1import{Q as w}from"./QPage.5b01b7db.js";import{d as C,k as T,l as i,q as o,a0 as p,p as e,t as s,u as r,v as l,f as m,n as g,F as h,S as f,x as k,a6 as y}from"./index.1d2b7042.js";import{_ as v}from"./close_b9.7c30dee1.js";import{_ as S}from"./plugin-vue_export-helper.21dcd24c.js";const A=C({name:"BusinessMeeting",data(){return{speakersModal:!1,speakers:[{name:"\uC0C8\uBBF8 \uB85C\uD398\uC988",engname:"Sammy Lopez",position:"Co-Founder and Producer",organization:"P3 Productions",country:"New York",thumbnail:"/speakers/sammy_lopez.jpg",introduction:`Sammy Lopez is a Tony Award\u2013winning theatre-maker dedicated to uplifting historically excluded voices through the arts. 2 3He is a co-founder and producer at P3 Productions, which recently produced Call Me Izzy starring Jean Smart, How to Dance in Ohio and Job on Broadway, and Mexodus Off-Broadway. In development, P3 is building the Broadway-bound musical Wanted, which previously played at Paper Mill Playhouse and Signature Theatre, as well as The Ninth Woman, a new musical by the band Delta Rae. Through Third Wish Productions, he currently has Chicka Chicka Boom Boom: The Mu
3sical on tour. 4 5Sammy's recent co-producing credits with P3 include Every Brilliant Thing, Kinky Boots (West End), Art, Sunset Blvd. (Tony Award), The Last Five Years, Just for Us, and A Strange Loop (Tony Award). 6 7Additionally, Sammy is the Creative Producer at New York City Children\u2019s Theater and a co-founder of The Industry Standard Group (TISG), an organization working to increase BIPOC representation among producers and investors. He also serves as a mentor for Theatre Producers of Color (TPOC) and as an educator with The Business of Broadway. 8 9A proud graduate of Syracuse University, Sammy serves on the boards of New 42, TYA/USA, The Broadway League, CO/LAB Theater Group, and The Autistic Theatremakers Alliance. www.sammy-lopez.com`,company_introduction:`P3 Productions is an award-winning producing team led by Ben Holtzman, Sammy Lopez, and Fiona Howe Rudin, dedicated to uplifting new voices and communities. 10 11Broadway productions include CALL ME IZZY, HOW TO DANCE IN OHIO, and JOB. Current and upcoming productions include MEXODUS, WANTED, and THE NINTH WOMAN. 12 13Recent co-producing credits include EVERY BRILLIANT THING, ART, SUNSET BLVD, THE LAST FIVE YEARS, JUST FOR US, and A STRANGE LOOP on Broadway, as well as INTER ALIA, KINKY BOOTS, 1536, SUGAR DADDY, THE IMPORTANCE OF BEING EARNEST, NEXT TO NORMAL, and ORLANDO in London\u2019s West End. Learn more: www.p3.productions and follow @p3productions.nyc`},{name:"\uC54C\uB809\uC0AC \uC2A4\uBBF8\uC2A4",engname:"Alexa Smith",position:"Associate Artistic Director/Director of Cultural Transformation",organization:"The Public Theatre",country:"New York",thumbnail:"/speakers/alexa_smith.jpg",introduction:`Alexa Smith is Associate Artistic Director and Director of Cultural Transformation at The Public Theater, where she works across artistic programming and organizational strategy to connect artists, institutions, and communities. She leads Public Forum, The Public\u2019s civic engagement series featuring performances, conversations, and public gatherings that explore the intersection of art, culture, and democracy. She also serves as the EDI director for Alicia Keys\u2019 HELL\u2019S KITCHEN and cultural consultant for PROOF. Her culture work can be found on and off-Broadway including productions of GINGER TWINSIES, TEETH, THE WHITE CHIP, and THE JONATHON LARSON PROJECT, among others. 14 15She is the founder of the Duncan Williams Voice Program for Black and Latinx artists and received the Sphinx Venture Fund Award for this project. In 2023, she was named one of Musical America\u2019s Top 30 Professionals. She is the host of WQXR\u2019s \u201CYoung Artist Showcase\u201D and is a Met Radio correspondent and guest on The Metropolitan Opera\u2019s Quiz Show. 16 17She previously served as Associate Vice President for Strategic Innovation and Special Initiatives at Manhattan School of Music. She oversaw the creation of and led MSM\u2019s Cultural Inclusion Initiative which fosters diversity, equity, and inclusive practices throughout the school. She also served as Interim Dean of Performance and Production overseeing all elements of all performances and stage productions. 18 19She holds degrees in voice from Roosevelt University and Manhattan School of Music and an MBA from Boston University.`,company_introduction:`Conceived over 60 years ago as one of the nation\u2019s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. 20 21Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public\u2019s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at The Delacorte Theater in Central Park, the \u201CMobile Unit\u201D touring throughout New York City\u2019s five boroughs, \u201CPublic Works,\u201D and \u201CJoe\u2019s Pub.\u201D 22 23Since premiering \u201CHAIR\u201D in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical \u201CHamilton\u201D by Lin-Manuel Miranda. 24 25Their programs and productions can also be seen regionally across the country and around the world. The Public has received 64 Tony Awards, 197 Obie Awards, 62 Drama Desk Awards, 64 Lortel Awards, 36 Outer Critics Circle Awards, 13 New York Drama Critics\u2019 Circle Awards, 72 AUDELCO Awards, 6 Antonyo Awards, and 6 Pulitzer Prizes.`},{name:"\uC0E4\uB860 \uD330\uB7F0",engname:"Sharon Fallon",position:"Broadway Producer & Programmer",organization:"Sharon Fallon Productions",country:"New York",thumbnail:"/speakers/sharon_fallon.jpg",introduction:`Sharon Fallon is an accomplished independent theatre producer, executive producer and general manager with over two decades of experience spanning both commercial and n
25on-profit theatre. She has built a career defined by a rare fluency in both the artistic and business of live performance \u2014 ensuring that the productions she champions are as financially sound as they are creatively ambitious. 26 27Her Broadway credits include the acclaimed productions Indecent, Beautiful: The Carole King Musical, Matilda The Musical, and Lysistrata Jones. She has also served as Associate General Manager for both the Helen Hayes Theatre and the Lyric Theatre in New York. 28 29A committed advocate for the broader theatre community, Sharon serves as a Board Member of the National Alliance of Musical Theatres (NAMT), where she co-chairs the Member Resources and Conference Committee and is the past Emeritus Chair of the Festival of New Works. She is also a member of the Off Broadway League and on the Advisory Board of Theatre Now New York..`,company_introduction:`Sharon Fallon Productions 30 31Established in 2015, Sharon Fallon Productions, Inc. is a bespoke theatrical production and general management company driven by a clear mission: to strengthen the theatre industry by cultivating relationships that are collaborative, creative, and deeply human. By working fluidly across both the creative and business sides of theatre, she works closely with producers and artists, providing the guidance, structure, and expertise needed to bring new musical works to life. Whether at the level of a reading, a development workshop, or a full production, she oversees every stage of the process from initial concept to final performance. Sharon is currently serving as executive producer and/or general manager on several projects in development.`},{name:"\uC870\uC149 \uC564\uB4DC\uB958 \uC2A4\uBBF8\uC2A4",engname:"Joseph Andrew Smith",position:"Producer and chief Executive of Stage One",organization:"Smith and Brant Theatricals",country:"London",thumbnail:"/speakers/joseph_smith.jpg",introduction:`Joseph Smith is an accomplished commercial theatre producer and arts executive who has been a driving force in the UK and global theater industries. As the co-owner of Smith & Brant Theatricals (SBT), he has brought numerous award-winning productions to the West End and Broadway. Prior to SBT, Joe served as a Producer for Rocket Entertainment and Greene Light Stage, where he worked extensively on an impressive range of West End and international musicals and plays, including Billy Elliot, Tammy Faye, Private Lives, Good People, The Go Between, Jerusalem, and Clybourne Park. 32 33In tandem with his commercial producing career, Joe has headed up Stage One as Chief Executive for over 10 years, dedicated to nurturing and supporting the next generation of commercial producers. Under his leadership, he has been an integral part of a major strategic shift, doubling the amount of development programmes on offer. Notably, he launched the 'Bridge The Gap' scheme, a landmark initiative aimed at diversifying the representation of commercial theatre producers across the UK. He was also instrumental in developing the 'One Stage' season in 2014, providing vital mentorship to emerging producers as they took on their debut projects at The Other Palace (then the St. James Theatre). As a visionary industry leader with a wealth of experience in intellectual property development and commercial producing, Joseph Smith joins the Musical Market to share deep insights into sustainable production models and global theatrical strategies.`,company_introduction:`Stage One Website: https://stageone.org.uk/about/. Joseph Smith 34 35Joseph is the co-owner with John Brant of Smith & Brant Theatricals(SBT). Currently the company is producing the global hit musical Come From Away that played in New York, London (where it won 4 Olivier awards in 2019) and most recently completed a tour across the UK. Producing credits are the Broadway hit revivals of How To Succeed In Business Without Really Trying and Promises, Promises. In the West End SBT produced Memphis the Musical, Million Dollar Quartet, and the multi award-winning Sweeney Todd and Spring Awakening. The company has produced national tours of Gaslight, Strangers on a Train, Abigail\u2019s Party & Ghost Stories, plus West End productions of True West starring Kit Harrington & Johnny Flynn and David Mamet's Bitter Wheat starring John Malkovich. It undertakes General Management work having just finished My Master Builder at the Wyndhams Theatre as well as having a number of play and musical projects in development. Joe has also been the Producer for Rocket Entertainment and Greene Light Stage where he worked extensively on a range of musicals and plays including Billy Elliott, Tammy Faye, Private Lives, Good People, The Go Between, Jerusalem and Clybourne Park. 36 37Chief Executive of Stage One: Joe has headed up Stage One for over 10 years as he strongly believes in nurturing and supporting the next generation of commercial producers. Joe has been an integral part of a shift in Stage One, doubling the amount of development programmes on offer including the launch of their Bridge The Gap scheme which aims to diversify the representation of commercial theatre producers across the UK. He was also instrumental in developing the One Stage season in 2014, mentoring the three producers as they took on their projects at The Other Palace (then, the St James Theatre).`},{name:"\uC81C\uC784\uC2A4 \uC2A4\uD2F8",engname:"James Steel",position:"Producer & General Manager",organization:"James Steel Productions LTD",country:"London",thumbnail:"/speakers/james_steel.jpg",introduction:`James Steel is a Scottish theatre producer based in London and producing since 2012. He is the Founder and CEO of James Steel Productions, a London-based producing and general management company specialising in new musicals, Off West End, West End transfers, and international productions. 38 39JSP works across the full spectrum of British theatre, from Edinburgh Fringe and Off West End premieres through to West End productions and international productions with partners in the United States, Korea, China and beyond. 40 41Current and recent work includes Heated Rivalry: The Unauthorized Musical (Edinburgh Fringe and London 2026), Hit Machine
41(Soho Theatre, 2026), Beau (London 2027), Smalltown Boy (@sohoplace), Spells of the Sea (in development), USHERS: The Front of House Musical (The Other Palace, The Arts Theatre West End, Charing Cross Theatre, Hope Theatre, and Edinburgh Fringe), INSIDE WILLIAM (The Other Palace), Daniel's Husband (Marylebone Theatre), and Fly More Than You Fall (Southwark Playhouse). 42 43James also co-leads Kirk & Granite, a transatlantic co-production venture. 44 45James trained at the Royal Central School of Speech and Drama. He is a 2021 Stage One Bursary recipient and an alumnus of the Stage One and Columbia University New York Exchange. JSP is a member of the League of Independent Producers, Independent Theatre Council, and Federation of Scottish Theatre.`,company_introduction:`James Steel Productions (JSP) is a London-based producing and general management company specialising in new musical theatre, Off West End to West End transfers, and international co-productions. JSP operates as both a creative producer of original work and as the UK general management partner for international producers, including Broadway, Korean, and Chinese teams bringing work into the British market. 46 47The company delivers the full operational spine of a production: budgeting, capitalisation, contracts, rights, company management, royalties, payroll, box office reconciliation, and investor reporting, with production spend ring-fenced through dedicated SPVs for clean co-production accounting. 48 49James also co-leads Kirk & Granite, a transatlantic joint venture with Tony-nominated Broadway producer Bryan McCaffrey of BPM Theatrical. 50 51JSP's current slate includes: 52 53Hit Machine (Soho Theatre, July to August 2026), a new musical with book by Jonathan Caren and music by Ben Harper, directed by Daniel Bailey, starring Noah Galvin and Josh Radnor. 54 55Heated Rivalry: The Unauthorized Musical (Edinburgh Fringe and London, 2026). 56 57Beau, the Off-Broadway musical, transferring to London in 2027. 58 59Smalltown Boy the Musical, workshopped at @sohoplace in March 2026, with book by Jeffrey Fischer-Smith and direction by Jonathan O'Boyle. West End and regional pathways are in active development. 60 61Spells of the Sea, in development with director Jonathan O'Boyle. 62 63Previous productions include: 64 65INSIDE WILLIAM (The Other Palace, London), 66 67USHERS: The Front of House Musical (The Other Palace, The Arts Theatre West End, Charing Cross Theatre, Hope Theatre, and Edinburgh Fringe). 68 69Fly More Than You Fall (Southwark Playhouse), starring Keala Settle of The Greatest Showman. 70 71Alongside its own producing slate, JSP provides general management and co-producing capacity to UK and international partners exploring the British market. The company is actively seeking partnerships with Korean creators and producers at K-Musical Market 2026 across original new musicals, Korean-to-UK transfers, and UK-to-Korea co-production opportunities.`},{name:"\uD53C\uC624\uB098 \uC2A4\uD2F0\uB4DC",engname:"Fiona Steed",position:"Independent producer",organization:"Manchester Royal Exchange Theatre",country:"London",thumbnail:"/speakers/fiona_steed.jpg",introduction:`Fiona is a London-based Producer and General Manager working across West End, regional and UK touring productions. She is currently Interim Senior Producer at the Manchester Royal Exchange Theatre, and is associate producing The Cherry Orchard on behalf of Sonia Friedman Productions, alongside supporting a range of commercial producing offices with production budgeting and tour strategy. 72 73Prior to going freelance, Fiona was General Manager and Associate Producer at Smith & Brant Theatricals, where she line produced numerous acclaimed West End and touring productions including Come From Away, Sunny Afternoon, Ghost Stories, Mother Goose, True West, The Master Builder, The Enfield Haunting and The Creakers. 74 75Her previous credits include work with ATG Productions, Sonia Friedman Productions, Greene Light Stage and Mark Rubinstein Ltd. Alongside her producing work, Fiona regularly delivers talks and workshops on producing and general management for Stage One and other national theatre training programmes, and has secured Arts Council England funding for a range of theatre projects and productions.`,company_introduction:`As an independent producer and general manager, Fiona works across commercial theatre, touring and regional producing in the UK. Her work spans production planning, budgeting, tour strategy and line producing, collaborating with a range of leading producers, theatres and commercial producing office
75s. 76 77Alongside current projects in the West End and regional theatre sector, Fiona also supports emerging theatre professionals through workshops and training programmes focused on producing and general management. Her work combines commercial producing experience with a strong interest in theatre development, collaboration and international exchange, particularly in the development of new musical theatre work and building relationships with emerging musical theatre makers. She is always keen to connect with emerging musical theatre writers, composers and producers internationally.`},{name:"\uC640\uD0C0\uB098\uBCA0 \uBBF8\uD0A4",engname:"Watanabe Miki",position:"President",organization:"Watanabe Entertainment Co., Ltd.",country:"Tokyo",thumbnail:"/speakers/watanabe_miki.jpg",introduction:`After working as an actress and musical producer, Miki Watanabe established Watanabe Entertainment Co., Ltd. in 2000. Since then, as one of the leading producers and executives in the Japanese entertainment industry, she has been dedicated to discovering and nurturing actors, musical artists, television personalities, and creators. Concurrently, she has spearheaded the production of a wide range of content, including films, television programs, music, and theatrical performances. 78 79In 2024, she launched the "MOJO Project (Musicals of Japan Origin)," aimed at creating original Japanese musicals and expanding their reach globally. By producing the project\u2019s inaugural musical, "Isabeau," followed by its second production, "Doronba," she continues to drive initiatives that showcase Japan\u2019s unique storytelling to the world. 80 81Currently, she is focusing on the development and global expansion of Japanese musical IPs through collaborations with international production partners.`,company_introduction:`Watanabe Entertainment Co., Ltd. is a comprehensive entertainment enterprise established in 2000, inheriting the spirit and heritage of Watanabe Production, which laid the foundation for the talent management industry in Japan. 82 83Watanabe Production established the modern talent management system in Japan and produced numerous stars and cultural milestones. Inheriting this legacy, Watanabe Entertainment discovers, nurtures, and manages actors, musical artists, television personalities, and creators, while operating across a broad spectrum of fields, including film, television, music, theater, live events, and digital content. 84 85Furthermore, leveraging its unique strength in managing everything seamlessly from talent development to content creation, the company is actively invested in fostering the next generation of creative talent. 86 87In recent years, the company has bolstered its original IP development. In 2024, it launched the \u201CMOJO Project (Musicals of Japan Origin)\u201D with the goal of creating original Japanese musicals for the global stage. Through productions such as \u201CIsabeau\u201D and \u201CDoronba,\u201D Watanabe Entertainment is proudly introducing Japan\u2019s distinctive storytelling to audie
87nces worldwide.`},{name:"\uC57C\uB9C8\uC790\uD0A4 \uB098\uD638\uCF54",engname:"Yamazaki Nahoko",position:"General Manager, Theatrical Dept.",organization:"Toho Co., Ltd.",country:"Tokyo",thumbnail:"/speakers/yamazaki_nahoko.jpg",introduction:"After gaining experience in theater operations and project planning & development within the theater division, she was appointed as the head of opening preparations for the new theater, Theatre Creation, in 2006. Following its opening, she served as the theater's General Manager for six years. After further building her career across the International Affairs Office, lineup programming, planning & development, and corporate planning, she was appointed Head of the Theater Division in 2025. In her current role, she oversees the entire theater division, including approximately 30 annual productions, domestic and international strategies, and organizational management.",company_introduction:`Founded in 1932, Toho Co., Ltd. is a leading entertainment conglomerate. Under the group slogan,\u201CMoments for Life,\u201D the company delivers a wide range of entertainment across its four core business pillars: Film, IP and Anime, Theatrical, and Real Estate. Known for producing world-renowned masterpieces such as the Godzilla series, Toho remains committed to delivering moments that inspire and enrich the lives of our diverse customers worldwide. 88 89The Theatre Division owns and operates two venues in central Tokyo: the Imperial Theatre (currently closed for redevelopment) and Theatre Creation. Each year, it stages approximately 30 productions, including internationally licensed works such as Les Mis\xE9rables, Elisabeth, Navillera, and Fan Letter, as well as original productions including Marie Antoinette, Kane and Abel, and Itaewon Class. Spirited Away has achieved outstanding success not only in Japan but also in international productions in London, Shanghai, and Seoul.`},{name:"\uCFE0\uBCF4 \uD0C0\uCFE0\uC57C",engname:"Kubo Takuya",position:"Operating Officer, Creative Development & Directing Department",organization:"Shiki Theatre Company",country:"Tokyo",thumbnail:"/speakers/kubo_takuya.jpg",introduction:"He joined the company in 2002, and began his career in the Sales Department and since then, spent many years working in publicity and marketing. In 2018, the Planning and Development Office, a new division responsible for the planning and production of original works, was established, and he was appointed as its General Manager. He has remained in this position ever since. Under his leadership, the division has developed and produced numerous productions, including The Ghost and the Lady, The Boy and the Beast, and The Robot in the Garden. Beginning in 2026, he has also assumed overall responsibility for the Directing Division.",company_introduction:"Founded in 1953 by Keita Asari and his nine fellow students, Shiki Theatre Company is one of the largest performing arts organizations in the world, comprising approximately 1,700 actors, technical staff, and administrative personnel today. The company operates dedicated theaters across Japan, including five in the metropolitan area, as well as venues in Osaka and Nagoya, while also presenting touring productions nationwide. On any given day, it constantly stages more than ten performances across the country. Its extensive repertoire spans a wide range of works, including straight plays, original musicals, international licensed musicals, and family musicals."},{name:"\uCE20\uB178\uB2E4 \uC57C\uC2A4\uD788\uC0AC",engname:"Tsunoda Yasuhisa",position:"Executive Officer",organization:"Umeda Arts Theater Co., Ltd",country:"Osaka",thumbnail:"/speakers/tsunoda_yasuhisa.jpg",introduction:"Yasuhisa Tsunoda joined Hankyu Corporation in 1994. After working in the video production and sales divisions of the Takarazuka Revue, he became a producer for the company in 2010, overseeing the development and production of numerous stage works. In 2019, he joined Umeda Arts Theater, where he has been involved in theatrical production and management. Since 2021, he has served as the head of production for the Tokyo Office, overseeing the planning, scheduling, and overall management of more than a dozen productions annually, including musicals, plays, and concerts.",company_introduction:`Umeda Arts Theater is one of Japan\u2019s leading theatrical producers and a member of the Hankyu Hanshin Holdings Group. Together with the world-renowned Takarazuka Revue, the 110-year-old all-female theatre company, Umeda plays a central role in the Group\u2019s live entertainment business. We operate two theatres in Osaka with capacities of 1,905 and 898 seats and will open a new 1,300-seat theatre adjacent to Tokyo Station in 2029. Producing more than a dozen musicals, plays, and concerts each year, our production credits include Japanese productions of internationally acclaimed titles such as \u201CPhantom,\u201D \u201CChess,\u201D \u201CTitanic,\u201D \u201CAnastasia,\u201D and \u201CSix,\u201D along with Korean works such as \u201CMata Hari,\u201D \u201CThirty-Nine,\u201D and \u201CFour Minutes,\u201D as well as original musicals based on beloved Japanese manga, including \u201CDescending Stories: A Life in Rakugo.\u201D 90 91International collaboration has long been at the core of our activities. Highlights include the Japan\u2013Korea co-production \u201CBring Me My Chariot of Fire\u201D; the world premiere of \u201CPrince of Broadway\u201D in 2015, which subsequently transferred to Broadway; and the Japan\u2013UK co-productions \u201CViolet\u201D and \u201CPacific Overtures,\u201D both presented in London. In 2025, we established our London subsidiary and began developing new productions in the UK. Looking ahead, we will present a new musical adaptation of the global blockbuster Indian film \u201CRRR\u201D in 2027. We remain committed to creating and developing theatrical works that connect Japan with audie
91nces and creative partners around the world.`},{name:"\uB178\uAC00\uBBF8 \uC1FC\uCF54",engname:"Nogami Shoko",position:"President & Representative Director",organization:"Nelke Planning co.,ltd",country:"Tokyo",thumbnail:"/speakers/nogami_shoko.jpg",introduction:`Shoko Nogami first experienced theatre production while at university and joined Nelke Planning Co., Ltd. in 1998. After handling casting for the company's stage productions, TV anime, and events, she became President and Representative Director in 2016. Centered on 2.5-dimensional musicals, she has created works across a wide range of genres. Since April 2025, she has also served as a radio DJ for \u201CEngeki Sengen: The Show Begins!,\u201D a theatre-information radio programme in the Kansai region, broadening her activities to share the appeal of theatre widely. She is also a mother of one. 92 93Her representative works include the musical \u201CThe Prince of Tennis,\u201D the live spectacle \u201CNARUTO,\u201D the stage production \u201CJUJUTSU KAISEN,\u201D and the animated feature \u201CThe Place Promised in Our Early Days\u201D (directed by Makoto Shinkai), among others.`,company_introduction:`Nelke Plannig was founded in 1994, and we have been providing a wide range of entertainment to the world, primarily in the form of theater productions. 94 95We handle production, casting, licensed content development and rights management, and Chinese business operations for a wide range of theatrical genres, including theatrical productions known as 2.5-dimensional musicals which are based on manga, anime, and games, as well as straight plays, Broadway performances, and original works.`},{name:"\uD0C0\uCE74\uD558\uC2DC \uB178\uB9AC\uCF54",engname:"Takahashi Noriko",position:"Vice President",organization:"CUBE Inc.",country:"Tokyo",thumbnail:"/speakers/takahashi_noriko.jpg",introduction:"Noriko Takahashi was born in Osaka, Japan. She graduated from the Tennoji campus of the senior high school attached to Osaka Kyoiku University and, after entering Kyoto Pharmaceutical University, joined the theatre company Sotoba Komachi. She completed her studies in the Department of Biological Pharmacy at Kyoto Pharmaceutical University in 1981. She established her own office in 1986, founded Ricomotion Inc. in 1988, and opened the company's Tokyo office in 1991. In 1997, she co-founded CUBE Inc. with Hiroyuki Kitamaki and was appointed its Vice-President.",company_introduction:`Established on June 17, 1997, CUBE Inc. is a comprehensive Japanese entertainment agency managing artist management, production, and marketing across music, theater, musicals, and visual media. 96 97CUBE Inc. began theater production in 1998 with \u201CA Lifetime of Children,\u201D a joint flagship project with the PARCO Theater. Since 2008, master playwright-director Keralino Sandorovich has been affiliated, with CUBE Inc. exclusively producing all works for his troupe \u201CNYLON 100\u2103\u201D and his individual projects. In 2011, the company opened \u201CCBGK Shibugeki!!,\u201D a 242-seat theater in Shibuya, Tokyo. Recently, prominent directors/playwrights Wally Kinoshita, Masahiko Kawahara, Go Aoki, and composer Shunsuke Wada joined the roster, expanding business across the theater spectrum. 98 99CUBE Inc. has consistently presented unique originals and acclaimed Korean licensed musicals to Japan. Starting with the musical play \u201CRitardando\u201D (2011) and the musical \u201CBitter Days, Sweet Nights\u201D (2012), it produced Korean licensed musicals from 2014 to 2015, including \u201CBlack Mary Poppins\u201D (revived in 2016), \u201CSherlock Holmes: The Secret of the Anderson Family,\u201D and \u201CSherlock Holmes 2: Bloody Game.\u201D 100 101In 2016, it scored box office hits with \u201CVincent van Gogh\u201D and \u201CBoys Over Flowers The Musical.\u201D In 2018, it staged \u201CRyuun ~The Magic of Wind and the Sword of Destruction~\u201D (revived in 2019) and the Japanese musical \u201CGiden Sharaku 2018.\u201D Continuing this streak, CUBE Inc. presented the KERA CROSS project \u201CChameleons' Lip\u201D and the musical play \u201CThe Twins of the Planetarium\u201D (2021), the musical play \u201CYe Lai Xiang Rhapsody\u201D (2022), and \u201CThe Bellringer of Dublin and the Moldy Man\u201D (2024). Most recently, with the grand musical \u201CCain & Abel\u201D in 2025, CUBE Inc. continues to showcase a well-made lineup, gaining significant attention on the global stage.`},{name:"\uC774\uCE74\uC640 \uCE74\uC624\uB8E8",engname:"Ikawa Kaoru",position:"Deputy Manager, Global Content Creation Office",organization:"HoriPro Inc.",country:"Tokyo",thumbnail:"/speakers/ikawa_kaoru.jpg",introduction:`Kaoru Ikawa is the Deputy Manager of the Global Content Creation Office within the Theatrical Production Department, Live Entertainment Division at HoriPro Inc. 102 103After transitioning from talent management, she has been actively involved in a wide range of theatrical productions, including Japanese licensing of international hit shows, presenting touring productions, and creating original Japanese works. 104 105Her major production credits include acclaimed licensed musicals such as "Mary Poppins," "Billy Elliot," "Jamie," "Thrill Me," "King Arthur," and "Come From Away." She has also spearheaded the planning and production of original musicals, including "A Man," "White Clover," "COLOR," and "Misaeng," a musical adaptation of the legendary Korean webtoon. 106 107Notably, she was involved from the inception of the global hit "DEATH NOTE THE MUSICAL," where she managed overseas communications and led negotiations with international production partners. 108 109Her upcoming lineup includes the premiere of the new musical "Nikola Tesla ~The Solitary Genius Feared by Edison~" (September), the dance entertainment play "PASSION ~The Dream Drawn by Hokusai~" (October), and "Electra," a new poetic and musical production directed by master Tamiya Kuriyama (December).`,company_introduction:"HORIPRO is a comprehensive entertainment production company engaged in a wide range of fields including film, television, theater, and music, in addition to the management of actors and artists. The company began producing theatrical works 45 years ago and currently stages 15 to 20 productions annually, including the long-running hit play \u201CHarry Potter and the Cursed Child.\u201D In recent years, Horipro has also focused on creating original musicals and collaborating with international partners, earning high acclaim both in Japan and abroad."},{name:"\uB2E4\uB098\uCE74 \uB9AC\uB098",engname:"Tanaka Rina",position:"Associate Professor",organization:"Kyoto Sangyo University",country:"Osaka",thumbnail:"/speakers/rina_tanaka.jpg",introduction:"Rina Tanaka is Associate Professor at the Faculty of Cultural Studies, Kyoto Sangyo University. She holds a PhD in Global Japanese Studies from Meiji University (2020) and received the Helsinki Prize (IFTR, 2019). Her interests include sociocultural transitions and (re-)contextualization of contemporary performing arts since the twentieth century. Her recent work includes the monograph Wiener Musicals and Their Developments (2026), as well as chapters in edited volumes such as Milestones in Musical Theater
109(2023) and The Routledge Companion to Musical Theatre (co-authored, 2022). She also writes critiques and is a certified anti-harassment advisor in Japan.",company_introduction:`Kyoto Sangyo University (KSU) is a comprehensive private university located in Kyoto, Japan. Founded in 1965, the university is known for bringing together the humanities, social sciences, natural sciences, and information sciences on a single campus, fostering interdisciplinary education and research. KSU promotes international engagement and aims to cultivate individuals who can contribute creatively and responsibly to an increasingly globalized society. 110 111The Faculty of Cultural Studies adopts an interdisciplinary approach to the study of culture, combining perspectives from the humanities, social sciences, and digital humanities. The faculty encourages students and researchers to examine cultural phenomena from local, national, and global perspectives, with particular strengths in Kyoto studies, cultural heritage, tourism, and intercultural communication. Through both academic inquiry and field-based learning, the faculty seeks to deepen understanding of cultural diversity and contemporary social issues while fostering dialogue across cultures.`},{name:"\uC5D0\uB9AC\uCE74 \uC26C",engname:"Erica (Shih-chia) Hsu",position:"Manager, Story & IP Division",organization:"Taiwan Creative Content Agency (TAICCA)",country:"Taipei",thumbnail:"/speakers/erica_hsu.jpg",introduction:`Erica (Shih-chia) is leading the debut of the Taiwan delegation at the 2026 K-Musical Market, bringing three curated Taiwanese teams to the Global Pitching Session for the first time. To further showcase the potential of these works, her team is also coordinating staged reading performances in Seoul this coming August. Through strategic collaborations with the Glory Cultural and Creative Industry Foundation, Quanta Arts Foundation, and the Taipei Theatre Awards, Erica and her team have worked step by step to leverage private and public sector resources to amplify the impact of Taiwan\u2019s musical theater ecosystem. 112 113As a Manager within the Story & IP Division at TAICCA (Taiwan Creative Content Agency), Erica specializes in large-scale project management and cross-departmental collaboration. She is highly skilled in driving partnership initiatives and cultivating cross-disciplinary community engagement to foster innovation. By bridging diverse creative sectors, she facilitates the transformation of high-potential narratives into performing arts and audiovisual formats. Her goal at this year's market is to bridge the gap between Taiwanese and international creators to foster innovative co-production and licensing opportunities.`,company_introduction:"Established in 2019 by the Ministry of Culture, the Taiwan Creative Content Agency (TAICCA) supports the development, production, distribution, and global expansion of Taiwan\u2019s creative industries, including audiovisual and digital content, music, comics, performing arts, and publishing. TAICCA provides strategic resources, industry expertise, and international networks to help creators and companies navigate Taiwan\u2019s dynamic creative ecosystem and unlock new opportunities for growth. The Story & IP Department at the TAICCA is presenting Taiwanese musicals at the K-Musical Market to foster international collaboration. Three carefully selected Taiwanese musicals are taking part in Global Pitching program and one-on-one business meetings."},{name:"\uC7A5\uCDA9",engname:"Jiang Qiong",position:"Executive Deputy General Manager",organization:"Beijing Tianqiao Performing Arts Center",country:"Beijing",thumbnail:"/speakers/jiang_qiong.jpg",introduction:`Holding a Master\u2019s degree in Business Administration (MBA), Jiang Qiong (\u59DC\u743C) currently serves as the Deputy General Manager of the Beijing Tianqiao Performing Arts Center and the Deputy Secretary-General of the Producers Professional Committee of the China Association of Performing Arts. She has also been honored with prestigious titles, including "Beijing Model Worker" and the "Beijing March 8th Red Banner Pace-setter" award. 114 115As the head of performing arts businesses at the Beijing Tianqiao Performing Arts Center, Jiang oversees program investment and production, performance booking, marketing, and overall venue operations. Leading her team from the front lines, she successfully established the center\u2019s signature "8 Major Performance Festivals" and "Four Seasons Open Brand." Furthermore, the Beijing Tianqiao Musical Annual Grand Ceremony, which she independently curated and launched, was selected as one of Xicheng District's "6 Golden Cultural Name Cards," contributing significantly to Beijing's development as the "Capital of Performing Arts." 116 117Under her leadership, the center ranked No. 1 in the national professional theater performance rankings in 2022. In 2024, it achieved a monumental milestone by surpassing 200 million RMB (approx. 38 billion KRW) in annual box office revenue and hosting over 1,000 performances a year. She has also participated in the production of more than 10 original works, such as The Longest Day in Chang'an, Nine Songs, and The Cat Gods in the Forbidden City, building the dedicated "Tianqiao Production" IP matrix and driving innovation across the Chinese musical industry.`,company_introduction:`The Beijing Tianqiao Performing Arts Center is the flagship complex of the Tianqiao Performing Arts District. Spanning 75,000 square meters with a combined 3,353 seats, it features four traditional auditoriums and an innovative new space theatre. Officially opened on November 20, 2015, the center operates as the premier cultural brand of the Tianqiao Shengshi Group, receiving full strategic support from the Xicheng District government of Beijing. 118 119Guided by its vision of being "Global, Trendy, and Popular," the center curates a world-class lineup centered on musicals, alongside plays, dance dramas, and immersive productions. It continuously hosts signature events such as the Spring for Chinese Arts Festival, Tianqiao International Musical Festival, and Lao She Theater Festival. Driven by a "Four-Wheel Drive" operational model\u2014integrating performances, space management, arts education, and public outreach\u2014the center welcomes over 500,000 audience members annually through more than 1,000 performances and 200 public events. 120 121Most notably, as China\u2019s premier professional musical theatre venue, the center established its legendary reputation with its opening production, The Phantom of the Opera. Over the past decade, it has staged 213 musical titles across 1,374 performances, drawing 1.37 million attendees and generating a cumulative box office revenue of 670 million RMB (approx. 127 billion KRW), cementing the phrase "Go to Tianqiao for Musicals." Since 2023, the Beijing Tianqiao Annual Musical Awards has been recognized as one of Xicheng District's "Six Golden Cultural Bu
121siness Cards." Additionally, the center leads the "Musical University Alliance" to foster the next generation of theatrical talent.`},{name:"\uCC9C\uB8E8\uC774",engname:"Chen Rui",position:"Executive Deputy General Manager",organization:"Guangzhou Opera House",country:"Guangzhou",thumbnail:"/speakers/chen_rui.jpg",introduction:`Chen Rui (\u9648\u777F) is the producer of the musical I Am What I Am (\u96C4\u72EE\u5C11\u5E74), Assistant General Manager of the Guangzhou Opera House (\u5E7F\u5DDE\u5927\u5267\u9662), and General Manager of the Zhuhai Jinwan Art Center (\u73E0\u6D77\u91D1\u6E7E\u827A\u672F\u4E2D\u5FC3). Over the years, she has been deeply committed to promoting cultural exchange and cooperation between China and France. In recognition of her outstanding achievements, she was appointed a Knight of the Order of Arts and Letters (Chevalier de l'Ordre des Arts et des Lettres) by the French government in 2025. 122 123She has spearheaded the production of numerous influential theatrical works. Notably, she led the production of Marco Polo (\u9A6C\u53EF\xB7\u6CE2\u7F57), the first original opera by the Guangzhou Opera House. The opera was not only highly acclaimed domestically but also successfully toured Italy, serving as a prime model for Chinese "cultural export." Additionally, she participated in the production of the stage play The Activity Turns into a Puppet (\u6D3B\u52A8\u53D8\u4EBA\u5F62), adapted from the eponymous novel by renowned author Wang Meng, which won multiple prestigious accolades including the "Wenhua Director's Award." Passionate about propagating Lingnan culture, she also led the theatrical adaptation of the mega-hit animated film into the musical I Am What I Am. Set against the backdrop of Lingnan traditions and showcasing the inspiring spirit of chasing dreams, the musical has been deeply loved by audiences. 124 125In addition to her producing career, Chen Rui is an accomplished translator. Her translated works include the Chinese editions of novels by hot French author Marc Levy, such as If Only It Were True (\u4E0E\u4F60\u91CD\u9022) and Another Meaning of Happiness (\u5E78\u798F\u7684\u53E6\u4E00\u79CD\u542B\u4E49), one of which was nominated as a finalist for the prestigious "Fu Lei Translation and Publication Award."`,company_introduction:`Located in Zhujiang New Town, the Guangzhou Opera House is a municipal theater built over five years. Designed by Zaha Hadid and Sir Harold Marshall, it won global acclaim, including USA Today\u2019s "World's Top 10 Opera Houses." Featuring a 1,687-seat Grand Theater and a 350-seat Experimental Theater, it opened in 2010 with Lorin Maazel\u2019s Turandot. Operated by CPAA Theatres under the China Arts and Entertainment Group, it has become a benchmark for theater marketization through the "Guangzhou Opera House Model" (central-local collaboration) and its global connectivity strategy. 126 127Over its 15-year history, guided by internationalism, innovation, and originality, the theater has hosted 4,011 performances by 2,150+ arts groups and 54,000+ artists, drawing 6.26 million visits. Maestros like Nelsons, Rattle, Gergiev, Mehta, Kaufmann, and Lang Lang, along with legendary ensembles like the Berlin Philharmonic and Teatro alla Scala, have graced its stage. It has co-produced operas with the Rome Opera and the Metropolitan Opera, while building a strong production portfolio including the opera Marco Polo, the plays The Movable Parts, Lungs, and Being and Time 2.0, the online drama Waiting for Godot, and the musicals I Am What I Am and The Grand Canal. 128 129Additionally, it has organized 2,928+ arts events, reaching 1.01 million people offline and 150 million online. As the first Chinese theater to run direct youth arts troupes (Choir, Ballet, Marching Band, Strings), it has trained 25,161 young talents via its "Classroom \xD7 Stage" model and operates the "Art Generator" incubator. Recently, it launched the "Touring the Classics" 5G+VR+4K platform, broadcasting classical music streams every Wednesday and Friday via Cloud Theater and WeChat to pioneer the digital arts ecosystem, aiming to become a world-class theater representing China.`},{name:"\uB9AC\uC9D5",engname:"Li Jing",position:"General Manager & Producer",organization:"Damai Theatre Rocks",country:"Beijing",thumbnail:"/speakers/li_jing.jpg",introduction:`Li Jing (\u674E\u5A67), the Head Producer and General Manager of the Theatre Rocks (\u5F53\u7136\u6709\u620F) label under Damai (\u5927\u9EA6), brings 15 years of extensive experience in theatrical production, arts festival curation, and arts center management. Prior to joining Theatre Rocks, she served as the General Director of Musical Production at Asia Live Theater
129(\u4E9A\u6D32\u8054\u521B), Assistant General Manager of Content Operations at the Beijing Tianqiao Performing Arts Center (\u5317\u4EAC\u5929\u6865\u827A\u672F\u4E2D\u5FC3), and Assistant General Manager of Content Creation and Operations at China Dream Live Entertainment (\u534E\u4EBA\u68A6\u60F3). 130 131Her prominent production and curatorial credits include the Chinese productions of the plays 2:22 A Ghost Story, Frankenstein (\u79D1\u5B66\u602A\u4EBA), The Magic Hour (\u9B54\u5E7B\u65F6\u523B), and Salad, Leftovers or Medley (\u6742\u62CC\u3001\u6298\u7F57\u6216\u6C99\u62C9). Her musical credits feature the Chinese productions of Mamma Mia!, The Picture of Dorian Gray (\u9053\u6797\u683C\u96F7\u7684\u753B\u50CF), Six Lying College Students (\u6492\u8C0E\u7684\u7684\u516D\u540D\u5927\u5B66\u751F), and Finding Mr. Destiny (\u5BFB\u627E\u521D\u604B). 132 133Furthermore, she has curated and managed major domestic and international festivals, including the WOW (Women of the World) Festival Beijing and the Smithsonian Folklife Festival - "China: Tradition and the Art of Living." She has also successfully spearheaded the presentation and international touring of blockbuster productions in China, including The Phantom of the Opera, Kinky Boots, Rom\xE9o et Juliette, Blue Man Group, Matthew Bourne's Swan Lake, The Sleeping Beauty, and the National Theatre's The Curious Incident of the Dog in the Night-Time.`,company_introduction:`Theatre Rocks (\u5F53\u7136\u6709\u620F) is a theatrical content label under Damai (\u5927\u9EA6). Since its establishment in 2021, the label has embraced the creative theme of "Reinterpreting Classics + Modern Life," presenting a total of 19 productions and over 1,300 cumulative performances across various genres, including plays, musicals, and immersive theatre. 134 135Its flagship lineup features the Chinese production of Frankenstein (\u79D1\u5B66\u602A\u4EBA), The Picture of Dorian Gray (\u9053\u6797\u683C\u96F7\u7684\u753B\u50CF), and the immersive play Inside No. 9 (9\u53F7\u79D8\u4E8B). Furthermore, since 2025, the label has expanded its operations by launching a "Presentation" section dedicated to introducing outstanding international works to the audience.`},{name:"\uAE40\uC120\uC601",engname:"Sun Young Kim",position:"Artistic Director",organization:"Antuoshan Public Cultural Center",country:"Shenzhen",thumbnail:"/speakers/sun_young_kim.jpg",introduction:"Chris Sun-young Kim is a performing arts producer, musical producer, and licensing & touring agent with over 20 years of experience, recognized as a leading figure in Korea-China cultural exchange. She currently serves as Artistic Director and Musical Producer at Antoshan Public Cultural Center (\u5B89\u6258\u5C71\u516C\u5171\u6587\u5316\u4E2D\u5FC3), operated by Orange Theater under AC ORANGE. She is also CEO of DS COMPANY (Korea), Secretary General of ATYA (Asian Alliance of Festivals and Theatre for Young Audiences), and International Exchange Committee Member of ASSITEJ Korea, contributing to the development of performing arts networks across Asia.",company_introduction:`AC Orange (\u805A\u6A59), founded in Shenzhen, China in 2007, is China's largest private performing-arts enterprise, having built a full F-3C industry-chain model spanning children's theatre, musical theatre, concerts and music recitals, ticketing platforms, and theatre circuits \u2014 consistently ranked among China's Top Ten Performing-Arts Enterprises for multiple consecutive years. Its subsidiary Orange Theaters (\u805A\u6A59\u5267\u9662\u9662\u7EBF) is a professional theatre chain headquartered in Shenzhen, operating 45 venues across China and providing integrated solutions in content distribution, international touring, and customized theatre operations. 136 137Antuoshan Public Cultural Center (\u5B89\u6258\u5C71\u516C\u5171\u6587\u5316\u4E2D\u5FC3) is a comprehensive cultural and arts complex operated by Orange Theaters. Located in the Futian District of Shenzhen, the 100,700\u33A1 venue houses a 1,000-seat grand theatre, a 500-seat concert hall, four 120-seat black box theatres, and an art exhibition hall. Leveraging the industry resources of the AC Orange Group, the center is dedicated to musical incubation, production, and talent development as China's Chinese-Language Musical Theatre Hub (\u534E\u8BED\u97F3\u4E50\u5267\u57FA\u5730), aspiring to be a creative platform with international influence.`},{name:"\uCC9C\uBABD",engname:"Chen Meng",position:"Executive Deputy General Manager",organization:"Z
137hejiang DAFENG Cultural Development Co., Ltd.",country:"Hangzhou",thumbnail:"/speakers/chen_meng.jpg",introduction:`From 2013 to 2018, Chen Meng worked as an expert in international performance booking and Chinese market operations. She managed China tours for the Czech black light theater show The Adventure of Light and Shadow and the Korean percussion production Drumcat. She also produced the Beijing Peking Opera Troupe's The Grand Mansion Gate for a nationwide tour, and orchestrated Chinese circuits for the Spanish crossover ensemble Aupa alongside various European and Mexican orchestras. 138 139Chen Meng joined Zhejiang Dafeng Culture Development Co., Ltd. in 2018. From 2019 to 2022, she directed operations for the Yiwu Cultural Square Theater, overseeing 150 performances annually. As Director of the Content Business Department (2022\u20132024), she managed repertoire acquisition, performance booking, production, IP operations, and artist management, leading a network of 1,500 performances each year. 140 141During this period, she produced the official BBC-licensed resident production of Inside No. 9 in Shanghai, which surpassed 500 performances and ranked as the city's No. 2 immersive show. She also produced adaptations of Mango TV's The Forensic Investigator Team, secured theatrical rights for Liu Cixin\u2019s The Wandering Earth, and championed acclaimed small-theater musicals like She is Bored with It and The Butterfly Mutation to over 100 performances annually. 142 143Since 2025, Chen Meng has served as the Deputy General Manager of Dafeng Culture, overseeing the company's entire content operations while directing the implementation of the headquarters' mid-platform information systems to drive digital transformation and innovative growth.`,company_introduction:`Founded in 1991, the company is the industry's first main-board listed enterprise, providing integrated "all-lifecycle" services\u2014from planning and design to smart manufacturing and operations\u2014across the culture, sports, and tourism sectors. 144 145Its wholly-owned subsidiary, Dafeng Culture (Zhejiang Dafeng Industrial, 603081), is China's unique cultural platform delivering turnkey solutions from hardware theater construction to software venue operations. Ranking among China's largest venue operators by directly managed area, it focuses on theater management, content incubation, production, IP licensing, and arts education. 146 147Since 2017, Dafeng Culture has scaled rapidly to operate 20 facilities nationwide (exceeding 1 million square meters), with 30 more venues preparing for launch within the next two years. Key projects include the Hangzhou Jinshahu, Hangzhou Linping, and Yiwu Cultural Square theaters, alongside venues in Wenzhou, Tianjin, and the Hangzhou Asian Games Museum. 148 149The company heavily invests in live entertainment to maximize global premium IPs. Utilizing the exclusive license of Liu Cixin's mega-IP The Wandering Earth, it is developing theme park attractions, stage plays, and immersive experiences. It has also adapted Mango TV\u2019s hit reality show, The Forensic Investigator Team, into an interactive mystery thriller. Through tour hosting, investment, and ticketing, Dafeng Culture completes the performance value chain and unlocks market potential.`},{name:"\uC9C4\uD658\uD658",engname:"Jin Huanhuan",position:"CEO & Producer",organization:"Zero Generation Production",country:"Shanghai",thumbnail:"/speakers/jin_huanhuan.jpg",introduction:"Producer Jin Huanhuan brings over 17 years of experience in the live performance industry, with extensive expertise in the international theater market, including but not limited to copyright licensing, global touring, and cross-border creative collaboration in theater. In 2019, she founded Zero Generation Production, a company dedicated to the development and production of original stage works. She specializes in adaptations of anime/IPs, female-centric narratives, and comedy.",company_introduction:"Zero Generation Production is a company dedicated to original content development, specializing in leveraging international creative resources for content creation. The company is actively involved in multiple sectors, including musicals, plays, sketch, immersive theater, and cultural tourism performances. The company has produced and presented a range of notable works, such as the comic adapted musical Take My Brother Away, the original Chinese animation-based musical LINK CLICK- Game of Rules, the new comedy The Lucky Diary, and the new comedy The Busy Queen Mother of Heaven, and the immersive cultural tourism resident show The Queen's Feast."},{name:"\uC7A5\uB7F0",engname:"Zhang Ren",position:"CEO",organization:"Shanghai Ruiyu Chunhai Culture Media Co., Ltd.",country:"Shanghai",thumbnail:"/speakers/zhang_ren.jpg",introduction:`Serving as the Chief Executive Officer (CEO) of Ruiyu Culture, he is a veteran musical and theatrical producer actively operating across both the Chinese and South Korean performing arts industries. He holds a Master\u2019s degree in Culture and Arts from Dongguk University Graduate School in South Korea. 150 151He has achieved exceptional success in the theatrical licensing sector, specifically in transferring and localizing premium South Korean original musical intellectual properties (IPs) for the Chinese market. Most notably, he produced the Chinese licensed adaptations of the South Korean mega-hit musicals Goddess is Watching (\u5973\u795E\u5728\u770B) and Sonata of a Flame (\u72C2\u708E\u594F\u9E23\u66F2). He also served as the Executive Producer for the original creative musical Savior and the Chinese adaptation of Daehangno\u2019s representative hit play, A Dramatic Night (\u620F\u5267\u6027\u4E00\u591C), successfully leading their entire production Lifecycles. 152 153Leveraging his deep production expertise, his versatile career features producer credits for numerous high-profile Chinese adaptations, including the musicals Vampire Arthur (\u5438\u8840\u9B3C\u963F\u745F), INSIDE WILLIAM (\u8D70\u8FDB\u5A01\u5EC9), and Sherlock Holmes: The Secret of the Anderson Family (\u798F\u5C14\u6469\u65AF\uFF1A\u5B89\u5FB7\u68EE\u5BB6\u7684\u79D8\u5BC6). Furthermore, he served as the Production Supervisor for the highly popular Chinese original musical Take My Brother Away (\u5FEB\u628A\u6211\u54E5\u5E26\u8D70), contributing significantly to elevating the production's artistic and structural quality.`,company_introduction:`Ruiyu Culture is a comprehensive cultural and performing arts production company dedicated to delivering well-crafted stage productions. Its business encompasses the entire performing arts ecosystem, spanning theatrical and musical planning, production, theater operations, intellectual property (IP) sourcing, ticketing marketing, and public relations. Leveraging its all-lifecycle industry value chain and robust infrastru
153cture, Ruiyu Culture not only excels in organizing and producing new projects but also pioneers the development of innovative alternative performance spaces and theater operations, providing audiences with unique live entertainment experiences. 154 155Ruiyu Culture has distinguished itself particularly in the licensing business, successfully introducing and localizing premier South Korean original musical and theatrical IPs for the Chinese market. The company has produced and presented highly acclaimed Chinese licensed adaptations of major Daehangno mega-hits, including the musical Goddess is Watching (\u5973\u795E\u5728\u770B), alongside the musicals Sonata of a Flame (\u72C2\u708E\u594F\u9E23\u66F2), Vampire Arthur (\u5438\u8840\u9B3C\u963F\u745F), and the hit play A Dramatic Night (\u620F\u5267\u6027\u4E00\u591C), earning enthusiastic responses from both local critics and audiences. 156 157Going beyond licensed properties, Ruiyu Culture has directly developed and staged its own original creative musical, Savior. Furthermore, utilizing its robust production expertise, the company successfully managed the production agency services for the Chinese adaptation of the musical INSIDE WILLIAM (\u8D70\u8FDB\u5A01\u5EC9). By continuously building a highly original lineup of productions, Ruiyu Culture remains at the center of cultural exchange between China and South Korea while spearheading innovative advancements in the performing arts industry.`},{name:"\uD0C0\uC774\uBCA0\uC774 \uACF5\uC5F0\uC608\uC220\uC13C\uD130",engname:"Taipei Performing Arts Center (TPAC)",country:"Taipei",thumbnail:"/speakers/tpac.jpg",introduction:"",isOrg:!0,company_introduction:`Taipei Performing Arts Center is a creative hub in the heart of Taipei \u2014 a forward-looking base for the performing arts, guided by the spirit of "Play Different Together." C
157ommitted to artistic engagement, talent development, and creative innovation, TPAC brings art into everyday life and builds a theater for everyone. 158 159Home to three venues of different scales \u2014 the Grand Theatre, Blue Box, and Globe Playhouse \u2014 TPAC embraces a wide range of performing art forms and actively expands what is possible. With a focus on arts outreach, community connection, talent cultivation, and international collaboration, TPAC aims to be not only a stage for artistic presentation, but a creative home for artists \u2014 and a co-production center for Asia.`},{name:"\uC624\uAD6C \uD06C\uB9AC\uC5D0\uC774\uD2F0\uBE0C \uC2A4\uD29C\uB514\uC624",engname:"Give Meet Five Ltd.",country:"Taipei",thumbnail:"/speakers/give_meet_five.jpg",introduction:"",isOrg:!0,company_introduction:`Founded in 2018, Give Meet Five Ltd. is a Taipei-based performing arts company specializing in original musical theatre. Our work spans production and administrative management, arts community building and brand marketing. Driven by a producer's perspective, we bring theatre into everyday life through digital marketing, and work to grow Taiwan's performing arts market by bridging talent, resources, and audiences. 160 161Over the past eight years, we have sold over 150,000 tickets, and surpassed NT$100 million in our original musical theatre box office revenue. Our social channels reach tens of millions, with 80,000+ followers and a sustained monthly reach exceeding one million, reflecting consistent and growing influence in the market.`},{name:"\uC804\uBBFC\uB300\uADF9\uB2E8",engname:"All U People Theater",country:"Taipei",thumbnail:"/speakers/all_u_people.jpg",introduction:"",isOrg:!0,company_introduction:`Founded in 2009 by acclaimed writer and director Hsieh Nien-Tsu, All U People Theater is one of Taiwan's leading original musical theatre companies. Guided by the vision of bringing Taiwanese creativity to the broader Chinese-speaking and international markets, the company is dedicated to developing commercially viable and artistically distinctive original productions. 162 163All U People Theater's strength lies in its cross-disciplinary collaborations and producer-driven development model. By partnering with leading talents from film, television, literature, music, and visual arts, the company creates innovative theatrical experiences that resonate with contemporary audiences. From the earliest stages of development, each production is shaped through a balance of artistic excellence and long-term market strategy. 164 165Committed to creating works that are artistic, innovative, and forward-looking, All U People Theater continues to expand the possibilities of Taiwanese musical theatre. Through original storytelling and sustainable production practices, the company strives to build globally competitive intellectual properties and establish itself as a leading creative force from Taiwan on the international stage.`},{name:"NHK \uC5D4\uD130\uD504\uB77C\uC774\uC988",engname:"NHK Enterprises, Inc.",country:"Tokyo",thumbnail:"/speakers/nhk.jpg",introduction:"",isOrg:!0,company_introduction:`NHK Enterprises, Inc. (NEP) is a media content company with an output of more than 10,000 distinct works each year, foremost of which are a wide range of programs for broadcast on NHK, but which also span the conception, execution and promotion of digital media, events and more. Meanwhile, through our network of seven branch offices around Japan, we actively pursue content services that benefit each region of the country. We also develop new technologies that open the door to innovative and engaging content. 166 167In 2019, NHK Enterprises became a signatory to the SDG Media Compact. Both our media content and our business operations contribute to progress on many of the 17 UN Sustainable Development Goals. In December 2022, NEP was brought under the umbrella of the newly established NHK Media Holdings. We believe this will foster more synergies with fellow companies and spark the creation of even more diverse and compelling content for the NHK Group. 168 169The aim of our content is to excite and inspire people, and we believe that outstanding content has the power to serve as a source of positivity and persistence in tough times. Society today is flooded with unreliable information, making the provision of trusted information and multiple points of view more important than ever to the progress of democracy. NEP aims to contribute to the creation of a new and diverse culture by making content that dives deeply into intellectual topics, while also providing high-quality entertainment and exciting, energizing experiences. Ultimately, our mission at NEP is to release content that will enrich people's lives and positively impact society on every level, from the global to the local.`}],companyModal:!1,company:[{name:"Gaia Venture partners LLC",type:"Venture Capital",interest:"Media and film & musical content industry",thumbnail:"/company/gaia.png",desc:`Founded in 2015, Gaia Venture Partners is an LLC-type of venture capital that operates 21 funds. 170Currently, it operates funds in media and film fields, with tech-based technology companies and various fields. The recently formed Content IP Fund and Tourism Fund are actively exploring various IP expansion and global overseas expansion works through investments in musicals, performances, exhibition projects, and companies.`},{name:"Next G Investment Co., Ltd.",type:"Venture Capital",interest:"Projects holding original IP (musicals, performances, dramas, films, etc.), or exhibition and performance projects that can contribute to the tourism industry",thumbnail:"/company/nextg.png",desc:"Next G Investment Co., Ltd. has driven diversified investments into innovative, future-growth sectors, including cultural content, tourism, and ICT convergence. Backed by a successful track record of investing in 'SAMG ENTE
170RTAINMENT'\u2014which boasts a global kids fandom\u2014and 'MAKESTAR'\u2014a global K-pop platform\u2014the firm has demonstrated differentiated expertise in the cultural content and K-culture-linked tourism industries. Going beyond simple capital injection, Next G Investment Co., Ltd. acts as 'smart money' that actively drives the global expansion and substantive value-up of its portfolio companies, and will continue to focus on fostering a virtuous cycle within the related industrial ecosystem."},{name:"Daekyo Investment Co., Ltd.",type:"Venture Capital",interest:`All sectors of the cultural content industry 171In particular, we focus on investing in new-technology convergence content, live entertainment, and export-based content companies.`,thumbnail:"/company/daekyo.png",desc:"Daekyo Investment Co., Ltd., an affiliate of Daekyo Co., Ltd.\u2014Korea's number one educational service provider\u2014is a well-established venture capital firm founded in 2011. Backed by a team of experts specialized in various sectors, including cultural content, bio/healthcare, ICT, and fintech, the firm has executed cumulative investments exceeding 300 billion KRW and currently manages 18 venture investment funds."},{name:"Logan Ventures LLC",type:"LLC Venture Capital",interest:`Musical planning and production company 172Immersive Musical Technology Development Company 173Musical real-time translation and subtitle company 174Musical live broadcasting company 175Musical IP VOD company 176Investing in the musical "Aladdin"`,thumbnail:"/company/logan.png",desc:`Logan Ventures is a content-specialized investment company, currently operating seven venture investment associations, and five of them are content-related investment associations. 177The amount of union operation currently in operation is KRW 145 billion 178CEO Oh Sang-min served as a working-level staff of a content company and served as a content investment judge at CJ Investment and KB Investment`},{name:"MICHIGAN VENTURE CAPITAL CO., LTD.",type:"Venture Capital",interest:"Across the media and content industry, including video content, content IP, and metaverse-related businesses",thumbnail:"/company/michigan.png",desc:"Michigan Venture Capital is a venture capital firm that has been investing across the content sector and broader industries since its establishment in 2002. The firm has invested more than KRW 450 billion in over 500 companies and projects, building a diverse portfolio centered on cultural content, including film, performing arts, and exhibitions. Its investment track record includes successful films such as 'The King's Warden', '12.12: The Day', and 'Friend: The Great Legacy', as well as musicals including 'Mrs. Doubtfire' and 'Agatha', demonstrating deep expertise across the cultural content industry. Leveraging its extensive investment experience and industry network, the firm seeks to identify and invest in content companies and projects with strong IP potential, innovative business models, and opportunities for global expansion."},{name:"Saltlux Ventures Co., Ltd.",type:"Venture Capital",interest:"Cultural content in general",thumbnail:"/company/saltlux.png",desc:"Saltlux Ventures Co., Ltd., a specialized subsidiary of the pioneering generative AI and data intelligence corporate Saltlux, Inc., is a forward-thinking venture capital firm investing in high-impact enterprises and projects across cultural content, AI, and digital technologies. Leveraging a deep-seated understanding of the creative industries, the firm actively finances a diverse portfolio of K-content initiatives, including films, dramas, webtoons, animation, performing arts, and musical theatre. Saltlux Ventures focuses on identifying scalable enterprises backed by globally viable intellectual properties (IPs) and robust distribution networks. By seamlessly integrating its investments with Saltlux's proprietary AI technologies and extensive industrial networks, the firm accelerates global growth for its portfolio companies, dedicated to unlocking next-generation opportunities through the convergence of content and technology."},{name:"Union Investment Partners",type:"Venture Capital",interest:"Musicals and cultural content in general",thumbnail:"/company/union.png",desc:"Union Investment Partners has a proven track record of investing in a diverse range of performance projects, including \u2018Cirque du Soleil: KOOZA\u2019, \u2018Les Mis\xE9rables\u2019, \u2018Fan Letter\u2019, \u2018Almond\u2019, \u2018Midnight\u2019, \u2018Zorro 2024\u2019, and \u2018Marie Curie The Musical\u2019. The company is eager to meet with talented content planners and creators."},{name:"ECRUX Venture Partners Co., Ltd.",type:"LLC Venture Capital",interest:`Deep-tech startups 179Cultural content 180Convergence content 181Agri-food ventures`,thumbnail:"/company/ecrux.png",desc:`ECRUX Venture Partners Co., Ltd. is a venture capital firm that focuses on the growth potential of the cultural content industry and the scalability of IPs, and invests in the new market value and industrial potential possessed by creative content. 182For investment in the cultural content field, it has formed three sub-funds of the Korea Fund of Funds and is operating them with a total scale of 48 billion KRW; it discovers companies and projects possessing competitive IPs and excellent creative capabilities in various cultural content fields such as films, dramas, animation, performing arts and webtoons, music, and digital content, and supports growth across the entirety of content planning, production, distribution, and commercialization.`},{name:"Ilshin Investment Co., Ltd.",type:"Venture Capital",interest:"Musicals / Concerts / Plays",thumbnail:"/company/ilshin.png",desc:"Ilshin Investment Co., Ltd. provides substantial support to investee companies based on its extensive investment experience, strong investment network, stable shareholders and management team, and excellent financial stability. The company is actively investing across all sectors of the content industry, with a particular focus on the growth of the musical industry. It has invested in over 30 related companies and projects, totaling more than KRW 15 billion. Recently, the company has established a fund dedicated to investing in companies and projects related to content exports and sports services. It is also focusing on businesses that integrate new technologies with K-content. Moving forward, the firm will continue to serve as smart capital, endeavoring to invest and create value to foster a virtuous cycle within the industry e
182cosystem."},{name:"KC Ventures Co., Ltd.",type:"Venture Capital",interest:"Cultural content in general",thumbnail:"/company/kc.png",desc:"Founded in 2018, the firm is a venture capital company specializing in investments within the cultural content sector. Its investment scope spans a wide range of cultural content, including films, K-POP, dramas, games, performances, webtoons/web novels, animations, exhibitions, and emerging technologies. The firm currently manages a fund focused on intellectual property (IP) investments and is actively seeking content that either owns or has secured original IP. Additionally, it has a strong interest in investing in wholly original domestic musicals and performances that own or have secured their own IP."},{name:"Penture Invest Co., Ltd.",type:"Venture Capital",interest:"We invest broadly across cultural content sectors including films, dramas, exhibitions, music, production studios, and Culture Technology (CT). We focus on scalable content IP with strong growth potential and global marketability, covering various stages of the value chain from development and production to distribution.",thumbnail:"/company/penture.png",desc:"Penture Invest is a venture capital firm focused on cultural content industries, investing in high-potential IPs and companies across film, drama, music, exhibitions, and Culture Technology with global scalability and competitiveness."},{name:"Korea Investment Partners",type:"Venture Capital",interest:"Media, Entertainment, Content, Content Technology, Content IP",thumbnail:"/company/korea_investment_partners.png",desc:"Established in 1986, Korea Investment Partners is a venture capital firm under Korea Investment Holdings. Currently managing assets totaling KRW 4.3 trillion, the company invests in promising domestic and international companies and projects. 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