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200 <div class="et_pb_module et_pb_text et_pb_text_0 et_pb_text_align_center et_pb_bg_layout_dark"> 201 202 203 204 205 <div class="et_pb_text_inner"><h1>Works</h1></div> 206 </div> 207 </div> 208 209 210 211 212 </div><div class="et_pb_row et_pb_row_1"> 213 <div class="et_pb_column et_pb_column_1_6 et_pb_column_1 et_pb_css_mix_blend_mode_passthrough"> 214 215 216 217 218 <div class="et_pb_button_module_wrapper et_pb_button_0_wrapper et_pb_button_alignment_center et_pb_module ">
219 <a class="et_pb_button et_pb_button_0 et_pb_bg_layout_light" href="#orchestral">Orchestral</a> 220 </div> 221 </div><div class="et_pb_column et_pb_column_1_6 et_pb_column_2 et_pb_css_mix_blend_mode_passthrough"> 222 223 224 225 226 <div class="et_pb_button_module_wrapper et_pb_button_1_wrapper et_pb_button_alignment_center et_pb_module "> 227 <a class="et_pb_button et_pb_button_1 et_pb_bg_layout_light" href="#chamber">Chamber</a> 228 </div> 229 </div><div class="et_pb_column et_pb_column_1_6 et_pb_column_3 et_pb_css_mix_blend_mode_passthrough"> 230 231 232 233 234 <div class="et_pb_button_module_wrapper et_pb_button_2_wrapper et_pb_button_alignment_center et_pb_module "> 235 <a class="et_pb_button et_pb_button_2 et_pb_bg_layout_light" href="#opera">Opera</a> 236 </div> 237 </div><div class="et_pb_column et_pb_column_1_6 et_pb_column_4 et_pb_css_mix_blend_mode_passthrough"> 238 239 240 241 242 <div class="et_pb_button_module_wrapper et_pb_button_3_wrapper et_pb_button_alignment_center et_pb_module "> 243 <a class="et_pb_button et_pb_button_3 et_pb_bg_layout_light" href="#choral">Choral</a> 244 </div> 245 </div><div class="et_pb_column et_pb_column_1_6 et_pb_column_5 et_pb_css_mix_blend_mode_passthrough"> 246 247 248 249 250 <div class="et_pb_button_module_wrapper et_pb_button_4_wrapper et_pb_button_alignment_center et_pb_module "> 251 <a class="et_pb_button et_pb_button_4 et_pb_bg_layout_light" href="#vocal">Vocal</a> 252 </div> 253 </div><div class="et_pb_column et_pb_column_1_6 et_pb_column_6 et_pb_css_mix_blend_mode_passthrough et-last-child"> 254 255 256 257 258 <div class="et_pb_button_module_wrapper et_pb_button_5_wrapper et_pb_button_alignment_center et_pb_module "> 259 <a class="et_pb_button et_pb_button_5 et_pb_bg_layout_light" href="#solo">Solo</a> 260 </div> 261 </div> 262 263 264 265 266 </div> 267 268 <div class="et_pb_bottom_inside_divider et-no-transition"></div> 269 </div><div class="et_pb_section et_pb_section_1 et_pb_with_background et_section_regular" > 270 271 272 273 274 275 276 <div id="orchestral" class="et_pb_with_border et_pb_row et_pb_row_2 et_animated"> 277 <div class="et_pb_column et_pb_column_4_4 et_pb_column_7 et_pb_css_mix_blend_mode_passthrough et-last-child"> 278 279 280 281 282 <div class="et_pb_module et_pb_text et_pb_text_1 et_pb_text_align_left et_pb_bg_layout_dark"> 283 284 285 286 287 <div class="et_pb_text_inner"><h1>Orchestral Works</h1></div> 288 </div> 289 </div> 290 291 292 293 294 </div><div class="et_pb_row et_pb_row_3"> 295 <div class="et_pb_column et_pb_column_1_2 et_pb_column_8 et_pb_css_mix_blend_mode_passthrough"> 296 297 298 299 300 <div class="et_pb_module et_pb_text et_pb_text_2 et_pb_text_align_left et_pb_bg_layout_light"> 301 302 303 304 305 <div class="et_pb_text_inner"><h2 id="letter-from-across-the-river-for-full-orchestra-chorus-soprano-and-baritone-soloists"><i>Letter from Across the River</i> for full orchestra, chorus & soprano and baritone soloists</h2> 306<blockquote> 307<p><strong>Date:</strong> May 2026<br /><strong>Duration:</strong> 18 minutes<br /><strong>World Premiere:</strong> Montreal Symphony Orchestra (Oct. 15, 2026)<br /><strong>Commission</strong>: The Azrieli Foundation</p> 308</blockquote></div> 309 </div> 310 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_9 et_pb_css_mix_blend_mode_passthrough et-last-child"> 311 312 313 314 315 <div class="et_pb_module et_pb_text et_pb_text_3 et_pb_text_align_left et_pb_bg_layout_light"> 316 317 318 319 320 <div class="et_pb_text_inner"><h2 id="a-scrapbook-for-masza-a-double-concerto-for-violin-accordion"><em>A Scrapbook for Masza:Â </em>a Double Concerto for Violin & Accordion</h2> 321<blockquote> 322<p><strong>Date:</strong> October 2024<br /><strong>Duration:</strong> 28 minutes<br /><strong>World Premiere (TBA): </strong>Duo <span>Karolina Mikolajczyk</span> & Iwo Jedynecki</p> 323</blockquote></div> 324 </div> 325 </div> 326 327 328 329 330 </div><div class="et_pb_row et_pb_row_4"> 331 <div class="et_pb_column et_pb_column_1_2 et_pb_column_10 et_pb_css_mix_blend_mode_passthrough"> 332 333 334 335 336 <div class="et_pb_module et_pb_text et_pb_text_4 et_pb_text_align_left et_pb_bg_layout_light"> 337 338 339 340 341 <div class="et_pb_text_inner"><h2 id="sirens-a-concerto-for-theremin-orchestra"><em>Sirens</em>: a Concerto for Theremin & Orchestra</h2> 342<blockquote> 343<p><strong>Date:</strong> August 2017<br /><strong>Duration:</strong> 28 minutes<br /><strong>World Premiere:</strong> Boston Modern Orchestra Project (Oct. 4, 2019)<br /><strong>New York Premiere:</strong> Albany Symphony (Nov. 9, 2019)<br /><strong>Recording</strong>:Â <em>Sirens</em> (BMOP/sound, April 2025)</p> 344<p> </p> 345</blockquote></div> 346 </div><div class="et_pb_button_module_wrapper et_pb_button_6_wrapper et_pb_module ">
347 <a class="et_pb_button et_pb_button_6 et_pb_bg_layout_light" href="https://blackteamusic.com/product/sirens-a-concerto-for-theremin-and-orchestra/" target="_blank" data-icon="5">Buy the Score</a> 348 </div> 349 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_11 et_pb_css_mix_blend_mode_passthrough et-last-child"> 350 351 352 353 354 <div class="et_pb_module et_pb_text et_pb_text_5 et_pb_text_align_left et_pb_bg_layout_light"> 355 356 357 358 359 <div class="et_pb_text_inner"><h2 id="responses-for-orchestra"><em>Responses </em>for orchestra</h2> 360<blockquote> 361<p><strong>Date:</strong> August 2016<br /><strong>Duration:</strong> 14 minutes<br /><strong>World Premiere:</strong> Bowling Green Philharmonia â Emily Freeman Brown<br /><strong>European Premiere:</strong> NDR Elbphilharmonie Orchester –Â Alan Gilbert<br /><strong>Recordings: </strong><em>Sirens </em>(BMOP/sound, April 2025), <em>New Music From Bowling Green </em>(Albany Records)</p> 362</blockquote></div> 363 </div><div class="et_pb_button_module_wrapper et_pb_button_7_wrapper et_pb_module "> 364 <a class="et_pb_button et_pb_button_7 et_pb_bg_layout_light" href="https://blackteamusic.com/product/responses-orchestra/" target="_blank" data-icon="5">Buy the Score</a> 365 </div> 366 </div> 367 368 369 370 371 </div><div class="et_pb_row et_pb_row_5"> 372 <div class="et_pb_column et_pb_column_1_2 et_pb_column_12 et_pb_css_mix_blend_mode_passthrough"> 373 374 375 376 377 <div class="et_pb_module et_pb_text et_pb_text_6 et_pb_text_align_left et_pb_bg_layout_light"> 378 379 380 381 382 <div class="et_pb_text_inner"><h2 id="conjuring-tristan-for-piano-and-orchestra"><em>Conjuring Tristan</em> for piano and orchestra</h2> 383<blockquote> 384<p><strong>Date:</strong> November 2014<br /><strong>Duration:</strong> 25 minutes<br /><strong>Commission:</strong> Grand Rapids Symphony â David Lockington</p> 385<p><strong>World Premiere: </strong>Grand Rapids Symphony; David Lockington, conductor; Dalit Warshaw, piano soloist</p> 386</blockquote></div> 387 </div><div class="et_pb_button_module_wrapper et_pb_button_8_wrapper et_pb_module "> 388 <a class="et_pb_button et_pb_button_8 et_pb_bg_layout_light" href="https://blackteamusic.com/product/conjuring-tristan/" target="_blank" data-icon="5">Buy the Score</a> 389 </div> 390 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_13 et_pb_css_mix_blend_mode_passthrough et-last-child"> 391 392 393 394 395 <div class="et_pb_module et_pb_text et_pb_text_7 et_pb_text_align_left et_pb_bg_layout_light"> 396 397 398 399 400 <div class="et_pb_text_inner"><h2 id="after-the-victory-for-orchestra-and-chorus"><em>After the Victory</em> for orchestra and chorus</h2> 401<blockquote> 402<p><strong>Date:</strong> April 2006<br /><strong>Duration:</strong> 25 minutes<br /><strong>Commission:</strong> Grand Rapids Symphony â David Lockington; North American Choral Company</p> 403</blockquote></div> 404 </div> 405 </div> 406 407 408 409 410 </div><div class="et_pb_row et_pb_row_6"> 411 <div class="et_pb_column et_pb_column_1_2 et_pb_column_14 et_pb_css_mix_blend_mode_passthrough"> 412 413 414 415 416 <div class="et_pb_module et_pb_text et_pb_text_8 et_pb_text_align_left et_pb_bg_layout_light"> 417 418 419 420 421 <div class="et_pb_text_inner"><h2 id="al-ha-shminit-interludes-on-a-bygone-mode-for-chamber-orchestra"><em>Al ha-Shminit: Interludes on a Bygone Mode </em>for chamber orchestra</h2> 422<blockquote> 423<p><strong>Date: </strong>April 2003<br /><strong>Duration:</strong> 12 minutes<br /><strong>Commission:</strong> Joel Sachs and the New Juilliard Ensemble</p> 424</blockquote></div> 425 </div> 426 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_15 et_pb_css_mix_blend_mode_passthrough et-last-child"> 427 428 429 430 431 <div class="et_pb_module et_pb_text et_pb_text_9 et_pb_text_align_left et_pb_bg_layout_light"> 432 433 434 435 436 <div class="et_pb_text_inner"><h2 id="camilles-dance"><em>Camilleâs Dance</em></h2> 437<blockquote> 438<p><strong>Date: </strong>September 2002<br /><strong>Duration:</strong> 10 minutes<br /><strong>Recordings: </strong><em>Sirens </em>(BMOP/sound, April 2025)<br /><strong>Performances:<em>Â </em></strong></p> 439<ul> 440<li>Grand Rapids Symphony â David Lockington</li> 441<li>American Composers Orchestra â Dennis Russell Davies</li> 442<li>New England Philharmonic â Richard Pittman</li> 443</ul> 444</blockquote></div> 445 </div> 446 </div> 447 448 449 450 451 </div><div class="et_pb_row et_pb_row_7"> 452 <div class="et_pb_column et_pb_column_1_2 et_pb_column_16 et_pb_css_mix_blend_mode_passthrough"> 453 454 455 456 457 <div class="et_pb_module et_pb_text et_pb_text_10 et_pb_text_align_left et_pb_bg_layout_light"> 458 459 460 461 462 <div class="et_pb_text_inner"><h2 id="beethovens-symphony-op-26">Beethoven’s Symphony op. 26</h2> 463<p>An orchestration of Beethovenâs Piano Sonata in Ab Major, including his own transcription of the workâs âMarcia Funebreâ</p> 464<blockquote> 465<p><strong>Date: </strong>January 2002<br /><strong>Performances:</strong></p> 466<ul> 467<li>The Beethoven Festival, sponsored by Friends of the Arts Camerata NY â Richard Owen</li> 468<li>Performance lecture: The Juilliard School</li> 469</ul> 470</blockquote></div> 471 </div> 472 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_17 et_pb_css_mix_blend_mode_passthrough et-last-child"> 473 474 475 476 477 <div class="et_pb_module et_pb_text et_pb_text_11 et_pb_text_align_left et_pb_bg_layout_light"> 478 479 480 481 482 <div class="et_pb_text_inner">
482<h2 id="maid-of-domremy"><em>Maid of Domremy</em></h2> 483<blockquote> 484<p><strong>Date: </strong>March 1995<br /><strong>Duration:</strong> 16 minutes<br /><strong>Commission:</strong> Empire State Youth Orchestra â Francisco Noya<br /><strong>Other Performances: </strong>Knoxville Symphony Orchestra â Kirk Trevor</p> 485</blockquote></div> 486 </div> 487 </div> 488 489 490 491 492 </div><div class="et_pb_row et_pb_row_8"> 493 <div class="et_pb_column et_pb_column_1_2 et_pb_column_18 et_pb_css_mix_blend_mode_passthrough"> 494 495 496 497 498 <div class="et_pb_module et_pb_text et_pb_text_12 et_pb_text_align_left et_pb_bg_layout_light"> 499 500 501 502 503 <div class="et_pb_text_inner"><h2 id="the-mountain"><em>The Mountain</em></h2> 504<blockquote> 505<p><strong>Date: </strong>October 1992<br /><strong>Duration:</strong> 22 minutes<br /><strong>Text:</strong> Hilan Dov Warshaw<strong><br />Commission:</strong> Roanoke Symphony Orchestra â Victoria Bond<br /><strong>Other Performances: </strong>The Juilliard Symphony â Gisele Ben Dor</p> 506</blockquote></div> 507 </div> 508 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_19 et_pb_css_mix_blend_mode_passthrough et-last-child"> 509 510 511 512 513 <div class="et_pb_module et_pb_text et_pb_text_13 et_pb_text_align_left et_pb_bg_layout_light"> 514 515 516 517 518 <div class="et_pb_text_inner"><h2 id="dolphy"><i>Dolphy</i></h2> 519<blockquote> 520<p><strong>Date:</strong> April 1992<br /><strong>Duration:</strong> 15 minutes<br /><strong>Text:</strong> Hilan Dov Warshaw<br /><strong>Commission:</strong> Pro Arte Chamber Orchestra of Boston â Gisele Ben Dor<br /><strong>Other Performances:</strong> New Century Ensemble â Emory Waters</p> 521</blockquote></div> 522 </div> 523 </div> 524 525 526 527 528 </div><div class="et_pb_row et_pb_row_9"> 529 <div class="et_pb_column et_pb_column_1_2 et_pb_column_20 et_pb_css_mix_blend_mode_passthrough"> 530 531 532 533 534 <div class="et_pb_module et_pb_text et_pb_text_14 et_pb_text_align_left et_pb_bg_layout_light"> 535 536 537 538 539 <div class="et_pb_text_inner"><h2 id="musings"><i>Musings</i></h2> 540<blockquote> 541<p><strong>Date:</strong> March 1992<br /><strong>Duration:</strong> 17 minutes<br /><strong>Text: </strong>Hilan Dov Warshaw |Â Book of Isaiah<br /><strong>Commission: </strong>Colorado Symphony Orchestra â David Lockington | Sandra Schwarzhaupt, soprano</p> 542</blockquote></div> 543 </div> 544 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_21 et_pb_css_mix_blend_mode_passthrough et-last-child"> 545 546 547 548 549 <div class="et_pb_module et_pb_text et_pb_text_15 et_pb_text_align_left et_pb_bg_layout_light"> 550 551 552 553 554 <div class="et_pb_text_inner"><h2 id="the-kingdom-of-lord-dolphy"><em>The Kingdom of Lord Dolphy</em></h2> 555<blockquote> 556<p><strong>Date:</strong> December 1990<br /><strong>Duration:</strong> 15 minutes<br /><strong>Text: </strong>Hilan Dov Warshaw<br /><strong>Commission:</strong> Rockland Symphony â Edward Simons</p> 557</blockquote></div> 558 </div> 559 </div> 560 561 562 563 564 </div><div class="et_pb_row et_pb_row_10"> 565 <div class="et_pb_column et_pb_column_1_2 et_pb_column_22 et_pb_css_mix_blend_mode_passthrough"> 566 567 568 569 570 <div class="et_pb_module et_pb_text et_pb_text_16 et_pb_text_align_left et_pb_bg_layout_light"> 571 572 573 574 575 <div class="et_pb_text_inner"><h2 id="the-doom-of-king"><em>The Doom of King </em></h2> 576<blockquote> 577<p><strong>Date:</strong> February 1988<br /><strong>Duration:</strong> 15 minutes<br /><strong>Commission:</strong> Knoxville Symphony Orchestra â Kirk Trevor<br /><strong>Other Performances: </strong>Augusta Symphony Orchestra â Gisele Ben Dor</p> 578<p><strong></strong></p> 579</blockquote></div> 580 </div> 581 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_23 et_pb_css_mix_blend_mode_passthrough et-last-child"> 582 583 584 585 586 <div class="et_pb_module et_pb_text et_pb_text_17 et_pb_text_align_left et_pb_bg_layout_light"> 587 588 589 590 591 <div class="et_pb_text_inner"><h2 id="ruth"><em>Ruth</em></h2> 592<blockquote> 593<p><strong>Date:</strong> April 1986<br /><strong>Duration:</strong> 12 minutes<br /><strong>Commission:</strong> Israel Sinfonietta â Gisele Ben Dor <br /><strong>Other Performances:</strong></p> 594<ul> 595<li> 596<p>Boston Symphony Orchestra â Grant Llewellyn</p> 597</li> 598<li> 599<p>Cincinnati Symphony Orchestra â Jesus Lopez-Cobos</p> 600</li> 601<li> 602<p>Knoxville Symphony Orchestra â Kirk Trevor</p> 603</li> 604<li> 605<p>Portland Symphony Orchestra â Toshiyuki Shimada</p> 606</li> 607<li> 608<p>Cheyenne Symphony Orchestra â David Lockington</p> 609</li> 610</ul> 611</blockquote></div> 612 </div> 613 </div> 614 615 616 617 618 </div><div class="et_pb_row et_pb_row_11"> 619 <div class="et_pb_column et_pb_column_1_2 et_pb_column_24 et_pb_css_mix_blend_mode_passthrough"> 620 621 622 623 624 <div class="et_pb_module et_pb_text et_pb_text_18 et_pb_text_align_left et_pb_bg_layout_light"> 625 626 627 628 629 <div class="et_pb_text_inner"><h2 id="conflicts-in-genesis"><em>Conflicts in Genesis</em></h2> 630<blockquote> 631<p><strong>Date:</strong> December 1985<br /><strong>Duration:</strong> 12 minutes<br /><strong>Commission: </strong>Rockland Symphony â Edward Simons</p> 632</blockquote></div> 633 </div> 634 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_25 et_pb_css_mix_blend_mode_passthrough et-last-child"> 635 636 637 638 639 <div class="et_pb_module et_pb_text et_pb_text_19 et_pb_text_align_left et_pb_bg_layout_light"> 640 641 642 643 644 <div class="et_pb_text_inner"><h2 id="in-the-beginning"><em>In the Beginning</em></h2> 645<blockquote> 646<p><strong>Date:</strong> September 1984<br /><strong>Duration:</strong> 27 minutes<br /><strong>Commission: </strong>Rockland Symphony â Edward Simons<br /><strong>Other Performances:</strong></p> 647<ul> 648<li> 649<p>New York Philharmonic â Zubin Mehta</p> 650</li> 651<li> 652<p>Israel Philharmonic â Zubin Mehta</p> 653</li> 654<li> 655<p>Cleveland Orchestra â Jahja Ling</p> 656</li> 657<li> 658<p>Houston Symphony â Toshiyuki Shimada</p> 659</li> 660<li> 661<p>Albany Symphony â Victoria Bond</p> 662</li> 663<li> 664<p>Little Orchestra Society â Dino Anagnost</p> 665</li> 666<li> 667<p>Y Chamber Orchestra â Amy Kaiser</p> 668</li> 669<li> 670<p>Eugene Symphony â Marin Alsop</p> 671</li> 672</ul> 673</blockquote></div> 674 </div> 675 </div> 676 677 678 679 680 </div><div class="et_pb_row et_pb_row_12"> 681 <div class="et_pb_column et_pb_column_1_2 et_pb_column_26 et_pb_css_mix_blend_mode_passthrough"> 682 683 684 685 686 <div class="et_pb_module et_pb_text et_pb_text_20 et_pb_text_align_left et_pb_bg_layout_light"> 687 688 689 690 691 <div class="et_pb_text_inner">
691<h2 id="fun-suite"><em>Fun Suite</em></h2> 692<blockquote> 693<p><strong>Date:</strong> September 1983<br /><strong>Duration:</strong> 15 minutes<br /><strong>Commission: </strong>Rockland Symphony â Edward Simons<br /><strong>Other Performances:</strong></p> 694<ul> 695<li> 696<p>Denver Symphony â David Lockington</p> 697</li> 698<li> 699<p>Disneyâs Young Musicians Symphony Orchestra â Daniel Hege</p> 700</li> 701<li> 702<p>Toledo Symphony â Ole Schmidt</p> 703</li> 704<li>Three Rivers Young Peoples Orchestra of Pittsburgh â James Meena</li> 705<li>Vallejo Symphony â David Ramadanoff</li> 706</ul> 707</blockquote></div> 708 </div> 709 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_27 et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty"> 710 711 712 713 714 715 </div> 716 717 718 719 720 </div><div class="et_pb_row et_pb_row_13"> 721 <div class="et_pb_column et_pb_column_4_4 et_pb_column_28 et_pb_css_mix_blend_mode_passthrough et-last-child"> 722 723 724 725 726 <div class="et_pb_button_module_wrapper et_pb_button_9_wrapper et_pb_button_alignment_right et_pb_module "> 727 <a class="et_pb_button et_pb_button_9 et_pb_bg_layout_light" href="#top" data-icon="î¹">Back to Top</a> 728 </div> 729 </div> 730 731 732 733 734 </div> 735 736 737 </div><div class="et_pb_section et_pb_section_2 et_pb_with_background et_section_regular" > 738 739 740 741 742 743 744 <div id="chamber" class="et_pb_with_border et_pb_row et_pb_row_14 et_animated"> 745 <div class="et_pb_column et_pb_column_4_4 et_pb_column_29 et_pb_css_mix_blend_mode_passthrough et-last-child"> 746 747 748 749 750 <div class="et_pb_module et_pb_text et_pb_text_21 et_pb_text_align_left et_pb_bg_layout_dark"> 751 752 753 754 755 <div class="et_pb_text_inner"><h1>Chamber Works</h1></div> 756 </div> 757 </div> 758 759 760 761 762 </div><div class="et_pb_row et_pb_row_15"> 763 <div class="et_pb_column et_pb_column_1_2 et_pb_column_30 et_pb_css_mix_blend_mode_passthrough"> 764 765 766 767 768 <div class="et_pb_module et_pb_text et_pb_text_22 et_pb_text_align_left et_pb_bg_layout_light"> 769 770 771 772 773 <div class="et_pb_text_inner"><h2 id="swimming-toward-fire-for-clarinet-violin-cello-piano"><em>Swimming Toward Fire </em>for clarinet, violin, ‘cello, & piano</h2> 774<blockquote> 775<p><strong>Date:</strong> 2022<br /><strong>Duration:</strong> 27 minutes<br /><strong>Commission:</strong> Thomas Piercy and the New York State Council for the Arts<br /><strong>Premiere:</strong> The âHere and Now Winter Festival, Bargemusic | Thomas Piercy, clarinet; Georgy Valtchev, violin; Daniel Hass, cello; Tengku Irfan, piano</p> 776</blockquote></div> 777 </div><div class="et_pb_button_module_wrapper et_pb_button_10_wrapper et_pb_module "> 778 <a class="et_pb_button et_pb_button_10 et_pb_bg_layout_light" href="https://blackteamusic.com/product/swimming-toward-fire/" target="_blank" data-icon="5">Buy the Score & Parts</a> 779 </div> 780 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_31 et_pb_css_mix_blend_mode_passthrough et-last-child"> 781 782 783 784 785 <div class="et_pb_module et_pb_text et_pb_text_23 et_pb_text_align_left et_pb_bg_layout_light"> 786 787 788 789 790 <div class="et_pb_text_inner"><h2 id="stories-for-strings-for-string-quartet"><em>Stories for Strings </em>for string quartet</h2> 791<blockquote> 792<p><strong>Date:</strong> November 2012<br /><strong>Duration:</strong> 15 minutes<br /><strong>Commission:</strong> Thomas Piercy and the New York State Council for the Arts<br /><strong>Performances:</strong></p> 793<ul> 794<li>Quatuor Intercontemporain de Fontainebleau</li> 795<li>Monadnock String Quartet, Monadnock Music Festival</li> 796</ul> 797</blockquote></div> 798 </div> 799 </div> 800 801 802 803 804 </div><div class="et_pb_row et_pb_row_16"> 805 <div class="et_pb_column et_pb_column_1_2 et_pb_column_32 et_pb_css_mix_blend_mode_passthrough"> 806 807 808 809 810 <div class="et_pb_module et_pb_text et_pb_text_24 et_pb_text_align_left et_pb_bg_layout_light"> 811 812 813 814 815 <div class="et_pb_text_inner"><h2 id="solstice-for-violin-marimba"><em>Solstice </em>for violin & marimba</h2> 816<blockquote> 817<p><strong>Date:</strong> April 2012<br /><strong>Duration:</strong> 12 minutes<br /><strong>Performances:</strong></p> 818<ul> 819<li>Miranda Cuckson, violin; Bill Solomon, marimba; Azure Ensemble| Merkin Concert Hall, NY</li> 820<li>Wang Xu, violin, Luke Rinderknecht, marimba | Bowdoin International Music Festival, Gamper Festival</li> 821</ul> 822</blockquote></div> 823 </div> 824 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_33 et_pb_css_mix_blend_mode_passthrough et-last-child"> 825 826 827 828 829 <div class="et_pb_module et_pb_text et_pb_text_25 et_pb_text_align_left et_pb_bg_layout_light"> 830 831 832 833 834 <div class="et_pb_text_inner"><h2 id="night-lights-for-flute-violin-tuba"><em>Night Lights </em>for flute, violin & tuba</h2> 835<blockquote> 836<p><strong>Date:</strong> May 1, 2010<br /><strong>Duration:</strong> 12 minutes<br /><strong>Performance: </strong>Composers Concordance | Lynn Bechtold, violin; Helen Richman, flute; Jay Rozen, tuba; Dalit Warshaw, theremin</p> 837</blockquote></div> 838 </div> 839 </div> 840 841 842 843 844 </div><div class="et_pb_row et_pb_row_17"> 845 <div class="et_pb_column et_pb_column_1_2 et_pb_column_34 et_pb_css_mix_blend_mode_passthrough"> 846 847 848 849 850 <div class="et_pb_module et_pb_text et_pb_text_26 et_pb_text_align_left et_pb_bg_layout_light"> 851 852 853 854 855 <div class="et_pb_text_inner">
855<h2 id="chamber-of-dreams-for-horn-violin-piano"><em>Chamber of Dreams </em>for horn, violin & piano</h2> 856<blockquote> 857<p><strong>Date:</strong> January 2009<br /><strong>Performance:Â </strong>Eli Epstein, horn; Sharan Levanthal, violin; Karl Paulnack, piano</p> 858</blockquote></div> 859 </div> 860 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_35 et_pb_css_mix_blend_mode_passthrough et-last-child"> 861 862 863 864 865 <div class="et_pb_module et_pb_text et_pb_text_27 et_pb_text_align_left et_pb_bg_layout_light"> 866 867 868 869 870 <div class="et_pb_text_inner"><h2 id="sonate-francaise-the-unwritten-chapters-for-flute-oboe-eng-hn-clar-bass-clar-horn-string-quintet-piano-percussion"><em>Sonate Francaise (The Unwritten Chapters)</em> for flute, oboe/Eng. hn., clar./bass clar., horn, string quintet, piano, percussion</h2> 871<blockquote> 872<p><strong>Date:</strong> August 2008<br /><strong>Duration:</strong> 13 minutes<br /><strong>Commission: The Ditson Festival of Contemporary Music<br />Performance:</strong> Grand Rapids Symphony Players | Collage New Music</p> 873</blockquote></div> 874 </div> 875 </div> 876 877 878 879 880 </div><div class="et_pb_row et_pb_row_18"> 881 <div class="et_pb_column et_pb_column_1_2 et_pb_column_36 et_pb_css_mix_blend_mode_passthrough"> 882 883 884 885 886 <div class="et_pb_module et_pb_text et_pb_text_28 et_pb_text_align_left et_pb_bg_layout_light"> 887 888 889 890 891 <div class="et_pb_text_inner"><h2 id="transformation-for-string-quartet-and-theremin"><em>Transformation</em> for string quartet and theremin</h2> 892<blockquote> 893<p><strong>Date:</strong> July 2007<br /><strong>Duration:</strong> 7 minutes<br /><strong>Performances:</strong></p> 894<ul> 895<li>San Francisco Symphony Chamber Series, Davies Hall | The Momenta Quartet; Dalit Warshaw, theremin |Â Haverford College; The Boston Conservatory</li> 896<li>Utrecht String Quartet; Thorwald Jorgensen, theremin</li> 897<li>Friction String Quartet;Â Thorwald Jorgensen, theremin</li> 898<li>Acacia String Quartet; Thorwald Jorgensen, theremin</li> 899</ul> 900</blockquote></div> 901 </div><div class="et_pb_button_module_wrapper et_pb_button_11_wrapper et_pb_module "> 902 <a class="et_pb_button et_pb_button_11 et_pb_bg_layout_light" href="https://blackteamusic.com/product/transformation/" target="_blank" data-icon="5">Buy the Score & Parts</a> 903 </div> 904 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_37 et_pb_css_mix_blend_mode_passthrough et-last-child"> 905 906 907 908 909 <div class="et_pb_module et_pb_text et_pb_text_29 et_pb_text_align_left et_pb_bg_layout_light"> 910 911 912 913 914 <div class="et_pb_text_inner"><h2 id="elegy-for-string-quartet-and-theremin"><em>Elegy</em> for string quartet and theremin</h2> 915<blockquote> 916<p><strong>Date:</strong> July 2007<br /><strong>Duration:</strong> 10 minutes<br /><strong>Performances: </strong><span style="font-size: 15px;">The Momenta Quartet and Dalit Warshaw, theremin | Haverford College</span></p> 917</blockquote></div> 918 </div> 919 </div> 920 921 922 923 924 </div><div class="et_pb_row et_pb_row_19"> 925 <div class="et_pb_column et_pb_column_1_2 et_pb_column_38 et_pb_css_mix_blend_mode_passthrough"> 926 927 928 929 930 <div class="et_pb_module et_pb_text et_pb_text_30 et_pb_text_align_left et_pb_bg_layout_light"> 931 932 933 934 935 <div class="et_pb_text_inner"><h2 id="fable-for-string-quartet"><em>Fable</em> for string quartet</h2> 936<blockquote><p> 937<strong>Date:</strong> July 2007<br /> 938<strong>Duration:</strong> 7 minutes<br /> 939<strong>Performances:</strong> The Momenta Quartet 940</p></blockquote></div> 941 </div> 942 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_39 et_pb_css_mix_blend_mode_passthrough et-last-child"> 943 944 945 946 947 <div class="et_pb_module et_pb_text et_pb_text_31 et_pb_text_align_left et_pb_bg_layout_light"> 948 949 950 951 952 <div class="et_pb_text_inner"><h2 id="elegy-on-a-theme-of-sappho-for-string-quartet"><em>Elegy on a Theme of Sappho</em> for string quartet</h2> 953<blockquote><p> 954<strong>Date:</strong> December 2006<br /> 955<strong>Duration:</strong> 10 minutes<br /> 956<strong>Performances:</strong></p> 957<ul> 958<li>The Momenta Quartet | Princeton Institute for Advanced Studies; Yeshiva University; Amphibian Concert Series; among other venues</li> 959<li>Northwest New Music Ensemble</li> 960</ul> 961</blockquote></div> 962 </div> 963 </div> 964 965 966 967 968 </div><div class="et_pb_row et_pb_row_20"> 969 <div class="et_pb_column et_pb_column_1_2 et_pb_column_40 et_pb_css_mix_blend_mode_passthrough"> 970 971 972 973 974 <div class="et_pb_module et_pb_text et_pb_text_32 et_pb_text_align_left et_pb_bg_layout_light"> 975 976 977 978 979 <div class="et_pb_text_inner"><h2 id="the-departure-for-string-orchestra-and-theremin"><em>The Departure</em> for string orchestra and theremin</h2> 980<blockquote> 981<p><strong>Date:</strong> January 2008<br /><strong>Performances:</strong></p> 982<ul> 983<li>Hemenway Strings | The Boston Conservatory | Camerata Notturna, conductor Jonathan Yates; Dalit Warshaw, theremin</li> 984</ul> 985</blockquote></div> 986 </div> 987 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_41 et_pb_css_mix_blend_mode_passthrough et-last-child"> 988 989 990 991 992 <div class="et_pb_module et_pb_text et_pb_text_33 et_pb_text_align_left et_pb_bg_layout_light"> 993 994 995 996 997 <div class="et_pb_text_inner"><h2 id="tehinnot-for-soprano-flute-clarinet-violin-cello-and-piano"><em>Tehinnot</em> for soprano, flute, clarinet, violin, ‘cello and piano</h2> 998<blockquote> 999<p><strong>Date:</strong> July 2004<br /><strong>Duration:</strong> 21 minutes<br /><strong>Commission:</strong> Bowdoin International Music Festival<br /><strong>Performance:</strong> Re’ut Ben Zeev, soprano; Christina Jennings, flute; Igor Begelman, clarinet; Jacqueline Ross, violin; John Root, piano; Simone Fontanelli, conductor</p> 1000</blockquote></div> 1001 </div> 1002 </div> 1003 1004 1005 1006 1007 </div><div class="et_pb_row et_pb_row_21"> 1008 <div class="et_pb_column et_pb_column_1_2 et_pb_column_42 et_pb_css_mix_blend_mode_passthrough"> 1009 1010 1011 1012 1013 <div class="et_pb_module et_pb_text et_pb_text_34 et_pb_text_align_left et_pb_bg_layout_light"> 1014 1015 1016 1017 1018 <div class="et_pb_text_inner"><h2 id="nizkorah-for-theremin-cello-and-piano"><em>Nizk’orah</em> for theremin, ‘cello and piano</h2> 1019<blockquote> 1020<p><strong>Date:</strong> April 2001<br /><strong>Duration:</strong> 7 minutes<br /><strong>Other Versions:Â </strong>Piano trio (see next); 2 theremins & piano<br /><strong>Performances:</strong></p> 1021<ul> 1022<li>San Francisco Symphony Chamber Players; Dalit Warshaw, theremin; Barbara Bogatin, ‘cello; Robin Sutherland, piano</li> 1023<li>Memorial Concert for Clara Rockmore | Steinway Hall; Pamelia Kurstin, theremin; Dorothy Lawson, ‘cello; Dalit Hadass Warshaw, piano</li> 1024<li>Paul Hall, The Juilliard School; Dalit Hadass Warshaw, theremin; Ariel de Wolf, ‘cello; Deborah Lee, piano</li> 1025</ul> 1026</blockquote></div> 1027 </div> 1028 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_43 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1029 1030 1031 1032 1033 <div class="et_pb_module et_pb_text et_pb_text_35 et_pb_text_align_left et_pb_bg_layout_light"> 1034 1035 1036 1037 1038 <div class="et_pb_text_inner"><h2 id="nizkorah-for-piano-trio"><em>Nizk’orah</em> for piano trio</h2> 1039<blockquote> 1040<p><strong>Date:</strong> 2011<br /><strong>Duration:</strong> 7 minutes<br /><strong>Other Versions:</strong> Theremin, ‘cello & piano (see previous); 2 theremins & piano<br /><strong>Performances:</strong></p> 1041<ul> 1042<li>Grand Rapids Symphony players: Christopher Martin, violin; Alicia Eppinga, âcello; Dalit Hadass Warshaw, piano</li> 1043<li>Juventas New Music Ensemble: Olga Patrmanskaya-Bell, violin; Minjin Chung, âcello; Julia Scott Carey, piano</li> 1044</ul> 1045</blockquote></div> 1046 </div> 1047 </div> 1048 1049 1050 1051 1052 </div><div class="et_pb_row et_pb_row_22"> 1053 <div class="et_pb_column et_pb_column_1_2 et_pb_column_44 et_pb_css_mix_blend_mode_passthrough"> 1054 1055 1056 1057 1058 <div class="et_pb_module et_pb_text et_pb_text_36 et_pb_text_align_left et_pb_bg_layout_light"> 1059 1060 1061 1062 1063 <div class="et_pb_text_inner"><h2 id="and-the-furies-wept-for-piano-four-hands"><em>And the Furies Wept</em> for piano, four hands</h2> 1064<blockquote> 1065<p><strong>Date:</strong> January 1997<br /><strong>Duration:</strong> 6 minutes<br /><strong>Choreography:</strong> Lorena Egan<br /><strong>Performances:</strong></p> 1066<ul> 1067<li>Wednesdays at One Concert Series at Alice Tully Hall, The Juilliard Theater | Yi-heng Yang, piano; John Root, piano</li> 1068</ul> 1069</blockquote></div> 1070 </div> 1071 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_45 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1072 1073 1074 1075 1076 <div class="et_pb_module et_pb_text et_pb_text_37 et_pb_text_align_left et_pb_bg_layout_light"> 1077 1078 1079 1080 1081 <div class="et_pb_text_inner"><h2 id="the-nameless-for-flute-clarinet-bassoon-violin-viola-cello-piano"><em>The Nameless</em> for flute, clarinet, bassoon, violin, viola, âcello & piano</h2> 1082<blockquote> 1083<p><strong>Date:</strong> July 1993<br /><strong>Duration:</strong> 14 minutes<br /><strong>Commission:</strong> The Carlysle Project and Boston Ballet II<br /><strong>Other Performances:</strong></p> 1084<ul> 1085<li>
1085Rebecca Kelly Dance Company</li> 1086<li>Bowdoin Summer Music Festival</li> 1087</ul> 1088</blockquote></div> 1089 </div> 1090 </div> 1091 1092 1093 1094 1095 </div><div class="et_pb_row et_pb_row_23"> 1096 <div class="et_pb_column et_pb_column_1_2 et_pb_column_46 et_pb_css_mix_blend_mode_passthrough"> 1097 1098 1099 1100 1101 <div class="et_pb_module et_pb_text et_pb_text_38 et_pb_text_align_left et_pb_bg_layout_light"> 1102 1103 1104 1105 1106 <div class="et_pb_text_inner"><h2 id="quartet-on-the-roof-for-clarinet-violin-cello-piano"><em>Quartet on the Roof</em> for clarinet, violin, âcello & piano</h2> 1107<blockquote> 1108<p><strong>Date:</strong> Jan. 1990<br /><strong>Duration:</strong> 6 minutes<br /><strong>Commission:</strong> Northwest Indiana Chamber Players<br /><strong>Other Performances:</strong></p> 1109<ul> 1110<li>Aspen Contemporary Ensemble</li> 1111<li>The Juilliard Theater</li> 1112<li>Miller Theater</li> 1113<li>Steinway Hall</li> 1114</ul> 1115</blockquote></div> 1116 </div> 1117 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_47 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1118 1119 1120 1121 1122 <div class="et_pb_module et_pb_text et_pb_text_39 et_pb_text_align_left et_pb_bg_layout_light"> 1123 1124 1125 1126 1127 <div class="et_pb_text_inner"><h2 id="morning-after-the-victory-for-string-orchestra-flute-piano"><em>Morning After the Victory</em> for string orchestra, flute & piano</h2> 1128<blockquote> 1129<p><strong>Date:</strong> December 1988<br /><strong>Duration:</strong> 5 minutes<br /><strong>Commission:</strong> Northwest Indiana Symphony â Robert Vodnoy<br /><strong>Other Performances: </strong><span style="font-size: 15px;">Misgav Chamber Ensemble â Lukas Foss</span></p> 1130</blockquote></div> 1131 </div> 1132 </div> 1133 1134 1135 1136 1137 </div><div class="et_pb_row et_pb_row_24"> 1138 <div class="et_pb_column et_pb_column_1_2 et_pb_column_48 et_pb_css_mix_blend_mode_passthrough"> 1139 1140 1141 1142 1143 <div class="et_pb_module et_pb_text et_pb_text_40 et_pb_text_align_left et_pb_bg_layout_light"> 1144 1145 1146 1147 1148 <div class="et_pb_text_inner"><h2 id="woodwind-trio-for-flute-english-horn-bass-clarinet"><em>Woodwind Trio</em> for flute, English horn & bass clarinet</h2> 1149<blockquote> 1150<p><strong>Date:</strong> July 1990<br /><strong>Duration:</strong> 5 minutes<br /><strong>Performances:</strong> Music Amici</p> 1151</blockquote></div> 1152 </div> 1153 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_49 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1154 1155 1156 1157 1158 <div class="et_pb_module et_pb_text et_pb_text_41 et_pb_text_align_left et_pb_bg_layout_light"> 1159 1160 1161 1162 1163 <div class="et_pb_text_inner"><h2 id="ruth-arranged-for-piano-four-hands"><em>Ruth</em> arranged for piano, four hands</h2> 1164<blockquote> 1165<p><strong>Date:</strong> 1989<br /><strong>Duration:</strong> 12 minutes<br /><strong>Performances: </strong><span style="font-size: 15px;">Merkin Hall, memorial concert for Nadia Reisenberg, Rockland Community College | Ruti Hadass Warshaw, piano; Dalit Hadass Warshaw, piano</span></p> 1166</blockquote></div> 1167 </div> 1168 </div> 1169 1170 1171 1172 1173 </div><div class="et_pb_row et_pb_row_25"> 1174 <div class="et_pb_column et_pb_column_1_2 et_pb_column_50 et_pb_css_mix_blend_mode_passthrough"> 1175 1176 1177 1178 1179 <div class="et_pb_module et_pb_text et_pb_text_42 et_pb_text_align_left et_pb_bg_layout_light"> 1180 1181 1182 1183 1184 <div class="et_pb_text_inner"><h2 id="vocalise-for-cello-or-soprano-piano"><em>Vocalise</em> for âcello (or soprano) & piano</h2> 1185<blockquote> 1186<p><strong>Date:</strong> 1995<br /><strong>Duration:</strong> 3 minutes<br /><strong>Performances: </strong><span style="font-size: 15px;">Les Ecoles Americains des Beaux Arts de Fountainbleau | Hila Plitmann, soprano; Dalit Hadass Warshaw, piano; | Paul Hall, The Juilliard School</span></p> 1187</blockquote></div> 1188 </div> 1189 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_51 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1190 1191 1192 1193 1194 <div class="et_pb_module et_pb_text et_pb_text_43 et_pb_text_align_left et_pb_bg_layout_light"> 1195 1196 1197 1198 1199 <div class="et_pb_text_inner"><h2 id="no-more-bad-dreams-my-child-for-clarinet-piano"><em>âNo More Bad Dreams, My Childâ</em> for clarinet & piano</h2> 1200<blockquote><p> 1201<strong>Date:</strong> 1985<br /> 1202<strong>Duration:</strong> 3 minutes 1203</p></blockquote></div> 1204 </div> 1205 </div> 1206 1207 1208 1209 1210 </div><div class="et_pb_row et_pb_row_26"> 1211 <div class="et_pb_column et_pb_column_1_2 et_pb_column_52 et_pb_css_mix_blend_mode_passthrough"> 1212 1213 1214 1215 1216 <div class="et_pb_module et_pb_text et_pb_text_44 et_pb_text_align_left et_pb_bg_layout_light"> 1217 1218 1219 1220 1221 <div class="et_pb_text_inner"><h2 id="horah-variations-for-violin-piano"><em>Horah & Variations</em> for violin & piano</h2> 1222<blockquote><p> 1223<strong>Date:</strong> 1984<br /> 1224<strong>Duration:</strong> 3 minutes 1225</p></blockquote></div> 1226 </div> 1227 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_53 et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty"> 1228 1229 1230 1231 1232 1233 </div> 1234 1235 1236 1237 1238 </div><div class="et_pb_row et_pb_row_27"> 1239 <div class="et_pb_column et_pb_column_4_4 et_pb_column_54 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1240 1241 1242 1243 1244 <div class="et_pb_button_module_wrapper et_pb_button_12_wrapper et_pb_button_alignment_right et_pb_module ">
1245 <a class="et_pb_button et_pb_button_12 et_pb_bg_layout_light" href="#top" data-icon="î¹">Back to Top</a> 1246 </div> 1247 </div> 1248 1249 1250 1251 1252 </div> 1253 1254 1255 </div><div class="et_pb_section et_pb_section_3 et_pb_with_background et_section_regular" > 1256 1257 1258 1259 1260 1261 1262 <div id="opera" class="et_pb_with_border et_pb_row et_pb_row_28 et_animated"> 1263 <div class="et_pb_column et_pb_column_4_4 et_pb_column_55 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1264 1265 1266 1267 1268 <div class="et_pb_module et_pb_text et_pb_text_45 et_pb_text_align_left et_pb_bg_layout_dark"> 1269 1270 1271 1272 1273 <div class="et_pb_text_inner"><h1>Opera</h1></div> 1274 </div> 1275 </div> 1276 1277 1278 1279 1280 </div><div class="et_pb_row et_pb_row_29"> 1281 <div class="et_pb_column et_pb_column_4_4 et_pb_column_56 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1282 1283 1284 1285 1286 <div class="et_pb_module et_pb_text et_pb_text_46 et_pb_text_align_left et_pb_bg_layout_light"> 1287 1288 1289 1290 1291 <div class="et_pb_text_inner"><h2 id="the-letters-of-mademoiselle-c"><em>The Letters of Mademoiselle C. </em></h2> 1292<p>A semi-staged dramatic song cycle based upon the life and letters of <em>fin-de-siecle </em>Parisian sculptor Camille Claudel</p> 1293<blockquote> 1294<p><strong>Date: </strong>January 2002<br /><strong>Grant:</strong> Recipient of the 2017 OPERA America Discovery Grant for Female Composers<br /><strong>Text and Music</strong>: Dalit Warshaw<br /><strong></strong><strong>Performances: </strong>National Opera Center, Cutting Edge Concerts at Symphony Space | Nancy Allen Lundy, soprano | Dalit Warshaw, piano</p> 1295</blockquote></div> 1296 </div> 1297 </div> 1298 1299 1300 1301 1302 </div><div class="et_pb_row et_pb_row_30"> 1303 <div class="et_pb_column et_pb_column_4_4 et_pb_column_57 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1304 1305 1306 1307 1308 <div class="et_pb_button_module_wrapper et_pb_button_13_wrapper et_pb_button_alignment_right et_pb_module "> 1309 <a class="et_pb_button et_pb_button_13 et_pb_bg_layout_light" href="#top" data-icon="î¹">Back to Top</a> 1310 </div> 1311 </div> 1312 1313 1314 1315 1316 </div> 1317 1318 1319 </div><div class="et_pb_section et_pb_section_4 et_pb_with_background et_section_regular" > 1320 1321 1322 1323 1324 1325 1326 <div id="choral" class="et_pb_with_border et_pb_row et_pb_row_31 et_animated"> 1327 <div class="et_pb_column et_pb_column_4_4 et_pb_column_58 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1328 1329 1330 1331 1332 <div class="et_pb_module et_pb_text et_pb_text_47 et_pb_text_align_left et_pb_bg_layout_dark"> 1333 1334 1335 1336 1337 <div class="et_pb_text_inner"><h1>Choral Works</h1></div> 1338 </div> 1339 </div> 1340 1341 1342 1343 1344 </div><div class="et_pb_row et_pb_row_32"> 1345 <div class="et_pb_column et_pb_column_1_2 et_pb_column_59 et_pb_css_mix_blend_mode_passthrough"> 1346 1347 1348 1349 1350 <div class="et_pb_module et_pb_text et_pb_text_48 et_pb_text_align_left et_pb_bg_layout_light"> 1351 1352 1353 1354 1355 <div class="et_pb_text_inner"><h2 id="after-the-deluge-for-satb-choir-chamber-orchestra"><em>After the Deluge</em> for SATB choir & chamber orchestra</h2> 1356<blockquote><p><strong>Duration:</strong> 11 minutes<br /> 1357<strong>Text:</strong> The Book of Genesis, Chapter 8<br /> 1358<strong>Performances: </strong><span style="font-size: 15px;">The Northwest Sinfonietta and Pacific Lutheran University | Choral Union â David Lockington</span></p></blockquote></div> 1359 </div> 1360 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_60 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1361 1362 1363 1364 1365 <div class="et_pb_module et_pb_text et_pb_text_49 et_pb_text_align_left et_pb_bg_layout_light"> 1366 1367 1368 1369 1370 <div class="et_pb_text_inner"><h2 id="after-the-victory-for-ssab-young-peoples-chorus-or-satb-choir-orchestra-or-piano-reduction"><em>After the Victory</em> for SSAB (young peopleâs chorus) or SATB choir & orchestra (or piano reduction)</h2> 1371<blockquote> 1372<p><strong>Date:</strong> January 2006<br /><strong>Duration:</strong> 25 minutes<br /><strong>Text:</strong> Excerpts from the Song of Deborah<br /><strong>Translations:</strong> Hilan Dov Warshaw, King James<br /><strong>Scenario:</strong> Hilan Dov Warshaw<br /><strong>Performances: </strong><span style="font-size: 15px;">North American Choral Company and the Grand Rapids Symphony â David Lockington</span></p> 1373</blockquote></div> 1374 </div> 1375 </div> 1376 1377 1378 1379 1380 </div><div class="et_pb_row et_pb_row_33"> 1381 <div class="et_pb_column et_pb_column_1_2 et_pb_column_61 et_pb_css_mix_blend_mode_passthrough"> 1382 1383 1384 1385 1386 <div class="et_pb_module et_pb_text et_pb_text_50 et_pb_text_align_left et_pb_bg_layout_light"> 1387 1388 1389 1390 1391 <div class="et_pb_text_inner"><h2 id="ki-le-olam-ashirah-for-satb-choir"><em>Ki le-Olam Ashirah</em> for SATB choir</h2> 1392<blockquote><p><strong>Date:</strong> November 2001<br /> 1393<strong>Duration:</strong> 30 minutes<br /> 1394<strong>Text:</strong> Selections from the Psalms: Jeremiah I | âBirkat ha-Kohanimâ (The Priestsâ Blessing)</p></blockquote></div> 1395 </div> 1396 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_62 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1397 1398 1399 1400 1401 <div class="et_pb_module et_pb_text et_pb_text_51 et_pb_text_align_left et_pb_bg_layout_light"> 1402 1403 1404 1405 1406 <div class="et_pb_text_inner"><h2 id="birkat-ha-neshamah-for-satb-choir"><em>Birkat ha-Neshamah</em> for SATB choir</h2> 1407<blockquote> 1408<p><strong>Date:</strong> March 2002<br /><strong>Duration:</strong> 1½ minutes<br /><strong>Text:</strong> Excerpts from the Jewish Morning Service</p> 1409</blockquote></div> 1410 </div> 1411 </div> 1412 1413 1414 1415 1416 </div><div class="et_pb_row et_pb_row_34"> 1417 <div class="et_pb_column et_pb_column_4_4 et_pb_column_63 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1418 1419 1420 1421 1422 <div class="et_pb_button_module_wrapper et_pb_button_14_wrapper et_pb_button_alignment_right et_pb_module ">
1423 <a class="et_pb_button et_pb_button_14 et_pb_bg_layout_light" href="#top" data-icon="î¹">Back to Top</a> 1424 </div> 1425 </div> 1426 1427 1428 1429 1430 </div> 1431 1432 1433 </div><div class="et_pb_section et_pb_section_5 et_clickable et_pb_with_background et_section_regular" > 1434 1435 1436 1437 1438 1439 1440 <div id="vocal" class="et_pb_with_border et_pb_row et_pb_row_35 et_animated"> 1441 <div class="et_pb_column et_pb_column_4_4 et_pb_column_64 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1442 1443 1444 1445 1446 <div class="et_pb_module et_pb_text et_pb_text_52 et_pb_text_align_left et_pb_bg_layout_dark"> 1447 1448 1449 1450 1451 <div class="et_pb_text_inner"><h1>Vocal</h1></div> 1452 </div> 1453 </div> 1454 1455 1456 1457 1458 </div><div class="et_pb_row et_pb_row_36"> 1459 <div class="et_pb_column et_pb_column_1_2 et_pb_column_65 et_pb_css_mix_blend_mode_passthrough"> 1460 1461 1462 1463 1464 <div class="et_pb_module et_pb_text et_pb_text_53 et_pb_text_align_left et_pb_bg_layout_light"> 1465 1466 1467 1468 1469 <div class="et_pb_text_inner"><h2 id="dream-deferred-for-baritone-piano"><em>âDream Deferredâ</em> for baritone & piano</h2> 1470<blockquote><p> 1471<strong>Date:</strong> March 2009<br /> 1472<strong>Text:</strong> Langston Hughes<br /> 1473<strong>Performances:</strong> Rockport Music (MA), Emmanuel College and other locations | Aaron Engebreth, baritone; Sumner Thompson, baritone; Linda Osborn-Blaschke, piano 1474</p></blockquote></div> 1475 </div> 1476 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_66 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1477 1478 1479 1480 1481 <div class="et_pb_module et_pb_text et_pb_text_54 et_pb_text_align_left et_pb_bg_layout_light"> 1482 1483 1484 1485 1486 <div class="et_pb_text_inner"><h2 id="but-not-forgotten"><em>But Not Forgotten</em></h2> 1487<blockquote> 1488<p><strong>Date:</strong> June 2006<br /><strong>Duration:</strong> 25 minutes<br /><strong>Texts:</strong> Muriel Rukeyser; Sappho (trans. Mary Barnard); Dorothy Parker; Christina Rossetti<br /><strong>Performances:</strong> The Boston Conservatory | Aliana de la Guardia, soprano; Anna Christina Ward, soprano; Dalit Hadass Warshaw, piano</p> 1489</blockquote></div> 1490 </div> 1491 </div> 1492 1493 1494 1495 1496 </div><div class="et_pb_row et_pb_row_37"> 1497 <div class="et_pb_column et_pb_column_1_2 et_pb_column_67 et_pb_css_mix_blend_mode_passthrough"> 1498 1499 1500 1501 1502 <div class="et_pb_module et_pb_text et_pb_text_55 et_pb_text_align_left et_pb_bg_layout_light"> 1503 1504 1505 1506 1507 <div class="et_pb_text_inner"><h2 id="tehinnot-for-soprano-flute-clarinet-violin-cello-piano"><em>Tehinnot</em> for soprano, flute, clarinet, violin, ‘cello & piano</h2> 1508<blockquote> 1509<p><strong>Date:</strong> June 2004<br /><strong>Duration:</strong> 21 minutes<br /><strong>Commission:</strong> Bowdoin International Music Festival<br /><strong>Performance:</strong> Re’ut Ben Zeev, soprano; Christina Jennings, flute; Igor Begelman, clarinet; Jacqueline Ross, violin; John Root, piano; Simone Fontanelli, conductor</p> 1510</blockquote></div> 1511 </div> 1512 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_68 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1513 1514 1515 1516 1517 <div class="et_pb_module et_pb_text et_pb_text_56 et_pb_text_align_left et_pb_bg_layout_light"> 1518 1519 1520 1521 1522 <div class="et_pb_text_inner"><h2 id="kiddush-ha-levanah-for-soprano-piano"><em>Kiddush ha-Levanah</em> for soprano & piano</h2> 1523<blockquote><p> 1524<strong>Date:</strong> July 2002<br /> 1525<strong>Duration:</strong> 17 minutes<br /> 1526<strong>Text:</strong> âSeder Kiddush ha-Levanah,â from the Sabbath Prayer Book<br /> 1527<strong>Performances:</strong> Cutting Edge Concert Series at Greenwich House, The Juilliard School, Middlebury College, The Boston Conservatory | Reâut Ben-Zeâev, soprano; Dalit Hadass Warshaw, piano 1528</p></blockquote></div> 1529 </div> 1530 </div> 1531 1532 1533 1534 1535 </div><div class="et_pb_row et_pb_row_38"> 1536 <div class="et_pb_column et_pb_column_1_2 et_pb_column_69 et_pb_css_mix_blend_mode_passthrough"> 1537 1538 1539 1540 1541 <div class="et_pb_module et_pb_text et_pb_text_57 et_pb_text_align_left et_pb_bg_layout_light"> 1542 1543 1544 1545 1546 <div class="et_pb_text_inner"><h2 id="rose-of-sharon-for-soprano-mezzo-soprano-piano"><em>Rose of Sharon</em> for soprano, mezzo-soprano & piano</h2> 1547<blockquote> 1548<p><strong>Date:</strong> March 1996<br /><strong>Duration:</strong> 6 minutes<br /><strong>Commission:</strong> New York Festival of Song<br /><strong>Performances:</strong></p> 1549<ul> 1550<li>Nancy Allen Lundy, soprano; Stephanie Blythe, mezzo-soprano; Michael Barrett, piano</li> 1551<li>Moab Festival, The Juilliard School | Karin Caspi, mezzo-soprano; Dalit Hadass Warshaw, piano</li> 1552</ul> 1553</blockquote></div> 1554 </div> 1555 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_70 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1556 1557 1558 1559 1560 <div class="et_pb_module et_pb_text et_pb_text_58 et_pb_text_align_left et_pb_bg_layout_light"> 1561 1562 1563 1564 1565 <div class="et_pb_text_inner"><h2 id="notes-from-the-jaded-balladeer-for-soprano-mezzo-soprano-piano"><em>Notes from the Jaded Balladeer</em> for soprano, mezzo-soprano & piano</h2> 1566<blockquote><p> 1567<strong>Date:</strong> January 1996<br /> 1568<strong>Duration:</strong> 8 minutes<br /> 1569<strong>Text:</strong> âPour Prendre Conge,â Dorothy Parker<br /> 1570<strong>Performance:</strong> The Juilliard School | Hila Plitmann, soprano; Shelly Watson, mezzo-soprano; Dalit Hadass Warshaw, piano 1571</p></blockquote></div> 1572 </div> 1573 </div> 1574 1575 1576 1577 1578 </div><div class="et_pb_row et_pb_row_39"> 1579 <div class="et_pb_column et_pb_column_1_2 et_pb_column_71 et_pb_css_mix_blend_mode_passthrough"> 1580 1581 1582 1583 1584 <div class="et_pb_module et_pb_text et_pb_text_59 et_pb_text_align_left et_pb_bg_layout_light"> 1585 1586 1587 1588 1589 <div class="et_pb_text_inner"><h2 id="musings-for-soprano-piano"><em>Musings</em> for soprano & piano</h2> 1590<blockquote> 1591<p><strong>Date:</strong> January 1992<br /><strong>Duration:</strong> 15 minutes<br /><strong>Texts:</strong> Poems by Hilan Dov Warshaw and excerpts from the Book of Isaiah<br /><strong>Performance:</strong> Merkin Hall | Monica Yunus, soprano; Dalit Hadass Warshaw, piano</p> 1592</blockquote></div> 1593 </div> 1594 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_72 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1595 1596 1597 1598 1599 <div class="et_pb_module et_pb_text et_pb_text_60 et_pb_text_align_left et_pb_bg_layout_light"> 1600 1601 1602 1603 1604 <div class="et_pb_text_inner"><h2 id="poetry-for-narrator-piano"><em>Poetry</em> for narrator & piano</h2> 1605<blockquote><p> 1606<strong>Date:</strong> April 1997<br /> 1607<strong>Duration:</strong> 5 minutes<br /> 1608<strong>Text:</strong> Hilan Dov Warshaw<br /> 1609<strong>Performances:</strong> Clark Studio Theater | Hilan Dov Warshaw, narrator; Dalit Hadass Warshaw, piano 1610</p></blockquote></div> 1611 </div> 1612 </div> 1613 1614 1615 1616 1617 </div><div class="et_pb_row et_pb_row_40"> 1618 <div class="et_pb_column et_pb_column_1_2 et_pb_column_73 et_pb_css_mix_blend_mode_passthrough"> 1619 1620 1621 1622 1623 <div class="et_pb_module et_pb_text et_pb_text_61 et_pb_text_align_left et_pb_bg_layout_light"> 1624 1625 1626 1627 1628 <div class="et_pb_text_inner"><h2 id="the-pheasant-the-serpent-for-narrator-piano"><em>The Pheasant & the Serpent</em> for narrator & piano</h2> 1629<blockquote><p> 1630<strong>Date:</strong> April 1987<br /> 1631<strong>Duration:</strong> 8 minutes<br /> 1632<strong>Text:</strong> Hilan Dov Warshaw<br /> 1633<strong>Performance:</strong> Young Audiences at Lincoln Center | Hilan Dov Warshaw, narrator; Dalit Hadass Warshaw, piano 1634</p></blockquote></div> 1635 </div> 1636 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_74 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1637 1638 1639 1640 1641 <div class="et_pb_module et_pb_text et_pb_text_62 et_pb_text_align_left et_pb_bg_layout_light"> 1642 1643 1644 1645 1646 <div class="et_pb_text_inner"><h2 id="the-war-of-gettysburg-for-narrator-piano"><em>The War of Gettysburg</em> for narrator & piano</h2> 1647<blockquote> 1648<p><strong>Date:</strong> 1984<br /><strong>Duration:</strong> 8 minutes<br /><strong>Text:</strong> Hilan Dov Warshaw<br /><strong>Performances:</strong> WQXR, âThe Listening Room,â Rockland Community College | Hilan Dov Warshaw, narrator; Dalit Hadass Warshaw, piano</p> 1649</blockquote></div> 1650 </div> 1651 </div> 1652 1653 1654 1655 1656 </div><div class="et_pb_row et_pb_row_41"> 1657 <div class="et_pb_column et_pb_column_4_4 et_pb_column_75 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1658 1659 1660 1661 1662 <div class="et_pb_button_module_wrapper et_pb_button_15_wrapper et_pb_button_alignment_right et_pb_module ">
1663 <a class="et_pb_button et_pb_button_15 et_pb_bg_layout_light" href="#top" data-icon="î¹">Back to Top</a> 1664 </div> 1665 </div> 1666 1667 1668 1669 1670 </div> 1671 1672 1673 </div><div class="et_pb_section et_pb_section_6 et_pb_with_background et_section_regular" > 1674 1675 1676 1677 1678 1679 1680 <div id="solo" class="et_pb_with_border et_pb_row et_pb_row_42 et_animated"> 1681 <div class="et_pb_column et_pb_column_4_4 et_pb_column_76 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1682 1683 1684 1685 1686 <div class="et_pb_module et_pb_text et_pb_text_63 et_pb_text_align_left et_pb_bg_layout_dark"> 1687 1688 1689 1690 1691 <div class="et_pb_text_inner"><h1>Solo Instrumental</h1></div> 1692 </div> 1693 </div> 1694 1695 1696 1697 1698 </div><div class="et_pb_row et_pb_row_43"> 1699 <div class="et_pb_column et_pb_column_1_2 et_pb_column_77 et_pb_css_mix_blend_mode_passthrough"> 1700 1701 1702 1703 1704 <div class="et_pb_module et_pb_text et_pb_text_64 et_pb_text_align_left et_pb_bg_layout_light"> 1705 1706 1707 1708 1709 <div class="et_pb_text_inner"><h2 id="monsieur-pichon-finds-his-mazurka-for-solo-piano"><em>Monsieur Pichon Finds His Mazurka</em> for solo piano</h2> 1710<blockquote><p> 1711<strong>Date:</strong> November 2024<br /> 1712<strong>Duration:</strong> 10 minutes<br /> 1713<strong>Premiere:</strong> Paul Hall at the Juilliard School | Yiheng Yang, piano 1714</p></blockquote></div> 1715 </div><div class="et_pb_button_module_wrapper et_pb_button_16_wrapper et_pb_module "> 1716 <a class="et_pb_button et_pb_button_16 et_pb_bg_layout_light" href="https://blackteamusic.com/product/monsieur-pichon-finds-his-mazurka/" target="_blank" data-icon="5">Buy the Score</a> 1717 </div> 1718 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_78 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1719 1720 1721 1722 1723 <div class="et_pb_module et_pb_text et_pb_text_65 et_pb_text_align_left et_pb_bg_layout_light"> 1724 1725 1726 1727 1728 <div class="et_pb_text_inner"><h2 id="notes-on-an-improvisation-hommage-a-nadia-boulanger-for-piano"><em>Notes on an Improvisation (Hommage a Nadia Boulanger)</em> for piano</h2> 1729<blockquote> 1730<p><strong>Date:</strong> March 2022<br /><strong>Duration:</strong> 10 minutes<br /><strong>Premiere:</strong> Merkin Hall at the Kaufman Music Center | Dalit Warshaw, piano<br /><strong>Other Performances: </strong><span style="font-size: 15px;">Musica Reginae | Beata Moon, piano</span></p> 1731</blockquote></div> 1732 </div><div class="et_pb_button_module_wrapper et_pb_button_17_wrapper et_pb_module "> 1733 <a class="et_pb_button et_pb_button_17 et_pb_bg_layout_light" href="https://blackteamusic.com/product/notes-on-an-improvisation-hommage-a-nadia-boulanger/" target="_blank" data-icon="5">Buy the Score</a> 1734 </div> 1735 </div> 1736 1737 1738 1739 1740 </div><div class="et_pb_row et_pb_row_44"> 1741 <div class="et_pb_column et_pb_column_1_2 et_pb_column_79 et_pb_css_mix_blend_mode_passthrough"> 1742 1743 1744 1745 1746 <div class="et_pb_module et_pb_text et_pb_text_66 et_pb_text_align_left et_pb_bg_layout_light"> 1747 1748 1749 1750 1751 <div class="et_pb_text_inner"><h2 id="different-loves-a-cycle-of-classical-portraits-for-piano"><em>Different Loves, A Cycle of Classical Portraits</em> for piano</h2> 1752<blockquote> 1753<p><strong>Date:</strong> January 2021<br /><strong>Duration:</strong> 52 minutes<br /><strong>Virtual Premiere:</strong> Presented on YouTube by Composers Now | Dalit Warshaw, piano<br /><strong>Live Premiere: </strong><span style="font-size: 15px;">Solo recital at Bargemusic | Dalit Warshaw, piano</span></p> 1754<p><strong>Other Performances: </strong><span style="font-size: 15px;">Keyed Up Music Project and Cutting Edge Concert Series | Dalit Warshaw, piano</span></p> 1755</blockquote></div> 1756 </div><div class="et_pb_button_module_wrapper et_pb_button_18_wrapper et_pb_module "> 1757 <a class="et_pb_button et_pb_button_18 et_pb_bg_layout_light" href="https://blackteamusic.com/product/different-loves-a-cycle-of-classical-portraits/" target="_blank" data-icon="5">Buy the Score</a> 1758 </div> 1759 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_80 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1760 1761 1762 1763 1764 <div class="et_pb_module et_pb_text et_pb_text_67 et_pb_text_align_left et_pb_bg_layout_light"> 1765 1766 1767 1768 1769 <div class="et_pb_text_inner"><h2 id="furtive-aurora-peeks-out-the-window-for-solo-clarinet"><em>Furtive Aurora Peeks Out the Window</em> for solo clarinet</h2> 1770<blockquote> 1771<p><strong>Date:</strong> June 2020<br /><strong>Duration:</strong> 3 minutes<br /><strong>Performances:</strong> âTokyo to New York: Moments In Time,” “Here and Now” Series at Bargemusic | Thomas Piercy, clarinet</p> 1772</blockquote></div> 1773 </div> 1774 </div> 1775 1776 1777 1778 1779 </div><div class="et_pb_row et_pb_row_45"> 1780 <div class="et_pb_column et_pb_column_1_2 et_pb_column_81 et_pb_css_mix_blend_mode_passthrough"> 1781 1782 1783 1784 1785 <div class="et_pb_module et_pb_text et_pb_text_68 et_pb_text_align_left et_pb_bg_layout_light"> 1786 1787 1788 1789 1790 <div class="et_pb_text_inner"><h2 id="conflagration-for-solo-violin"><em>Conflagration</em> for solo violin</h2> 1791<blockquote><p> 1792<strong>Date:</strong> March 2017<br /> 1793<strong>Duration:</strong> 15 minutes<br /> 1794<strong>Performances:</strong> Cornelia St. Café; Casa Italiana, Columbia University | Joseph Morag, violin 1795</p></blockquote></div> 1796 </div><div class="et_pb_button_module_wrapper et_pb_button_19_wrapper et_pb_module ">
1797 <a class="et_pb_button et_pb_button_19 et_pb_bg_layout_light" href="https://blackteamusic.com/product/conflagration/" target="_blank" data-icon="5">Buy the Score</a> 1798 </div> 1799 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_82 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1800 1801 1802 1803 1804 <div class="et_pb_module et_pb_text et_pb_text_69 et_pb_text_align_left et_pb_bg_layout_light"> 1805 1806 1807 1808 1809 <div class="et_pb_text_inner"><h2 id="winter-dream-in-memoriam-charlotte-salomon-for-piano"><em>Winter Dream (in memoriam Charlotte Salomon)</em> for piano</h2> 1810<blockquote> 1811<p><strong>Date:</strong> November 2016<br /><strong>Duration:</strong> 13 minutes<br /><strong>Performances:</strong> Musica Lirica at the Greenwich House Music School | Ensemble for These Times, San Francisco; Dalit Warshaw, piano</p> 1812</blockquote></div> 1813 </div> 1814 </div> 1815 1816 1817 1818 1819 </div><div class="et_pb_row et_pb_row_46"> 1820 <div class="et_pb_column et_pb_column_1_2 et_pb_column_83 et_pb_css_mix_blend_mode_passthrough"> 1821 1822 1823 1824 1825 <div class="et_pb_module et_pb_text et_pb_text_70 et_pb_text_align_left et_pb_bg_layout_light"> 1826 1827 1828 1829 1830 <div class="et_pb_text_inner"><h2 id="farewells-for-piano"><em>Farewells</em> for piano</h2> 1831<blockquote><p> 1832<strong>Date:</strong> October 2016<br /> 1833<strong>Duration:</strong> 12 minutes<br /> 1834<strong>Premiere:</strong> âHere and Nowâ Series at Bargemusic | Dalit Warshaw, piano 1835</p></blockquote></div> 1836 </div> 1837 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_84 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1838 1839 1840 1841 1842 <div class="et_pb_module et_pb_text et_pb_text_71 et_pb_text_align_left et_pb_bg_layout_light"> 1843 1844 1845 1846 1847 <div class="et_pb_text_inner"><h2 id="encounters-for-piano"><em>Encounters</em> for piano</h2> 1848<blockquote><p> 1849<strong>Date:</strong> October 2014<br /> 1850<strong>Duration:</strong> 12 minutes<br /> 1851<strong>Premiere:</strong> âHere and Nowâ Series at Bargemusic | Dalit Warshaw, piano 1852</p></blockquote></div> 1853 </div> 1854 </div> 1855 1856 1857 1858 1859 </div><div class="et_pb_row et_pb_row_47"> 1860 <div class="et_pb_column et_pb_column_1_2 et_pb_column_85 et_pb_css_mix_blend_mode_passthrough"> 1861 1862 1863 1864 1865 <div class="et_pb_module et_pb_text et_pb_text_72 et_pb_text_align_left et_pb_bg_layout_light"> 1866 1867 1868 1869 1870 <div class="et_pb_text_inner"><h2 id="ballade-for-piano"><em>Ballade</em> for piano</h2> 1871<blockquote><p> 1872<strong>Date:</strong> May 2015<br /> 1873<strong>Duration:</strong> 13 minutes<br /> 1874<strong>Premiere:</strong> âDalit Warshaw and Jessica Meyer: Intimate Voicesâ – Spectrum NYC | Dalit Warshaw, piano 1875</p></blockquote></div> 1876 </div> 1877 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_86 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1878 1879 1880 1881 1882 <div class="et_pb_module et_pb_text et_pb_text_73 et_pb_text_align_left et_pb_bg_layout_light"> 1883 1884 1885 1886 1887 <div class="et_pb_text_inner"><h2 id="confessional-or-the-trial-and-the-ecstasy-of-chiara-signorini-for-piano"><em>Confessional [or: The Trial and the Ecstasy of Chiara Signorini]</em> for piano</h2> 1888<blockquote> 1889<p><strong>Date:</strong> May 2013<br /><strong>Duration:</strong> 23 minutes<br /><strong>Performances:</strong> Spectrum Sunday Salon Series, Boston Conservatory Faculty Recital, Temple University Guest Artist Series | Dalit Warshaw, piano</p> 1890</blockquote></div> 1891 </div> 1892 </div> 1893 1894 1895 1896 1897 </div><div class="et_pb_row et_pb_row_48"> 1898 <div class="et_pb_column et_pb_column_1_2 et_pb_column_87 et_pb_css_mix_blend_mode_passthrough"> 1899 1900 1901 1902 1903 <div class="et_pb_module et_pb_text et_pb_text_74 et_pb_text_align_left et_pb_bg_layout_light"> 1904 1905 1906 1907 1908 <div class="et_pb_text_inner"><h2 id="first-love-song-for-solo-piano"><em>First Love Song</em> for solo piano</h2> 1909<blockquote> 1910<p><strong>Date:</strong> February 2013<br /><strong>Duration:</strong> 9 minutes<br /><strong>Performances:</strong></p> 1911<ul> 1912<li>Keyed Up Music Project, âDalit Warshaw: Intricacy, Intimacy and Expressionâ | Marc Peloquin, piano</li> 1913<li>Spectrum Sunday Salon Series, Boston Conservatory Faculty Recital, Temple University Guest Artist Series, Rockland Symphony Chamber Series | Dalit Warshaw, piano</li> 1914<li>Juventas New Music Ensemble | Julia Scott Carey, piano</li> 1915</ul> 1916</blockquote></div> 1917 </div> 1918 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_88 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1919 1920 1921 1922 1923 <div class="et_pb_module et_pb_text et_pb_text_75 et_pb_text_align_left et_pb_bg_layout_light"> 1924 1925 1926 1927 1928 <div class="et_pb_text_inner"><h2 id="responses-for-solo-piano"><em>Responses</em> for solo piano</h2> 1929<p style="padding-left: 40px;">I. …Op. 119, no. 1<br />II. …Op. 116, no. 5<br />III. …Op. 76, no. 3</p> 1930<blockquote> 1931<p><strong>Date:</strong> January 2013<br /><strong>Duration:</strong> 12 minutes<br /><strong>Performances:</strong> Keyed Up Music Project, âDalit Warshaw: Intricacy, Intimacy and Expression,” Spectrum Sunday Salon Series, Boston Conservatory Faculty Recital, Temple University Guest Artist Series | Dalit Warshaw, piano</p> 1932</blockquote></div> 1933 </div><div class="et_pb_button_module_wrapper et_pb_button_20_wrapper et_pb_module ">
1934 <a class="et_pb_button et_pb_button_20 et_pb_bg_layout_light" href="https://blackteamusic.com/product/responses-piano/" target="_blank" data-icon="5">Buy the Score</a> 1935 </div> 1936 </div> 1937 1938 1939 1940 1941 </div><div class="et_pb_row et_pb_row_49"> 1942 <div class="et_pb_column et_pb_column_1_2 et_pb_column_89 et_pb_css_mix_blend_mode_passthrough"> 1943 1944 1945 1946 1947 <div class="et_pb_module et_pb_text et_pb_text_76 et_pb_text_align_left et_pb_bg_layout_light"> 1948 1949 1950 1951 1952 <div class="et_pb_text_inner"><h2 id="the-sexton-preludes-for-solo-piano"><em>The Sexton Preludes</em> for solo piano</h2> 1953<p style="padding-left: 40px;">I. âThree Green Windowsâ<br />II. âThe Silenceâ<br />III. âThe Kissâ</p> 1954<blockquote> 1955<p><strong>Date:</strong> May 2012<br /><strong>Duration:</strong> 12 minutes<br /><strong>Performances:</strong> Spectrum Sunday Salon Series; Boston Conservatory Faculty Recital; Temple University Guest Artist Series | Dalit Warshaw, piano</p> 1956</blockquote></div> 1957 </div> 1958 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_90 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1959 1960 1961 1962 1963 <div class="et_pb_module et_pb_text et_pb_text_77 et_pb_text_align_left et_pb_bg_layout_light"> 1964 1965 1966 1967 1968 <div class="et_pb_text_inner"><h2 id="naissance-for-solo-cello"><em>Naissance</em> for solo âcello</h2> 1969<blockquote><p> 1970<strong>Date:</strong> December 2010<br /> 1971<strong>Commission:</strong> Rhonda Rider, cello<br /> 1972<strong>Performances:</strong> Fort Worth, TX; Grand Canyon, AZ; The Boston Conservatory; and other locations 1973</p></blockquote></div> 1974 </div> 1975 </div> 1976 1977 1978 1979 1980 </div><div class="et_pb_row et_pb_row_50"> 1981 <div class="et_pb_column et_pb_column_1_2 et_pb_column_91 et_pb_css_mix_blend_mode_passthrough"> 1982 1983 1984 1985 1986 <div class="et_pb_module et_pb_text et_pb_text_78 et_pb_text_align_left et_pb_bg_layout_light"> 1987 1988 1989 1990 1991 <div class="et_pb_text_inner"><h2 id="the-dreidl-variations-for-solo-piano"><em>The âDreidlâ Variations</em> for solo piano</h2> 1992<blockquote><p> 1993<strong>Date:</strong> August 2010<br /> 1994<strong>Performance:</strong> Black Cove Festival â New England Women Composers | Dalit Hadass Warshaw, piano 1995</p></blockquote></div> 1996 </div> 1997 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_92 et_pb_css_mix_blend_mode_passthrough et-last-child"> 1998 1999 2000 2001 2002 <div class="et_pb_module et_pb_text et_pb_text_79 et_pb_text_align_left et_pb_bg_layout_light"> 2003 2004 2005 2006 2007 <div class="et_pb_text_inner"><h2 id="invocation-for-solo-theremin"><em>Invocation</em> for solo theremin</h2> 2008<blockquote><p> 2009<strong>Date:</strong> January 2009<br /> 2010<strong>Performance:</strong> âComposers as Performers, Performers as Composersâ: Theremin recital at the Boston Conservatory | Dalit Hadass Warshaw, theremin 2011</p></blockquote></div> 2012 </div> 2013 </div> 2014 2015 2016 2017 2018 </div><div class="et_pb_row et_pb_row_51"> 2019 <div class="et_pb_column et_pb_column_1_2 et_pb_column_93 et_pb_css_mix_blend_mode_passthrough"> 2020 2021 2022 2023 2024 <div class="et_pb_module et_pb_text et_pb_text_80 et_pb_text_align_left et_pb_bg_layout_light"> 2025 2026 2027 2028 2029 <div class="et_pb_text_inner"><h2 id="muse-iii-euterpe-for-solo-oboe"><em>Muse III: Euterpe</em> for solo oboe</h2> 2030<blockquote><p> 2031<strong>Date:</strong> 2006<br /> 2032<strong>Performance:</strong> The Boston Conservatory | Angela Lickiss, oboe 2033</p></blockquote></div> 2034 </div> 2035 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_94 et_pb_css_mix_blend_mode_passthrough et-last-child"> 2036 2037 2038 2039 2040 <div class="et_pb_module et_pb_text et_pb_text_81 et_pb_text_align_left et_pb_bg_layout_light"> 2041 2042 2043 2044 2045 <div class="et_pb_text_inner"><h2 id="muse-iv-erato-for-solo-harp"><em>Muse IV: Erato</em> for solo harp</h2> 2046<blockquote><p> 2047<strong>Date:</strong> 2006<br /> 2048<strong>Performances:</strong></p> 2049<ul> 2050<li>Cutting Edge Concerts at Symphony Space; Percussia, Hudson Opera House | Susan Jolles, harp</li> 2051<li>Boston Harp Festival (Boston Conservatory) | Tomina Parvanova, harp</li> 2052</ul> 2053</blockquote></div> 2054 </div> 2055 </div> 2056 2057 2058 2059 2060 </div><div class="et_pb_row et_pb_row_52"> 2061 <div class="et_pb_column et_pb_column_1_2 et_pb_column_95 et_pb_css_mix_blend_mode_passthrough"> 2062 2063 2064 2065 2066 <div class="et_pb_module et_pb_text et_pb_text_82 et_pb_text_align_left et_pb_bg_layout_light"> 2067 2068 2069 2070 2071 <div class="et_pb_text_inner"><h2 id="muse-v-terpsichore-for-solo-trumpet"><em>Muse V: Terpsichore</em> for solo trumpet</h2> 2072<blockquote><p> 2073<strong>Date:</strong> 2006 2074</p></blockquote></div> 2075 </div> 2076 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_96 et_pb_css_mix_blend_mode_passthrough et-last-child"> 2077 2078 2079 2080 2081 <div class="et_pb_module et_pb_text et_pb_text_83 et_pb_text_align_left et_pb_bg_layout_light"> 2082 2083 2084 2085 2086 <div class="et_pb_text_inner"><h2 id="muse-vi-urania-for-solo-vibraphone"><em>Muse VI: Urania</em> for solo vibraphone</h2> 2087<blockquote><p> 2088<strong>Date:</strong> 2006 2089</p></blockquote></div> 2090 </div> 2091 </div> 2092 2093 2094 2095 2096 </div><div class="et_pb_row et_pb_row_53"> 2097 <div class="et_pb_column et_pb_column_1_2 et_pb_column_97 et_pb_css_mix_blend_mode_passthrough"> 2098 2099 2100 2101 2102 <div class="et_pb_module et_pb_text et_pb_text_84 et_pb_text_align_left et_pb_bg_layout_light"> 2103 2104 2105 2106 2107 <div class="et_pb_text_inner"><h2 id="desert-call-for-cello-solo"><em>Desert Call</em> for âcello solo</h2> 2108<blockquote><p> 2109<strong>Date:</strong> July 2001<br /> 2110<strong>Duration:</strong> 10 minutes<br /> 2111<strong>Performances:</strong></p> 2112<ul> 2113<li>Bargemusic; The Boston Conservatory; New Jersey City University | Wendy Warner, âcello</li> 2114<li>BMOP Club Concert Series | David Russell, âcello</li> 2115<li>Les Ecoles Americains des Beaux Arts de Fontainebleau | Chagit Glaser, âcello</li> 2116<li>The Juilliard School; Massachusetts Institute of Technology | Clarice Jensen, âcello</li> 2117<li>Middlebury College; University of Georgia | Craig Hultgren, âcello</li> 2118<li>Yamaha Piano Salon; The Boston Conservatory; Michigan State University | Victor Coo, âcello</li> 2119</ul> 2120</blockquote></div> 2121 </div> 2122 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_98 et_pb_css_mix_blend_mode_passthrough et-last-child"> 2123 2124 2125 2126 2127 <div class="et_pb_module et_pb_text et_pb_text_85 et_pb_text_align_left et_pb_bg_layout_light"> 2128 2129 2130 2131 2132 <div class="et_pb_text_inner"><h2 id="lessons-from-the-muir-woods-for-solo-flute"><em>Lessons from the Muir Woods</em>
2132 for solo flute</h2> 2133<blockquote><p> 2134<strong>Date:</strong> September 1997<br /> 2135<strong>Duration:</strong> 4 minutes<br /> 2136<strong>Commission:</strong> Dancing Bear Ensemble, Interlochen Arts Academy | Tara Gilb, flute 2137</p></blockquote></div> 2138 </div> 2139 </div> 2140 2141 2142 2143 2144 </div><div class="et_pb_row et_pb_row_54"> 2145 <div class="et_pb_column et_pb_column_1_2 et_pb_column_99 et_pb_css_mix_blend_mode_passthrough"> 2146 2147 2148 2149 2150 <div class="et_pb_module et_pb_text et_pb_text_86 et_pb_text_align_left et_pb_bg_layout_light"> 2151 2152 2153 2154 2155 <div class="et_pb_text_inner"><h2 id="prelude-to-charlotte-for-solo-piano"><em>Prelude to Charlotte</em> for solo piano</h2> 2156<blockquote><p> 2157<strong>Date:</strong> November 1996<br /> 2158<strong>Duration:</strong> 7 minutes<br /> 2159<strong>Performances:</strong></p> 2160<ul> 2161<li>Zoom! Concert Series at Merkin Hall | Emma Tahmizian, piano</li> 2162<li>The Juilliard School | John Root, piano</li> 2163<li>Les Ecoles Americains des Beaux Arts de Fountainbleau; SUNY at Stony Brook | Dalit Hadass Warshaw, piano</li> 2164<li>The Boston Conservatory | Sonia Rose, piano</li> 2165</ul> 2166</blockquote></div> 2167 </div> 2168 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_100 et_pb_css_mix_blend_mode_passthrough et-last-child"> 2169 2170 2171 2172 2173 <div class="et_pb_module et_pb_text et_pb_text_87 et_pb_text_align_left et_pb_bg_layout_light"> 2174 2175 2176 2177 2178 <div class="et_pb_text_inner"><h2 id="lone-conversation-for-clarinet"><em>Lone Conversation</em> for clarinet</h2> 2179<blockquote><p> 2180<strong>Date:</strong> July 1994<br /> 2181<strong>Duration:</strong> 6 minutes<br /> 2182<strong>Performances:</strong></p> 2183<ul> 2184<li>The Aspen Music Festival | Anthony Burr, clarinet</li> 2185<li>The Juilliard School | Aaron Zachko, clarinet</li> 2186<li>Music Amici</li> 2187<li>The Boston Conservatory | Megan Ankuda, clarinet</li> 2188<li>New Gallery Concert Series; Radius Ensemble | Eran Egozy, clarinet</li> 2189</ul> 2190</blockquote></div> 2191 </div> 2192 </div> 2193 2194 2195 2196 2197 </div><div class="et_pb_row et_pb_row_55"> 2198 <div class="et_pb_column et_pb_column_1_2 et_pb_column_101 et_pb_css_mix_blend_mode_passthrough"> 2199 2200 2201 2202 2203 <div class="et_pb_module et_pb_text et_pb_text_88 et_pb_text_align_left et_pb_bg_layout_light"> 2204 2205 2206 2207 2208 <div class="et_pb_text_inner"><h2 id="three-intermezzi-for-solo-piano"><em>Three Intermezzi</em> for solo piano</h2> 2209<p style="padding-left: 40px;">I. For Saba and Forgotten Souls<br />II. To the Fireflies and Others Not Thought Of As Souls At All<br />III. Agitata</p> 2210<blockquote> 2211<p><strong>Date:</strong> July 1994<br /><strong>Duration:</strong> 15 minutes<br /><strong>Performances:</strong> The Aspen Music Festival, The Juilliard School, Les Ecoles des Beaux Arts de Fountainbleau, International Piano Festival of Jerusalem at Tel Hai, The Boston Conservatory | Dalit Hadass Warshaw, piano</p> 2212</blockquote></div> 2213 </div> 2214 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_102 et_pb_css_mix_blend_mode_passthrough et-last-child"> 2215 2216 2217 2218 2219 <div class="et_pb_module et_pb_text et_pb_text_89 et_pb_text_align_left et_pb_bg_layout_light"> 2220 2221 2222 2223 2224 <div class="et_pb_text_inner"><h2 id="the-nameless-for-solo-piano"><em>The Nameless</em> for solo piano</h2> 2225<blockquote> 2226<p><strong>Date:</strong> June 1993<br /><strong>Duration:</strong> 14 minutes<br /><strong>Performances:</strong> International Piano Festival of Jerusalem at Tel Hai, Les Ecoles de Beaux Arts de Fountainbleau, The Boston Conservatory | Dalit Hadass Warshaw, piano</p> 2227</blockquote></div> 2228 </div> 2229 </div> 2230 2231 2232 2233 2234 </div><div class="et_pb_row et_pb_row_56"> 2235 <div class="et_pb_column et_pb_column_1_2 et_pb_column_103 et_pb_css_mix_blend_mode_passthrough"> 2236 2237 2238 2239 2240 <div class="et_pb_module et_pb_text et_pb_text_90 et_pb_text_align_left et_pb_bg_layout_light"> 2241 2242 2243 2244 2245 <div class="et_pb_text_inner"><h2 id="ruth-arranged-for-piano-solo"><em>Ruth</em> arranged for piano solo</h2> 2246<blockquote><p> 2247<strong>Date:</strong> 1989<br /> 2248<strong>Duration:</strong> 12 minutes<br /> 2249<strong>Performance:</strong> New York University | Marija Stroke 2250</p></blockquote></div> 2251 </div> 2252 </div><div class="et_pb_column et_pb_column_1_2 et_pb_column_104 et_pb_css_mix_blend_mode_passthrough et-last-child et_pb_column_empty"> 2253 2254 2255 2256 2257 2258 </div> 2259 2260 2261 2262 2263 </div><div class="et_pb_row et_pb_row_57"> 2264 <div class="et_pb_column et_pb_column_4_4 et_pb_column_105 et_pb_css_mix_blend_mode_passthrough et-last-child"> 2265 2266 2267 2268 2269 <div class="et_pb_button_module_wrapper et_pb_button_21_wrapper et_pb_button_alignment_right et_pb_module ">
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