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165						<a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/index.php">Carine Gutlerner, pianiste - site officiel</a>
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179				<ul class="menu"><li id="current" class="active item3"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/"><span>Home</span></a></li><li class="item5"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/Biography/bio.html"><span>Biography</span></a></li><li class="item2"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/Piano/"><span>Piano </span></a></li><li class="item6"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/Composition/"><span>Composition</span></a></li><li class="item7"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/Choirs/"><span>Choirs</span></a></li><li class="item8"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/Dessins/dessins.html"><span>Violon d'Ingres</span></a></li><li class="item9"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/contact.html"><span>Contact</span></a></li></ul>
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218<td style="vertical-align: bottom;"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/biography"><img src="./files/photo-carine-gutlerner-2019.jpg" border="0" alt="Carine Gutlerner - pianiste" width="250" height="373" style="vertical-align: baseline; border: 0px none;"></a></td>
219<td style="vertical-align: bottom;"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/choirs"><img src="./files/photo-home3.jpg" border="0" alt="Chorales de Carine Gutlerner" width="170" height="113" style="border: 0px none; vertical-align: bottom;"></a></td>
220<td style="vertical-align: bottom;"><a href="https://web.archive.org/web/20240715105027/http://carinegutlerner.com/en/violon-dingres"><img src="./files/073-2.jpg" border="0" alt="Dessins - Carine Gutlerner" width="113" height="170" style="vertical-align: bottom; border: 0px none currentColor;"></a></td>
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224<p>&nbsp;</p>
225<p><strong><span style="font-size: medium;"><span style="background-color: #f8f2e6;"><span style="font-size: large;">•</span> P</span></span>ianist</strong> <em>(recitals at Carnegie Hall)</em><strong>, <span style="font-size: medium;">C</span>horal Conductor, <span style="font-size: medium;">C</span>omposer</strong> <em>(film music : « Anne Frank’s Diary », « Paul Delvaux : carnets de croquis et toiles»,&nbsp;<span style="color: #000000; font-size: 12.16px; font-style: italic;"> </span><span style="color: #000000; font-size: 12.16px; font-style: italic;">« </span><span style="color: #000000; font-size: 12.16px; font-style: italic;">Nana </span><span style="color: #000000; font-size: 12.16px; font-style: italic;">
225» ...</span>)</em> <strong>,</strong><span style="font-size: medium;"> <strong>D</strong></span><strong>octor of Musical Arts in Piano Performance </strong>— has earned many First Prizes including those in Piano, in Choral Conducting,&nbsp; in Chamber Music and in Music History at the Royal Conservatory of Music of Brussels (Belgium). In the United States, she attained a Master’s degree in Choral Conducting, a Master’s degree in Piano Performance and a Doctorate of Musical Arts (D.M.A.) in Piano Performance . . .</p>
226<p><span style="color: #0000ff;"><span style="font-size: xx-large;"><span style="font-family: &quot;arial black&quot;, &quot;avant garde&quot;;">_____________ </span></span></span><span style="color: #ee5311;"><span style="font-size: large;"><span style="font-size: x-large;"><span style="font-size: large;"><span style="font-size: x-large;"> </span></span></span></span></span></p>
227<p><span style="color: #800000;"><span style="font-size: large;"><span style="font-size: x-large;"><span style="font-size: x-small;"><span style="color: #ffcc99;">.</span></span> </span></span></span></p>
228<p><span style="color: #800000;"><span style="font-size: large;"><span style="font-size: x-large;"> </span></span></span></p>
229<p><span style="color: #ef2a0f;"><strong><span style="font-size: x-large;"><span style="font-style: italic;">«</span></span><span style="font-size: large;"><span style="font-style: italic;"> </span></span><span style="font-size: x-large;"><span style="background-color: #ffffff;"><span style="font-style: italic;"><span style="font-size: large;">P</span></span></span><span style="background-color: #ffffff;"><span style="font-style: italic;"><span style="font-size: medium;">i</span></span></span></span><span style="font-size: medium;"><span style="background-color: #ffffff;"><span style="font-style: italic;">anist Carine Gutlerner's comet passes through again.</span></span></span></strong></span><span style="font-size: medium;"><span style="color: #000000; font-style: italic;"><span style="color: #000000;"> </span></span></span></p>
230<p><span style="font-size: medium;"><span style="color: #000000; font-style: italic;">At <strong>C</strong>arnegie <strong>H</strong>all</span></span><span style="color: #000000; font-size: 12.16px; font-style: italic;">, she made a stirring return <span style="color: #000000; font-size: 12.16px; font-style: italic;"> (...)</span>. The audience was clearly drawn in as much by her commanding playing as by the evening's outstanding choice of repertoire. <span style="color: #000000; font-size: 12.16px; font-style: italic;">»</span> </span><span style="color: #000000; font-size: 12.16px; font-style: italic;"><span style="color: #666699;"><span style="font-size: small;"> <em><a href="https://web.archive.org/web/20240715105027/https://www.norwegianamerican.com/edvard-grieg-society-brings-world-class-music-to-nyc/" target="_blank" title="Rolf Kristian Stang. The Norwegian American " style="color: #0000cc; text-decoration-line: underline; font-style: italic;">Rolf Kristian Stang,&nbsp;The Norwegian American</a>.</em><em> </em><span style="color: #666699;">New York</span></span></span></span></p>
231<p><span style="color: #000000; font-size: 12.16px; font-style: italic;"><span style="color: #666699;"><span style="font-size: small;"><br></span></span></span></p>
232<p><span style="color: #993300; font-size: large;"><span style="color: #993300; font-size: x-large;"> </span></span></p>
233<p><span style="color: #000000;"><em><span style="font-size: medium;"><span style="font-size: 12.16px; font-style: italic;">« </span></span><span style="font-size: medium;"><strong><span style="font-family: &quot;comic sans ms&quot;, sans-serif;">H</span></strong></span>er playing is assured and geared to the cult of the solo pianist&nbsp;in complete control (…)</em> a Sturm und Drang artist<em>, capable of offering genuine moments of calm and tenderness.&nbsp;<span style="font-size: 12.16px; font-style: italic;">»</span></em></span><span style="color: #00ffff;"><em><span style="font-size: 12.16px; font-style: italic;"> </span></em></span><span style="color: #666699;"> </span><span style="color: #666699;"> </span><span style="color: #666699;">Barry L. Cohen, <em>New Music Connoisseur. </em></span></p>
234<p><em><br></em></p>
235<p><span style="color: #000000;"><em><span style="font-size: medium;"><span style="font-size: 12.16px; font-style: italic;">« </span><strong><span style="font-family: &quot;comic sans ms&quot;, sans-serif;">A</span></strong></span>fter a superb recording, dedicated to Franck and Mussorgsky, Carine Gutlerner pursues an amazing path – solitary as most of the true artists indeed – but with a dimension that would be like a quest of a universe both musical and spiritual at the same time.</em> <span style="font-size: 12.16px; font-style: italic;">»</span> </span><span style="color: #666699;">Stéphane Friédérich, <em>Pianiste. </em></span></p>
236<p>&nbsp;</p>
237<p><span style="color: #000000;"><span style="font-size: 12.16px; font-style: italic;">« </span><em><span style="font-size: medium;"><strong><span style="font-family: &quot;comic sans ms&quot;, sans-serif;">M</span></strong></span>asterly playing combining power and polish with the intimacy of a salon.</em> <span style="font-size: 12.16px; font-style: italic;">»</span><strong><span style="font-size: 12.16px; font-style: italic;"> </span></strong></span><span style="color: #666699;"><span style="font-size: 12.16px;">Robert S. Clark,</span> <em>The Hudson Review</em></span><span style="color: #666699;"> </span></p>
238<p>&nbsp;</p>
239<p><span style="color: #000000;"><span style="font-size: 12.16px; font-style: italic;">« </span></span><em><span style="color: #000000;"><strong><span style="font-size: medium;">C</span></strong>arine  Gutlerner’s mastership and refinement. The audience was completely  conquered by a grandiose musical performance, still asking for more. The  variations on the greatest composers gave the dimension of this very  exceptional artist.</span></em> <em><span style="color: #666699;">La Dépêche du Midi</span></em></p>
240<p><em><em><span style="color: #ffffff;">. </span></em> </em></p>
241<p><span style="color: #000000;"><span style="font-size: 12.16px; font-style: italic;">«<strong><span style="font-size: medium;"> </span></strong></span></span><strong><span style="font-size: medium;"><em><span style="color: #000000;"> </span></em></span></strong><span style="color: #000000;"><em><strong><span style="font-size: medium;">C</span></strong>arine  Gutlerner is a citizen of the world and a talented music ambassador,  who appeared in countless cities. Carnegie Hall was filled to  capacity. At the conclusion of the concert, the audience gave her an  enormous applause and everyone hopes to hear her soon again.</em></span><span style="color: #666699;"><em> </em><em> <em> </em></em>Else Hvitendahl, <em><em><em>Norwegian American Weekly</em></em></em></span></p>
242<p><em><em><span style="color: #ffffff;">. </span></em><br></em></p>
243<p><strong> </strong></p>
244<p><span style="color: #000000;"><span style="font-size: 12.16px; font-style: italic;">«<strong><span style="font-size: medium;"> </span></strong></span></span><em><span style="font-size: medium;"><strong>H</strong></span>er playing of the Brahms pieces was exceptional.</em> <span style="color: #666699;">Jeffrey Williams, </span><em><span style="color: #666699;">New York Concert Review</span></em><br> <em> </em></p>
245<p><strong><em><span style="color: #ffffff;">. </span></em> </strong></p>
246<p><span style="color: #000000;"><span style="font-size: 12.16px; font-style: italic;">«<strong> </strong></span></span><em><span style="font-size: medium;"><strong>C</strong></span>arine Gutlerner’s touch works wonders: she perfectly captures every single idea in music. Masterly playing in all aspect !</em><span style="color: #666699;"> Roger Bouchard,<em> La Renaissance</em></span></p>
247<p><span style="color: #666699;"><em><br></em></span></p>
248<p><span style="font-size: large;"><span style="color: #0000ff;">•</span><strong><span style="color: #0000ff;"> </span></strong><a href="https://web.archive.org/web/20240715105027/https://www.youtube.com/channel/UCzIa-p7oohPPp_GEB00caVg" target="_blank" title="YOUTUBE CHANNEL"><strong><span style="color: #0000ff;"><span style="font-size: x-large;">Y</span>OUTUBE CHANNEL</span></strong></a></span></p>
249<p><strong><span style="color: #0000ff;"><br></span></strong></p>
250<p><span style="color: #666699;"><em><strong><span style="color: #000000;"><span style="font-size: small;">------------------- </span></span></strong></em></span></p>
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