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1<meta name="next-size-adjust" content=""/><title>Exhibitors | Waza WazaâIga Art Book Fair</title><meta name="description" content="The exhibitors of Waza WazaâIga Art Book Fair 2026: artists, publishers, and makers of art books, photobooks, and zines from Japan and abroad. åºå±ä½å®¶ä¸è¦§ã"/><meta name="keywords" content="art book fair,art book fair Japan,Waza Waza,artist books,independent publishing,zine fair,contemporary art event,Japanese art,Iga Mie,Iga City,Sukodo,å´åºå ,æ§å´åºå ,ä¼è³,ä¼è³å¸,ä¼è³ä¸é,ä¼è³å¸ ã¤ãã³ã,ä¼è³ ã¢ã¼ãã¤ãã³ã,å´åºå ã¤ãã³ã,ä¸éç ã¢ã¼ãããã¯ãã§ã¢,ä¼è³ æåã¤ãã³ã,ä¼è³ 峿¸é¤¨,å´åºå 峿¸é¤¨,ä¸éçæå¤ã®å
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transform: translateX(28px); } to { opacity: 1; transform: none; } } 3@keyframes em-rise { from { opacity: 0; transform: translateY(14px); } to { opacity: 1; transform: none; } } 4@media (prefers-reduced-motion: reduce) { .em-anim { animation: none !important; } } 5</style><div class="cursor-grab overflow-x-auto [direction:rtl] active:cursor-grabbing" style="scrollbar-width:thin"><div class="em-anim relative flex h-[calc(100vh-3.5rem)] w-max items-stretch bg-light shadow-[0_20px_60px_rgba(0,10,3,0.16)]" style="animation:em-open 1.2s cubic-bezier(0.22,1,0.36,1) both"><span aria-hidden="true" class="pointer-events-none absolute inset-0 opacity-[0.05] mix-blend-multiply" style="background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='140' height='140'%3E%3Cfilter id='p'%3E%3CfeTurbulence type='fractalNoise' baseFrequency='0.85' numOctaves='2' stitchTiles='stitch'/%3E%3C/filter%3E%3Crect width='100%25' height='100%25' filter='url(%23p)'/%3E%3C/svg%3E");background-size:140px 140px"></span><span aria-hidden="true" class="my-3 w-2 shrink-0 rounded-full bg-dark/85"></span><div class="flex shrink-0 flex-row-reverse items-center gap-9 px-14 [direction:ltr]"><div class="em-anim self-center border border-dark/20 p-[3px]" style="animation:em-rise 0.9s ease-out 0.25s both"><h1 class="border border-dark/40 px-3.5 py-8 font-serif text-3xl font-bold tracking-[0.3em] text-dark [writing-mode:vertical-rl]">åºå±è 絵巻</h1></div><p class="em-anim font-serif text-xl font-bold leading-loose tracking-widest text-dark/85 [writing-mode:vertical-rl]" style="animation:em-rise 0.9s ease-out 0.45s both">è¦ããã¨ã®ãªãæ¬ã«ãåºä¼ãã</p><p class="em-anim self-start pt-14 font-serif text-sm leading-loose tracking-wide text-dark/60 [writing-mode:vertical-rl]" style="animation:em-rise 0.9s ease-out 0.62s both">38<!-- -->çµã®ä½ãæã<!-- -->6<!-- -->ã®å½ã¨å°åããã</p><p class="em-anim self-end pb-32 font-sans text-[11px] uppercase tracking-[0.3em] text-dark/40 [writing-mode:vertical-rl]" style="animation:em-rise 0.9s ease-out 0.78s both">Waza WazaâIga Art Book Fair 2026</p></div><a href="/exhibitors/gato" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">&gato.</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãã¤ã³ã¿ã¼ãããä¸ã®æ å ±ãçµ¶ããæµãå»ã£ã¦ããã®ã«å¯¾ããç´é¢ã«ä¹ãæ å ±ã¯ãèªã¿æããããã®ãã¼ã¹ã§ãã£ããã¨ä¼ãã£ã¦ããã¾ããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/gato/02.jpg" alt="&gato." loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/0x8x0_no" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">0x8x0_no</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãç§ã®ä½åã¥ããã®æ ¹åºã«ã¯ãæç©ºã®ã¬ã¤ã¤ã¼ã¨ç¡æèã
5®åæããããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/0x8x0_no/02.jpg" alt="0x8x0_no" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/51-personae" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">51 Personae</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">ä¸å½</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ããã®æå³ã§æ¬ã¯ãèªãããã®å¯¾è±¡ã§ããã ãã§ãªããç°ãªã人çã»å°çã»æéãæå³ããã£ã¦æããããã䏿çãªéãã®å ´ã§ãããã¾ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/51-personae/02.jpg" alt="51 Personae" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/angelica-ong" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">Angelica Ong çææ </h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">ã·ã³ã¬ãã¼ã«</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãç§ãããããã¢ã¼ãã£ã¹ãããã¯ãã¤ããã®ã¯ãç©ççãªå½¢å¼ãã®ãã®ããä½åã®åãåããæ¹ãå¤ããããã§ããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/angelica-ong/02.jpg" alt="Angelica Ong çææ " loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/anna-darab" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">Anna Darab</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">ã¤ã©ã³</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãè©©ã¨ã¯ãæ¬ãæã«ãæ³åãç¾½ã°ããããªãããå¤ãã¯ä¸äººããã®éããã®ä¸ã§èªããã®ã§ããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/anna-darab/02.jpg" alt="Anna Darab" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/aprilbooks" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">AprilBooks</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãã¤ã³ã¿ã¼ãããã«ã¯ãªããéé³ã¨æããä¸ãããèªåã¨ææ§ã®åãæ¬ãæ¢ããã¨ãã§ããåã³ããã©ã¦ã³ã¸ã³ã°æ©è½ã®ããå½¢æ
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[writing-mode:vertical-rl]">ãç§ãã¡ã«ã¨ã£ã¦æ¬ã¯ã追ããããæªç©ã確ãã«ããã«ãããã¨ãã証ã§ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/iceberg/03.jpg" alt="I.CEBERG" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/jaron-menzimer" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">Jaron Menzimer</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">ã¢ã¡ãªã«</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ããã®ä½åéã¯ã¨ãããã人ã¨äººã¨ã®ã¤ãªããã¯ã©ãã«ã§ãè¦åºããåãã¡åããã¨ãããã¨ãæ¢ç©¶ãã¦ãã¾ããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/jaron-menzimer/03.jpg" alt="Jaron Menzimer" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/kitai" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">kitai</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãèªåã®æ£ç¾©ããä¸ç¹å®å¤æ°ãè¦ã¦ãã SNS ä¸ã«çºä¿¡ãããã¨ã§èª°ããå¦å®ãã¦ãã¾ãå¯è½æ§ãããã¨æãããã¤ãæ°ã使ã£ãæç« ããæ¸ããªããã¨ã«ã¢ã¤ã¢ã¤ãã¦ãã¾ãããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/kitai/01.jpg" alt="kitai" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/naomi-murakami" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">Naomi Murakami</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãç¾å¨ããæç´ãããã¼ãã«ããæªçºè¡¨ã®ã¢ã¼ãã£ã¹ãããã¯ã»ããã¸ã§ã¯ããé²ãã¦ãã¾ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/naomi-murakami/02.jpg" alt="Naomi Murakami" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div><span class="ml-2 mr-6 flex items-center" aria-hidden="true"><span class="h-[34vh] w-24 self-start rounded-b-full bg-sage/70"></span><span class="-ml-10 h-[26vh] w-32 self-end rounded-t-full bg-sage/50"></span></span></a><a href="/exhibitors/nekoba" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors 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5ãä»ã¯ãã©ããªãã®ã§ãããã«ã¢ãããã¼ãããã¦ãã³ãã¼ããã¦ãæµãã¦ãã£ã¦ãã¾ãæä»£ã ãã©ãã ããããç§ã¯ãçè·¡ãæ®ããã¨ãã大äºã«ãããã¨æã£ã¦ãã¾ããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/nekoba/03.jpg" alt="nekoba" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/nessie" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">NESSIE</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãæ¬ï¼ãããªãæ¬ï¼ã¨ããç©è³ªçãªåªä½ã§æ®ãã¦ãããã¨ãã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/nessie/01.jpg" alt="NESSIE" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/polly-fossey" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">Polly Fossey</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">ã¢ã¡ãªã«</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãç§ãæ¥æ¬èªãå¦ã¶ãã¨ã«å®ç¨çã»çµæ¸çãªçç±ããªãã®ã¨åãããã«ãããã»ã©æéã®ãããæ¬ãä½ããã¨ã«ãå®ç¨çã»çµæ¸çãªçç±ã¯ããã¾ãããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/polly-fossey/04.jpg" alt="Polly Fossey" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/ppp-site" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">PPP site</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-sm max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãã¤ã³ã¿ã¼ããããå»ããæªæ¥ãèããã¨ãæ¸ç±ã¨ããå½¢æ
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ã«æ®ãç§çãªè²¡ç£ã«ãªããã¨ããæ¬ãä½ãçç±ã®ä¸ã¤ã ã¨èãã¦ãã¾ããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/ppp-site/03.jpg" alt="PPP site" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/sohei-terui" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">Sohei Terui</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãå±±å·èæ¨æçæä»ãã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/sohei-terui/01.jpg" alt="Sohei Terui" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/stairs-press" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">STAIRS PRESS</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãåçãè¦ãã ããªããç»é¢ã§ãååããããã¾ãããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/stairs-press/04.jpg" alt="STAIRS PRESS" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div><span class="ml-2 mr-6 flex items-center" aria-hidden="true"><span class="h-[34vh] w-24 self-start rounded-b-full bg-sage/70"></span><span class="-ml-10 h-[26vh] w-32 self-end rounded-t-full bg-sage/50"></span></span></a><a href="/exhibitors/twelvebooks" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">twelvebooks</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãæ®ãï¼ã¢ã¼ã«ã¤ããããç¶æ¿ããã¦ããï¼ãã®ã ãããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/twelvebooks/02.jpg" alt="twelvebooks" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a>
5<a href="/exhibitors/written-by-daniel" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">Written by Daniel</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">ã¢ã¡ãªã«</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãç§ã«ã¨ã£ã¦ããã®ããããããã¨ããæ¦å¿µã¯ãä½ãæãä»äºã«æ³¨ãæéã®ããæ¹ãç©èªãããããããã£ã¦ããã¤ãåºä¼ãèªè
ã¸ã®å¿ã¥ãããä¼ãããã®ã ã¨æãã¾ããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/written-by-daniel/03.jpg" alt="Written by Daniel" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/arica_shop" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ã¢ãªã«</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãç´ã¸ã®ãã ãããªã©ã¯ãå®ç©ãã¿ããã¨ã§ããããããªãããã§ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/arica_shop/01.jpg" alt="ã¢ãªã«" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/michiko_skylla" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ãã¡ã ãã¿ã¡ã</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ããã¸ã¿ã«åã®æä»£ã§ãããç´ã®æ¬ãæ²ãæè§¦ãã¨ãè¦éãã«ããã¨çµµã¨è©©ã®ä¸ç観ãåºããããã«ã¨ã®æãã§ãæã«åããããæ¨ªA5çãµã¤ãºã®è©©ç»éãä½ãã¾ãããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/michiko_skylla/01.jpg" alt="ãã¡ã ãã¿ã¡ã" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/okko_osa" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ãªãã³</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ã表ç¾è
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ãæã¤åæ§çã§å®é¨çãªã¢ã¤ãã¢ãå¸å ´ã«éãåºãã¦ãã¾ããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/okko_osa/01.jpg" alt="ãªãã³" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/tamayurayu" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ãã¾ããæ¹¯</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ããªãèªåã¯ããã人ã«å±ãããã®ãããããä¼ããã«ã¯ãèªåã¨ãã£ããåãåãæéãããã»ã©ã人ã®å¥¥ã®ã»ãã«å±ãã®ã§ã¯ãªããââããèããªã
5ãçµã¿ç«ã¦ã¦ããå·¥ç¨ã大åã«ãã¦ãã¾ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/tamayurayu/01.jpg" alt="ãã¾ããæ¹¯" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div><span class="ml-2 mr-6 flex items-center" aria-hidden="true"><span class="h-[34vh] w-24 self-start rounded-b-full bg-sage/70"></span><span class="-ml-10 h-[26vh] w-32 self-end rounded-t-full bg-sage/50"></span></span></a><a href="/exhibitors/yutai_9" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ãã£ãã¯ã®æ¥æ¬</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ããã¼ã¿ã¯å£åããªããã§ããæã§ã¤ãã£ããã®ã¯ãæéã¨ã¨ãã«å¤ãã£ã¦ãããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/yutai_9/01.jpg" alt="ãã£ãã¯ã®æ¥æ¬" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/nekoze_shouten" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ãã³ã¼ååº</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãä»ã¯æç¥çã«ãã¾ããã髿 ¡çã¾ã§ã¯ä¼è³å°æ¹ã§æ®ããã¦ãã¾ãããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/nekoze_shouten/02.jpg" alt="ãã³ã¼ååº" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/nombrebunch" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ã®ãã¶ã</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãå師ãéããä¼è³ã¾ã§ãé ãããã§æå¤ã¨è¿ããè»ã®ã¢ã¯ã»ã¹ãã¨ã¦ãããã®ã§ãç¹°ãè¿ã訪ãããã¨æã£ã¦ãã¾ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/nombrebunch/01.jpg" alt="ã®ãã¶ã" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/nakamura__kanon" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ãã¸ããªã¢ã³å¤§ç¥</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãZine ã¯ãããæå³ã§ç¡é§ãªãã®ã ã¨æãã¾ããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/nakamura__kanon/02.jpg" alt="ãã¸ããªã¢ã³å¤§ç¥" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/shoyagyu" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ã¤ã®ã¥ã¦ ã·ã§ã¦</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãä¸åã®æ¬ã«ã¾ã¨ããã®ã¯ã䏿ã®åçã§ã¯æããããªãæèãæéã®æµãããåçã¨è¨èã®é£ãªãã¨ãã¦æ®ãã¦ããããããã ãã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/shoyagyu/01.jpg" alt="ã¤ã®ã¥ã¦ ã·ã§ã¦" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/okude-masato" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">奥åºç人 / OKUDE MASATO</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãæ¬ã«ã¯è¡¨ç´ã¨è£è¡¨ç´ãããã¾ããä½ç½ããããé åºããããéãããã¨ãã§ãã¾ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/okude-masato/04.jpg" alt="奥åºç人 / OKUDE MASATO" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div><span class="ml-2 mr-6 flex items-center" aria-hidden="true"><span class="h-[34vh] w-24 self-start rounded-b-full bg-sage/70"></span><span class="-ml-10 h-[26vh] w-32 self-end rounded-t-full bg-sage/50"></span></span></a><a href="/exhibitors/senseinokukai" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">æ£®æ°¸ä¾æ¨¹(ããããã®å¥ä¼)</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãå®¶ã®æ¬æ£ã«ããã£ã¨ç«ã¦ã¦ããããã§ããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/senseinokukai/01.jpg" alt="æ£®æ°¸ä¾æ¨¹(ããããã®å¥ä¼)" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/blue_lily_3331" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">è¼èæ¸é¢</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãç´ã«ãµããæè¦ãæ¬ã®ãã¤æ¸©åº¦ãåããéããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/blue_lily_3331/02.jpg" alt="è¼èæ¸é¢" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/ayamasumoto" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">墿¬ ç¶¾</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãã18ãã¯ã1932å¹´ã«æ¸ãããã©ãã¬ã¿ã¼ãã½ã¦ã«ã§è¦ã¤ããããããã¼ãã«ä½ã£ãåçéã§ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/ayamasumoto/02.jpg" alt="墿¬ ç¶¾" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/kgbjj_" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">åºã®æè¦</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãæ¬ã¤ãã³ãã®ã³ã³ã»ããã«ãããæ¬ã¯ãèªãããã ãã§ãªããè¦ãã»è§¦ããã»æããã¨ããä½é¨ã®ä¸ã«ãããã¨ããé¨åã«å
±é³´ãã¾ãããã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/kgbjj_/02.jpg" alt="åºã®æè¦" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a>
5<a href="/exhibitors/michioto-publishing" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">éé³è / Michioto Publishing</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãããã¾ã§ä¼è³ã¨ç¹å¥ãªã¤ãªãããããããã§ã¯ããã¾ãããããã¾ãã¾åéãçºè¦ããæ
ãã¦ã¿ãããã¨æãã¾ãããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/michioto-publishing/01.jpg" alt="éé³è / Michioto Publishing" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/naoko-kusunoki" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">æ¥ å°å / Naoko Kusunoki</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-2xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãé¦ãã®ä½åã¯ãå±ç¤ºãçµããã¨æ¶ãã¦ãã¾ãã¾ããã</p></div><div class="flex self-end pb-10 px-2"><img src="/images/exhibitors/naoko-kusunoki/04.jpg" alt="æ¥ å°å / Naoko Kusunoki" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div><span class="ml-2 mr-6 flex items-center" aria-hidden="true"><span class="h-[34vh] w-24 self-start rounded-b-full bg-sage/70"></span><span class="-ml-10 h-[26vh] w-32 self-end rounded-t-full bg-sage/50"></span></span></a><a href="/exhibitors/nekoyahoujyudou" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ç«å±è³æ¨¹å </h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-xl max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãèªèº«ã®ãããä½åãè¦ããããã®è¡¨ç¾å½¢æ
ï¼åªä½ï¼ã¨ã㦠ZINE ãä½ã£ã¦ãã¾ãï¼ãªãªã¸ãã«ã«ã¼ãã®åºçãåãçç±ã§ãï¼ãã</p></div><div class="flex self-start pt-10 px-2"><img src="/images/exhibitors/nekoyahoujyudou/05.jpg" alt="ç«å±è³æ¨¹å " loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><a href="/exhibitors/houkashobo" class="group ml-14 flex shrink-0 flex-row-reverse items-stretch [direction:ltr] md:ml-24"><div class="flex items-center pl-2 pr-8"><div class="flex flex-row-reverse items-start gap-3"><h2 class="max-h-[74vh] font-serif text-2xl font-bold text-dark transition-colors [writing-mode:vertical-rl] group-hover:text-primary">ç½ç«æ¸æ¿</h2><p class="pt-1 font-sans text-[11px] tracking-[0.35em] text-dark/45 [writing-mode:vertical-rl]">æ¥æ¬</p></div></div><div class="flex items-center pl-16 pr-8 md:pl-24"><p class="font-serif leading-loose text-dark/60 text-base max-h-[74vh] overflow-hidden [writing-mode:vertical-rl]">ãæ¬ãã¤ããã¨ããè¡çºãæèããç·¨éãã¯ãããæç¹ã§ããã¹ã¦ã®ç©äºã¨èªåã«ãããããããçã¾ãããã¹ã¦ã®ç©äºã¯èªåã¨é¢ä¿ãã¯ããã¾ããã</p></div><div class="flex self-center px-2"><img src="/images/exhibitors/houkashobo/04.jpg" alt="ç½ç«æ¸æ¿" loading="lazy" draggable="false" class="max-h-[46vh] w-auto max-w-[26rem] bg-dark/5 object-contain transition-transform duration-300 group-hover:scale-[1.02]"/></div></a><div class="ml-10 flex shrink-0 items-center px-14 [direction:ltr]"><p class="font-serif text-lg tracking-[0.3em] text-dark/60 [writing-mode:vertical-rl]">乿äºåå
ã»äºå䏿¥ æ¼ å²è·¡æ§å´åºå </p></div><span aria-hidden="true" class="my-3 w-2 shrink-0 rounded-full bg-dark/85"></span></div></div><div aria-hidden="true" class="pointer-events-none absolute bottom-0 right-0 h-px bg-primary/70 transition-[width] duration-150" style="width:0%"></div><p class="pointer-events-none absolute bottom-3 left-1/2 z-10 -translate-x-1/2 whitespace-nowrap font-sans text-xs tracking-wide text-dark/45">å³ããå·¦ã¸ããã©ãã°ã§ç¹°ã絵巻ã§ããåã«ãµããã¨ããã®ä½ãæã®ãã¼ã¸ã¸ â drag to unroll, right to left. Click a name to meet the maker (each page is in Japanese & English).</p><a href="#zenshutten" class="absolute bottom-3 right-5 z-10 rounded-full border border-dark/15 bg-light/90 px-3.5 py-1.5 font-sans text-xs tracking-wide text-dark/70 backdrop-blur transition-colors hover:border-dark/30 hover:text-dark">å
¨åºå±è
㸠â</a></div><section id="zenshutten" class="scroll-mt-16 px-5 pb-20 pt-10 md:px-6"><div class="mx-auto max-w-5xl"><div><div><h2 class="font-serif text-2xl font-bold text-dark">å
¨<!-- -->38<!-- -->çµã®ç®é²</h2><p class="mt-1.5 font-serif text-sm text-dark/65">ãç®å½ã¦ã®ä½ãæã¯ããã¡ãããååã§ãå½ã¨ããã¡ã®åæ
å ±ã¤ãã<span class="mt-0.5 block font-sans text-xs tracking-wide text-dark/45">The full index â look up a maker by name, with country and format at a glance. Every exhibitor page can be read in English.</span></p></div></div><ul class="mt-8 grid grid-cols-3 gap-x-4 gap-y-7 sm:grid-cols-4 md:grid-cols-5 lg:grid-cols-6"><li class="reveal"><a href="/exhibitors/gato" class="group block"><img src="/images/exhibitors/gato/02.jpg" alt="&gato." loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">&gato.</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">åçéã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Photobook · ZINE</p></a></li><li class="reveal" style="transition-delay:45ms"><a href="/exhibitors/0x8x0_no" class="group block"><img src="/images/exhibitors/0x8x0_no/02.jpg" alt="0x8x0_no" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">0x8x0_no</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»åçéã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · Photobook · ZINE</p></a></li><li class="reveal" style="transition-delay:90ms"><a href="/exhibitors/51-personae" class="group block"><img src="/images/exhibitors/51-personae/02.jpg" alt="51 Personae" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">51 Personae</span><span class="shrink-0 text-[11px]">ð¨ð³</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">æ¸åºã»å°åºç</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Bookstore / Small Press</p></a></li><li class="reveal" style="transition-delay:135ms"><a href="/exhibitors/angelica-ong" class="group block"><img src="/images/exhibitors/angelica-ong/02.jpg" alt="Angelica Ong çææ " loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">Angelica Ong çææ </span><span class="shrink-0 text-[11px]">ð¸ð¬</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»åçéã»å人åºçã»ãã®ä»</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · Photobook · Self-publisher · Other</p></a></li><li class="reveal" style="transition-delay:180ms"><a href="/exhibitors/anna-darab" class="group block"><img src="/images/exhibitors/anna-darab/02.jpg" alt="Anna Darab" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">Anna Darab</span><span class="shrink-0 text-[11px]">ð®ð·</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal" style="transition-delay:225ms"><a href="/exhibitors/aprilbooks" class="group block"><img src="/images/exhibitors/aprilbooks/01.jpg" alt="AprilBooks" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">AprilBooks</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">æ¸åºã»å°åºç</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Bookstore / Small Press</p></a></li><li class="reveal" style="transition-delay:270ms"><a href="/exhibitors/between-in-between" class="group block"><img src="/images/exhibitors/between-in-between/02.jpg" alt="between in between" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">between in between</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã³ã¬ã¯ãã£ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Collective</p></a></li><li class="reveal" style="transition-delay:315ms"><a href="/exhibitors/darf" class="group block"><img src="/images/exhibitors/darf/03.jpg" alt="DARF" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">DARF</span><span class="shrink-0 text-[11px]">ð¹ð³</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal"><a href="/exhibitors/iceberg" class="group block"><img src="/images/exhibitors/iceberg/03.jpg" alt="I.CEBERG" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">I.CEBERG</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal" style="transition-delay:45ms"><a href="/exhibitors/jaron-menzimer" class="group block"><img src="/images/exhibitors/jaron-menzimer/03.jpg" alt="Jaron Menzimer" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">Jaron Menzimer</span><span class="shrink-0 text-[11px]">ðºð¸</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal" style="transition-delay:90ms"><a href="/exhibitors/kitai" class="group block"><img src="/images/exhibitors/kitai/01.jpg" alt="kitai" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">kitai</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">ZINE</p></a></li><li class="reveal" style="transition-delay:135ms"><a href="/exhibitors/naomi-murakami" class="group block"><img src="/images/exhibitors/naomi-murakami/02.jpg" alt="Naomi Murakami" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">Naomi Murakami</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · ZINE</p></a></li><li class="reveal" style="transition-delay:180ms"><a href="/exhibitors/nekoba" class="group block"><img src="/images/exhibitors/nekoba/03.jpg" alt="nekoba" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">nekoba</span><span class="shrink-0 text-[11px]">ð¨ð³</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · ZINE</p></a></li><li class="reveal" style="transition-delay:225ms"><a href="/exhibitors/nessie" class="group block"><img src="/images/exhibitors/nessie/01.jpg" alt="NESSIE" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decorati
5on-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">NESSIE</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»åçé</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · Photobook</p></a></li><li class="reveal" style="transition-delay:270ms"><a href="/exhibitors/polly-fossey" class="group block"><img src="/images/exhibitors/polly-fossey/04.jpg" alt="Polly Fossey" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">Polly Fossey</span><span class="shrink-0 text-[11px]">ðºð¸</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal" style="transition-delay:315ms"><a href="/exhibitors/ppp-site" class="group block"><img src="/images/exhibitors/ppp-site/03.jpg" alt="PPP site" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">PPP site</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">å人åºçã»ãã®ä»</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Self-publisher · Other</p></a></li><li class="reveal"><a href="/exhibitors/sohei-terui" class="group block"><img src="/images/exhibitors/sohei-terui/01.jpg" alt="Sohei Terui" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">Sohei Terui</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»åçéã»å人åºçã»ãã®ä»</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · Photobook · Self-publisher · Other</p></a></li><li class="reveal" style="transition-delay:45ms"><a href="/exhibitors/stairs-press" class="group block"><img src="/images/exhibitors/stairs-press/04.jpg" alt="STAIRS PRESS" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">STAIRS PRESS</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">åçéã»æ¸åºã»å°åºç</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Photobook · Bookstore / Small Press</p></a></li><li class="reveal" style="transition-delay:90ms"><a href="/exhibitors/twelvebooks" class="group block"><img src="/images/exhibitors/twelvebooks/02.jpg" alt="twelvebooks" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">twelvebooks</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ãã®ä»</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Other</p></a></li><li class="reveal" style="transition-delay:135ms">
5<a href="/exhibitors/written-by-daniel" class="group block"><img src="/images/exhibitors/written-by-daniel/03.jpg" alt="Written by Daniel" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">Written by Daniel</span><span class="shrink-0 text-[11px]">ðºð¸</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»å人åºçã»ãã®ä»ã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · Self-publisher · Other · ZINE</p></a></li><li class="reveal" style="transition-delay:180ms"><a href="/exhibitors/arica_shop" class="group block"><img src="/images/exhibitors/arica_shop/01.jpg" alt="ã¢ãªã«" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ã¢ãªã«</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">æ¸åºã»å°åºç</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Bookstore / Small Press</p></a></li><li class="reveal" style="transition-delay:225ms"><a href="/exhibitors/michiko_skylla" class="group block"><img src="/images/exhibitors/michiko_skylla/01.jpg" alt="ãã¡ã ãã¿ã¡ã" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ãã¡ã ãã¿ã¡ã</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»å人åºçã»ãã®ä»</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · Self-publisher · Other</p></a></li><li class="reveal" style="transition-delay:270ms"><a href="/exhibitors/okko_osa" class="group block"><img src="/images/exhibitors/okko_osa/01.jpg" alt="ãªãã³" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ãªãã³</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»åçéã»ã³ã¬ã¯ãã£ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · Photobook · Collective</p></a></li><li class="reveal" style="transition-delay:315ms"><a href="/exhibitors/tamayurayu" class="group block"><img src="/images/exhibitors/tamayurayu/01.jpg" alt="ãã¾ããæ¹¯" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ãã¾ããæ¹¯</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">ZINE</p></a></li><li class="reveal"><a href="/exhibitors/yutai_9" class="group block"><img src="/images/exhibitors/yutai_9/01.jpg" alt="ãã£ãã¯ã®æ¥æ¬" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ãã£ãã¯ã®æ¥æ¬</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal" style="transition-delay:45ms"><a href="/exhibitors/nekoze_shouten" class="group block"><img src="/images/exhibitors/nekoze_shouten/02.jpg" alt="ãã³ã¼ååº" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ãã³ã¼ååº</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">æ¸åºã»å°åºç</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Bookstore / Small Press</p></a></li><li class="reveal" style="transition-delay:90ms"><a href="/exhibitors/nombrebunch" class="group block"><img src="/images/exhibitors/nombrebunch/01.jpg" alt="ã®ãã¶ã" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ã®ãã¶ã</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">ZINE</p></a></li><li class="reveal" style="transition-delay:135ms"><a href="/exhibitors/nakamura__kanon" class="group block"><img src="/images/exhibitors/nakamura__kanon/02.jpg" alt="ãã¸ããªã¢ã³å¤§ç¥" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ãã¸ããªã¢ã³å¤§ç¥</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ãã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist · ZINE</p></a></li><li class="reveal" style="transition-delay:180ms"><a href="/exhibitors/shoyagyu" class="group block"><img src="/images/exhibitors/shoyagyu/01.jpg" alt="ã¤ã®ã¥ã¦ ã·ã§ã¦" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ã¤ã®ã¥ã¦ ã·ã§ã¦</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">åçéã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Photobook · ZINE</p></a></li><li class="reveal" style="transition-delay:225ms"><a href="/exhibitors/okude-masato" class="group block"><img src="/images/exhibitors/okude-masato/04.jpg" alt="奥åºç人 / OKUDE MASATO" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">奥åºç人 / OKUDE MASATO</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">åçéã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Photobook · ZINE</p></a></li><li class="reveal" style="transition-delay:270ms"><a href="/exhibitors/senseinokukai" class="group block"><img src="/images/exhibitors/senseinokukai/01.jpg" alt="æ£®æ°¸ä¾æ¨¹(ããããã®å¥ä¼)" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">æ£®æ°¸ä¾æ¨¹(ããããã®å¥ä¼)</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ãã®ä»</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Other</p></a></li><li class="reveal" style="transition-delay:315ms"><a href="/exhibitors/blue_lily_3331" class="group block"><img src="/images/exhibitors/blue_lily_3331/02.jpg" alt="è¼èæ¸é¢" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">è¼èæ¸é¢</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">ZINE</p></a></li><li class="reveal"><a href="/exhibitors/ayamasumoto" class="group block"><img src="/images/exhibitors/ayamasumoto/02.jpg" alt="墿¬ ç¶¾" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">
5墿¬ ç¶¾</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal" style="transition-delay:45ms"><a href="/exhibitors/kgbjj_" class="group block"><img src="/images/exhibitors/kgbjj_/02.jpg" alt="åºã®æè¦" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">åºã®æè¦</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">ZINE</p></a></li><li class="reveal" style="transition-delay:90ms"><a href="/exhibitors/michioto-publishing" class="group block"><img src="/images/exhibitors/michioto-publishing/01.jpg" alt="éé³è / Michioto Publishing" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">éé³è / Michioto Publishing</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">æ¸åºã»å°åºç</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Bookstore / Small Press</p></a></li><li class="reveal" style="transition-delay:135ms"><a href="/exhibitors/naoko-kusunoki" class="group block"><img src="/images/exhibitors/naoko-kusunoki/04.jpg" alt="æ¥ å°å / Naoko Kusunoki" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">æ¥ å°å / Naoko Kusunoki</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ã¢ã¼ãã£ã¹ã</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Artist</p></a></li><li class="reveal" style="transition-delay:180ms"><a href="/exhibitors/nekoyahoujyudou" class="group block"><img src="/images/exhibitors/nekoyahoujyudou/05.jpg" alt="ç«å±è³æ¨¹å " loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ç«å±è³æ¨¹å </span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">ZINEã»ãã®ä»</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">ZINE · Other</p></a></li><li class="reveal" style="transition-delay:225ms"><a href="/exhibitors/houkashobo" class="group block"><img src="/images/exhibitors/houkashobo/04.jpg" alt="ç½ç«æ¸æ¿" loading="lazy" class="aspect-square w-full bg-light object-cover shadow-sm"/><p class="mt-1.5 flex items-baseline gap-1 font-serif text-xs leading-snug text-dark md:text-xs"><span class="min-w-0 truncate underline decoration-transparent underline-offset-2 transition-colors group-hover:decoration-dark/40">ç½ç«æ¸æ¿</span><span class="shrink-0 text-[11px]">ð¯ðµ</span></p><p class="mt-0.5 truncate font-sans text-xs tracking-wide text-dark/70">æ¸åºã»å°åºçã»ZINE</p><p class="truncate font-sans text-[11px] tracking-wide text-dark/45">Bookstore / Small Press · ZINE</p></a></li></ul><nav class="border-t pt-10 border-dark/10 mt-24"><p class="font-sans text-[11px] uppercase tracking-[0.3em] text-dark/45">ã¤ã¥ã㸠â Keep Exploring</p><ul class="mt-5 grid gap-y-4 font-serif md:grid-cols-3 md:gap-x-8"><li><a href="/events" class="group block"><span class="text-lg font-bold underline decoration-transparent underline-offset-4 transition-colors text-dark group-hover:decoration-dark/40">ã¤ãã³ã</span><span class="mt-1 block font-sans text-xs tracking-wide text-dark/50">Events â tea, the bookmobile, the archive, coffee</span></a></li><li><a href="/tea-ceremony" class="group block"><span class="text-lg font-bold underline decoration-transparent underline-offset-4 transition-colors text-dark group-hover:decoration-dark/40">è¶ä¼ãèªã¿è¶ã</span><span class="mt-1 block font-sans text-xs tracking-wide text-dark/50">Tea Ceremony â a reading tea by Thomas Vauthier</span></a></li><li><a href="/about-venue" class="group block"><span class="text-lg font-bold underline decoration-transparent underline-offset-4 transition-colors text-dark group-hover:decoration-dark/40">ä¼å ´ã¨ã¢ã¯ã»ã¹</span><span class="mt-1 block font-sans text-xs tracking-wide text-dark/50">Venue & Access â Sukodo, Iga</span></a></li></ul></nav></div></section></div><!--$--><!--/$--></main><footer><div class="max-w-7xl mx-auto px-6 py-3 flex items-center justify-between"><p class="font-sans text-xs text-dark">© <!-- -->2026<!-- --> <!-- -->Waza WazaâIga Art Book Fair</p><div class="flex items-center gap-4"><a class="group inline-grid py-1.5 -my-1.5 font-sans text-xs text-dark hover:text-primary transition-colors" href="/privacy-policy"><span class="[grid-area:1/1] group-hover:invisible">ãã©ã¤ãã·ã¼ããªã·ã¼</span><span aria-hidden="true" class="invisible [grid-area:1/1] group-hover:visible">Privacy Policy</span></a></div></div></footer><noscript><img height="1" width="1" style="display:none" alt="" src="https://www.facebook.com/tr?id=978316631272407&ev=PageView&noscript=1"/></noscript><!--$!--><template 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5<script>self.__next_f.push([1,"1. NotFunAnymore!!!\nZine / already published, 2025 / A5 / edition of 100\nIn 2026, I wanted to gather with friends from all over the world at the Full Moon Party on Koh Phangan. But these times don't make that so easy. Photographs taken between 2014 and 2018 â a record of a time when we could still have fun. Looking back at them now, their meaning has changed. Tourism, land, occupation, and the aftermath of war. It reaches even faraway places, even into pension funds. This zine is about that shift in awareness.\n\n2. POV (working title)\nArtist book / unpublished / 30cm x 30cm\n- A handmade artist book with photographs transferred onto PVC material, still in progress.\n\nA work that transfers everyday scenes onto a transparent, artificial material to express the distortions of reality and the way we refuse to look at a world that is right there in plain sight.\n\nPVC is artificial, chemical, petroleum-derived, and bad for the human body. But that is exactly why I thought it was perfect. I don't know how long PVC lasts. It may yellow, it may degrade. But that seemed just like the world we are living in now. Climate change, geopolitical tension, information manipulation, the rise of nationalism, politics run by the top 1% of the wealthy. The world right now is like a bomb with any number of fuses already lit. We know it. And whether we know it or not, we look away. The PVC pages are transparent and clear, everything is visible, yet we pretend not to see. Because I think that is what this world is, I chose PVC as the material. And still we go on living our daily lives. PVC is a material that exists while holding that contradiction, an uncertain material that makes an uncertain age. That is what this book is.\nA work that transfers everyday scenes onto a transparent, artificial material to express the distortions of reality and the way we refuse to look at a world that is right there in plain sight. I hope I can unveil it for the first time at this fair.\n\n3. Kuro-ban (black edition) / Shiro-ban (white edition)\nDummy book / unpublished / A4\n- A photobook with no words.\n\nA dummy book made to keep a deliberate distance from heavy themes and to experience the sequence of photographs itself, purely.\n\n4. New mini-zine (working title)\nZine / unpublished / 15cm x 10cm\nUnpublished, planned for production.\n\nA zine of small photographs and illustrations with strange, uncanny content. A little larger than the palm of a hand, with a black cover and the title foil-stamped in silver.\n\n5. RainbowRemix (zine version)\nZine / unpublished / postcard size\nUnpublished, planned for production.\n\nA plan to make the NFT work \"RainbowRemix\" (released in 2023; six photographs and a poem, plus a self-made audio recording of the poem being read, accessible via a hidden URL) into a paper zine.\n\n6. (working title) Past artist books\nNot for sale; considering bringing them to display only. One-of-a-kind pieces that cannot be remade."])</script>
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5<script>self.__next_f.push([1,"At the root of my work are layers of space-time and the synchronizing of the unconscious. Things not yet visible, but already there. That is what I explore. And I think photobooks â handmade photobooks in particular â are well suited to expressing that, which is why I go to the trouble of making them.\n\nThe private experience that arises between the viewer and the photobook in the act of looking at it. And what the flow of the photographic sequence creates: as the person facing it turns each page, they flow along with it. That experience spreads outward as a wave, resonating in many layers with different layers of time and with each viewer's own memories and feelings. It then synchronizes with something else again, and continues. I want to make the starting point of that. Or perhaps it is already the continuation of a resonating synchronicity, and I simply make one \"point\" â that is, my own work â for now, in order to give it a comprehensible form. From that point, I hope the waves of resonance keep synchronizing on and on.\n\nI also insist on the form of the book because I think that, unlike a painting, a single photograph cannot draw you into a world on its own â or rather, that a single one is too fragmentary. It is only when there is a sequence of photographs â eight, or fifty, or two hundred â that you can finally touch the work, and if it is handbound, all the better. That is why I make them."])</script>
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5<script>self.__next_f.push([1,"The Instagram bio of Waza WazaâIga Art Book Fair says \"International Art Book Fair that is far from the big city for the reason.\" Seeing that, I felt deeply convinced. I don't remember how I ended up finding this art fair's Instagram account, but I discovered it a long time ago and decided then that I would absolutely apply once the deadline drew near â and now I am applying. I always feel that encounters like this, which seem like chance, are also some kind of fate. And when I saw the photographs of Sukodo, I intuitively sensed from them the energy the building holds as a whole â an energy made from the layering of everything that has happened there, moment by moment, together with the energy the building possesses in itself â and I felt it was a very good place and became greatly interested.\n\nI also take the word Togenkyo (an earthly paradise) as a theme, which I frame as: Togenkyo: No one can reach Togenkyo unless you never want it. If you want it badly, you will never find it. It never exists physically; it is in your mind.\n\nAnd there is one more thing I always keep in mind. The various speeds that society tries to make us chase â quarterly figures, tax deadlines, productivity, cycles of consumption, the speed that organizations carry â these are a uniform speed created by capitalism, not the natural flow of time. Time can, by nature, slow down or speed up depending on the season, the weather, and the state of one's own mind and body. It may differ from person to person by temperament, too. In my teens, I was thrown off by that speed and convinced myself I was a person who could do nothing. After I moved to Australia in my early twenties, I realized: when there's no need to hurry, you don't have to hurry. When you need to, you can move fast. What matters is not to be swayed by the speed of the world or of other people â so as not to forget the things inside me that take even me a long time to notice, the things I might forget in an instant, and so that I can keep looking clearly at what the world and other people let fall as they keep up with the pace.\nFor reasons like these, this art book fair seemed to have a unique axis of time and a pace unlike any other art book fair, and I thought that, if I can meet them, I want to meet the people who gather there, and I want to take on the challenge! Thank you very much."])</script>
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5<script>self.__next_f.push([1,"51 Personae is an independent experimental publishing and art project based in Shanghai, China. Our practice moves across and beyond conventional categories of publishing, art, and book production, working with artist books, zines, independent comics, printmaking, and documentary-based publications. We understand publishing as a social and artistic practice that is both material and relational, rather than a fixed genre or format.\n\nThe project originated in 2016â2017 as part of a socially engaged art initiative developed during the 11th Shanghai Biennale, with an initial focus on urban working-class communities and everyday life in the city. Since 2018, we have developed an independent publishing practice that deliberately crosses the boundaries between contemporary art and publishing, using books as a form of fieldwork, documentation, and distribution.\n\nSince 2023, we have increasingly published multilingual editions and expanded collaborations with printmakers and independent artists across Asia. These collaborations allow us to develop low-cost, accessible, and reproducible forms of publishing, while maintaining a strong emphasis on autonomy and affordability. We distribute our publications through direct circulation, including participation in international art book fairs and zine festivals, where the booth itself functions as a site of exchange, encounter, and informal exhibition.\n\nThrough this ongoing practice, 51 Personae seeks to construct a trans-local network of readers, artists, and collaborators, situating publishing as a mode of collective inquiry into social realities, marginal histories, and lived experiences across Asia and the Global South."])</script>
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5<script>self.__next_f.push([1,"At the fair, we plan to present a selection of recent and forthcoming independent publications developed by 51 Personae, alongside collaborative projects with artists and writers across Asia and Europe. Our table will include both published works and new or recently released titles.\n\n**Published / recently released works:**\n\n* *Kalashnikov* â Yi Hu (2025)\n Format: independent comic\n Size: 165 x 220 mm\n Edition: small offset edition\n Previously presented at multiple international art book fairs and zine festivals.\n\n* *Ahead Beheaded* â edited by TkTk (2026)\n Format: documentary zine combining printmaking, hand-drawn comics, and text\n Size: A5\n Edition: small offset / independent edition\n First presented in 2026.\n\n* *Our Daily Lives Have to Be a Satisfaction in Themselves* â Miriam, Emily Larned, Noel Furie (2026)\n Format: artist book / documentary publication\n Size: 165 x 220 mm\n Edition: small offset edition\n To be published in June 2026\n\n* *Sound of Shanghai* â Vyn Lee (2026)\n Format: illustrated photo-zine / essay publication\n Size: pocket size\n Edition: small offset edition\n To be published in July 2026\n\n* *Between Animals* â May Frazen (forthcoming July 2026)\n Format: independent graphic novel\n Size: A5\n Edition: small offset edition\n Status: new release; limited or first presentation depending on fair timing.\n\nSongs of Silent Valley â 51 Personae (forthcoming August 2026)\nFormat: artist book / documentary publication\nSize: A5 (planned)\nEdition: in production\nStatus: new publication; first public presentation planned at selected fairs.\n\nAcross these publications, we prioritize low-cost offset printing, portable formats, and fair distribution through direct circulation at book fairs. Many of the works are developed through long-term collaborations and are designed to circulate as both reading material and informal exhibition objects."])</script>
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5<script>self.__next_f.push([1,"For 51 Personae, making a physical book is not simply a choice of medium, but a way of insisting on a form of durability for lived experience, especially those experiences that are often marginal, unstable, or easily erased. In an era where publishing can be instantaneous, editable, and endlessly circulated in digital space, we continue to return to the book as a material object because it holds a different kind of permanenceâone that resists the speed and volatility of online circulation.\n\nWe understand paper and the book form as an ultimate form of medium: a structure capable of storing human experience and thought in a way that cannot be easily overwritten or deleted. This is particularly important when working with the stories of ordinary people, working-class lives, and communities positioned outside dominant cultural visibility. To make a book is not only to translate these experiences into visual or textual form, but also to construct an archive that has physical weight, presence, and endurance.\n\nOur process deliberately engages with slowness, effort, and what might appear as inefficiency. This includes the time of editing, sequencing, printing, binding, and physically transporting books across borders and contexts. We consider these material and logistical constraints not as obstacles, but as part of the meaning of the work itself. The difficulty of circulation becomes a form of care and commitmentâeach book carries with it the effort required to bring it into another space and into another hand.\n\nEmotionally, this process is often grounded in attention and responsibility: attention to how fragments of lived experience are arranged and held together, and responsibility toward the people and narratives that enter the publication. The physicality of the book allows us to think not only about representation, but about custodyâhow knowledge and memory are held, transmitted, and protected over time.\n\nTo make a book waza wazaâon purpose, with careâis to refuse the idea that efficiency should determine value. Instead, it is to affirm that the act of making, assembling, and carrying a book can itself be a form of ethical and aesthetic practice. In this sense, the book is not only an object for reading, but also a temporary gathering place where different lives, geographies, and temporalities are held together with intention."])</script>
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5<script>self.__next_f.push([1,"Since 2023, due to increasing difficulties in the circulation and exchange of Chinese-language publications within mainland China (as a result of state regulation), we have begun to publish our books more intentionally in multilingual editions, including Japanese translations. This decision comes from a recognition that books should not be confined within a single linguistic or cultural boundary. However, the mainstream publishing world still often operates within national and linguistic frameworks, implicitly assuming that books are primarily meant for domestic readers. This significantly limits the potential of publishing as a transregional and cross-cultural form of communication.\n\nFor us, bringing our work to Iga is part of this broader effort to reimagine circulation beyond dominant cultural centers. We place particular importance on participating in book fairs outside major metropolitan hubs. Our project itself originated from a site-specific artistic practice in a working-class community in Shanghai, and this early experience continues to shape how we understand where books should go and whom they should reach.\n\nWe believe that non-metropolitan spacesâplaces that are not typically considered central nodes of cultural productionâcan open up different conditions of encounter. In such contexts, communication is less mediated by institutional visibility and more grounded in direct exchange. Many of our publications focus on small places, everyday lives, and marginalized communities; bringing these books into similarly non-central locations creates a resonance between content and context.\n\nUltimately, we hope that in a place like Iga, books and readers can activate each other in a more immediate and unexpected way. This is the most important possibility we are seeking: not circulation defined by scale or visibility, but by proximity, attention, and mutual encounter."])</script>
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5<script>self.__next_f.push([1,"Angelica Ong is a Singaporean artist working primarily with photography and artist books. Her practice explores time and its indexes, language, materiality and slowness, often looking to natural cycles, rhythms and phenomena as ways of experiencing the passage of time. How do we feel and experience timeâs passing, which is both cosmic and intimately human in scale? She creates a range of artist books, from zines to more sculptural pieces. Combining photographic processes, material sensibility and self-reflexivity, Angelica challenges conventional notions of what an artist book can be by creating âpagesâ and âspreadsâ that are more than pages to turn, operating as layered sites of memory and meaning, embodying fragility and temporality. Visitors can expect a table featuring both editioned and unique works, each fully handcrafted from concept and design to printing, binding and construction.\nAngelica has exhibited at artist book fairs around the world, including the Singapore Art Book Fair (2025), the Hong Kong Photobook Festival (2025), and Tropic Bound (2025) in Miami. Her artist books can be found in the permanent collections of Ohio State University, Virginia Commonwealth University, Bryn Mawr College, and the School of the Art Institute of Chicago. Her work 「俳å¥ã®ç®±åºï½£ (âGarden of Haikusâ) was a Semi-Finalist for the Minnesota Centre for Book Arts (MCBA) in 2024 and her work ãèµ·ä¼ãâsea tiles: dreaming tides, gathering and unravellingâ is currently on view as part of the Fore Edge Fair at the MCBA in Minneapolis."])</script>
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5<script>self.__next_f.push([1,"1. Title: âdrifting nimbusâ ï½¢é影」\nFormat: Handmade sculptural artist book\nSize: 12 x 18 x 3.8 cm\nEdition: Open edition, Copy 1 of 1\nWork has been previously presented\n2. Title: âAscentâ 「山æ°ï½£ (Working title)\nFormat: Handbound artist book (either accordion-bound or stab binding)\nSize: 20 x 12.7 cm (To be confirmed)\nEdition: Open edition\nWork has never been shown (currently being completed)\nFormat: Handbound accordion book, black and light grey risograph print on washi\nSize: 15 x 10 cm\nEdition: Edition of 35\nWork has been previously presented\nFormat: Handbound book via Japanese stab binding, inkjet print on washi\nSize: 10 x 16 cm\nEdition: Open edition\nWork has been previously presented\nFormat: Handmade sculptural artist book\nSize: 20.6 x 21.6 x 5.7 cm\nEdition: Open edition, Copy 2 of 2\nWork has been previously presented\nFormat: Handbound via saddle stitch binding, inkjet on tracing paper and laser print on newsprint\nSize: 21 x 13.5 cm\nEdition: Edition of 100\nWork has been previously presented\n7. Title: âcyanotypes of the sunâ\nFormat: Cyanotype prints on kyÅseishi\nSize: To be determined\nEdition: Unique\nWork has never been shown (currently being completed)\n8. Title: 「天ã®å·ï½£ âsea tiles: memories of the tidesâ\nFormat: Handbound accordion book, white riso ink on black paper\nSize: 10 x 16 cm\nEdition: Second edition, Edition of 40\nWork has been previously presented, currently deciding if I should print a second edition"])</script>
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5<script>self.__next_f.push([1,"In my practice, material, form, process and concept intertwine with and reinforce one another. What am I using, and why do I use it? This self-reflexive attention to meaning and making has drawn me to the artist book form for its intimacy, bodily scale and capacity to bring together images, materials and words in a single encounter.\nI go through the trouble of making artist books because the physical form changes how the work is understood. A book must be held, opened, turned, unfolded, moved around, and looked at closely. It asks for a slower and more intimate rhythm than an image encountered on a screen. In my works, pages are not only surfaces for images, but spaces of touch, transparency, weight, and movement.ãSemi-translucent papers allow images to merge under shifting light; thin materials heighten a sense of fragility; folds, bindings, boxes, and compartments give the work an architectural quality. The book becomes a small, portable exhibitionâone that can be carried, shared, and experienced in our hands.\nWhile this way of working is often inefficient and generally not cost-effective, I value materiality and craftsmanship in artworks and the presence of the artistâs hand in the work. I spend a great deal of time sourcing papers, testing printing methods, considering colour tone, texture, thickness, translucency, and the way pages join or move against one another. Taking on the editing, printing, binding, and finishing myself gives me a closer relationship to the final object, and allows seemingly trivial but important decisions and changes to remain attentive to the ideas and feelings behind the work."])</script>
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5<script>self.__next_f.push([1,"The fact that I would be able to bring my works to Iga speaks to a key reason why I turned to bookmaking rather than large-scale installation: books are mobile, portable, and intimate. I love the relationship that books have with the hand and how they can be touched, stored, carried, and returned to again and again. I am drawn to how much a book can contain, and how images, text, materials, sequence, and touch can come together within a single encounter.\nMy artist books are concerned with the relational quality of images, text, and materials, and it would be especially meaningful to share them in Iga, the birthplace of Matsuo BashÅ. I was first introduced to BashÅ through my Japanese language teacher in school, and later re-encountered Japanese haikus through an anthology that included poets such as Masaoka Shiki, Kawabata BÅsha, and Natsume SÅseki. I was deeply struck by the impossibility of translation during this serendipitous encounter.\nThe specific momentum and sequence of text in a haiku is crucial in shaping the experience of reading it.\nHaikus also convey the most with the least (just 17 syllables)âthey are vastness held in tremendous smallness. This has shaped the way I approach photography and multilingualism in my practice: the âemptinessâ and negative space around an image are just as important as the images on view, and shaping these negative spaces in my arrangements has become an important part of my process. I am also drawn to the strong relationship between haikus and time, for a key component of each haiku is its kigo (å£èª), forming a direct link with the seasons.\nThese concerns shaped my work 「俳å¥ã®ç®±åºï½£ (âGarden of Haikusâ), which responds to selected Japanese haikus through particular book forms, objects, and materials. Rather than merely translating what the haiku says, I am interested in translating how it feels: its nuances, atmosphere, and revelatory potential.\nTo bring my books to Iga is therefore not only to reach a new audience, but to return these questions to a place where poetry and literary history have deep resonance. I hope the works can enter into conversation with Igaâs history and the people who encounter them there."])</script>
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5<script>self.__next_f.push([1,"As long as I can remember, art has always occupied an important place in my life. I always loved drawing and never stopped, with a deep fascination for comics and the fact that you can create a whole universe with only a piece of paper and a pencil. My dream has always been to become an illustrator.\n\nWhen I was in high school, I had to make a choice about my professional future. I was dealing with a lot of remarks from people who told me that this future was impossible and uncertain. But the young Tunisian girl who was always reading books and imagining images and characters could not accept that. At the same time, I felt that I should listen to the adults, so I put all my dreams aside and turned to 2D and 3D animation.\n\nThere, I found a part of my passion, but in the end, something was missing, something more important than anything else: the freedom to draw anything I want, to explore new forms, new colors, anatomy, and backgrounds, to learn, to fail, and to start again.\n\nThis dream never abandoned me. For a long time, I never dared to create because I thought my work was never going to be good enough. I limited myself, without the courage to experiment with the potential of my imagination.\n\nToday, I decided not to repress it anymore. I want to reconnect with the passion of my childhood, the one that made me put all my drawings on the walls, the one that made me draw nonstop and see my dad with his âoh no, not againâ face.\n\nAnd most importantly, I want to share it. I want to create images that kids, teenagers, and adults can relate to, to share a little piece of my mind through my style and my vision of the world."])</script>
5<script>self.__next_f.push([1,"26:T51b,I.CEBERG is an art collective of five artists who belong to WOW, a visual design studio in Tokyo. We call one another \"maisons,\" and while each of us pursues a different theme â physical phenomena, form, collage â we explore expression that crosses the boundaries between the digital and the analog, the artificial and the organic.\n\nWhat we chase is what lies beneath the waterline of an iceberg: the things that lurk in everyone's heart yet have not yet found words. Fear and longing, ugliness and tenderness, folded together into something we call the \"monster.\" To unearth it and offer it up as expression is the core of our activity.\n\nAt the center of that practice is our independent art book, I.CEBERG MAGAZINE. ISSUE 01 (2025) was a large-format volume composed of visuals alone, without words; through a unique binding that staggers the fore-edge in five tiers, we made the five artists' separate worlds coexist within a single book. ISSUE 02 (2026) placed words at its center, with the reading direction switching between vertical and horizontal for each maison, so that the reader progresses by rotating the book itself. As for exhibitions, we have taken part in TOKYO NODE's \"TOKYO PROTOTYPE,\" the \"New Kaiju Exhibition\" at Shibuya Hikarie, ZINE FES, and HOMEWORKS 2025 (Osaka), among others.27:T551,â I.CEBERG MAGAZINE ISSUE 01 (published, 2025)\nA large 250Ã300mm format. It presents the artwork and creative process of the five maisons through visuals alone, without words. Bound with a unique method that staggers the fore-edge in five tiers, like a telephone book, it raises up five separate worlds within a single volume. The serial-numbered first edition sold out; it is now in its second edition.\n\nâ I.CEBERG MAGAZINE ISSUE 02 (published, 2026)\n110Ã180mm. An issue that traces the outline of the collective with words at its center. The reading direction switches between vertical and horizontal for each maison, so that the reader progresses while physically rotating the book. The first edition sold out.\n\nâ I.CEBERG MAGAZINE ISSUE 03 (prov
5isional / unreleased, in preparation)\nAn art book we are preparing as the culmination of our practice so far. In addition to a masterpiece from each maison, it will gather dialogues with the collaborators and connections who met and supported us through our work, weaving into a single volume the very theme of \"the relationships with people that expand through making.\" We are aiming to unveil it for the first time at this fair (format, size, and print run are still being adjusted).\n\nWe also plan to distribute \"Fragments of Iceberg,\" small works that give three-dimensional form to shards of thought.28:T725,"])</script>
5<script>self.__next_f.push([1,"Our main work is commission-based digital content, made in response to clients' requests. Even work into which we have poured enormous effort is consumed and swept away the moment it goes out into the world. The sense that a work slips from our hands in exchange for its completion was something we could never quite shake.\n\nI.CEBERG is the practice of gathering up what spilled away in that process. The emotions and hesitations that never became words and were left behind in the flow of work â when we scoop them up one by one and reassemble them, an outline eventually rises into view. Something in which fear and longing, ugliness and tenderness, are inseparably bound together, something that has not yet fully become words. We call it the \"monster.\" To believe in its existence, and â knowing full well that it cannot easily be grasped â to keep reaching for it all the same. It is in that very pursuit that we find meaning.\n\nI.CEBERG MAGAZINE is the record of that pursuit. The monster itself never resolves into an image, but to inscribe in a single volume the movements of the hands that chased it, and the traces of our wavering, becomes proof that we were here.\n\nAs a form for leaving that proof, we feel that the book is the most fitting. A material with thickness and weight, one that the fingers holding it know for certain to exist. A book, which remains along with its tactile feel, keeps the easily-scattered \"meaning of making\" close at hand. The five-tiered staggered binding of ISSUE 01, and the read-while-rotating structure of ISSUE 02, are both, by the measure of efficiency, \"things one need not do.\" We choose them nonetheless because we want to leave the invisible monster behind as something that was, without doubt, present in this world. That is why we make things \"the hard way\" â wazawaza."])</script>
5<script>self.__next_f.push([1,"29:T653,"])</script>
5<script>self.__next_f.push([1,"I chose to undertake the immense labour involved in making a second edition of 7 Color Contrasts with Risography because I saw it as an opportunity to learn new skills. For example, in order to prepare the complex files for a riso book that involves 192 masters, I first need to learn new software skills. Writing with simplicity and clarity about the complex topic of color theory also helped solidify the theoretical concepts for my own artistic work. \n\nAfter writing, designing and preparing files, I physically transported around 200 lbs of paper to the riso lab, printing in two hour increments over the course of four months. Only being able to access the lab at certain times forced me to slow down even more and think about the details. Even so, there are imperfections in the work that naturally occur when an object is handmade and it makes each copy in the edition precious. When the printing was finished, I carried the pages home by subway in manageable batches. Then my task was to crease, fold, punch, and bind 4,500 individual sheets of paper. Doing this kind of repetitive work gave me a feeling of purpose but can also bring up feelings of doubt. I am constantly recommitting to the enormity of the task. \n\nI feel connected to the work because of the mental and physical labor that I put into it. It felt important for the message of the book that it be made in this way because I didn't want a book about riso color to be printed with cmyk inks. Making this book has been worthwhile because it has opened up opportunities for me to meet with other artists and to travel to new places for book fairs."])</script>
5<script>self.__next_f.push([1,"2a:T552,My name is Sakiwa Oshiro, and I run PPP site. I am currently enrolled in the graduate school of Kyoto City University of Arts, where my research focuses on artist books and on the art book fairs that serve as the settings in which they are received. PPP site is a publishing label I launched in January 2026. In my daily practice I work in collaboration with designers and artists to bring a single work into being together, thinking all the while about how private thoughts can be enclosed within, and spread through, the public medium of the book.\nãAs for my activities so far: in December 2025 I exhibited at the Ibaraki Art Book Fair by THE COPY TRAVELERS, where I presented âRe-Reading (Practice),â a book that documents the act of re-reading books. In January 2026, together with the launch of PPP site, I presented and exhibited ãIt Has Not Been / Must Not Be Forgotten That We Waited Longingly for One Another, Different and Alternatingãâa collection of correspondence pairing drawings and poems, created under the names of the artist Namiko Toyama and Sawana Naganemineâat the group exhibition âGyokuosei, Ryuhei Souka, and Namiko Toyama: The Transparent Onionâ (gallery gobangura, Kyoto). In June 2026, at Pages Fukuoka Art Book Fair 2026, I exhibited âSkipping stones,â an artist book made to interpret the work of Namiko Toyama.2b:T5db,"])</script>
5<script>self.__next_f.push([1,"The reason I go to the trouble of expressing myself in the medium of the book is partly that I regard the very act of making a book as a form of artistic expression, but above all it is because I feel a strong affinity between self-published worksâparticularly those in limited editionsâand the exhibition, which makes the book a medium well suited to conveying an artistâs thought and the way a work exists. In the process of reproducing a book, even in a small edition, in a state that preserves the traces of the artistâs and my own handwork, and delivering it to viewers within armâs reach, I find a value equal to that of building an exhibition. Behind this lies inspiration from Seth Siegelaubâs exhibition-on-paper The Xerox Book. Beyond the interest of expression on the page and the shifting images that appear as one turns the pages, I am drawn to the way a bookâlike a portable exhibitionâopens up simultaneously in many different places as a personal experience for each viewer. And when I think of a future in which the internet has fallen into disuse, the very n
5ature of the book as a form means it may be found somewhere fifty or a hundred years from now; I can look forward to the book being carried off to places I myself cannot foresee. That a book, as a medium for opening up private thought, comes to be owned by others and becomes a private possession that remains in the hands of the person who has picked it upâthis too is one of my reasons for making books."])</script>
5<script>self.__next_f.push([1,"2c:T482,When I first began publishing, I learned that the word âpublishâ carries the meaning of making knowledge or thought public, and that from this it came to mean âto issue in print.â When I think about the history of Iga and of Sukodoâthat for some eighty years it was a place beloved by the townspeople as a place for reading and learning centered on its lecture hall, and that it developed from a domain school into a library and then a cultural-property facilityâI felt my own activity, âPPP (Private Public Publishing),â and the âsiteâ that embodies it, overlap with this history of the transmission of thought through books. I have also heard that Iga is a place rich in nature, and since my publications include artist books that take nature as their motif in particular, a wish welled up in me to have the people of Iga see them. In addition, I applied to exhibit in the hope that, through meeting all sorts of exhibitors, art books, and visitors, cultures and ideas would intersect, that exchanges I have never experienced before would arise through books and creative activity, and that I might discover new value there as well.2d:T4e5,Since 1993 I have photographed Kumano, Koyasan, and the Omine Okugake pilgrimage route. In 1996 I traveled to the United States, mastering the Zone System in Ansel Adams's darkroom. In 1998 I completed my studies in photography at Osaka University of Arts and graduated. At the YPF (Young Portfolio) of the Kiyosato Museum of Photographic Arts, ten black-and-white photographs of the Kii Peninsula were added to the permanent collection through the jury of Yasuhiro Ishimoto, Kishin Shinoyama, and Eikoh Hosoe. I served as an assistant to Elliott Erwitt at Magnum Japan. I have held solo exhibitions at the Nara City Museum of Photography, the Tokyo Metropolitan Museum of Photography, Gallery Art Graph Ginza, and elsewhere. I published \"Noroshi\" (Signal Fire), a photobook gathering my private landscapes of the Kii Peninsula in black-and-white fine art photography. It sold out in 2024, and in that same year, 2024, I published a second edition. Last year, in 2025, I took part in book fairs centered on Asia â Hong Kong, Seoul, Singapore, Taipei, and Shanghai (coming this June) â exhibiting and selling original prints and the photobook. For 2026 as well, I plan to travel to various places, positioning it as a second-edition publication tour.2e:T555,I'll be presenting three main works alongside a variety of other poetry zines and comics:\n\nFruitless... (Japanese edition, 2025). This is a condensed 40-page Japanese translation of my 2023 fable illustrated by Japanese artist Tanate Asami, riso-printed by Retro JAM in Osaka. The book is accompanied by an album of music. In 2025 I stocked this edition in stores across Tokyo, Shizuoka, Okayama, and Hiroshima during a month-long visit to Japan.\n\nRzo #1 (Japanese edition, 2026, debuting at the fair). This is a riso-printed comic illustrated by Japanese artist Mori Yuu, following the motivational lizard mascot of the fictional nutrition brand SureVival as he begins to question the company he has devoted his life to. I also have supplemental brand material and ephemera from SureVival, so my table will showcase aspects of the immersive satirical world built around the story.\n\nTea zines (in progress and intended to debut at this fair). This is my first autobiographical work, collecting writing and photography from teahouses I've visited across different countries and the unexpected connections they've brought into my life. Given the region's relationship with tea, Iga feels like the most meaningful place to debut it.\n\nMany of my works come with a free download of music, and I often hand out a download code with exclusive music made for each festival.2f:T533,It has always been important to me to have a physical component to my art, even when the music exists digitally. In my household growing up, physical media like comics, books, newspapers, and CDs made a strong impact on me. As I grew older, I began attending indie comics and zine festivals a"])</script>
5<script>self.__next_f.push([1,"nd worked briefly for an independent comics publisher, which introduced me to the world of self-publishing. As Iâve traveled the world, Iâve encountered zines that have given me unique insight into the individual and the area they came from. (Some of these zines have even led to friendships!)\n\nBecause of all these experiences, I find the physical component of my art to be an essential point of connection. To me, this concept of ãããã speaks to a level of care put into craft that in turn communicates a care for the reader who might encounter it. When someone picks up a copy of something I printed, I want them to feel a personal connection, like someone in the world cared enough to consider their experience.\n\nIntentionally designed physical media creates a space to slow down and appreciate the work someone has put into their art. And self-publishing in particular allows me to iterate on a design and continue to reinterpret my art so that they are living statements that grow along with the people who encounter them.30:T450,â Hito Zine vol.1 (2025): limited edition of 50 copies, 800 yen.\nâ Hito Zine vol.2 (2025): limited edition of 100 copies, 1,500 yen.\n\"Hito Zine\" is a collective zine project organized by \"Nombre,\" a community for learning about books, letters, and printing.\nContributors bring together expressions that vary in both genre and format â illustration, essays, photography, graphics â and the zine is bound in a style that combines pages of differing sizes and specifications. Under the concept of \"a project where people gather rather than a zine,\" creators connected with Nombre take part. Rather than the degree of polish, we value the enjoyment of the process and the connections between people. It is a zine packed with the individuality of each contributor.\n\nâ Vacances \"HAJINOSATO ZINE\" (4 kinds in all / Vol.1â4), 500 yen each.\nThe HAJINOSATO ZINE of Hajinosato, created together by the illustrator Atsushi Toyama and children through workshops. A crystallization of the town's scenery, expressed through illustration and lettering, born from each person's perspective and their teamwork.31:T699,"])</script>
5<script>self.__next_f.push([1,"I am always thinking about the future, and before I know it I spend my time with my heart somewhere other than here. What gently pulls that self back to the \"now\" in front of me, and reties my connection with the world, is, I think, the act of taking photographs. And yet a photograph, from the very instant the shutter is released, is already receding into the past. What is captured there is not only the subject, but also a faint trace of the fact that I existed in that time, in that place, gazing at the world.\n\nThe reason I gather it all into a single book is that I want to preserve the flow of thought and time that a single photograph cannot hold, as a sequence of images and words. You turn a page, pause for a moment, then go back to the previous page. A book has a margin, a space in which each viewer can face the work in their own time. The texture and weight of the paper, the tones of the printing, right down to the binding. To be able to give my thoughts a body through all of these things, that too is one of the reasons I choose the form of the book.\n\nFor me, making a book is not a means to convey finished ideas efficiently. It is, I think, the act of feeling my way toward emotions that have not yet fully become words, and questions I cannot quite explain even to myself, borrowing the forms of photographs, poems, and stories. The information on a screen keeps flowing past, endlessly updated. A book, by contrast, remains in someone's hands as a single object, and continues to exist, surely, even in some time I will never know. To leave a trace of the fact that I was here, thinking, gazing at the world, is why I go to the trouble of making the form of a book."])</script>
5<script>self.__next_f.push([1,"32:T585,"])</script>
5<script>self.__next_f.push([1,"Recently, when I looked at the back of a DVD, I had a strange sensation. Along with nostalgia, I also felt something fresh.\nSince it became ordinary to encounter films and music through subscriptions, works tend to appear as thumbnails. Titles and jacket images catch the eye, but there is almost no occasion to come into contact with the synopsis and the layout of scene photographs on the back of a DVD, or with the design of a CDâs lyric booklet and disc surface.\nWhat I realized then was that I am strongly drawn not only to the work itself but also to what surrounds it.\nA book has a front cover and a back cover. It has margins, it has an order, and it can be closed. Unless you turn the page, the next photograph will not appear. Those parts other than the photographs shape the distance to a photograph and the way one meets it.\nI do not want to make books solely in order to present photographs. I want to give form to everything, including what lies around the photograph.\nIf efficiency were all that mattered, there would be any number of easier ways. Even so, the reason I choose the form of the book is that I want to create the very environment in which photographs are seen. I want to give form to the distance, the order, and even the boundaries one crosses in reaching the work.\nIn order to give a single form to the space and time surrounding a photograph, I go to the trouble of making books."])</script>
5<script>self.__next_f.push([1,"33:T566,"])</script>
5<script>self.__next_f.push([1,"I resonated with the part of this event's concept that says, \"A book exists not only to be read, but within the experience of seeing, touching, and feeling.\" On that basis, when I looked into Iga as a place, I learned that many historic structures remain there. I was especially struck that the venue, the historic Sukodo, has been maintained as a hall serving as a library and cultural-property facility, cherished over a long span of time.\n\nThe act of taking an experience â receiving the garden's atmosphere while still in that pleasant state â and recording it as a book was one in which the sensory experience I had been unconscious of was translated into paper, layout, ink, and thread, deepening my understanding all the more. That has nothing to do with whether one knows the proper etiquette; if anything, being an unfamiliar viewpoint may allow for a fresh way of receiving it.\n\nI would love for people to make the trip to Iga and, with a relaxed sensibility for reading, take this book in. I believe it can become an occasion to slowly draw out the appeal of gardens and their approach paths, in the same way one reads a book. It is also a way of conveying the thinking of those who made the garden and those who tend it every morning. I am very interested, too, in exchanges with the people who come all the way there to read, and with those who set up their stalls."])</script>
5<script>self.__next_f.push([1,"34:T461,Works of scent vanish once the exhibition ends. The conversations exchanged in a workshop, the experience of smelling a fragrance â these belong only to that moment. «Olfactophone», too, is a project that places its value in the process of exchange itself rather than in a finished work. For that reason, there is much that photographs or text alone cannot fully preserve.\nThis time, I regard the book not as a medium for conveying information but as an object that comes with scent, material, and touch. The reason I use scent-testing strips and insert-type parts is not so that the book can be read, but so that it can be opened, touched, drawn out, and smelled. Precisely because we live in an age where digital recording is so easy, I wanted to preserve something that cannot be fully reproduced â like scent â in a limited, handmade form. Incomplete, inefficient, and impossible for anyone to experience identically. That state overlaps with the \"communication through partial understanding\" that «Olfactophone» explores. This book is not a record of the work but exists as an extension of the work itself.35:T431,From the outset, I conceived of this work as a
5structure that would not fit the format of an ordinary art book or zine and its extensions. It can have pages, but it is not premised on being circulated lightly or shared as a uniform reading experience; rather, I felt a need to redefine the very form of the \"book\" itself.\nAmid this, I learned of this fair and became strongly interested in its stance of trying to expand the very form of the \"book,\" and its attempt to update the framework of production and circulation. It proceeds from premises different from those of the conventional art-book framework, and in that respect I sense a possibility of connection with this project.\nDelivering the work to a place like Iga is not about leaving behind urban speed or the center of existing contexts; rather, it is an act of testing how a work is reconstituted under different conditions. The very form of an art book fair is a device that produces not distribution but \"encounter,\" and within it I want to experiment with how a book gets misread and has its meaning updated."])</script>
5<script>self.__next_f.push([1,"c:[\"$\",\"$1\",\"c\",{\"children\":[[\"$\",\"$L17\",null,{\"exhibitors\":[{\"slug\":\"gato\",\"exhibitorName\":\"\u0026gato.\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"photobook\",\"zine\"],\"social\":\"https://www.instagram.com/karin_nkym/\",\"website\":\"https://karinnakayama.myportfolio.com/\",\"activityIntro\":\"京é½ãæµæ¾ãæ±äº¬ãæ ç¹ã«æ´»åããã¯ãªã¨ã¤ãã£ãã¦ããããçµµç»ã鳿¥½ãåçãªã©ãä¸å¿ã¨ããè¡¨ç¾æ´»åãå±éãã¦ãã¾ããããã¾ã§ä¼ç»å±ã®ä¸»å¬ãå°åã¤ãã³ãã¸ã®åå ãéãã夿§ãªç¹ãããåºããªããæ´»åãç¶ãã¦ãã¾ãã\",\"presentWork\":\"1. ã¢ã¡ãªã«æ
åçéãNOT TOO LATEã\\n2. åç|è©©éãTOY BOXâ
¡ã\\n3.çµµæ¬ ããã¼ã«ã¨ã³ã¤ã³ã©ã³ããªã¼ã\\n4. åçéãI like your footsteps!ã\",\"whyBook\":\"ç´åªä½ã§ããä¼ãããªã温ãã¿ãç©ºæ°æã大åã«ãæ¬ãå¶ä½ãã¦ãã¾ããã¤ã³ã¿ã¼ãããä¸ã®æ
å ±ãçµ¶ããæµãå»ã£ã¦ããã®ã«å¯¾ããç´é¢ã«ä¹ãæ
å ±ã¯ãèªã¿æããããã®ãã¼ã¹ã§ãã£ããã¨ä¼ãã£ã¦ããã¾ããã¾ããã¤ãã³ããªã©ã§æ¬ãæã«åããèå³ãæã£ã¦ãã ãã£ãæ¹ã
ã¨ç´æ¥è¨èã交ãããã¨ã§ãç§ãã¡èªèº«ãä½åã¸ã®è§£éãæ·±ã¾ã£ã¦ããã¾ããæ¬ã¨ãããå®ä½ããããããããçã¾ããããã®ãããªã³ãã¥ãã±ã¼ã·ã§ã³ããç§ãã¡ãããããæ¬ãä½ã大ããªçç±ã§ãã\",\"whyIga\":\"ã¾ã大ããªçç±ã¯ãç§ï¼Karinï¼èªèº«ã®ã«ã¼ããä¼è³ã«ããããã§ããå¹¼ãé ããæµ·å¤ã§è²ã£ãç§ã«ã¨ã£ã¦ãä¼è³ã¯åºèº«å°ã§ãããªãããã©ãã馴æã¿ã®èãåå¨ã§ããããããã髿 ¡çã«ãªã£ã¦æ¥æ¬ã¸æ»ããæ¹ãã¦ãã®åå°ãç¥ãç´ãéç¨ã§ãä¼è³ã®æã¤é
åãæåã®å¥¥æ·±ãã«æ°ã¥ãããã¾ããã\\nãã®Book Fairãéãã¦ä¼è³ã¨ããåå°ã«ã©ã®ãããªã³ãã¥ããã£ãçã¾ããæ°ããªæåãå½¢æããã¦ããã®ãã«èå³é¢å¿ãããã¾ãã\\nã¾ããåé
ã§ã触ãã¾ãããããµã ãã¯ç§ãã¡ã®ä½åãå±ããªãå ´æã§ãæ°ãã«åºä¼ã人ã
ã¨è¨èã交ããããã¨ããæããããã¾ããä¼è³ã¨ããç¹å¥ãªå ´æã§ã®å¯¾è©±ãéãã¦ãç§ãã¡èªèº«ã®ä½åã¸ã®è§£éãããã«æ·±ãã¦ããããã¨èãã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/gato/02.jpg\",\"/images/exhibitors/gato/01.jpg\",\"/images/exhibitors/gato/03.jpg\",\"/images/exhibitors/gato/04.jpg\",\"/images/exhibitors/gato/05.jpg\"],\"submittedAt\":\"2026-06-21T23:43:32.000Z\",\"talkInterest\":\"No\",\"comments\":\"éå¶ãç²ãæ§ã§ãï¼ãããããé¡ããã¾ãï¼\",\"i18n\":{\"en\":{\"activityIntro\":\"A creative unit based in Kyoto, Hamamatsu, and Tokyo. We develop expressive activities centered on painting, music, photography, and more. Through hosting our own exhibitions and taking part in local events, we have continued our work while widening a diverse range of connections.\",\"presentWork\":\"1. American travel photobook 'NOT TOO LATE'\\n2. Photography|poetry collection 'TOY BOX II'\\n3. Picture book 'Paul and the Laundromat'\\n4. Photobook 'I like your footsteps!'\",\"whyBook\":\"We make books while cherishing the warmth and atmosphere that can only be conveyed through print. In contrast to information on the internet, which flows ceaselessly away, information that rides on the printed page is conveyed slowly, at each reader's own pace. Also, by handing our books to people at events and exchanging words directly with those who take an interest, our own interpretation of the work deepens as well. That kind of communication, which arises precisely because a book is a \\\"physical presence,\\\" is a major reason we go out of our way to make books.\",\"whyIga\":\"The biggest reason, to start, is that my own (Karin's) roots are in Iga. Having grown up abroad from a young age, Iga was for me my birthplace and yet somehow an unfamiliar presence. But when I returned to Japan as a high school student and, through the process of getting to know this land anew, I came to realize the appeal of Iga and the depth of its culture.\\nI am curious about what kind of community will emerge in this land of Iga through this Book Fair, and how a new culture will take shape.\\nAlso, as I touched on earlier, I have a wish to exchange words with people I newly meet in places our work does not usually reach. Through dialogue in the special place that is Iga, I hope to further deepen our own interpretation of our work.\"}}},{\"slug\":\"0x8x0_no\",\"exhibitorName\":\"0x8x0_no\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"photobook\",\"zine\"],\"social\":\"https://www.instagram.com/hellpeas\",\"website\":\"https://www.gemini.ooo\",\"activityIntro\":\"æ±äº¬åºèº«ãæ¥æ¬å¤§å¦è¸è¡å¦é¨åçå¦ç§ãçµã¦2009å¹´ã«ã·ããã¼ã¸ç§»ä½ãUTSæµ·æ´çç©å¦é¨åããSara Paoãå義ã§ãªã¼ã¹ãã©ãªã¢åå°ã®ã®ã£ã©ãªã¼ã«ã¦å±ç¤ºããGe:miniãå義ã§NFTããã¸ã§ã¯ããå±éå¾ã2024å¹´ã«æ¥æ¬ã¸å®å
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使°ã®åå°ããã¼ãã«ãããDear,ãï¼2019ï¼ãªã©ã®ããã¼ããã¯ãå¶ä½ãã¾ããç½é¤¡èï¼Shiroankoï¼ãå義ã§ã¤ã©ã¹ããæ°ã¾ããã«æããããã¤ã³ãã£ãã³ãã³ãã¢ã¼ãã·ã§ãããunprompted.loveãéå¶ã\",\"presentWork\":\"$18\",\"whyBook\":\"ç§ã®ä½åã¥ããã®æ ¹åºã«ã¯ãæç©ºã®ã¬ã¤ã¤ã¼ã¨ç¡æèã®åæããããã¾ã è¦ãã¦ããªãããã©ãæ¢ã«ããã«ãããã®ããããæ¢æ±ãã¦ãã¾ããããã¦åçéãç¹ã«æè£½ã®åçéãããã表ç¾ããã®ã«é©ãã¦ããã¨æãããããããä½ã£ã¦ãã¾ãã\\n\\nåçéãè¦ããã¨ã§ãããè¦ã人ã¨åçéã®éã§èµ·ããç§çãªçµé¨ãããã¦åçã®ã·ã¼ã¯ã¨ã³ã¹ã®æµããä½ãã ããã®ã«ãåãåã人ããã¼ã¸ãããã度ã«ä¸ç·ã«æµãã¦ããããã®çµé¨ã¯ãéãæéã®ã¬ã¤ã¤ã¼ãè¦ã人ããããã®è¨æ¶ãæãã¨å¹¾éã«ãå¼å¿ããªãããåºããæ³¢ã¨ãªã£ã¦ãããããã¯ã¾ãå¥ã®ä½ãã¨ã·ã³ã¯ãããç¶ãã¦ãããç§ã¯ããã®å§ã¾ãã®å°ç¹ãã¤ããããã¨æã£ã¦ãã¾ãããããã¯ãããã¯ãã§ã«å¼å¿ã®ã·ã³ã¯ãã®ç¶ãã§ç§ã¯ãã ããããããããããå½¢ã«ããããã«ãã²ã¨ã¤ã®ãå°ç¹ããã¤ã¾ãèªåã®ä½åã䏿¦ã¤ããããã®å°ç¹ãããå¼å¿ã®æ³¢ããããããã·ã³ã¯ããç¶ãã¦ããã°ãããªã¨æã£ã¦ãã¾ãã\\n\\nã¾ããæ¬ã¨ããå½¢ã«ãã ããã®ã¯åçã¯çµµç»ã¨ã¯éã䏿ã§ä¸çã«å
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¬æ£ãªé å¸ãéè¦ãã¦ãã¾ããå¤ãã®ä½åã¯é·æçãªååããçã¾ãã¦ãããèªã¿ç©ã§ããã¨åæã«ã¤ã³ãã©ã¼ãã«ãªå±ç¤ºç©ã¨ãã¦ãæµéããããè¨è¨ããã¦ãã¾ãã\",\"whyBook\":\"51 Personae ã«ã¨ã£ã¦ãç©è³ªã¨ãã¦ã®æ¬ãã¤ãããã¨ã¯åãªãåªä½ã®é¸æã§ã¯ãªããçããããçµé¨ââã¨ãããå¨ç¸çã§ãä¸å®å®ã§ã容æã«æ¶ãå»ããã¦ãã¾ããã¡ãªçµé¨ââã«ãæç¶ããããã¡ãä¸ãããã¨ããæå¿ã®è¡¨ãã§ããåºçãç¬æã«è¡ããç·¨éãå¯è½ã§ããã¸ã¿ã«ç©ºéã§ééãªãæµéãããæä»£ã«ãã£ã¦ãç§ãã¡ã¯ãªãç©è³ªçãªãªãã¸ã§ã¯ãã¨ãã¦ã®æ¬ã«ç«ã¡è¿ãã¾ããæ¬ã¯ããªã³ã©ã¤ã³ã®æµéããã¤éããç§»ãããããã«æããå¥ç¨®ã®æ°¸ç¶æ§ãåãã¦ããããã§ãã\\n\\nç§ãã¡ã¯ç´ã¨æ¬ã¨ããå½¢å¼ãã究極ã®åªä½ã®ããã¡ã¨ãã¦æãã¦ãã¾ããããªãã¡ã人éã®çµé¨ãæèãã容æã«ã¯ä¸æ¸ããåé¤ãã§ããªãããã¡ã§èããæ§é ã§ããããã¯ãå¸äºã®äººã
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å®¹ã¨æèã®ããã ã«é¿ãåããçã¿åºãã¾ãã\\n\\næçµçã«ç§ãã¡ã¯ãä¼è³ã®ãããªå ´æã§ãããæ¬ã¨èªè
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ã³ã¬ã¯ã·ã§ã³ã«åèµããã¦ãã¾ããä½å 「俳å¥ã®ç®±åºï½£ï¼âGarden of Haikusâï¼ã¯ã2024å¹´ã«Minnesota Center for Book Artsï¼MCBAï¼ã®ããã¯ã¢ã¼ãè³ã«ããã¦ã»ããã¡ã¤ããªã¹ãã«é¸åºããã¾ãããã¾ãããèµ·ä¼ãâsea tiles: dreaming tides, gathering and unravellingâã¯ç¾å¨ãããã¢ããªã¹ã®MCBAã§éå¬ä¸ã®Fore Edge Fairã«ã¦å±ç¤ºããã¦ãã¾ãã\",\"presentWork\":\"3. Title: ï½¢ææå¤ï½£ âgrey sunsâã黿ã\\n4. Title: âthe smallest registers of motionâãå¾®å°ä¼¼æ¢¦ãï½¢ä¸ãæã æã«éããï½£\\n5. 「俳å¥ã®ç®±åºï½£ (Garden of Haikus)\\n6. Title: âon things fugitiveâ ã妿鲿®éãï½¢ææ¢ç¡ãç©äºï½£ «sur les choses fugitives»\",\"whyBook\":\"ç§ã®å®è·µã«ããã¦ãç´ æãå½¢ãããã»ã¹ãã³ã³ã»ããã¯äºãã«çµ¡ã¿åããè£å¼·ãåã£ã¦ãã¾ããç§ã¯ä½ãç¨ãã¦ããã®ããããã¦ãªããããç¨ããã®ããæå³ã¨å¶ä½ã«å¯¾ããããããèªå·±çå¯çãªã¾ãªãããã親å¯ãã身ä½çãªã¹ã±ã¼ã«ãããã¦ã¤ã¡ã¼ã¸ãç´ æãè¨èãã²ã¨ã¤ã®åºä¼ãã®ãªãã«çµã³ã¤ãããã¨ã®ã§ããã¢ã¼ãã£ã¹ãããã¯ã¨ããå½¢å¼ã¸ã¨ãç§ãå¼ãå¯ãã¦ãã¾ããã\\
5nç§ãããããã¢ã¼ãã£ã¹ãããã¯ãã¤ããã®ã¯ãç©ççãªå½¢å¼ãã®ãã®ããä½åã®åãåããæ¹ãå¤ããããã§ããæ¬ã¯ãæã«åãããéããããããããåºããããåããããè¿ãã§ãã£ããã¨è¦ããããã®ã§ããããã¯ãã¹ã¯ãªã¼ã³ä¸ã§åºä¼ãã¤ã¡ã¼ã¸ã¨ã¯ç°ãªãããããã£ããã¨ããã親å¯ãªãªãºã ãéè³è
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ã®ãã¨ã§ã¤ã¡ã¼ã¸åå£«ãæº¶ãåããã¨ãå¯è½ã«ããèãç´ æã¯è¢«åä½ã®ããããå¼·ãã¾ããã¾ããæããç¶´ããç®±ãä»åãã¨ãã£ãæ§é ã¯ãä½åã«å»ºç¯çãªæ§è³ªãä¸ãã¾ããæ¬ã¯ãæã¡éã³ãå
±æããæã®ä¸ã§çµé¨ãããã¨ã®ã§ãããå°ããªå¯åå¼ã®å±è¦§ä¼ã®ãããªãã®ã«ãªãã®ã§ãã\\nãã®ãããªå¶ä½æ¹æ³ã¯ãå¤ãã®å ´åãéå¹ççã§ãä¸è¬çã«è²»ç¨å¯¾å¹æã®é«ããã®ã§ã¯ããã¾ãããããã§ãç§ã¯ãä½åã«ãããç©è³ªæ§ãæä»äºãããã¦ä½å®¶ã®æã®çè·¡ã大åã«ãã¦ãã¾ããç´ãæ¢ããå°å·æ¹æ³ã試ããè²èª¿ã質æãåã¿ãéãæããã¼ã¸å士ã®ã¤ãªããæ¹ãåãæ¹ãèããããã«ãå¤ãã®æéãè²»ããã¾ããç·¨éãå°å·ã製æ¬ãä»ä¸ãã¾ã§ãèªåèªèº«ã§æ
ããã¨ã§ã宿ãããªãã¸ã§ã¯ãã¨ã®è·é¢ãããè¿ããªãã¾ããããã¦ãä¸è¦äºç´°ã«è¦ããããã©éè¦ãªå¤æã夿´ããä½åã®èå¾ã«ããèããææ
ã«å¯ãæ·»ããç¶ãããã¨ãã§ããã®ã§ãã\",\"whyIga\":\"ç§ã®ä½åãä¼è³ã¾ã§æã£ã¦ãããã¨ãã§ããã¨ãããã¨ã¯ãã¢ã¼ãã£ã¹ãããã¯ã¸ã¨åãã£ã大ããªçç±ã示ãã¦ãã¾ããæ¬ã¯ç§»åå¯è½ã§ãæã¡éã¶ãã¨ãã§ãã親å¯ãªå½¢å¼ã ããã§ããç§ã¯ãæ¬ã¨æã¨ã®é¢ä¿æ§ã«å¼·ãæ¹ããã¦ãã¾ããæ¬ã¯è§¦ããããä¿ç®¡ãããéã°ããããã¦ä½åº¦ã§ãåã³æã«åããã¨ãã§ãã¾ããã¾ããä¸åã®æ¬ãã©ãã»ã©å¤ãã®ãã®ãå
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åãæãã¦ãã¾ãã\\nç§ã®ã¢ã¼ãã£ã¹ãããã¯ã¯ãã¤ã¡ã¼ã¸ãããã¹ããç´ æã®éã«çã¾ããé¢ä¿æ§ãå·¡ããã®ã§ãããã®ãããæ¾å°¾èèã®çèªå°ã§ããä¼è³ã§ä½åãç´¹ä»ã§ãããã¨ã¯ãç§ã«ã¨ã£ã¦ç¹å¥ãªæå³ãæã¡ã¾ããç§ã¯å¦çæä»£ãæ¥æ¬èªã®å
çãéãã¦åãã¦èèã«åºä¼ãã¾ããããã®å¾ã大妿代ã«ãæ£å²¡åè¦ãå·ç«¯è
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åã¯ããããèªãçµé¨ãå½¢ã¥ããããã§é常ã«éè¦ã§ããã¾ã俳å¥ã¯ãæå°éã®è¨èããããåä¸é³ã®ãªãã§æå¤§éã®ãã®ãä¼ãã¾ããããã¯ãéæ¹ããªãå°ããã®ãªãã«æ±ããããåºå¤§ãã®ãããªãã®ã§ãããã®èãæ¹ã¯ãç§ã®åçãå¤è¨èªæ§ã¸ã®åãåãæ¹ã«ãå½±é¿ãä¸ãã¦ãã¾ããã¤ã¡ã¼ã¸ã®å¨å²ã«ããã空ç½ããä½ç½ã¯ãç®ã«è¦ããã¤ã¡ã¼ã¸ãã®ãã®ã¨åããããéè¦ã§ãããä½åã®é
ç½®ã«ããã¦ãã®ä½ç½ãå½¢ã¥ãããã¨ã¯ãç§ã®å¶ä½ããã»ã¹ã®å¤§åãªä¸é¨ã¨ãªã£ã¦ãã¾ããããã«ã俳å¥ã¨æéã¨ã®å¼·ãçµã³ã¤ãã«ãæ¹ããã¦ãã¾ãã俳å¥ã®éè¦ãªè¦ç´ ã§ããå£èªã¯ãå£ç¯ã¨ã®ç´æ¥çãªã¤ãªãããçã¿åºãããã§ãã\\nããããé¢å¿ã¯ãç§ã®ä½å 「俳å¥ã®ç®±åºï½£ï¼âGarden of Haikusâï¼ã«ãåæ ããã¦ãã¾ãããã®ä½åã§ã¯ãé¸ã°ããæ¥æ¬ã®ä¿³å¥ã«å¯¾ãã¦ãç¹å®ã®æ¬ã®å½¢å¼ãç©ä½ãç´ æãéãã¦å¿çãã¦ãã¾ããç§ã¯ã俳å¥ãä½ãè¨ã£ã¦ããã®ããåã«ç¿»è¨³ããã®ã§ã¯ãªãããããã©ã®ããã«æããããã®ããããªãã¡ããã®ãã¥ã¢ã³ã¹ãç©ºæ°æãããã¦å示çãªåã翻訳ãããã¨ã«é¢å¿ãããã¾ãã\\nãããã£ã¦ãç§ã®ä½åãä¼è³ã¸æã£ã¦ãããã¨ã¯ãåã«æ°ãã観客ã«å±ãã¨ãããã¨ã ãã§ã¯ããã¾ãããããã¯ãè©©ã¨æå¦å²ãæ·±ãé¿ãåãå ´æã¸ãããããåããæã¡å¸°ããã¨ã§ãããã¾ããä½åãä¼è³ã®æ´å²ãããã¦ããã§åºä¼ã人ã
ã¨å¯¾è©±ãå§ãããã¨ãé¡ã£ã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/angelica-ong/02.jpg\",\"/images/exhibitors/angelica-ong/01.jpg\",\"/images/exhibitors/angelica-ong/03.jpg\",\"/images/exhibitors/angelica-ong/04.jpg\",\"/images/exhibitors/angelica-ong/05.jpg\"],\"submittedAt\":\"2026-06-21T16:56:46.000Z\",\"talkInterest\":\"Interested but unsure\",\"i18n\":{\"en\":{\"activityIntro\":\"$21\",\"presentWork\":\"$22\",\"whyBook\":\"$23\",\"whyIga\":\"$24\"}}},{\"slug\":\"anna-darab\",\"exhibitorName\":\"Anna Darab\",\"country\":\"Iran\",\"originalLang\":\"en\",\"categories\":[\"artist\"],\"social\":\"https://instagram.com/anna.darab.illustrations https://instagram.com/anna.darab.studio\",\"website\":\"https://visualartjournal.com/2026/03/14/anahita-darabbeigi-anna-darab/\",\"activityIntro\":\"Visual artist (painting, Illustration, artist book, sculpture,...) , Tehran, Iran, Underground book projects like \\\"Persian Image\\\"\",\"presentWork\":\"I am planning to represent my book on the Persian poetry imagery. This little hand book called the Persian Image, has another volume which is going to be ready by the time the waza waza book fair starts. This book has not been exhibited yet, and has only 50 editions.\",\"whyBook\":\"I have worked on the images of the Persian poetry from the classical times to the very present day poetry, to be able to communicate through the image in a poem, and show my audience what can be visualized and imagined when reading it. Poems are something we read mainly in private and silence, with a book in hand and while letting our imagination fly. I made this book to be able to show fragments of visuals in a poem. The notion of omens are also interesting for me. We tend to use Divans (book of poems) for fortune telling in Yalda night, so this book of mine can also be used in that way. I have gathered all these pictures through time and with selection of every beautiful image I found in Persian poems. So there is no need to know Persian in order to see those poems if you hold my little \\\"Persian Image\\\" in your hands!\",\"whyIga\":\"This is an experiment for me, I want to test how can words translated to images connect with an audie
5nce who can't read these poems. This is a test for the power of the pictures.\",\"i18n\":{\"ja\":{\"activityIntro\":\"ãã¸ã¥ã¢ã«ã¢ã¼ãã£ã¹ãï¼çµµç»ãã¤ã©ã¹ãã¬ã¼ã·ã§ã³ãã¢ã¼ãã£ã¹ãããã¯ã彫å»ãªã©ï¼ãã¤ã©ã³ã»ããã©ã³å¨ä½ããPersian Imageãã®ãããªã¢ã³ãã¼ã°ã©ã¦ã³ãã®æ¬ã®ããã¸ã§ã¯ãã«åãçµãã§ãã¾ãã\",\"presentWork\":\"ãã«ã·ã£è©©ã®ã¤ã¡ã¼ã¸ãæ±ã£ãç§ã®æ¬ãåºå±ããäºå®ã§ãããPersian Imageãã¨åä»ãããã®å°ããªæã®ã²ããµã¤ãºã®æ¬ã«ã¯ç¶å·»ããããããããããã¯ãã§ã¢ãå§ã¾ãé ã¾ã§ã«å®æããäºå®ã§ããæ¬æ¸ã¯ã¾ã å±ç¤ºããããã¨ããªããéå®50é¨ã®ã¿ã§ãã\",\"whyBook\":\"ç§ã¯å¤å
¸æããç¾ä»£ã«è³ãã¾ã§ã®ãã«ã·ã£è©©ã®ã¤ã¡ã¼ã¸ã«åãçµãã§ãã¾ãããè©©ã®ä¸ã®ã¤ã¡ã¼ã¸ãéãã¦èªããããèªãã¨ãã«ä½ãè¦è¦åããæ³åããå¾ãã®ãã観客ã«ç¤ºãããã§ããè©©ã¯ä¸»ã«ãæ¬ãæã«æ³åãç¾½ã°ããããªãããç§çã«ãéããã®ä¸ã§èªããã®ã§ããç§ã¯ãã®æ¬ããè©©ã®ä¸ã®è¦è¦ã®æçãè¦ããããããã«ä½ãã¾ãããåå
ï¼omenï¼ã¨ããæ¦å¿µãç§ã«ã¯è峿·±ããã®ã§ããç§ãã¡ã¯ã¤ã«ãã¼ã®å¤ã«è©©éï¼ãã£ã¼ã¯ã¼ã³ï¼ãå ãã«ç¨ããç¿æ
£ããããç§ã®ãã®æ¬ããã®ããã«ä½¿ããã¨ãã§ãã¾ããç§ã¯é·ãæéãããããã«ã·ã£è©©ã®ä¸ã«è¦ã¤ããç¾ããã¤ã¡ã¼ã¸ãä¸ã¤ã²ã¨ã¤é¸ã³ãããããã¹ã¦ã®çµµãéãã¦ãã¾ãããã ãããã®å°ããªãPersian Imageããæã«ããã°ããããã®è©©ãè¦ãã®ã«ãã«ã·ã£èªãç¥ãå¿
è¦ã¯ãªãã®ã§ãã\",\"whyIga\":\"ããã¯ç§ã«ã¨ã£ã¦ä¸ã¤ã®å®é¨ã§ããè¨èã夿ãããã¤ã¡ã¼ã¸ãããããã®è©©ãèªããªã観客ã¨ã©ãã¤ãªããå¾ãã®ãã試ãããã®ã§ããããã¯çµµã®åã試ãå®é¨ã§ãã\"}},\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/anna-darab/02.jpg\",\"/images/exhibitors/anna-darab/01.jpg\",\"/images/exhibitors/anna-darab/03.jpg\",\"/images/exhibitors/anna-darab/04.jpg\",\"/images/exhibitors/anna-darab/05.jpg\"],\"submittedAt\":\"2026-05-06T23:57:25.000Z\",\"talkInterest\":\"Interested but unsure\",\"comments\":\"I would love to be there but it is extra expensive for me to visit Japan. Please let me know how many of the book editions I have to provide, and the best way to post it to you.\"},{\"slug\":\"aprilbooks\",\"exhibitorName\":\"AprilBooks\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"bookstore\"],\"social\":\"https://instagram.com/aprilbooks.tsuge\",\"website\":\"\",\"activityIntro\":\"ä¼è³å¸ææ¤çºææ¤é§
åã®æ¬å±å
¼ã¾ã¡ã©ã¤ãã©ãªã¼ã®AprilBooksã§ããæ°åæ¸ã夿¬ãã¾ã¡ã©ã¤ãã©ãªã¼ã®æ©è½ãåããã£ã¦ãããã«ã³ã¼ãã¼ã飲ããã¹ãã¼ã¹ãè¨ãã¦ãã¾ããåºå
ã«ã¯ç´700åã®æ¬ã並ã³ã¾ãã\\n\\nã¢ãããã¹ã¿ã¸ãªã¨ã®ã³ã©ããã§ã¢ãèªç¶é£é信社ã®ä¼ç»å±ãäº¤éæ°è社ããã¸ãçµµæ¬å±ããã¨ã®åç»å±ãæ¸èä¾ä¾æ¿ã®æµ·å¤æå¦ãã§ã¢ãåã©ãã®æåæ®ååä¼ããã¨é·æ°å¤ªããã®ä¼ç»å±ãªã©ãéå¬ãã¦ãã¾ãã\",\"presentWork\":\"é æ¬ã«é¢ããæ¬\",\"whyBook\":\"æ°åæ¸åºãæ¸ãä¸ãç¬ç«åæ¸åºã¯å¢ãã¦ããå¾åã«ããã¾ããã¤ã³ã¿ã¼ãããã«ã¯ãªããéé³ã¨æããä¸ãããèªåã¨ææ§ã®åãæ¬ãæ¢ããã¨ãã§ããåã³ããã©ã¦ã³ã¸ã³ã°æ©è½ã®ããå½¢æ
ã®æ¬ã¨ãç´åªä½ã§åºä¼ããã¨ãã§ããå ´æã§ããã¨æãã¾ããæ¬å¥½ããæ¬ã¥ããã«èå³ãæã£ã¦ããã£ãããå¬ããã§ãããã®ãããªæ£ã¥ãããç®æãã¦ãããããããæ¸åºã«æ¥ã¦ããããä»å 価å¤ã®ãããµã¼ãã¹ãæä¾ãã¦ããããã¨æã£ã¦ãã¾ãã\",\"whyIga\":\"çã¾ãè²ã¡ãï¼ï¼å¹´çãã¦ããä¼è³å¸ã®ããã³ã·ã£ã«ããã£ã¨å¼ãåºããæ¬å¥½ãã¯ãã£ã¨ãªã¼ãã³ã«ï¼\\nä¼è³ã«ã¯ç´ æ´ãããæåãè³è²¡ã伿¥ããµã¼ã¯ã«ãããã¾ããä¼è³å¸ã®å¤ã«åºãã¨ãä¸çã«èªããæåãè³è²¡ãã¢ãã¼ã«ããæ¹æ³ã¯ããã®ããã¯ãã§ã¢ã«ããã¨æã£ã¦ãã¾ããã¾ãã¯ç«ã¡æ¢ã¾ããããããä¼è³ã«æ¥ã価å¤ãä½ããã£ããã¥ãããã§ããããªã¨æãã¾ãã\\nãããããé¡ãç³ãä¸ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/aprilbooks/01.jpg\",\"/images/exhibitors/aprilbooks/02.jpg\"],\"submittedAt\":\"2026-06-24T09:49:02.000Z\",\"talkInterest\":\"Yes\",\"i18n\":{\"en\":{\"activityIntro\":\"AprilBooks is a bookshop and community library in front of Tsuge Station in Tsuge-cho, Iga City. It brings together new books, secondhand books, and the functions of a community library, and also provides a space where you can have a coffee. Around 700 books line its shelves.\\n\\nWe have held events such as a collaborative fair with Anonima Studio, an exhibition with Shizenshoku Tsushinsha, original-artw
5ork exhibitions with Kotsu Shimbunsha and the picture-book shop Nijino Ehonya, an overseas-literature fair with Shoshi KankanbÅ, and an exhibition featuring the Association for the Promotion of Children's Culture and Shinta Cho.\",\"presentWork\":\"Books about bookbinding.\",\"whyBook\":\"Even as new-book bookstores are dwindling, independent bookstores are on the rise. A bookstore is a place whereâamid what might look like noise you won't find on the internetâyou can experience, in print, the joy of hunting out a book that matches your own sensibility, and the browsable form that books take. I would be happy if people came to love books, or to take an interest in making them. That is the kind of shelf I aim to build, and I want to keep offering added-value services worth going out of your way to the shop for.\",\"whyIga\":\"I want to draw out more of the potential of Iga Cityâwhere I was born, raised, and have lived for thirty-six yearsâand to help book lovers be more open! Iga has wonderful culture, resources, businesses, and communities. I believe this book fair holds a way to show off, to the world, culture and assets we can be proud of, without ever having to leave Iga City. First of all, I hope we can make an occasion that gives people a reason to pauseâand to feel it is worth going out of their way to come to Iga.\\nThank you very much.\"}}},{\"slug\":\"between-in-between\",\"exhibitorName\":\"between in between\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"collective\"],\"social\":\"https://www.instagram.com/betwinbetw/\",\"website\":\"https://between-in-between.com/\",\"activityIntro\":\"åæå±±çã®éå±±ãæ ç¹ã«ãå±±ã§å
¥æããç´ æãèµ·ç¹ã«æ¬ãä½ã£ããããªãã¸ã§ãä½ã£ãããã¦ãã¾ããæ¬ã«ã¯è£å±±ã«èªçããæ¥®ããæ¼ããç´ã使ããªã©ãå¨å²ã§æã«å
¥ãæãæå¤§éã«æ´»ç¨ãã¦ãã¾ãã\\n\\néå»ã®åºçç©ã¯ãç³ãç´ æã®ãã¸ã¥ã¢ã«ãªãµã¼ããå¶ä½ãããªãã¸ã§ãåé²ãããã¼ããã©ãªãªãæ¬ã¨ãªãã¸ã§ã®ä¸éçãªãã®ãªã©ãããã¾ãã\",\"presentWork\":\"hinoki reconstructed (Isamu Hazama, 2026, 20cm x 27cm, 24 pages) ãã¡ã¤ã³ã«ãæ¬ã«å ãã¦åé²ãã¦ãããªãã¸ã§ãåããã¦å±ç¤ºã§ããã°ã¨èãã¦ãã¾ãããã®ä»ãéå»ã®åºçç©ãæåäºå®ã§ãã\",\"whyBook\":\"ç´ã«ä½ããè¨ãã¦æã«ã¾ã¨ããã¨ãããã¨ã¯ãå°ããªåã©ãã§ããçµµæã帳ãã¾ã¨ããããã«ã人éã«åãã£ãæ¬è½çãªè¡çºã ã¨æãã¦ãã¾ããããã¯å¹ççã«æ
å ±çºä¿¡ãããã¨ãç®çã®å ´åã¯ããããããã¨æããããããããã¾ããããããã¾ã§ç®ã®åã§æãããã¨ã表ç¾ããããã¨ãç©è³ªçã«æ´çãã人ã¨ã³ãã¥ãã±ã¼ã·ã§ã³ãã¨ããã¨ããçµæã®è¡ãã ã¨æãã¾ããããã§ã¯âããããâä½ãã¨ããè¡çºèªä½ã«æå³ãåã³ãããããã«æãã¦ãã¾ãã\",\"whyIga\":\"æ®æ®µã¯å±±ã«å²ã¾ããç°å¢ã§å¶ä½ãã¦ãããã¨ãããåããå±±ã«å²ã¾ããä¼è³ã®é°å²æ°ã«è¦ªè¿æãæã¡ã¾ãããã¾ãã夿°å®¶ã§æ®ãããªããå¶ä½ãã¦ãããããä¼å ´ã®é°å²æ°ã®ä¸ã§å±ç¤ºããæ§åã容æã«æ³åã§ãã¾ãããæã®äººãå±±ãä¼ã£ã¦å¥ã®å ´æã«ç§»åããããã«ãããã¤ãã®å±±ãè¶ãã¦ä¼è³ã«ãæ¬ãå±ãããããã¨æã£ã¦ãã¾ãã\",\"booth\":\"Exhibition Room: 4.5ç³ (12,000 JPY) â»éå®1室\",\"images\":[\"/images/exhibitors/between-in-between/02.jpg\",\"/images/exhibitors/between-in-between/01.jpg\",\"/images/exhibitors/between-in-between/03.jpg\",\"/images/exhibitors/between-in-between/04.jpg\"],\"submittedAt\":\"2026-04-24T18:54:57.000Z\",\"talkInterest\":\"Interested but unsure\",\"comments\":\"ãã§ã¢ãéãã¦ä¼è³ã«è¨ªãããã¨ãã§ããã®ã楽ãã¿ã«ãã¦ããã¾ããã©ãããããããé¡ããããã¾ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"Based in the satoyama foothills of Wakayama Prefecture, we make books and objects starting from materials we obtain in the mountains. For our books we use paper we make ourselves from the paper mulberry that grows wild on the hill behind us, making the fullest possible use of the materials available around us.\\n\\nOur past publications include visual research on stones and materials, portfolios collecting the objects we have made, and things that sit somewhere between a book and an object.\",\"presentWork\":\"Centering on hinoki reconstructed (
5Isamu Hazama, 2026, 20cm x 27cm, 24 pages), we hope to exhibit not only the book but also the objects included within it. We also plan to bring past publications.\",\"whyBook\":\"To write something on paper and gather it into a bundle is, I feel, an instinctive act inherent in human beingsâjust as even a small child gathers up a drawing pad. When the aim is to send out information efficiently, this may be seen as going to unnecessary trouble, but I think it is simply what results from trying to materially organize what one has felt and wishes to express right before oneâs eyes, and to communicate with others. There, it seems to me, the very act of âgoing to the troubleâ of making something holds its own meaning and joy.\",\"whyIga\":\"Because I usually work in an environment surrounded by mountains, I felt a kinship with the atmosphere of Iga, which is likewise surrounded by mountains. And since I live and work in an old folk house, I could easily picture how it would feel to exhibit within the atmosphere of the venue. Just as people long ago traveled from one place to another by following the mountains, I hope to deliver my books to Iga as well, crossing over several mountains to get there.\"}}},{\"slug\":\"darf\",\"exhibitorName\":\"DARF\",\"country\":\"Tunisia\",\"originalLang\":\"en\",\"categories\":[\"artist\"],\"social\":\"https://instagram.com/Sarah.darf\",\"website\":\"https://www.behance.net/gallery/250459925/Portfolio-2026-DARF\",\"activityIntro\":\"$25\",\"presentWork\":\"I planned to share an artbook, a mix of all of my drawings in a kind of same universe, as an inspiration, a sharing of my vision.The format is gonna be A4 21x29,7cm\",\"whyBook\":\"In my opinion, the earliest forms of sharing knowledge or life perspectives were done through art or through many physical works. People shared books, discussed the relevance of certain statements, and underlined important or impactful pages for them. Showing something visually that we can touch, feel, observe, and scrutinize in detail is something unique when it exists physically. Presenting something physically like a book seems to me more concrete and more rewarding than something online, something I cannot touch, something I cannot proudly display. I want to give myself this opportunity to say that I am in someoneâs library, and that whenever this person lacks inspiration or wishes to escape, they can do so through the smell of the book, the visuals, and the feeling of moving from one image to another with a simple brush of the fingers.\",\"whyIga\":\"Bringing my publication to a place like Iga, where books do not usually arrive, is a way of taking the book out of its usual circuits. For me, this gesture expresses the desire to create a meeting where none was planned, to make the book exist in a more unexpected space, perhaps a quieter one, but also a more authentic one. It is also a way of reminding us that ideas should not remain confined to places already used to receiving them. Moving them means giving them another life, another possible way of being heard.\",\"i18n\":{\"ja\":{\"activityIntro\":\"ç©å¿ã¤ããé ãããã¢ã¼ãã¯ç§ã®äººçã«ããã¦å¸¸ã«éè¦ãªä½ç½®ãå ãã¦ãã¾ãããçµµãæããã¨ã大好ãã§ããã£ã¨æãç¶ãã¦ãã¾ãããç¹ã«æ¼«ç»ã«ã¯å¼·ãé
åãæããç´ã¨éçã ãã§ä¸ã¤ã®ä¸çãåµé ã§ããã¨ããäºå®ã«å¿ã奪ããã¦ãã¾ãããã¤ã©ã¹ãã¬ã¼ã¿ã¼ã«ãªããã¨ããç§ã®é·å¹´ã®å¤¢ã§ããã\\n\\n髿 ¡çã®æãå°æ¥ã®é²è·¯ã«ã¤ãã¦æ±ºæãè¿«ããã¾ãããå¨ãã®äººãã¡ããã¯ãã¤ã©ã¹ãã¬ã¼ã¿ã¼ã«ãªããªãã¦ç¡çã ãå°æ¥ã¯ä¸ç¢ºå®ã ãã¨ä½åº¦ãè¨ããã¾ããããããããã¤ãæ¬ãèªã¿ãçµµããã£ã©ã¯ã¿ã¼ãæ³åãã¦ãããã¥ãã¸ã¢åºèº«ã®å°å¥³ã ã£ãç§ã¯ããããªè¨èãåãå
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ç±ã®ä¸é¨ãè¦ã¤ãã¾ããããçµå±ãä½ããæ¬ ãã¦ãã¾ãããä½ããã大åãªä½ãããããã¯ãèªç±ã«æããããã®ãæããæ°ããå½¢ãè²ãè§£åå¦ãèæ¯ãæ¢æ±ããå¦ã³ã失æããããã¦ã¾ãå§ããèªç±ã§ããã\\n\\nãã®å¤¢ã¯ã決ãã¦ç§ããé¢ãããã¨ã¯ããã¾ããã§ãããé·ãéãèªåã®ä½åãæ±ºãã¦ååãªãã®ã«ãªããªãã¨æãè¾¼ãã§ãããããåµä½æ´»åã«è¸ã¿åãåæ°ãããã¾ããã§ãããæ³ååã®å¯è½æ§ã試ãåæ°ããªããèªããå¶éãã¦ããã®ã§ãã\\n\\nããã仿¥ãç§ã¯ãããã®æ
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ç±ãåãæ»ãããã®ã§ãã\\n\\nããã¦ä½ããã大åãªã®ã¯ããããå
±æãããã¨ãããã¨ã§ããåã©ããããã£ã¼ã³ã¨ã¤ã¸ã£ã¼ãããã¦å¤§äººã¾ã§ã誰ããå
±æã§ãããããªä½åãä½ããç§ã®ã¹ã¿ã¤ã«ã¨ä¸ç観ãéãã¦ãç§ã®å¿ã®çé±ãå°ãã§ãçããã¨åãã¡åãããã®ã§ãã\",\"presentWork\":\"ç§ã¯ãèªåã®æããçµµããã¹ã¦éããã¢ã¼ãããã¯ãããã種ã®å
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·ä½çã§ããããããããããããã«æãã¾ããç§ã¯ãèªåã誰ãã®æ¸æã«ãããã¨ã宿ãããã®äººãã¤ã³ã¹ãã¬ã¼ã·ã§ã³ã失ã£ãããç¾å®ããéé¿ãããã¨æã£ããããã¨ãã«ã¯ãã¤ã§ããæ¬ã®åããè¦è¦çãªè¦ç´ ãããã¦æå
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ã¨ã¤ã¡ã¼ã¸ãç§»ãå¤ããæè¦ãéãã¦ããããããã¨ãã§ããããããªæ©ä¼ãèªåã«ä¸ãããã®ã§ãã\",\"whyIga\":\"ä¼è³ã®ãããªãæ®æ®µã¯æ¸ç±ãå±ããªãå ´æã«ç§ã®åºçç©ãæã¡è¾¼ããã¨ã¯ãæ¸ç±ããã¤ãã®æµéçµè·¯ããå¤ãä¸ã¤ã®æ¹æ³ã§ããç§ã«ã¨ã£ã¦ããã®è¡çºã¯ãè¨ç»ããã¦ããªãåºä¼ããçã¿åºããããäºæãã¬ç©ºéãããããã¯ããéããªç©ºéãããã¦ããæ¬è³ªçãªç©ºéã«æ¸ç±ãåå¨ããããã¨ãã顿ã表ãã¦ãã¾ããã¾ããããã¯ãã¢ã¤ãã¢ã¯æ¢ã«åãå
¥ãããã¦ããå ´æã«éãè¾¼ãã¦ããã¹ãã§ã¯ãªãã¨ãããã¨ãç§ãã¡ã«æãåºãããæ¹æ³ã§ãããã¾ããã¢ã¤ãã¢ãç§»åããããã¨ã¯ãã¢ã¤ãã¢ã«æ°ããªå½ãä¸ããæ°ããªå½¢ã§è³ãå¾ãã¦ããããã¨ãå¯è½ã«ããã®ã§ãã\"}},\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/darf/03.jpg\",\"/images/exhibitors/darf/01.jpg\",\"/images/exhibitors/darf/02.jpg\"],\"submittedAt\":\"2026-06-21T23:27:35.000Z\",\"talkInterest\":\"Interested but unsure\",\"comments\":\"thanks a lot :)\"},{\"slug\":\"iceberg\",\"exhibitorName\":\"I.CEBERG\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\"],\"social\":\"https://www.instagram.com/iiiii.ceberg/\",\"website\":\"https://i-ceberg.com/\",\"activityIntro\":\"I.CEBERGã¯ãæ±äº¬ã®ãã¸ã¥ã¢ã«ãã¶ã¤ã³ã¹ã¿ã¸ãªã»WOWã«æå±ãã5人ã®ã¢ã¼ãã£ã¹ãã«ã
5ãã¢ã¼ãã³ã¬ã¯ãã£ãã§ããç§ãã¡ã¯äºãããã¡ã¾ã³ãã¨å¼ã³ãç©çç¾è±¡ã»é å½¢ã»ã³ã©ã¼ã¸ã¥ãªã©ç°ãªããã¼ããæã¡ãªããããã¸ã¿ã«ã¨ã¢ããã°ãäººå·¥ã¨ææ©ã®å¢çãè¶ãã表ç¾ãæ¢ç©¶ãã¦ãã¾ãã\\n\\n追ãããã¦ããã®ã¯ãæ°·å±±ï¼icebergï¼ã®æ°´é¢ä¸ã®ããã«ã誰ã®å¿ã«ãæ½ããã¾ã è¨èã«ãªããªããã®ãæããæ§ããéããæãããæãéãªã£ããç§ãã¡ããæªç©ãã¨å¼ã¶ä½ãã§ãããããæãèµ·ããã表ç¾ã¨ãã¦å·®ãåºããã¨ãæ´»åã®æ ¸ã§ãã\\n\\nãã®å®è·µã®ä¸å¿ã«ããã®ããç¬ç«ç³»ã¢ã¼ãããã¯ãI.CEBERG MAGAZINEããISSUE 01ï¼2025å¹´ã»è¨èã使ãããã¸ã¥ã¢ã«ã®ã¿ã§æ§æãã大å¤ãå°å£ã5段ãããã¦ç¶´ããç¬èªã®è£
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ããã¾ããï¼ãISSUE 02ï¼2026å¹´ã»è¨èã主ä½ã«ãã¡ã¾ã³ãã¨ã«ç¸¦èªã¿ã¨æ¨ªèªã¿ãåãæ¿ãããæ¬ãå転ãããªããèªã¿é²ããæ§æï¼ãåè¡ãã¦ãã¾ãããå±ç¤ºã¨ãã¦ããTOKYO NODEãTOKYO PROTOTYPEããæ¸è°·ãã«ãªã¨ãæ°ããæªç£å±ããZINE FESãHOMEWORKS 2025ï¼å¤§éªï¼ãªã©ã«åå ãã¦ãã¾ãã\",\"presentWork\":\"â I.CEBERG MAGAZINE ISSUE 01ï¼æ¢åã»2025ï¼\\n250Ã300mmã®å¤§å¤ã5ã¡ã¾ã³ã®ã¢ã¼ãã¯ã¼ã¯ã¨å¶ä½ããã»ã¹ãè¨èãªããã¸ã¥ã¢ã«ã®ã¿ã§æ§æãé»è©±å¸³ã®ããã«å°å£ã5段ãããã¦ç¶´ããç¬èªè£
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¥ãåçå®å£²ãç¾å¨ç¬¬äºçã\\n\\nâ I.CEBERG MAGAZINE ISSUE 02ï¼æ¢åã»2026ï¼\\n110Ã180mmãè¨èã主ä½ã«ã³ã¬ã¯ãã£ãã®è¼ªéãæããå·ãã¡ã¾ã³ãã¨ã«ç¸¦èªã¿ã¨æ¨ªèªã¿ãåãæ¿ãããæ¬ãç©ççã«å転ãããªããèªã¿é²ããæ§æãåçå®å£²ã\\n\\nâ I.CEBERG MAGAZINE ISSUE 03ï¼ä»®ã»æªçºè¡¨ï¼åè¡æºåä¸ï¼\\nããã¾ã§ã®å®è·µã®é大æã¨ãã¦æºåãã¦ããã¢ã¼ãããã¯ãåã¡ã¾ã³ã®ãã¹ã¿ã¼ãã¼ã¹ã«å ããå¶ä½ãéãã¦åºä¼ãæ¯ãã¦ãããååè
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ã¨ã®å¯¾è©±ãåãããã¤ãããã¨ã§åºãã£ã¦ãã人ã¨ã®é¢ä¿ããã®ãã®ãä¸åã«ç·¨ã¿ã¾ããæ¬ãã§ã¢ã§ã®åãæ«é²ç®ãç®æãã¦ãã¾ãï¼å½¢å¼ã»ãµã¤ãºã»é¨æ°ã¯èª¿æ´ä¸ï¼ã\\n\\nãããã¦ãæèã®ããããç«ä½åããå°åãFragments of Icebergããé å¸äºå®ã§ãã\",\"whyBook\":\"ç§ãã¡ã®æ¬æ¥ã¯ãã¯ã©ã¤ã¢ã³ãã®ä¾é ¼ã«å¿ããã³ããã·ã§ã³ãã¼ã¹ã®ãã¸ã¿ã«ã³ã³ãã³ãå¶ä½ã§ããè¨å¤§ãªå´åãæ³¨ãã ä»äºããä¸ã«åºãã°ããã«æ¶è²»ãããæµãå»ã£ã¦ããã宿ã¨å¼ãæãã«ä½åãæå
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ãé¡å·¡ãããããä¸ã¤ã²ã¨ã¤æ¬ãä¸ããçµã¿ç´ãã¦ããã¨ãããã¦è¼ªéãç«ã¡ä¸ããã¾ããæãã¨æ§ããéãã¨æãããåãã¡ãããçµã³ã¤ãããã¾ã è¨èã«ãªããããªãä½ããç§ãã¡ã¯ããããæªç©ãã¨å¼ãã§ãã¾ãããã®åå¨ãä¿¡ãã容æã«ã¯æããããªãã¨ç¥ããªãããããã§ãæã伸ã°ãç¶ãããã¨ããã®æ¢ç©¶ãã®ãã®ã«ãç§ãã¡ã¯æå³ãè¦åºãã¦ãã¾ãã\\n\\nãI.CEBERG MAGAZINEãã¯ããã®æ¢ç©¶ã®è¨é²ã§ããæªç©ãã®ãã®ã¯åãçµã³ã¾ããããããã追ã£ãæã¤ããè¿·ãã®è»è·¡ãä¸åã«å»ããã¨ããç§ãã¡ãããã«å¨ã£ã証ã«ãªãã¾ãã\\n\\nãã®è¨¼ãæ®ãããã¡ã¨ãã¦ãæ¬ã¯æããµããããã¨æãã¦ãã¾ããåã¿ã¨éããæã¡ãæã«ããæã確ããªåå¨ãç¥ãç©è³ªãæè§¦ãã¨ã¨ãã«æ®ãç¶ããæ¬ã¯ãæ£é¸ããã¡ãªãã¤ããæå³ãããç§ãã¡ã®æå
ã«çãã¦ããã¾ããISSUE 01ã®å°å£ã5段ããããç¶´ãããISSUE 02ã®æ¬ãåããªããèªãæ§æããå¹çã®ç©å·®ãã§ã¯ããããªãã¦ãããã¨ãã§ããããã§ãé¸ã¶ã®ã¯ãç®ã«è¦ããªãæªç©ãã確ãã«ãã®ä¸çã«å¨ã£ããã®ã¨ãã¦æ®ãããããã«ã»ããªãã¾ãããã ããç§ãã¡ã¯ã\\\"ãããã\\\"ã¤ããã¾ãã\",\"whyIga\":\"ç§ãã¡ã«ã¨ã£ã¦æ¬ã¯ã追ããããæªç©ã確ãã«ããã«ããã¨ãã証ã§ããããã©è¨¼ã¯ãå·ãä¸ãã£ãã ãã§ã¯å®çµã
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ã«è¦å±ãããããã®åå¨ã確ãã«ãããç§ãã¡ãæ¬ãææ¸¡ããå ´ãæ±ããã®ã¯ããã®ããã§ãã\\n\\nãã®ãã§ã¢ã«ã¯ããã®ææ¸¡ãã«ãµããããæéãæµãã¦ããã¨æãã¾ãããæ¡æ£ã®éãéããç«¶ãã®ã§ã¯ãªããç³ã«åº§åãæ®ããåºã«è
°ãä¸ããã¦ãä¸åãã¤ãå·®ãåºãã¦ãããç§ãã¡ãæ¥ã
身ãç½®ããã¤ãããã°ããæ¶è²»ããæµãå»ã£ã¦ããé度ã¨ã¯ã対極ã«ããå¶ã¿ã§ããæªç©ã追ã£ãæã¤ããããã®éä¸ã®è¿·ãããç®ã®åã®ä¸äººã¸ãã£ããã¨æ¸¡ãã¦ãããããããããã®å ´æã¾ã§è¶³ãéã³ãããããæããã®ã¯ãçå±ã¨ãããããç´æã«è¿ããã®ã§ããã\",\"booth\":\"Exhibition Room: 4ç³ (10,000 JPY) â»éå®3室\",\"images\":[\"/images/exhibitors/iceberg/03.jpg\",\"/images/exhibitors/iceberg/01.jpg\",\"/images/exhibitors/iceberg/02.jpg\",\"/images/exhibitors/iceberg/04.jpg\",\"/images/exhibitors/iceberg/05.jpg\"],\"submittedAt\":\"2026-06-22T13:54:37.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"å¿åæéãéãã¦ã®ãé£çµ¡ã¨ãªããèª ã«ç³ã訳ãããã¾ãããããã¾ã ãæ¤è¨ããã ããããã§ããããå¿åããåãåãããã ãã¾ãã¨å¹¸ãã§ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"$26\",\"presentWork\":\"$27\",\"whyBook\":\"$28\",\"whyIga\":\"For us, a book is proof that the monster we chased truly was there. But the proof is not complete simply by being printed. Only when it passes into someone's hands and is received is the monster at last witnessed by another, its existence made certain. That is why we seek a place where we can hand our books over in person.\\n\\nWe felt that this fair holds a kind of time fitting for that act of handing over. Rather than competing over the quantity or speed of dissemination, one sits at a low table set on tatami, lowers oneself to the floor, and offers up one book at a time. It is the very opposite of the speed we live in daily, where things are consumed and swept away the moment they are made. The movements of the hands that chased the monster, and the wavering along the way, can be passed slowly to the single person before us. We want to make the trip all the way to this place, the hard way. That feeling was less a matter of logic than something close to intuition.\"}}},{\"slug\":\"jaron-menzimer\",\"exhibitorName\":\"Jaron Menzimer\",\"country\":\"United States\",\"originalLang\":\"en\",\"categories\":[\"artist\"],\"social\":\"https://www.instagram.com/jaronmenzimer/\",\"website\":\"https://jaronmenzimer.com\",\"activityIntro\":\"I'm 24 years old and based in Los Angeles, California. I'm proud to share my debut photography book with you, \\\"Harmattan Sun\\\". This book explores the vibrant and tender encounters found in West Africa and the Sahara. It is the first of many books I hope to publish that explore intimate moments in travel.\",\"presentWork\":\"Harmattan Sun - softcover, first limited edition. 11.4 inches x 9 inches. Currently on pre-order, not yet presented. https://www.jaronmenzimer.com/harmattansun/p/harmattan-sun\",\"whyBook\":\"Books are the perfect medium of presentation for photography to me. It can set a narrative intended by the artist, while remaining open to interpretation to the viewer. It's a slow and demanding process, especially with designing and managing production yourself. But it is a beautiful, rewarding, and passionate process that immortalizes the work into an invaluable, tangible art piece. Making this book instilled a great respect for bookmaking and has further driven me towards more long term, project based work.\",\"whyIga\":\"My recent work values finding community in unlikely places. This monograph especially, explores that human connection can be found and shared everywhere. Having this project presented in a space foreign to its creation, among a community that shares appreciation for its values, would be an honor. I also visited Kyoto, Osaka, and Wakayama on my first trip alone when I was 18. I feel that it would be a beautiful full circle experience to present my work in a place that inspired photography as an art form to me!\",\"i18n\":{\"ja\":{\"activityIntro\":\"ç§ã¯24æ³ã§ãã«ãªãã©ã«ãã¢å·ããµã³ã¼ã«ã¹ãæ ç¹ã«ãã¦ãã¾ããããã¥ã¼åçéãHarmattan Sunããçããã«ãè¦ãã§ãããã¨ãèªãã«æãã¾ãããã®æ¬ã¯è¥¿ã¢ããªã«ã¨ãµãã©ã§åºä¼ã£ããé®®ããã§åªããéé
ãæ¢æ±ãã¦ãã¾ããæ
ã«ããã親å¯ãªç¬éãæ¢ããããããåºãã¦ããããå¤ãã®æ¬ã®æåã®ä¸åã§ãã\",\"presentWork\":\"ãHarmattan Sunãââ ã½ããã«ãã¼ãåçéå®çã11.4Ã9ã¤ã³ããç¾å¨ã¯äºç´åä»ä¸ã§ãã¾ã çºè¡¨ãã¦ãã¾ãããhttps://www.jaronmenzimer.com/harmattansun/p/harmattan-sun\",\"whyBook\":\"ç§ã«ã¨ã£ã¦æ¬ã¯ãåçãæç¤ºããã®ã«å®ç§ãªã¡ãã£ã¢ã§ããæ¬ã¯ã¢ã¼ãã£ã¹ããæå³ããç©èªãè¨å®ãã¤ã¤ãè¦ã人ã®è§£éã«ã¯éãããã¾ã¾ã§ãããã¾ããç¹ã«ãã¶ã¤ã³ã製é ã®ç®¡çãèªåã§è¡ãã¨ãããã¯é
ããè¦æ±ã®å¤ãããã»ã¹ã§ããããã©ããã¯ç¾ãããå ±ãããæ
ç±ã«æºã¡ãããã»ã¹ã§ãä½åãããããã®ã
5ªããæã«è§¦ããããã¢ã¼ãä½åã¨ãã¦æ°¸é ã®ãã®ã«ãã¦ããã¾ãããã®æ¬ãä½ã£ããã¨ã§ãæ¬ã¥ããã¸ã®å¤§ããªæ¬æãè½çããããé·æçã§ããã¸ã§ã¯ããã¼ã¹ã®ä»äºã¸ã¨ä¸å±¤é§ãç«ã¦ããã¾ããã\",\"whyIga\":\"ç§ã®è¿ä½ã¯ãæããããªãå ´æã§ã³ãã¥ããã£ãè¦ã¤ãããã¨ã大åã«ãã¦ãã¾ããã¨ããããã®ä½åéã¯ã人ã¨äººã¨ã®ã¤ãªããã¯ã©ãã«ã§ãè¦ãã ããåãã¡åããã¨ãããã¨ãæ¢æ±ãã¦ãã¾ãããã®ä½åããçã¾ããå ´æã¨ã¯ç°ãªã空éã§ããã®ä¾¡å¤è¦³ã¸ã®å
±æãåãã¡åãã³ãã¥ããã£ã®ä¸ã§çºè¡¨ããããã¨ã¯ãç§ã«ã¨ã£ã¦åèªã§ããã¾ãç§ã¯18æ³ã®ã¨ããåãã¦ã®ä¸äººæ
ã§äº¬é½ã»å¤§éªã»åæå±±ã訪ãã¾ãããç§ã«ã¨ã£ã¦åçã¨ããè¸è¡ãå¿ããã£ããã¨ãªã£ãå ´æã§ä½åãçºè¡¨ã§ãããã¨ã¯ãç¾ããä¸å·¡ãã®ä½é¨ã«ãªãã¨æãã¦ãã¾ãã\"}},\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/jaron-menzimer/03.jpg\",\"/images/exhibitors/jaron-menzimer/01.jpg\",\"/images/exhibitors/jaron-menzimer/02.jpg\",\"/images/exhibitors/jaron-menzimer/04.jpg\",\"/images/exhibitors/jaron-menzimer/05.jpg\"],\"submittedAt\":\"2026-04-10T09:10:35.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"Thank you for taking the time to consider my project!\"},{\"slug\":\"kitai\",\"exhibitorName\":\"kitai\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"zine\"],\"social\":\"https://www.instagram.com/kitai_clothes?utm_source=qr\",\"website\":\"https://kitaiproject.wixsite.com/kitai/collection?utm_source=ig\u0026utm_medium=social\u0026utm_content=link_in_bio\",\"activityIntro\":\"大éªã§10å¹´ããªã¼ã©ã³ã¹ã§æ´æã®ãã©ã³ããç«ã¡ä¸ãã¦ãä¸äººã§ãã¶ã¤ã³ããå¶ä½ã¾ã§ããã¦ãã¾ããã2025å¹´ã®8æããåºå³¶çç¦å±±å¸ã¸ç§»ä½ããå½å
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¥ç¤¾ããå人ã®å¶ä½ã¨ä¸¦è¡ãã¦åãã¦ãã¾ããã¢ãã¬ã«ã®éç£ç¾å ´ããåºã廿£ããããã®ã«çç®ãã¦ãèªåã®ã¯ãªã¨ã¤ã·ã§ã³ã§æå³ã®ããç©ã«å¤åãããæ´»åã¨ã¨ãã«ããããä¼ããææ®µã¨ãã¦ZINEãä½ã£ã¦ãã¾ãã\\nä¸è¬çãªè£½æ¬ããããã®ã§ã¯ãªããã¢ãã¬ã«ã®çç£ç¾å ´ã«ãããã®ã ãã§å·¥å¤«ããªããZINEã¨ããå½¢ã«ãã¦ãã¾ãã\",\"presentWork\":\"ã¿ã¤ãã«ãã¯ããã¤ãºã«ã³ãã§ã¦ã¢ã³ãã¤ã\\nå½¢å¼/å·»ç©(ç´°é·ãè£æããç´ãç´ç®¡ã«å·»ãã¤ãã)\\n鍿°/20é¨\\nè£æããåã®å¤§ããªç´ã¨ç´ç®¡ãé£ãããã®ãåæã«å±ç¤ºãããã¨èãã¦ãã¾ã(æ·»ä»åçãåç
§ãã ãã)\\nä»å¹´ã®5æã廿£ãããçå°ã§å¶ä½ãããããã¨ZINEã®å±ç¤ºããã¾ããã\\nç¾å¨ã®ã¢ãã¬ã«ã®è·å ´ããã¡ãã·ã§ã³æ¥çã§æããäºããç¾å ´ã«ããã¢ãã ãã使ã£ã¦ZINEãå¶ä½ãã¾ããã\",\"whyBook\":\"SNSã§ã¯æ¬å½ã«æã£ã¦ããäºãä¼ããããªãã¨æãZINEãä½ãå§ãã¾ããã\\n\\nèªåã®æ£ç¾©ãä¸ç¹å®å¤æ°ã®äººãè¦ã¦ããSNSä¸ã«çºä¿¡ãããã¨ã§èª°ããå¦å®ããå¯è½æ§ãããã¨æãããã¤ãæ°ã使ã£ãæç« ããæ¸ããªããã¨ã«ã¢ã¤ã¢ã¤ãã¦ãã¾ããã\\n\\nZINEãä½ã£ã¦é¡ãè¦ããç¸æã«æ¬é³ãå±ãããã¾ãã\\nZINEãéãã¦å¯¾è©±ãããªããèªåèªèº«ã®å¦ã³ã«ããªã£ã¦ãã¾ãã\\n\\nã¢ãã¥ããã¯ææ®µã§ãç®çã¯èªåã®äººçãè±ãã«ããäºã§ããä¸ã¤ã®ZINEããæ°ããåºä¼ããçã¾ãã¦å¦ã³ãèªåèªèº«ã«åãåã£ã¦ã©ãçããããèããããäºãã人çãè±ãã«ãã¦ããäºã ã¨æã£ã¦ãã¾ãã\",\"whyIga\":\"ãã®æã ããåºä¼ãã人ã¨å¯¾è©±ãããããã ããèªåããã®äººãã¡ã«ä¼ãã«è¡ãã¾ããä¼è³ã«ããããæ¥ã人ã£ã¦ã©ããªäººã ããã£ã¦ã¯ã¯ã¯ã¯ãã¡ããã¾ãï¼\\nå¦ã³ã®å ´ã¨ãã¦å»ºã¦ãããå´åºå ã§ã沢山ã®äººãã¡ã«è¨èãæã¡å¸°ãã£ã¦ããããããã«ZINEãæºåããèªèº«ã®æé·ã«ãªãè²´éãªçµé¨ã楽ãã¿ããã¨æãã¾ãã\",\"booth\":\"Exhibition Room: 4ç³ (10,000 JPY) â»éå®3室\",\"images\":[\"/images/exhibitors/kitai/01.jpg\",\"/images/exhibitors/kitai/02.jpg\",\"/images/exhibitors/kitai/03.jpg\",\"/images/exhibitors/kitai/04.jpg\",\"/images/exhibitors/kitai/05.jpg\"],\"submittedAt\":\"2026-06-20T23:09:40.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"ZINEã®ã³ã³ã»ãããå
容ã«é¢ããåºçç©ä»¥å¤ã®ãã®ãå±ç¤ºããäºã¯å¯è½ã§ããï¼\",\"i18n\":{\"en\":{\"activityIntro\":\"For ten years I launched and ran a clothing brand as a freelancer in Osaka, handling everything from design to production on my own. In August 2025 I moved to Fukuyama City, Hiroshima Prefecture, and joined an apparel manufacturing company that produces collection brands both in Japan and abroad, working there while continuing my own personal practice in parallel. I focus on the things that get discarded from the apparel mass-production floor, and alongside an activity of transforming them into something meaningful through my own creation, I make zines as a means of conveying that.\\nRather than something conventionally bound, I shape them into the form of a zine by improvising with only the things found on the apparel production floor.\",\"presentWork\":\"Title: \\\"What Is Kankyo Mondai\\\" (What Is an Environmental Problem)\\nFormat: scroll (paper cut into long strips and wound around a paper tube)\\nCopies: 20\\nI would like to exhibit at the same time the large sheet of paper before it is cut and a series of joined paper tubes (please see the attached photograph).\\nThis May, I held an exhibition of hats and a zine made from discarded fabric.\\nI made the zine about the things I have felt in my current apparel workplace and in the fashion industry, using only the materials found on the production floor.\",\"whyBook\":\"I started making zines because I felt I couldn't convey what I truly think on social media.\\n\\nBy putting out my own sense of justice on social media, where an unspecified number of people can see it, I felt I might end up negating someone, and I was frustrated that I could only ever write carefully guarded
5sentences.\\n\\nBy making a zine, I can deliver my true feelings to someone whose face I can see.\\nThrough a zine, I have dialogue, and it becomes a form of learning for myself as well.\\n\\nMaking things is a means; the goal is to enrich my own life. I believe that new encounters born from a single zine, the learning they bring, and being able to face myself and think about how to live, are what enrich a life.\",\"whyIga\":\"I want to have dialogue with the people I can only meet because of that particular time. So I go to meet those people myself. I get excited wondering what kind of people would come all the way to Iga!\\nAt Sukodo, which was built as a place of learning, I want to prepare zines so that many people can carry words home with them, and I look forward to enjoying this precious experience that will help me grow.\"}}},{\"slug\":\"naomi-murakami\",\"exhibitorName\":\"Naomi Murakami\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"zine\"],\"social\":\"https://www.instagram.com/mumumu_nanana/\",\"website\":\"https://www.instagram.com/mumumu_nanana/\",\"activityIntro\":\"æç¥çãæ ç¹ã«æ´»åããã¢ã¼ãã£ã¹ãï¼ã¤ã³ãã£ãã³ãã³ãã»ãããªãã·ã£ã¼ã§ããã¢ã¼ãã£ã¹ãããã¯ãZINEãåçãã³ã©ã¼ã¸ã¥ãªã©ã®å°å·ç©ãéãã¦ãä¸çãå¥ã®è§åº¦ãã観å¯ããè¦ç¹ããã¼ãã«å¶ä½ãã¦ãã¾ãã2023年以éãã2.3mããHAZAMAããã¯ããã¨ããè¤æ°ã®èªä¸»åºçç©ãå¶ä½ãã¦ãã¾ãããããã¾ã§æ¥æ¬åå°ã®ã¢ã¼ãããã¯ãã§ã¢ãèªä¸»åºçã¤ãã³ãã«åå ãã¦ãã¾ããæ¬ã¨ããåªä½ãéãã¦ãå人çãªè¦³å¯ãè¦éããããã¡ãªé¢¨æ¯ãä»è
ã¨å
±æããå ´ãã¤ãããã¨ãç®æãã¦ãã¾ãã\",\"presentWork\":\"ç¾å¨ããæç´ãããã¼ãã«ããæªçºè¡¨ã®ã¢ã¼ãã£ã¹ãããã¯ã»ããã¸ã§ã¯ããé²ãã¦ãã¾ãã\\nãã®ããã¸ã§ã¯ãã§ã¯ãæ¬ã宿ãããä½åã¨ãã¦ã§ã¯ãªãã誰ãã¨ã®ããåããæèã®å¾å¾©ãè¨é²ããããã®è£
ç½®ã¨ãã¦æãã¦ãã¾ããæç´ãä¼è©±ã®æçãã¡ã¢ãåçãåéããå°å·ç©ãªã©ãç´ æã¨ãã人ã¨äººã¨ã®è·é¢ãé¢ä¿æ§ãæéã®ç©ã¿éãªãã«ã¤ãã¦èå¯ãã¦ãã¾ãã\\nWaza Waza Art Book Fairã§ã¯ãå¶ä½éä¸ã®ã¢ãã¯ã¢ããã試ä½ååããªãµã¼ãè³æãªã©ãå«ããå½¢ã§çºè¡¨ããäºå®ã§ããæ¬ããã¸ã§ã¯ãã¯ç¾å¨ãé²è¡ä¸ã§ãããã¾ã§å±ç¤ºãåºçã¯è¡ã£ã¦ãã¾ããã\\nãããã¦ãæ¢åã®ã¢ã¼ãã£ã¹ãããã¯ã2.6mããHAZAMAããªã©ãæåäºå®ã§ããããããå°é¨æ°ã§å¶ä½ãã¦ãããæ¥å¸¸ã®è¦³å¯ãè¦éããããã¡ãªé¢¨æ¯ã人ã¨ã®é¢ããããçã¾ããè¦ç¹ããã¼ãã«ãã¦ãã¾ãã\",\"whyBook\":\"ã¯ã©ã¡ããã¨ããã¨ãã¹ãã¼ãã«çºä¿¡ãããã¨ã徿ãªäººéã§ã¯ããã¾ãããSNSã§ç¬éçã«è¨èãå±ããããããèãããè¿·ã£ããããªããå°ããã¤å½¢ã«ãã¦ããã»ããæ§ã«åã£ã¦ãã¾ãã\\nãã¨ãã¨éèªå¶ä½ã«æºãã£ã¦ããçµé¨ããããç¾å¨ã¯ã°ã©ãã£ãã¯ãã¶ã¤ãã¼ã¨ãã¦åãã¦ãã¾ãããã®ãããç·¨éããã¬ã¤ã¢ã¦ãããå°å·ç©ã¨ãã¦ã¾ã¨ãããã¨ã¯ãèªåã«ã¨ã£ã¦æã身è¿ã§èªç¶ãªè¡¨ç¾æ¹æ³ã§ãã\\næ¬ãã¤ãããã¨ã¯æ±ºãã¦å¹ççã§ã¯ããã¾ãããæéãæéããããã¾ãããå¤ãã®äººã«å±ãææ®µã¨ã¯è¨ããªãããããã¾ãããããã§ãã䏿ã®ç´ã®è³ªæããã¼ã¸ããããé度ãé£ãåããã¼ã¸å士ã®é¢ä¿æ§ãªã©ããã¸ã¿ã«ã§ã¯ç½®ãæããããªãä½é¨ãããã¨æãã¦ãã¾ãã\\nä»åã®æç´ã®ããã¸ã§ã¯ãããæ
å ±ãä¼ããããã§ã¯ãªãã人ã¨ã®è·é¢ãæéã®æµãããã£ããã¨èããããã«å¶ä½ãã¦ãã¾ããã ãããããæã§ç·¨éããç´ã«éããæ¬ã¨ããããã¡ã«ãããã¨ãé¸ãã§ãã¾ãã\",\"whyIga\":\"å¨ãå®¶æ¥ã§ããå·¥ååºã®ä»äºã«ãæºãã£ã¦ãããã¨ããã建ç¯ã
5空éãã®ãã®ã«ä»¥åããå¼·ãé¢å¿ãæã¤ããã«ãªãã¾ãããä»åã®ä¼å ´ã¨ãªã建ç©ãããã®å ´æããæ°ããæåãæ´»åãçã¾ãããã¨ãã¦ãããã¨ã«å¤§ããªé
åãæãã¦ãã¾ãã\\nã¾ããé·ãç¶ãã¦ããã¤ãã³ãã§ã¯ãªããæ°ããå§ã¾ãBook Fairã§ãããã¨ã«ãæ¹ããã¾ããã宿ãããå ´æã«åå ããã¨ããããããããããã¤ãããã¦ããå ´ã®ä¸é¨ã«ãªãããã¨ã«æå³ãæãã¦ãã¾ãã\\næ¬ãå±ãããã¨ã¯ãåã«ä½åã販売ãããã¨ã§ã¯ãªãã人ãå ´æã¨ã®æ°ããæ¥ç¹ãã¤ãããã¨ã ã¨æã£ã¦ãã¾ããã ãããããæ®æ®µã®æ´»ååããå°ãé¢ããä¼è³ã¨ããåå°ã§ãèªåã®æ¬ãã©ã®ããã«åãåãããã®ããè¦ã¦ã¿ããã¨èãã¾ããã\\næ°ããå ´æãæ°ãã建ç©ãæ°ããåºä¼ãããã®å§ã¾ãã®ã¿ã¤ãã³ã°ã«ç«ã¡ä¼ãããã¨èªä½ããç§ã«ã¨ã£ã¦ãã®Book Fairã¸åå ãããçç±ã§ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/naomi-murakami/02.jpg\",\"/images/exhibitors/naomi-murakami/01.jpg\",\"/images/exhibitors/naomi-murakami/03.jpg\",\"/images/exhibitors/naomi-murakami/04.jpg\",\"/images/exhibitors/naomi-murakami/05.jpg\"],\"submittedAt\":\"2026-06-21T22:50:11.000Z\",\"talkInterest\":\"No\",\"i18n\":{\"en\":{\"activityIntro\":\"I am an artist and independent publisher based in Aichi Prefecture. Through printed matter such as artist's books, zines, photographs, and collages, I work on the theme of observing the world from a different angle. Since 2023 I have produced several self-published works, including \\\"2.3m\\\" and \\\"HAZAMA.\\\" I have taken part in art book fairs and self-publishing events across Japan. Through the medium of the book, my aim is to create a place where personal observations and easily overlooked scenes can be shared with others.\",\"presentWork\":\"I am currently working on an unpublished artist's book project on the theme of \\\"letters.\\\"\\nIn this project, I think of the book not as a finished work but as a device for recording an exchange with someone, a back-and-forth of thought. Using letters, fragments of conversation, notes, photographs, and collected printed matter as materials, I reflect on the distance and relationships between people, and on the layering of time.\\nAt Waza WazaâIga Art Book Fair, I plan to present it in a form that includes works-in-progress such as mockups, trial booklets, and research materials. This project is still ongoing, and I have not exhibited or published it before.\\nI also plan to bring existing artist's books such as \\\"2.6m\\\" and \\\"HAZAMA.\\\" All of these were produced in small editions, on the themes of everyday observation, easily overlooked scenes, and perspectives that arise from connections with others.\",\"whyBook\":\"I am not really the type of person who is good at putt
5ing things out into the world in a slick way. Rather than delivering words instantly on social media, it suits me better to give things shape little by little, thinking and hesitating as I go.\\nI originally worked in magazine production, and I now work as a graphic designer. So editing, laying out, and assembling something into printed matter is the most familiar and natural mode of expression for me.\\nMaking a book is by no means efficient. It takes time and effort, and it may not be the best way to reach a lot of people. Even so, I feel there is an experience that cannot be replaced by anything digital â the texture of a single sheet of paper, the speed at which you turn the pages, the relationship between facing pages.\\nThis letter project, too, is made not to convey information but to slowly consider the distance between people and the passage of time. That is precisely why I choose to edit by hand, bind it onto paper, and give it the form of a book.\",\"whyIga\":\"Since I am currently also involved in the work of my family's construction business, I have come to have a stronger interest than before in architecture and space itself. I feel a great appeal in the building that will serve as this venue, and in the fact that a new culture and new activity are about to be born from that place.\\nI was also drawn to the fact that this is not a long-running event but a Book Fair that is just beginning. Rather than joining a place that is already complete, I find meaning in being able to become part of a place that is still to be made.\\nDelivering a book is not simply about selling a work; I think it is about creating new points of contact with people and places. That is exactly why I wanted to see how my own books would be received in Iga, a place a little removed from my usual sphere of activity.\\nA new place, a new building, new encounters. Being able to be present at the moment of that beginning is itself my reason for wanting to take part in this Book Fair.\"}}},{\"slug\":\"nekoba\",\"exhibitorName\":\"nekoba\",\"country\":\"China\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"zine\"],\"social\":\"https://www.instagram.com/nekoba_risograph/\",\"website\":\"https://www.nekobarisograph.com\",\"activityIntro\":\"nekobaã¯ãMaomaomao 㨠En ã«ãã£ã¦çµæãããã¢ã¼ãã¯ãªã¨ã¤ãã£ãã¦ãããã§ãããæ±äº¬ãæ ç¹ã«æ´»åãã¦ãã¾ãã\\nãé¢ç½ãã¯ãæå³ãããæå³ããããã¨ããä¿¡æ¡ã®ãã¨ãã¦ã¼ã¢ã¢ã¨è»½ãããªè¡¨ç¾ãéãã¦æ¥å¸¸ãåè§£éããå¤é¢çãªåµä½ã®å¯è½æ§ãæ¢æ±ãç¶ãã¦ãã¾ãã\\nã¾ããnekoba ã¯æ±äº¬ã«ã¦ Riso å°å·ã¹ã¿ã¸ãªãéå¶ãã¦ãããRiso å°å·ãªãã§ã¯ã®é
åããããå¤ãã®äººã¸ç´¹ä»ã»å
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ãã¯ãªã¨ã¤ã¿ã¼ã«åãããå°è¦æ¨¡åºçã»å°å·ãµã¼ãã¹ãæä¾ãã¦ãã¾ãã\",\"presentWork\":\"* ãIron Triangleã\\n Risoå°å·ï½A4ãµã¤ãºï½28ãã¼ã¸ï½50é¨\\n è¿æ¥çºè¡¨äºå®\\n* ãShadow 2ã\\n Risoå°å·ï½A4ãµã¤ãºï½32ãã¼ã¸ï½100é¨\\n è¿æ¥çºè¡¨äºå®\\n* ãSpots of Lightã\\n Risoã»ã¤ã³ã¯ã¸ã§ããå°å·ï½A4ãµã¤ãºï½48ãã¼ã¸ï½50é¨\\n æ¢çºè¡¨\\n* ãVikurvana-rddhiã\\n Risoå°å·ï½A4ãµã¤ãºï½28ãã¼ã¸ï½50é¨\\n æ¢çºè¡¨\\n* ãBad Orangeã\\n Risoå°å·ï½10Ã10cmï½60ãã¼ã¸ï½50é¨\\n æ¢çºè¡¨\\n* ãBoss Logbookã\\n Risoå°å·ï½A5ãµã¤ãºï½48ãã¼ã¸ï½50é¨\\n æªçºè¡¨\\n* ãBug Bashã\\n Risoå°å·ï½A4ãµã¤ãºï½36ãã¼ã¸ï½50é¨\\n æªçºè¡¨\",\"whyBook\":\"ä»ã¯ãã©ããªãã®ã§ãããã«ã¢ãããã¼ãããã¦ãã³ãã¼ããã¦ãæµãã¦ãã£ã¦ãã¾ãæä»£ã ãã©ãã ããããç§ã¯ãçè·¡ãæ®ããã¨ãã大äºã«ãããã¨æã£ã¦ãã¾ãã\\nRisoå°å·ã¯å¹ççã§ã¯ããã¾ããã\\nãºã¬ãããè²ãã¶ããããä¸ç¢ºããªé¨åãããããããã¾ãã\\nã§ãããã®ä¸å®å
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5ããã¼ã¿ã§ã¯ãªãããå®éã«ä½ããããã®ãã ã¨æãããã¾ãã\\nç´ã®è³ªæãã¤ã³ã¯ã®åãããã¼ã¸ããããæè¦ã好ãã§ãã\\nç§ã«ã¨ã£ã¦æ¬ãä½ããã¨ã¯ããã å
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ãçè·¡ãæ®ããã¨ã§ãããã¾ãã\\nãã£ã¨æ©ãã¦ä¾¿å©ãªæ¹æ³ã¯ãããã§ãããããã©ãã ãããããããã¦å°ããã£ããä½ãããã¨æã£ã¦ãã¾ãã\\nç§ã«ã¨ã£ã¦ããããããã¨ã¯ãä½ãå°ããã¦ãæ¬å½ã®æè¦ã®ããã«ãå°ãæéãããããã¨ã§ãã\",\"whyIga\":\"ç§ã«ã¨ã£ã¦ãä¼è³ã®ãããªå ´æã«ãã®æ¬ãæã£ã¦ãããã¨èªä½ãããBoss Logbookãã®ä¸ç観ã®å»¶é·ã®ããã«æãã¦ãã¾ãã\\nãã®æ¬ã¯ãå®ç§ãªã¢ã³ã¹ã¿ã¼å³éã§ã¯ãªããçãæ®ã£ãè
ãã¡ã«ãã£ã¦æ¸ãç¶ããããçåè¨é²ãã§ãã\\nçç¾ããè¦åãæ¶ãããã«ã¼ããéä¸ã§çµãã£ãæç« ãå«ã¾ãã¦ãã¾ãã\\nã ããããããã ãªã³ã©ã¤ã³ã§æ¶è²»ããããããã©ããç¥ããªãå ´æã§å¶ç¶èª°ãã«çºè¦ãããã»ããããã®æ¬ã«ã¯åã£ã¦ããã¨æã£ã¦ãã¾ãã\\nä¼è³ã«æã£ã¦ãããã¨ã¯ãå±ç¤ºã¨ããããããã®æ¬ãâç¾å®ã®ä¸ã«æ®ãããéºç©âã¨ãã¦åå¨ãããæè¦ã«è¿ãã§ãã\",\"booth\":\"Exhibition Room: 4ç³ (10,000 JPY) â»éå®3室\",\"images\":[\"/images/exhibitors/nekoba/03.jpg\",\"/images/exhibitors/nekoba/01.jpg\",\"/images/exhibitors/nekoba/02.jpg\",\"/images/exhibitors/nekoba/04.jpg\",\"/images/exhibitors/nekoba/05.jpg\"],\"submittedAt\":\"2026-05-12T01:33:36.000Z\",\"talkInterest\":\"Yes\",\"i18n\":{\"en\":{\"activityIntro\":\"nekoba is an art-creative unit formed by Maomaomao and En, based in Tokyo.\\nUnder the credo that \\\"interestingness has more meaning than meaning,\\\" we reinterpret the everyday through humor and light-hearted expression, and continue to explore the possibilities of multifaceted creation.\\nnekoba also runs a Riso printing studio in Tokyo, aiming to introduce, share, and spread the charm unique to Riso printing to as many people as possible.\\nIn addition to printing and publishing the nekoba members' own works, we also offer small-scale publishing and printing services for all kinds of art lovers and creators.\",\"presentWork\":\"* \\\"Iron Triangle\\\"\\n Riso print | A4 size | 28 pages | 50 copies\\n To be released soon\\n* \\\"Shadow 2\\\"\\n Riso print | A4 size | 32 pages | 100 copies\\n To be released soon\\n* \\\"Spots of Light\\\"\\n Riso and inkjet print | A4 size | 48 pages | 50 copies\\n Already released\\n* \\\"Vikurvana-rddhi\\\"\\n Riso print | A4 size | 28 pages | 50 copies\\n Already released\\n* \\\"Bad Orange\\\"\\n Riso print | 10Ã10cm | 60 pages | 50 copies\\n Already released\\n* \\\"Boss Logbook\\\"\\n Riso print | A5 size | 48 pages | 50 copies\\n Unreleased\\n* \\\"Bug Bash\\\"\\n Riso print | A4 size | 36 pages | 50 copies\\n Unreleased\",\"whyBook\":\"These days, anything at all is instantly uploaded, copied, and swept away, and precisely because of that, I want to treasure the act of \\\"leaving a trace.\\\"\\nRiso printing is not efficient.\\nThings slip out of register, colors blur, and there are plenty of uncertain parts.\\nBut it is exactly that imperfection that lets each single copy feel like \\\"something actually made\\\" rather than merely duplicated data.\\nI love the texture of the paper, the smell of the ink, and the feel of turning the pages.\\nFor me, making a book is not only about delivering content, but also about leaving behind the emotions and traces of that moment.\\nThere are any number of faster, more convenient methods, and it is exactly because of that that I want to dare to make things a little more slowly.\\nFor me, \\\"waza waza\\\" â going out of my way â means taking a little extra trouble for the sake of some small but genuine feeling.\",\"whyIga\":\"For me, the very act of bringing this book to a place like Iga feels like an extension of the world of \\\"Boss Logbook.\\\"\\nThis book is not a perfect monster encyclopedia; it is a \\\"survival record\\\" written and passed down by those who survived.\\nIt includes contradictory warnings, deleted routes, and sentences that break off midway.\\nThat is exactly why I feel this book suits being discovered by chance by someone in some unknown place, rather than simply being consumed online.\\nBringing it to Iga feels less like an exhibition and more like letting this book exist as \\\"a relic left behind within reality.\\\"\"}}},{\"slug\":\"nessie\",\"exhibitorName\":\"NESSIE\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"photobook\"],\"social\":\"https://www.instagram.com/nessiedesu\",\"website\":\"https://nepinepineppi01.myportfolio.com/book-zin\",\"activityIntro\":\"1993å¹´çã¾ããåèçè²ã¡ããã åã¯ãã£ãã¼ã2022å¹´ããå¶ä½ãéå§ãæ±æ¸å·ã§ã®èº«ä½æ§ã¨æéæ§ã交é¯ãããä½åãçºè¡¨ããã¢ã¼ããã©ãããã¯ãæ±æ¸å·ã(2025)ãåè¡ãT3 PHOTOBOOK MARCHE 2025ã«ååºå±ãæ±æ¸å·ã«ãããæ·±ãæ¾æ¸ã®ã¢ã¼ãã£ã¹ãã»ã¤ã³ã»ã¬ã¸ãã³ã¹ PARADISE AIRã«åå ããã©ãã¢ã¼ããã©ã´åç妿 ¡ã§ã®å¦ã³ãçµã¦ãç¾å¨ã¯ å°å¢ ãæ°ããªä¸»é¡ã«æ®ããåæå±±çç´ã®å·æ²¿ããå¾å¾©ã
5ãã¨ããæ»å¨å¶ä½ãéããèªèº«ã¨åå°ã人ã®å¶ã¿ã®å¤å±¤çã«æããä½åå¶ä½ãè¡ã£ã¦ããã\",\"presentWork\":\"ãæ±æ¸å·ãèè
¹æï¼ã¢ã³ã¼ãã£ãªã³ããã¯ï¼å½¢å¼ã表ç´ãæ¬æãè£è¡¨ç´ãç¬ç«ããæ§æã§ãã¹ãã¬ããã³ã¼ãã§ä¸ä½ã«ç¶´ãããã¦ãã¾ãããµã¤ãºã¯ãç´ 295 à 125 à 25 mmã鍿°ã¯ãåç éå®45é¨ãã¨ãã£ã·ã§ã³æãæ¬ããã¸ã§ã¯ãã¯ãæçããæ±æ¸å·ãæ®å½±ããç»åã¨ããè¨é²åªä½ããåçã¸ã¨ä¸åº¦ç©ççãªã³ã©ã¼ã¸ã¥ã¨ãã¦è§£ä½ã»åæ§ç¯ãããã¨ã§ãæéã®èç©ãå¿èº«ã®æºããã表ç¾ããæ¬ãããªãæ¬ã®ãããªããã¡ã¸è½ã¨ãè¾¼ãã§ãã¾ããç¹ã«ãç´ æé¸å®ããä½ã¾ããªã©ã®è£
ä¸ãã¶ã¤ã³ã¯ãã»ã«ããããªãã·ã³ã°ã»ã¬ã¼ãã« between in between ã®å¤å¤§ãªãµãã¼ãã«ããå®ç¾ãã¾ããã\",\"whyBook\":\"ç§ããã®æ¬ãããªãæ¬ãâããããâã¤ããçç±ã¯ããã®å¶ä½ããã»ã¹ããèªåã«ã¨ã£ã¦ãèªåèªèº«ãæ´ãã対話ããæéãã ã£ãããã ã¨æ¯ãè¿ãã°æãã¾ããå·ãç»åã¨ãã¦è§£ä½ããåçãç´ãè²¼ããæããçãæ¼ãããããã£ãç©ççã«ã³ã©ã¼ã¸ã¥ãåæ§ç¯ãã使¥ã®ä¸ã§ãç§ã¯æã«æ³£ããæã«ç¬ããããã¦æã«ç¡å¿ã«ãªãã¨ãã£ããèªåèªèº«ãæ±ããææ
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¥ãã¦ããåå¼ã®ãããªãã®ã ã£ããããªæ°ããã¦ãã¾ãã彿ã®èªåã¯ãå¹çãæ±ããä¸çããå°ãè·é¢ãç½®ããããã¦æéã¨ããéå¹çãªæéãé¸ãã ã®ã¯ããããããã¨ã§ããå®çã§ããªãç§ã®æéã確ä¿ãããã£ãããã ã¨æã£ã¦ãã¾ãã\",\"whyIga\":\"ãæ±æ¸å·ããå°ããã¤äººã«ã²ããã¦ãããã¨ãã¦ããã¨ããã§ããä¸åº¦ãåºå±çµé¨ãããã¾ãããæ£ç´ãèªåããåã«åºã¦ä½åãç¥ã£ã¦ããããã¨ã¯ãã¾ã徿ã§ã¯ãªããã¨ãåèªèãã¦ä»¥éã¯è¦ãã¦ãã¾ããã§ãããã§ãããä»åã¯ãåããããªæ©ã¿ãæ±ãã人ã®èä¸ãå°ãã§ãæ¼ããããããªãã¨ããæããåºçºç¹ã«ããã¾ããæ¬ï¼ãããªãæ¬ï¼ã¨ããç©è³ªçãªåªä½ã§æ®ãã¦ãããã¨ã売ãå ´ã¨ãããã表ç¾ã®å ´ã¨ãã¦ã®ç©ºéãããã¦å¯ºé¢ã¨ããå ´æââãã®æè¦ããä»åã®ããã¯ãã§ã¢ã¨ã®é°å²æ°ã«åãã®ã§ã¯ã¨æãã¾ããããæ±æ¸å·ãããã®ãããã²ããã¦ãããã¨ã§ãç¾å¨æ»å¨ãã¦ãããç´ã®å·ã·ãªã¼ãºã«ãä½ãæ°ããæ°ã¥ããçã¾ãããã¨ãæã£ã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/nessie/01.jpg\"],\"submittedAt\":\"2026-06-16T17:34:11.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"åãã¦ãé£çµ¡ããã¦ããã ãã¾ããç³ç°ã§ããã¤ã³ã¹ã¿ã°ã©ã ã«ã¦ä»åã®å¿åãç¥ãã¾ãããbetween in betweenããã¸ããé£çµ¡ãããã¾ãããããã§ã«éé³èã¨ã®å
±åã«ã¦ãå¿åããã¦ãããã¨ä¼ºã£ã¦ããã¾ããå½¼ãã®ç³ãè¾¼ã¿ã¨ã¯å¥ã«ãç§å人ã¨ãã¦ãæ¬ãã§ã¢ã«åå ããä½åãå±ç¤ºãããã¨ããææ¬²ãæã£ã¦ããã¾ãã®ã§ãä½åãçè§£ã®ä¸ãæ¤è¨ããã ãã¾ãã¨å¹¸ãã§ããã©ãããããããé¡ããããã¾ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"Born in 1993, raised in Chiba Prefecture. Nicknamed Nessie. Began making work in 2022. Presenting works that interweave physicality and temporality along the Edogawa River, published the art photobook 'Edogawa' (2025). Made a first appearance at T3 PHOTOBOOK MARCHE 2025. Took part in PARADISE AIR, an artist-in-residence in Matsudo, a town deeply connected to the Edogawa. After studying at the Photo Archipelago photography school, now takes topography as a new subject, and through residency work traveling back and forth along the Kinokawa River in Wakayama Prefecture, creates work that grasps, in multiple layers, the self and the workings of land and people.\",\"presentWork\":\"'Edogawa' takes an accordion-fold (accordion book) format. Its cover, body, and back cover are separate elements, bound together as one with a stretch cord. It measures approximately 295 à 125 à 25 mm. The edition is a first edition limited to 45 copies. Editioned. This project takes the recording medium of images photographing the beloved Edogawa and, by once physically dismantling and reconstructing them into a photographic collage, expresses the accumulation of time and the wavering of body and mind, distilling it into a form like a book that is not a book. In particular, the binding design â from the selection of materials to its overall presence â was realized through the immense support of the self-publishing label between in between.\",\"whyBook\":\"Looking back, I think the reason I \\\"go out of my way\\\" to make this book-that-is-not-a-book is that its making process was, for me, a time of composing myself and holding a dialogue with myself. Dismantling the river into images, pasting photographs and paper, folding, pressing plates. In the work of physically reconstructing collage in this way, I sometimes cried, sometimes laughed, and sometimes became empty of thought â it feels as though it was a kind of ritual for carefully sorting through and accepting, one by one, the emotions and memories I carried. I think that back then, the reason I put a little distance between myself and a world that demands efficie
5ncy, and deliberately chose the inefficient time of taking pains, was that I wanted to secure my own time â time that could only be fixed in place by doing so.\",\"whyIga\":\"I am in the midst of slowly opening 'Edogawa' up to people. I have exhibited once before, but after honestly recognizing again that I am not very good at stepping forward on my own to make my work known, I stopped showing it. This time, though, my starting point is the wish that I might, even a little, give a push to the backs of people who carry similar worries. That it is preserved in a physical medium â a book (that is not a book). A space that is less a sales floor than a place of expression. And the place being a temple â I felt this sense might suit the atmosphere of this book fair. By letting 'Edogawa' open of its own accord, I also hope some new realization might arise for the Kinokawa series I am currently working on during my residency.\"}}},{\"slug\":\"polly-fossey\",\"exhibitorName\":\"Polly Fossey\",\"country\":\"United States\",\"originalLang\":\"en\",\"categories\":[\"artist\"],\"social\":\"https://www.instagram.com/pollyfossey/\",\"website\":\"https://www.pollyfossey.com/shop\",\"activityIntro\":\"I am an artist based in Brooklyn, New York. I make art books and objects that investigate color theory through the medium of risograph printing. My book 7 Color Contrasts with Risography is collected at the Harvard Houghton Library and the Cooper Hewitt Museum. I volunteer at my local print studio and I draw weekly with the Urban Sketchers.\",\"presentWork\":\"I am particularly excited to debut an expanded second edition of 7 Color Contrasts with Risography in Asia. This book was produced in an edition of 250 copies, measures 9\\\" by 11\\\", and is spiral bound with a wrap around spine and 34 French folded interior pages. It includes a fold-out chart that maps the hue and saturation of 26 unique riso colors and a color bias wheel that translates the logic of a painter's palette to risography. It was made using 192 masters. Of the second edition of 250, 50 copies have been hand-selected for institutional and archival distribution based on registration quality.\\n\\nAdditionally, I will offer open editions of a 3D riso color wheel and a photo book called Color Layover (5\\\" x 6\\\") that reveals the print layers in a companion mini book (1.5\\\" x 5\\\").\",\"whyBook\":\"$29\",\"whyIga\":\"I have been studying Japanese for the last four years. There is no practical or economical reason for me to study Japanese, just as there is no practical or economical reason for me to have made such a labor intensive book. I undertake these kinds of pursuits for the joy of learning something new and with the hope that having done the work will open unexpected opportunities to connect with new people and new places.\",\"i18n\":{\"ja\":{\"activityIntro\":\"ç§ã¯ãã¥ã¼ã¨ã¼ã¯ã»ãã«ãã¯ãªã³ãæ ç¹ã«æ´»åããã¢ã¼ãã£ã¹ãã§ãããªã½ã°ã©ãå°å·ã¨ããã¡ãã£ã¢ãéãã¦è²å½©çè«ãæ¢æ±ããã¢ã¼ãããã¯ãä½åãå¶ä½ãã¦ãã¾ããèæ¸ã7 Color Contrasts with Risographyãã¯ãã¼ãã¼ã大å¦ãã¼ãã³å³æ¸é¤¨ã¨ã¯ã¼ãã¼ã»ãã¥ã¼ã¤ããç¾è¡é¤¨ã«åèµããã¦ãã¾ããå°å
ã®ããªã³ãã¹ã¿ã¸ãªã§ãã©ã³ãã£ã¢ãããUrban Sketchers ã¨æ¯é±ããã¼ã¤ã³ã°ããã¦ãã¾ãã\",\"presentWork\":\"ã¢ã¸ã¢ã§åãã¦ã7 Color Contrasts with Risographyãã®å¢è£ç¬¬2çããæ«é²ç®ã§ãããã¨ãç¹ã«æ¥½ãã¿ã«ãã¦ãã¾ããæ¬æ¸ã¯250é¨éå®ã§å¶ä½ããããµã¤ãºã¯9Ã11ã¤ã³ããèãå·»ãè¾¼ãã ã¹ãã¤ã©ã«è£½æ¬ã§ããã¬ã³ããã©ã¼ã«ãã®æ¬æ34ãã¼ã¸ããæãã¾ãã26è²ã®ã¦ãã¼ã¯ãªãªã½ã«ã©ã¼ã®è²ç¸ã¨å½©åº¦ããããã³ã°ããæãè¾¼ã¿ãã£ã¼ãã¨ãç»å®¶ã®ãã¬ããã®è«çããªã½ã°ã©ãã«ç¿»è¨³ããã«ã©ã¼ãã¤ã¢ã¹ãã¤ã¼ã«ãå«ã¿ã¾ãã192æã®ãã¹ã¿ã¼ã使ã£ã¦å¶ä½ãã¾ããã第2ç250é¨ã®ãã¡50é¨ã¯ãè¦å½ï¼ã¬ã¸ã¹ãã¬ã¼ã·ã§ã³ï¼ã®ç²¾åº¦ã«åºã¥ããæ©é¢ã»ã¢ã¼ã«ã¤ãåãã«æä½æ¥ã§é¸ã³æããã¦ãã¾ãã\\n\\nããã«ãç«ä½çãªãªã½ã«ã©ã¼ãã¤ã¼ã«ã¨ãå°å·ã®ã¬ã¤ã¤ã¼ãæããã«ããåçéãColor Layoverãï¼5Ã6ã¤ã³ãï¼ããä»å±ã®ããããã¯ï¼1.5Ã5ã¤ã³ãï¼ã¨ã¨ãã«ãªã¼ãã³ã¨ãã£ã·ã§ã³ã§è²©å£²ãã¾ãã\",\"whyBook\":\"ç§ãã7 Color Contrasts with Risographyã第2çã¨ããéæ¹ããªãå´åã®ãããä»äºã«åãçµããã¨ãé¸ãã ã®ã¯ããããæ°ããæè¡ãå¦ã¶æ©ä¼ã¨æããããã§ãããã¨ãã°192æã®ãã¹ã¿ã¼ã使ããªã½æ¬ã®è¤éãªãã¼ã¿ãæºåããã«ã¯ãã¾ãæ°ããã½ããã®æè¡ãå¦ã¶å¿
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ããæ©ä¼ãéãã¦ãããããã§ãã\",\"whyIga\":\"ç§ã¯ãã®4å¹´éãæ¥æ¬èªãåå¼·ãã¦ãã¾ãããæ¥æ¬èªãå¦ã¶ãã¨ã«å®ç¨çã»çµæ¸çãªçç±ã¯ããã¾ãããããã»ã©å´åã®ãããæ¬ãä½ããã¨ã«å®ç¨çã»çµæ¸çãªçç±ããªãã®ã¨åãã§ããç§ãããããå¶ã¿ã«åãçµãã®ã¯ãæ°ããä½ããå¦ã¶åã³ã®ããã§ããããã®ä»äºãããéãããã¨ããæ°ãã人ã
ãå ´æã¨ã¤ãªããæããããªãæ©ä¼ãéãã¦ãããã¨ãã叿ã®ããã§ãã\"}},\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/polly-fossey/04.jpg\",\"/images/exhibitors/polly-fossey/01.jpg\",\"/images/exhibitors/polly-fossey/02.jpg\",\"/images/exhibitors/polly-fossey/05.jpg\"],\"submittedAt\":\"2026-03-31T23:41:14.000Z\",\"talkInterest\":\"Interested but unsure\"},{\"slug\":\"ppp-site\",\"exhibitorName\":\"PPP site\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"self-publisher\",\"other\"],\"categoryOther\":\"writer; researcher; etc.)\",\"social\":\"https://www.instagram.com/ppp_site/\",\"website\":\"https://sites.google.com/view/p-p-p-site/top\",\"activityIntro\":\"PPP siteã主宰ãã大åå²åã¨ç³ãã¾ããç¾å¨ã京é½å¸ç«è¸è¡å¤§å¦å¤§å¦é¢ã«å¨ç±ããæ®æ®µã¯ã¢ã¼ãã£ã¹ãããã¯ãããããå容ãããå ´ã¨ãã¦ã®ã¢ã¼ãããã¯ãã§ã¢ã«é¢ããç ç©¶ãè¡ãªã£ã¦ããã¾ããPPP siteã¯2026å¹´1æã«ç«ã¡ä¸ããåºçã¬ã¼ãã«ã§ãããã¶ã¤ãã¼ãã¢ã¼ãã£ã¹ãã¨ååããããã¨ãã«ä¸ã¤ã®ä½åãä½ãä¸ãããã¨ãããã¦ç§çãªèããå
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ã¡ä¾ã³ã¦ãããã¨ãå¿ãã¦ã¯ããªãï¼ãããªããããçå¾èãèå çå¹³ãé å±±å¥å®åã°ã«ã¼ãå±ãéæãªçãããï¼gallery gobanguraï½äº¬é½ï¼ã«ã¦çºè¡¨ã»åºåãã2026å¹´6æã«ã¯ãPages Fukuoka Art Book Fair 2026 ã«ã¦ãé å±±å¥å®åã®ä½åè§£éã®ããã®ã¢ã¼ãã£ã¹ãããã¯ãSkipping stones ç¯ãã¤çãã¤ï¼å·¦è¦å³è¦ããåºå±ãã¾ããã\",\"presentWork\":\"ä»ååºå±ãäºå®ãã¦ããåºçç©ã¯ãã¢ã¼ãã£ã¹ãã»é å±±å¥å®åã®ããã¯ãSkipping stones ç¯ãã¤çãã¤ï¼å·¦è¦å³è¦ãã§ãããã¼ãããã¯ã«æ¸ãçããããã¼ã¤ã³ã°ãæ¥å¸¸çæ´»ã«ãããæççãªã¡ã¢ãåºç¹ã«ãå¹³é¢ä½åãã¤ã³ã¹ã¿ã¬ã¼ã·ã§ã³ãå¶ä½ããé å±±å¥å®åã¯ãæççãªæéãè¨æ¶ã¨ãã¦ã®ç´çãããä¸ã¤ã®çè·¡ãæ®ãå°ç¹ã¨æãç´ããããããæ°´å¹³ã«æ¨ªæ»ãããããã¨ã§ãç°ãªãå°ç¹å士ã並åããå°å³ãç«ã¡ä¸ããä½åãå¶ä½ãã¦ãã¾ããæ¬æ¸ã¯ãä¸ã¤ã®ãã®ãè¦ç¹ãå¤ããªãã観å¯ããæã¨ãç®ãç´°ãã¦å°ãé ãã®ãã®ãæ³¨ææ·±ãçºãã¦ããæã®ãµãã¤ã®ã¢ããã¼ãããæ§æããã¦ãããé å±±ã®ãè¦ããããã«ãã®ãè¦ã¦ããç®ããè¿æ¯ã¨é æ¯ãè¡ãæ¥ããªããç¹ãã£ããé¢ããããããããããç®ãåããã¦è¦³å¯ããããã®è£
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ãã¦åºå±å¿åããã¦ããã ãã¾ããã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/ppp-site/03.jpg\",\"/images/exhibitors/ppp-site/01.jpg\",\"/images/exhibitors/ppp-site/02.jpg\",\"/images/exhibitors/ppp-site/05.jpg\"],\"submittedAt\":\"2026-06-21T17:28:02.000Z\",\"talkInterest\":\"Interested but unsure\",\"i18n\":{\"en\":{\"activityIntro\":\"$2a\",\"presentWork\":\"The publication I plan to exhibit this time is the artist Namiko Toyama's book âSkipping Stonesâ (ç¯ãã¤çãã¤ï¼å·¦è¦å³è¦). Working from drawings and fragmentary notes on daily life recorded in a notebook, Toyama makes flat works and installations that reconceive fragments of time and memory â paper scraps that each hold the trace of a single point â and, by letting them slide sideways, build maps in which different points sit side by side. The book is built from two ways of looking: observing one thing while shifting your point of view, and narrowing your eyes to study something a little further away. It is made as a device for watching, closely, how Toyama's own way of seeing things moves between near and far, connecting and pulling apart. Moving between book and map, it shifts viewpoints lightly, as if skipping stones, and draws the reader into a continuous kind of play.\",\"whyBook\":\"$2b\",\"whyIga\":\"$2c\"}}},{\"slug\":\"sohei-terui\",\"exhibitorName\":\"Sohei Terui\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"photobook\",\"self-publisher\",\"other\"],\"categoryOther\":\"writer; researcher; etc.)\",\"social\":\"https://www.instagram.com/sohei_terui?igsh=bnBxNXRuaXU3ZHZq\u0026utm_source=qr\",\"website\":\"https://photomaison.jp/\",\"activityIntro\":\"1993å¹´ããçéã¨é«éå±±ã¨å¤§å³¯å¥¥é§éãæ®å½±ã1996å¹´ã«æ¸¡ç±³ãã¢ã³ã»ã«ã»ã¢ãã ã¹ã®æå®¤ã§ã¾ã¼ã³ã·ã¹ãã ãä¿®å¾ã1998年大éªè¸è¡å¤§å¦ã«ã¦åçå¦ãå¦ã³çµãã¦åæ¥ãæ¸
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ã¾ãã¯å¹³ç½®ãï¼\\nB\u0026Wãã©ã¤ã¿èª¿å°ç»ç´\",\"whyBook\":\"å±±å·èæ¨æçæä»ããã®ãã¼ããè¸ã«ãã£ããã¨æ®å½±ããã£ããã¨ããªã³ãããç´åçãä¸çã«çºä¿¡ãã¦ãã¾ããæã«ã¨ããé¨å±ã«é£¾ããé³ããªããæåããªãã¹ããªãããè²ãæ³åã«ã¾ãããç½é»åçã®é
åãã¿ã¦ãã ã ããã°å¹¸ãã§ãã\",\"whyIga\":\"ç´ä¼åå³¶ã§ãããã¨ãæ´å²ããåã®ç©ºéã§åçã飾ããã¨ã«ææ¦ãã¦ã¿ããå¿åãã¾ãããããã¾ã§ã®å±ç¤ºã¨ã¯éãä¸ç観ãã¤ããããã§ããç¾è¡é¤¨ãã®ã£ã©ãªã¼ã§ã¯ãªããå室ã§ã©ã®ããã«é£¾ããã¨ãã§ããããèãã¾ãã\",\"booth\":\"Exhibition Room: 4ç³ (10,000 JPY) â»éå®3室\",\"images\":[\"/images/exhibitors/sohei-terui/01.jpg\",\"/images/exhibitors/sohei-terui/02.jpg\",\"/images/exhibitors/sohei-terui/03.jpg\",\"/images/exhibitors/sohei-terui/04.jpg\",\"/images/exhibitors/sohei-terui/05.jpg\"],\"submittedAt\":\"2026-05-14T00:12:07.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"ç¹ã«ãªã\",\"
5i18n\":{\"en\":{\"activityIntro\":\"$2d\",\"presentWork\":\"â Photobook \\\"Noroshi\\\" (Signal Fire)\\n69 works\\nAlready published\\nDetails\\n500 copies (sold out)\\nSecond edition\\n300 copies\\n6,400 yen (excluding tax)\\n230 x 238 mm\\nJapanese + English\\n\\nâ New original prints\\n49 works\\nUnpublished\\nDetails\\nA4 size / 2L size (framed or laid flat)\\nB\u0026W baryta-toned printing paper\",\"whyBook\":\"Mountains, rivers, grasses, and trees â all attain Buddhahood without exception. Holding this theme firmly in my heart, I firmly photograph and firmly print, sending pure photography out to the world. I would be glad if you would take them in your hands, hang them in your room, and appreciate the appeal of black-and-white photographs â soundless, with words removed as far as possible, and the colors left to the imagination.\",\"whyIga\":\"That it is the Kii Peninsula. I applied because I wanted to take on the challenge of hanging photographs in a historic Japanese space. I want to create a worldview different from my exhibitions so far. Not a museum or a gallery, but a Japanese-style room â I will think about how they can be hung there.\"}}},{\"slug\":\"stairs-press\",\"exhibitorName\":\"STAIRS PRESS\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"photobook\",\"bookstore\"],\"social\":\"https://www.instagram.com/stairspress/\",\"website\":\"http://stairspress.com/\",\"activityIntro\":\"STAIRS PRESSã¯ãæ¥æ¬ã¨ä¸å½ã®åçå®¶ããã¶ã¤ãã¼ã«ãã£ã¦2016å¹´ã«å§ã¾ã£ãã¤ã³ãã£ãã³ãã³ãã»ãããªãã·ã£ã¼ã§ããç¾å¨ã¯æ±äº¬ãæ ç¹ã«æ´»åãã¦ãã¾ãã\\nåçãã¢ã¼ããä¸å¿ã«ãä½å®¶ã¨ã®å¯¾è©±ããçã¾ããåçéãã¢ã¼ãã£ã¹ãããã¯ãå°é¨æ°ã§å¶ä½ãã¦ãã¾ããä¼ç»ããç·¨éããã¶ã¤ã³ãå¶ä½ã¾ã§ãä½å®¶ã¨ã¨ãã«é²ããããããã®ä½åã«ãµããããå½¢ãæ¢ããªããæ¬ã¥ãããç¶ãã¦ãã¾ãã\\nããã¾ã§ã«ãå®è¶
å¡ãæ²³ã¯ãã¹ã¦ç¥ã£ã¦ããâèå·ããæ²³ã¯ãã¹ã¦ç¥ã£ã¦ããâ黿µ¦æ±ããæ åããããETUDEããæ°´å³¶è²´å¤§ãLong Hug Townããææ¿å¾³ãINVISIBLE WORLDããèç°ããããHAPPENINGããªã©ãåè¡ãã¦ãã¾ããã\",\"presentWork\":\"ããã¾ã§ã«åè¡ããä¸è¨ã®åçéãä½åéã«å ããä½å®¶æä½ãã®ZINEãªã©ãå±ç¤ºã»è²©å£²äºå®ã§ãã\\næ°ä½ã«ã¤ãã¦ã¯ç¾å¨å¶ä½ä¸ã®ããè©³ç´°ã¯æªå®ã§ãããå°é¨æ°ã§ã®çºè¡¨ãäºå®ãã¦ãã¾ãã\",\"whyBook\":\"ç§ãã¡ã¯ãé·ãæ®ãåçéãä½åéãã¤ããããã¨èãã¦ãã¾ãã\\nä½å®¶ãè¦ã¤ãã¦ãã風æ¯ã人ã
ãããã¦å¤±ããã¦ãããããããªãè¨æ¶ãæè¦ããã®ä¸ã«ããå¼·ãè¦ç·ããä¸åã®æ¬ã¨ãã¦æ®ãããã¨æã£ã¦ãã¾ãã\\nåçãè¦ãã ããªãç»é¢ã§ãååããããã¾ãããä½åãçºè¡¨ããã ããªãããã£ã¨éãå¹çã®è¯ãæ¹æ³ãããã¾ãã\\nããã§ãæ¬ãã¤ããã®ã¯ãåçã並ã¹ãé çªãç´ã®è³ªæããã¼ã¸ããããé度ãæã«æã£ãã¨ãã®éãã¾ã§å«ãã¦ãä¸ã¤ã®ä½é¨ã¨ãã¦å±ãããããã§ãã\",\"whyIga\":\"æ¬ã¯ã¤ãã£ã¦çµããã§ã¯ãªãã誰ãã®æã«æ¸¡ããèªã¾ãã話ããããã¨ã§æ°ããæå³ãæã¤ãã®ã ã¨æã£ã¦ãã¾ãã\\nç§ãã¡ã¯æ®æ®µã¯æ±äº¬ãæ ç¹ã«æ´»åãã¦ãã¾ãããæ¬ã¯é½å¸ã®ä¸ã ãã§å¾ªç°ãããã®ã§ã¯ãªãã¨ãæãã¦ãã¾ãã\\nä¼è³ã¨ããåå°ã§ãèªåãã¡ã®æ¬ãææ¸¡ãããã®å ´ã§èªè
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åãæãã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/stairs-press/04.jpg\",\"/images/exhibitors/stairs-press/01.jpg\",\"/images/exhibitors/stairs-press/02.jpg\",\"/images/exhibitors/stairs-press/03.jpg\"],\"submittedAt\":\"2026-06-07T14:37:24.000Z\",\"talkInterest\":\"No\",\"i18n\":{\"en\":{\"activityIntro\":\"STAIRS PRESS is an independent publisher started in 2016 by photographers and designers from Japan and China. It is currently based in Tokyo.\\nCentering on photography and art, we produce photobooks and artist books in small editions, born out of dialogue with the artists. We carry each book through from planning, editing, and design to production together with the artist, continuing to make books while searching for the form best suited to each work.\\nTo date we have published, among others, Yuan Chaofan's 'The River Knows Everything â Arakawa' and 'The River Knows Everything â Huangpu River,' Azusa Kurihara's 'ETUDE,' Takahiro Mizushima's 'Long Hug Town,' Li Zhengde's 'INVISIBLE WORLD,' and Asuka Wakida's 'HAPPENING.'\",\"presentWork\":\"In addition to the photobooks and art books listed above that we have published so far, we plan to exhibit and sell artist-made zines and more. Details of new work are still undecided as it is currently in production, but we plan to present it in a small edition.\",\"whyBook\":\"We want to make photobooks and art books that last a long time.\\nThe landscapes and people an artist has gazed upon; memories and sensations that may eventually be lost. We want to preserve, as a single book, the intense gaze contained within them.\\nIf it were only a matter of looking at photographs, a screen might be enough. If it were only a matter of presenting work, there are faster and more efficient methods.\\nEven so, we make books because we want to deliver it as a single experience â including the order in which the photographs are arranged, the texture of the paper, the speed of turning the pages, and even the weight in one's hands.\",\"whyIga\":\"We believe a book does not end when it is made; it takes on new meaning by passing into someone's hands, being read, and being talked about.\\nWe usually work based in Tokyo, but we also feel that books are not something that circulate only within cities.\\nTo hand over our own books in a place like Iga, and to have readers and makers exchange words on the spot. To encounter unknown people and places through a book. We feel a great appeal in that time.\"}}},{\"slug\":\"twelvebooks\",\"exhibitorName\":\"twelvebooks\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"other\"],\"categoryOther\":\"Other (please specify)\",\"social\":\"https://www.instagram.com/twelvebooksdistribution/\",\"website\":\"https://twelve-books.com\",\"activityIntro\":\"https://twelve-books.com/pages/about\",\"presentWork\":\"twelvebooks ã§ã®åè¡ç©ï¼https://twelve-books.com/collections/twelvebooksï¼ãä¸å¿ã«åå åºæ¥ãã°ã¨èãã¦ãã¾ãããä¼è³ãæ ç¹ã¨ãã¦ããã¢ã¼ãã£ã¹ãã§ããå人ã®å®æ°¸æ£è£ããã¨ä»åã®ããã¯ãã§ã¢åå ã«éããæ¸ç±åè¡ãè¨ç»ãã¦ãã¾ãã\\n\\n宿°¸æ£è£\\nhttps://www.lissongallery.com/artists/masaomi-yasunaga\\nhttps://www.instagram.com/masaomi_yasunaga/\",\"whyBook\":\"æ®ãï¼ã¢ã¼ã«ã¤ããç¶æ¿ï¼ãã®ã ããã\",\"
5whyIga\":\"æ
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ã¸ã®å¿ã¥ãããä¼ãããã®ã ã¨æãã¾ããç§ãå·ã£ããã®ã誰ããæã«åãã¨ããä¸çã®ã©ããã«èªåã®ä½é¨ãæ°ã«ããã¦ããã人ãããââãããªå人çãªã¤ãªãããæãã¦ã»ããã®ã§ãã\\n\\næå³ããã£ã¦ãã¶ã¤ã³ãããç©çã¡ãã£ã¢ã¯ãç«ã¡æ¢ã¾ããä½ãæã注ãã ä»äºãå³ããããã®ä½ç½ãçã¿ã¾ããã¨ãããèªè²»åºçã¯ããã¶ã¤ã³ãä½åº¦ãç·´ãç´ããèªåã®ä½åãè§£éãç¶ãããã¨ãå¯è½ã«ãã¦ããã¾ãããããã¦ä½åã¯ãåºä¼ã人ã
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ã®å¤ãã¯è¶ãä¸å¿ã«çµã¿ç«ã¦ã¦ããã2025å¹´ã«ã¯ä¸éã訪ãã¾ãããæ°ããéæããåå°ã ã£ããã¨ãããã¾ããã妻ãã¢ã¡ãªã«ã®ãã¡ã¼ãã¼ãºãã¼ã±ããã§æä½ãã®ãã«ãããæé¤
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¥ãããã¨ãã§ããä»ã§ã¯ç§ãã¡ã®ãã¼ã±ããã§ãã¶ãè¶ãæ±ã£ã¦ãã¾ãï¼ä¸éã§åºå±ã§ããã°ãã²ã¨ã¤ã®åãéãããããªç´ æµãªç¬éã«ãªãã¾ãã\\n\\nç§ã¯æ¥æ¬ã§ã¤ãªãããç¯ãç¶ãããã¨ã«åºãé¢å¿ããããåºå±ã¯ãç§ãç¥ããªãã§æãèª å®ãªãã®ææ®µã®ã²ã¨ã¤ã§ããââèªåã®ä½ã£ããã®ãæºãã¦ã©ããã«ç¾ããããã誰ã«é¿ãã®ãã確ããããã¨ããæ¹æ³ã§ãã\\n\\nã¾ããä¸çä¸ã®ã¢ã¼ãã£ã¹ããéããã©ããã¢ã®ã¤ã³ãã£ã¼ã³ããã¯ã»ã¢ã³ã½ãã¸ã¼åºç社 kuÅ¡! ã®ããã«æ ¡æ£ããæ¬ããã¨ãã©ãä¸ç·ã«å±ç¤ºãããã¨ãããã¾ãã\"}}},{\"slug\":\"arica_shop\",\"exhibitorName\":\"ã¢ãªã«\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"bookstore\"],\"social\":\"https://www.instagram.com/arica_shop/\",\"
5website\":\"https://arica.shop/\",\"activityIntro\":\"å¥è¯ãæ ç¹ã«ç´ãã³ã³ã»ããã«ãã¶ã¤ã³äºåæãéå¶ãããåºã§ãããã¶ã¤ã³æ¸ç±ãçµµæ¬ãåçéãç´ã®è²©å£²ãç´é貨ããªãªã¸ãã«ååã販売ãã¦ãã¾ãã\\néå¶ä¼ç¤¾ãå¶ä½ãããåçéã販売ãã¦ãã¾ãã\",\"presentWork\":\"ç´ã®ãåºãªãã§ã¯ã®ç´é貨ãã¾ããªãªã¸ãã«ã¤ã©ã¹ãååãåºåãã¾ãã\\nã¾ããããã¾ã§ã«å¶ä½ããåçéã販売ãã¾ãã\",\"whyBook\":\"ç´ã¸ã®ãã ãããªã©ãå®ç©ãã¿ããã¨ã§ããããããªãããã§ãã\",\"whyIga\":\"ãªãªã¸ãã«ç´é貨ã«é¢ãã¦ã¯ãgeenoeã¨ãããã©ã³ããç«ã¡ä¸ãã¦ãã¾ããããã¯80æ³ãè¶
ããç¶ã®ã¤ã©ã¹ãããã¶ã¤ãã¼ã§ããå¨ããã¶ã¤ã³ããååã§ãã\\nã¾ã ãåºå
ã®ã¿ã®è²©å£²ãã¡ã¤ã³ãªã®ã§ã対é¢ã§ãã¿ãªããã®åå¿ã使ã§ãããã¨èãã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/arica_shop/01.jpg\"],\"submittedAt\":\"2026-05-31T11:17:48.000Z\",\"talkInterest\":\"No\",\"i18n\":{\"en\":{\"activityIntro\":\"We are a shop, run by a design studio in Nara, with paper as our concept. We sell design books, picture books, and photobooks, as well as paper itself, paper goods, and original products.\\nWe also sell photobooks produced by our operating company.\",\"presentWork\":\"We will present paper goods unique to a paper shop, as well as original illustrated products.\\nWe will also sell the photobooks we have produced so far.\",\"whyBook\":\"Because things like our commitment to paper can only be understood by seeing the real thing.\",\"whyIga\":\"For our original paper goods, we have launched a brand called geenoe. These are products in which a daughter who is a designer designs the illustrations of her father, who is over 80 years old.\\nSince sales are still mainly in-store only, we hope to experience everyone's reactions in person, face to face.\"}}},{\"slug\":\"michiko_skylla\",\"exhibitorName\":\"ãã¡ã ãã¿ã¡ã\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"self-publisher\",\"other\"],\"categoryOther\":\"writer; researcher; etc.)\",\"social\":\"https://www.instagram.com/michiko_skylla\",\"website\":\"https://facebook.com/poem.UchidaMichiko\",\"activityIntro\":\"å¤§éªæ¢
ç°æ¬åºéªæ¥ç¾è²¨åºå®£ä¼é¨ç¤¾å¡åã³ãã¼ã©ã¤ã¿ã¼ã¨ãã¦6å¹´éå¤åãé社å¾ãããªã¼ã¨ãã¦äº¬é½é«å³¶å±ãé¢è¥¿ã®ä¼æ¥ã®å®£ä¼ä¼ç»ãæ
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åæããåå±ããã¡ãã·ã§ã³ã·ã§ã¼ãªã©ã®ã¤ãã³ãã®ä¼ç»æ¼åºãææããã\",\"presentWork\":\"ä»ååºå±å¸æã¯ãfbã§ç¥ãåã£ãã¤ã©ã¹ãã¬ã¼ã¿ã¼ã¯ãã¾ãããããã®çµµã¨å
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å½ãã¦2017ååºçãã2021å¹´å¢å·ãããã¶ã¼ã°ã¼ã¹ã¿ãããªè©©ç»éãè¨ã®èã®å·£ç®±ãã§ãã\\n\\nã¾ãã2020å¹´ã«ç§ã主å¬ã§å¤§éªå港ã§éå¬ã®çµµæ¬ã®ã第2å ODPãã©ãã®æ£®ã¨ãã»ãåºå ´ãã«ã¨ã³ããªã¼ãã¦ã¾ããããã³ããã§éå¬ãæ¥é½ä¸æ¢ããã¾ããããã®æã®ãªãã³ã¸ããã¤ãæããããã¨é¡ã£ã¦ããæããã®ä¼ç»ãç¥ãå¿åããæ¬¡ç¬¬ã§ãã\\n\\nã¿ã¤ãã«ãè¨ã®èã®å·£ç®±ãï¼ãã®ã¯ã®ãã°ãï¼\\nçºè¡ãDORADO BOOKS\\næ¢çºè¡¨ã2017å¹´æ±äº¬ã2018年大éª\\nå½¢å¼ãAï¼çãæ¨ª210/縦148ãµã¤ãºãã\\nçºè¡é¨æ°450 æ®é¨æ° 46åã5/28ç¾å¨\",\"whyBook\":\"ç¾ä»£ç¤¾ä¼ã¯ããã¸ã¿ã«åã§ãããç´åªä½ã®æ¬ãæ²ãæè§¦ãã¨ãè¦éãã«ãªãã¨ãçµµã¨è©©ã®ä¸ç観ãåºããããã«ã¨ã®æãã§ãæã«åããããæ¨ªAï¼çãµã¤ãºã®è©©ç»éãä½ãã¾ããã\\n\\nã¾ããæ¥æ¬çãã¶ã¼ã°ã¼ã¹ã®ãããªè©©ç»éã¯ãä»ã«ã¯åºã¦ãªãã¨æããã®ã
5§ãæµ·å¤ã®ã¤ã©ã¹ãã¿ãããªçµµãæãçµµæ¬ä½å®¶ã¤ã©ã¹ãã¬ã¼ã¿ã¼ã¯ãã¾ãããããã¨çµãã§ãç§ã®è©©ã§ããã¼ã¸æ¯ããã©ã³ãï¼æåï¼ãã¤ã¡ã¼ã¸ã«åããã¦å¤ãã¦ããæããããã¶ã¤ã³æ§æããã®è©©ç»éã®é
åã§ãã大人ãåã©ãããç·å¥³å¹´é½¢åãããæ¥½ããã§ããã ããè©©ç»éã«ãªã£ã¦ãã¾ãã\",\"whyIga\":\"ä¼è³ã¯ãæ¾å°¾èèã®çèªã®å°ã§ããã京é½ã«ä¼¼ãç¥ãæåä¼çµ±ãããåä¸çºã§ããä¼è³å¿è
ã ãã§ãªããARTãä¼çµ±æåã«ãµããããä¼è³ã§ãä»åããã®è©©ç»éãä¼è³çãã¾ã®ã³ã³ãã®æãéããéµðãæã£ã¦ããã¯ãã ãã¨èªä¿¡ãæã£ã¦ãå±ããã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/michiko_skylla/01.jpg\",\"/images/exhibitors/michiko_skylla/02.jpg\",\"/images/exhibitors/michiko_skylla/03.jpg\",\"/images/exhibitors/michiko_skylla/04.jpg\",\"/images/exhibitors/michiko_skylla/05.jpg\"],\"submittedAt\":\"2026-05-30T18:04:47.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"ã¨ã³ããªã¼ãã¾ãã®ã§ãå®ãããé¡ããã¾ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"After working for six years as a copywriter â the first hired into the advertising department of the Hankyu Department Store main store in Umeda, Osaka â I left the company and, as a freelancer, handled advertising planning for Kyoto Takashimaya and other companies in the Kansai region.\\n\\nAfter marrying, raising children, building a new home, and moving from Kobe to Mie, I was also involved as an outside staff member of the Iga information town magazine \\\"YOU,\\\" editing three gourmet books. As a freelance writer, I have also handled travel coverage and the planning and staging of events such as solo exhibitions and fashion shows.\",\"presentWork\":\"What I hope to exhibit this time is \\\"Konoha no Subako\\\" (The Nest Box of Words / Leaves), a collection of poems and pictures like Mother Goose. It was a collaboration with the illustrator Keiko Hanma, whom I met on Facebook â they did the pictures and I was in charge of the poems. It was first published in 2017 and reprinted in 2021.\\n\\nAlso, in 2020 I had entered the \\\"2nd ODP Children's Forest and Picture Book Plaza,\\\" an event for picture books that I was organizing at Osaka Nanko, but it was abruptly cancelled due to COVID. While I had been wishing to someday make up for that, I learned of this project and so I applied.\\n\\nTitle: \\\"Konoha no Subako\\\"\\nPublisher: DORADO BOOKS\\nAlready published: Tokyo 2017, Osaka 2018\\nFormat: A5 size, 210 wide / 148 tall\\nPrint run: 450 copies. Remaining stock: 46 copies (as of 5/28).\",\"whyBook\":\"Modern society is going digital, but with the wish that the touch of turning the pages of a paper book, and the way the world of pictures and poems opens out across a two-page spread, I made a collection of poems and pictures in an easy-to-hold, landscape A5 size.\\n\\nAlso, since I felt that a collection of poems and pictures like a Japanese version of Mother Goose did not exist elsewhere, I teamed up with the picture-book author and illustrator Keiko Hanma, who draws pictures like foreign illustrations, and with my poems. The meticulous design composition â even changing the font (the lettering) on each page to match the image â is also part of this book's appeal. It is a collection of poems and pictures that adults and children alike, regardless of gender or age, can enjoy.\",\"whyIga\":\"Iga is the birthplace of Matsuo Basho, and a castle town with a festival culture and traditions resembling those of Kyoto. In Iga â a place suited not only to the Iga ninja but to art and traditional culture as well â I deliver this collection of poems and pictures with confidence, sure that it holds the key ð to open the doors of the hearts of everyone in Iga.\"}}},{\"slug\":\"okko_osa\",\"exhibitorName\":\"ãªãã³\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"photobook\",\"collective\"],\"social\":\"https://www.instagram.com/okko_osa\",\"website\":\"https://okko-jp.com\",\"activityIntro\":\"ç§ãã¡ã¯å¤§éªã¨ããªãæ ç¹ã¨ããåºçæã§ãã表ç¾è
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¥ãããªãããæ¬ãããªã³ãçãç©çåªä½ãä¸å¿ããåºçããã¸ã§ã¯ããææãããã¨ã§èè
ãæã¤åæ§çã§å®é¨çãªã¢ã¤ãã¢ãå¸å ´ã«éãåºãã¦ãã¾ãã\",\"presentWork\":\"ä»å¤ã«åè¡ãå®äºããåçéãä¸å¿ã¨ããããã¤ãã®ãããªã±ã¼ã·ã§ã³ãåºå±äºå®ã§ãã\\nã¾ããéå»ä½ãæ¸åºãé販ãµã¤ãã§æµéããã¦ããªãZINEã彿¥è²©å£²ããäºå®ã§ãã\",\"whyBook\":\"弿ã¯ç´ æãDIYçãªããã»ã¹ã«ç¹å¥ãªä¿¡æ¡ãæã£ã¦ããããã§ã¯ããã¾ãããããµã¤ãºã質éã質æçãç©ççã§å¾®ç´°ãªåä½ã身ä½ãéãã¦ä¼ãããã¨ãã§ããããæ¬ã»å°å·ç©ã¨ããå½¢æ
ãæ¡ç¨ãããã¨ãå¤ãã§ããç¾ç¶ãæ
å ±ä¼éã®å¹çæ§ãæµéæ§ã®è¦³ç¹ãããæ¡ç¨ã§ãããã®ãç©ççãªãã®ãããªãã®ã§ãç§ãã¡ã¯ããããããããä½ãç¶ãã¦ãã¾ãã\",\"whyIga\":\"弿ã®å
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ãä¼è³å°ååºèº«ã§ãããèªåãã¡ãè²ã£ãå°åæåã®é¸æã«å¯¾ãã¦å¾®åã§ãååãããã¨ããæããããã¾ããã\\
5nã¾ããå°å
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ãæ¸åºã§ãã¾ãè¦ãããªã弿ã®åºçç©ãæã«åããã¨ã§ãã©ã®ããã«åå¿ãããã®ãèå³ãããå¿åãã¾ããã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/okko_osa/01.jpg\",\"/images/exhibitors/okko_osa/02.jpg\",\"/images/exhibitors/okko_osa/03.jpg\"],\"submittedAt\":\"2026-05-09T11:39:45.000Z\",\"talkInterest\":\"No\",\"i18n\":{\"en\":{\"activityIntro\":\"We are a publishing house based in Osaka and Paris. As makers of expression and those who would not call themselves such come and go through our house, we undertake publishing projects centered on physical media such as books and prints, sending the distinctive and experimental ideas held by authors out into the market.\",\"presentWork\":\"We plan to exhibit several publications centered on a photobook whose production will be completed this summer.\\nWe also plan to sell, on the day, past works and zines that have not been distributed through bookshops or online stores.\",\"whyBook\":\"We do not hold any particular creed about materials or DIY-like processes, but because physical, minute units such as size, mass, and texture can be conveyed through the body, we often adopt the form of the book or of printed matter. As things stand, a physical medium is the only one we can adoptâeven from the standpoint of the efficiency and circulability of conveying informationâand so we go out of our way to keep making them.\",\"whyIga\":\"One of our co-organizers is from the Iga region, and we felt a wish to help, however modestly, in nurturing the local culture in which we grew up.\\nWe also applied out of curiosity about how local people might react on picking up our publications, which are not often seen in bookstores.\"}}},{\"slug\":\"tamayurayu\",\"exhibitorName\":\"ãã¾ããæ¹¯\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"zine\"],\"social\":\"https://www.instagram.com/tamayurayu?igsh=NmVwcmt3eHlsemJk\",\"website\":\"https://www.instagram.com/tamayurayu?igsh=NmVwcmt3eHlsemJk\",\"activityIntro\":\"ä¸éçæ´¥å¸å¨ä½ã2026å¹´2ææ´»åéå§ã2026å¹´6æ7æ¥ä¹
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ã¨å½±ã¨æ¹¯æ°ã¨åãããã¾ãã¾ããã¿ãã¿ãã«å ãç¾å¨ä½æä¸ã®\\n飼ãç«ã»ããï¼ããããï¼ã¨ã®åºä¼ããããã®4å¹´ã®è¨é²photo ZINEã好ããªè¨èãããããç¡æãªç§ãä½ããå¤é£æ¼æµæ¥è¨ãã®photo ZINE\\nãäºå®ãã¦ã¾ãã\",\"whyBook\":\"å
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·ã夿¬ãå»å¢ãè¡ã®é湯ã大è¡é£å ããªã©äººãæã®æ´å²ãç©ã¿éãªã£ã¦ã§ãããã®ã好ãã§ããã®å¥½ãããä¼ããæã«\\nãªãèªåã¯ããã人ã«å±ãããã®ãããä¼ããã«ã¯èªåã¨ãã£ããåãåãæéãããã°ããã»ã©ã人ã®å¥¥ã®æ¹ã«å±ãã®ã§ã¯ãªãããããã¦ãã®ãã¨ãèããªã
5ãçµã¿ç«ã¦ã¦ããå·¥ç¨ã\\nç§ãä½ã£ã¦ããä¸é¨ã«ãªããããªæ°ããã¦ã\\nã¹ãã¼ããªæä»£ã§ããããããããæ°ããå¤è§çãªçºè¦ãçæ
®ãããã£ããã«ãªãã°ãããªã¨æããã¹ã¿ã¼ããã¾ããããã®åå¹´éã§ãããããã®ZINEã«è§¦ããæ©ä¼ãããã人ã®ç¡éã®å¯è½æ§ãã¢ã¤ãã¢ãé¢ç½ãï¼ã«åºä¼ã£ã¦ãã¦ç§èªèº«ã楽ããã§ãã\",\"whyIga\":\"åãã¦ã®åºåºã誰ã§ãåå ãã§ããããã«ãã¨\\næããããã¦ãã ãã£ã¦ããã¢ã«ã¹ãã©ã¶ããã®ãããã§ãã¹ã¿ã¼ããåããã¨ãã§ãã¾ããããããã§ã¨ã¾ããæ¬¡ã©ãã«ããããããããåéºãããã¨ããããçå¤ãä¸éã®ã©ããã§ã¨ããã£ã¦ããã¨ãããã¢ã«ã¹ãã©ã¶ããã®æè¸ãã§ã¹ã§åºä¼ã£ã女æ§ããã¡ãã®ä¼ç»ãæãã¦ãã ãããããã¯ãç¸ã ã¨æããã¨ã³ããªã¼ããã¦ããã ãã¾ããã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/tamayurayu/01.jpg\",\"/images/exhibitors/tamayurayu/02.jpg\",\"/images/exhibitors/tamayurayu/03.jpg\"],\"submittedAt\":\"2026-06-21T21:49:31.000Z\",\"talkInterest\":\"Yes\",\"i18n\":{\"en\":{\"activityIntro\":\"Based in Tsu City, Mie Prefecture. Began activity in February 2026. Made my first appearance at a literary fair held on June 7, 2026 at Hisai Ars Plaza. I have created a zine of poems and photographs I accumulated over these five years of continually facing myself, \\\"Hikari to Kage to Yuge to Kimi\\\" (Light and Shadow and Steam and You); a zine, \\\"Shima Shima, Shimijimi,\\\" recording a day spent touring my friend's hometown of Shima through her eyes; hand-drawn postcards, and more.\",\"presentWork\":\"In addition to the above \\\"Hikari to Kage to Yuge to Kimi\\\" and \\\"Shima Shima, Shimijimi,\\\" I am planning a photo zine currently in the works recording these four years since meeting my pet cat Hokuro (a black cat), and a photo zine, \\\"Gaishoku Hyoryu Nikki\\\" (Dining-Out Drift Diary), made by me, someone whose favorite phrase is \\\"free refills.\\\"\",\"whyBook\":\"I have always been weak with digital things and an analog person from way back. I love old tools, secondhand books, ruins, town bathhouses, cheap eateries â things made from layers upon layers of the history of people and time. When I convey that love, I feel that the more time I spend carefully facing myself over why it is that I want to deliver this to people, the deeper into a person it can reach; and I feel that the process of assembling something while thinking about that becomes part of what forms me. Precisely because this is a smart, streamlined age, I hoped it might become an opportunity for new, multifaceted discoveries and for careful reflection, and so I started. Even in this past half year I have had many chances to encounter zines, meeting people's infinite possibilities and ideas and their \\\"how interesting!\\\", and I myself am having fun.\",\"whyIga\":\"I was able to make my start thanks to Ars Plaza, who softened my first appearance so that anyone could take part. But I wanted not to stop there and to venture a little further, wondering where to go next â thinking of somewhere outside the prefecture or somewhere in Mie. Just then, a woman I met at Ars Plaza's literary fair told me about this project, and feeling it was fate, I decided to enter.\"}}},{\"slug\":\"yutai_9\",\"exhibitorName\":\"ãã£ãã¯ã®æ¥æ¬\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\"],\"social\":\"https://www.instagram.com/yutai_9/?hl=ja\",\"website\":\"https://yutayoshimori.com/\",\"activityIntro\":\"ã¿ã¤äººã®å¦»ã¨æ¥æ¬ã顿ã«ä½åä½ãããã¦ãã¾ããã¿ã¤äººããè¦ãæ¥æ¬ã彼女ã®çæ´»ãªã©é¢é£ããåçãæ®ãç¶ãã¦ãã¾ããã大éªã»ããã¥ã¡ã³ã¿ãªã¼ã»éå»åºçãªãï¼åç表ç¾å¤§å¦ã«ã¦4å¹´å¦ã³åçéãå¶ä½ï¼\",\"presentWork\":\"ã¿ã¤ãã«ããã£ãã¯ã®æ¥æ¬ãæ¬ï¼åç表ç¾å¤§å¦ã§å¶ä½ããæ¬ãåºçäºå®ï¼A4ã25-30é¨äºå®ãåç表ç¾å¤§å¦ã®ä¿®äºä½åå±ã«å±ç¤ºã«ã¦çºè¡¨ããã
5®ã¿ã§ä»ã§ã¯åºå±ã販売çãã¦ããªãã\",\"whyBook\":\"妻ã¯ã¿ã¤äººã§ããåãå ´æã«ç«ã£ã¦ãã彼女ãè¦ã¦ãããã®ã¨ãç§ãè¦ã¦ãããã®ã¯ããã£ã¨éãã\\n\\n京é½ã®ç¥ç¤¾ã§å½¼å¥³ãè¶³ãæ¢ããç¬éãç§ã«ã¯ãè¦æ
£ãã風æ¯ãã§ãã彼女ã«ã¯çã¾ãã¦åãã¦åºä¼ãä½ãã ã£ãããã®ããããããæãããã£ãã\\n\\nSNSã«ä¸ããã°ãããã§è¨é²ã¯ã§ãããã§ããã¹ã¯ãã¼ã«ããã¦æ¶ãã¦ããç»é¢ã®ä¸ã«ããã®ããããã¯åã¾ããªãæ°ããã¾ããã\\n\\nã ãããæ¬ã«ããã\\näºäººåã®è¦ç·ããä¸åã®ä¸ã«éãè¾¼ãããã£ãããã¼ã¸ããããã¨ããè¡çºã®ä¸ã«ããã®æ
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ã«ä¼¼ã¦ããã¨æãã¾ããã\\n\\nããããããã¤ãããã¨ãããã®æ¬ã®å
容ãã®ãã®ã§ãã\",\"whyIga\":\"åå¼µã»ä¼è³ã¯ç§ãè²ã£ãå ´æã§ããä¼è³ã¨ããåå°ããç§ã«ã¨ã£ã¦ã¯ãã£ã¨ãå½ããåã®é¢¨æ¯ãã§ãããã§ãä»ãªããå¦»ã¨æ©ãããã©ãè¦ããã ãããã¨æããããããç¼å·®ããããã®æ¬ã¯æã£ã¦ããæ°ããã¦ãã¾ãã\\n\\nåãã¦ã®ããã¯ãã§ã¢ãç¸ãããã¾ãããæ±äº¬ã大éªã®å¤§ããªãã§ã¢ã§ã¯ãªããããã«æã£ã¦ãããã£ãçç±ã¯ãèªåã®ã«ã¼ãã«è¿ãå ´æã§ããã®æ¬ãéãã¦ã»ããã£ããããé ã観å
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ã®ç©ºæ°ã®ä¸ã§æã«åã£ã¦ããããã¨ããã®å°ãã®ãããããããã£ã¦ä½ããå±ããããæ°ããã¦ãã¾ãã\\n\\nãããè
ã®ç®ãã¨ãå°å
ã®è¨æ¶ãã交差ããå ´æã«ããã®æ¬ãç½®ãããã£ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/yutai_9/01.jpg\",\"/images/exhibitors/yutai_9/02.jpg\",\"/images/exhibitors/yutai_9/03.jpg\"],\"submittedAt\":\"2026-04-29T19:39:17.000Z\",\"talkInterest\":\"Interested but unsure\",\"i18n\":{\"en\":{\"activityIntro\":\"Together with my Thai wife, I make work on the theme of Japan. I keep photographing Japan as seen through Thai eyes, her daily life, and related subjects. Based in Osaka. Documentary. No prior publications (I studied for four years at the College of Photography and produced a photobook).\",\"presentWork\":\"Title: \\\"Tick's Japan.\\\" A book (I plan to publish the book I made at the College of Photography). A4, planned print run of 25â30 copies. It has only been shown at the College of Photography's graduation exhibition; it has not been exhibited or sold anywhere else.\",\"whyBook\":\"My wife is Thai. Even when we stand in the same place, what she sees and what I see are surely different.\\n\\nIn the moment she stopped walking at a shrine in Kyoto, what was for me a \\\"familiar scene\\\" was, for her, something she was encountering for the very first time. That \\\"gap\\\" was dear to me.\\n\\nIf I posted it to social media, that would record it. But within a screen that scrolls past and vanishes, that \\\"gap\\\" would not, I felt, be held.\\n\\nSo I made it into a book.\\nI wanted to seal two people's gazes inside a single volume. Within the act of turning pages, I wanted to preserve the rhythm and spacing of that journey.\\n\\nData does not degrade. But something made by hand changes with time. I thought that was more like our own journey.\\n\\nMaking it \\\"the hard way\\\" â wazawaza â is itself the very content of this book.\",\"whyIga\":\"Nabari and Iga are where I grew up. Iga, too, had long been, for me, an \\\"ordinary landscape.\\\" But now I find myself wondering how it would look if I walked it with my wife. This book, I feel, holds that kind of gaze.\\n\\nMy first book fair. There was a connection, too. The reason I wanted to bring it here rather than to the big fairs in Tokyo or Osaka is that I wanted this book to be opened in a place close to my own roots. To have a photobook of a distant tourist destination picked up within the air of one's home ground â that slight twist, I feel, may in fact allow something to come through.\\n\\nI wanted to place this book in a spot where \\\"the outsider's eye\\\" and \\\"local memory\\\" intersect.\"}}},{\"slug\":\"nekoze_shouten\",\"exhibitorName\":\"ãã³ã¼ååº\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"bookstore\"],\"social\":\"https://www.instagram.com/nekoze_shouten\",\"website\":\"https://www.nekoze-shouten.jp/\",\"activityIntro\":\"æç¥çè±æ©å¸ã§ããã³ã¼ååºãã¨ããæ¸åºããã¦ãã¾ããçæ´»ãã¡ãã£ã¨åããããªæ¬ã é貨ã ãããããªãã®ããå±ããã¦ãã¾ãã\",\"presentWork\":\"ãã³ã¼ååºã®åºèãã§ããã¾ã§ã®æ¥ã
ãç¶´ã£ãZINEããé¦å·è¤è±ãæ¸ããSFå°èª¬ãæ¯æ²ããæã¡ãã¾ãã\",\"whyBook\":\"å°èª¬ãæ¬ã«ããçç±ã¯ãæ°åå¹´å¾ã¾ã§ç©èªãæ®ãããã§ãããã¨ãã°é»åæ¸ç±ã¯ãé»åããæ¬¡ã®ã¨ãã«ã®ã¼ã«å·æ°ãããã¿ã¤ãã³ã°ã§å¤§é¨åã失ããã¦ãã¾ããããªæ°ããã¦ãªãã¾ãããæ°åå¹´åã«ç³æ¿ã«å»ã¾ããã®ã«ã¬ã¡ã·ã¥åäºè©©ãç¾ä»£ã«æ®ã£ã¦ããããã«ãæ°åå¹´å¾ã¾ã§æ®ãç©èªã¯ãç¾ä»£ã§ã¯ç´ã«è¨ããããã®ã ã¨èãã¾ãã\",\"whyIga\":\"ä»ã¯æç¥çã«ãã¾ãããä¼è³å°æ¹ã§é«æ ¡çã¾ã§çæ´»ããã¦ãã¾ããããä½ããªããã¨åãå¤ã«åºã¾ããããæ¬å½ã«ä½ããªãã£ãã
5®ã ãããã\\n大人ã«ãªã£ã¦ä¼è³ã«å¸°ãã¨ä¸æè°ã¨å¿ãè½ã¡çããå
æ°ãããã£ã¦ã¾ãæ
ã«åºããä½ããªãã£ãã®ã§ã¯ãªããä½ãè¦ã¦ããªãã£ãã ãã§ã¯ãªãã ãããã\\nä¼è³ããå¤ã«åºãç§ããå¤ã§è¦ããã®ãç¶´ããä¼è³ã«æã¡å¸°ããå±ãããããã®ãã¨ã§ãç§ãè¦ã¦ããªãã£ãä¼è³ãããããã¦çºè¦ãããã¨æãã¾ããã\\næ£ç´ç³ãä¸ããã¨ããã ã®èªå·±æºè¶³ããããã¾ããã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/nekoze_shouten/02.jpg\",\"/images/exhibitors/nekoze_shouten/01.jpg\",\"/images/exhibitors/nekoze_shouten/03.jpg\",\"/images/exhibitors/nekoze_shouten/04.jpg\"],\"submittedAt\":\"2026-06-21T22:57:16.000Z\",\"talkInterest\":\"Interested but unsure\",\"comments\":\"ç· åééã®ãé£çµ¡ã§ç³ã訳ãããã¾ããã\\nã©ãããããããé¡ããããã¾ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"I run a bookshop called \\\"Nekoze Shoten\\\" in Toyohashi, Aichi Prefecture. I deliver books, sundries, and all kinds of things that can nudge daily life just a little.\",\"presentWork\":\"I will bring a zine chronicling the days leading up to the opening of Nekoze Shoten's storefront, as well as science fiction novels and plays written by Toka Kagawa.\",\"whyBook\":\"The reason I make novels into books is to preserve stories for hundreds of millions of years into the future. With e-books, for instance, I can't shake the feeling that most of them would be lost at the moment electricity is replaced by the next form of energy. Just as the Epic of Gilgamesh, carved into stone tablets thousands of years ago, still survives today, I believe that, in our age, the stories that will remain hundreds of millions of years from now are the ones written on paper.\",\"whyIga\":\"I am in Aichi Prefecture now, but I lived in the Iga region until I finished high school. I lamented that there was \\\"nothing here\\\" and left for the outside world â but was there really nothing?\\nWhen I return to Iga as an adult, my heart strangely settles; I draw new energy and set off traveling again. Perhaps it was not that there was nothing, but that I simply wasn't seeing anything.\\nHaving left Iga for the outside, I bind together the things I saw out there and bring them back to deliver to Iga. Through that, I wanted to rediscover the Iga I had failed to see.\\nTo be honest, it may be nothing more than self-satisfaction.\"}}},{\"slug\":\"nombrebunch\",\"exhibitorName\":\"ã®ãã¶ã\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"zine\"],\"social\":\"https://www.instagram.com/nombrebunch\",\"website\":\"https://linktr.ee/nombrebunch\",\"activityIntro\":\"ã¾ã¡ã®ä½ç½ã§çã¾ããã¢ã¼ããªã¾ãªããããã£ãããã£ãããã¦æ®ãã¦ãããµã¼ã¯ã«ã大éªã®è¤äºå¯ºã«ããå師ãéï¼ãã¸ããµãï¼ã§ã¯ãã¯ãªã¨ã¤ã¿ã¼ãã¢ã¼ãã£ã¹ãã®ZINEã¥ãããã¾ã¡ã楽ããããã®æ°ããä½é¨ã¨ãã¦ã«ã¼ããå§ãã¦ãã¾ãã\",\"presentWork\":\"â 人ZINEvol.1ï¼2025ï¼ï¼50é¨éå®ã»800åã\\nâ 人ZINEvol.2ï¼2025ï¼ï¼100é¨éå®ã»1,500åã\\næ¬ã»æåã»å°å·ãå¦ã¶ã³ãã¥ããã£ãã®ãã¶ããã主å¬ããååZINEããã¸ã§ã¯ãã人ZINEãã§ãã\\nã¤ã©ã¹ããã¨ãã»ã¤ãåçãã°ã©ãã£ãã¯ãªã©ãã¸ã£ã³ã«ãå½¢å¼ããã¾ãã¾ãªè¡¨ç¾ãæã¡å¯ãããµã¤ãºã»ä»æ§ã®ç°ãªããã¼ã¸ã製æ¬ããã¹ã¿ã¤ã«ã§å¶ä½ãã¦ãã¾ãããZINEã¨ããããã人ãéã¾ãããã¸ã§ã¯ãããã³ã³ã»ããã«ãã®ãã¶ãã¨ã¤ãªããã®ããã¯ãªã¨ã¤ã¿ã¼ãã¡ãåå ãå®æåº¦ããããéç¨ã®æ¥½ããã¨äººã¨ã®ã¤ãªããã大åã«ãã¦ãã¾ããå¯ç¨¿è
ããããã®åæ§ãè©°ã¾ã£ãZINEã§ãã\\n\\nâ ãã«ã³ã¹ãHAJINOSATO ZINEãï¼å
¨4種ï¼Vol.1ã4ï¼å500å\\nã¤ã©ã¹ãã¬ã¼ã¿ã¼é å±±æ¦ããã¨ãã©ããã¡ãã¯ã¼ã¯ã·ã§ãããéãã¦ä¸ç·ã«æãã¦ä½ã£ãå師ãéã®HAJINOSATO ZINEãããããã®è¦ç¹ã¨ãã¼ã ã¯ã¼ã¯ãçã¿åºãããã¾ã¡ã®é¢¨æ¯ã®ã¤ã©ã¹ããæåã®è¡¨ç¾ã«ããçµæ¶ã\",\"whyBook\":\"ã人ZINEãã®ã¢ã¤ãã¢ã¯ãZINEãã¤ãã£ããã¨ããªã人ãã¯ããã®ä¸æ©ãè¸ã¿åºããå ´æãã¤ããããããã§ãã\\nãèªåã«ã¯çºä¿¡ããã»ã©ã®ãã®ããªãããã©ãããå§ããã°ãããããããªãããããæã£ã¦ãã人ã¯å¤ããã§ããã®ãã¶ãã¨ä¸ç·ã«ã¤ããååZINEãªããèªåä¸ååã®ãã¼ãã«ã§æ¸ããé£ã§èª°ããã¤ãã£ã¦ãããã¨ããç°å¢ã§ã楽ããä½ããã¨ãã§ããã\\nãã®ããã¸ã§ã¯ãã§ã®ã³ã©ãã¬ã¼ã·ã§ã³ã¯ãæ°ãããã£ãããçã¿åºãããã®æ©ä¼ã¨ãªããã¨ã大äºã«ãã¦ãã¾ããã¸ã£ã³ã«ãå½¢å¼ãèªç±ãªã®ã¯ãéå£ãåºããããã§ãã大å¤ãªè£½æ¬ä½æ¥ãããã¦ä¸ç·ã«ä½é¨ãã¦ããã£ã¦ãã¾ãããã®ä½é¨ãéãã¦ãåå è
ããäºãã®ãã¨ãç¥ããã£ãããçã¾ãã¦ãã¾ãã\\nZINEã¨ããå½¢å¼ãé¸ãã§ããã®ãããã¼ã¿ã¨éã£ã¦æå
ã«æ®ããæã«è§¦ããããç´ã®åªä½ãããã£ã¨ä½ããããªãææ¬²ã«ãªãã°ã¨ãããªã¨æãã¾ãã\",\"whyIga\":\"å師ãéï¼ã¯ãã®ãã¨ï¼ã¨ä¼è³ã®ã¤ãªãããä½ãããã¨æãã¾ããå師ãéããä¼è³ã¾ã§ãé ãããã§ãæå¤ã¨è¿ããè»ã®ã¢ã¯ã»ã¹ãã¨ã¦ãããã®ã§ãç¹°ãè¿ãå°ãããã¨æã£ã¦ãã¾ãããå師ãéãã¯å¤å¢³ã ããã®ã¾ã¡ã§ããä¸çæåéºç£ãç¾èé³¥ã»å¤å¸å¤å¢³ç¾¤ããåºãããæ´å²æ·±ã風åãããã¸ã¦ã - åµé ã®åé-ãã¨ãã¦ãã¯ãªã¨ã¤ã¿ã¼ãã¢ã¼ãã£ã¹ããæ´»åããããå ´æãç®æãã¦ãè¥ãå¦çãã¯ãªã¨ã¤ã¿ã¼ãã¡ãå
±ã«ã¾ã¡ã®ã³ãã¥ããã£é¸æã«åãçµãã§ãã¾ãããã®ã³ãã¥ããã£ã¨ããã®ã¥ãããè¸è¡ã®é¢¨åãæ¯ã¥ãä¼è³ã¨çµã¶ãã¨ãã§ãããã¨æã£ã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/nombrebunch/01.jpg\",\"/images/exhibitors/nombrebunch/02.jpg\",\"/images/exhibitors/nombrebunch/03.jpg\",\"/images/exhibitors/nombrebunch/04.jpg\",\"/images/exhibitors/nombrebunch/05.jpg\"],\"submittedAt\":\"2026-05-31T23:13:52.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"ã©ãããããããé¡ããããã¾ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"A circle that carefully catches and preserves the artistic gazes born in the margins of a town. In Hajinosato, in Fujiidera, Osaka, the zine-making of creators and artists has begun to loop as a new way of enjoying the town.\",\"presentWork\":\"$30\",\"whyBook\":\"The idea behind \\\"Hito Zine\\\" comes from wanting to create a place where people who have never made a zine can take that first step.\\n\\\"I don't have anything worth putting out there,\\\" \\\"I don't know
5where to begin\\\" â many people feel this way. But with a collective zine made together with Nombre, the hurdle is only as high as your own single contribution. In an environment where someone is making something right beside you, you can create with enjoyment.\\nWith the collaboration in this project, we value the way it becomes an opportunity to generate new beginnings. The genre and format are free in order to widen the entrance. We deliberately have participants experience the demanding work of bookbinding together. Through that experience, opportunities arise for the participants to get to know one another as well.\\nWe choose the zine format precisely because, unlike data, it remains in your hands. I hope that a paper medium you can touch will become the motivation to want to make even more.\",\"whyIga\":\"I want to create a connection between Hajinosato and Iga. From Hajinosato to Iga may seem far, but it is surprisingly close, and access by car is very good, so I would like to visit again and again. \\\"Hajinosato\\\" is a town full of ancient burial mounds. Taking the deeply historic climate where the World Cultural Heritage \\\"Mozu-Furuichi Kofun Group\\\" spreads out as \\\"Hajium â A Wild Field of Creation,\\\" young students and creators are working together to foster the town's community, aiming to make it a place where creators and artists can readily be active. I hope we can connect that community with Iga, where a climate of making and of art lives and breathes.\"}}},{\"slug\":\"nakamura__kanon\",\"exhibitorName\":\"ãã¸ããªã¢ã³å¤§ç¥\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\",\"zine\"],\"social\":\"https://www.instagram.com/nakamura__kanon?igsh=dXA2cDZ3eWIya2tn\u0026utm_source=qr\",\"website\":\"https://www.instagram.com/nakamura__kanon?igsh=dXA2cDZ3eWIya2tn\u0026utm_source=qr\",\"activityIntro\":\"é¢è¥¿ãæ ç¹ã«æ´»åãæ åãçç»ãªã©å¹
åºãã¸ã£ã³ã«ã®ç¾è¡ä½åãå¶ä½ãã¦ããã\",\"presentWork\":\"夢æ¥è¨Aã15cmÃ15cmãæ¢çºè¡¨ã5é¨\\n夢æ¥è¨Bã15cmÃ15cmãæ¢çºè¡¨ã5é¨\\næ
è¡è¨ãæªçºè¡¨\\nèªä½ã®åç´ã«å·ã£ããã¹ãã«ã¼ããæªçºè¡¨\",\"whyBook\":\"ç´ã®æè§¦ããæ¬ã«ãã£ã¦éã質æã«ã¯ãé»åã®ç»é¢ä¸ã§ã¯å¾ãããªãé
åãããã¾ããå¤ãæ´»çå°å·ã®æ¬ãè¦ãã¨ãæãããæãã¾ãã\\n\\næ¬ã¯æããæ±æ´ã§ã西æ´ã§ãå®ç©ã¨ãã¦æ±ããã¦ãã¾ããããã¨ãã°ã忬ã¯ããèªä½ãå®ç©ã§ãããç§ã«ã¨ã£ã¦åãããã«æéæãããããzineã¯å®ç©ã§ããã¨æãã¦ãã¾ãã\\n\\nZineã¯ããæå³ç¡é§ãªãã®ã§ã¯ããã¨æãã¾ãããããããããç¾å®ã§æã«åã£ã¦ãããã®ã§ããããç´ ææã«ãã ãã£ã¦å®ç©ã®ãããªä½åãç®æãã¦ãã¾ããã ãããããæéãæéãããã£ã¦ããç´ã«å·ããæ¬ã¨ããå½¢ã«ãããã®ã§ãã\",\"whyIga\":\"ç§ã¯ä¸éçãä¼è³ã訪ãããã¨ãããã¾ããã\\nã ãããããèªåãæ®æ®µçæ´»ãã¦ããå ´æã¨ã¯ç°ãªãåå°ã«æ¬ãæã£ã¦ãããããã§ã©ã®ãããªäººã¨åºä¼ããã©ã®ããã«åãåãããã®ãã«èå³ãããã¾ããå±ç¤ºã販売ãéãã¦ãèªåã®èãã表ç¾ããèªåã®ç¥ããªãå ´æã¸åºãã£ã¦ãããã¨ã«é¢ç½ããæãã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/nakamura__kanon/02.jpg\",\"/images/exhibitors/nakamura__kanon/01.jpg\",\"/images/exhibitors/nakamura__kanon/03.jpg\"],\"submittedAt\":\"2026-06-23T01:33:45.000Z\",\"talkInterest\":\"No\",\"comments\":\"ç· åãéãã¦ãã¾ãã¾ããããå¿åãã©ã¼ã ãéãã¦ããããå¿åããã¦ããã ãã¾ããã\\nãããããé¡ãè´ãã¾ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"Based in the Kansai region. I create art works across a wide range of genres, including video and printmaking.\",\"presentWork\":\"Dream Diary A, 15cm à 15cm, previously released, 5 copies\\nDream Diary B, 15cm à 15cm, previously released, 5 copies\\nTravelogue, unreleased\\nPostcards printed on washi paper I made myself, unreleased\",\"whyBook\":\"The feel of paper, and the textures that differ from book to book, have a charm you cannot get on an electronic screen. When I see an old letterpress-printed book, I feel a great fondness for it.\\n\\nSince ancient times, books have been treated as treasures in both East and West. A manuscript, for instance, is itself a treasure, and for me a zine made with the same care and labor feels just as much a treasure.\\n\\nIn a sense, a zine is a useless thing. And since I am asking people to go out of their way to hold it in reality, I aim, by paying attention to the sense of materials, to make works that are like treasures. That is exactly why, even if it takes time and trouble, I want to print on paper and g
5ive it the form of a book.\",\"whyIga\":\"I have never visited Mie Prefecture or Iga.\\nThat is exactly why I am interested in taking my books to a land different from where I usually live, and in what kind of people I will meet there and how the books will be received. Through exhibiting and selling, I find it fascinating that my thoughts and expression spread out to places I do not know.\"}}},{\"slug\":\"shoyagyu\",\"exhibitorName\":\"ã¤ã®ã¥ã¦ ã·ã§ã¦\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"photobook\",\"zine\"],\"social\":\"https://www.instagram.com/sho.yagyu/\",\"website\":\"https://www.instagram.com/p/DSxBDJ1kUOq/?img_index=1\",\"activityIntro\":\"ä¸éçä¼å¢å¸ãæ ç¹ã«ãåçå®¶ã»ã¯ãªã¨ã¤ãã£ããã£ã¬ã¯ã¿ã¼ã¨ãã¦æ´»åãã¦ãã¾ããå®¶æã身è¿ãªäººã
ãæã«å±ãæ¥å¸¸ã®é¢¨æ¯ã®ä¸ã§åçãæ®ããå±ç¤ºãZINEã¨ãã¦çºè¡¨ãã¦ãã¾ãã\\n\\nããã¾ã§ã«ã妻ã¨ã®é¢ä¿ãéãã¦é²åããçæ³ã®èªå·±ã¨ç¾å®ã®èªå·±ã®è·é¢ãè¦ã¤ããåçä½åããããããããæ»ãèµ·ç¹ã«çã¨åå¨ã®å¢çãæ¢ããææ³æ¢ç©¶ã®ZINEãBUBBLES vol.1ããå¶ä½ãã¾ããã\",\"presentWork\":\"ãåçéããããããA4ã28Pãã«ã«ã©ã¼ãæ¢çºè¡¨\\nãZINEãBUBBLES vol.1ãA5å¤å½¢ã24Pã¢ãã¯ããæ¢çºè¡¨\\nï¼ç¹ã«å ãã¦ããããå¶ä½ããæªçºè¡¨ã®åçéãåºå±äºå®ã§ãã\",\"whyBook\":\"åã¯ãã¤ãæªæ¥ã®ãã¨ã°ããèãã¦ãã¾ã£ã¦ãæ°ã¥ãã¨å¿ãããã«ãªãã¾ã¾æéãéããã¦ããããããªèªåããç®ã®åã®ããã¾ãã«ãã£ã¨å¼ãæ»ããä¸çã¨ã®ã¤ãªãããçµã³ç´ãã¦ãããã®ããåçãæ®ãã¨ããè¡çºãªã®ã ã¨æããããã©åçã¯ãã·ã£ãã¿ã¼ãåã£ãç¬éãããã§ã«éå»ã«ãªã£ã¦ãããããã«åãè¾¼ãã®ã¯è¢«åä½ã ãã§ã¯ãªããèªåããã®æéããã®å ´æã«åå¨ããä¸çãè¦ã¤ãã¦ããã¨ãããããããªå½¢è·¡ã§ãããã\\n\\nä¸åã®æ¬ã«ã¾ã¨ããã®ã¯ã䏿ã®åçã§ã¯æããããªãæèãæéã®æµãããåçã¨è¨èã®é£ãªãã¨ãã¦æ®ãã¦ããããããã ããã¼ã¸ããããããµã¨ç«ã¡æ¢ã¾ããã¾ãåã®ãã¼ã¸ã«æ»ããæ¬ã«ã¯ãè¦ã人ãããããã®æéã§ä½åã¨åãåãããä½ç½ããããç´ã®è³ªæãéã¿ãå°å·ã®è²åããç¶´ãæ¹ã«ãããã¾ã§ããããããã®ãã¹ã¦ãéãã¦ãèªåã®æèã«èº«ä½ãä¸ãããããã¨ããããã¾ããæ¬ã¨ããå½¢å¼ãé¸ã¶çç±ã®ã²ã¨ã¤ã\\n\\nåã«ã¨ã£ã¦æ¬ãã¤ããã¨ãããã¨ã¯ã宿ããèããå¹çããä¼ããããã®ææ®µã§ã¯ãªããã¾ã è¨èã«ãªããããªãææ
ããèªåèªèº«ã§ããã¾ã説æã§ããªãåãããåçãè©©ãç©èªã¨ããããã¡ãåãã¦ãææ¢ãã§ç¢ºããã¦ããè¡çºãªã®ã ã¨æãã\\nç»é¢ã®ä¸ã®æ
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ã«æ®ããåã®ç¥ããªãã©ããã®æéã®ä¸ã§ãã確ãã«åå¨ãç¶ãã¦ãããèªåãããã«åå¨ããèããä¸çãè¦ã¤ãã¦ããã¨ããå½¢è·¡ãæ®ãããã«ãåã¯ããããæ¬ã¨ããããã¡ãã¤ãã£ã¦ããã®ã ã¨æãã\",\"whyIga\":\"ä¼è³ã¯é«æ ¡æä»£ã®3å¹´éãéãããåå°ã§ãã\\n\\nã©ã¡ãããè¦ãã°å±±ãããããã®å対å´ã«ã¯æµ·ãããããããªç°å¢ãå½ããåã¨ãã¦è²ã£ãåã«ã¨ã£ã¦ãå±±ã
ã«å²ã¾ããæµ·ã®è¦ããªãä¼è³ã®é¢¨æ¯ã«ã¯ã彿ã©ããéåæãããã¾ãããåãä¸éçã«ãããªãããä¼å¢ã¨ã¯ç°ãªãæéãè·é¢ã®æè¦ãæã¤åå°ã¨ãã¦ãä»ãè¨æ¶ã«æ®ã£ã¦ãã¾ãã\\n\\n髿 ¡æä»£ã®åã¯ãã¾ã åçãæ¬ãã¤ãã£ã¦ãã¾ããã§ããããã®é ã«ã¯æã£ã¦ããªãã£ãè¨èãè¦ç¹ãããã¾å¶ä½ãã¦ããæ¬ã¨ãã¦ããã¤ã¦èªåãéãããåå°ã¸æã¡å¸°ãããã¨æãã¾ããã\\
5n\\nããã¯ä½åãæ°ããå ´æã¸å±ãããã¨ã§ããã¨åæã«ãéå»ã®èªåãããå ´æããç¾å¨ã®èªåã§ããä¸åº¦è¨ªãããã¨ã§ãããã¾ããä¼è³ã§æ¬ãææ¸¡ããã¨ã«ãã£ã¦ã彿æãã¦ããéåæã¨ããã¾ã®èªåã®ããã ã«ãã²ã¨ã¤ã®ã¤ãªãããã¤ããããã¨èãã¦ãã¾ã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/shoyagyu/01.jpg\",\"/images/exhibitors/shoyagyu/02.jpg\",\"/images/exhibitors/shoyagyu/03.jpg\",\"/images/exhibitors/shoyagyu/04.jpg\",\"/images/exhibitors/shoyagyu/05.jpg\"],\"submittedAt\":\"2026-06-21T17:09:30.000Z\",\"talkInterest\":\"Interested but unsure\",\"i18n\":{\"en\":{\"activityIntro\":\"Based in Ise, Mie Prefecture, I work as a photographer and creative director. I take photographs of my family, the people close to me, and the everyday scenery within arm's reach, presenting the work through exhibitions and zines.\\n\\nSo far I have made \\\"Gomen ne\\\" (I'm Sorry), a photographic work that examines the distance between the ideal self and the actual self as it surfaced through my relationship with my wife, and \\\"BUBBLES vol.1,\\\" a zine of philosophical inquiry that takes death as its starting point to explore the boundary between life and existence.\",\"presentWork\":\"[Photobook] Gomen ne / A4 / 28 pages, full color / previously released\\n[Zine] BUBBLES vol.1 / modified A5 / 24 pages, monochrome / previously released\\nIn addition to these two, I also plan to exhibit a new, as-yet-unreleased photobook that I am currently making.\",\"whyBook\":\"$31\",\"whyIga\":\"Iga is the place where I spent the three years of my high-school days.\\n\\nLook one way and there are mountains; look the other way and there is the sea. For me, who grew up taking such surroundings for granted, the scenery of Iga, ringed by mountains and with no sea in sight, felt at the time somehow out of joint. Though it lies within the same Mie Prefecture, it remains in my memory even now as a place with a sense of time and distance different from Ise.\\n\\nBack in my high-school days, I was not yet making photographs or books. I wanted to bring the words and perspectives I did not have then, in the form of the books I am now making, back to the land where I once lived.\\n\\nThis is at once delivering my work to a new place and revisiting, as the present self, the place where my past self once was. By handing over a book in Iga, I hope to create a single connection between the sense of unease I felt back then and who I am now.\"}}},{\"slug\":\"okude-masato\",\"exhibitorName\":\"奥åºç人 / OKUDE MASATO\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"photobook\",\"zine\"],\"social\":\"https://www.instagram.com/fake_blue06/\",\"website\":\"https://okude.myportfolio.com/work\",\"activityIntro\":\"ç¥å¥å·çããã³æ±äº¬é½ãæ ç¹ã«æ´»åãã¦ãã¾ããæ¥å¸¸é¢¨æ¯ã®ãªãã«ããé
ç½®ãç¶æ
ã«çç®ããæå³ãç¨éããå°ãåãé¢ãããå¯¾è±¡ãæ®å½±ãã¦ãã¾ããããã¾ã§ã«åçZINEãè¤æ°åèªä¸»å¶ä½ã»çºè¡ãã¦ãã¾ããã\",\"presentWork\":\"1.誰ãèªèº«ï¼¿ç¡ç·ç¶´ãåå_A5_8é¨ï¼¿æ¢çºè¡¨\\n2.Empty Bounce.2_ç¡ç·ç¶´ãåå_A4_10é¨ã_æªçºè¡¨\\n3.shift ï½ SHIFT_ç¡ç·ç¶´ãåå_A4_10é¨ã_æªçºè¡¨\",\"whyBook\":\"æè¿ãDVDã®è£é¢ãè¦ãã¨ãã«ä¸æè°ãªæè¦ãããã¾ãããæãããã¨åæã«ãæ°é®®ããæããã®ã§ãã\\nãµãã¹ã¯ãªãã·ã§ã³ã§æ ç»ã鳿¥½ã«è§¦ãããã¨ãå½ããåã«ãªã£ã¦ãããä½åã¯ãµã ãã¤ã«ã¨ãã¦ç¾ãããã¨ãå¤ããªãã¾ãããã¿ã¤ãã«ãã¸ã£ã±ããç»åã¯ç®ã«å
¥ãã¾ãããDVDã®è£é¢ã«ãã£ãç´¹ä»æãå ´é¢åçã®ã¬ã¤ã¢ã¦ããCDã®æè©ã«ã¼ããç¤é¢ã®ãã¶ã¤ã³ã«è§¦ããæ©ä¼ã¯ã»ã¨ãã©ããã¾ããã\\nããã§æ°ã¥ããã®ã¯ãèªåãä½åãã®ãã®ã ãã§ãªãããã®å¨è¾ºã«ãå¼·ãæ¹ããã¦ããã¨ãããã¨ã§ã
5ãã\\næ¬ã«ã¯è¡¨ç´ã¨è£è¡¨ç´ãããã¾ããä½ç½ããããé åºããããéãããã¨ãã§ãã¾ãããã¼ã¸ãããããªããã°æ¬¡ã®åçã¯ç¾ãã¾ãããããããåç以å¤ã®é¨åããåçã¨ã®è·é¢ãåºä¼ãæ¹ãå½¢ã¥ãã£ã¦ãã¾ãã\\nç§ã¯åçãçºè¡¨ããããã ãã«æ¬ãä½ãããããã§ã¯ããã¾ãããåçã®å¨è¾ºã«ãããã®ã¾ã§å«ãã¦å½¢ã«ãããã¨èãã¦ãã¾ãã\\nå¹çã ããèããã°ããã£ã¨æè»½ãªæ¹æ³ã¯ãããã§ãããã¾ããããã§ãæ¬ã¨ããå½¢å¼ãé¸ã¶ã®ã¯ãåçãè¦ãç°å¢ãã®ãã®ãä½ãããããã§ããä½åã¸å°éããã¾ã§ã®è·é¢ãé åºãå¢çã¾ã§ãå«ãã¦å½¢ã«ãããã§ãã\\nåçã®å¨å²ã«ãã空éãæéãå«ãã¦ä¸ã¤ã®ããã¡ã«ããããã«ãç§ã¯ããããæ¬ãã¤ãã£ã¦ãã¾ãã\",\"whyIga\":\"ä¼è³ã¨ããæªç¥ã®åå°ã§ä½åãå±ãããã¨ããæãã¨åæã«ãä¼å ´ã¨ãªãæ§å´åºå ã¨ãã空éãã®ãã®ã«ãæ¹ããã¾ããã\\nç§ã®åçã¯ãä½ãç¹å¥ãªåºæ¥äºãåãã¨ããããããæ¥å¸¸ã®ä¸ã«ããéããªéåæããç©ã¨ç©ã¨ã®é¢ä¿ã®ãªãã«çã¾ããä½ç½ã«ç®ãåãã¦ãã¾ããå´åºå ã®å»ºç¯ã«ããããããä½ç½ãéãããæãã¾ããã空éãé度ã«åããã®ã§ã¯ãªãããããããã®ãéãã«åå¨ããè¦ç·ãçã¾ãããã®ä½å°ãæ®ãã¦ããããã«æãã¾ãã\\nãã®æè¦ã¯ãç§ãåçãéãã¦æ¢ãã¦ãããã®ã¨ã©ããéãªã£ã¦ãã¾ãã\\nã ããããããã®å ´æã«ä½åãç½®ãã¦ã¿ããã¨æãã¾ããã\\nã¾ããæ®æ®µæ´»åãã¦ããç¥å¥å·ããé¢ããåå°ã§ãæ°ããªäººã¨ã®åºä¼ããçã¾ãããã¨ã楽ãã¿ã«ãã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/okude-masato/04.jpg\",\"/images/exhibitors/okude-masato/01.jpg\",\"/images/exhibitors/okude-masato/02.jpg\",\"/images/exhibitors/okude-masato/03.jpg\"],\"submittedAt\":\"2026-06-11T15:15:25.000Z\",\"talkInterest\":\"Yes\",\"i18n\":{\"en\":{\"activityIntro\":\"I am based in Kanagawa and Tokyo. I pay attention to the arrangements and states of things within everyday scenes, photographing subjects that have been set slightly apart from their meaning or use. I have self-produced and published several photo zines to date.\",\"presentWork\":\"1. Someone Themselves _ perfect-bound booklet _ A5 _ 8 copies _ previously presented\\n2. Empty Bounce.2 _ perfect-bound booklet _ A4 _ 10+ copies _ unpublished\\n3. shift ï½ SHIFT _ perfect-bound booklet _ A4 _ 10+ copies _ unpublished\",\"whyBook\":\"$32\",\"whyIga\":\"Along with my wish to deliver my work to Iga, an unknown place, I was also drawn to the very space of the venue, the historic Sukodo. Rather than photographing some special event, my photographs turn their attention to the quiet sense of unease within everyday life and to the margins that arise within the relationships between one thing and another. In the architecture of Sukodo, too, I sensed such margins and stillness. Rather than filling the space excessively, it seems to leave room for all things to exist quietly and for the gaze to come to rest.\\nThat sensation overlaps somewhere with what I am searching for through photography.\\nThat is precisely why I wanted to place my work in this space.\\nI am also looking forward to the new encounters that may arise in a place far from Kanagawa, where I usually work.\"}}},{\"slug\":\"senseinokukai\",\"exhibitorName\":\"æ£®æ°¸ä¾æ¨¹(ããããã®å¥ä¼)\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"other\"],\"categoryOther\":\"Other (please specify)\",\"social\":\"https://www.instagram.com/senseinokukai?igsh=MWhxZ29pdnR5Nncxbg%3D%3D\u0026utm_source=qr\",\"website\":\"https://senseinokukai.amebaownd.com/\",\"activityIntro\":\"ä¼è³å°åã®å¦æ ¡ã®å
çãã¡ãä¸å¿ã¨ãã俳å¥ã楽ããã°ã«ã¼ããããããã®å¥ä¼ãã®ä»£è¡¨ããã¦ãã¾ããä¼è³ã®æåã§ãã俳å¥ã®æ¥½ãããåã©ããã¡ã«ä¼ããããã«ã«ã¼ãã²ã¼ã ãéçºãã¾ãããã¾ããåã©ããã¡ã«ä¼ããåã«ã¾ãã¯èªåãã¡ã楽ãããã¨ã俳å¥ä½ããå¥ä¼ã楽ããã§ãã¾ããå
æ¥ã妻ã¨ä½ã£ã俳å¥ãå¥éã«ãã¾ããã\",\"presentWork\":\"俳å¥ã«ã¼ãã²ã¼ã ãTHE kukaiã:2å¹´åã«ä¼è³å°åã®å°ä¸å¦æ ¡ã«å¯è´ããé売åã®ã«ã¼ãã²ã¼ã ã15é¨ããªã¡ã¤ã¯çãä»å¹´ã®æ©ç§ã«ãªãªã¼ã¹äºå®ããµã¤ãºã¯ãããã縦15ã»ã³ããæ¨ª10ã»ã³ããåã¿3ã»ã³ãã\\nå¥éãæ¥ã®å¯æ¯ã:æ©ç£ã§çã¾ããæ¯åãéé¢ããã¾ã§ã®æé·ã®æ§åãè© ãã å¥éã(æªçºè¡¨)ãµã¤ãºã¯ãããã縦21ã»ã³ããæ¨ª15ã»ã³ããåã¿5ããªã\",\"whyBook\":\"ã«ã¼ãã²ã¼ã ã¯ãåã©ããã¡ãæºãå²ãã§ã¯ã¤ã¯ã¤æ¥½ããããå ´ããä½ãããã¨èããããã§ããé¡ãè¦åããã¦ãèªãåã£ãããè¨èã交ããåã£ãããããªãã§ãä¸ã¤ã®ä¿³å¥ãæ·±ãã¦ããåµé ã®ä½é¨ããã¦ãããããã£ãããã§ãã\\nå¥éã¯ãæ©ç£ã§çã¾ããæ¯åã¸ã®æªæ¥ã®ãã¬ã¼ã³ããå®¶ã®æ¬æ£ã«ãã£ã¨ç«ã¦ã¦ããããã§ãã\",\"whyIga\":\"ä¼è³ã®ããã¯ãã§ã¢ã§ãåãã¡ã®æ´»åãç¥ã£ã¦ããããããä¼è³ã®æ¹ã
ãå
¨å½ã®æ¹ã
ã«ä¼è³ã®æå俳å¥ã®é¢ç½ããç¥ã£ã¦æ¬²ããã\\n俳å¥ã¯èªã¿æããã¦åãã¦æç«ããã®ã§ãããã¯ãã§ã¢ã®è¦³è¦§è
ã®ã¿ãªããã«ãæ¯éããã®ä¿³å¥ã¨ããä½é¨ã«åå ãã¦æ¬²ããã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/senseinokukai/01.jpg\",\"/images/exhibitors/senseinokukai/02.jpg\",\"/images/exhibitors/senseinokukai/03.jpg\",\"/images/exhibitors/senseinokukai/04.jpg\"],\"submittedAt\":\"2026-06-01T21:44:28.000Z\",\"talkInterest\":\"Yes\",\"comments\":\"ã¨ã¦ãè峿·±ãã¤ãã³ãã§ããæ¯éåå ããã¦ããã ãããã§ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"I lead \\\"Sensei no Kukai,\\\" a group for enjoying haiku made up mainly of schoolteachers in the Iga regi
5on. To convey to children the joy of haiku, a part of Iga's culture, we developed a card game. And before conveying it to children, we decided to enjoy it ourselves first, so we take pleasure in composing haiku and holding kukai (haiku gatherings). Recently, I made a haiku collection together with my wife.\",\"presentWork\":\"Haiku card game \\\"THE kukai\\\": 15 copies of the not-for-sale card game we donated to elementary and junior high schools in the Iga region two years ago. A remade version is scheduled for release in late autumn this year. The size is roughly 15 cm tall, 10 cm wide, and 3 cm thick.\\nHaiku collection \\\"Haru no Neiki\\\": a haiku collection composing the growth of my son, who was born prematurely, up until his discharge from the hospital. (Unpublished.) The size is roughly 21 cm tall, 15 cm wide, and 5 mm thick.\",\"whyBook\":\"As for the card game, it was because I wanted to create a \\\"place\\\" where children can gather around a table and enjoy themselves together. I wanted them to have the creative experience of deepening a single haiku while facing one another, talking, and exchanging words.\\nThe haiku collection is a gift for the future to my son, who was born prematurely. It is meant to stand quietly on the bookshelf at home.\",\"whyIga\":\"At an Iga book fair, I want people to learn about our activities, and I want the people of Iga and people across the country to know how fascinating haiku, a part of Iga's culture, is.\\nHaiku only comes into being once there is a reader, so I would truly love for the visitors to the book fair to take part in this experience of haiku as well.\"}}},{\"slug\":\"blue_lily_3331\",\"exhibitorName\":\"è¼èæ¸é¢\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"zine\"],\"social\":\"https://www.instagram.com/blue_lily_3331?igsh=MTZhMHYxa2E4eHN2Yw==\",\"website\":\"https://sosousyoin.booth.pm/\",\"activityIntro\":\"ç¾ä»£è©©ãä¸å¿ã«ãçæãæç·¨å°èª¬ãå¶ä½ãã¦ãã¾ããæ¥è¨ã®ããã«æ¥ã
ã®é¢¨æ¯ãè¨é²ããæ¸ç±ï¼ZINEï¼ã¨ãã¦è²©å£²ãã¦ãã¾ãã\",\"presentWork\":\"ãé½ã ã¾ãã¨èå£ï¼ä»®é¡ï¼ãçæéãæåº«ãµã¤ãºï¼A6ï¼ãæªçºè¡¨ï¼å¶ä½ä¸ï¼\\nãã¿ãããæ³³ãéï¼ä»®é¡ï¼ãè©©éãA5ãµã¤ãºãæªçºè¡¨ï¼å¶ä½äºå®ï¼\\nããã¤ãããããããè©©éãA5ãµã¤ãºã234pãæ¢çºè¡¨\\nããµãããç¾æ°´ãè©©éãA5ãµã¤ãºã20pã糸綴ãæè£½æ¬ãæ¢çºè¡¨\",\"whyBook\":\"ç´ã«ãµããæè¦ãæ¬ã®ãã¤æ¸©åº¦ãåããéããæåã®ãã¼ã¸ãã²ããã¨ãã®ãã©ããå³ç²ã§ãæå¾
ã¨ãããã¨ãæ··ãã髿æããããã¯ãã¸ã¿ã«ãªä½åããæãé ãããããã«ã¨ã£ã¦ã¯ããã£ã¨æå
ã«æ®ãã¦ããããæè¦ã§ããããã®è¨èã¯ãããã«ããã«åå¨ããã®ã ãã¨ãããããããã«ãæ¬ãå¶ä½ãã¦ãã¾ãã\",\"whyIga\":\"æ°ããå ´æã¸è¡ããã¨ã¯ãæ°ããåºä¼ããæ±ãããã¨ã ã¨æã£ã¦ãã¾ããåºå±ãéãã¦ãããéããã¨ããªãã£ã人ã
ã¨è¨èã交ãããããããã®æ®ãããéãªãç¬éã«ç«ã¡ä¼ãããããããªæ°æã¡ã§ãæ¬ãå±ãããã¨æã£ã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/blue_lily_3331/02.jpg\",\"/images/exhibitors/blue_lily_3331/01.jpg\",\"/images/exhibitors/blue_lily_3331/03.jpg\"],\"submittedAt\":\"2026-05-22T23:44:56.000Z\",\"talkInterest\":\"Yes\",\"i18n\":{\"en\":{\"activityIntro\":\"I create mainly contemporary poetry, along with tanka and short-short stories. Like a diary, I record the scenery of each day and sell it as books (zines).\",\"presentWork\":\"ãA Sunlit Spot and a Faucet (working title)ã tanka collection, bunko size (A6), unpublished (in production)\\nãFish Swimming the Waterâs Edge (working title)ã poetry collection, A5 size, unpublished (planned)\\nãSomeday, Ephemeraã poetry collection, A5 size, 234pp, previously published\\nãTrembling Amniotic Fluidã poetry collection, A5 size, 20pp, thread-bound, handmade binding, previously published\",\"whyBook\":\"The sensation of touching paper; the warmth, the smell, the weight a book holds. The somehow solemn thrill, mingling anticipation and fear, of opening that first page. These are the furthest things from a digital work, and for me they are sensations I want to keep close at hand forever. I make books in order to confirm to myself: âthese words truly exist here.â\",\"whyIga\":\"I believe that going to a new place means seeking new encounters. Through exhibiting, I want to exchange words with people I would otherwise never have crossed paths with, and to be present at the moment when each of our lives overlaps. It is with such feelings that I want to deliver my books.\"}}},{\"slug\":\"ayamasumoto\",\"exhibitorName\":\"墿¬ ç¶¾\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\"],\"social\":\"https://www.instagram.com/aya.masumoto/\",\"website\":\"https://ayamasumoto.stores.jp/\",\"activityIntro\":\"æ±äº¬ãå°åã大éªã®æ´»çå°å·æã§åããå¾ããã¤ãã®ãã©ã¦ã³ã·ã¥ã´ã¡ã¤ã¯ç¾è¡å¤§å¦ã§æ¬§æçµçãå¦ã³ã京é½å¸ç«è¸è¡å¤§å¦ã®å¤§å¦é¢ã§æ´»çå°å·ã®ç ç©¶ãç¶ãã¦ãã¾ãã æ´»çå°å·ã使ã£ãã¢ã¼ãããã¯å¶ä½ãè¡ãªã£ã¦ããã2023å¹´ã«çºè¡ããæ´»çå°å·åçéãå¿èé³ãã¯ãã¢ã¡ãªã«Pyramid Atlantic Art Center ã§è¡ããã¦ããæ´»çå°å·ã®å±ç¤ºâPRESS ONâã«ã¦Juror Awardãåè³ããã¦é ãã¾ããã\",\"presentWork\":\"æ´»çå°å·ã§ã®åçéã5種é¡ã»ã©åºå±ããäºå®ã§ãããã®å¤åºçäºå®ã®æ°ä½ãã1932.04.18ãã¯ã1932å¹´ã«æ¸ãããã©ãã¬ã¿ã¼ãã½ã¦ã«ã§è¦ã¤ããããããã¼ãã«åçéãä½ãã¾ããããã²Waza Waza Art Book Fair ã§çºè¡¨ãããã¨æã£ã¦ãã¾ãã\",\"whyBook\":\"æ´»çå°å·ã®æè§¦ãã¯ããã¸ã¿ã«çãªä»ã®ææ³ã«å
5¤ãããã¨ã¯ã§ãã¾ãããæ´»çå°å·ã§åç表ç¾ããããã¨ã«ãã£ã¦å¹å¸ãçã¾ããè¦è¦ã®ã¿ãªãã触è¦ã楽ããããã®ã¨ãªã£ã¦ãã¾ãã\",\"whyIga\":\"æ°ããä½åãä½ãå§ããã¨ããã¾ãè¡ã£ããã¨ã®ãªãå ´æã«æ
è¡ãããã¨ã«ãã¦ãã¾ãããã®æ©ä¼ã«ä¼è³ã訪ãããã¨ã¯ãæ°ããªã¤ã³ã¹ãã¬ã¼ã·ã§ã³ã«ç¹ããã¨èãã¦ãã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/ayamasumoto/02.jpg\",\"/images/exhibitors/ayamasumoto/03.jpg\",\"/images/exhibitors/ayamasumoto/04.jpg\"],\"submittedAt\":\"2026-06-04T14:04:17.000Z\",\"talkInterest\":\"Interested but unsure\",\"i18n\":{\"en\":{\"activityIntro\":\"After working at letterpress printing shops in Tokyo, Taipei, and Osaka, I studied Latin-script typesetting at the Braunschweig University of Art in Germany, and I continue my research into letterpress printing at the graduate school of Kyoto City University of Arts. I make art books using letterpress printing, and the letterpress photobook 'Heartbeat' I published in 2023 received a Juror Award at \\\"PRESS ON,\\\" a letterpress exhibition held at the Pyramid Atlantic Art Center in the United States.\",\"presentWork\":\"I plan to exhibit about five kinds of letterpress-printed photobooks. My new work scheduled for publication this summer, '1932.04.18,' is a photobook I made themed around a love letter written in 1932 that I found in Seoul. I would very much like to present it at the Waza WazaâIga Art Book Fair.\",\"whyBook\":\"The tactile feel of letterpress printing cannot be swapped out for other, digital methods. By expressing photography through letterpress printing, unevenness is born, making it something to be enjoyed not only by sight but also by touch.\",\"whyIga\":\"When I begin making a new work, I first make it a rule to travel to a place I have never been. I think that visiting Iga on this occasion will lead to new inspiration.\"}}},{\"slug\":\"kgbjj_\",\"exhibitorName\":\"åºã®æè¦\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"zine\"],\"social\":\"https://www.instagram.com/kgbjj_?igsh=c2I0aXE1djA3YXcz\u0026utm_source=qr\",\"website\":\"https://indigo714396.studio.site/\",\"activityIntro\":\"æ¦èµéç¾è¡å¤§å¦ è¦è¦ä¼éãã¶ã¤ã³å¦ç§ã®å¦çã¨ãã¦ãã¿ã¤ãã°ã©ãã£ãçµçãæ åå¶ä½ãå¦ãã§ãã¾ãã\\næ¥æ¬åºåããã¼ãã«ããçµçã«ããæ¸ç±ä½åã®å¶ä½ã§ã¯ãæ±äº¬é½å
ã®åºåãå·¡ããè¶å®¤ã®ä¸»äººãã客æ§ãåºå¸«ã®æ¹ã
ã¸åæãè¡ããä¸å¹´ããã¦å¶ä½ãã¾ããã\",\"presentWork\":\"ã¿ã¤ãã«/\\nãåºã®æè¦ã\\n\\n\\nããã¸ã§ã¯ãã«ã¤ãã¦/\\næ¥æ¬åºåããã¼ãã«ããçµçã«ããæ¸ç±ä½åã®å¶ä½ã§ããæ±äº¬é½å
ã®åºåãå·¡ããè¶å®¤ã®ä¸»äººãã客æ§ãåºå¸«ã®æ¹ã
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ã«ã¨ã£ã¦ã®åºã®è©±\\n* è¶ã®æ¹¯ã¨åºã®é¢ä¿\\n* åºã®èªç¶ã¨ã®è·é¢æã«ã¤ãã¦\\n* ä½åºå®¶ å¹³äºå幸ããã®åæ\",\"whyBook\":\"è¦ã人ã®èº«ä½æè¦ã«è¨´ããªããä¼ãããããã§ããåºãéè³ããä½é¨ãã®ãã®ãç´é¢ã¸è½ã¨ãè¾¼ããã¨ã«ãã ããã¾ãããè£
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å ±ã ãã§ãªãèº«ä½æè¦ã¾ã§ä¼ãããã表ç¾ãæèãã¾ããã\\n\\nåºã¯èªç¶ããææ¬ã§ãä½åºå®¶ã®æ¹ãå
ããããã«çãã¦ããããã«æ¤ç©ãæ¼åºãã¾ããããã©éåæãªãèªç¶ããã¦ãç·ã®å¿å°ããæããæµ´ã³ãã¾ã¾ãæ°ä»ããéãéãã¦ãã¾ããæ¬ãéãã¦åºèªä½ãæã¤ç©ºæ°æãä¸å¯§ã«æ±²ã¿åãããã¨ããæå³ãè¾¼ãã¾ããã\",\"whyIga\":\"æ¬ã¤ãã³ãã®ã³ã³ã»ããã«ãããæ¬ã¯ãèªãããã ãã§ãªããè¦ãã»è§¦ããã»æããã¨ããä½é¨ã®ä¸ã«ãããã¨è¨ãé¨åã«å
±é³´ãã¾ããããã®ä¸ã§ä¼è³ã¨ããå ´æã«ã¤ãã¦èª¿ã¹ãã¨ãããæ´å²çãªå»ºé ç©ãå¤ãæ®ã£ã¦ãããã¨ãç¥ãã¾ãããç¹ã«ä¼å ´ã¨ãªãæ§å´åºå ã¯\\nãå ã峿¸é¤¨ãæå財æ½è¨ã¨ãã¦ç¶æãããé·ãæããã¦ãããã¨ã«é©ãã¾ããã\\
5n\\næ°æã¡ã®è¯ãã¾ã¾åºã®ç©ºæ°æãåãåã£ãä½é¨ãæ¬ã«ãã¦è¨é²ããè¡çºã¯ãç¡æèã ã£ãäºæã®ä½é¨ãç´ãã¬ã¤ã¢ã¦ããã¤ã³ã¯ã糸ã«ç¿»è¨³ããã¦ãããçè§£ãæ·±ã¾ããã®ã§ãããããã¯ä½æ³ãç¥ã£ã¦ã人ãã©ããã¯é¢ä¿ãªãããããç¥ããªãè¦ç¹ã§ãããã¨ã§æ°é®®ãªåãåãæ¹ãã§ããããããã¾ããã\\n\\nä¼è³ã«è¶³ãéãã§ãä½è£ãæã£ã¦èªãææ§ã身è¿ãªæ¹ã«èªãã§ããã ãããã§ããããã¯ãæ¬ãèªãããã« åºåãé²è·¯ã®é
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ã®ææ³ãä¼ãããã¨ã§ãããã¾ããããããããã«èªã¿ã«ããæ¹ãåºåºããæ¹ã
ã¨ã®äº¤æµã«ãã¨ã¦ãèå³ãããã¾ãã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/kgbjj_/02.jpg\",\"/images/exhibitors/kgbjj_/01.jpg\",\"/images/exhibitors/kgbjj_/03.jpg\"],\"submittedAt\":\"2026-06-21T23:59:27.000Z\",\"talkInterest\":\"No\",\"i18n\":{\"en\":{\"activityIntro\":\"As a student in the Department of Visual Communication Design at Musashino Art University, I am studying typography, typesetting, and video production.\\nFor a book work built through typesetting on the theme of Japanese gardens, I visited gardens around Tokyo and, over the course of a year, interviewed tea-house hosts and their guests as well as gardeners.\",\"presentWork\":\"Title /\\n\\\"Niwa no Haiken\\\" (Viewing the Garden)\\n\\n\\nAbout the project /\\nA book work built through typesetting on the theme of Japanese gardens. I visited gardens around Tokyo and, over the course of a year, interviewed tea-house hosts and their guests as well as gardeners.\\n\\n\\nRecognition /\\nSelected for the 2026 Japan Typography Annual\\n\\n\\nFormat /\\nTwo volumes, \\\"Niwa no Haiken I\\\" and \\\"Niwa no Haiken II\\\"\\nâ«ï¸A4\\nâ«ï¸Full color, 40p / 41p\\nâ«ï¸Thread-sewn binding\\nâ«ï¸Paper / Biotope GA-FS\\n\\n\\nTable of contents (excerpt) /\\n* Talk about the garden from the perspective of tea-house hosts and practitioners of the tea ceremony\\n* The relationship between the tea ceremony and the garden\\n* On the sense of distance from the garden's nature\\n* An interview with garden designer Takayuki Hirai\",\"whyBook\":\"Because I want to convey it while appealing to the viewer's bodily senses. I was committed to translating the very experience of appreciating a garden onto the page. For the binding, I adopted a structure that opens alternately on three faces â right, left, and center â reflecting the sensation of one's viewpoint shifting as you actually walk through a garden. Including the gentle sag that arises as the paper opens, I was mindful of an expression that conveys not only information but bodily sensation as well.\\n\\nA garden takes nature as its model, and the garden designer arranges the plants so that they seem to have grown there from the start. And yet it is so seamless, so natural, that one bathes in the pleasant feeling of green and passes right through without noticing. Into this work I put the intention of carefully drawing out the very atmosphere the garden itself holds, through the medium of a book.\",\"whyIga\":\"$33\"}}},{\"slug\":\"michioto-publishing\",\"exhibitorName\":\"éé³è / Michioto Publishing\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"bookstore\"],\"social\":\"https://www.instagram.com/michioto_pub/\",\"website\":\"https://pub.michioto.com/\",\"activityIntro\":\"éé³èã¯ç´ä¼åå³¶ã®åæå±±çãæ ç¹ã«ããåºçã¬ã¼ãã«ã§ããåçãçç»ã彫å»ä½åãªã©ãã¸ã£ã³ã«ãåãã夿§ãªã¢ã¼ãããã¯ã®å¶ä½ãæããã¾ããéå»ã«ã¯åæå±±å¨ä½ã®åçå®¶æ¾åæå¤«ãç
§äºå£®å¹³ãåããåæå±±å¨ä½ã®çç»å®¶çªç京åãæ´¥è»½ãæ ç¹ã«ããåçå®¶æ´ç°ç¥¥ãã®ä½åéãªã©ãåºçãã¦ãã¾ãããç¹ã«åççã«æ´»åããä½å®¶ã«æ³¨ç®ããåºçæ´»åãè¡ã£ã¦ãã¾ãã\",\"presentWork\":\"æ¢åãªã¹ããç´¹ä»ããã»ããåçéãç¼ç
ãã®èè
ã§ããç
§äºå£®å¹³ãåè¡ãç´æ¥ã³ãã¥ãã±ã¼ã·ã§ã³ãåãäºå®ã§ããåºåäºå®ã®æ¢åæ¬ã®ãªã¹ãã¯ä»¥ä¸ã®éãã§ãã\\n\\nã建ç©å½«å»ã ç·æ¹ææï½177 x 257mmã64P + èè
¹æã«ãã¼18Pï½500é¨\\nãæ°´è¾ºã®äººãæ¾åæå¤«ï½217 x 276mmã116ãã¼ã¸ï½600é¨ï¼åçã第2çåè¨ï¼\\nãç ã®ãã£ã³ãã¹ã| æ¾åæå¤«ï½197 x 279mmã64ãã¼ã¸ï½300é¨\\nãVENDOMEãçªç京åï½210 x 284mmã 72ãã¼ã¸ï½300é¨\\nãå¥å 津軽åè ãæ´ç°ç¥¥ï½170 x 224 mmã32ãã¼ã¸ï½800é¨\\nãç¼ç
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§äºå£®å¹³ï½230 x 238ã112ãã¼ã¸ï½800é¨ï¼åçã第2çåè¨ï¼\",\"whyBook\":\"éé³èã¯ãæ¬ãåãªãæ
å ±ãã¢ã¼ãä½åã®è¤è£½ç©ã§ã¯ãªããä½å®¶ã«ããç¬¬ä¸æ¬¡è¡¨ç¾ã¨ãã¦ã®åªä½ã¨ãã¦æãã¦ãã¾ããåçãè¨èãªã©ã®ã³ã³ãã³ãã¨ãç´ãç¶´ããéããæè§¦ããªã©ãéãã¦ãä½å®¶ã®è¡¨ç¾ã¨èªã
5人ã®ä½é¨ãã¤ãªãã¦ãããã°ã¨æã£ã¦ãã¾ããããã¯ããããç©è³ªçãªæ¬ãä½ããã¨ã§å®ç¾ãããã¨ã¨èãã¦ãã¾ãã\",\"whyIga\":\"ç§ãã¡ã¯ãããæ¬ãæ
ããããã¨ãã表ç¾ã使ãã¾ããããã¾ã§ä¼è³ã¨ç¹å¥ãªã¤ãªãããããããã§ã¯ããã¾ãããããã¾ãã¾åéãçºè¦ããæ
ãã¦ã¿ãããã¨æãã¾ãããã¹ã¿ããã®ã²ã¨ãã«åå ãç¸è«ããã¨ãããä¼è³ã好ããªãã§ããããæ°ã«å
¥ãã®é湯ãããã¾ãããã¨è¿äºãããå¿åãããã¨ã決ãã¾ããã\",\"booth\":\"Standard Low Table (ç½åã¯é»å¤©æ¿ W180xD50-60, H40-50) â JPY 5,000\",\"images\":[\"/images/exhibitors/michioto-publishing/01.jpg\",\"/images/exhibitors/michioto-publishing/02.jpg\",\"/images/exhibitors/michioto-publishing/03.jpg\",\"/images/exhibitors/michioto-publishing/04.jpg\",\"/images/exhibitors/michioto-publishing/05.jpg\"],\"submittedAt\":\"2026-05-14T08:55:54.000Z\",\"talkInterest\":\"Interested but unsure\",\"comments\":\"ãããããé¡ããããã¾ãã\",\"i18n\":{\"en\":{\"activityIntro\":\"Michioto Publishing is a publishing label based in Wakayama Prefecture on the Kii Peninsula. We produce a wide variety of art books across every genreâphotography, printmaking, sculpture, and more. In the past we have published collections by the Wakayama-based photographers Tokio Matsubara and Sohei Terui, the Wakayama-based printmaker Kyoko Bandome, and the Tsugaru-based photographer Sho Shibata, among others. We pay particular attention to artists who work in a rooted, locally grounded way, and it is with them that we carry out our publishing.\",\"presentWork\":\"In addition to introducing our list of existing titles, Sohei Terui, the author of the photobook âNoroshi,â will accompany us so that they can communicate with people directly. The list of existing titles we plan to exhibit is as follows.\\n\\nãBuilding Sculptureã Toshiaki Ogataï½177 x 257mm, 64pp + 18pp accordion-fold coverï½500 copies\\nãPeople by the Waterã Tokio Matsubaraï½217 x 276mm, 116 pagesï½600 copies (first and second editions combined)\\nãCanvas of Sandã | Tokio Matsubaraï½197 x 279mm, 64 pagesï½300 copies\\nãVENDOMEã Kyoko Bandomeï½210 x 284mm, 72 pagesï½300 copies\\nãSupplement: Tsugaru Reconsideredã Sho Shibataï½170 x 224mm, 32 pagesï½800 copies\\nãNoroshiã Sohei Teruiï½230 x 238, 112 pagesï½800 copies (first and second editions combined)\",\"whyBook\":\"Michioto Publishing regards a book not as a mere reproduction of information or of an artwork, but as a medium that is itself the artistâs primary expression. Through content such as photographs and words, together with paper, binding, weight, and touch, we hope to connect the artistâs expression with the readerâs experience. We believe this is something realized precisely by going to the trouble of making a physical book.\",\"whyIga\":\"We often use the phrase âbooks travel.â We have had no particular connection with Iga until now, but we happened to come across the open call and felt we wanted to travel there. When we consulted one of our staff about taking part, the reply came back: âI love Iga. I even have a favorite public bathhouse there.â And so we decided to apply.\"}}},{\"slug\":\"naoko-kusunoki\",\"exhibitorName\":\"æ¥ å°å / Naoko Kusunoki\",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"artist\"],\"social\":\"https://www.instagram.com/naoko_perfumer\",\"website\":\"https://www.yourexclusive.jp/\",\"activityIntro\":\"æ±äº¬ã¨äº¬é½ãæ ç¹ã«ãå
è¦ãä¸å¿ã¨ããç¾ä»£ç¾è¡ã»ãã¬ã°ã©ã³ã¹ã»è¨èªè¡¨ç¾ã®äº¤å·®é åã§å¶ä½ãè¡ã£ã¦ãã¾ããåããåãªã表ç¾åªä½ã¨ãã¦ã§ã¯ãªããé¢ä¿æ§ã®ä¸ã§æå³ãçæããããä¸å®å®ãªè¨èªãã¨ãã¦æ±ããã¤ã³ã¹ã¿ã¬ã¼ã·ã§ã³ãããã©ã¼ãã³ã¹ãã¯ã¼ã¯ã·ã§ãããªã©ã®å½¢å¼ã¸å±éãã¦ãã¾ããè¿å¹´ã¯ã·ããã¼ã® ã¢ã¼ãã£ã¹ãNadia Vitlin ã¨å
±åã§ãé¦ããé¢ä¿çãªè¨èªã¨ãã¦æããããã¸ã§ã¯ãããOlfactophoneãã軸ã«ãé¦ãã»è¨æ¶ã»èª¤èªã»ç¿»è¨³ä¸å¯è½æ§ããã¼ãã¨ããä½å群ãçºè¡¨ãã¦ãã¾ããæ¬ããã¸ã§ã¯ãã¯ãç§ã«ã¨ã£ã¦åãã¦ã®ã¢ã¼ãã£ã¹ãããã¯ã¨ãã¦å±éãã試ã¿ã§ããããããã¾ã§å±ç¤ºãããã¸ã§ã¯ããã¼ã¹ã§æ±ã£ã¦ããè¦ç´ ããç´ã¨ããå½¢å¼ã«åæ§æãããã¨ãããã®ã§ãã\",\"presentWork\":\"åºå±äºå®ã®æ¬ã¯ããOlfactophone / One Side of a Conversationããèµ·ç¹ã¨ããã¢ã¼ãã£ã¹ãããã¯ã§ããæ¬ä½åã¯ä½åè¨é²éã§ã¯ãªããå¶ä½éç¨ã®æçã試é¦ç´ãå°çãæãæ§é ãå·®ãè¾¼ã¿ã«ã¼ããé¦ãã®ãµã
5³ãã«ãªã©ã«ãã£ã¦æ§æããã¦ãã¾ãããã¼ã¸ãã®ãã®ãæ
å ±ãè¨é²ããåªä½ã§ããã¨åæã«ãç©ççãªæ§é ä½ã¨ãã¦ç«ã¡ä¸ãããPortable Exhibitionãã¨ãã¦è¨è¨ããã¦ãã¾ããæ¬ã¯åºå®ãããé åºãåä¸ã®èªã¿ãæãããã¡ã¢ãé£ã³åºããé¦ããé ããæçãå·®ãè¾¼ã¾ãããã¨ã§æç«ãã¾ãããã®æ§é èªä½ãããOlfactophoneãã«ãããé¨åççè§£ã«ããé¢ä¿æ§ãç©è³ªã¨ãã¦å®è£
ãã試ã¿ã§ããéå®å°é¨æ°ã®æè£½æ¬ä½åã¨ãã¦å¶ä½äºå®ã§ãã\",\"whyBook\":\"é¦ãã®ä½åã¯å±ç¤ºãçµããã¨æ¶ãã¦ãã¾ãã¾ããã¯ã¼ã¯ã·ã§ããã§äº¤ããããä¼è©±ããé¦ããå
ãã ä½é¨ãããã®å ´éãã®ãã®ã§ãããOlfactophoneããã¾ãã宿ããä½åã¨ããããã交æã®ããã»ã¹ãã®ãã®ã«ä¾¡å¤ãç½®ãããã¸ã§ã¯ãã§ãããã®ãããåçãããã¹ãã ãã§ã¯æ®ããããªããã®ãå¤ãããã¾ãã\\nç§ã¯ä»åãæ¬ãæ
å ±ãä¼ããåªä½ã¨ãã¦ã§ã¯ãªããé¦ããç´ æãæè§¦ããä¼´ãç©ä½ã¨ãã¦æãã¦ãã¾ãã試é¦ç´ãå·®ãè¾¼ã¿å¼ã
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ãããã§ãããã¸ã¿ã«ãªè¨é²ã容æãªæä»£ã ãããããé¦ãã®ããã«è¤è£½ããããªããã®ããæä½æ¥ã«ããéå®çãªå½¢ã§æ®ãããã¨æãã¾ãããä¸å®å
¨ã§ãéå¹çã§ã誰ãåãä½é¨ãå
±æã§ããªãããã®ç¶æ
ã¯ããOlfactophoneããæ¢æ±ãã¦ãããé¨åçãªçè§£ãéããã³ãã¥ãã±ã¼ã·ã§ã³ãã¨éãªã£ã¦ãã¾ãããã®æ¬ã¯ä½åã®è¨é²ã§ã¯ãªããä½åãã®ãã®ã®å»¶é·ã¨ãã¦åå¨ãã¾ãã\",\"whyIga\":\"ãã®ä½åã¯ãå½åããä¸è¬çãªã¢ã¼ãããã¯ãZINEã®å»¶é·ç·ä¸ã«ããå½¢å¼ã«ã¯é©åããªãæ§é ã¨ãã¦èãã¦ãã¾ããããã¼ã¸ãæã¤ãã¨ã¯ã§ãã¦ããããã軽ããã«æµéãããããå質ãªèªæ¸ä½é¨ã¨ãã¦å
±æãããã¨ãåæã¨ãããã®ã§ã¯ãªããããããæ¬ãã¨ããå½¢å¼ãã®ãã®ãåå®ç¾©ããå¿
è¦ãããã¨æãã¦ãã¾ããã\\nãã®ãããªä¸ã§æ¬ãã§ã¢ã®åå¨ãç¥ãããæ¬ãã¨ããå½¢å¼ãã®ãã®ãæ¡å¼µãããã¨ããå§¿å¢ããå¶ä½ã¨æµéã®æ çµã¿ãæ´æ°ãããã¨ãã試ã¿ã«å¼·ãé¢å¿ãæã¡ã¾ããã徿¥ã®ã¢ã¼ãããã¯ã®æ çµã¿ã¨ã¯ç°ãªãåæãããããã®ç¹ã«ããã¦ãããæ¬ããã¸ã§ã¯ãã¨æ¥ç¶ããå¯è½æ§ãæãã¦ãã¾ãã\\nä¼è³ã¨ããå ´æã«å±ãããã¨ã¯ãé½å¸çãªã¹ãã¼ããæ¢åã®æèã®ä¸å¿ããé¢ãããã¨ã§ã¯ãªãããããç°ãªãæ¡ä»¶ã®ä¸ã§ä½åãã©ã®ããã«åæ§æããããã試ãè¡çºã§ããã¢ã¼ãããã¯ãã§ã¢ã¨ããå½¢å¼ãã®ãã®ããæµéã§ã¯ãªããééããçãè£
ç½®ã§ããããã®ä¸ã§æ¬ãã©ã®ããã«èª¤èªãããæå³ãæ´æ°ããã¦ããã®ããå®é¨ãããã¨èãã¦ãã¾ãã\",\"booth\":\"Exhibition Room: 4.5ç³ (12,000 JPY) â»éå®1室\",\"images\":[\"/images/exhibitors/naoko-kusunoki/04.jpg\",\"/images/exhibitors/naoko-kusunoki/01.jpg\",\"/images/exhibitors/naoko-kusunoki/02.jpg\",\"/images/exhibitors/naoko-kusunoki/03.jpg\"],\"submittedAt\":\"2026-06-17T19:07:23.000Z\",\"talkInterest\":\"Yes\",\"i18n\":{\"en\":{\"activityIntro\":\"Based between Tokyo and Kyoto, I work at the intersection of contemporary art, fragrance, and language centered on the sense of smell. Rather than treating scent merely as an expressive medium, I approach it as an \\\"unstable language\\\" whose meaning is generated
5within relationships, developing this into forms such as installation, performance, and workshops. In recent years, in collaboration with the Sydney-based artist Nadia Vitlin, I have been presenting a body of work themed around scent, memory, misreading, and untranslatability, centered on the project «Olfactophone», which regards fragrance as a relational language. This project is also my first attempt at developing an artist book â an effort to reconstruct, into the form of paper, elements I have so far handled on an exhibition and project basis.\",\"presentWork\":\"The book I plan to exhibit is an artist book that takes \\\"Olfactophone / One Side of a Conversation\\\" as its point of departure. This work is not a record of a work but is composed of fragments of the making process, scent-testing strips, envelopes, folded structures, insert cards, scent samples, and more. The pages themselves are a medium that records information while also standing up as a physical structure â designed as a \\\"Portable Exhibition.\\\" The book has no fixed order or single reading; it comes into being as notes spring out, scents hide away, and fragments are inserted. This structure itself is an attempt to materially implement the relationships-through-partial-understanding found in \\\"Olfactophone.\\\" It is planned as a hand-bound work in a limited, small edition.\",\"whyBook\":\"$34\",\"whyIga\":\"$35\"}}},{\"slug\":\"nekoyahoujyudou\",\"exhibitorName\":\"ç«å±è³æ¨¹å \",\"country\":\"Japan\",\"originalLang\":\"ja\",\"categories\":[\"zine\",\"other\"],\"categoryOther\":\"Other (please specify)\",\"social\":\"https://www.instagram.com/nekoyahoujyudou/\",\"website\":\"\",\"activityIntro\":\"ä¸éçåå¼µå¸å¨ä½/ç«ã®ãããä½å®¶/æ±äº¬ã¨å¤§éªã®æ¯å¹´åããåºã§åå±ãä¼ç»å±åå ã§ã®ãå°æ¹ã®ã¤ãã³ãã«ãåºåºãã¾ãã大éªã§æ´»åããäºãå¤ãã§ã/èªèº«ã®ä½åéã¨ãã¦ZINEãå¶ä½/åããä½åéã¨ããæè¦ã§ã¿ãããã«ã¼ãããªã©ã¯ã«ã«ã¼ããªã©ããã¼ãã²ã¼ã ã®ä¼ç¤¾ããåºçãã¦ããã ãã¦ãã¾ã\",\"presentWork\":\"â«ï¸A5/40p/ZINEãç«è© ã¿èç´ãç«ä¿³å¥ã¨åãçµµã®åå¥ãã10ã20é¨(æ¢çºè¡¨)\\nâ«ï¸A5/44p/ZINEãThe catâs meow.ã西æ´ã®ç«ã®ãã¨ãã\u0026ãããã®ä½åéãã10ã20é¨(ã)\\nâ«ï¸A5/28p/ZINEããã³ã¨ãã¯ãã¦ã®ã¿ãããã10ã20é¨(ã)\\n\\nâ»ããå¯è½ã§ãããåç»ã§ãããããä½åã®å±ç¤ºããããã§ã\\n\\nâ ãããªãªã¸ãã«ã«ã¼ãã®åºåãå¯è½ã®å ´åã¯ä¸è¨ã®ï¼ç¹è¿½å ã§ã\\nâªï¸110Ã165mmï¼ãªã©ã¯ã«ã«ã¼ã36æï¼å説æ¬ã»ãããMeow Oracle DXã10ã20é¨(æ¢çºè¡¨)\\nâªï¸70Ã120mmï¼ã¿ãããã«ã¼ã22æï¼è§£èª¬æ¸ã»ãããCAT \u0026 OWL TAROTã10ã20é¨(ã)\",\"whyBook\":\"èªèº«ã®ãããä½åãè¦ããããã®è¡¨ç¾å½¢æ
(åªä½)ã¨ãã¦ZINEãä½ã£ã¦ããã¾ã(ãªãªã¸ãã«ã«ã¼ãã®åºçãåãçç±ã§ã)\",\"whyIga\":\"ZINEã®ã¤ãã³ãã«åºåºçµé¨ããªãã®ã§ããé£ã®ä¼è³å¸ã®å²è·¡ã§éå¬ãããã¨ããç¹ã«é
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ãä¼ããã¨ä¿¡ãã¦æ´»åãã¦ãã¾ããç¾å¨ã¯ã¨ãã»ã¤ã»éçããµãã«ã«ã¨ãã£ãã¸ã£ã³ã«ã®æ¸ç±ãä¸å¿ã«åè¡ä¸ã§ããèè
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å¤ã»192ãã¼ã¸ï¼\\nã»ã\",\"whyBook\":\"ãã®ä¸ã«ãããã¹ã¦ã®ãã®ã¯æ¬ã®é¡æã«ãªãã¾ããæ¬ãã¤ããã¨ããè¡çºãæèããç·¨éãã¯ãããæç¹ã§ããã¹ã¦ã®ç©äºã¨èªåã«ãããããããçã¾ãããã¹ã¦ã®ç©äºã¯èªåã¨é¢ä¿ãã¯ããã¾ããæ¬ã¨ãããå¼·ããã©ã¼ãããããã¡ããã¤ãã·ã³ãã«ãªè¡¨ç¾ã¯ãå¤å´ã«åºããåºå¤§ãªå®å®ãå¿çãªå®å®ã«çµã³ä»ããè¡çºã§ãããã¾ãã\",\"whyIga\":\"ç¥ããªãåå°ã«è¡ããã¨ããã¤ãã¨éãæ¹æ³ã§æ¬ãå±ãããã¨ããããããã¨ã«é
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