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287	<h1 class="page-title">Kategorie: <span>Texte</span></h1></header>
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289
290	<article id="post-16675" >
291
292			<a href="https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/" class="entry-date">
293			<time datetime="2026-10-10T00:55:24+00:00">
294				<span class="day">8</span>
295				<span class="month">Juni</span>
296			</time>
297		</a>
298	
299            <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/">Kommentar: Nein, es braucht keinen Preis für Publikumserfolg</a></h2>
300    
301    
302    <div class="entry-content">
303
304                    <div id="fb-root"></div>
305<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-16676" src="https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin.jpg" alt="" width="1400" height="787" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin.jpg 1400w, https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin-660x371.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin-1000x562.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin-768x432.jpg 768w" sizes="(max-width: 1400px) 100vw, 1400px" /></a></em></p>
306<p><em>«Wenn sich Filmpreis-Instanzen genötigt fühlen, gegenüber einem breiten Publikum Rechenschaft abzulegen, ist das ein grosses Missverständnis. Es war noch nie die Aufgabe von Filmpreisen, den Box-Office-Erfolg von Filmen abzubilden – sondern einzig und allein deren Qualität, ungeachtet ihres Budgets und ihrer Ambitionen an den Kinokassen. Vor dem Schweizer Filmpreis sind alle gleich.»</em></p>
307<p>Für das <a href="https://www.filmbulletin.ch/backstage"><em>Filmbulletin</em></a> habe ich am 8. Juni 2026 einen Kommentar zum neuen «Box Office Quartz» für Publikumserfolg verfasst.</p>
308<p>&nbsp;</p>
309        
310            </div>
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312	<div class="entry-meta">
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314	<div class="comments-count">
315					<a href="https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a>
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330
331	<article id="post-16681" >
332
333			<a href="https://oliviersamter.ch/2026/05/20/kritik-sans-voix-von-samuel-patthey/" class="entry-date">
334			<time datetime="2026-10-10T00:55:24+00:00">
335				<span class="day">20</span>
336				<span class="month">Mai</span>
337			</time>
338		</a>
339	
340            <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/05/20/kritik-sans-voix-von-samuel-patthey/">Kritik: «Sans Voix» von Samuel Patthey</a></h2>
341    
342    
343    <div class="entry-content">
344
345                    <div id="fb-root"></div>
346<p><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix.jpg"><img decoding="async" class="aligncenter size-full wp-image-16682" src="https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix.jpg" alt="" width="1090" height="613" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix.jpg 1090w, https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix-660x371.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix-1000x562.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix-768x432.jpg 768w" sizes="(max-width: 1090px) 100vw, 1090px" /></a></p>
347<p><em>«Wie schon seine früheren Werke lebt auch ‹<i>Sans Voix› </i>von den krakeligen Linien und den wilden Farben, mit denen [Samuel] Patthey seine Welt zeichnet. Hier sprühen sogar die Standbilder vor Leben. Der Romand perfektioniert seinen handgezeichneten Stil, der skizzenhafte Standbilder mit bewegten Elementen kombiniert.»</em></p>
348<p>Für das <a href="https://www.cinemabuch.ch/article/650242"><em>Jahrbuch Cinema</em></a> habe ich eine Kritik zum Schweizer Animationskurzfilm «Sans Voix» verfasst, die auch in der gedruckten Ausgabe #71 zu lesen sein wird.</p>
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370
371	<article id="post-16677" >
372
373			<a href="https://oliviersamter.ch/2026/04/13/essay-die-anime-renaissance/" class="entry-date">
374			<time datetime="2026-10-10T00:55:24+00:00">
375				<span class="day">13</span>
376				<span class="month">Apr.</span>
377			</time>
378		</a>
379	
380            <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/04/13/essay-die-anime-renaissance/">Essay: Die Anime-Renaissance</a></h2>
381    
382    
383    <div class="entry-content">
384
385                    <div id="fb-root"></div>
386<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16678" src="https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet.jpg" alt="" width="1493" height="838" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet.jpg 1493w, https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet-660x370.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet-1000x561.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet-768x431.jpg 768w" sizes="auto, (max-width: 1493px) 100vw, 1493px" /></a></em></p>
387<p><em>«Nach Jahren der gefühlten Kinoabwesenheit ist Anime wieder sichtbarer denn je. 2025 lockte ‹Demon Slayer: 
387Kimetsu no Yaiba – The Movie: Infinity Castle› über 105 000 Menschen ins Kino. International erging es dem Film noch besser: Kein japanischer Film spielte weltweit je so viel Geld ein.</em></p>
388<p><em>[&#8230;] </em></p>
389<p><em>Nicht nur der Anime-Blockbuster boomt, auch dem Autor:innenfilm geht es bestens. Den Beweis dafür erbringen Regisseur:innen wie [&#8230;] Makoto Shinkai, der mit dem berührenden Katastrophenfilm ‹Suzume› an der Berlinale im Wettbewerb zu sehen war, oder Mamoru Hosoda und Naoko Yamada, die ihre jeweiligen Filme in Cannes respektive Locarno aufführen konnten. Der Anime ist im Mainstream angekommen.»</em></p>
390<p>Für das <a href="https://www.filmbulletin.ch/backstage"><em>Filmbulletin</em></a> habe ich am 13. April 2026 einen Essay zum aktuellen Anime-Boom in der Schweiz und seinen Hintergründen verfasst.</p>
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412
413	<article id="post-16679" >
414
415			<a href="https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/" class="entry-date">
416			<time datetime="2026-10-10T00:55:24+00:00">
417				<span class="day">20</span>
418				<span class="month">Feb.</span>
419			</time>
420		</a>
421	
422            <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/">Kritik: «Two Point Five Stars» von Sina Lerf, Dario Marti und Dario Boger</a></h2>
423    
424    
425    <div class="entry-content">
426
427                    <div id="fb-root"></div>
428<p><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16680" src="https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars.png" alt="" width="1998" height="1080" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars.png 1998w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-660x357.png 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-1000x541.png 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-768x415.png 768w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-1536x830.png 1536w" sizes="auto, (max-width: 1998px) 100vw, 1998px" /></a></p>
429<p><em>«Mit viel Witz erzählen Lerf, Marti und Boger von der kapitalistischen Maschinerie, die junge Menschen – meist Studierende – zu drögen Dienstleistungsjobs verdammt, bei denen sie den Launen ihrer schnoddrigen Gäste ausgesetzt sind. ‹A Smile Speaks All Languages<i>›</i> – ‹Ein Lächeln spricht jede Sprache<i>›</i> – steht in Leuchtbuchstaben über der Rezeption. All die verbalen Entgleisungen und die Überbelastung bitte weglächeln.»</em></p>
430<p>Für das <a href="https://www.cinemabuch.ch/article/650242"><em>Jahrbuch Cinema</em></a> habe ich eine Kritik zum Schweizer Animationskurzfilm «Two Point Five Stars» verfasst, die auch in der gedruckten Ausgabe #71 zu lesen sein wird.</p>
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434	<div class="entry-meta">
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437					<a href="https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a>
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452
453	<article id="post-16647" >
454
455			<a href="https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/" class="entry-date">
456			<time datetime="2026-10-10T00:55:24+00:00">
457				<span class="day">16</span>
458				<span class="month">Dez.</span>
459			</time>
460		</a>
461	
462            <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/">Kritik: «Avatar: Fire and Ash» von James Cameron</a></h2>
463    
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465    <div class="entry-content">
466
467                    <div id="fb-root"></div>
468<p><a href="https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16648" src="https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri.jpg" alt="" width="1280" height="675" srcset="https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri.jpg 1280w, https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri-660x348.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri-1000x527.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri-768x405.jpg 768w" sizes="auto, (max-width: 1280px) 100vw, 1280px" /></a></p>
469<p><em>
469«Ermüdend ist [&#8230;] ganz besonders der reaktionäre Unterbau der ganzen Geschichte. Jake Sully gibt abermals den Patriarchen, der die grossen Entscheidungen trifft, während seine passive Gattin Neytiri das emotionale Spektrum weiblicher Rollenklischees – von apathischem Trauern bis hin zu unkontrollierten Wutausbrüchen – abspulen darf. Wenn die Mutter zurückgezogen, schluchzend und in Trauer-Makeup um ihren Sohn weint, lenkt sich der Papa mit dem Einzigen ab, was trauernden Vätern bei solchen Schicksalsschlägen offenbar Halt gibt: Waffen.»</em></p>
470<p>Für <a href="http://«Der Dschungel wird in ‹Sauvages› zu einem eigenständigen Akteur, der die Figuren – und uns mit ihnen – richtiggehend dazu einlädt, seine Geheimnisse zu erkunden. Dass das Budget des Films im Vergleich zu ‹Ma vie de Courgette› um rund die Hälfte gestiegen ist – für den Film wurde in Martigny sogar ein kleiner Studiokomplex mit 50 Angestellten und riesigen Sets geschaffen –, merkt man dieser Ökofabel mit ihren detailverliebten Sets und der liebevollen Animation zu jedem Zeitpunkt an. So ist ‹Sauvages› wahrscheinlich der schönste Schweizer Animationsfilm überhaupt – und ein Werk, das Hoffnung für das hiesige Trickfilmschaffen macht.» Für Maximum Cinema habe ich am 3. Februar 2025 eine Kritik zum Schweizer Stop-Motion-Film «Sauvages» verfasst."><em>Maximum Cinema</em></a> habe ich am 16. Dezember 2025 eine Kritik zum Blockbuster-Sequel «Avatar: Fire and Ash» verfasst.</p>
471        
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474	<div class="entry-meta">
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476	<div class="comments-count">
477					<a href="https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a>
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488
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490</div>
491</article>
492
493	<article id="post-16649" >
494
495			<a href="https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/" class="entry-date">
496			<time datetime="2026-10-10T00:55:24+00:00">
497				<span class="day">26</span>
498				<span class="month">Nov.</span>
499			</time>
500		</a>
501	
502            <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/">Kritik: «Qui part à la chasse» von Lea Favre</a></h2>
503    
504    
505    <div class="entry-content">
506
507                    <div id="fb-root"></div>
508<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16650" src="https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse.jpg" alt="" width="1440" height="800" srcset="https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse.jpg 1440w, https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse-660x367.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse-1000x556.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse-768x427.jpg 768w" sizes="auto, (max-width: 1440px) 100v
508w, 1440px" /></a></em></p>
509<p><em>«Um diese reale Aufnahme herum rekonstruiert [Lea Favre] in ‹<i>Qui part à la chasse›</i> das Erlebte in reduzierter Stop-Motion-Technik und erzählt, wie sie sich für einen Dokumentarfilm auf die Suche nach einer zu porträtierenden Person begibt. Auf die ‹Jagd›, quasi. Und wie sie dabei unverhofft im Visier eines anderen ‹Jägers› landet. Wie Favre in ihrem Film die Frage nach dem Jagen und Gejagtwerden behandelt und dabei auch die eigene Rolle als Dokumentarfilmerin hinterfragt, ist überragend.</em><em>»</em></p>
510<p>Für das <a href="https://www.cinemabuch.ch/article/650222"><em>Jahrbuch Cinema</em></a> habe ich eine Kritik zum Schweizer Animationskurzfilm «Qui part à la chasse» verfasst, die auch in der gedruckten Ausgabe #71 zu lesen sein wird.</p>
511        
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514	<div class="entry-meta">
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517					<a href="https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a>
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525	<a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/&amp;text=Kritik%3A+%C2%ABQui+part+%C3%A0+la+chasse%C2%BB+von+Lea+Favre&amp;via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a>
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530</div>
531</article>
532
533	<article id="post-16537" >
534
535			<a href="https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/" class="entry-date">
536			<time datetime="2026-10-10T00:55:24+00:00">
537				<span class="day">18</span>
538				<span class="month">Okt.</span>
539			</time>
540		</a>
541	
542            <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/">Kritik: «Matta und Matto» von Bianca Caderas und Kerstin Zemp</a></h2>
543    
544    
545    <div class="entry-content">
546
547                    <div id="fb-root"></div>
548<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16538" src="https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto.jpg" alt="" width="1024" height="540" srcset="https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto.jpg 1024w, https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto-660x348.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto-1000x527.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto-768x405.jpg 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></a></em></p>
549<p><em>«Wer mit den absurden, von bemitleidenswerten Sonderlingen bevölkerten Welten von Bianca Caderas und Kerstin Zemp noch nicht vertraut ist, dürfte vom rasanten ‹Matta und Matto› möglicherweise etwas überfordert sein. Wer sich davon jedoch nicht abschrecken lässt, kommt in den Genuss eines fantastischen, verspielten Films über Sehnsucht, Lust – und Eierköpfer.</em><em>»</em></p>
550<p>Für das <a href="https://www.cinemabuch.ch/article/650218"><em>Jahrbuch Cinema</em></a> habe ich am eine Kritik zum Schweizer Animationskurzfilm «Matta und Matto» verfasst, die auch in der gedruckten Ausgabe #70 zu lesen ist.</p>
551        
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554	<div class="entry-meta">
555
556	<div class="comments-count">
557					<a href="https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a>
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565	<a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/&amp;text=Kritik%3A+%C2%ABMatta+und+Matto%C2%BB+von+Bianca+Caderas+und+Kerstin+Zemp&amp;via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a>
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568
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570</div>
571</article>
572
573	<article id="post-16539" >
574
575			<a href="https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-polina-tyrsa/" class="entry-date">
576			<time datetime="2026-10-10T00:55:24+00:00">
577				<span class="day">1</span>
578				<span class="month">Mai</span>
579			</time>
580		</a>
581	
582            <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-polina-tyrsa/">Kritik: «Forza, Rea!» von Isabel Pahud, Isabel Clerici, Laura Zimmermann und Polina Tyrsa</a></h2>
583    
584    
585    <div class="entry-content">
586
587                    <div id="fb-root"></div>
588<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16540" src="https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea.jpg" alt="" width="1920" height="954" srcset="https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea.jpg 1920w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-660x328.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-1000x497.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-768x382.jpg 768w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-1536x763.jpg 1536w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>
589<p>«Mit seinem rasanten Tempo und den übertriebenen Perspektiven erinnert ‹<i>Forza, Rea!›</i> an amerikanische Cartoonserien der frühen Nullerjahre – wie ‹Samurai Jack<i>›</i> oder ‹Kim Possible<i>› </i>–, als dank neuer technischer Möglichkeiten plötzlich alles möglich schien. </em><em>»</em></p>
590<p>Für das <a href="https://www.cinemabuch.ch/article/650218"><em>Jahrbuch Cinema</em></a> habe ich am eine Kritik zum Schweizer Animationskurzfilm «Forza, Rea!» verfasst, die auch in der gedruckten Ausgabe #70 zu lesen ist.</p>
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592            </div>
593
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597					<a href="https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-polina-tyrsa/"><svg class="icon-star"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-star"></use></svg>Permalink</a>
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611</article>
612
613	<article id="post-16651" >
614
615			<a href="https://oliviersamter.ch/2025/05/01/kritik-holes-von-andrew-davis/" class="entry-date">
616			<time datetime="2026-10-10T00:55:24+00:00">
617				<span class="day">1</span>
618				<span class="month">Mai</span>
619			</time>
620		</a>
621	
622            <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/05/01/kritik-holes-von-andrew-davis/">Kritik: «Holes» von Andrew Davis</a></h2>
623    
624    
625    <div class="entry-content">
626
627                    <div id="fb-root"></div>
628<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/01/Holes.avif"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16652" src="https://oliviersamter.ch/wp-content/uploads/2026/01/Holes.avif" alt="" width="1200" height="675" srcset="https://oliviersamter.ch/wp-content/uploads/2026/01/Holes.avif 1200w, https://oliviersamter.ch/wp-content/uploads/2026/01/Holes-660x371.avif 660w, https://oliviersamter.ch/wp-content/uploads/2026/01/Holes-1000x563.avif 1000w, https://oliviersamter.ch/wp-content/uploads/2026/01/Holes-768x432.avif 768w" sizes="auto, (max-width: 1200px) 100vw, 1200px" /></a></em></p>
629<p><em>«Der Abenteuerfilm kann mit seiner verschachtelten Erzählstruktur und den charismatischen Figuren überzeugen. ‹Holes› verharmlost seine schweren Themen nie und behält doch eine gewisse Leichtigkeit. Sicher, vieles wurde in den über zwanzig Jahren seit dem Erscheinen des Films interessanter erzählt – aber, dass ein Disney-Familienfilm 2003 so offen über Rassismus, Klasse und Missbrauch spricht, ist bemerkenswert.</em><em>»</em></p>
630<p>Für das <a href="https://www.coucoumagazin.ch/de/magazin/schau-mal/942745/Holes-Das-Geheimnis-von-Green-Lake-USA-2003.html"><em>Coucou</em></a> habe ich mir die Buchverfilmung «Löcher» mit Shia LaBeouf angesehen und in der Mai-Ausgabe besprochen.</p>
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655			<a href="https://oliviersamter.ch/2025/02/03/kritik-sauvages-von-claude-barras/" class="entry-date">
656			<time datetime="2026-10-10T00:55:24+00:00">
657				<span class="day">3</span>
658				<span class="month">Feb.</span>
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662            <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/02/03/kritik-sauvages-von-claude-barras/">Kritik: «Sauvages» von Claude Barras</a></h2>
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668<p><a href="https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16472" src="https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK.jpg" alt="" width="1400" height="757" srcset="https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK.jpg 1400w, https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK-660x357.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK-1000x541.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK-768x415.jpg 768w" sizes="auto, (max-width: 1400px) 100v
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669<p><em>«Der Dschungel wird in ‹Sauvages› zu einem eigenständigen Akteur, der die Figuren – und uns mit ihnen – richtiggehend dazu einlädt, seine Geheimnisse zu erkunden. Dass das Budget des Films im Vergleich zu ‹Ma vie de Courgette› um rund die Hälfte gestiegen ist – für den Film wurde in Martigny sogar ein kleiner Studiokomplex mit 50 Angestellten und riesigen Sets geschaffen –, merkt man dieser Ökofabel mit ihren detailverliebten Sets und der liebevollen Animation zu jedem Zeitpunkt an. So ist ‹Sauvages› wahrscheinlich der schönste Schweizer Animationsfilm überhaupt – und ein Werk, das Hoffnung für das hiesige Trickfilmschaffen macht.»</em></p>
670<p>Für <a href="https://www.maximumcinema.ch/sauvages-von-claude-barras/"><em>Maximum Cinema</em></a> habe ich am 3. Februar 2025 eine Kritik zum Schweizer Stop-Motion-Film «Sauvages» verfasst.</p>
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887</script>
vendor: 1 bytes, line 887
887
888<script defer id="cmplz-cookiebanner-js" src="https://oliviersamter.ch/wp-content/plugins/complianz-gdpr/cookiebanner/js/complianz.min.js"></script>
vendor: 1 bytes, line 888
888
889<script id="cmplz-cookiebanner-js-after">
890	let cmplzBlockedContent = document.querySelector('.cmplz-blocked-content-notice');
891	if ( cmplzBlockedContent) {
892	        cmplzBlockedContent.addEventListener('click', function(event) {
893            event.stopPropagation();
894        });
895	}
896    
897//# sourceURL=cmplz-cookiebanner-js-after
898</script>
vendor: 1 bytes, line 898
898
899<script id="wp-emoji-settings" type="application/json">
900{"baseUrl":"https://s.w.org/images/core/emoji/17.0.2/72x72/","ext":".png","svgUrl":"https://s.w.org/images/core/emoji/17.0.2/svg/","svgExt":".svg","source":{"concatemoji":"https://oliviersamter.ch/wp-includes/js/wp-emoji-release.min.js"}}
901</script>
vendor: 1 bytes, line 901
901
902<script type="module">
903/*! This file is auto-generated */
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905//# sourceURL=https://oliviersamter.ch/wp-includes/js/wp-emoji-loader.min.js
906</script>
906
907		<!-- This site uses the Google Analytics by MonsterInsights plugin v11.3.0 - Using Analytics tracking - https://www.monsterinsights.com/ -->
vendor: 59 bytes, lines 907-908
907
908							<script src="//www.googletagmanager.com/gtag/js?id=
908G-Y0VD59TQMZ
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908"  data-cfasync="false" data-wpfc-render="false" type="text/javascript" async></script>
909			
909<script data-cfasync="false" data-wpfc-render="false" type="text/javascript">
910				var mi_version = '11.3.0';
911				var mi_track_user = true;
912				var mi_no_track_reason = '';
913								var MonsterInsightsDefaultLocations = {"page_location":"https:\/\/oliviersamter.ch\/category\/texte\/"};
914								if ( typeof MonsterInsightsPrivacyGuardFilter === 'function' ) {
915					var MonsterInsightsLocations = (typeof MonsterInsightsExcludeQuery === 'object') ? MonsterInsightsPrivacyGuardFilter( MonsterInsightsExcludeQuery ) : MonsterInsightsPrivacyGuardFilter( MonsterInsightsDefaultLocations );
916				} else {
917					var MonsterInsightsLocations = (typeof MonsterInsightsExcludeQuery === 'object') ? MonsterInsightsExcludeQuery : MonsterInsightsDefaultLocations;
918				}
919
920								var disableStrs = [
921										'ga-disable-G-Y0VD59TQMZ',
922									];
923
924				/* Function to detect opted out users */
925				function __gtagTrackerIsOptedOut() {
926					for (var index = 0; index < disableStrs.length; index++) {
927						if (document.cookie.indexOf(disableStrs[index] + '=true') > -1) {
928							return true;
929						}
930					}
931
932					return false;
933				}
934
935				/* Disable tracking if the opt-out cookie exists. */
936				if (__gtagTrackerIsOptedOut()) {
937					for (var index = 0; index < disableStrs.length; index++) {
938						window[disableStrs[index]] = true;
939					}
940				}
941
942				/* Opt-out function */
943				function __gtagTrackerOptout() {
944					for (var index = 0; index < disableStrs.length; index++) {
945						document.cookie = disableStrs[index] + '=true; expires=Thu, 31 Dec 2099 23:59:59 UTC; path=/';
946						window[disableStrs[index]] = true;
947					}
948				}
949
950				if ('undefined' === typeof gaOptout) {
951					function gaOptout() {
952						__gtagTrackerOptout();
953					}
954				}
955								window.dataLayer = window.dataLayer || [];
956
957				window.MonsterInsightsDualTracker = {
958					helpers: {},
959					trackers: {},
960				};
961				if (mi_track_user) {
962					function __gtagDataLayer() {
963						dataLayer.push(arguments);
964					}
965
966					function __gtagTracker(type, name, parameters) {
967						if (!parameters) {
968							parameters = {};
969						}
970
971						if (parameters.send_to) {
972							__gtagDataLayer.apply(null, arguments);
973							return;
974						}
975
976						if (type === 'event') {
977														parameters.send_to = monsterinsights_frontend.v4_id;
978							var hookName = name;
979							if (typeof parameters['event_category'] !== 'undefined') {
980								hookName = parameters['event_category'] + ':' + name;
981							}
982
983							if (typeof MonsterInsightsDualTracker.trackers[hookName] !== 'undefined') {
984								MonsterInsightsDualTracker.trackers[hookName](parameters);
985							} else {
986								__gtagDataLayer('event', name, parameters);
987							}
988							
989						} else {
990							__gtagDataLayer.apply(null, arguments);
991						}
992					}
993
994					__gtagTracker('js', new Date());
995					__gtagTracker('set', {
996						'developer_id.dZGIzZG': true,
997											});
998					if ( MonsterInsightsLocations.page_location ) {
999						__gtagTracker('set', MonsterInsightsLocations);
1000					}
1001										__gtagTracker('config', 'G-Y0VD59TQMZ', {"forceSSL":"true","anonymize_ip":"true"} );
1002										window.gtag = __gtagTracker;										(function () {
1003						/* https://developers.google.com/analytics/devguides/collection/analyticsjs/ */
1004						/* ga and __gaTracker compatibility shim. */
1005						var noopfn = function () {
1006							return null;
1007						};
1008						var newtracker = function () {
1009							return new Tracker();
1010						};
1011						var Tracker = function () {
1012							return null;
1013						};
1014						var p = Tracker.prototype;
1015						p.get = noopfn;
1016						p.set = noopfn;
1017						p.send = function () {
1018							var args = Array.prototype.slice.call(arguments);
1019							args.unshift('send');
1020							__gaTracker.apply(null, args);
1021						};
1022						var __gaTracker = function () {
1023							var len = arguments.length;
1024							if (len === 0) {
1025								return;
1026							}
1027							var f = arguments[len - 1];
1028							if (typeof f !== 'object' || f === null || typeof f.hitCallback !== 'function') {
1029								if ('send' === arguments[0]) {
1030									var hitConverted, hitObject = false, action;
1031									if ('event' === arguments[1]) {
1032										if ('undefined' !== typeof arguments[3]) {
1033											hitObject = {
1034												'eventAction': arguments[3],
1035												'eventCategory': arguments[2],
1036												'eventLabel': arguments[4],
1037												'value': arguments[5] ? arguments[5] : 1,
1038											}
1039										}
1040									}
1041									if ('pageview' === arguments[1]) {
1042										if ('undefined' !== typeof arguments[2]) {
1043											hitObject = {
1044												'eventAction': 'page_view',
1045												'page_path': arguments[2],
1046											}
1047										}
1048									}
1049									if (typeof arguments[2] === 'object') {
1050										hitObject = arguments[2];
1051									}
1052									if (typeof arguments[5] === 'object') {
1053										Object.assign(hitObject, arguments[5]);
1054									}
1055									if ('undefined' !== typeof arguments[1].hitType) {
1056										hitObject = arguments[1];
1057										if ('pageview' === hitObject.hitType) {
1058											hitObject.eventAction = 'page_view';
1059										}
1060									}
1061									if (hitObject) {
1062										action = 'timing' === arguments[1].hitType ? 'timing_complete' : hitObject.eventAction;
1063										hitConverted = mapArgs(hitObject);
1064										__gtagTracker('event', action, hitConverted);
1065									}
1066								}
1067								return;
1068							}
1069
1070							function mapArgs(args) {
1071								var arg, hit = {};
1072								var gaMap = {
1073									'eventCategory': 'event_category',
1074									'eventAction': 'event_action',
1075									'eventLabel': 'event_label',
1076									'eventValue': 'event_value',
1077									'nonInteraction': 'non_interaction',
1078									'timingCategory': 'event_category',
1079									'timingVar': 'name',
1080									'timingValue': 'value',
1081									'timingLabel': 'event_label',
1082									'page': 'page_path',
1083									'location': 'page_location',
1084									'title': 'page_title',
1085									'referrer' : 'page_referrer',
1086								};
1087								for (arg in args) {
1088																		if (!(!args.hasOwnProperty(arg) || !gaMap.hasOwnProperty(arg))) {
1089										hit[gaMap[arg]] = args[arg];
1090									} else {
1091										hit[arg] = args[arg];
1092									}
1093								}
1094								return hit;
1095							}
1096
1097							try {
1098								f.hitCallback();
1099							} catch (ex) {
1100							}
1101						};
1102						__gaTracker.create = newtracker;
1103						__gaTracker.getByName = newtracker;
1104						__gaTracker.getAll = function () {
1105							return [];
1106						};
1107						__gaTracker.remove = noopfn;
1108						__gaTracker.loaded = true;
1109						window['__gaTracker'] = __gaTracker;
1110					})();
1111									} else {
1112										console.log("");
1113					(function () {
1114						function __gtagTracker() {
1115							return null;
1116						}
1117
1118						window['__gtagTracker'] = __gtagTracker;
1119						window['gtag'] = __gtagTracker;
1120					})();
1121									}
1122			</script>
1122
1123							<!-- / Google Analytics by MonsterInsights -->
1124		</body>
1125</html>

Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.