span>CASE/ACÉS Representative</span>
1197																	</div>
1198
1199																	<div class="member-bio">
1200										<p>Mickey Vallee holds a Tier 2 Canada Research Chair in Sound Studies at Athabasca University. He uses traditional qual
1200itative methods to understand the personal and collective experiences that researchers, cultural producers and people in everyday life have with emerging sound technologies. He is also experimenting with “inventive” methods to test the value of creative interdisciplinary research and collaboration, including the use of digital apparatuses and storage, and analysis software. He has published three books and over 30 academic articles and chapter contributions on how sound contributes to knowledge in science, philosophy, and the arts. His current research project involves a novel approach to bioacoustics as a lived experience between humans, animals, and the environment, and is situated entirely in the wilderness of Southwest Alberta, Treaty 7 territory of the Blackfoot/Niitsítapi. </p>
1201
1202									</div>
1203															</div>
1204
1205															<div class="member-links">
1206																											
1207									
1208									<a href="https://www.athabascau.ca/humanities-and-social-sciences/our-people/mickey-vallee.html" target="">University Profile</a>
1209																										
1210									
1211									<a href="https://www.soundecology.ca/" target="">CASE/ACÉS Website</a>
1212																</div>
1213													</div>
1214					</div>
1215				</div>
1216												
1217				
1218								
1219				<div class="member-item" member-index="3" member-name="Ari Koivumäki" role="FSAE Representative" location=",">
1220					<figure>
1221						<img data-src="https://wfae.net/wp-content/uploads/2025/09/ari-k.jpg" alt="">
1222					</figure>
1223
1224					<div class="member-details">
1225						<p class="member-name">Ari Koivumäki</p>
1226						<div class="member-role">
1227															<span>FSAE Representative</span>
1228													</div>
1229
1230													<div class="member-bio">
1231								<p>Ari Koivumäki started working with sound in 1980 as a sound engineer in the Finnish Broadcasting Company (YLE).  In the 1990s, he become a lecturer in sound design, taking part (alongside his students) in many soundscape projects and publications together with Finnish Society for Acoustic Ecology since 1999, both in Finland and in greater Europe.</p>
1232<p>Ari has also presented papers at several conferences related to sound engineering, soundscape studies and ambiance. He received his doctorate from Aalto University, School of Art and Design in 2018, where his dissertation focussed on how to benefit soundscape studies within sound design. Currently, Ari is working as a Principal lecturer of media production in Tampere University of Applied Sciences (TAMK).  Here, he has participated in R&D programs focusing on digitizing wellbeing services and addressing challenges related to population ageing, in cooperation with companies and public organizations.</p>
1233
1234							</div>
1235						
1236													<div class="member-links">
1237																										
1238									
1239									<a href="https://www.linkedin.com/in/ari-koivumaki-3922268/" target="">LinkedIn Profile</a>
1240																										
1241									
1242									<a href="https://www.aanimaisemat.fi/" target="">FSAE Website</a>
1243															</div>
1244											</div>
1245				</div>
1246
1247				<div class="member-item-lightbox" data-lightbox="Ari Koivumäki">
1248					<button class="btn close">
1249						<span class="sr-only">Close</span>
1250
1251						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1252							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1253							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1254						</svg>
1255					</button>
1256
1257					<div class="lightbox-inner">
1258						<figure>
1259							<img data-src="https://wfae.net/wp-content/uploads/2025/09/ari-k.jpg" alt="">
1260						</figure>
1261
1262						<div class="member-details">
1263							<div>
1264								<p class="member-name">Ari Koivumäki</p>
1265								<div class="member-role">
1266																			<span>FSAE Representative</span>
1267																	</div>
1268
1269																	<div class="member-bio">
1270										<p>Ari Koivumäki started working with sound in 1980 as a sound engineer in the Finnish Broadcasting Company (YLE).  In the 1990s, he become a lecturer in sound design, taking part (alongside his students) in many soundscape projects and publications together with Finnish Society for Acoustic Ecology since 1999, both in Finland and in greater Europe.</p>
1271<p>Ari has also presented papers at several conferences related to sound engineering, soundscape studies and ambiance. He received his doctorate from Aalto University, School of Art and Design in 2018, where his dissertation focussed on how to benefit soundscape studies within sound design. Currently, Ari is working as a Principal lecturer of media production in Tampere University of Applied Sciences (TAMK).  Here, he has participated in R&D programs focusing on digitizing wellbeing services and addressing challenges related to population ageing, in cooperation with companies and public organizations.</p>
1272
1273									</div>
1274															</div>
1275
1276															<div class="member-links">
1277																											
1278									
1279									<a href="https://www.linkedin.com/in/ari-koivumaki-3922268/" target="">LinkedIn Profile</a>
1280																										
1281									
1282									<a href="https://www.aanimaisemat.fi/" target="">FSAE Website</a>
1283																</div>
1284													</div>
1285					</div>
1286				</div>
1287												
1288				
1289								
1290				<div class="member-item" member-index="4" member-name="Katerina Tzedaki" role="HSAE Representative" location=",">
1291					<figure>
1292						<img data-src="https://wfae.net/wp-content/uploads/2025/09/A-1066250-1551246845-3873-480x480.jpg" alt="">
1293					</figure>
1294
1295					<div class="member-details">
1296						<p class="member-name">Katerina Tzedaki</p>
1297						<div class="member-role">
1298															<span>HSAE Representative</span>
1299													</div>
1300
1301													<div class="member-bio">
1302								<p>BIO</p>
1303
1304							</div>
1305						
1306													<div class="member-links">
1307																										
1308									
1309									<a href="https://ktzedaki.net/" target="">Website</a>
1310																										
1311									
1312									<a href="https://hseaen.wordpress.com/" target="">HSAE Website</a>
1313															</div>
1314											</div>
1315				</div>
1316
1317				<div class="member-item-lightbox" data-lightbox="Katerina Tzedaki">
1318					<button class="btn close">
1319						<span class="sr-only">Close</span>
1320
1321						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1322							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1323							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1324						</svg>
1325					</button>
1326
1327					<div class="lightbox-inner">
1328						<figure>
1329							<img data-src="https://wfae.net/wp-content/uploads/2025/09/A-1066250-1551246845-3873-480x480.jpg" alt="">
1330						</figure>
1331
1332						<div class="member-details">
1333							<div>
1334								<p class="member-name">Katerina Tzedaki</p>
1335								<div class="member-role">
1336																			<span>HSAE Representative</span>
1337																	</div>
1338
1339																	<div class="member-bio">
1340										<p>BIO</p>
1341
1342									</div>
1343															</div>
1344
1345															<div class="member-links">
1346																											
1347									
1348									<a href="https://ktzedaki.net/" target="">Website</a>
1349																										
1350									
1351									<a href="https://hseaen.wordpress.com/" target="">HSAE Website</a>
1352																</div>
1353													</div>
1354					</div>
1355				</div>
1356												
1357				
1358								
1359				<div class="member-item" member-index="5" member-name="Tadahiko Imada" role="JASE Representative" location=",">
1360					<figure>
1361						<img data-src="https://wfae.net/wp-content/uploads/2025/09/Tadahiko-Imada-480x480.jpeg" alt="">
1362					</figure>
1363
1364					<div class="member-details">
1365						<p class="member-name">Tadahiko Imada</p>
1366						<div class="member-role">
1367															<span>JASE Representative</span>
1368													</div>
1369
1370													<div class="member-bio">
1371								<p>​Dr. Tadahiko Imada is Professor at Hirosaki University in Japan, teaching music education based on the concept of soundscape. He holds a BMus from Kunitachi College of Music in Tokyo; an MA from Simon Fraser University where he studied as a recipient of the Government of Canada Award; and his PhD is from the University of British Columbia in Canada. Dr. Imada is co-author of A Little Sound Education (together with R. Murray Schafer, Tokyo: Shunjusha, 1996, 2009); Music Education Policy and Implementation: International Perspectives (co-edited with Chi Cheung Leung and Rita Yip, Hirosaki University Press, 2008) and The Oxford Handbook of Philosophy in Music Education (edited by Wayne Bowman and Ana Luca Fruga, Oxford University Press, 2012).</p>
1372
1373							</div>
1374						
1375													<div class="member-links">
1376																										
1377									
1378									<a href="https://hue2.jm.hirosaki-u.ac.jp/html/124_en.html" target="">University Profile</a>
1379																										
1380									
1381									<a href="https://www.soundscape-j.org/english_index.html" target="">JASE Website</a>
1382															</div>
1383											</div>
1384				</div>
1385
1386				<div class="member-item-lightbox" data-lightbox="Tadahiko Imada">
1387					<button class="btn close">
1388						<span class="sr-only">Close</span>
1389
1390						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1391							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1392							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1393						</svg>
1394					</button>
1395
1396					<div class="lightbox-inner">
1397						<figure>
1398							<img data-src="https://wfae.net/wp-content/uploads/2025/09/Tadahiko-Imada-480x480.jpeg" alt="">
1399						</figure>
1400
1401						<div class="member-details">
1402							<div>
1403								<p class="member-name">Tadahiko Imada</p>
1404								<div class="member-role">
1405																			<span>JASE Representative</span>
1406																	</div>
1407
1408																	<div class="member-bio">
1409										<p>​Dr. Tadahiko Imada is Professor at Hirosaki University in Japan, teaching music education based on the concept of soundscape. He holds a BMus from Kunitachi College of Music in Tokyo; an MA from Simon Fraser University where he studied as a recipient of the Government of Canada Award; and his PhD is from the University of British Columbia in Canada. Dr. Imada is co-author of A Little Sound Education (together with R. Murray Schafer, Tokyo: Shunjusha, 1996, 2009);
1409 Music Education Policy and Implementation: International Perspectives (co-edited with Chi Cheung Leung and Rita Yip, Hirosaki University Press, 2008) and The Oxford Handbook of Philosophy in Music Education (edited by Wayne Bowman and Ana Luca Fruga, Oxford University Press, 2012).</p>
1410
1411									</div>
1412															</div>
1413
1414															<div class="member-links">
1415																											
1416									
1417									<a href="https://hue2.jm.hirosaki-u.ac.jp/html/124_en.html" target="">University Profile</a>
1418																										
1419									
1420									<a href="https://www.soundscape-j.org/english_index.html" target="">JASE Website</a>
1421																</div>
1422													</div>
1423					</div>
1424				</div>
1425												
1426				
1427								
1428				<div class="member-item" member-index="6" member-name="Kristine Diekman" role="MSAE Representative" location=",">
1429					<figure>
1430						<img data-src="https://wfae.net/wp-content/uploads/2025/04/Diekman-385x480.jpg" alt="">
1431					</figure>
1432
1433					<div class="member-details">
1434						<p class="member-name">Kristine Diekman</p>
1435						<div class="member-role">
1436															<span>MSAE Representative</span>
1437													</div>
1438
1439													<div class="member-bio">
1440								<p>Kristine Diekman is a media artist and educator working in responsive media, sound, drawing, documentary and experimental film, and social practice art. Collaborating with scientists and other artists, she co-creates multi-sensory installations that activate tactility, haptics and deep listening as strategies to enhance intersubjective experiences. Her current collaborative projects include biotremology, specifically insect vibration communication, and inclusive environments. Her latest collaborative museum installation focused on the sonification and haptics of stellar data. Recent documentary film projects include water and environmental justice, proposing new frameworks for political ecologies of water in California. As an educator, she facilitates international workshops in embodied storytelling and physical computing that lead participants through writing, craft, computing, and sound production to create interactive tactile audio interfaces to tell stories. She engages in numerous cultural collectives to bring sound art practices to global communities including The VIBRA Research Network (Europe), Real More Real (US), and TreeCreate (AUS). She has received several awards, grants and residencies, and presents her work world-wide. She is Emeritus Professor in the Art, Media & Design Department at California State University.</p>
1441
1442							</div>
1443						
1444													<div class="member-links">
1445																										
1446									
1447									<a href="https://www.kristinediekman.net/" target="">Website</a>
1448																										
1449									
1450									<a href="https://mwsae.org/" target="">MSAE Website</a>
1451															</div>
1452											</div>
1453				</div>
1454
1455				<div class="member-item-lightbox" data-lightbox="Kristine Diekman">
1456					<button class="btn close">
1457						<span class="sr-only">Close</span>
1458
1459						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1460							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1461							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1462						</svg>
1463					</button>
1464
1465					<div class="lightbox-inner">
1466						<figure>
1467							<img data-src="https://wfae.net/wp-content/uploads/2025/04/Diekman-385x480.jpg" alt="">
1468						</figure>
1469
1470						<div class="member-details">
1471							<div>
1472								<p class="member-name">Kristine Diekman</p>
1473								<div class="member-role">
1474																			<span>MSAE Representative</span>
1475																	</div>
1476
1477																	<div class="member-bio">
1478										<p>Kristine Diekman is a media artist and educator working in responsive media, sound, drawing, documentary and experimental film, and social practice art. Collaborating with scientists and other artists, she co-creates multi-sensory installations that activate tactility, haptics and deep listening as strategies to enhance intersubjective experiences. Her current collaborative projects include biotremology, specifically insect vibration communication, and inclusive environments. Her latest collaborative museum installation focused on the sonification and haptics of stellar data. Recent documentary film projects include water and environmental justice, proposing new frameworks for political ecologies of water in California. As an educator, she facilitates international workshops 
1478in embodied storytelling and physical computing that lead participants through writing, craft, computing, and sound production to create interactive tactile audio interfaces to tell stories. She engages in numerous cultural collectives to bring sound art practices to global communities including The VIBRA Research Network (Europe), Real More Real (US), and TreeCreate (AUS). She has received several awards, grants and residencies, and presents her work world-wide. She is Emeritus Professor in the Art, Media & Design Department at California State University.</p>
1479
1480									</div>
1481															</div>
1482
1483															<div class="member-links">
1484																											
1485									
1486									<a href="https://www.kristinediekman.net/" target="">Website</a>
1487																										
1488									
1489									<a href="https://mwsae.org/" target="">MSAE Website</a>
1490																</div>
1491													</div>
1492					</div>
1493				</div>
1494												
1495				
1496								
1497				<div class="member-item" member-index="7" member-name="Fausto E. Rodríguez Manzo" role="REA_MX Representative" location=",">
1498					<figure>
1499						<img data-src="https://wfae.net/wp-content/uploads/2025/04/Fausto-385x480.jpg" alt="">
1500					</figure>
1501
1502					<div class="member-details">
1503						<p class="member-name">Fausto E. Rodríguez Manzo</p>
1504						<div class="member-role">
1505															<span>REA_MX Representative</span>
1506													</div>
1507
1508													<div class="member-bio">
1509								<p>Fausto E. Rodríguez Manzo is an architect, Master and Doctor in Design from UAM. He holds many positions, including as Research Professor of the Department of Processes and Techniques CyAD UAM-Azc, Head of the Acoustic Analysis and Design Research Area and Laboratory, Professor of Architectural and Urban Design and elective courses (Space, sound and architecture; Acoustics and noise control in buildings; noise and city; Dialogues with music), Professor of the Postgraduate in Design and Urban Studies at UAM-Azc, and National Researcher of the National System of Researchers SNI-CONACYT level 2.</p>
1510<p>An author of specialized books and articles, Fausto currently directs the SEP-CONACYT Basic Science Project: "Environmental noise in the urban space of Mexico City". He carried out acoustic design of the Mateo Herrera Auditorium of the Cultural Forum of Guanajuato, in León, Gto Co
1510ordinator of the First Noise Map project for the Metropolitan Area of ​​the Valley of Mexico by UAM-A in collaboration with the SMA to the SMA of the Government of the Federal District between 2009 and 2011. </p>
1511
1512							</div>
1513						
1514													<div class="member-links">
1515																										
1516									
1517									<a href="https://investigacion.uam.mx/en/index.php/listado-catalogo/24029" target="">University Profile</a>
1518																										
1519									
1520									<a href="https://rea-mx.org/" target="">REA_MX Website</a>
1521															</div>
1522											</div>
1523				</div>
1524
1525				<div class="member-item-lightbox" data-lightbox="Fausto E. Rodríguez Manzo">
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1527						<span class="sr-only">Close</span>
1528
1529						<svg xmlns="http://www.w3.org/2000/svg" width="23.423" height="23.552" viewbox="0 0 23.423 23.552">
1530							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1531							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1532						</svg>
1533					</button>
1534
1535					<div class="lightbox-inner">
1536						<figure>
1537							<img data-src="https://wfae.net/wp-content/uploads/2025/04/Fausto-385x480.jpg" alt="">
1538						</figure>
1539
1540						<div class="member-details">
1541							<div>
1542								<p class="member-name">Fausto E. Rodríguez Manzo</p>
1543								<div class="member-role">
1544																			<span>REA_MX Representative</span>
1545																	</div>
1546
1547																	<div class="member-bio">
1548										<p>Fausto E. Rodríguez Manzo is an architect, Master and Doctor in Design from UAM. He holds many positions, including as Research Professor of the Department of Processes and Techniques CyAD UAM-Azc, Head of the Acoustic Analysis and Design Research Area and Laboratory, Professor of Architectural and Urban Design and elective courses (Space, sound and architecture; Acoustics and noise control in buildings; noise and city; Dialogues with music), Professor of the Postgraduate in Design and Urban Studies at UAM-Azc, and National Researcher of the National System of Researchers SNI-CONACYT level 2.</p>
1549<p>An author of specialized books and articles, Fausto currently directs the SEP-CONACYT Basic Science Project: "Environmental noise in the urban space of Mexico City". He carried out acoustic design of the Mateo Herrera Auditorium of the Cultural Forum of Guanajuato, in León, Gto Co
1549ordinator of the First Noise Map project for the Metropolitan Area of ​​the Valley of Mexico by UAM-A in collaboration with the SMA to the SMA of the Government of the Federal District between 2009 and 2011. </p>
1550
1551									</div>
1552															</div>
1553
1554															<div class="member-links">
1555																											
1556									
1557									<a href="https://investigacion.uam.mx/en/index.php/listado-catalogo/24029" target="">University Profile</a>
1558																										
1559									
1560									<a href="https://rea-mx.org/" target="">REA_MX Website</a>
1561																</div>
1562													</div>
1563					</div>
1564				</div>
1565												
1566				
1567								
1568				<div class="member-item" member-index="8" member-name="Marcus Maeder" role="SSAE Representative" location=",">
1569					<figure>
1570						<img data-src="https://wfae.net/wp-content/uploads/2025/09/csm_Portrait_MM_2a92c0f8ff.jpg" alt="">
1571					</figure>
1572
1573					<div class="member-details">
1574						<p class="member-name">Marcus Maeder</p>
1575						<div class="member-role">
1576															<span>SSAE Representative</span>
1577													</div>
1578
1579													<div class="member-bio">
1580								<p>Marcus Maeder is an artist, researcher and composer of electronic music. As an author, Maeder has written on a number of topics in the fields of sound art, acoustic ecology, artistic research and digital media. Maeder studied Fine Arts at the Lucerne University of Applied Sciences HSLU, Philosophy at the Fernuniversität in Hagen and completed his PhD in Environmental Systems Science at ETH Zürich. He has worked as an editor and producer for the Swiss radio station SRF and has been working as a curator, researcher and lecturer at the Institute for Computer Music and Sound Technology (ICST) of the Zurich University of the Arts ZHdK since 2005. Maeder is visiting scientist at the Swiss Federal Institute for Forest, Landscape and Snow Research WSL and currently holds a position as Humboldt Research Fellow at Freie Universität Berlin.</p>
1581
1582							</div>
1583						
1584													<div class="member-links">
1585																										
1586									
1587									<a href="https://marcusmaeder.ch/" target="">Website</a>
1588																										
1589									
1590									<a href="https://www.ssae.ch/" target="">SSAE Website</a>
1591															</div>
1592											</div>
1593				</div>
1594
1595				<div class="member-item-lightbox" data-lightbox="Marcus Maeder">
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1600							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1601							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1602						</svg>
1603					</button>
1604
1605					<div class="lightbox-inner">
1606						<figure>
1607							<img data-src="https://wfae.net/wp-content/uploads/2025/09/csm_Portrait_MM_2a92c0f8ff.jpg" alt="">
1608						</figure>
1609
1610						<div class="member-details">
1611							<div>
1612								<p class="member-name">Marcus Maeder</p>
1613								<div class="member-role">
1614																			<span>SSAE Representative</span>
1615																	</div>
1616
1617																	<div class="member-bio">
1618										<p>Marcus Maeder is an artist, researcher and composer of electronic music. As an author, Maeder has written on a number of topics in the fields of sound art, acoustic ecology, artistic research and digital media. Maeder studied Fine Arts at the Lucerne University of Applied Sciences HSLU, Philosophy at the Fernuniversität in Hagen and completed his PhD in Environmental Systems Science at ETH Zürich. He has worked as an editor and producer for the Swiss radio station SRF and has been working as a curator, researcher and lecturer at the Institute for Computer Music and Sound Technology (ICST) of the Zurich University of the Arts ZHdK since 2005. Maeder is visiting scientist at the Swiss Federal Institute for Forest, Landscape and Snow Research WSL and currently holds a position as Humboldt Research Fellow at Freie Universität Berlin.</p>
1619
1620									</div>
1621															</div>
1622
1623															<div class="member-links">
1624																											
1625									
1626									<a href="https://marcusmaeder.ch/" target="">Website</a>
1627																										
1628									
1629									<a href="https://www.ssae.ch/" target="">SSAE Website</a>
1630																</div>
1631													</div>
1632					</div>
1633				</div>
1634												
1635				
1636								
1637				<div class="member-item" member-index="9" member-name="UK and Ireland Soundscape Community" role="UKISC Representative" location=",">
1638					<figure>
1639						<img data-src="https://wfae.net/wp-content/uploads/2025/09/774290309.jpg" alt="">
1640					</figure>
1641
1642					<div class="member-details">
1643						<p class="member-name">UK and Ireland Soundscape Community</p>
1644						<div class="member-role">
1645															<span>UKISC Representative</span>
1646													</div>
1647
1648													<div class="member-bio">
1649								<p>Dr. Rob Mackay is an award-winning composer, sound artist and performer. Recent projects have moved towards a cross-disciplinary approach, including geology, soundscape ecology, theatre, audiovisual installation work, and human-computer interaction. His work has been performed in 18 countries (including several performances on BBC Radio 3, BBC Radio 1 and Radio France), and a number of his pieces have received international awards (Bourges (1997 and 2001), EAR (1999), La Muse en Circuit (2007)). He has held composer residencies at Slovak Radio (Bratislava), La Muse en Circuit (Paris), the Tyrone Guthrie Arts Centre (Ireland), Habitación del Ruido (Mexico City), and CMMAS (Morelia).</p>
1650
1651							</div>
1652						
1653													<div class="member-links">
1654																										
1655									
1656									<a href="https://robmackay.net/" target="">Website</a>
1657																										
1658									
1659									<a href="https://ukisc.site/" target="">UKISC Website</a>
1660															</div>
1661											</div>
1662				</div>
1663
1664				<div class="member-item-lightbox" data-lightbox="UK and Ireland Soundscape Community">
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1666						<span class="sr-only">Close</span>
1667
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1669							<line x1="19.319" y2="20.724" transform="translate(2.052 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1670							<line x2="20.594" y2="20.724" transform="translate(1.414 1.414)" fill="none" stroke="#000" stroke-linecap="round" stroke-width="2"/>
1671						</svg>
1672					</button>
1673
1674					<div class="lightbox-inner">
1675						<figure>
1676							<img data-src="https://wfae.net/wp-content/uploads/2025/09/774290309.jpg" alt="">
1677						</figure>
1678
1679						<div class="member-details">
1680							<div>
1681								<p class="member-name">UK and Ireland Soundscape Community</p>
1682								<div class="member-role">
1683																			<span>UKISC Representative</span>
1684																	</div>
1685
1686																	<div class="member-bio">
1687										<p>Dr. Rob Mackay is an award-winning composer, sound artist and performer. Recent projects have moved towards a cross-disciplinary approach, including geology, soundscape ecology, theatre, audiovisual installation work, and human-computer interaction. His work has been performed in 18 countries (including several performances on BBC Radio 3, BBC Radio 1 and Radio France), and a number of his pieces have received international awards (Bourges (1997 and 2001), EAR (1999), La Muse en Circuit (2007)). He has held composer residencies at Slovak Radio (Bratislava), La Muse en Circuit (Paris), the Tyrone Guthrie Arts Centre (Ireland), Habitación del Ruido (Mexico City), and CMMAS (Morelia).</p>
1688
1689									</div>
1690															</div>
1691
1692															<div class="member-links">
1693																											
1694									
1695									<a href="https://robmackay.net/" target="">Website</a>
1696																										
1697									
1698									<a href="https://ukisc.site/" target="">UKISC Website</a>
1699																</div>
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1728<p>This website was designed by <a href="http://desisto.pt/">Desisto</a> was made possible through the support of the <a href="https://www.sfct.org.uk/">Sainsbury Family Charitable Trusts</a>.</p>
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