https://thaddeusphillips.com/pages/redeye.html

1<!DOCTYPE html>
2<html>
3    <head>
4        
5        <link rel="stylesheet" href="../js/plugins/fullPage.js-master/jquery.fullPage.css"/>
6        <link rel="stylesheet" href="../css/pagestyles.css" />
7        <link href="https://fonts.googleapis.com/css?family=Quicksand" rel="stylesheet">
8        <link href="https://fonts.googleapis.com/css?family=Cinzel|Playfair+Display|Sail" rel="stylesheet">
9        <!--<link rel="stylesheet" href="../css/show.css"/>-->
10        
11    </head>
12    
13    <body>
14        
15        <div class="navtop">
16            <div class="blabs title">Red-Eye to Havre de Grace</div>
17            <div class="blabs name"><a href="http://thaddeusphillips.com">Thaddeus Phillips</a></div>
18        </div>
19        
20        <div class="navbottom">
21            <ul id="myMenu">
22                <li style="color:white; z-index:1000;" data-menuanchor="cover" class="active"><a href="#cover">Pictures</a></li>
23                <li data-menuanchor="show"><a href="#show">Info</a></li>
24                <li data-menuanchor="praise"><a href="#praise">Praise</a></li>
25
26            </ul>
27        </div>
28   
29        <div class="blabs fit" id="redeye">
30            
31            <div class="section cover" data-anchor="cover">
32                
33                <img class="blabs bgimage" src="../images/red-eye-moustache.jpg"/>
34            </div>
35            
36            <div class="section show" data-anchor="show">
37                <div class="blabs center description">
38                    <span class="initial">O</span>n September 27, 1849, Edgar Allan Poe set out on a lecture tour from Virginia to New York. Days later a train conductor saw Poe in Havre de Grace, Maryland, wearing a stranger’s clothing and heading south to Baltimore where he died on October 7. The Wilhelm Bros &amp; Co. teams up with innovative stage director Thaddeus Phillips of Lucidty Suitcase Intercontinental to create an action-opera that follows the odd details surrounding Poe’s mysterious last days. Informed by 19th century train routes, historical accounts, and Poe’s letters to his mother-in-law Muddy, RED-EYE to HAVRE de GRACE comments on the nature of being an artist in America and casts Poe in a new light by exploring his writings on the gold rush, fools, furniture, and the universe.
39                </div>
40                
41            </div>
42            
43            <div class="section praise" data-anchor="praise">
44                
45                <div class="slide">
46                    <div class="quotation">
47                        <div class="blabs center text">
48                            <span class="initial">T</span>he last, distraught days of Edgar Allan Poe are charted with spellbinding vitality in 'RED-EYE to Havre de Grace.' At times funny, at times heartbreaking, and from quirky start to haunting finish a feast of entrancing visual allurements, this exquisite show is among the most original musical theater works I've seen in years.
49                            <div class="byline">Charles Isherwood, The New York Times</div>
50                        </div>
51                    </div>
52                </div>
53                <div class="slide"> 
54                    <div class="quotation">
55                        <div class="blabs center text">
56                            <span class="initial">U</span>sing some poems and facts from Poe’s life, dramatic music by brothers David and Jeremy Wilhelm and haunting choreography by Sophie Bortolussi, the creators of “Red-Eye to Havre de Grace” have brought new light to a well-worn subject.
57                            <div class="byline">Rohan Preston, Minnesota StarTribune</div>
58                        </div>
59                    </div>
60                </div>
61                <div class="slide"> 
62                    <div class="quotation">
63                        <div class="blabs center text">
64                            <span class="initial">P</span>hillips creates haunting and ultra-specific stage pictures using the most common of props, costumes, and set pieces: A table doubles as a door, a train compartment, and a hotel hallway.
65                            <div class="byline">Zachary Stewart, TheaterMania</div>
66                        </div>
67                    </div>
68                </div>
69                <div class="slide"> 
70                    <div class="quotation">
71                        <div class="blabs center text">

72                            <span class="initial">P</span>hillips’ expertly designed production also achieves a humane balance. Just when the material starts to lean toward the cerebral, the play’s generously allocated sense of humor kicks in. For a dance-heavy piece about a dying author, Red-Eye is as fleet as a Wes Anderson comedy and conveys many of that celebrated filmmaker’s same tropes. 
73                            <div class="byline">Jason Clark, Entertainment Weekly</div>
74                        </div>
75                    </div>
76                </div>
77            </div>
78
79           
80        </div>
81        
82        <ul id="myMenu">
83            <li data-menuanchor="firstPage" class="active"><a href="#firstPage">First section</a></li>
84            <li data-menuanchor="secondPage"><a href="#secondPage">Second section</a></li>
85            <li data-menuanchor="thirdPage"><a href="#thirdPage">Third section</a></li>
86            <li data-menuanchor="fourthPage"><a href="#fourthPage">Fourth section</a></li>
87        </ul>
88        
89        

89<script src="https://player.vimeo.com/api/player.js"></script>

89
90        

90<script src="../js/jquery-1.11.1.min.js"></script>

90
91        

91<script src="../js/plugins/fullPage.js-master/jquery.fullPage.min.js"></script>

91
92        
93        

93<script>
94            $(document).ready(function() {
95                $('#redeye').fullpage({
96                    anchors:['cover', 'show', 'praise'],
97                    menu: '#myMenu'
98                });
99            });
100            
101//            var iframe = document.querySelector('iframe');
102//            var player = new Vimeo.Player(iframe);
103//
104//            player.on('play', function() {
105//                console.log('played the video!');
106//            });
107//
108//            player.getVideoTitle().then(function(title) {
109//                console.log('title:', title);
110//            });
111        </script>

111
112        
113    </body>
114</html>