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34 35 </head> 36 <body> 37 <div class="container"> 38 <div id="headerImage" class="sixteen columns"> 39 <a href='/'><img src="/images/logo600.png" alt="site logo" /></a> 40 </div> 41 <div class="two columns alpha"> 42 <a href='/'><img src="/images/logo100.png" alt="home menu button" style="padding: 10px 0" /></a> 43 <ul class="hover_block3"> 44 <li> 45 <a href='/blog/index.php'><img src="/images/blog-nav.jpg" alt="dans diatribes menu button" /> 46 <div class="nav-blog"></div 47 ></a> 48 </li> 49 <li> 50 <a href='/life'><img src="/images/life-nav.jpg" alt="life of dan menu button" /> 51 <div class="nav-life"></div 52 ></a> 53 </li> 54 <li> 55 <a href='/perform'><img src="/images/perform-nav.jpg" alt="great performances menu button" /> 56 <div class="nav-perform"></div 57 ></a> 58 </li> 59 <li> 60 <a href='/works'><img src="/images/works-nav.jpg" alt="complete works menu button" /> 61 <div class="nav-works"></div 62 ></a> 63 </li> 64 <li> 65 <a href='/films'><img src="/images/films-nav.jpg" alt="signature collection menu button" /> 66 <div class="nav-films"></div 67 ></a> 68 </li> 69 </ul> 70 </div> 71 <div id="single" class="fourteen columns alpha omega"> 72 <h1>Lessons Of The Master</h1> 73 <h4>(A CYBER-COURSE IN SCREENWRITING)</h4> 74 <br /> 75 <div style="text-align: center; font-weight: bold"><p>ADMISSIONS EXAM</p></div> 76 <p>1) Name the author of best screenwriting handbook available today. [HINT: It's NOT Robert McKee.]</p> 77 <p> 78 2) On the set, the writer is the co-equal of a) the star, b) the director, or c) the craft services person 79 pouring the coffee. 80 </p> 81 <p> 82 3) Most current movies begin as a) a great screenplay, b) a dazzling deal, or c) a misinformed marketing 83 concept. 84 </p> 85 <div style="text-align: center; font-weight: bold"><p>CAVEATS AND CAVILS</p></div> 86 <p>If you do not already know the answers to the above questions, do not take this course.</p> 87 <p>If you like multiple-choice, true-false, and other forms of objective testing, do not take this course.</p> 88 <p>If you expect me to wave my magic wand and grant you talent, do not take this course.</p> 89 <p>Above all, if you have a great screenplay you'd like me to read, DO NOT TAKE THIS COURSE!</p> 90 <p> 91 If, however, you'd like to learn the tools of the craft and you're prepared to work long and hard at mastering 92 them, you might want to consider taking this course. 93 </p> 94 <div style="text-align: center; font-weight: bold"><p>COURSE DESCRIPTION</p></div> 95 <p> 96 You may have noticed that I occasionally have a hard time approaching Hollywood with the seriousness it 97 demands. Sometimes, I even fall victim to the temptation to mock my subject. But when it comes to the craft of 98 screenwriting, I'm dead serious. 99 </p> 100 <p>Here's what you can expect if you commit to this course.</p> 101 <p> 102 The topics will include Choosing a Subject, Researching That Subject, Discovering Your Theme, Building Your 103 Characters, Writing Your Dialogue, Structuring Your Material, and many, many others. We'll get into subtopics 104 like Scenes, Acts, Transitions, Juxtapositions, Style, Character Names, Titles, and much more. You'll learn 105 Principles of Editing, the fact that Everything Matters, and you'll learn to ask yourself at the very outset 106 of your task, "What's It All About?" 107 </p> 108 <p> 109 The entire experience will be built around my adaptation of Joseph Conrad's <em>Lord Jim</em> - my finest 110 work, a script that veteran producer David Foster has described as one of the two best screenplays he's ever 111 gotten his hands on, one that ICM's Jeff Berg personally recommended to Roman Polanski. 112 </p> 113 <p>The approach will be practical, real-world, devoid of bullshit abstractions and theories.</p> 114 <!-- <p>If you commit to this experience, you will be required to purchase an e-copy of my <em>Lord Jim</em>, and you will pay a modest fee for each lesson. A new lesson will be posted every week until the course is complete. If you decide the course isn't worth the small change you'll be paying for it, you can drop out at any time with no financial penalty beyond the price you've already paid for the script and the lessons you've taken.</p> --> 115 <p> 116 If this sort of pragmatic instruction from an experienced teacher, story analyst/editor, and successful 117 writer/producer interests you, <a href='/screenwriting'>click here to continue</a>. 118 </p> 119 </div> 120 </div> 121 <!-- container --> 122 <div class="footer"> 123 <p>
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