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44	<ul class="pagelinks">
45		<li><a href="/art/" title="About Ben's art practice" data-compact="artist" data-extended="quilt artist"></a></li>
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62	<main>
63		
64<h1 class="title">About the artist</h1>
65<article class="" data-pagefind-body=""><section class="column full-bleed">
66<figure data-type="image"><a href="../blog/sleeveless-undershirt"><picture><source type="image/webp" srcset="/images/eHXlHawPQL-1000.webp 1000w, /images/eHXlHawPQL-2000.webp 2000w" sizes="(max-width: 430px) 100vw, (max-width: 768px) 100vw, 100vw)"><img loading="lazy" decoding="async" src="/images/eHXlHawPQL-1000.jpeg" alt="Black and white photo of a man standing in a backyard with a wooden fence, wearing a sleeveless blouse, shorts, house sandals, and holding an iced coffee, with labels pointing to his mustache, sleeveless undershirt, threads on his shorts, house sandals, and iced coffee." width="2000" height="2500" srcset="/images/eHXlHawPQL-1000.jpeg 1000w, /images/eHXlHawPQL-2000.jpeg 2000w" sizes="(max-width: 430px) 100vw, (max-width: 768px) 100vw, 100vw)"></picture></a></figure>
67<div class="text">
68<h2>Artist Bio</h2>
69<p>Quiltmaking is Ben Millett's creative outlet outside his work at an agriculture company in Des Moines, Iowa. He employs personal color palettes in quilts to examine nuances of Queer identity, pop culture, and quiltmaking itself. Turning digital concepts into a physical reality with fabric and thread, he creates to play, to communicate ideas, to further the gay agenda, to make what he wants to see. His work has been exhibited around the world and is held in both public and private<span class="widont">&nbsp;</span>collections.</p>
70<p><em>Learn more of his accomplishments in his <a href="/art/resume/">artist<span class="widont">&nbsp;</span>resume</a>.</em></p>
71</div>
72</section>
73<section>
74<h2>Artist Statement</h2>
75<p>Grounded in traditional block-based patchwork techniques, I employ personal color palettes in quilts to examine nuances of Queer identity, pop culture, and quiltmaking itself, incorporating the continuum of purpose on which quilts exist, from utility to<span class="widont">&nbsp;</span>Art.</p>
76<p>An iterative design process <em>in silico</em> paired with fabric and thread samples of commercially-sourced materials allows me to refine designs before their construction <em>in situ</em>, where my precise piecing technique honors unnamed quiltmakers of the past and computer-guided longarm quilting invites the future. This approach, and influences of hard-edge painting and Queer abstraction, are reflected in my quilt coat &quot;It's Electric!&quot;, for example. Vibrant geometric shapes and defined quilting elevate the garment, making one question whether the quilt's beauty or utility is most prominent, queering both what a quilt can be and how it<span class="widont">&nbsp;</span>looks.</p>
77<p>A recent work integrates the processing of my gay identity and pop culture ideas of multiversal variants, as expressed through a modified traditional quilt block repeated across multiple quilts featuring the eight colors of the original Pride flag and a range of green<span class="widont">&nbsp;</span>values.</p>
78</section>
79<hr>
80<section class="gridlist">
81<h2>Reach me at</h2>
82<ul>
83<li>
84<p><a href="/cdn-cgi/l/email-protection#4c24292020230c2e29222125202029383862222938"><span class="__cf_email__" data-cfemail="741c1118181b3416111a191d18181100005a1a1100">[email&#160;protected]</span></a></p>
85</li>
86<li>
87<p>900 Keo Way, Studio 239, Des Moines, IA<span class="widont">&nbsp;</span>50309</p>
88</li>
89</ul>
90</section>
91<p>He is not available for lectures at this time.<br>
92Some answers to other questions can be found on his <a href="/helpfullinks/">
92Resources and Helpful Links</a><span class="widont">&nbsp;</span>page.</p>
93<hr>
94<h2>Gallery / Portfolio</h2>
95<p>This is a collection of the quilts, quilted jackets, and quilted totes I have made, in reverse chronological order. I have not included Tiny Quilts or quilts where I exactly followed someone else’s<span class="widont">&nbsp;</span>pattern.</p>
96<p>The initial intended purpose is indicated by the name of collections. <em>Everyday Use</em> is used in appreciation of <a href="https://harpers.org/archive/1973/04/everyday-use/">Alice Walker’s short story</a> of the same name. <em>Beauty as Useful</em> is used in appreciation of the phrasing as used in <a href="https://via.library.depaul.edu/etd/166/">Melanie Anne Pauls’s<span class="widont">&nbsp;</span>thesis</a>.</p>
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104	<footer><div class="footerleft"><p><em>i must not fear.</em> <em>fear is the mind-killer.</em> <a href="https://en.wikipedia.org/wiki/Bene_Gesserit#Litany_against_fear" title="Read the Litany Against Fear"><svg aria-hidden="true" xmlns="http://www.w3.org/2000/svg" width="21" height="21" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="1.5" stroke-linecap="round" stroke-linejoin="round" class="feather feather-box feather-x"><path d="M21 16V8a2 2 0 0 0-1-1.73l-7-4a2 2 0 0 0-2 0l-7 4A2 2 0 0 0 3 8v8a2 2 0 0 0 1 1.73l7 4a2 2 0 0 0 2 0l7-4A2 2 0 0 0 21 16z"></path><polyline points="3.27 6.96 12 12.01 20.73 6.96"></polyline><line x1="12" y1="22.08" x2="12" y2="12"></line></svg></a></p></div>
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106	<p>Copyright © 1996–2026 Ben&nbsp;Millett<br>
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