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251 252<div id="top" class="hfeed site"> 253 <a class="skip-link screen-reader-text" href="#content">Zum Inhalt springen</a> 254 255 <header class="site-header"> 256 <div class="site-title"> 257 <a href="https://oliviersamter.ch/" rel="home"><img class="logo" src="https://oliviersamter.ch/wp-content/themes/owley2/img/logo.svg" alt="Olivier Samter" title="" /></a> 258 </div> 259 260 <nav class="site-navigation"> 261 <div class="menu-mobile"> 262 <span class="menu-toggle">Menü</span> 263 <span class="menu-separator">•</span> 264 <a href="/folio/" class="menu-switch">Folio</a> 265 </div> 266 267 <div class="menu-wrapper"> 268 <div class="menu-blog-container"><ul id="blog-menu" class="menu"><li id="menu-item-14932" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-14932"><a href="https://oliviersamter.ch/wer-bin-ich/">Wer bin ich</a></li> 269<li id="menu-item-16100" class="menu-item menu-item-type-taxonomy menu-item-object-category current-menu-item menu-item-16100"><a href="https://oliviersamter.ch/category/texte/" aria-current="page">Texte</a></li> 270<li id="menu-item-16667" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-16667"><a href="https://oliviersamter.ch/zusammenarbeit/">Zusammenarbeit</a></li> 271</ul></div> 272 <div class="search" accesskey="s"> 273 <form action="https://oliviersamter.ch" id="searchform" method="get"> 274 <input type="search" id="s" name="s" value="" placeholder="Blog durchsuchen" /> 275</form> </div> 276 </div> 277 </nav> 278 279 <a href="/folio/" class="switch"> 280 <span class="title">Folio</span> 281 </a> 282 </header> 283 284 <div id="content" class="site-content"> 285 286<header class="page-header"> 287 <h1 class="page-title">Kategorie: <span>Texte</span></h1></header> 288 289 290 <article id="post-16675" > 291 292 <a href="https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/" class="entry-date"> 293 <time datetime="2026-10-10T00:55:24+00:00"> 294 <span class="day">8</span> 295 <span class="month">Juni</span> 296 </time> 297 </a> 298 299 <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/">Kommentar: Nein, es braucht keinen Preis für Publikumserfolg</a></h2> 300 301 302 <div class="entry-content"> 303 304 <div id="fb-root"></div> 305<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-16676" src="https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin.jpg" alt="" width="1400" height="787" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin.jpg 1400w, https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin-660x371.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin-1000x562.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/Heldin-768x432.jpg 768w" sizes="(max-width: 1400px) 100vw, 1400px" /></a></em></p> 306<p><em>«Wenn sich Filmpreis-Instanzen genötigt fühlen, gegenüber einem breiten Publikum Rechenschaft abzulegen, ist das ein grosses Missverständnis. Es war noch nie die Aufgabe von Filmpreisen, den Box-Office-Erfolg von Filmen abzubilden â sondern einzig und allein deren Qualität, ungeachtet ihres Budgets und ihrer Ambitionen an den Kinokassen. Vor dem Schweizer Filmpreis sind alle gleich.»</em></p> 307<p>Für das <a href="https://www.filmbulletin.ch/backstage"><em>Filmbulletin</em></a> habe ich am 8. Juni 2026 einen Kommentar zum neuen «Box Office Quartz» für Publikumserfolg verfasst.</p> 308<p> </p> 309 310 </div> 311 312 <div class="entry-meta"> 313 314 <div class="comments-count"> 315 <a href="https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a> 316 317 318 </div> 319 320 321<div class="sharing"> 322 323 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/&text=Kommentar%3A+Nein%2C+es+braucht+keinen+Preis+f%C3%BCr+Publikumserfolg&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 324
325 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2026/06/08/kommentar-nein-es-braucht-keinen-preis-fuer-publikumserfolg/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 326 327</div> 328</div> 329</article> 330 331 <article id="post-16681" > 332 333 <a href="https://oliviersamter.ch/2026/05/20/kritik-sans-voix-von-samuel-patthey/" class="entry-date"> 334 <time datetime="2026-10-10T00:55:24+00:00"> 335 <span class="day">20</span> 336 <span class="month">Mai</span> 337 </time> 338 </a> 339 340 <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/05/20/kritik-sans-voix-von-samuel-patthey/">Kritik: «Sans Voix» von Samuel Patthey</a></h2> 341 342 343 <div class="entry-content"> 344 345 <div id="fb-root"></div> 346<p><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix.jpg"><img decoding="async" class="aligncenter size-full wp-image-16682" src="https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix.jpg" alt="" width="1090" height="613" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix.jpg 1090w, https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix-660x371.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix-1000x562.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/SansVoix-768x432.jpg 768w" sizes="(max-width: 1090px) 100vw, 1090px" /></a></p> 347<p><em>«Wie schon seine früheren Werke lebt auch â¹<i>Sans Voix⺠</i>von den krakeligen Linien und den wilden Farben, mit denen [Samuel] Patthey seine Welt zeichnet. Hier sprühen sogar die Standbilder vor Leben. Der Romand perfektioniert seinen handgezeichneten Stil, der skizzenhafte Standbilder mit bewegten Elementen kombiniert.»</em></p> 348<p>Für das <a href="https://www.cinemabuch.ch/article/650242"><em>Jahrbuch Cinema</em></a> habe ich eine Kritik zum Schweizer Animationskurzfilm «Sans Voix» verfasst, die auch in der gedruckten Ausgabe #71 zu lesen sein wird.</p> 349 350 </div> 351 352 <div class="entry-meta"> 353 354 <div class="comments-count"> 355 <a href="https://oliviersamter.ch/2026/05/20/kritik-sans-voix-von-samuel-patthey/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a> 356 357 358 </div> 359 360 361<div class="sharing"> 362 363 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2026/05/20/kritik-sans-voix-von-samuel-patthey/&text=Kritik%3A+%C2%ABSans+Voix%C2%BB+von+Samuel+Patthey&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 364 365 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2026/05/20/kritik-sans-voix-von-samuel-patthey/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 366 367</div> 368</div> 369</article> 370 371 <article id="post-16677" > 372 373 <a href="https://oliviersamter.ch/2026/04/13/essay-die-anime-renaissance/" class="entry-date"> 374 <time datetime="2026-10-10T00:55:24+00:00"> 375 <span class="day">13</span> 376 <span class="month">Apr.</span> 377 </time> 378 </a> 379 380 <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/04/13/essay-die-anime-renaissance/">Essay: Die Anime-Renaissance</a></h2> 381 382 383 <div class="entry-content"> 384 385 <div id="fb-root"></div> 386<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16678" src="https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet.jpg" alt="" width="1493" height="838" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet.jpg 1493w, https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet-660x370.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet-1000x561.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/Scarlet-768x431.jpg 768w" sizes="auto, (max-width: 1493px) 100vw, 1493px" /></a></em></p> 387<p><em>«Nach Jahren der gefühlten Kinoabwesenheit ist Anime wieder sichtbarer denn je. 2025 lockte â¹Demon Slayer:
387Kimetsu no Yaiba â The Movie: Infinity Castle⺠über 105â000 Menschen ins Kino. International erging es dem Film noch besser: Kein japanischer Film spielte weltweit je so viel Geld ein.</em></p> 388<p><em>[…] </em></p> 389<p><em>Nicht nur der Anime-Blockbuster boomt, auch dem Autor:innenfilm geht es bestens. Den Beweis dafür erbringen Regisseur:innen wie […] Makoto Shinkai, der mit dem berührenden Katastrophenfilm â¹Suzume⺠an der Berlinale im Wettbewerb zu sehen war, oder Mamoru Hosoda und Naoko Yamada, die ihre jeweiligen Filme in Cannes respektive Locarno aufführen konnten. Der Anime ist im Mainstream angekommen.»</em></p> 390<p>Für das <a href="https://www.filmbulletin.ch/backstage"><em>Filmbulletin</em></a> habe ich am 13. April 2026 einen Essay zum aktuellen Anime-Boom in der Schweiz und seinen Hintergründen verfasst.</p> 391 392 </div> 393 394 <div class="entry-meta"> 395 396 <div class="comments-count"> 397 <a href="https://oliviersamter.ch/2026/04/13/essay-die-anime-renaissance/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a> 398 399 400 </div> 401 402 403<div class="sharing"> 404 405 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2026/04/13/essay-die-anime-renaissance/&text=Essay%3A+Die+Anime-Renaissance&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 406 407 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2026/04/13/essay-die-anime-renaissance/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 408 409</div> 410</div> 411</article> 412 413 <article id="post-16679" > 414 415 <a href="https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/" class="entry-date"> 416 <time datetime="2026-10-10T00:55:24+00:00"> 417 <span class="day">20</span> 418 <span class="month">Feb.</span> 419 </time> 420 </a> 421 422 <h2 class="entry-title"><a href="https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/">Kritik: «Two Point Five Stars» von Sina Lerf, Dario Marti und Dario Boger</a></h2> 423 424 425 <div class="entry-content"> 426 427 <div id="fb-root"></div> 428<p><a href="https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars.png"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16680" src="https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars.png" alt="" width="1998" height="1080" srcset="https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars.png 1998w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-660x357.png 660w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-1000x541.png 1000w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-768x415.png 768w, https://oliviersamter.ch/wp-content/uploads/2026/09/TwoPointsFiveStars-1536x830.png 1536w" sizes="auto, (max-width: 1998px) 100vw, 1998px" /></a></p> 429<p><em>«Mit viel Witz erzählen Lerf, Marti und Boger von der kapitalistischen Maschinerie, die junge Menschen â meist Studierende â zu drögen Dienstleistungsjobs verdammt, bei denen sie den Launen ihrer schnoddrigen Gäste ausgesetzt sind. â¹A Smile Speaks All Languages<i>âº</i> â â¹Ein Lächeln spricht jede Sprache<i>âº</i> â steht in Leuchtbuchstaben über der Rezeption. All die verbalen Entgleisungen und die Ãberbelastung bitte weglächeln.»</em></p> 430<p>Für das <a href="https://www.cinemabuch.ch/article/650242"><em>Jahrbuch Cinema</em></a> habe ich eine Kritik zum Schweizer Animationskurzfilm «Two Point Five Stars» verfasst, die auch in der gedruckten Ausgabe #71 zu lesen sein wird.</p> 431 432 </div> 433 434 <div class="entry-meta"> 435 436 <div class="comments-count"> 437 <a href="https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a> 438 439 440 </div> 441 442 443<div class="sharing"> 444
445 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/&text=Kritik%3A+%C2%ABTwo+Point+Five+Stars%C2%BB+von+Sina+Lerf%2C+Dario+Marti+und+Dario+Boger&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 446 447 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2026/02/20/kritik-two-point-five-stars-von-sina-lerf-dario-marti-und-dario-boger/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 448 449</div> 450</div> 451</article> 452 453 <article id="post-16647" > 454 455 <a href="https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/" class="entry-date"> 456 <time datetime="2026-10-10T00:55:24+00:00"> 457 <span class="day">16</span> 458 <span class="month">Dez.</span> 459 </time> 460 </a> 461 462 <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/">Kritik: «Avatar: Fire and Ash» von James Cameron</a></h2> 463 464 465 <div class="entry-content"> 466 467 <div id="fb-root"></div> 468<p><a href="https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16648" src="https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri.jpg" alt="" width="1280" height="675" srcset="https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri.jpg 1280w, https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri-660x348.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri-1000x527.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/01/Avatar_FireandAsh_Neytiri-768x405.jpg 768w" sizes="auto, (max-width: 1280px) 100vw, 1280px" /></a></p> 469<p><em>
469«Ermüdend ist […] ganz besonders der reaktionäre Unterbau der ganzen Geschichte. Jake Sully gibt abermals den Patriarchen, der die grossen Entscheidungen trifft, während seine passive Gattin Neytiri das emotionale Spektrum weiblicher Rollenklischees â von apathischem Trauern bis hin zu unkontrollierten Wutausbrüchen â abspulen darf. Wenn die Mutter zurückgezogen, schluchzend und in Trauer-Makeup um ihren Sohn weint, lenkt sich der Papa mit dem Einzigen ab, was trauernden Vätern bei solchen Schicksalsschlägen offenbar Halt gibt: Waffen.»</em></p> 470<p>Für <a href="http://«Der Dschungel wird in â¹Sauvages⺠zu einem eigenständigen Akteur, der die Figuren â und uns mit ihnen â richtiggehend dazu einlädt, seine Geheimnisse zu erkunden. Dass das Budget des Films im Vergleich zu â¹Ma vie de Courgette⺠um rund die Hälfte gestiegen ist â für den Film wurde in Martigny sogar ein kleiner Studiokomplex mit 50 Angestellten und riesigen Sets geschaffen â, merkt man dieser Ãkofabel mit ihren detailverliebten Sets und der liebevollen Animation zu jedem Zeitpunkt an. So ist â¹Sauvages⺠wahrscheinlich der schönste Schweizer Animationsfilm überhaupt â und ein Werk, das Hoffnung für das hiesige Trickfilmschaffen macht.» Für Maximum Cinema habe ich am 3. Februar 2025 eine Kritik zum Schweizer Stop-Motion-Film «Sauvages» verfasst."><em>Maximum Cinema</em></a> habe ich am 16. Dezember 2025 eine Kritik zum Blockbuster-Sequel «Avatar: Fire and Ash» verfasst.</p> 471 472 </div> 473 474 <div class="entry-meta"> 475 476 <div class="comments-count"> 477 <a href="https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a> 478 479 480 </div> 481 482 483<div class="sharing"> 484 485 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/&text=Kritik%3A+%C2%ABAvatar%3A+Fire+and+Ash%C2%BB+von+James+Cameron&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 486 487 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2025/12/16/kritik-avatar-fire-and-ash-von-james-cameron/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 488 489</div> 490</div> 491</article> 492 493 <article id="post-16649" > 494 495 <a href="https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/" class="entry-date"> 496 <time datetime="2026-10-10T00:55:24+00:00"> 497 <span class="day">26</span> 498 <span class="month">Nov.</span> 499 </time> 500 </a> 501 502 <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/">Kritik: «Qui part à la chasse» von Lea Favre</a></h2> 503 504 505 <div class="entry-content"> 506 507 <div id="fb-root"></div> 508<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16650" src="https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse.jpg" alt="" width="1440" height="800" srcset="https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse.jpg 1440w, https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse-660x367.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse-1000x556.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2026/01/QuiPartALaChasse-768x427.jpg 768w" sizes="auto, (max-width: 1440px) 100v
508w, 1440px" /></a></em></p> 509<p><em>«Um diese reale Aufnahme herum rekonstruiert [Lea Favre] in â¹<i>Qui part à la chasseâº</i> das Erlebte in reduzierter Stop-Motion-Technik und erzählt, wie sie sich für einen Dokumentarfilm auf die Suche nach einer zu porträtierenden Person begibt. Auf die â¹Jagdâº, quasi. Und wie sie dabei unverhofft im Visier eines anderen â¹Jägers⺠landet. Wie Favre in ihrem Film die Frage nach dem Jagen und Gejagtwerden behandelt und dabei auch die eigene Rolle als Dokumentarfilmerin hinterfragt, ist überragend.</em><em>»</em></p> 510<p>Für das <a href="https://www.cinemabuch.ch/article/650222"><em>Jahrbuch Cinema</em></a> habe ich eine Kritik zum Schweizer Animationskurzfilm «Qui part à la chasse» verfasst, die auch in der gedruckten Ausgabe #71 zu lesen sein wird.</p> 511 512 </div> 513 514 <div class="entry-meta"> 515 516 <div class="comments-count"> 517 <a href="https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a> 518 519 520 </div> 521 522 523<div class="sharing"> 524 525 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/&text=Kritik%3A+%C2%ABQui+part+%C3%A0+la+chasse%C2%BB+von+Lea+Favre&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 526 527 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2025/11/26/kritik-qui-part-la-chasse-von-lea-favre/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 528 529</div> 530</div> 531</article> 532 533 <article id="post-16537" > 534 535 <a href="https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/" class="entry-date"> 536 <time datetime="2026-10-10T00:55:24+00:00"> 537 <span class="day">18</span> 538 <span class="month">Okt.</span> 539 </time> 540 </a> 541 542 <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/">Kritik: «Matta und Matto» von Bianca Caderas und Kerstin Zemp</a></h2> 543 544 545 <div class="entry-content"> 546 547 <div id="fb-root"></div> 548<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16538" src="https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto.jpg" alt="" width="1024" height="540" srcset="https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto.jpg 1024w, https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto-660x348.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto-1000x527.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2025/11/MattaMatto-768x405.jpg 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></a></em></p> 549<p><em>«Wer mit den absurden, von bemitleidenswerten Sonderlingen bevölkerten Welten von Bianca Caderas und Kerstin Zemp noch nicht vertraut ist, dürfte vom rasanten â¹Matta und Matto⺠möglicherweise etwas überfordert sein. Wer sich davon jedoch nicht abschrecken lässt, kommt in den Genuss eines fantastischen, verspielten Films über Sehnsucht, Lust â und Eierköpfer.</em><em>»</em></p> 550<p>Für das <a href="https://www.cinemabuch.ch/article/650218"><em>Jahrbuch Cinema</em></a> habe ich am eine Kritik zum Schweizer Animationskurzfilm «Matta und Matto» verfasst, die auch in der gedruckten Ausgabe #70 zu lesen ist.</p> 551 552 </div> 553 554 <div class="entry-meta"> 555 556 <div class="comments-count"> 557 <a href="https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/#respond"><svg class="icon-comment"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-comment"></use></svg>Keine Kommentare</a> 558 559 560 </div> 561 562 563<div class="sharing"> 564
565 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/&text=Kritik%3A+%C2%ABMatta+und+Matto%C2%BB+von+Bianca+Caderas+und+Kerstin+Zemp&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 566 567 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2025/10/18/kritik-matta-und-matto-von-bianca-caderas-und-kerstin-zemp/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 568 569</div> 570</div> 571</article> 572 573 <article id="post-16539" > 574 575 <a href="https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-polina-tyrsa/" class="entry-date"> 576 <time datetime="2026-10-10T00:55:24+00:00"> 577 <span class="day">1</span> 578 <span class="month">Mai</span> 579 </time> 580 </a> 581 582 <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-polina-tyrsa/">Kritik: «Forza, Rea!» von Isabel Pahud, Isabel Clerici, Laura Zimmermann und Polina Tyrsa</a></h2> 583 584 585 <div class="entry-content"> 586 587 <div id="fb-root"></div> 588<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16540" src="https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea.jpg" alt="" width="1920" height="954" srcset="https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea.jpg 1920w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-660x328.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-1000x497.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-768x382.jpg 768w, https://oliviersamter.ch/wp-content/uploads/2025/11/ForzaRea-1536x763.jpg 1536w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p> 589<p>«Mit seinem rasanten Tempo und den übertriebenen Perspektiven erinnert â¹<i>Forza, Rea!âº</i> an amerikanische Cartoonserien der frühen Nullerjahre â wie â¹Samurai Jack<i>âº</i> oder â¹Kim Possible<i>⺠</i>â, als dank neuer technischer Möglichkeiten plötzlich alles möglich schien. </em><em>»</em></p> 590<p>Für das <a href="https://www.cinemabuch.ch/article/650218"><em>Jahrbuch Cinema</em></a> habe ich am eine Kritik zum Schweizer Animationskurzfilm «Forza, Rea!» verfasst, die auch in der gedruckten Ausgabe #70 zu lesen ist.</p> 591 592 </div> 593 594 <div class="entry-meta"> 595 596 <div class="comments-count"> 597 <a href="https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-polina-tyrsa/"><svg class="icon-star"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-star"></use></svg>Permalink</a> 598 599 600 </div> 601 602 603<div class="sharing"> 604 605 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-polina-tyrsa/&text=Kritik%3A+%C2%ABForza%2C+Rea%21%C2%BB+von+Isabel+Pahud%2C+Isabel+Clerici%2C+Laura+Zimmermann+und+Polina+Tyrsa&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 606 607 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2025/05/01/kritik-forza-rea-von-isabel-pahud-isabel-clerici-laura-zimmermann-und-p
607olina-tyrsa/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 608 609</div> 610</div> 611</article> 612 613 <article id="post-16651" > 614 615 <a href="https://oliviersamter.ch/2025/05/01/kritik-holes-von-andrew-davis/" class="entry-date"> 616 <time datetime="2026-10-10T00:55:24+00:00"> 617 <span class="day">1</span> 618 <span class="month">Mai</span> 619 </time> 620 </a> 621 622 <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/05/01/kritik-holes-von-andrew-davis/">Kritik: «Holes» von Andrew Davis</a></h2> 623 624 625 <div class="entry-content"> 626 627 <div id="fb-root"></div> 628<p><em><a href="https://oliviersamter.ch/wp-content/uploads/2026/01/Holes.avif"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16652" src="https://oliviersamter.ch/wp-content/uploads/2026/01/Holes.avif" alt="" width="1200" height="675" srcset="https://oliviersamter.ch/wp-content/uploads/2026/01/Holes.avif 1200w, https://oliviersamter.ch/wp-content/uploads/2026/01/Holes-660x371.avif 660w, https://oliviersamter.ch/wp-content/uploads/2026/01/Holes-1000x563.avif 1000w, https://oliviersamter.ch/wp-content/uploads/2026/01/Holes-768x432.avif 768w" sizes="auto, (max-width: 1200px) 100vw, 1200px" /></a></em></p> 629<p><em>«Der Abenteuerfilm kann mit seiner verschachtelten Erzählstruktur und den charismatischen Figuren überzeugen. â¹Holes⺠verharmlost seine schweren Themen nie und behält doch eine gewisse Leichtigkeit. Sicher, vieles wurde in den über zwanzig Jahren seit dem Erscheinen des Films interessanter erzählt â aber, dass ein Disney-Familienfilm 2003 so offen über Rassismus, Klasse und Missbrauch spricht, ist bemerkenswert.</em><em>»</em></p> 630<p>Für das <a href="https://www.coucoumagazin.ch/de/magazin/schau-mal/942745/Holes-Das-Geheimnis-von-Green-Lake-USA-2003.html"><em>Coucou</em></a> habe ich mir die Buchverfilmung «Löcher» mit Shia LaBeouf angesehen und in der Mai-Ausgabe besprochen.</p> 631 632 </div> 633 634 <div class="entry-meta"> 635 636 <div class="comments-count"> 637 <a href="https://oliviersamter.ch/2025/05/01/kritik-holes-von-andrew-davis/"><svg class="icon-star"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-star"></use></svg>Permalink</a> 638 639 640 </div> 641 642 643<div class="sharing"> 644 645 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/05/01/kritik-holes-von-andrew-davis/&text=Kritik%3A+%C2%ABHoles%C2%BB+von+Andrew+Davis&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 646 647 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2025/05/01/kritik-holes-von-andrew-davis/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 648 649</div> 650</div> 651</article> 652 653 <article id="post-16473" > 654 655 <a href="https://oliviersamter.ch/2025/02/03/kritik-sauvages-von-claude-barras/" class="entry-date"> 656 <time datetime="2026-10-10T00:55:24+00:00"> 657 <span class="day">3</span> 658 <span class="month">Feb.</span> 659 </time> 660 </a> 661 662 <h2 class="entry-title"><a href="https://oliviersamter.ch/2025/02/03/kritik-sauvages-von-claude-barras/">Kritik: «Sauvages» von Claude Barras</a></h2> 663 664 665 <div class="entry-content"> 666 667 <div id="fb-root"></div> 668<p><a href="https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-16472" src="https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK.jpg" alt="" width="1400" height="757" srcset="https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK.jpg 1400w, https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK-660x357.jpg 660w, https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK-1000x541.jpg 1000w, https://oliviersamter.ch/wp-content/uploads/2025/02/SAUVAGES_FILM_KINO_SCHWEIZ_KRITIK-768x415.jpg 768w" sizes="auto, (max-width: 1400px) 100v
668w, 1400px" /></a></p> 669<p><em>«Der Dschungel wird in â¹Sauvages⺠zu einem eigenständigen Akteur, der die Figuren â und uns mit ihnen â richtiggehend dazu einlädt, seine Geheimnisse zu erkunden. Dass das Budget des Films im Vergleich zu â¹Ma vie de Courgette⺠um rund die Hälfte gestiegen ist â für den Film wurde in Martigny sogar ein kleiner Studiokomplex mit 50 Angestellten und riesigen Sets geschaffen â, merkt man dieser Ãkofabel mit ihren detailverliebten Sets und der liebevollen Animation zu jedem Zeitpunkt an. So ist â¹Sauvages⺠wahrscheinlich der schönste Schweizer Animationsfilm überhaupt â und ein Werk, das Hoffnung für das hiesige Trickfilmschaffen macht.»</em></p> 670<p>Für <a href="https://www.maximumcinema.ch/sauvages-von-claude-barras/"><em>Maximum Cinema</em></a> habe ich am 3. Februar 2025 eine Kritik zum Schweizer Stop-Motion-Film «Sauvages» verfasst.</p> 671 672 </div> 673 674 <div class="entry-meta"> 675 676 <div class="comments-count"> 677 <a href="https://oliviersamter.ch/2025/02/03/kritik-sauvages-von-claude-barras/"><svg class="icon-star"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-star"></use></svg>Permalink</a> 678 679 680 </div> 681 682 683<div class="sharing"> 684 685 <a href="http://twitter.com/share?url=https://oliviersamter.ch/2025/02/03/kritik-sauvages-von-claude-barras/&text=Kritik%3A+%C2%ABSauvages%C2%BB+von+Claude+Barras&via=OlivierSamter" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Twitter"><svg class="icon-twitter"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-twitter"></use></svg></a> 686 687 <a href="https://www.facebook.com/sharer/sharer.php?u=https://oliviersamter.ch/2025/02/03/kritik-sauvages-von-claude-barras/" onclick="javascript:window.open(this.href,'', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,width=500,height=550');return false;" title="Share on Facebook"><svg class="icon-facebook"><use xlink:href="https://oliviersamter.ch/wp-content/themes/owley2/img/spritemap.svg#icon-facebook"></use></svg></a> 688 689</div> 690</div> 691</article> 692<!-- pb270 --> 693<div class="pagebar"> 694 <span>Pages: </span> 695 696 <span class="this-page">1</span> 697 <a href="https://oliviersamter.ch/category/texte/page/2/" title="Page 2"> 698 2 </a> 699 700 701 702 </div> 703 704 <footer class="site-footer"> 705 <div class="site-info"> 706 © 2026 <a href="https://oliviersamter.ch">Olivier Samter</a> | <a href="#top" class="scrolltop">nach oben</a> 707 </div> 708 </footer> 709</div> 710
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vendor: 91 bytes, lines 908-909
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909<script data-cfasync="false" data-wpfc-render="false" type="text/javascript"> 910 var mi_version = '11.3.0'; 911 var mi_track_user = true; 912 var mi_no_track_reason = ''; 913 var MonsterInsightsDefaultLocations = {"page_location":"https:\/\/oliviersamter.ch\/category\/texte\/"}; 914 if ( typeof MonsterInsightsPrivacyGuardFilter === 'function' ) { 915 var MonsterInsightsLocations = (typeof MonsterInsightsExcludeQuery === 'object') ? MonsterInsightsPrivacyGuardFilter( MonsterInsightsExcludeQuery ) : MonsterInsightsPrivacyGuardFilter( MonsterInsightsDefaultLocations ); 916 } else { 917 var MonsterInsightsLocations = (typeof MonsterInsightsExcludeQuery === 'object') ? MonsterInsightsExcludeQuery : MonsterInsightsDefaultLocations; 918 } 919 920 var disableStrs = [ 921 'ga-disable-G-Y0VD59TQMZ', 922 ]; 923 924 /* Function to detect opted out users */ 925 function __gtagTrackerIsOptedOut() { 926 for (var index = 0; index < disableStrs.length; index++) { 927 if (document.cookie.indexOf(disableStrs[index] + '=true') > -1) { 928 return true; 929 } 930 } 931 932 return false; 933 } 934 935 /* Disable tracking if the opt-out cookie exists. */ 936 if (__gtagTrackerIsOptedOut()) { 937 for (var index = 0; index < disableStrs.length; index++) { 938 window[disableStrs[index]] = true; 939 } 940 } 941 942 /* Opt-out function */ 943 function __gtagTrackerOptout() { 944 for (var index = 0; index < disableStrs.length; index++) { 945 document.cookie = disableStrs[index] + '=true; expires=Thu, 31 Dec 2099 23:59:59 UTC; path=/'; 946 window[disableStrs[index]] = true; 947 } 948 } 949 950 if ('undefined' === typeof gaOptout) { 951 function gaOptout() { 952 __gtagTrackerOptout(); 953 } 954 } 955 window.dataLayer = window.dataLayer || []; 956 957 window.MonsterInsightsDualTracker = { 958 helpers: {}, 959 trackers: {}, 960 }; 961 if (mi_track_user) { 962 function __gtagDataLayer() { 963 dataLayer.push(arguments); 964 } 965 966 function __gtagTracker(type, name, parameters) { 967 if (!parameters) { 968 parameters = {}; 969 } 970 971 if (parameters.send_to) { 972 __gtagDataLayer.apply(null, arguments); 973 return; 974 } 975 976 if (type === 'event') { 977 parameters.send_to = monsterinsights_frontend.v4_id; 978 var hookName = name; 979 if (typeof parameters['event_category'] !== 'undefined') { 980 hookName = parameters['event_category'] + ':' + name; 981 } 982 983 if (typeof MonsterInsightsDualTracker.trackers[hookName] !== 'undefined') { 984 MonsterInsightsDualTracker.trackers[hookName](parameters); 985 } else { 986 __gtagDataLayer('event', name, parameters); 987 } 988 989 } else { 990 __gtagDataLayer.apply(null, arguments); 991 } 992 } 993 994 __gtagTracker('js', new Date()); 995 __gtagTracker('set', { 996 'developer_id.dZGIzZG': true, 997 }); 998 if ( MonsterInsightsLocations.page_location ) { 999 __gtagTracker('set', MonsterInsightsLocations); 1000 } 1001 __gtagTracker('config', 'G-Y0VD59TQMZ', {"forceSSL":"true","anonymize_ip":"true"} ); 1002 window.gtag = __gtagTracker; (function () { 1003 /* https://developers.google.com/analytics/devguides/collection/analyticsjs/ */ 1004 /* ga and __gaTracker compatibility shim. */ 1005 var noopfn = function () { 1006 return null; 1007 }; 1008 var newtracker = function () { 1009 return new Tracker(); 1010 }; 1011 var Tracker = function () { 1012 return null; 1013 }; 1014 var p = Tracker.prototype; 1015 p.get = noopfn; 1016 p.set = noopfn; 1017 p.send = function () { 1018 var args = Array.prototype.slice.call(arguments); 1019 args.unshift('send'); 1020 __gaTracker.apply(null, args); 1021 }; 1022 var __gaTracker = function () { 1023 var len = arguments.length; 1024 if (len === 0) { 1025 return; 1026 } 1027 var f = arguments[len - 1]; 1028 if (typeof f !== 'object' || f === null || typeof f.hitCallback !== 'function') { 1029 if ('send' === arguments[0]) { 1030 var hitConverted, hitObject = false, action; 1031 if ('event' === arguments[1]) { 1032 if ('undefined' !== typeof arguments[3]) { 1033 hitObject = { 1034 'eventAction': arguments[3], 1035 'eventCategory': arguments[2], 1036 'eventLabel': arguments[4], 1037 'value': arguments[5] ? arguments[5] : 1, 1038 } 1039 } 1040 } 1041 if ('pageview' === arguments[1]) { 1042 if ('undefined' !== typeof arguments[2]) { 1043 hitObject = { 1044 'eventAction': 'page_view', 1045 'page_path': arguments[2], 1046 } 1047 } 1048 } 1049 if (typeof arguments[2] === 'object') { 1050 hitObject = arguments[2]; 1051 } 1052 if (typeof arguments[5] === 'object') { 1053 Object.assign(hitObject, arguments[5]); 1054 } 1055 if ('undefined' !== typeof arguments[1].hitType) { 1056 hitObject = arguments[1]; 1057 if ('pageview' === hitObject.hitType) { 1058 hitObject.eventAction = 'page_view'; 1059 } 1060 } 1061 if (hitObject) { 1062 action = 'timing' === arguments[1].hitType ? 'timing_complete' : hitObject.eventAction;
1063 hitConverted = mapArgs(hitObject); 1064 __gtagTracker('event', action, hitConverted); 1065 } 1066 } 1067 return; 1068 } 1069 1070 function mapArgs(args) { 1071 var arg, hit = {}; 1072 var gaMap = { 1073 'eventCategory': 'event_category', 1074 'eventAction': 'event_action', 1075 'eventLabel': 'event_label', 1076 'eventValue': 'event_value', 1077 'nonInteraction': 'non_interaction', 1078 'timingCategory': 'event_category', 1079 'timingVar': 'name', 1080 'timingValue': 'value', 1081 'timingLabel': 'event_label', 1082 'page': 'page_path', 1083 'location': 'page_location', 1084 'title': 'page_title', 1085 'referrer' : 'page_referrer', 1086 }; 1087 for (arg in args) { 1088 if (!(!args.hasOwnProperty(arg) || !gaMap.hasOwnProperty(arg))) { 1089 hit[gaMap[arg]] = args[arg]; 1090 } else { 1091 hit[arg] = args[arg]; 1092 } 1093 } 1094 return hit; 1095 } 1096 1097 try { 1098 f.hitCallback(); 1099 } catch (ex) { 1100 } 1101 }; 1102 __gaTracker.create = newtracker; 1103 __gaTracker.getByName = newtracker; 1104 __gaTracker.getAll = function () { 1105 return []; 1106 }; 1107 __gaTracker.remove = noopfn; 1108 __gaTracker.loaded = true; 1109 window['__gaTracker'] = __gaTracker; 1110 })(); 1111 } else { 1112 console.log(""); 1113 (function () { 1114 function __gtagTracker() { 1115 return null; 1116 } 1117 1118 window['__gtagTracker'] = __gtagTracker; 1119 window['gtag'] = __gtagTracker; 1120 })(); 1121 } 1122 </script>
1122 1123 <!-- / Google Analytics by MonsterInsights --> 1124 </body> 1125</html>
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.