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95                                        <h3 class="titulo">Nathan Fake<span class="procedencia">UK</span></h3>
96                                        <div class="data">
97                                                                                        <div class="row">
98                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
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102                                <div class="texto lang--es">
103                                    <p>Creciendo en Norfolk y asistiendo a una escuela donde estar interesado en la música te convertía en un marginado, el interés temprano de Nathan Fake en la escena electrónica surgió al escuchar a artistas como Aphex Twin y Orbital en la radio y leer sobre los equipos que utilizaban en revistas de música. Después de comenzar a adquirir y experimentar con su propio equipo, un encuentro con James Holden en 2003 lo llevó a unirse al sello discográfico Border Community, que en ese entonces estaba en sus primeros pasos, y lanzó su primer material, el sencillo «Outhouse», ese mismo año.</p>
104<p>La relación con el sello de Holden continuó con más lanzamientos de EP, como «The Sky Was Pink» y «Silent Night», lo que llevó a su exitoso álbum debut «Drowning In A Sea Of Love», lanzado en 2006, el cual recibió elogios generalizados de medios como Pitchfork y The Guardian, y fue aclamado como uno de los mejores álbumes del año según Mixmag. Fake grabó dos álbumes más para el sello: «Hard Islands» en 2009 y «Steam Days» en 2012, antes de establecer su propio sello, Cambria Instruments, en 2014 junto con su antiguo asociado de Border Community, Wesley Matsel. Su sencillo colaborativo «Black Drift / Bismuth» fue seguido por el EP en solitario de Fake, «Glaive», en 2015. </p>
105<p>Durante este tiempo, también realizó una serie de impresionantes y diversas remezclas, desde Radiohead hasta Jon Hopkins y Clark, trabajando para sellos como Ninja Tune, Domino, Warp y Kompakt. Ha llevado su sonido en extensas giras por todo el mund
105o, incluyendo giras destacadas con Orbital, Four Tet, Jon Hopkins y Clark.</p>
106<p>En septiembre de 2016, Nathan anunció su firma con Ninja Tune con el lanzamiento del sencillo «DEGREELESSNESS / Now We Know» en vinilo de 12″, y el 10 de marzo de 2017 lanzó su cuarto álbum «Providence», que incluía sus primeras colaboraciones en su carrera, con Prurient (también conocido como Vatican Shadow y fundador de Hospital Productions) y Raphaelle Standell-Preston de la banda Braids. Descrito por la revista FACT como «un álbum que define su carrera», recibió grandes elogios de publicaciones como The Observer, DJ Mag (Álbum del Mes), Wire y Crack. Fue el «Álbum de la Semana» de Bleep y recibió apoyo durante todo el año de artistas como Four Tet, Ben UFO, Helena Hauff y muchos otros. Más tarde, en 2017, Nathan lanzó dos EPs de «Providence Reworks» con la participación de Overmono, Huerco S, Konx-Om-Pax y Olga Wojciechowska.</p>
107<p>En 2018, Nathan lanzó el EP «Sunder», que se destacó por ser metodológicamente y sonoramente diferente a su trabajo anterior, y este lanzamiento de 4 pistas llegó a través de Ninja Tune.</p>
108<p>El álbum de estudio «Crystal Vision» fue lanzado el 7 de abril de 2023 en el propio sello de Nathan, Cambria Instruments.</p>
109                                </div>
110                                 <div class="texto lang--en">
111                                    <p>Growing up in Norfolk and attending a school where being interested in music made you an outcast, Nathan Fake’s early interest in the electronic scene came from listening to artists like Aphex Twin and Orbital on the radio and reading about the equipment they used in music magazines. After beginning to acquire and experiment with his own equipment, a meeting with James Holden in 2003 led him to join the then fledgling Border Community record label, and he released his first material, the single “Outhouse”, that same year.</p>
112<p>Holden’s relationship with the label continued with further EP releases, such as “The Sky Was Pink” and “Silent Night”, leading to his successful debut album “Drowning In A Sea Of Love”, released in 2006, which received widespread praise from outlets such as Pitchfork and The Guardian, and was hailed as one of Mixmag’s best albums of the year. Fake recorded two more albums for the label: “Hard Islands” in 2009 and “Steam Days” in 2012, before establishing his own label, Cambria Instruments, in 2014 with his former Border Community associate, Wesley Matsel. Their collaborative single “Black Drift / Bismuth” was followed by Fake’s solo EP, “Glaive”, in 2015.</p>
113<p>During this time, he also produced a series of impressive and diverse remixes, from Radiohead to Jon Hopkins and Clark, working for labels such as Ninja Tune, Domino, Warp and Kompakt. He has taken his sound on extensive tours around the world, including headline tours with Orbital, Four Tet, Jon Hopkins and Clark.</p>
114<p>In September 2016, Nathan announced his signing to Ninja Tune with the release of the single “DEGREELESSNESS / Now We Know” on 12″ vinyl, and on 10 March 2017 he released his fourth album “Providence”, which included his first career collaborations, with Prurient (aka Vatican Shadow and founder of Hospital Productions) and Raphaelle Standell-Preston of the band Braids. Described by FACT magazine as “a career-defining album”, it received high praise from publications such as The Observer, DJ Mag (Album of the Month), Wire and Crack. It was Bleep’s “Album of the Week” and received support throughout the year from artists such as Four Tet, Ben UFO, Helena Hauff and many others. Later in 2017, Nathan released two “Providence Reworks” EPs featuring Overmono, Huerco S, Konx-Om-Pax and Olga Wojciechowska.</p>
115<p>In 2018, Nathan released the EP “Sunder”, which stood out as being methodologically and sonically different from his previous work, and this 4-track release came via Ninja Tune.</p>
116<p>The studio album “Crystal Vision” was released on 7 April 2023 on Nathan’s own label, Cambria Instruments.</p>
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128                                <img width="200" height="267" src="https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-200x267.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO.jpeg 1229w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-450x600.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-700x934.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-768x1025.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-1151x1536.jpeg 1151w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-200x267.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-200x267.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-450x600.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-700x934.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-768x1025.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-1151x1536.jpeg 1151w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO.jpeg 1229w" sizes="auto, (max-width: 200px) 100v
128w, 200px" />                            </div>
129                            <div class="block">
130                                <div class="article">
131                                    <div class="article__container">
132                                        <h3 class="titulo">Paranoid London</h3>
133                                        <div class="data">
134                                                                                        <div class="row">
135                                                <span class="set lang--es">Live</span><span class="set lang--en">Live</span>                                            </div>
136                                        </div>
137                                    </div>
138                                </div>
139                                <div class="texto lang--es">
140                                    <p>Paranoid London estuvo a la vanguardia del resurgimiento del vinilo que la industria de la música está presenciando ahora. Sin promoción, sin entrevistas ni fotos, construyeron un seguimiento fanático de culto que aseguró que sus discos se agotaron antes de que llegaran a las tiendas y cambiaran de manos por £ 100 o más en discogs.</p>
141<p>El siguiente paso fue la presentación en vivo. Tomando influencias del gay Chicago House, Detroit Techno, New York Punk y New Wave, rápidamente pasaron de tocar en la escena del club underground a encabezar los escenarios de los grandes festivales: Glastonbury, Dekmantel, Sonar, Movement…</p>
142<p>Su entusiasmo por las presentaciones en vivo también los ha llevado a ser invitados a apoyar algunos de los actos más geniales del planeta: The Chemical Brothers, Soulwax, Fat White Family y Squarepusher.</p>
143<p>
143Los remixes han sido muy escasos debido a una actitud de calidad sobre cantidad… no importa cuánto dinero tengas, si no están interesados en ti, no obtendrás un remix. Hasta ahora, los afortunados ganadores han sido The Chemical Brothers, Arthur Baker y Alan Vega, Liquid Liquid y Working Mens Club.</p>
144<p>Con un nuevo directo AV en vivo desarrollado durante el confinamiento (chequea los directos  de Fact Magazine y Movement Detroit) incorpora las visuales de Bob Jaroc (Fat Boy Slim) que podrás disfrutar en Volumens. </p>
145                                </div>
146                                 <div class="texto lang--en">
147                                    <p>Paranoid London was at the forefront of the vinyl revival the music industry is now witnessing. With no promotion, no interviews or photos, they built a cult fan following that ensured their records sold out before they hit stores and changed hands for £100 or more on discogs.</p>
148<p>The next step was the live performance. Taking influences from gay Chicago House, Detroit Techno, New York Punk and New Wave, they quickly went from playing the underground club scene to headlining the stages of major festivals: Glastonbury, Dekmantel, Sonar, Movement…</p>
149<p>Their enthusiasm for live performance has also led them to be invited to support some of the coolest acts on the planet: The Chemical Brothers, Soulwax, Fat White Family and Squarepusher.</p>
150<p>Remixes have been very rare due to an attitude of quality over quantity… no matter how much money you have, if they’re not interested in you, you won’t get a remix. The lucky winners so far have been The Chemical Brothers, Arthur Baker and Alan Vega, Liquid Liquid and the Working Mens Club.</p>
151<p>With a new live AV broadcast developed during confinement (check the broadcasts from Fact Magazine and Movement Detroit) it incorporates the visuals of Bob Jaroc (Fat Boy Slim) that you can enjoy on Volumens.</p>
152                                </div>
153                            </div>
154                                                            <ul class="links">
155                                                                            <li class="link"><a href="https://www.instagram.com/paranoid_london/" target="_blank" rel="noopener noreferrer">@paranoid_london</a></li>
156                                                                            <li class="link"><a href="https://www.facebook.com/ParanoidLondon" target="_blank" rel="noopener noreferrer">Facebook</a></li>
157                                                                    </ul>
158                                                                                </div>
159                    </div>
160                </div>
161            </div>
162                    <div class="popup" data-id="316">
163                <div class="popup__container">
164                    <div class="wrapper">
165                        <div class="artista">
166                            <div class="image">
167                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/byetone-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/byetone.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/byetone-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/byetone-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/byetone-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/byetone-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/byetone-2048x1366.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/byetone-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/byetone-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/byetone-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/byetone-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/byetone-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/byetone-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/byetone-2048x1366.jpg 2048w" sizes="auto, (max-width: 200px) 100v
167w, 200px" />                            </div>
168                            <div class="block">
169                                <div class="article">
170                                    <div class="article__container">
171                                        <h3 class="titulo">Byetone<span class="procedencia">DE</span></h3>
172                                        <div class="data">
173                                                                                        <div class="row">
174                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
175                                        </div>
176                                    </div>
177                                </div>
178                                <div class="texto lang--es">
179                                    <p>Nacido en la ciudad de Karl-Marx-Stadt, en Alemania Oriental, en 1968, el trabajo creativo de Olaf Bender comenzó con el hallazgo casual de un equipo cinematográfico de 16 mm durante la época escolar. A partir de ese momento, empezó a experimentar con el medio «película», así como con la materia prima «película». Las limitaciones técnicas le obligaron a utilizar métodos especiales: rayaba y pintaba directamente sobre el metraje para crear figuras geométricas; los resultados eran patrones de movimiento arcaicos.</p>
180<p>Como consecuencia de sus experimentos, entró en contacto con el grupo de vanguardia underground de Alemania Oriental «AG Geige», iniciado por Frank Bretschneider y Jan Kummer, del que se convirtió en miembro permanente en 1988. Al trabajar con este grupo, también se introdujo en aspectos musicales. El ordenador doméstico hizo posible que autodidactas como él trabajara de una forma  multimedia sin una formación musical formal.</p>
181<p>En mayo de 2017, raster-noton se disolvió, con Bender dirigiendo el recién formado sello ‘raster’, encargándose del catálogo antiguo de r-n y realizando instalaciones como Raster. Labor, estrenada durante el CTM Festival en enero de 2019, o Raster. Schwellen, estrenada en el Festival TodaysArt en septiembre de 2019.</p>
182                                </div>
183                                 <div class="texto lang--en">
184                                    <p>Born in the East German city of Karl-Marx-Stadt in 1968, Olaf Bender’s creative work began with the casual finding of 16mm film equipment during school time. From that moment on, he started experimenting with the medium “film” as well as the raw material “film”. Technical limitations forced special methods: he scratched and painted directly on the footage to create geometrical figures; the results were archaic motion patterns.</p>
185<p>As a consequence of his experiments, he came into contact with the East German underground avant-garde band ›AG Geige‹, initiated by Frank Bretschneider and Jan Kummer, of which he became a permanent member in 1988. By working with this group, he also got into musical aspects. The home computer made it possible for autodidacts like him to work multimedially without formal musical training.</p>
186<p>In May 2017, raster-noton dissolved, with Bender running the newly formed ›raster‹ label, handling the r-n back catalog, and realizing installations like Raster. Labor, premiered during CTM Festival in January 2019, or Raster. Schwellen, premiered at TodaysArt Festival in September 2019.</p>
187                                </div>
188                            </div>
189                                                                                </div>
190                    </div>
191                </div>
192            </div>
193                    <div class="popup" data-id="312">
194                <div class="popup__container">
195                    <div class="wrapper">
196                        <div class="artista">
197                            <div class="image">
198                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-2048x1366.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-2048x1366.jpg 2048w" sizes="auto, (max-width: 200px) 100v
198w, 200px" />                            </div>
199                            <div class="block">
200                                <div class="article">
201                                    <div class="article__container">
202                                        <h3 class="titulo">Cora Novoa</h3>
203                                        <div class="data">
204                                                                                        <div class="row">
205                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
206                                        </div>
207                                    </div>
208                                </div>
209                                <div class="texto lang--es">
210                                    <p>Cora Novoa es una productora musical, Dj, directora creativa e investigadora que trabaja en la intersección del arte y la tecnología. Ha tocado su AV Live por todo el mund
210o en festivales como Sónar Barcelona, Tate-Modern Museum, Fabric London o Mutek Montreal; además compagina su carrera artística con otras facetas profesionales como Ableton Official Trainer, comisaria de contenidos musicales, impartiendo masterclasses sobre industria musical o creatividad y la dirección creativa de su propio sello discográfico SEEKING THE VELVET.</p>
211<p>También es artista del sello Canadiense Turbo Recordings, propiedad de Tiga o del sello Francés Citizen Récords fundado por el productor de música electrónica Vitalic, donde ha sido remezclada por artistas como Louisahhh, Djedjotronic, Pional o Maelstrom.</p>
212                                </div>
213                                 <div class="texto lang--en">
214                                    <p>Cora Novoa is a music producer, Dj, creative director and researcher working at the intersection of art and technology. She has played her AV Live all over the world at festivals such as Sónar Barcelona, Tate-Modern Museum, Fabric London or Mutek Montreal; she also combines her artistic career with other professional facets such as Ableton Official Trainer, music content curator, giving masterclasses on music industry or creativity and the creative direction of her own record label SEEKING THE VELVET.</p>
215<p>She is also an artist of the Canadian label Turbo Recordings, owned by Tiga or the French label Citizen Records foun
215ded by the electronic music producer Vitalic, where she has been remixed by artists such as Louisahhh, Djedjotronic, Pional or Maelstrom.</p>
216                                </div>
217                            </div>
218                                                                                </div>
219                    </div>
220                </div>
221            </div>
222                    <div class="popup" data-id="330">
223                <div class="popup__container">
224                    <div class="wrapper">
225                        <div class="artista">
226                            <div class="image">
227                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/carlos-santana-200x200.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/carlos-santana.jpeg 1200w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-200x200.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/carlos-santana-200x200.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana.jpeg 1200w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
228                            <div class="block">
229                                <div class="article">
230                                    <div class="article__container">
231                                        <h3 class="titulo">Carlos Santana (Dot CSV)<span class="procedencia">ES</span></h3>
232                                        <div class="data">
233                                                                                        <div class="row">
234                                                <span class="set lang--es">Charla</span><span class="set lang--en">Talk</span>                                            </div>
235                                        </div>
236                                    </div>
237                                </div>
238                                <div class="texto lang--es">
239                                    <p>Carlos Santana Vega es divulgador, youtuber, profesor de Machine Learning &#038; Data Science en la Escuela de Organización Industrial (EOI) y egresado de la Universidad de Las Palmas de Gran Canaria (ULPGC). Carlos Santana Vega es divulgador de Inteligencia Artificial (IA) en Twitch y en YouTube, donde se le conoce como Dot CSV. Sus vídeos explican de forma sencilla y para todos los públicos temas complejos relacionados con la inteligencia artificial: robótica, deepfakes, metaversos, etc.</p>
240                                </div>
241                                 <div class="texto lang--en">
242                                    <p>Carlos Santana Vega is a populariser, youtuber, lecturer in Machine Learning &#038; Data Science at the Escuela de Organización Industrial (EOI) and a graduate of the University of Las Palmas de Gran Canaria (ULPGC). Carlos Santana Vega is an Artificial Intelligence (AI) communicator on Twitch and YouTube, where he is known as Dot CSV. His videos explain complex topics related to artificial intelligence: robotics, deepfakes, metaverses, etc., in a simple.</p>
243                                </div>
244                            </div>
245                                                            <ul class="links">
246                                                                            <li class="link"><a href="https://www.instagram.com/dotcsv/" target="_blank" rel="noopener noreferrer">@dotcsv</a></li>
247                                                                            <li class="link"><a href="https://www.youtube.com/dotcsv" target="_blank" rel="noopener noreferrer">YouTube</a></li>
248                                                                    </ul>
249                                                                                </div>
250                    </div>
251                </div>
252            </div>
253                    <div class="popup" data-id="373">
254                <div class="popup__container">
255                    <div class="wrapper">
256                        <div class="artista">
257                            <div class="image">
258                                <img width="200" height="134" src="https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-200x134.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-768x513.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-1536x1025.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-2048x1367.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-200x134.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-200x134.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-768x513.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-1536x1025.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-2048x1367.jpg 2048w" sizes="auto, (max-width: 200px) 100v
258w, 200px" />                            </div>
259                            <div class="block">
260                                <div class="article">
261                                    <div class="article__container">
262                                        <h3 class="titulo">Feldermelder<span class="procedencia">CH</span></h3>
263                                        <div class="data">
264                                                                                        <div class="row">
265                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
266                                        </div>
267                                    </div>
268                                </div>
269                                <div class="texto lang--es">
270                                    <p>Feldermelder es un músico suizo, diseñador de sonido, productor y artista de instalaciones. Es cofundador de -OUS y forma parte del c
270olectivo audiovisual Encor.studio.  Ha publicado varios discos en -OUS, como artista en solitario y en colaboración con Sara Oswald.</p>
271<p>Las influencias de Feldermelder van desde la música electrónica pionera hasta la electrónica analógica contemporánea, pasando por el jazz clásico. La electrónica analógica contemporánea, el jazz clásico y mucho más. La diversidad de la música que le inspira se refleja en su propia obra, que ilustra un sonido en constante evolución, e indica que la influencia es como mapa y brújula que guía inclinaciones divergentes.</p>
272                                </div>
273                                 <div class="texto lang--en">
274                                    <p>Feldermelder is a Swiss musician, sound designer, producer, and installation artist. He is co-founder of -OUS and part of the audio-visual collective Encor.studio. He has previously released several releases on -OUS, both as a solo artist, and in collaboration with Sara Oswald and Julian Sartorius.</p>
275<p>Feldermelder’s influences range from pioneering early electronic music to contemporary analogue electronics to classic jazz and beyond. The diversity of the music that inspires him is mirrored in his own work, which illustrates an ever-evolving sound, and indicates that influence is seen as both map and compass, guiding divergent inclinations. </p>
276                                </div>
277                            </div>
278                                                                                </div>
279                    </div>
280                </div>
281            </div>
282                    <div class="popup" data-id="324">
283                <div class="popup__container">
284                    <div class="wrapper">
285                        <div class="artista">
286                            <div class="image">
287                                <img width="200" height="293" src="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-200x293.png" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29.png 1106w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-450x660.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-700x1027.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-768x1126.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-1047x1536.png 1047w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-200x293.png 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-200x293.png 200w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-450x660.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-700x1027.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-768x1126.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-1047x1536.png 1047w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29.png 1106w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
288                            <div class="block">
289                                <div class="article">
290                                    <div class="article__container">
291                                        <h3 class="titulo">Pépe<span class="procedencia">ES</span></h3>
292                                        <div class="data">
293                                                                                        <div class="row">
294                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
295                                        </div>
296                                    </div>
297                                </div>
298                                <div class="texto lang--es">
299                                    <p>Con un amor por las melodías cristalinas, los pads suaves y la programación de ritmos complejos, el productor valenciano Pépe ha atravesado con gracia los reinos del house, la bass music y el breakbeat en los últimos años. Armado con un sonido que es inherentemente sincero, malhumorado y emocional, se ha forjado una sólida reputación entre los fans y la prensa, incluido el premio «Productor español del año» 2018 en DJ Mag.</p>
300<p>La producción de Pépe ha fomentado el apoyo apasionado de DJs y productores de gran prestigio como Ben UFO, Peggy Gou, Solomun, Shanti Celeste, Moxie y Mount Kimbie. Gracias a ello, se ha convert
300ido en un codiciado productor con una impresionante colección de remezclas por encargo, que incluye trabajos para RAMP Recordings, Diynamic y Midnight Themes, entre otros.</p>
301<p>Esta excepcional trayectoria, unida a su pasión por las pistas de baile, le ha llevado a actuar por toda Europa y Japón en clubes nocturnos y festivales de renombre, incluida una residencia estelar en el club Patterns de Brighton.</p>
302                                </div>
303                                 <div class="texto lang--en">
304                                    <p>With a love for crystalline melodies, smooth pads, and complex rhythm programming, Valencian producer Pépe has gracefully traversed the realms of house, bass music, and breakbeat in recent years. Armed with a sound that is inherently heartfelt, moody, and emotional, he has built a solid reputation among fans and the press, including the 2018 “Spanish Producer of the Year” award on DJ Mag.</p>
305<p>Pépe’s production has fostered the passionate support of highly regarded DJs and producers such as Ben UFO, Peggy Gou, Solomun, Shanti Celeste, Moxie and Mount Kimbie. Through this he has become a sought-after producer with an impressive array of commissioned remixes, including work for RAMP Recordings, Diynamic and Midnight Themes, among others.</p>
306<p>This exceptional track record coupled with his passion for dancefloors has led him to perform across Europe and Japan at renowned nightclubs and festivals, including a stellar residency at the Patterns club in Brighton.</p>
307                                </div>
308                            </div>
309                                                            <ul class="links">
310                                                                            <li class="link"><a href="https://www.instagram.com/ae.pepe_/" target="_blank" rel="noopener noreferrer">@ae.pepe_</a></li>
311                                                                            <li class="link"><a href="https://soundcloud.com/ae_pepe" target="_blank" rel="noopener noreferrer">SoundCloud</a></li>
312                                                                    </ul>
313                                                                                </div>
314                    </div>
315                </div>
316            </div>
317                    <div class="popup" data-id="379">
318                <div class="popup__container">
319                    <div class="wrapper">
320                        <div class="artista">
321                            <div class="image">
322                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046.jpg 1500w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046.jpg 1500w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
323                            <div class="block">
324                                <div class="article">
325                                    <div class="article__container">
326                                        <h3 class="titulo">Liquid Sky Analogic + Teslaradio<span class="procedencia">ES</span></h3>
327                                        <div class="data">
328                                                                                        <div class="row">
329                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
330                                        </div>
331                                    </div>
332                                </div>
333                                <div class="texto lang--es">
334                                    <p>Liquid Sky Analogic es un colectivo malagueño. Formado por los artistas visuales Jorge Luque, Javier López y Nuria Luque. Los “liquid light show”, se iniciaron en la era psicodélica, y han sido una fuente de inspiración para continuar explorando nuevas posibilidades en el arte visual. Durante más de una década en activo han mantenido un compromiso claro con el uso de formatos analógicos en tiempo real, mediante el uso de proyectores de diapositivas, retroproyectores, y desde hace poco el uso de cámaras, generando diferentes espacios visuales a través de la experimentación óptico-lumínica, que inducen al espectador a un estado casi hipnótico. Liquid Sky Analogic han participado en Málaga, en ediciones del festival Transdisciplina, NolaptopFest, MAF, Noche en Blanco (2016), así como, en el Auditorio Museo Picasso, , La Térmica (2021), La Casa Invisible, Museo Thyssen y recientemente en el Festival Autoctonxs 2023, en el Teatro SOHO. También en El Limbo, Ciclo Experimental (2017) en Córdoba. Festival de cine Retroback y el Geopark Lights (2021-22) ambos eventos en Granada. Así como, aportaciones en videos musicales para Las Flores no Lloran y Cravat.</p>
335<p>Chinowski Garachana aka Teslaradio desarrolla desde los 90 una intensa y comprometida actividad como artivista sonoro y explorador electrónico en varios ámbitos. Ha participado en encuentros, festivales y convocatorias artísticas relacionadas por lo general con el territorio y sus dimensiones espaciales, sociales y sonoras. Fue miembro activo del area de cultura libre de La Casa Invisible y de la creación de su Medialab. Comisaría desde hace una década el NoLaptopFest, actualmente forma parte del c
335olectivo Transdisciplina con base en Málaga, Andalucia. Como miembro de El sueño de Tesla ha impartido conocimientos, realizado talleres y performances sonoras en Málaga, Sevilla, Granada, Cádiz, Córdoba, Almería, Cartagena, Valencia, Madrid, Barcelona, Weimar, Toronto, La Habana, Bogotá y Roma. Profesor del Master de Creación Audiovisual y Artes Escénicas en la UMA, profesor asociado en varias universidades del estado, especializado en captación, edición sonora y reapropiación del espacio público. Ha colaborado con los proyectos aurales Radiolibre, Locus Sonus, Sonic Terrain, Green Field Recordings, La Escucha Atenta, Radio Aporee, la RRS del MNCARS, World Listening Day, Educación y escucha activa, Andalucía Soundscape y Cities &#038; Memory. Teslaradio publicaciones recientes Febrero 2019 “Esquizofonías” es la sonoridad resultante de una ciudad partida en dos, sobre todo, de la zona confusa que queda entre ambas: ruido blanco, urbe muerta, transitada por una masa irreconocible. Oigovisiones Label / CD Audio Junio 2020 “Noisescapes” selección de trabajos de campo y piezas sonoras, edición especial con Cd+libreto 20 páginas con textos de más de una decena de colaboradores. Oigovisiones Label / CD Audio Enero 2021 “Grains”, una aventura desde la síntesis granular al ruido y viceversa, la síntesis granular como el origen de las especies.</p>
336<p>Colaboración entre la disquera barcelonesa Sevendipia Records y la malagueña Oigovisiones Label / Cassette K7 Noviembre 2021 “Grains, Remixes &#038; Visuals”, Remixes sonovisuales con la participación de mas de una veintena de artistas sonoros y visualistas. Oigovisiones Label + Sevendipia Records / USB Card Marzo 2022 “Grains on the floor”, 20 remixes orientados a la pista de baile realizados por productores y músicos electrónicos de todo el estado y que ha sido comisariado por Jordi Giraldez, coproducido y publicado con la disquera madrileña Toroide / USB Card Enero 2023 “Music for critters” colaboración </p>
337                                </div>
338                                 <div class="texto lang--en">
339                                    <p>Liquid Sky Analogic is a collective from Málaga. Formed by visual artists Jorge Luque, Javier López and Nuria Luque. The “liquid light show”, started in the psychedelic era, has been a source of inspiration to continue exploring new possibilities in visual art. For more than a decade they have maintained a clear commitment to the use of analogue formats in real time, through the use of slide projectors, overhead projectors, and more recently the use of cameras, generating different visual spaces through optical-luminescent experimentation, which induce the viewer into an almost hypnotic state. Liquid Sky Analogic have participated in Malaga, in editions of the Transdisciplina festival, NolaptopFest, MAF, Noche en Blanco (2016), as well as in the Auditorio Museo Picasso, La Térmica (2021), La Casa Invisible, Museo Thyssen and recently in the Festival Autoctonxs 2023, in the SOHO Theatre, El Limbo, Ciclo Experimental (2017) in Cordoba. Retroback Film Festival and Geopark Lights (2021-22) both events in Granada. As well as contributions in music videos for Las Flores no Lloran and Cravat.</p>
340<p>Since the 1990s, Chinowski Garachana aka Teslaradio has developed an intense and committed activity as a sound artivist and electronic explorer in various fields. He has participated in meetings, festivals and artistic events generally related to the territory and its spatial, social and sound dimensions. He was an active member of the free culture area of La Casa Invisible and the creation of its Medialab. He has curated the NoLaptopFest for a decade and is currently part of the Transdisciplina collective based in Malaga, Andalusia. As a member of El sueño de Tesla he has given workshops, workshops and sound performances in Malaga, Seville, Granada, Cadiz, Cordoba, Almeria, Cartagena, Valencia, Madrid, Barcelona, Weimar, Toronto, Havana, Bogota and Rome. Professor of the Master of Audiovisual Creation and Performing Arts at the UMA, associate professor at several universities in Spain, specialising in sound capture, sound editing and re-appropriation of public space. He has collaborated with the aural projects Radiolibre, Locus Sonus, Sonic Terrain, Green Field Recordings, La Escucha Atenta, Radio Aporee, the RRS of MNCARS, World Listening Day, Educación y escucha activa, Andalucía Soundscape and Cities &#038; Memory.</p>
341                                </div>
342                            </div>
343                                                            <ul class="links">
344                                                                            <li class="link"><a href="https://www.instagram.com/liquidskyanalogic" target="_blank" rel="noopener noreferrer">@liquidskyanalogic</a></li>
345                                                                            <li class="link"><a href="https://www.instagram.com/chinowski" target="_blank" rel="noopener noreferrer">@chinowski</a></li>
346                                                                    </ul>
347                                                                                </div>
348                    </div>
349                </div>
350            </div>
351                    <div class="popup" data-id="358">
352                <div class="popup__container">
353                    <div class="wrapper">
354                        <div class="artista">
355                            <div class="image">
356                                <img width="200" height="150" src="https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-200x150.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live.jpeg 1080w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-450x338.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-700x525.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-768x576.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-200x150.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-200x150.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-450x338.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-700x525.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-768x576.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live.jpeg 1080w" sizes="auto, (max-width: 200px) 100v
356w, 200px" />                            </div>
357                            <div class="block">
358                                <div class="article">
359                                    <div class="article__container">
360                                        <h3 class="titulo">Spammerheads<span class="procedencia">ES</span></h3>
361                                        <div class="data">
362                                                                                        <div class="row">
363                                                <span class="set lang--es">Live</span><span class="set lang--en">Live</span>                                            </div>
364                                        </div>
365                                    </div>
366                                </div>
367                                <div class="texto lang--es">
368                                    <p>Spammerheads es un dúo de música electrónica formado en Valencia a finales de 2019. La banda cuenta con la publicación de diversos trabajos largos hasta la fecha. La evolución de su sonido ha trascurrido por diferentes estados y terrenos, siempre influenciado por las experiencias personales y el contexto social.</p>
369                                </div>
370                                 <div class="texto lang--en">
371                                    <p>Spammerheads is an electronic music duo formed in Valencia at the end of 2019. The band has released several full-length works to date. The evolution of Spammerheads’ sound has gone through different states and terrains, always influenced by personal experiences and social context.</p>
372                                </div>
373                            </div>
374                                                            <ul class="links">
375                                                                            <li class="link"><a href="https://linktr.ee/spammerheads" target="_blank" rel="noopener noreferrer">Linktree</a></li>
376                                                                    </ul>
377                                                                                </div>
378                    </div>
379                </div>
380            </div>
381                    <div class="popup" data-id="376">
382                <div class="popup__container">
383                    <div class="wrapper">
384                        <div class="artista">
385                            <div class="image">
386                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-200x133.png" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25.png 2336w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-450x299.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-700x465.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-768x510.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-1536x1020.png 1536w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-2048x1361.png 2048w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-200x133.png 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-200x133.png 200w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-450x299.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-700x465.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-768x510.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-1536x1020.png 1536w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-2048x1361.png 2048w" sizes="auto, (max-width: 200px) 100v
386w, 200px" />                            </div>
387                            <div class="block">
388                                <div class="article">
389                                    <div class="article__container">
390                                        <h3 class="titulo">Dot Zero Six<span class="procedencia">ES</span></h3>
391                                        <div class="data">
392                                            <span class="obra before"><em>Boatnoa</em></span>                                            <div class="row">
393                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
394                                        </div>
395                                    </div>
396                                </div>
397                                <div class="texto lang--es">
398                                    <p>Dotzerosix (.06) es un dúo creativo formado por Tania Cortés y Oscar Bahamonde, artistas formados en música, sonido, producción musical y multimedia. Este dúo genera experiencias audiovisuales basadas en la exploración de diversas herramientas y perspectivas.</p>
399<p>También construyen algunos de sus equipos y programan sus trabajos para esculpir su estética minimalista y glitch. Sus principales lenguajes son el arte sonoro y visual, y la la música.</p>
400<p>Dotzerosix ha creado instalaciones audiovisuales y performances multimedia para festivales como , Hausmann 9.0 (2019, Ecuador), Never Knows Better Exhibition (2020, EE.UU.), Festival Expresiones Contemporáneas (2021, México), LaTam Festival (2021, Francia), Créartup Festival (2021, Francia) y Traces of The Future – International Exhibition (2021, Polonia), Ciudad Glitch (2023, España), Sound No Sound (2023, España), JIM (2023, Francia).</p>
401<p>En los últimos años, el uso de la inteligencia artificial ha alcanzado varios campos,entre ellos, y de forma muy extensiva, los sistemas de vigilancia. Algoritmos entrenados  a partir de datos recopilados masivamente de las ciudades digitales, son capaces de reconocer – categorizar rostros, personas e identidades, con el fin de evaluar – juzgar (potenciales) acciones dentro de sistemas prohibitivos y sancionadores.</p>
402<p>Boatnoa es una pieza audiovisual inmersiva, compuesta e interpretada por el dúo dotzerosix, que representa las condiciones modernas de la ciudad. A través de los métodos de recolección y procesos digitales utilizados, los artistas comentan las actividades y actitudes omnipresentes que facilitan los dispositivos digitales y su calidad de «cajas negras», cuyo funcionamiento está diseña
402do para mantenerse lejos del entendimiento de las personas.</p>
403                                </div>
404                                 <div class="texto lang--en">
405                                    <p>Dotzerosix (.06) is a creative duo formed by Tania Cortés and Oscar Bahamonde, artists trained in music, sound, music production and multimedia. This duo generates audiovisual experienc es based on the exploration of diverse tools and perspectives.</p>
406<p>They also build some of their gear and program their work to sculpt their minimalist and glitch aesthetic. Their main languages are sound and visual art, and music.</p>
407<p>Dotzerosix has created audiovisual installations and multimedia performances for festivals like , Hausmann 9.0 (2019, Ecuador), Never Knows Better Exhibition (2020, USA), Festival Expresiones Contemporáneas (2021, Mexico), LaTam Festival (2021, France), Créartup Festival (2021, France) y Traces of The Future – International Exhibition (2021, Poland), Ciudad Glitch (2023, Spain), Sound No Sound (2023, Spain), JIM (2023, France).</p>
408<p>In recent years, the use of artificial intelligence has reached several fields, including, most extensively, surveillance systems. Algorithms trained from massively collected data from digital cities are able to recognise – categorise – faces, people and identities, with recognise – categorise faces, people and identities, in order to evaluate – judge – (potential) actions within prohibited (potential) actions within prohibitive and punitive systems.</p>
409<p>Boatnoa is an immersive audiovisual piece, composed and performed by the duo dotzerosix, which represents the modern conditions of the city. Through the collection methods and digital digital collection methods and processes used, the artists comment on the pervasive activities and attitudes and attitudes facilitated by digital devices and their quality as “black boxes”, whose functioning as “black boxes”, whose functioning is designed to be kept far from the understanding of people. people’s understanding.</p>
410                                </div>
411                            </div>
412                                                                                </div>
413                    </div>
414                </div>
415            </div>
416                    <div class="popup" data-id="338">
417                <div class="popup__container">
418                    <div class="wrapper">
419                        <div class="artista">
420                            <div class="image">
421                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-200x200.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden.jpeg 1594w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-1536x1536.jpeg 1536w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-200x200.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-200x200.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-1536x1536.jpeg 1536w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden.jpeg 1594w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
422                            <div class="block">
423                                <div class="article">
424                                    <div class="article__container">
425                                        <h3 class="titulo">Naloxona<span class="procedencia">ES</span></h3>
426                                        <div class="data">
427                                                                                        <div class="row">
428                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span><span class="info">Ecco Records</span>                                            </div>
429                                        </div>
430                                    </div>
431                                </div>
432                                <div class="texto lang--es">
433                                    <p>“Naloxona” es la primera referencia conjunta de lxs productorxs Andrae Durden y norim, junto a Faccu.xyz desarrollando el arte gráfico. Este EP está compuesto por cuatro cortes que oscilan entre los breaks experimentales y el sonido de club con potentes líneas de bajo y dulces arreglos vocales. Por primera vez, será llevado al directo en formato live mezclando voz, turntablism y visuales a través de un viaje en el que se fusionarán producciones propias y temas unrealeased en primicia. Andrae Durden y norim encuentran un nexo común en su sonido a través referencias propias de UK reinterpretadas desde una mirada a la escena electrónica española; acompañados de Faccu.xyz representando el modelado 3D y grafismo de Naloxona mediante visuales generativos en vivo.
433</p>
434                                </div>
435                                 <div class="texto lang--en">
436                                    <p>“Naloxona” is the first joint release from producers Andrae Durden and norim, with Faccu.xyz developing the artwork. This EP is composed of four tracks that oscillate between experimental breaks and club sound with powerful bass lines and sweet vocal arrangements. For the first time, it will be taken live in a live format mixing vocals, turntablism and visuals through a journey where own productions and unreleased tracks will be fused together for the first time. Andrae Durden and norim find a common nexus in their sound through their own UK references reinterpreted from a look at the Spanish electronic scene; accompanied by Faccu.xyz representing Naloxona’s 3D modelling and graphics through live generative visuals.</p>
437                                </div>
438                            </div>
439                                                            <ul class="links">
440                                                                            <li class="link"><a href="https://eccorecords.bandcamp.com/album/naloxona" target="_blank" rel="noopener noreferrer">Naloxona</a></li>
441                                                                            <li class="link"><a href="https://eccorecords.bandcamp.com/music" target="_blank" rel="noopener noreferrer">Ecco Records</a></li>
442                                                                    </ul>
443                                                                                </div>
444                    </div>
445                </div>
446            </div>
447                    <div class="popup" data-id="382">
448                <div class="popup__container">
449                    <div class="wrapper">
450                        <div class="artista">
451                            <div class="image">
452                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-200x200.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait.jpeg 600w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-200x200.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-200x200.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait.jpeg 600w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
453                            <div class="block">
454                                <div class="article">
455                                    <div class="article__container">
456                                        <h3 class="titulo">Ferran Belmon<span class="procedencia">ES</span></h3>
457                                        <div class="data">
458                                            <span class="obra before"><em>Ciclic</em></span>                                            <div class="row">
459                                                <span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span>                                            </div>
460                                        </div>
461                                    </div>
462                                </div>
463                                <div class="texto lang--es">
464                                    <p>Ferran Belmon es un artista audiovisual y programador creativo de Barcelona. A través de su obra indaga en la intersección entre espacio, luz y sonido, y cómo esta interacción influye en nuestra percepción. Sus creaciones incluyen instalaciones, performances audiovisuales en tiempo real y proyecciones. Siempre inmerso en la experimentación, utiliza múltiples tecnologías con el propósito de dar vida a experiencias únicas e innovadoras.  Viene a presentar CíCLIC Live AV. En este proyecto profundiza en la manera en que la interacción de frecuencias simples da lugar a sistemas complejos que generan patrones geométricos y orgánicos en constante evolución.</p>
465                                </div>
466                                 <div class="texto lang--en">
467                                    <p>Ferran Belmon is an audiovisual artist and creative programmer from Barcelona. Through his work he explores the intersection between space, light and sound, and how this interaction influences our perception. His creations include installations, real-time audiovisual performances and projections. Always immersed in experimentation, he uses multiple technologies in order to bring to life unique and innovative experiences.</p>
468<p>He comes to present CíCLIC Live AV. In this project he delves into the way in which the interaction of simple frequencies gives rise to complex systems that generate constantly evolving geometric and organic patterns.</p>
469                                </div>
470                            </div>
471                                                                                </div>
472                    </div>
473                </div>
474            </div>
475                    <div class="popup" data-id="327">
476                <div class="popup__container">
477                    <div class="wrapper">
478                        <div class="artista">
479                            <div class="image">
480                                <img width="200" height="250" src="https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-200x250.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y.jpg 1024w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-450x563.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-700x875.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-768x960.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-200x250.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-200x250.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-450x563.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-700x875.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y-768x960.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/photo_5909086302022778497_y.jpg 1024w" sizes="auto, (max-width: 200px) 100v
480w, 200px" />                            </div>
481                            <div class="block">
482                                <div class="article">
483                                    <div class="article__container">
484                                        <h3 class="titulo">IUPACC<span class="procedencia">ES</span></h3>
485                                        <div class="data">
486                                                                                        <div class="row">
487                                                                                            </div>
488                                        </div>
489                                    </div>
490                                </div>
491                                <div class="texto lang--es">
492                                    <p>Procedente de Picanya, un pequeño pueblo muy cercano a la capital del Túria, Trini Tordera con su aka IUPACC ha sido una apasionada de la música de los 90 en general y en especial del Blues, el Soul y el Rap en su infancia.</p>
493<p>Posteriormente le cautivó el Drum´n´bass, el Reggae y el Techno entre otros, en fiestas ilegales allá por el 2007 bajo los puentes de los suburbios de Valencia. A partir de aquí, esta valenciana reconoció que su pasión por la electrónica sería para siempre, siendo algo necesario para su ser y para afrontar su día a día, donde empezó a acudir a muchas de las reuniones electrónicas de Happy Mondays que se realizaban en la sala de Miniclub allá por el 2010.</p>
494<p>La necesidad de investigar y descubrir nuevos géneros y estilos durante años hizo que dos grandes amigos, hace ahora aproximadamente 4 años, le animaran y aportaran confianza para aprender y adentrarse con las mezclas. Esto desencadenó la creación del colectivo SYNTAX formado por la nueva y prematura IUPACC junto a Sergio Díaz Y Oscar Sogorb, ambos miembros de la vieja guardia del colectivo Hypnotica Colectiva.</p>
495<p>IUPACC nunca llegó a imaginar de su capacidad para llegar a ser cofundadora de este colectivo y de trabajar con la música en un día a día con el fin de hacerse y hacer feliz a todos aquellos amantes de el electro, Downtempo, Ambient, Breaks y más. Recibió una gran propuesta de poder obtener un espacio donde poder mostrar las investigaciones y sesiones de SYNTAX en RADIO PICA (Barcelona). Así pues, al poco tiempo nació SYNTAX AIR, donde junto a Oscar Sogorb aka Slokto, llevan realizados 60 programas con artistas nacionales e internacionales y con registros variados y de un nivel increíble.</p>
496<p>De manera simultánea nació el sello creado junto a Slokto llamado Syntax Electronix, el cual cuenta con 4 referencias en cassette y una referencia en vinilo donde aparecen grandes artistas como el dj y productor valenciano Kör Boira, gran amigo de la infancia y gran influencia para IUPACC. Como también aparecen importantes artistas de la escena como Dez Williams, Mauro Nakimi, Scape One, Fleck Esc entre otros.</p>
497<p>También es miembro de UNITAT, una nueva plataforma en Valencia nacida para combatir las estructuras imperantes que subyugan el movimiento cultural subterráneo de la sociedad para impulsar la existencia de una escena autónoma, transversal e independiente.</p>
498<p>IUPACC durante estos años ha estado en salas, clubs y eventos privados así como La Carbonera, Miniclub, Killing Time, Látex… y próximamente en Spook Club y Volumens.</p>
499                                </div>
500                                 <div class="texto lang--en">
501                                    <p>Hailing from Picanya, a small town very close to the capital of the Túria, Trini Tordera with her aka IUPACC has been passionate about 90’s music in general and especially Blues, Soul and Rap in her childhood.</p>
502<p>Later she was captivated by Drum’n’bass, Reggae and Techno among others, at illegal parties back in 2007 under the bridges of the suburbs of Valencia. From here, this Valencian recognised that her passion for electronic music would be forever, being something necessary for her being and to face her day to day life, where she started going to many of the electronic meetings of Happy Mondays that took place in the Miniclub room back in 2010.</p>
503<p>The need to investigate and discover new genres and styles for years made two great friends, about 4 years ago now, encourage him and give him the confidence to learn and get into mixing. This triggered the creation of the SYNTAX collective formed by the new and premature IUPACC together with Sergio Diaz and Oscar Sogorb, both members of the old guard of the Hypnotica Colectiva collective.</p>
504<p>IUPACC never imagined her ability to become a co-founder of this collective and to work with music on a daily basis in order to make herself and all those lovers of electro, Downtempo, Ambient, Breaks and more happy. He received a great proposal to get a space where he could show the research and sessions of SYNTAX in RADIO PICA (Barcelona). So, soon after, SYNTAX AIR was born, where together with Oscar Sogorb aka Slokto, they have made 60 programs with national and international artists and with varied records of an incredible level.</p>
505<p>Simultaneously, the label created together with Slokto called Syntax Electronix was born, which has 4 references on cassette and a reference on vinyl where great artists appear as the Valencian dj and producer Kör Boira, great childhood friend and great influence for IUPACC. As well as important artists of the scene like Dez Williams, Mauro Nakimi, Scape One, Fleck Esc among others.</p>
506<p>He is also a member of UNITAT, a new platform in Valencia born to fight the prevailing structures that subjugate the underground cultural movement of society in order to promote the existence of an autonomous, transversal and independent scene.</p>
507<p>IUPACC during these years has been in venues, clubs and private events such as La Carbonera, Miniclub, Killing Time, Látex… and soon in Spook Club and Volumens.</p>
508                                </div>
509                            </div>
510                                                                                </div>
511                    </div>
512                </div>
513            </div>
514                    <div class="popup" data-id="321">
515                <div class="popup__container">
516                    <div class="wrapper">
517                        <div class="artista">
518                            <div class="image">
519                                <img width="200" height="243" src="https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-200x243.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2.jpg 1413w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-450x546.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-700x849.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-768x932.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-1266x1536.jpg 1266w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-200x243.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-200x243.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-450x546.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-700x849.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-768x932.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2-1266x1536.jpg 1266w, https://volumens.es/wp-content/uploads/2025/07/NATHALIE-2.jpg 1413w" sizes="auto, (max-width: 200px) 100v
519w, 200px" />                            </div>
520                            <div class="block">
521                                <div class="article">
522                                    <div class="article__container">
523                                        <h3 class="titulo">Nathalie Magdenel<span class="procedencia">FR</span></h3>
524                                        <div class="data">
525                                                                                        <div class="row">
526                                                                                            </div>
527                                        </div>
528                                    </div>
529                                </div>
530                                <div class="texto lang--es">
531                                    <p>Nathalie Magdenel, nacida en Paris y afincada en Valencia, sencillamente pincha discos de su selección. E.B.M, New Beat y Breakbeat mayoritariamente para sesiones enfocadas al puro baile donde le gusta que la pista se convierta en un playground, un jardín de movimientos  donde la adrenalina encuentra su cauce.</p>
532                                </div>
533                                 <div class="texto lang--en">
534                                    <p>Nathalie Magdenel, born in Paris and based in Valencia, simply plays records of her choice. E.B.M , New Beat and Breakbeat mostly for sessions focused on pure dance where she likes the dancefloor to become a playground, a garden of movements where adrenaline finds its channel.</p>
535                                </div>
536                            </div>
537                                                            <ul class="links">
538                                                                            <li class="link"><a href="https://www.instagram.com/nathalie_magdenel" target="_blank" rel="noopener noreferrer">@nathalie_magdenel</a></li>
539                                                                    </ul>
540                                                                                </div>
541                    </div>
542                </div>
543            </div>
544                    <div class="popup" data-id="367">
545                <div class="popup__container">
546                    <div class="wrapper">
547                        <div class="artista">
548                            <div class="image">
549                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/MG_9983-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/MG_9983.jpg 2000w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/MG_9983-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/MG_9983-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/MG_9983.jpg 2000w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
550                            <div class="block">
551                                <div class="article">
552                                    <div class="article__container">
553                                        <h3 class="titulo">HEXXE<span class="procedencia">ES</span></h3>
554                                        <div class="data">
555                                                                                        <div class="row">
556                                                                                            </div>
557                                        </div>
558                                    </div>
559                                </div>
560                                <div class="texto lang--es">
561                                    <p>María Marín aka HEXXE, nacida en Murcia y afincada en Valencia, es amante de la música desde que tiene uso de razón. Inmersa en la música electrónica desde los 19 años, comenzó en el free tekno y debutó como DJ en 2023. Debutó en Phase.ctv y posteriormente participó en la primera edición de Madrid Flash Meeting (semana de la electrónica) realizada por Phase.ctv. A sus 26 años ya ha actuado en locales destacados de Madrid y Valencia, como Gordo, Spook, Jaleo Real o Killing Time.</p>
562<p>Encuentra en la música una poderosa fuerza que va más allá de las palabras, ocupando un lugar fundamental en su vida. Esta pasión y el deseo de evolucionar, la lleva a una constante exploración de géneros en busca de innovación, lo que se refleja en sus presentaciones cargadas de determinación y versatilidad, siendo el techno y todas sus variantes el foco de su set habitual.</p>
563<p>Su futuro se dibuja muy prometedor, siendo ya una habitual de Spook, y compartiendo cartel con Ghost in the Machine y SveTec próximamente en Matadero Club (Murcia). Te animamos a seguirle la pista a esta joven y rotunda promesa con un camino muy sólido a sus espaldas, para conocer futuras actuaciones y nuevos proyectos que ya tiene a la vista.</p>
564                                </div>
565                                 <div class="texto lang--en">
566                                    <p>María Marín aka HEXXE, born in Murcia and based in Valencia, has been a music lover for as long as she can remember. Immersed in electronic music since the age of 19, she started in free tekno and debuted as a DJ in 2023. She made his debut on Phase.ctv and later participated in the first edition of Madrid Flash Meeting (electronics week) organised by Phase.ctv. At the age of 26, she has already performed in prominent venues in Madrid and Valencia, such as Gordo, Spook, Jaleo Real and Killing Time.</p>
567<p>
567She finds in music a powerful force that goes beyond words, occupying a fundamental place in his life. This passion and desire to evolve, leads her to a constant exploration of genres in search of innovation, which is reflected in her presentations full of determination and versatility, being techno and all its variants the focus of her usual set.</p>
568<p>Her future looks very promising, as she is already a regular at Spook, and will be sharing  line-up with Ghost in the Machine and SveTec at Matadero Club (Murcia). We encourage you to follow the track of this young and strong promise with a very solid path behind her, to find out about future performances and new projects that she already has in sight.</p>
569                                </div>
570                            </div>
571                                                            <ul class="links">
572                                                                            <li class="link"><a href="https://www.instagram.com/hexxe.hexxe" target="_blank" rel="noopener noreferrer">@hexxe.hexxe</a></li>
573                                                                    </ul>
574                                                                                </div>
575                    </div>
576                </div>
577            </div>
578                    <div class="popup" data-id="364">
579                <div class="popup__container">
580                    <div class="wrapper">
581                        <div class="artista">
582                            <div class="image">
583                                <img width="200" height="302" src="https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-200x302.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1.jpg 1697w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-450x679.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-700x1056.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-768x1159.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-1018x1536.jpg 1018w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-1358x2048.jpg 1358w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-200x302.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-200x302.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-450x679.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-700x1056.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-768x1159.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-1018x1536.jpg 1018w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1-1358x2048.jpg 1358w, https://volumens.es/wp-content/uploads/2025/07/Ladrillovitz-x-Palma-Llopis-13-scaled-1.jpg 1697w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
584                            <div class="block">
585                                <div class="article">
586                                    <div class="article__container">
587                                        <h3 class="titulo">Ladrillovitz<span class="procedencia">ES</span></h3>
588                                        <div class="data">
589                                                                                        <div class="row">
590                                                                                            </div>
591                                        </div>
592                                    </div>
593                                </div>
594                                <div class="texto lang--es">
595                                    <p>Deejay valenciana actualmente residente mensual en Oven Club (Valencia). En sus sesiones se ven claras influencias del House americano de los 90, Warehouse Inglés y referencias de jóvenes sellos y subsellos de Minimal o Micro House. Sin embargo, su cultura musical fuera de la pista con un gusto por artistas como Prince, De La Soul o Talking Heads también se ve reflejado en cabina. Ha pinchado en salas míticas como Barraca y Spook, y en festivales como Días de Campo (TheBasement), Warm Up y Low. </p>
596<p>Durante 2023 se movió por la geografía española en fiestas como “Pulse” Tarragona o “Chalet” Alicante. Próximamente en septiembre participará en el aniversario de Renate (Berlín).</p>
597                                </div>
598                                 <div class="texto lang--en">
599                                    <p>Valencian deejay currently resident monthly at Oven Club (Valencia). His sessions are clearly influenced by 90’s American House, English Warehouse and references from young labels and sub-labels such as Minimal or Micro House. However, his musical culture outside the dancefloor with a taste for artists such as Prince, De La Soul or Talking Heads is also reflected in the booth. He has played in legendary venues such as Barraca and Spook, and at festivals such as Días de Campo (TheBasement), Warm Up and Low. </p>
600<p>During 2023 he moved around the Spanish geography in parties like “Pulse” Tarragona or “Chalet” Alicante. In September he will participate in the anniversary of Renate (Berlin).</p>
601                                </div>
602                            </div>
603                                                                                </div>
604                    </div>
605                </div>
606            </div>
607                    <div class="popup" data-id="341">
608                <div class="popup__container">
609                    <div class="wrapper">
610                        <div class="artista">
611                            <div class="image">
612                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-450x298.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-700x464.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-768x509.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-1536x1018.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-2048x1358.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-450x298.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-700x464.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-768x509.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-1536x1018.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/IMG_5373-scaled-1-2048x1358.jpg 2048w" sizes="auto, (max-width: 200px) 100v
612w, 200px" />                            </div>
613                            <div class="block">
614                                <div class="article">
615                                    <div class="article__container">
616                                        <h3 class="titulo">TRS<span class="procedencia">ES</span></h3>
617                                        <div class="data">
618                                                                                        <div class="row">
619                                                                                            </div>
620                                        </div>
621                                    </div>
622                                </div>
623                                <div class="texto lang--es">
624                                    <p>Dj valenciana inspirada principalmente por los ritmos rotos, el idm, el dub, el electro, los breaks, el jungle y otros tantos géneros que no sabe especificar porque los géneros son un constructo social.</p>
625<p>Actualmente es promotora de la fiesta 2 girls 1 deck en la que se trae a artistas de la escena nacional y local a pinchar en el circuito de clubs de Valencia.</p>
626                                </div>
627                                 <div class="texto lang--en">
628                                    <p>Valencian dj mainly inspired by broken rhythms, dub, idm, electro, breakbeat, jungle and another bunch of genres that she doesn’t know how to specify because genres are just a social constructionism.</p>
629<p>Nowadays she’s a promoter of the party 2 girls 1 deck where she brings artists from the national and local scene to the valencian clubs.</p>
630                                </div>
631                            </div>
632                                                            <ul class="links">
633                                                                            <li class="link"><a href="https://www.instagram.com/2girls.1deck" target="_blank" rel="noopener noreferrer">@2girls.1deck</a></li>
634                                                                    </ul>
635                                                                                </div>
636                    </div>
637                </div>
638            </div>
639                    <div class="popup" data-id="344">
640                <div class="popup__container">
641                    <div class="wrapper">
642                        <div class="artista">
643                            <div class="image">
644                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-200x133.png" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias.png 1500w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-450x300.png 450w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-700x467.png 700w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-768x512.png 768w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-200x133.png 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-200x133.png 200w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-450x300.png 450w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-700x467.png 700w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias-768x512.png 768w, https://volumens.es/wp-content/uploads/2025/07/laguerradelasgalaxias.png 1500w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
645                            <div class="block">
646                                <div class="article">
647                                    <div class="article__container">
648                                        <h3 class="titulo">laguerradelasgalaxias<span class="procedencia">ES</span></h3>
649                                        <div class="data">
650                                                                                        <div class="row">
651                                                                                            </div>
652                                        </div>
653                                    </div>
654                                </div>
655                                <div class="texto lang--es">
656                                    <p>laguerradelasgalaxias es un apasionado de la música que la ha ido experimentando desde distintos prismas. Su relación más allá de mero melómano, empezó en la radio, donde co-dirigió un programa homónimo y que acabaría dando nombre a algunos de sus proyectos, como su recopilatorio anual, que ya lleva 20 ediciones. Inicialmente más relacionado con la música independiente, su estilo ha ido virando hacia músicas más experimentales y minoritarias.  </p>
657<p>
657Más como selector que como dj al uso, ha pinchado en algunos de los locales más interesantes de Valencia, como MAT32, Killing Time, Oven Bar o La Fábrica de Hielo. Sus sets son eclécticos y sorprendentes. Se pueden escuchar temas de corte ambient, drone experimental, músicas del mundo, jazz, hip-hop, o prácticamente cualquier vertiente relacionada con la música electrónica, que ocupa un lugar muy especial en su vasta colección de vinilos, formato fetiche que siempre utiliza en sus sets.</p>
658                                </div>
659                                 <div class="texto lang--en">
660                                    <p>laguerradelasgalaxias is a passionate about music who has experienced it from different perspectives. His relationship beyond that of a mere music lover, began on the radio, where he co-directed a program of the same name and which would end up giving name to some of his projects, such as his annual compilation, which has already had 20 editions. Initially more related to independent music, his style has been turning towards more experimental and minority music.</p>
661<p>More as a selector than as a typical dj, he has played in some of the most interesting venues in Valencia, such as MAT32, Killing Time, Oven Bar or La Fábrica de Hielo. His sets are eclectic and surprising. You can listen ambient, experimental drone, world music, hip-hop, or practically any electronic related music, which occupies a very special place in his vast collection of vinyl, a fetish format that he always uses on the sets of him.</p>
662                                </div>
663                            </div>
664                                                            <ul class="links">
665                                                                            <li class="link"><a href="https://www.instagram.com/laguerradelasgalaxiasvinyl" target="_blank" rel="noopener noreferrer">laguerradelasgalaxiasvinyl</a></li>
666                                                                    </ul>
667                                                                                </div>
668                    </div>
669                </div>
670            </div>
671                    <div class="popup" data-id="361">
672                <div class="popup__container">
673                    <div class="wrapper">
674                        <div class="artista">
675                            <div class="image">
676                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-200x200.png" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40.png 1238w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-450x449.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-700x699.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-150x150.png 150w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-768x767.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-200x200.png 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-200x200.png 200w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-450x449.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-700x699.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-150x150.png 150w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40-768x767.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.24.40.png 1238w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
677                            <div class="block">
678                                <div class="article">
679                                    <div class="article__container">
680                                        <h3 class="titulo">Alicia Suay<span class="procedencia">ES</span></h3>
681                                        <div class="data">
682                                                                                        <div class="row">
683                                                <span class="set lang--es">VJ</span><span class="set lang--en">VJ</span>                                            </div>
684                                        </div>
685                                    </div>
686                                </div>
687                                <div class="texto lang--es">
688                                    <p>Esta joven videoartista además de ser técnico en video jockey y sonido estudia animación 2D y 3D, juegos y entornos interactivos. Actualmente está enfocada en el diseño y realización de instalaciones audiovisuales, ambientación de espacios y espectáculos de vídeo y lumínicos, utilizando técnicas como el videomapping o pixelmaping.</p>
689<p>Luz, color y movimiento son los pilares claves para dotar de carácter una instalación, siendo la ambientación del espacio clave para transmitir el estilo personal, inmersivo y lisérgico de Alicia Suay. Estos últimos años ha estado en festivales y eventos como: Eufonic, The Noox o Volumens Day.</p>
690                                </div>
691                                 <div class="texto lang--en">
692                                    <p>Alicia is a young video artist, besides being a video jockey and sound technician, studies 2D and 3D animation, games and interactive environments. She is currently focused on the design and realization of audiovisual installations, setting of spaces and video and light shows, using techniques such as videomapping or pixelmapping.</p>
693<p>Light, colour and movement are the key pillars to give character to an installation, being the setting of the space the key to transmit Alicia Suay’s personal, immersive and lysergic style. In re
693cent years she has participated in festivals and events such as: Eufonic, The Noox or Volumens Day.</p>
694                                </div>
695                            </div>
696                                                                                </div>
697                    </div>
698                </div>
699            </div>
700                    <div class="popup" data-id="335">
701                <div class="popup__container">
702                    <div class="wrapper">
703                        <div class="artista">
704                            <div class="image">
705                                <img width="200" height="267" src="https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-200x267.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-450x600.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-700x933.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-768x1024.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-1152x1536.jpg 1152w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-200x267.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-200x267.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-450x600.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-700x933.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-768x1024.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000-1152x1536.jpg 1152w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230615-WA0000.jpg 1536w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
706                            <div class="block">
707                                <div class="article">
708                                    <div class="article__container">
709                                        <h3 class="titulo">Laura Ibáñez<span class="procedencia">ES</span></h3>
710                                        <div class="data">
711                                                                                        <div class="row">
712                                                <span class="set lang--es">Charla Demo</span><span class="set lang--en">Demo Talk</span>                                            </div>
713                                        </div>
714                                    </div>
715                                </div>
716                                <div class="texto lang--es">
717                                    <p>Laura Ibáñez es graduada en Ingeniería Electrónica (UPC) y en Música (ESMUC). Actualmente cursa un Máster de Investigación en Inteligencia Artificial (UNED) y se especializa en el uso de técnicas de Deep Learning para aplicaciones de generación musical. Ha trabajado durante dos años en la startup Pixtunes como ingeniera de Machine Learning para aplicaciones musicales y en el presente trabaja como freelance para la empresa AudioShake, especializada en la separación de fuentes musicales mediante inteligencia artificial.</p>
718<p>Laura Ibáñez describirá el estado del arte de los modelos de texto-a-audio para la generación musical, que aparecen tras el gran éxito de modelos de texto-a-imagen como DALL·E o Stable Diffusion. Presentará el proyecto MIDI-AudioLDM, desarrollado como trabajo final del Máster de Investigación en Inteligencia Artificial de la UNED. MIDI-AudioLDM es un modelo de texto-a-audio condicionado por MIDI basado en el proyecto AudioLDM y desarrollado dentro de la librería Diffusers de Hugging Face.</p>
719<p>Finalmente se hará un pequeño workshop en el que se sugerirán diferentes cuadernos de Google Colab y espacios de Hugging Face para probar estos modelos.</p>
720                                </div>
721                                 <div class="texto lang--en">
722                                    <p>Laura Ibáñez has a degree in Electronic Engineering (UPC) and in Music (ESMUC). She is currently studying a Master’s Degree in Artificial Intelligence Research (UNED) and specialises in the use of Deep Learning techniques for music generation applications. She has worked for two years at the startup Pixtunes as a Machine Learning engineer for music applications and currently works as a freelance for the company AudioShake, which specialises in the separation of music sources using artificial intelligence.</p>
723<p>Laura Ibáñez will describe the state of the art of text-to-audio models for music generation, which appear after the great success of text-to-image models such as DALL-E or Stable Diffusion. He will present the MIDI-AudioLDM project, developed as a final project for the Master’s Degree in Artificial Intelligence Research at the UNED. MIDI-AudioLDM is a MIDI-conditioned text-to-audio model based on the AudioLDM project and developed within the Diffusers library of Hugging Face.</p>
724<p>Finally, a small workshop will be held in which different Google Colab notebooks and Hugging Face spaces will be suggested to test these models.</p>
725                                </div>
726                            </div>
727                                                            <ul class="links">
728                                                                            <li class="link"><a href="https://www.instagram.com/laura.ibnz/" target="_blank" rel="noopener noreferrer">@laura.ibnz</a></li>
729                                                                            <li class="link"><a href="https://github.com/lauraibnz" target="_blank" rel="noopener noreferrer">GitHub</a></li>
730                                                                    </ul>
731                                                                                </div>
732                    </div>
733                </div>
734            </div>
735                    <div class="popup" data-id="350">
736                <div class="popup__container">
737                    <div class="wrapper">
738                        <div class="artista">
739                            <div class="image">
740                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-1536x1536.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens-1536x1536.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/fausto-furioso-foto-volumens.jpg 2048w" sizes="auto, (max-width: 200px) 100v
740w, 200px" />                            </div>
741                            <div class="block">
742                                <div class="article">
743                                    <div class="article__container">
744                                        <h3 class="titulo">Fausto Furioso<span class="procedencia">ES</span></h3>
745                                        <div class="data">
746                                            <span class="obra before"><em>Diseño con IA</em></span>                                            <div class="row">
747                                                <span class="set lang--es">Charla</span><span class="set lang--en">Talk</span>                                            </div>
748                                        </div>
749                                    </div>
750                                </div>
751                                <div class="texto lang--es">
752                                    <p>Con una licenciatura en Bellas Artes de la UCLM Cuenca y formación en Diseño y Artes Aplicadas en la Escuela de Arte Jose María Cruz Novillo, Favsto ha tejido su camino con habilidad y conocimiento. La experiencia profesional abarca desde desempeñar como profesor de Digital Animation en LABA Valencia hasta ejercer como Director de Arte independiente. Ha dejado una huella en plataformas como Awwwards.com y conferencias Awwwards, plasmando su visión en diseños web para Movistar Fusión y creaciones de productos y marcas en Bodegas Ibañesa. El trabajo trasciende la dicotomía digital/analógico y, como productor musical y habitante de internet, el arte refleja la contemporaneidad fusionada con la estética y el lenguaje propios de la era actual. Desde el paso por el filtro del universo.net, se ha abrazado la democratización del arte, buscando conectar con la sociedad digital a través de imágenes y música que satisfacen tanto como entretienen.</p>
753                                </div>
754                                 <div class="texto lang--en">
755                                    <p>With a degree in Fine Arts from UCLM Cuenca and training in Design and Applied Arts at the Jose María Cruz Novillo School of Art, Favsto has woven his path with skill and knowledge. Favsto’s professional experience ranges from teaching Digital Animation at LABA Valencia to working as a freelance Art Director. He has made his mark on platforms such as Awwwards.com and Awwwards conferences, capturing his vision in web designs for Movistar Fusión and product and brand creations at Bodegas Ibañesa. The work transcends the digital/analogue dichotomy and, as a music producer and internet inhabitant, the art reflects contemporaneity fused with the aesthetics and language of the current era. Since passing through the filter of the .net universe, the democratisation of art has been embraced, seeking to connect with digital society through images and music that satisfy as much as they entertain.</p>
756                                </div>
757                            </div>
758                                                                                </div>
759                    </div>
760                </div>
761            </div>
762                    <div class="popup" data-id="355">
763                <div class="popup__container">
764                    <div class="wrapper">
765                        <div class="artista">
766                            <div class="image">
767                                <img width="200" height="267" src="https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-200x267.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1.jpeg 1920w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-450x600.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-700x933.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-768x1024.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-1152x1536.jpeg 1152w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-1536x2048.jpeg 1536w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-200x267.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-200x267.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-450x600.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-700x933.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-768x1024.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-1152x1536.jpeg 1152w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1-1536x2048.jpeg 1536w, https://volumens.es/wp-content/uploads/2025/07/Jessica_travieso_volumens_A-scaled-1.jpeg 1920w" sizes="auto, (max-width: 200px) 100v
767w, 200px" />                            </div>
768                            <div class="block">
769                                <div class="article">
770                                    <div class="article__container">
771                                        <h3 class="titulo">Jéssica Travieso<span class="procedencia">ES</span></h3>
772                                        <div class="data">
773                                            <span class="obra before"><em>Diseño con IA</em></span>                                            <div class="row">
774                                                <span class="set lang--es">Charla</span><span class="set lang--en">Talk</span>                                            </div>
775                                        </div>
776                                    </div>
777                                </div>
778                                <div class="texto lang--es">
779                                    <p>Se licenció en Bellas Artes en el año 2000, formando parte de una de las primeras promociones que realizaron producción audiovisual con medios digitales, 3D y diseño web. Ha dirigido y producido obras de teatro y cortometrajes, desempeñando roles en postproducción, escenografía, efectos visuales y guión.</p>
780<p>En 2001, fundó una agencia digital junto a sus socios, donde ha explorado diversas tecnologías y disciplinas, como la animación 3D, los motion graphics y  realidad aumentada, entre otras. Aunque durante esos años su carrera se enfocó principalmente como creative developer, una disciplina que combina programación y creatividad en experiencias interactivas.</p>
781<p>En 2009, tras obtener un gran éxito con diversos proyectos, fundó junto a sus dos socios Awwwards.com con la visión de crear una comunidad sólida de creativos digitales. Awwwards se convirtió rápidamente en un referente y punto de encuentro para las mejores agencias y creativos de todo el mund
781o, sirviendo como una fuente constante de inspiración para millones de usuarios. Además, Awwwards ha logrado materializar esta gran comunidad a través de sus conferencias internacionales, celebradas en ciudades como Nueva York, San Francisco, Los Ángeles, Tokio, Londres, Berlín, Ámsterdam, Toronto, entre otras.</p>
782<p>Jéssica desempeña su labor como principal curator de Awwwards y  también colabora con otras plataformas educativas en áreas como la programación web, animación e interacción, llevando a cabo investigaciones sobre tendencias.  En los últimos dos años, dentro de su labor de prospección de nuevas tecnologías aplicadas a la industria digital, ha experimentado con todo tipo de herramientas de IA, realidad aumentada y virtual, Web3, entre otras. Desde 2012 ha plasmado todas estas investigaciones en el libro  anual de la plataforma, destacándose como una de las temáticas principales la irrupción de la IA en la industria.</p>
783<p>En lo personal, tiene una profunda vocación futurista y es apasionada de la animación 3D, Arduino, IoT, criptos y metaversos. Pero por encima de todo, es madre de dos nativos digitales que le ayudan enormemente a comprender la sociedad del futuro.</p>
784                                </div>
785                                 <div class="texto lang--en">
786                                    <p>He graduated in Fine Arts in 2000, being part of one of the first graduating classes to produce audiovisual productions with digital media, 3D and web design. He has directed and produced plays and short films, playing roles in post-production, set design, visual effects and scriptwriting.</p>
787<p>In 2001, he founded a digital agency with his partners, where he has explored various technologies and disciplines, such as 3D animation, motion graphics and augmented reality, among others. During those years, however, his career focused mainly as a creative developer, a discipline that combines programming and creativity in interactive experiences.</p>
788<p>In 2009, after achieving great success with various projects, he founded Awwwards.com with his two partners with the vision of creating a strong community of digital creatives. Awwwards quickly became a reference and meeting point for top agencies and creatives from all over the world, serving as a constant source of inspiration for millions of users. In addition, Awwwards has managed to materialize this great community through its international conferences, held in cities such as New York, San Francisco, Los Angeles, Tokyo, London, Berlin, Amsterdam, Toronto, among others.</p>
789<p>Jéssica works as the main curator of Awwwards and also collaborates with other educational platforms in areas such as web programming, animation and interaction, carrying out research on trends.  In the last two years, as part of her research into new technologies applied to the digital industry, she has experimented with all kinds of AI tools, augmented and virtual reality, Web3, among others. Since 2012, he has been publishing all this research in the platform’s annual book, one of the main themes being the emergence of AI in the industry.</p>
790<p>Personally, she has a deep futuristic vocation and is passionate about 3D animation, Arduino, IoT, cryptos and metaverses. But above all, she is the mother of two digital natives who help her enormously to understand the society of the future.</p>
791                                </div>
792                            </div>
793                                                                                </div>
794                    </div>
795                </div>
796            </div>
797                    <div class="popup" data-id="391">
798                <div class="popup__container">
799                    <div class="wrapper">
800                        <div class="artista">
801                            <div class="image">
802                                <img width="200" height="125" src="https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-200x125.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-scaled.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-450x281.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-700x438.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-768x480.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-1536x960.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-2048x1280.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-200x125.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-200x125.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-450x281.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-700x438.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-768x480.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-1536x960.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/AVM_Marco_de-felipe-2880x1800-1-2048x1280.jpg 2048w" sizes="auto, (max-width: 200px) 100v
802w, 200px" />                            </div>
803                            <div class="block">
804                                <div class="article">
805                                    <div class="article__container">
806                                        <h3 class="titulo">Campus AVM<span class="procedencia">ES</span></h3>
807                                        <div class="data">
808                                                                                        <div class="row">
809                                                <span class="set lang--es">Live AV + Instalación</span><span class="set lang--en">Live AV + Installation</span>                                            </div>
810                                        </div>
811                                    </div>
812                                </div>
813                                <div class="texto lang--es">
814                                    <p>El CAMPUS AVM-VOLUMENS acogerá una selección de proyectos de los estudiantes del Máster en Artes Visuales y Multimedia de la Universitat Politécnica de Valencia. En esta ocasión se presentará una sesión “non stop” de propuestas experimentales LiveAV en el espacio de la Fábrica de Hielo. Además, dos proyectos experimentales del ámbito de los videojuegos y de la realidad virtual (VR) se mostrarán en el entorno del festival.</p>
815<p>El Máster en Artes Visuales y Multimedia (UPV), es un máster decano (16 ediciones) en Arte, Ciencia, Tecnología y Sociedad del panorama español. El objetivo principal del máster es formar investigadores/artistas con capacidad para planificar y resolver proyectos de artes visuales y multimedia experimentales de una manera interdisciplinar, aunando el sentido crítico propio de las humanidades con las aplicaciones tecnocientíficas de la cultura digital.</p>
816<p>Live AV<br />
817<em>One minus one</em> de Marco Dos Reis<br />
818<em>BiteByte</em> de Ferrán Buj and Kanno<br />
819<em>Instintos tropicales</em> de Juliana Rojas and Cristian Xavier Soto<br />
820<em>Untitled</em> de Andrés Vidal, Tatiana Álvarez y Alejandro Vázquez<br />
821<em>Entre prompts y data</em> de Sonic Mal (Pablo Gascón, Silvia Binda y Andrés Moriel)</p>
822<p><em>Cronopio</em> (Videogame) de Tatiana Álvarez, Violeta López y Juan Sanabria<br />
823<em>La madriguera de Giotto</em> (VR) de Nicolas Gay Ramón</p>
824                                </div>
825                                 <div class="texto lang--en">
826                                    <p>Live AV<br />
827<em>One minus one</em> by Marco Dos Reis<br />
828<em>BiteByte</em> by Ferrán Buj and Kanno<br />
829<em>Instintos tropicales</em> by Juliana Rojas and Cristian Xavier Soto<br />
830<em>Untitled</em> by Andrés Vidal, Tatiana Álvarez y Alejandro Vázquez<br />
831<em>Entre prompts y data</em> by Sonic Mal (Pablo Gascón, Silvia Binda y Andrés Moriel)</p>
832<p><em>Cronopio</em> (Videogame) by Tatiana Álvarez, Violeta López y Juan Sanabria<br />
833<em>La madriguera de Giotto</em> (VR) by Nicolas Gay Ramón</p>
834                                </div>
835                            </div>
836                                                                                </div>
837                    </div>
838                </div>
839            </div>
840                    <div class="popup" data-id="388">
841                <div class="popup__container">
842                    <div class="wrapper">
843                        <div class="artista">
844                            <div class="image">
845                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/panoptico-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/panoptico.jpg 1419w, https://volumens.es/wp-content/uploads/2025/07/panoptico-450x299.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/panoptico-700x466.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/panoptico-768x511.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/panoptico-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/panoptico-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/panoptico-450x299.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/panoptico-700x466.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/panoptico-768x511.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/panoptico.jpg 1419w" sizes="auto, (max-width: 200px) 100v
845w, 200px" />                            </div>
846                            <div class="block">
847                                <div class="article">
848                                    <div class="article__container">
849                                        <h3 class="titulo">EASD<span class="procedencia">ES</span></h3>
850                                        <div class="data">
851                                                                                        <div class="row">
852                                                <span class="set lang--es">Instalación</span><span class="set lang--en">Installation</span>                                            </div>
853                                        </div>
854                                    </div>
855                                </div>
856                                <div class="texto lang--es">
857                                    <p>20.00 h	INSTALACIONES EASD<br />
858Presentación del Máster Oficial en Diseño Interactivo de la EASD València (@master_interactivo_easdv)</p>
859<p>El usuario como principio y fin de los diseños hápticos interactivos.</p>
860<p>Moderan: Juanma Gil y Pablo Moreno</p>
861<p>Olimpia Alarcón Cámara<br />
862Diseñadora de producto digital y mentora Trenca-Dis, asociación asociación sin ánimo de lucro comprometida con la dislexia y otras DEA (Dificultades Específicas de Aprendizaje). El objetivo de esta tesis fin de máster “Epalexia: un proyecto sobre empatía y dislexia” es diseñar y prototipar una experiencia que pueda ser usada para comunicar qué es la dislexia y que permita a personas neurotípicas empatizar con la dislexia y el trastorno del aprendizaje.</p>
863<p>Jorge Ferrer Alberola<br />
864Diseñador gráfico e interactivo, presentará su proyecto «Mejorar en el baloncesto a través de la tecnología», que trata sobre el perfeccionamiento de la mecánica de tiro de los jugadores de baloncesto para mejorar su porcentaje de tiros libres a través de elementos tecnológicos como la Kinect, programas software como TouchDesigner y herramientas de análisis y estadística.</p>
865<p>Juanma Gil<br />
866Es investigador en experiencias interactivas. Actualmente coordina el Máster en Diseño Interactivo. Presenta su obra “Panóptico Digital” donde experimentar cómo el visitante se relaciona con la mirada de los demás: nos sentimos intimidados o buscamos ser vistos, capturar la atención de las miradas más cercanas a otros. O quizás prefiramos contemplar el juego desde fuera. Si nadie entra en el juego entonces el sistema -nosotros- podríamos al fin descansar.</p>
867<p>Instalación de Juanma Gil “Panóptico Digital”</p>
868                                </div>
869                                 <div class="texto lang--en">
870                                    <p>20.00 h	EASD INSTALLATIONS<br />
871Presentation of the Official Master’s Degree in Interactive Design of the EASD València</p>
872<p>The user as the beginning and end of interactive haptic designs.</p>
873<p>Moderators: Juanma Gil y Pablo Moreno</p>
874<p>Olimpia Alarcón Cámara<br />
875Digital product designer and mentor Trenca-Dis, a not-for-profit association committed to dyslexia and other SLD (Specific Learning Difficulties). The aim of this master’s thesis “Epalexia: a project on empathy and dyslexia” is to design and prototype an experience that can be used to communicate what dyslexia is and that allows neurotypical people to empathise with dyslexia and learning disabilities.</p>
876<p>Jorge Ferrer Alberola<br />
877Graphic and interactive designer, will present his project “Improving in basketball through technology”, which deals with improving the shooting mechanics of basketball players to improve their free throw percentage through technological elements such as the Kinect, software programmes such as TouchDesigner and analysis and statistics tools.</p>
878<p>Juanma Gil<br />
879Is a researcher in interactive experiences. He currently coordinates the Master in Interactive Design. He presents his work “Digital Panopticon” where he experiments with how the visitor relates to the gaze of others: we feel intimidated or we seek to be seen, to capture the attention of the gazes closest to others. Or perhaps we prefer to watch the game from the outside. If no one enters the game then the system – we – could at last rest</p>
880<p>Installation by Juanma Gil “Panóptico Digital”</p>
881                                </div>
882                            </div>
883                                                            <ul class="links">
884                                                                            <li class="link"><a href="https://www.instagram.com/master_interactivo_easdv/" target="_blank" rel="noopener noreferrer">@master_interactivo_easdv</a></li>
885                                                                    </ul>
886                                                                                </div>
887                    </div>
888                </div>
889            </div>
890                    <div class="popup" data-id="394">
891                <div class="popup__container">
892                    <div class="wrapper">
893                        <div class="artista">
894                            <div class="image">
895                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-200x200.png" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia.png 1440w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-450x450.png 450w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-700x700.png 700w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-150x150.png 150w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-768x768.png 768w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-200x200.png 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-200x200.png 200w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-450x450.png 450w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-700x700.png 700w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-150x150.png 150w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia-768x768.png 768w, https://volumens.es/wp-content/uploads/2025/07/cuadrada-cine-ia.png 1440w" sizes="auto, (max-width: 200px) 100v
895w, 200px" />                            </div>
896                            <div class="block">
897                                <div class="article">
898                                    <div class="article__container">
899                                        <h3 class="titulo">Cine IA</h3>
900                                        <div class="data">
901                                                                                        <div class="row">
902                                                <span class="set lang--es"></span><span class="set lang--en"></span>                                            </div>
903                                        </div>
904                                    </div>
905                                </div>
906                                <div class="texto lang--es">
907                                    <p>19.30 h</p>
908<p>THE VISIBLEMAKER<br />
909Divine Embrace<br />
910The Great Catspy</p>
911<p>SAADETTIN KONUKSEVEN<br />
912The Reset</p>
913<p>MIKE RAMOS<br />
914Space Oddity<br />
915Faithtopia</p>
916<p>FRAN GAS<br />
917Of youth</p>
918<p>DMITRY ALEKSEV<br />
919House of Dream</p>
920<p>ALEXANDER ZORILOV<br />
921420<br />
922The essenced<br />
923Volen Sentir, Proff<br />
924Elisa D Dragon</p>
925<p>ROBBIE MARTIN<br />
926Shy Mermen<br />
927Freemasonic<br />
928Body Printer</p>
929<p>IVAN DOMINGO<br />
930Underwater</p>
931<p>JESSEY NELSON AND DANI BARKER<br />
932AI Artist</p>
933                                </div>
934                                 <div class="texto lang--en">
935                                    <p>19.30 h</p>
936<p>THE VISIBLEMAKER<br />
937Divine Embrace<br />
938The Great Catspy</p>
939<p>SAADETTIN KONUKSEVEN<br />
940The Reset</p>
941<p>MIKE RAMOS<br />
942Space Oddity<br />
943Faithtopia</p>
944<p>FRAN GAS<br />
945Of youth</p>
946<p>DMITRY ALEKSEV<br />
947House of Dream</p>
948<p>ALEXANDER ZORILOV<br />
949420<br />
950The essenced<br />
951Volen Sentir, Proff<br />
952Elisa D Dragon</p>
953<p>ROBBIE MARTIN<br />
954Shy Mermen<br />
955Freemasonic<br />
956Body Printer</p>
957<p>IVAN DOMINGO<br />
958Underwater</p>
959<p>JESSEY NELSON AND DANI BARKER<br />
960AI Artist</p>
961                                </div>
962                            </div>
963                                                                                </div>
964                    </div>
965                </div>
966            </div>
967                    <div class="popup" data-id="347">
968                <div class="popup__container">
969                    <div class="wrapper">
970                        <div class="artista">
971                            <div class="image">
972                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-200x200.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo.jpeg 1080w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-200x200.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-200x200.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/FdgFirFXEAA2fTo.jpeg 1080w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
973                            <div class="block">
974                                <div class="article">
975                                    <div class="article__container">
976                                        <h3 class="titulo">Minilab<span class="procedencia">ES</span></h3>
977                                        <div class="data">
978                                            <span class="obra before"><em>Fotonovela IA</em></span>                                            <div class="row">
979                                                <span class="set lang--es">Taller</span><span class="set lang--en">Workshop</span>                                            </div>
980                                        </div>
981                                    </div>
982                                </div>
983                                <div class="texto lang--es">
984                                    <p>Cómic, narración, fotografía e inteligencia artifical se dan la mano en una dinámica familiar, enfocada a niños y niñas a partir de 6 años para que, a través de un croma y otras tecnologías, compongan una historia secuencial partiendo de fotografías realizadas e impresas en el momento. Para este cómic-fotonovela se emplearán fondos generados en IA de forma previa por el grupo. </p>
985<p>Antes de empezar, elegirán la temática: terror, viajes, deporte, música… Generaremos entre cuatro o cinco imágenes en IA sobre el tema (paisajes, edificios, etc.) que servirán como fondo para las escenas de su historia. Pueden participar de forma individual o en grupo. Después, a través de una aplicación de Croma, esos fondos se insertarán en la tela verde habilitada en el espacio del taller y se colocarán escenificando un argumento. Se realizarán fotografías, que serán impresas inmediatamente en papel adhesivo en blanco y negro. Cada participante pegará sus fotografías en un papel para completar su cómic-fotonovela, añadirá bocadillos y textos para narrar su historia y coloreará sus fotografías para dar un efecto POP-ART.</p>
986                                </div>
987                                 <div class="texto lang--en">
988                                    <p>Comic, narration, photography and artificial intelligence come together in a family dynamic, focused on children from 6 years old so that, through a chroma key and other technologies, they compose a sequential story based on photographs taken and printed on the spot. For this comic-photonovela, backgrounds generated in AI in advance by the group will be used. </p>
989<p>Before starting, you will choose the theme: horror, travel, sport, music… We will generate four or five AI images on the theme (landscapes, buildings, etc.) that will serve as backgrounds for the scenes of your story. You can participate individually or in groups. Then, through a Chroma application, these backgrounds will be inserted into the green canvas set up in the workshop space and placed to stage a storyline. Photographs will be taken and immediately printed on black and white adhesive paper. Each participant will paste their photographs on a piece of paper to complete their comic-photonovel, they will add small bubbles and texts to narrate their story and will colour their photographs to give a POP-ART effect.</p>
990                                </div>
991                            </div>
992                                                                                </div>
993                    </div>
994                </div>
995            </div>
996                    <div class="popup" data-id="370">
997                <div class="popup__container">
998                    <div class="wrapper">
999                        <div class="artista">
1000                            <div class="image">
1001                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2.jpg 1080w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/AUDITION-CARTELES-2.jpg 1080w" sizes="auto, (max-width: 200px) 100v
1001w, 200px" />                            </div>
1002                            <div class="block">
1003                                <div class="article">
1004                                    <div class="article__container">
1005                                        <h3 class="titulo">Audition<span class="procedencia">ES</span></h3>
1006                                        <div class="data">
1007                                                                                        <div class="row">
1008                                                <span class="set lang--es">Entrevista</span><span class="set lang--en">Interview</span><span class="info">with Paranoid London</span>                                            </div>
1009                                        </div>
1010                                    </div>
1011                                </div>
1012                                <div class="texto lang--es">
1013                                    <p>Audition, es un proyecto musical divulgativo que, desde 2014, está centrado en potenciar debates en torno a la escucha guiada de la música, generando encuentros entre artistas, especialistas del sector y público.</p>
1014<p>Con una cuidada selección de profesionales, DJ’s, bandas y promotores, en otros, intentamos crear un espacio donde el mundo de la música sea el hilo conductor de estos encuentros didácticos, pero también lúdicos y de entretenimiento.</p>
1015<p>El objetivo de Audition es proporcionar una visión más profunda y significativa de la música, conectando a los amantes de la música con los artistas y creando un espacio para el aprendizaje, la apreciación y la interacción.</p>
1016                                </div>
1017                                 <div class="texto lang--en">
1018                                    <p>Audition is an educational music project that, since 2014, focuses on promoting discussions around guided music listening, creating encounters between artists, industry specialists, and the audience.</p>
1019<p>With a careful selection of professionals, DJs, bands, and promoters, among others, we aim to create a space where the world of music serves as the guiding thread for these educational, yet also entertaining and fun, encounters.</p>
1020<p>Audition is an audiovisual experience where chosen topics, curated by the brand managers, are dynamically explored and shared with the audience, allowing for a deeper understanding and engagement.</p>
1021                                </div>
1022                            </div>
1023                                                                                </div>
1024                    </div>
1025                </div>
1026            </div>
1027                    <div class="popup" data-id="385">
1028                <div class="popup__container">
1029                    <div class="wrapper">
1030                        <div class="artista">
1031                            <div class="image">
1032                                <img width="200" height="250" src="https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-200x250.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet.jpg 1080w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-450x563.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-700x875.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-768x960.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-200x250.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-200x250.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-450x563.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-700x875.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet-768x960.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/local_binarie-2-Lauren_moffet.jpg 1080w" sizes="auto, (max-width: 200px) 100v
1032w, 200px" />                            </div>
1033                            <div class="block">
1034                                <div class="article">
1035                                    <div class="article__container">
1036                                        <h3 class="titulo">Lasertalk<span class="procedencia">ES</span></h3>
1037                                        <div class="data">
1038                                            <span class="obra before"><em>Quantum Panorama</em></span>                                            <div class="row">
1039                                                <span class="set lang--es">Charla</span><span class="set lang--en">Talk</span>                                            </div>
1040                                        </div>
1041                                    </div>
1042                                </div>
1043                                <div class="texto lang--es">
1044                                    <p>18.00 h	LASERTALK VALENCIA – LEONARDO ISAST</p>
1045<p>Quantum Panorama: Arte, Ciencia y Tecnología en superposición.<br />
1046Nota al título: Esto es una terminología cuántica de los estados. Se llama bra-ket.</p>
1047<p>Modera: Guillermo Muñoz Matutano (UV)</p>
1048<p>Miguel Ángel García March<br />
1049Investigador distinguido. Instituto Universitario de Matemática Pura y Aplicada – UPV, Física Teórica en átomos ultrafrios y óptica no lineal.</p>
1050<p>Anabel Olvide González<br />
1051Investigadora predoctoral. Parallel Arquitectura Group- UPV, Algoritmos para computación cuántica.</p>
1052<p>Alejandro Gaita Ariño<br />
1053Investigador Ramón y Cajal. Instituto de Ciencia Molecular – UV, Magnetismo Molecular y Computación Cuántica.</p>
1054<p>Lauren Moffett<br />
1055Artista Multimedia, investigadora en realidad aumentada AR / VR, data visualization, gamificación, etc.</p>
1056<p>19.00 h	LASERTALK ACTUACIÓN</p>
1057<p>IMPRO PERFORMANCE VR<br />
1058LAUREN MOFFAT + RUBÉN GARCIA</p>
1059                                </div>
1060                                 <div class="texto lang--en">
1061                                    <p>18.00 h	LASERTALK VALENCIA – LEONARDO ISAST</p>
1062<p>Quantum Panorama: Art, Science and Technology in superposition.<br />
1063Note to title: This is a quantum terminology of states. It is called bra-ket.<br />
1064Venue: Las Naves</p>
1065<p>Moderator: Guillermo Muñoz Matutano (UV)</p>
1066<p>Miguel Ángel García March<br />
1067Distinguished Researcher. Instituto Universitario de Matemática Pura y Aplicada – UPV, Theoretical Physics in Ultracrystalline Atoms and Nonlinear Optics.</p>
1068<p>Anabel Olvide González<br />
1069Predoctoral researcher. Parallel Architecture Group- UPV, Algorithms for quantum computing.</p>
1070<p>Alejandro Gaita Ariño<br />
1071Ramón y Cajal Researcher. Institute of Molecular Science – UV, Molecular Magnetism and Quantum Computing.</p>
1072<p>Lauren Moffett<br />
1073Multimedia Artist, researcher in augmented reality AR / VR, data visualization, gamification, etc.</p>
1074<p>19.00 h	LASERTALK ACTUACIÓN</p>
1075<p>IMPRO PERFORMANCE VR<br />
1076LAUREN MOFFAT + RUBÉN GARCIA</p>
1077                                </div>
1078                            </div>
1079                                                                                </div>
1080                    </div>
1081                </div>
1082            </div>
1083        <div class="popup popup--aftermovie" data-aftermovie="https://www.youtube.com/embed/t-LqFexd2pQ">
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1108                <a href="https://volumens.es"><span class="name">Volumens</span><span class="edition">2023 VO7</span></a>
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1111                                    <li class="item"><a href="#lineup" class="anchor"><span class="lang--es">Lineup</span><span class="lang--en">Lineup</span></a></li>
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1122                                            <div class="modulos">
1123                            <div class="modulos__container">
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1126        <div class="swiper-container">
1127            <div class="swiper-wrapper">
1128                                    <div class="swiper-slide">
1129                        <div class="artista" data-id="309">
1130                            <div class="image cover">
1131                                <img width="200" height="247" src="https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-200x247.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1.jpg 2077w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-450x555.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-700x863.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-768x947.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-1246x1536.jpg 1246w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-1662x2048.jpg 1662w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-200x247.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-200x247.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-450x555.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-700x863.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-768x947.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-1246x1536.jpg 1246w, https://volumens.es/wp-content/uploads/2025/07/NATHAN-FAKE_1a-scaled-1-1662x2048.jpg 1662w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1132                            <h3>Nathan Fake</h3>
1133                        </div>
1134                    </div>
1135                                    <div class="swiper-slide">
1136                        <div class="artista" data-id="314">
1137                            <div class="image cover">
1138                                <img width="200" height="267" src="https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-200x267.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO.jpeg 1229w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-450x600.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-700x934.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-768x1025.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-1151x1536.jpeg 1151w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-200x267.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-200x267.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-450x600.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-700x934.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-768x1025.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO-1151x1536.jpeg 1151w, https://volumens.es/wp-content/uploads/2025/07/PL-IN-THE-STUDIO.jpeg 1229w" sizes="auto, (max-width: 200px) 100v
1138w, 200px" />                            </div>
1139                            <h3>Paranoid London</h3>
1140                        </div>
1141                    </div>
1142                                    <div class="swiper-slide">
1143                        <div class="artista" data-id="316">
1144                            <div class="image cover">
1145                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/byetone-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/byetone.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/byetone-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/byetone-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/byetone-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/byetone-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/byetone-2048x1366.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/byetone-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/byetone-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/byetone-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/byetone-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/byetone-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/byetone-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/byetone-2048x1366.jpg 2048w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1146                            <h3>Byetone</h3>
1147                        </div>
1148                    </div>
1149                                    <div class="swiper-slide">
1150                        <div class="artista" data-id="312">
1151                            <div class="image cover">
1152                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-2048x1366.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/CORA-NOVOA.-FOTO-BY-BENOVA-STUDIO-scaled-1-2048x1366.jpg 2048w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1153                            <h3>Cora Novoa</h3>
1154                        </div>
1155                    </div>
1156                                    <div class="swiper-slide">
1157                        <div class="artista" data-id="330">
1158                            <div class="image cover">
1159                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/carlos-santana-200x200.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/carlos-santana.jpeg 1200w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-200x200.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/carlos-santana-200x200.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/carlos-santana.jpeg 1200w" sizes="auto, (max-width: 200px) 100v
1159w, 200px" />                            </div>
1160                            <h3>Carlos Santana (Dot CSV)</h3>
1161                        </div>
1162                    </div>
1163                                    <div class="swiper-slide">
1164                        <div class="artista" data-id="373">
1165                            <div class="image cover">
1166                                <img width="200" height="134" src="https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-200x134.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1.jpg 2560w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-768x513.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-1536x1025.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-2048x1367.jpg 2048w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-200x134.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-200x134.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-768x513.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-1536x1025.jpg 1536w, https://volumens.es/wp-content/uploads/2025/07/FELDERMELDER-Presskit5-scaled-1-2048x1367.jpg 2048w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1167                            <h3>Feldermelder</h3>
1168                        </div>
1169                    </div>
1170                                    <div class="swiper-slide">
1171                        <div class="artista" data-id="324">
1172                            <div class="image cover">
1173                                <img width="200" height="293" src="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-200x293.png" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29.png 1106w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-450x660.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-700x1027.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-768x1126.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-1047x1536.png 1047w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-200x293.png 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-200x293.png 200w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-450x660.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-700x1027.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-768x1126.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29-1047x1536.png 1047w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2022-09-14-a-las-19.08.29.png 1106w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1174                            <h3>Pépe</h3>
1175                        </div>
1176                    </div>
1177                                    <div class="swiper-slide">
1178                        <div class="artista" data-id="379">
1179                            <div class="image cover">
1180                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046.jpg 1500w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/IMG-20230515-WA0046.jpg 1500w" sizes="auto, (max-width: 200px) 100v
1180w, 200px" />                            </div>
1181                            <h3>Liquid Sky Analogic + Teslaradio</h3>
1182                        </div>
1183                    </div>
1184                                    <div class="swiper-slide">
1185                        <div class="artista" data-id="358">
1186                            <div class="image cover">
1187                                <img width="200" height="150" src="https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-200x150.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live.jpeg 1080w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-450x338.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-700x525.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-768x576.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-200x150.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-200x150.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-450x338.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-700x525.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live-768x576.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Spammerheads-live.jpeg 1080w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1188                            <h3>Spammerheads</h3>
1189                        </div>
1190                    </div>
1191                                    <div class="swiper-slide">
1192                        <div class="artista" data-id="376">
1193                            <div class="image cover">
1194                                <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-200x133.png" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25.png 2336w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-450x299.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-700x465.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-768x510.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-1536x1020.png 1536w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-2048x1361.png 2048w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-200x133.png 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-200x133.png 200w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-450x299.png 450w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-700x465.png 700w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-768x510.png 768w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-1536x1020.png 1536w, https://volumens.es/wp-content/uploads/2025/07/Captura-de-Pantalla-2023-08-22-a-las-13.39.25-2048x1361.png 2048w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1195                            <h3>Dot Zero Six</h3>
1196                        </div>
1197                    </div>
1198                                    <div class="swiper-slide">
1199                        <div class="artista" data-id="382">
1200                            <div class="image cover">
1201                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-200x200.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait.jpeg 600w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-200x200.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-200x200.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/FerranBelmon_portrait.jpeg 600w" sizes="auto, (max-width: 200px) 100v
1201w, 200px" />                            </div>
1202                            <h3>Ferran Belmon</h3>
1203                        </div>
1204                    </div>
1205                                    <div class="swiper-slide">
1206                        <div class="artista" data-id="338">
1207                            <div class="image cover">
1208                                <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-200x200.jpeg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden.jpeg 1594w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-1536x1536.jpeg 1536w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-200x200.jpeg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-200x200.jpeg 200w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-450x450.jpeg 450w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-700x700.jpeg 700w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-150x150.jpeg 150w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-768x768.jpeg 768w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden-1536x1536.jpeg 1536w, https://volumens.es/wp-content/uploads/2025/07/Andrae-Durden.jpeg 1594w" sizes="auto, (max-width: 200px) 100vw, 200px" />                            </div>
1209                            <h3>Naloxona</h3>
1210                        </div>
1211                    </div>
1212                            </div>
1213        </div>
1214    </div>
1215</div><div class="modulo modulo--line-up">
1216    <div class="modulo__container modulo--line-up__container">
1217                    <article class="article artista">
1218                <div class="article__container" data-id="309">
1219                    <h3 class="titulo">Nathan Fake</h3>
1220                    <div class="data">
1221                        <div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1222                </div>
1223            </article>
1224                    <article class="article artista">
1225                <div class="article__container" data-id="314">
1226                    <h3 class="titulo">Paranoid London</h3>
1227                    <div class="data">
1228                        <div class="set-wrapper"><span class="set lang--es">Live</span><span class="set lang--en">Live</span></div>                    </div>
1229                </div>
1230            </article>
1231                    <article class="article artista">
1232                <div class="article__container" data-id="316">
1233                    <h3 class="titulo">Byetone</h3>
1234                    <div class="data">
1235                        <div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1236                </div>
1237            </article>
1238                    <article class="article artista">
1239                <div class="article__container" data-id="312">
1240                    <h3 class="titulo">Cora Novoa</h3>
1241                    <div class="data">
1242                        <div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1243                </div>
1244            </article>
1245                    <article class="article charla">
1246                <div class="article__container" data-id="330">
1247                    <h3 class="titulo">Carlos Santana (Dot CSV)</h3>
1248                    <div class="data">
1249                        <div class="set-wrapper"><span class="set lang--es">Charla</span><span class="set lang--en">Talk</span></div>                    </div>
1250                </div>
1251            </article>
1252                    <article class="article artista">
1253                <div class="article__container" data-id="373">
1254                    <h3 class="titulo">Feldermelder</h3>
1255                    <div class="data">
1256                        <div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1257                </div>
1258            </article>
1259                    <article class="article artista">
1260                <div class="article__container" data-id="324">
1261                    <h3 class="titulo">Pépe</h3>
1262                    <div class="data">
1263                        <div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1264                </div>
1265            </article>
1266                    <article class="article artista">
1267                <div class="article__container" data-id="379">
1268                    <h3 class="titulo">Liquid Sky Analogic + Teslaradio</h3>
1269                    <div class="data">
1270                        <div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1271                </div>
1272            </article>
1273                    <article class="article artista">
1274                <div class="article__container" data-id="358">
1275                    <h3 class="titulo">Spammerheads</h3>
1276                    <div class="data">
1277                        <div class="set-wrapper"><span class="set lang--es">Live</span><span class="set lang--en">Live</span></div>                    </div>
1278                </div>
1279            </article>
1280                    <article class="article artista">
1281                <div class="article__container" data-id="376">
1282                    <h3 class="titulo">Dot Zero Six</h3>
1283                    <div class="data">
1284                        <span class="obra"><em>Boatnoa</em></span><div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1285                </div>
1286            </article>
1287                    <article class="article artista">
1288                <div class="article__container" data-id="338">
1289                    <h3 class="titulo">Naloxona</h3>
1290                    <div class="data">
1291                        <div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div><span class="info">Ecco Records</span>                    </div>
1292                </div>
1293            </article>
1294                    <article class="article artista">
1295                <div class="article__container" data-id="382">
1296                    <h3 class="titulo">Ferran Belmon</h3>
1297                    <div class="data">
1298                        <span class="obra"><em>Ciclic</em></span><div class="set-wrapper"><span class="set lang--es">Live AV</span><span class="set lang--en">Live AV</span></div>                    </div>
1299                </div>
1300            </article>
1301                    <article class="article artista">
1302                <div class="article__container" data-id="327">
1303                    <h3 class="titulo">IUPACC</h3>
1304                    <div class="data">
1305                        <div class="set-wrapper"><span class="set lang--es">DJ</span><span class="set lang--en">DJ</span></div>                    </div>
1306                </div>
1307            </article>
1308                    <article class="article artista">
1309                <div class="article__container" data-id="321">
1310                    <h3 class="titulo">Nathalie Magdenel</h3>
1311                    <div class="data">
1312                        <div class="set-wrapper"><span class="set lang--es">DJ</span><span class="set lang--en">DJ</span></div>                    </div>
1313                </div>
1314            </article>
1315                    <article class="article artista">
1316                <div class="article__container" data-id="367">
1317                    <h3 class="titulo">HEXXE</h3>
1318                    <div class="data">
1319                        <div class="set-wrapper"><span class="set lang--es">DJ</span><span class="set lang--en">DJ</span></div>                    </div>
1320                </div>
1321            </article>
1322                    <article class="article artista">
1323                <div class="article__container" data-id="364">
1324                    <h3 class="titulo">Ladrillovitz</h3>
1325                    <div class="data">
1326                        <div class="set-wrapper"><span class="set lang--es">DJ</span><span class="set lang--en">DJ</span></div>                    </div>
1327                </div>
1328            </article>
1329                    <article class="article artista">
1330                <div class="article__container" data-id="341">
1331                    <h3 class="titulo">TRS</h3>
1332                    <div class="data">
1333                        <div class="set-wrapper"><span class="set lang--es">DJ</span><span class="set lang--en">DJ</span></div>                    </div>
1334                </div>
1335            </article>
1336                    <article class="article artista">
1337                <div class="article__container" data-id="344">
1338                    <h3 class="titulo">laguerradelasgalaxias</h3>
1339                    <div class="data">
1340                        <div class="set-wrapper"><span class="set lang--es">DJ</span><span class="set lang--en">DJ</span></div>                    </div>
1341                </div>
1342            </article>
1343                    <article class="article instalacion">
1344                <div class="article__container" data-id="361">
1345                    <h3 class="titulo">Alicia Suay</h3>
1346                    <div class="data">
1347                        <div class="set-wrapper"><span class="set lang--es">VJ</span><span class="set lang--en">VJ</span></div>                    </div>
1348                </div>
1349            </article>
1350                    <article class="article charla">
1351                <div class="article__container" data-id="335">
1352                    <h3 class="titulo">Laura Ibáñez</h3>
1353                    <div class="data">
1354                        <div class="set-wrapper"><span class="set lang--es">Charla Demo</span><span class="set lang--en">Demo Talk</span></div>                    </div>
1355                </div>
1356            </article>
1357                    <article class="article charla">
1358                <div class="article__container" data-id="350">
1359                    <h3 class="titulo">Fausto Furioso</h3>
1360                    <div class="data">
1361                        <span class="obra"><em>Diseño con IA</em></span><div class="set-wrapper"><span class="set lang--es">Charla</span><span class="set lang--en">Talk</span></div>                    </div>
1362                </div>
1363            </article>
1364                    <article class="article charla">
1365                <div class="article__container" data-id="355">
1366                    <h3 class="titulo">Jéssica Travieso</h3>
1367                    <div class="data">
1368                        <span class="obra"><em>Diseño con IA</em></span><div class="set-wrapper"><span class="set lang--es">Charla</span><span class="set lang--en">Talk</span></div>                    </div>
1369                </div>
1370            </article>
1371                    <article class="article instalacion">
1372                <div class="article__container" data-id="391">
1373                    <h3 class="titulo">Campus AVM</h3>
1374                    <div class="data">
1375                        <div class="set-wrapper"><span class="set lang--es">Live AV + Instalación</span><span class="set lang--en">Live AV + Installation</span></div>                    </div>
1376                </div>
1377            </article>
1378                    <article class="article instalacion">
1379                <div class="article__container" data-id="388">
1380                    <h3 class="titulo">EASD</h3>
1381                    <div class="data">
1382                        <div class="set-wrapper"><span class="set lang--es">Instalación</span><span class="set lang--en">Installation</span></div>                    </div>
1383                </div>
1384            </article>
1385                    <article class="article instalacion">
1386                <div class="article__container" data-id="394">
1387                    <h3 class="titulo">Cine IA</h3>
1388                    <div class="data">
1389                                            </div>
1390                </div>
1391            </article>
1392                    <article class="article charla">
1393                <div class="article__container" data-id="347">
1394                    <h3 class="titulo">Minilab</h3>
1395                    <div class="data">
1396                        <span class="obra"><em>Fotonovela IA</em></span><div class="set-wrapper"><span class="set lang--es">Taller</span><span class="set lang--en">Workshop</span></div>                    </div>
1397                </div>
1398            </article>
1399                    <article class="article charla">
1400                <div class="article__container" data-id="370">
1401                    <h3 class="titulo">Audition</h3>
1402                    <div class="data">
1403                        <div class="set-wrapper"><span class="set lang--es">Entrevista</span><span class="set lang--en">Interview</span></div><span class="info">with Paranoid London</span>                    </div>
1404                </div>
1405            </article>
1406                    <article class="article charla">
1407                <div class="article__container" data-id="385">
1408                    <h3 class="titulo">Lasertalk</h3>
1409                    <div class="data">
1410                        <span class="obra"><em>Quantum Panorama</em></span><div class="set-wrapper"><span class="set lang--es">Charla</span><span class="set lang--en">Talk</span></div>                    </div>
1411                </div>
1412            </article>
1413            </div>
1414</div>                            </div>
1415                        </div>
1416                                    </div>
1417            </section>
1418                    <section id="locations" class="section">
1419                <div class="section__container">
1420                                            <div class="modulos">
1421                            <div class="modulos__container">
1422                                <div class="modulo modulo--localizaciones">
1423    <div class="modulo__container modulo--localizaciones__container">
1424        <div class="localizaciones">
1425                            <article class="localizacion">
1426                                            <a href="https://www.google.com/maps/place//data=!4m2!3m1!1s0xd604f4eba7ae70b:0x3666388269a1db03?sa=X&ved=1t:8290&ictx=111&cshid=1753269856016476" target="_blank" rel="noopener noreferrer" class="link">
1427                                        <div class="image cover">
1428                        <img width="200" height="150" src="https://volumens.es/wp-content/uploads/2025/07/Nathan-Fake-VOlumens-2023-200x150.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/Nathan-Fake-VOlumens-2023.jpg 667w, https://volumens.es/wp-content/uploads/2025/07/Nathan-Fake-VOlumens-2023-450x337.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/Nathan-Fake-VOlumens-2023-200x150.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/Nathan-Fake-VOlumens-2023-200x150.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/Nathan-Fake-VOlumens-2023-450x337.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/Nathan-Fake-VOlumens-2023.jpg 667w" sizes="auto, (max-width: 200px) 100v
1428w, 200px" />                    </div>
1429                    <div class="info">
1430                        <h4 class="titulo">ZEUS</h4>
1431                        <div class="direccion"><p>C/ de la Travesía, s/n, Base 1 de La Marina</p>
1432</div>
1433                    </div>
1434                                            </a>
1435                                    </article>
1436                            <article class="localizacion">
1437                                            <a href="https://www.google.com/maps/place/TEATRO+HOT/@39.4604558,-0.3355354,17z/data=!3m1!4b1!4m6!3m5!1s0xd604924d7ef25c1:0xdbb8f779d588c601!8m2!3d39.4604558!4d-0.3355354!16s%2Fg%2F11tcbl8yv3?entry=ttu&g_ep=EgoyMDI1MDcyMC4wIKXMDSoASAFQAw%3D%3D" target="_blank" rel="noopener noreferrer" class="link">
1438                                        <div class="image cover">
1439                        <img width="200" height="429" src="https://volumens.es/wp-content/uploads/2025/07/sala-hot-200x429.webp" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/sala-hot.webp 476w, https://volumens.es/wp-content/uploads/2025/07/sala-hot-450x964.webp 450w, https://volumens.es/wp-content/uploads/2025/07/sala-hot-200x429.webp 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/sala-hot-200x429.webp 200w, https://volumens.es/wp-content/uploads/2025/07/sala-hot-450x964.webp 450w, https://volumens.es/wp-content/uploads/2025/07/sala-hot.webp 476w" sizes="auto, (max-width: 200px) 100vw, 200px" />                    </div>
1440                    <div class="info">
1441                        <h4 class="titulo">Teatro Hot</h4>
1442                        <div class="direccion"><p>C/ del Pare Porta, 4</p>
1443</div>
1444                    </div>
1445                                            </a>
1446                                    </article>
1447                            <article class="localizacion">
1448                                            <a href="https://www.google.com/maps/place//data=!4m2!3m1!1s0xd604913704f06a7:0xd1f17ef45deb1474?sa=X&ved=1t:8290&ictx=111" target="_blank" rel="noopener noreferrer" class="link">
1449                                        <div class="image cover">
1450                        <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/07/la-mutant-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/07/la-mutant.jpg 1200w, https://volumens.es/wp-content/uploads/2025/07/la-mutant-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/la-mutant-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/la-mutant-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/la-mutant-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/07/la-mutant-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/07/la-mutant-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/07/la-mutant-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/07/la-mutant-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/07/la-mutant.jpg 1200w" sizes="auto, (max-width: 200px) 100vw, 200px" />                    </div>
1451                    <div class="info">
1452                        <h4 class="titulo">La Mutant</h4>
1453                        <div class="direccion"><p>C/ de Joan Verdeguer, 22, 24</p>
1454</div>
1455                    </div>
1456                                            </a>
1457                                    </article>
1458                            <article class="localizacion">
1459                                            <a href="https://maps.app.goo.gl/svEw9oQ9EQqcnfBM7" target="_blank" rel="noopener noreferrer" class="link">
1460                                        <div class="image cover">
1461                        <img width="200" height="133" src="https://volumens.es/wp-content/uploads/2025/06/las-naves-200x133.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/06/las-naves.jpg 2048w, https://volumens.es/wp-content/uploads/2025/06/las-naves-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/06/las-naves-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/06/las-naves-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/06/las-naves-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/06/las-naves-200x133.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/06/las-naves-200x133.jpg 200w, https://volumens.es/wp-content/uploads/2025/06/las-naves-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/06/las-naves-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/06/las-naves-768x512.jpg 768w, https://volumens.es/wp-content/uploads/2025/06/las-naves-1536x1024.jpg 1536w, https://volumens.es/wp-content/uploads/2025/06/las-naves.jpg 2048w" sizes="auto, (max-width: 200px) 100v
1461w, 200px" />                    </div>
1462                    <div class="info">
1463                        <h4 class="titulo">Las Naves</h4>
1464                        <div class="direccion"><p>C/ de Joan Verdeguer, 16</p>
1465</div>
1466                    </div>
1467                                            </a>
1468                                    </article>
1469                            <article class="localizacion">
1470                                            <a href="https://maps.app.goo.gl/UyHC99qffkuA1Eq77" target="_blank" rel="noopener noreferrer" class="link">
1471                                        <div class="image cover">
1472                        <img width="200" height="134" src="https://volumens.es/wp-content/uploads/2025/06/sala21_A-200x134.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2025/06/sala21_A.jpg 2000w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-768x513.jpg 768w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-1536x1025.jpg 1536w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-200x134.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2025/06/sala21_A-200x134.jpg 200w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-450x300.jpg 450w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-700x467.jpg 700w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-768x513.jpg 768w, https://volumens.es/wp-content/uploads/2025/06/sala21_A-1536x1025.jpg 1536w, https://volumens.es/wp-content/uploads/2025/06/sala21_A.jpg 2000w" sizes="auto, (max-width: 200px) 100vw, 200px" />                    </div>
1473                    <div class="info">
1474                        <h4 class="titulo">La Fábrica de Hielo</h4>
1475                        <div class="direccion"><p>C/ de Pavia, 37</p>
1476</div>
1477                    </div>
1478                                            </a>
1479                                    </article>
1480                    </div>
1481    </div>
1482</div>                            </div>
1483                        </div>
1484                                    </div>
1485            </section>
1486                    <section id="about" class="section">
1487                <div class="section__container">
1488                                            <div class="modulos">
1489                            <div class="modulos__container">
1490                                <div class="modulo modulo--about">
1491    <div class="modulo__container modulo--about__container">
1492        <div class="texto">
1493                            <div class="lang--es">
1494                    <p>Volumens es el festival de referencia en cultura digital y new media art de la Comunidad Valenciana, celebrado anualmente en Valencia desde 2015.</p>
1495<p>Su nombre encierra tres lecturas: <em>volumen</em>, vinculado al sonido; <em>lumens</em>, a la luz y la imagen; y <em>volúmenes</em>, a los espacios que acogen sus intervenciones.</p>
1496<p>El festival explora las intersecciones entre arte contemporáneo, música, ciencia y tecnología. Su objetivo es construir una plataforma abierta e inclusiva donde la curiosidad se sumerja en formas de creación únicas e innovadoras, a través de talleres, exposiciones, conferencias, espectáculos y, especialmente, conciertos.</p>
1497<p>Con la música como motor y una clara vocación de generar nuevas audiencias y resignificar los espacios que ocupa, el festival ha intervenido algunos de los enclaves más emblemáticos de Valencia, como el Palau de la Música, Bombas Gens, el MuVIM, el Centre del Carme de Cultura Contemporània, la Base de La Marina, el Teatre El Musical, la Ciutat de les Arts i les Ciències, La Mutant, Las Naves o La Fábrica de Hielo.</p>
1498                </div>
1499                            <div class="lang--en">
1500                    <p>Volumens is the leading festival for digital culture and new media art in the Valencian Community, held annually in Valencia since 2015.</p>
1501<p>Its name holds three meanings: <em>volume</em>, referring to sound; <em>lumens</em>, to light and image; and <em>volumes</em>, to the spaces that host its interventions.</p>
1502<p>The festival explores the intersections between contemporary art, music, science, and technology. Its aim is to build an open and inclusive platform where curiosity immerses itself in unique and innovative forms of creation through workshops, exhibitions, talks, performances, and, above all, concerts.</p>
1503<p>With music as its driving force and a clear commitment to reaching new audiences and reshaping the spaces it occupies, the festival has activated some of Valencia’s most iconic venues, including Palau de la Música, Bombas Gens, MuVIM, Centre del Carme de Cultura Contemporània, La Marina’s Base, Teatre El Musical, the City of Arts and Sciences, La Mutant, Las Naves, and La Fábrica de Hielo.</p>
1504                </div>
1505                            <a href="mailto:[email protected]" class="email">[email protected]</a>
1506                    </div>
1507    </div>
1508    <div class="ediciones">
1509        <p class="titulo-seccion"><span class="lang--es">Otras ediciones</span><span class="lang--en">Other editions</span></p>
1510        <div class="ediciones__container">
1511                            <article class="edicion">
1512                    <a href="https://volumens.es/v09-2015-2025/" class="edicion__container">
1513                        <div class="image cover">
1514                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vol-25-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vol-25.jpg 884w, https://volumens.es/wp-content/uploads/2026/06/vol-25-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-25-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-25-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-25-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-25-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vol-25-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vol-25-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-25-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-25-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-25-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-25.jpg 884w" sizes="auto, (max-width: 200px) 100v
1514w, 200px" />                        </div>
1515                        <h3 class="titulo">V09 2015→2025</h3>
1516                    </a>
1517                </article>
1518                            <article class="edicion">
1519                    <a href="https://volumens.es/2024-ecosystem/" class="edicion__container">
1520                        <div class="image cover">
1521                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vol-24-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vol-24.jpg 884w, https://volumens.es/wp-content/uploads/2026/06/vol-24-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-24-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-24-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-24-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-24-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vol-24-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vol-24-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-24-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-24-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-24-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-24.jpg 884w" sizes="auto, (max-width: 200px) 100vw, 200px" />                        </div>
1522                        <h3 class="titulo">2024 Ecosystem</h3>
1523                    </a>
1524                </article>
1525                            <article class="edicion">
1526                    <a href="https://volumens.es/2022-v06/" class="edicion__container">
1527                        <div class="image cover">
1528                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vol-22-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vol-22.jpg 884w, https://volumens.es/wp-content/uploads/2026/06/vol-22-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-22-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-22-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-22-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-22-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vol-22-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vol-22-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-22-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-22-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-22-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-22.jpg 884w" sizes="auto, (max-width: 200px) 100vw, 200px" />                        </div>
1529                        <h3 class="titulo">2022 VO6</h3>
1530                    </a>
1531                </article>
1532                            <article class="edicion">
1533                    <a href="https://volumens.es/2021-vo5/" class="edicion__container">
1534                        <div class="image cover">
1535                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vo-21-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vo-21.jpg 1241w, https://volumens.es/wp-content/uploads/2026/06/vo-21-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vo-21-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vo-21-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vo-21-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vo-21-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vo-21-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vo-21-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vo-21-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vo-21-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vo-21-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vo-21.jpg 1241w" sizes="auto, (max-width: 200px) 100v
1535w, 200px" />                        </div>
1536                        <h3 class="titulo">2021 VO5</h3>
1537                    </a>
1538                </article>
1539                            <article class="edicion">
1540                    <a href="https://volumens.es/2020-reset/" class="edicion__container">
1541                        <div class="image cover">
1542                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vol-reset-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vol-reset.jpg 844w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vol-reset-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-reset-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-reset.jpg 844w" sizes="auto, (max-width: 200px) 100vw, 200px" />                        </div>
1543                        <h3 class="titulo">2020 Reset</h3>
1544                    </a>
1545                </article>
1546                            <article class="edicion">
1547                    <a href="https://volumens.es/2019-iii/" class="edicion__container">
1548                        <div class="image cover">
1549                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vol-19-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vol-19.jpg 844w, https://volumens.es/wp-content/uploads/2026/06/vol-19-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-19-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-19-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-19-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-19-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vol-19-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vol-19-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-19-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-19-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-19-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-19.jpg 844w" sizes="auto, (max-width: 200px) 100vw, 200px" />                        </div>
1550                        <h3 class="titulo">2019 VOIII</h3>
1551                    </a>
1552                </article>
1553                            <article class="edicion">
1554                    <a href="https://volumens.es/2018-voii/" class="edicion__container">
1555                        <div class="image cover">
1556                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vol-18-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vol-18.jpg 884w, https://volumens.es/wp-content/uploads/2026/06/vol-18-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-18-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-18-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-18-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-18-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vol-18-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vol-18-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-18-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-18-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-18-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-18.jpg 884w" sizes="auto, (max-width: 200px) 100v
1556w, 200px" />                        </div>
1557                        <h3 class="titulo">2018 VOII</h3>
1558                    </a>
1559                </article>
1560                            <article class="edicion">
1561                    <a href="https://volumens.es/2018-day/" class="edicion__container">
1562                        <div class="image cover">
1563                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vol-18-day-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vol-18-day.jpg 884w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vol-18-day-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vol-18-day.jpg 884w" sizes="auto, (max-width: 200px) 100vw, 200px" />                        </div>
1564                        <h3 class="titulo">2018 DAY</h3>
1565                    </a>
1566                </article>
1567                            <article class="edicion">
1568                    <a href="https://volumens.es/2015-voi/" class="edicion__container">
1569                        <div class="image cover">
1570                            <img width="200" height="200" src="https://volumens.es/wp-content/uploads/2026/06/vo-01-200x200.jpg" class="lazyload" alt="" data-sizes="auto" data-srcset="https://volumens.es/wp-content/uploads/2026/06/vo-01.jpg 1241w, https://volumens.es/wp-content/uploads/2026/06/vo-01-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vo-01-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vo-01-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vo-01-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vo-01-200x200.jpg 200w" decoding="async" loading="lazy" srcset="https://volumens.es/wp-content/uploads/2026/06/vo-01-200x200.jpg 200w, https://volumens.es/wp-content/uploads/2026/06/vo-01-450x450.jpg 450w, https://volumens.es/wp-content/uploads/2026/06/vo-01-700x700.jpg 700w, https://volumens.es/wp-content/uploads/2026/06/vo-01-150x150.jpg 150w, https://volumens.es/wp-content/uploads/2026/06/vo-01-768x768.jpg 768w, https://volumens.es/wp-content/uploads/2026/06/vo-01.jpg 1241w" sizes="auto, (max-width: 200px) 100vw, 200px" />                        </div>
1571                        <h3 class="titulo">2015 VOI</h3>
1572                    </a>
1573                </article>
1574                    </div>
1575    </div>
1576</div>                            </div>
1577                        </div>
1578                                    </div>
1579            </section>
1580            </div>
1581</main>
1582
1583    <footer class="footer">
1584		<div class="footer__container">
1585            <div class="row">
1586                <p class="copyright">Volumens &copy;2026</p>
1587                                    <a href="mailto:[email protected]" class="email">[email protected]</a>
1588                            </div>
1589            <ul class="menu">
1590                                    <li class="item"><a href="https://volumens.bandcamp.com/" target="_blank" rel="noopener noreferrer">Shop</a></li>
1591                                    <li class="item"><a href="https://www.instagram.com/volumensfest/" target="_blank" rel="noopener noreferrer">Instagram</a></li>
1592                                    <li class="item"><a href="https://x.com/VolumensFest" target="_blank" rel="noopener noreferrer">Twitter</a></li>
1593                                    <li class="item"><a href="https://www.facebook.com/VolumensFestivalOfficialPage/" target="_blank" rel="noopener noreferrer">Facebook</a></li>
1594                                    <li class="item"><a href="https://www.linkedin.com/company/volumens-festival/" target="_blank" rel="noopener noreferrer">LinkedIn</a></li>
1595                                    <li class="item"><a href="https://www.youtube.com/channel/UC0MZx7cHe8Z0FNjQ5JIew_g" target="_blank" rel="noopener noreferrer">YouTube</a></li>
1596                            </ul>
1597        </div>
1598    </footer>
1599	
1599<script type="speculationrules">
1600{"prefetch":[{"source":"document","where":{"and":[{"href_matches":"/*"},{"not":{"href_matches":["/wp-*.php","/wp-admin/*","/wp-content/uploads/*","/wp-content/*","/wp-content/plugins/*","/wp-content/themes/vol25/*","/*\\?(.+)"]}},{"not":{"selector_matches":"a[rel~=\"nofollow\"]"}},{"not":{"selector_matches":".no-prefetch, .no-prefetch a"}}]},"eagerness":"conservative"}]}
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1601
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vendor: 1 bytes, line 1604
1604
1605<script type="module">
1606/*! This file is auto-generated */
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1609
1610</body>
1611</html>
1612<style>
1613        body {
1614        background: #000000;
1615        color: #75fb4c;
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1617
1618    .header .nav {
1619        background: #000000;
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1621
1622    .header .menu .item a {
1623        background: #000000;
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1625
1626    .header .menu .item a.active {
1627        background: #232323;
1628    }
1629
1630    .hero {
1631        background: #75fb4c;
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1633
1634    .popup .link {
1635        border: 1px solid #75fb4c    }
1636
1637    .popup .link:hover {
1638        border: 1px solid #232323;
1639        background: #232323    }
1640
1641    .modulo--destacados .swiper-slide {
1642        background: #000000;
1643    }
1644
1645    .modulo--programa .evento {
1646        background: #000000;
1647    }
1648
1649    .modulo--programa .precio.link {
1650       background: #75fb4c;
1651       color: #000000;
1652    }
1653
1654    .modulo--programa .precio.free {
1655        border: 1px solid #75fb4c;
1656    }
1657
1658    .modulo--programa .precio.link:hover {;
1659        background: #232323;
1660        color: #75fb4c;
1661    }
1662
1663    .modulo--localizaciones .localizaciones .localizacion {
1664        background: #000000;
1665    }
1666
1667    .modulo--tickets .precio {
1668        background: #75fb4c;
1669        color: #000000;
1670    }
1671
1672    .modulo--tickets .ticket .precio:hover {
1673        background: #232323;
1674        color: #75fb4c;
1675    }
1676
1677    .modulo--tickets .ticket .precio.block {
1678        background: #000000;
1679        color: #75fb4c;
1680        border: 1px solid #75fb4c;
1681        pointer-events: none;
1682    }
1683
1684    .modulo--about .email {
1685        border: 1px solid #75fb4c;
1686    }
1687
1688    .modulo--about .email:hover {
1689        border: 1px solid #232323;
1690        background: #232323;
1691    }
1692
1693    .modulo--patrocinadores .icon svg path:not(.flag) {
1694        fill: #75fb4c    }
1695
1696    .footer {
1697        background: #232323;
1698    }
1699</style>

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