1<html><head> 2<meta name="ab1f5db506cb62a2296738b630d942be" content=""> 3<title>Pink Floyd - History Pink Floyd</title> 4 <meta name="description" content="Ð Ð»ÐµÐ³ÐµÐ½Ð´Ð°Ñ Ñока Pink Floyd. Ð¡Ð°Ð¹Ñ Ð´Ð»Ñ ÑÑÑÑкоговоÑÑÑÐ¸Ñ ÑанаÑов легендаÑной гÑÑÐ¿Ð¿Ñ Pink Floyd."> 5 <meta name="keywords" content="ÐÑÑппа Pink Floyd. ÐолÑÑой аÑÑ Ð¸Ð² ÑоÑогÑаÑий гÑÑппÑ. ТекÑÑÑ Ð¿ÐµÑен,биогÑаÑии ÑÑаÑÑников,Pink Floyd пеÑевод пеÑен и ÑабÑлаÑÑÑÑ,Pink Floyd ÑкаÑаÑÑ Ð¼Ñ3, миди, аÑдио и видео. УÑаÑÑники гÑÑппÑ: ÐÑвид ÐилмоÑ, Ð Ð¾Ð´Ð¶ÐµÑ Ð£Ð¾ÑеÑÑ, Ðик ÐÑйÑон, Сид ÐаÑÑеÑ, РиÑаÑд РайÑ! ÐовоÑÑи, конÑеÑÑÑ Ð¸ оÑÑеÑÑ. ФоÑÑм на ÑайÑе и гоÑÑеваÑ!"> 6<link type="text/css" rel="StyleSheet" href="//src.ucoz.net/src/css/955.css"> 7 8<meta name="e66b89da511f50e6be0fc07f6b2b47f7" content=""> 9 10 11 <link rel="stylesheet" href="/.s/src/base.min.css" /> 12 <link rel="stylesheet" href="/.s/src/layer3.min.css" /> 13 14
14<script src="/.s/src/jquery-1.12.4.min.js"></script>
14 15 16
16<script src="/.s/src/uwnd.min.js"></script>
16 17 <link rel="stylesheet" href="/.s/src/ulightbox/ulightbox.min.css" /> 18
18<script src="/.s/src/ulightbox/ulightbox.min.js"></script>
18 19
19<script> 20/* --- UCOZ-JS-DATA --- */ 21window.uCoz = {"site":{"domain":"pink-floyds.ru","id":"0pinkfloyds","host":"pinkfloyds.ucoz.ru"},"layerType":3,"sign":{"7287":"ÐеÑейÑи на ÑÑÑаниÑÑ Ñ ÑоÑогÑаÑией.","7253":"ÐаÑаÑÑ Ñлайд-ÑоÑ","5255":"ÐомоÑник","5458":"СледÑÑÑий","3125":"ÐакÑÑÑÑ","7254":"ÐзмениÑÑ ÑазмеÑ","7251":"ÐапÑоÑеннÑй конÑÐµÐ½Ñ Ð½Ðµ Ð¼Ð¾Ð¶ÐµÑ Ð±ÑÑÑ Ð·Ð°Ð³ÑÑжен. ÐожалÑйÑÑа, попÑобÑйÑе позже.","7252":"ÐÑедÑдÑÑий"},"uLightboxType":1,"country":"US","module":"index","language":"ru","ssid":"123677307411044240515"}; 22/* --- UCOZ-JS-CODE --- */ 23function loginPopupForm(params = {}) { new _uWnd('LF', ' ', -250, -100, { closeonesc:1, resize:1 }, { url:'/index/40' + (params.urlParams ? '?'+params.urlParams : '') }) } 24/* --- UCOZ-JS-END --- */ 25</script>
25 26 27 <style>.UhideBlock{display:none; }</style> 28 29</head> 30<body style="background:#000000; margin:0px; padding:0px;"> 31 32<!-- Header --> 33 34<table border="0" cellpadding="0" cellspacing="0" height="190" width="100%"> 35<tbody><tr><td rowspan="3" height="141" width="165"><img src="http://pink-floyds.ru/11_shapka_lev.png" alt="Pick" border="0"></td><td rowspan="3" height="142" width="164"><img src="http://pink-floyds.ru/22_shapka_prav.png" alt="Pick" border="0"></td><td rowspan="3" height="141" width="190"><img src="http://pink-floyds.ru/33_shapka_zentr.png" alt="Pick" border="0"></td> 36<td> 37 38 <p><marquee class="scroll" scrollamount="3"><span style="FONT-SIZE: 12pt; COLOR: #696969; FONT-FAMILY: Old English Text MT">Russian Fan Portal Pink Floyd. <b>ÐиогÑаÑÐ¸Ñ Ð³ÑÑппÑ, диÑкогÑаÑиÑ, ÑоÑоаÑÑ Ð¸Ð². ÐовоÑÑи, конÑеÑÑÑ, ÑÑаÑÑи! </b></span></marquee> 39 40 <br><b></b> <a href="https://pink-floyds.ru/news/rss/"></a></p></td> 41</tr><tr><td style="background:url(http://pink-floyds.ru/4_fon_shapka.jpg) left bottom no-repeat;"><span style="color:#000000;font:20pt bold Verdana,Tahoma;"><embed src="http://pink-floyds.ru/header_prav.swf" type="application/x-shockwave-flash" wmode="transparent" alt="Masters Of Rock" height="140" width="470"></span></td></tr> 42 43 44 <tr><td><a href="http://pink-floyds.ru"><img alt="" src="http://pink-floyds.ru/logonig_Super_klass.gif" border="0" height="21" width="470"></a> <a href="/index/3"></a><a href="javascript:;" rel="nofollow" onclick="loginPopupForm(); return false;"></a></td></tr></tbody></table> 45 46 47 <!-- /Header --> 48<table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td style="padding:0 10px 0 10px;" valign="top"> 49 50<table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td style="border:1px solid #4B575E;background:url(http://pink-floyds.ru/6_menu_rkfcc_6.jpg) top left no-repeat #384146;" align="center" width="100%"> 51 52<!-- Body --> 53<div style="position:absolute;top:190px;left:155px;"><img src="http://pink-floyds.ru/Vorona.gif" border="0"></div> 54 55<table border="0" cellpadding="10" cellspacing="0" width="100%"> 56<tbody><tr> 57<td valign="top" width="200"> 58 59<!-- --> 60<table style="background:url(http://pink-floyds.ru/8_sered_klass_8.gif) top left no-repeat #272727;border:2px solid #000000;" border="0" cellpadding="0" cellspacing="2" width="200"> 61<tbody><tr><td style="background:url(http://pink-floyds.ru/menu/Menu_lev.png) center no-repeat;color:#A7BECA;" align="center" height="32"><span style="FONT-SIZE: 20pt; COLOR: #494949; FONT-FAMILY: Niagara Engraved">Menu Pink Floyd<img src="" alt="" border="0"></span></td></tr> 62<tr><td style="padding:3px;"> 63<!--U1AAMENU1Z--><div style="display:inline;" id="menuDiv"><!-- UcoZMenu --><ul class="uz"> 64<center> 65 66 <center><a href="http://pink-floyds.ru"><img alt="ÐÐ»Ð°Ð²Ð½Ð°Ñ ÑÑÑаниÑа" src="http://pink-floyds.ru/Menus/1Front.png" width="160" height="25" border="0"></a> 67 <a href="http://pink-floyds.ru/index/revoljucija_sveta_i_zvuka_chast_1/0-1030"><img alt="History Pink Floyd" src="http://pink-floyds.ru/Menus/Biogra
67phies.png" width="160" height="25" border="0"></a> 68<a href="http://pink-floyds.ru/index/0-15"><img alt="Pink Floyd History" src="http://pink-floyds.ru/Menus/Press.png" width="160" height="25" border="0"></a> 69 70 71 72 73 <center> <embed src="http://pink-floyds.ru/wirem_Floyd_1122.swf" type="application/x-shockwave-flash" wmode="transparent" alt="Masters Of Rock - Pink Floid" width="160" height="145"> 74 75 76 <a href="http://pink-floyds.ru/index/0-4"><img alt="ÐлÑÐ±Ð¾Ð¼Ñ ÑÑÑдии" src="http://pink-floyds.ru/Menus/4Albums.png" width="160" height="25" border="0"></a> 77<a href="http://pink-floyds.ru/index/0-5"><img alt="СбоÑники Pink Floyd" src="http://pink-floyds.ru/Menus/5Collec.png" width="160" height="25" border="0"></a> 78<a href="http://pink-floyds.ru/index/0-6"><img alt="Ð¡Ð¸Ð½Ð³Ð»Ñ Pink Floyd" src="http://pink-floyds.ru/Menus/6singl.png" width="160" height="25" border="0"></a> 79 <a href="http://pink-floyds.ru/index/0-185"><img alt="ÐиÑкогÑаÑÐ¸Ñ ÑÑаÑÑников гÑÑÐ¿Ð¿Ñ Pink Floyd" src="http://pink-floyds.ru/Menus/7Disco.png" width="160" height="25" border="0"></a> 80 81 82 <div> <span style="font-size: 8pt;"></span></div> 83 <center><table width="50" cellpadding="2" bordercolor="#363636" border="3" bgcolor="#000000" align="center"> 84<tbody> 85<tr> 86<td> 87 88<a href="http://pink-floyds.ru/index/0-16"><img alt="Pink Floyd Music" src="http://pink-floyds.ru/division2.jpg" width="103" height="105" border="0"></a> 89 90</td></tr></tbody></table></center></center></center></center></ul></div> 91 <div> </div> 92 93<center><a href="http://pink-floyds.ru/index/0-27"><img alt="ФоÑогÑаÑии Pink Floyd" src="http://pink-floyds.ru/Menus/8photo.png" width="160" height="25" border="0"></a> 94<a href="http://pink-floyds.ru/index/0-28"><img alt="ФоÑогÑаÑии Сида ÐаÑÑеÑÑа" src="http://pink-floyds.ru/Menus/9Syd.png" width="160" height="25" border="0"></a> 95<a href="http://pink-floyds.ru/index/0-30"><img alt="ФоÑогÑаÑии Ðика ÐейÑона" src="http://pink-floyds.ru/Menus/10Nick.png" width="160" height="25" border="0"></a> 96<a href="http://pink-floyds.ru/index/0-31"><img alt="ФоÑогÑаÑии РиÑаÑда РайÑа" src="http://pink-floyds.ru/Menus/11rick.png" width="160" height="25" border="0"></a> 97<a href="http://pink-floyds.ru/index/0-29"><img alt="ФоÑогÑаÑии ÐÑвида ÐилмоÑа" src="http://pink-floyds.ru/Menus/12gilmor.png" width="160" height="25" border="0"></a> 98<a href="http://pink-floyds.ru/index/0-32"><img alt="ФоÑогÑаÑии РоджеÑа УоÑеÑÑа" src="http://pink-floyds.ru/Menus/13waters.png" width="160" height="25" border="0"></a> 99 100 101 <br> 102 103<center> <span style="FONT-SIZE: 20pt; FONT-FAMILY: Colonna MT"></span> 104<div align="center"> </div> 105<table width="150" cellpadding="2" bordercolor="#363636" border="2" bgcolor="#292929" align="center"> 106<tbody> 107 108<tr> 109<td> 110<div align="left"><center><br></center></div></td></tr></tbody></table> 111 112 113 114 115 116 <center><a href="../../../blog"><span style="font-size: 14pt;"></span></a><a href="http://pink-floyds.ru/index/0-3" title="ÐапиÑаÑÑ Ð½Ð°Ð¼!" target="_blank"><span style="font-size: 14pt;">Floyd ÐонÑакÑÑ</span></a><br><br><a class="noun" href="http://pink-floyds.ru/blog"><span style="FONT-SIZE: 16pt; FONT-FAMILY: fantasy">Floyd Blog</span></a><p align="center"> 117 118 </p><div><span style="font-size: 10pt;"><br></span></div> 119<p><table width="20" cellpadding="2" bordercolor="#363636" border="3" bgcolor="#000000" align="center"> 120<tbody> 121<tr> 122<td> 123 <a href="http://pink-floyds.ru/index/0-18"><img alt="The Piper At The" src="http://pink-floyds.ru/prism5.gif" width="103" height="82" border="0"></a> 124 125</td></tr></tbody></table> 126</p> 127 128 <br><hr><br><span style="font-size: 10pt;"> </span><hr><br><!-- /UcoZMenu -->
128<script type="text/javascript">try { var nl=document.getElementById('menuDiv').getElementsByTagName('a'); var found=-1; var url=document.location.href+'/'; var len=0; for (var i=0;i<nl.length;i++){ if (url.indexOf(nl[i].href)>=0){ if (found==-1 || len<nl[i].href.length){ found=i; len=nl[i].href.length; } } } if (found>=0){ nl[found].className='ma'; } } catch(e){}</script>
128</center></center></center> 129 130<div> </div> 131 132 133 134<div> </div><!--/U1AAMENU1Z--> 135 136<div align="center"> </div> 137<br><!--U1FORUMBIZ1Z--><div align="center"><noindex><a href="http://deep-purple.biz/forum/16"><img alt="ФоÑÑм Pink Floyd" src="http://pink-floyds.ru/Menus/forum1.png" border="0" height="25" width="160"></a><br><br><center><a href="//yandex.ru/cy?base=0&host=pink-floyds.ru"><img alt="Ð¯Ð½Ð´ÐµÐºÑ ÑиÑиÑованиÑ" src="//www.yandex.ru/cycounter?pink-floyds.ru" border="0" height="31" width="88"></a><br><br> 138</center> 139<p align="center"><!--LiveInternet counter-->
139<script type="text/javascript"><!-- 140document.write("<a href='http://www.liveinternet.ru/click' "+ 141"target=_blank><img src='//counter.yadro.ru/hit?t23.6;r"+ 142escape(document.referrer)+((typeof(screen)=="undefined")?"": 143";s"+screen.width+"*"+screen.height+"*"+(screen.colorDepth? 144screen.colorDepth:screen.pixelDepth))+";u"+escape(document.URL)+ 145";"+Math.random()+ 146"' alt='' title='LiveInternet: показано ÑиÑло поÑеÑиÑелей за"+ 147" ÑегоднÑ' "+ 148"border=0 width=88 height=15><\/a>")//--></script>
148<!--/LiveInternet--></p></center></center></center></center></ul></noindex> 149<!-- Yandex.Metrika counter -->
150<script type="text/javascript"> 151 (function(m,e,t,r,i,k,a){ 152 m[i]=m[i]||function(){(m[i].a=m[i].a||[]).push(arguments)}; 153 m[i].l=1*new Date(); 154 for (var j = 0; j < document.scripts.length; j++) {if (document.scripts[j].src === r) { return; }} 155 k=e.createElement(t),a=e.getElementsByTagName(t)[0],k.async=1,k.src=r,a.parentNode.insertBefore(k,a) 156 })(window, document,'script','https://mc.yandex.ru/metrika/tag.js?id=106317692', 'ym'); 157 158 ym(106317692, 'init', {ssr:true, webvisor:true, clickmap:true, ecommerce:"dataLayer", accurateTrackBounce:true, trackLinks:true}); 159</script>
159 160<noscript><div><img src="https://mc.yandex.ru/watch/106317692" style="position:absolute; left:-9999px;" alt="" /></div></noscript> 161<!-- /Yandex.Metrika counter --><!--/U1FORUMBIZ1Z--> 162<div align="center"> </div> 163 164<center><br></center></td></tr> 165</tbody></table><br> 166<!--/--> 167 168 169</td> 170 171<td style="padding:10px 0 10px 0;" valign="top"> 172<table style="border:2px solid #000000;" border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td style="background:url(http://pink-floyds.ru/10_seredinka_super_10.png) top left no-repeat #272727;padding:15px 35px 15px 35px;"><div class="page-content-wrapper"><div id="nativeroll_video_cont" style="display:none;"></div><div align="center"><span style="FONT-SIZE: 14pt; COLOR: #708090; FONT-FAMILY: fantasy">History Pink Floyd</span></div> 173<div align="center"><br><br><img alt="" src="/Fotos/Floyd0.JPG" height="123" width="196"> </div> 174<div align="center"> 175<p align="justify"><span style="color: rgb(230, 230, 250);">Pink Floyd are the premier space-rock band. Since the mid-'60s, their music has relentlessly tinkered with electronics and all manner of special effects to push pop formats to their outer limits. At the same time they have wrestled with lyrical themes and concepts of such massive scale that their music has taken on almost classical, operatic quality, in both sound and words. Despite their astral image, the group were brought down to earth in the 1980s by decidedly mundane power struggles over leadership and, ultimately, ownership of the band's very name. Since that time, they've been little more than a dinosaur act, capable of filling stadiums and topping the charts, but offering little more than a spectacular recreation of their most successful formulas. Their latter-day staleness cannot disguise the fact that, for the first decade or so of their existence, they were one of the most innovative groups around, in concert and (especially) in the studio.</span></p><p align="justify"><span style="color: rgb(230, 230, 250);"></span></p><hr size="2" width="100%"><p align="justify"><span style="COLOR: #e6e6fa"><br></span></p> 176<p align="justify"><span style="COLOR: #e6e6fa">While Pink Floyd are mostly known for their grandoise concept albums of the 1970s, they started as a very different sort of psychedelic band. Soon after they first began playing together in the mid-'60s, they fell firmly under the leadership of lead guitarist Syd Barrett, the gifted genius who would write and sing most of their early material. The Cambridge native shared the stage with Roger Waters (bass), Rick Wright (keyboards), and Nick Mason (drums). The name Pink Floyd, seemingly so far-out, was actually derived from the first names of two ancient bluesmen (Pink Anderson and Floyd Council). And at first, Pink Floyd were a much more conventional act that the act into which they would evolve, concentrating on the rock and R&B material that were so common to the repertoires of mid-'60s British bands.</span></p> 177<p align="justify"><span style="color: rgb(230, 230, 250);">Pink Floyd quickly began to experiment, however, stretching out songs with wild instrumental freak-out passages incorporating feedback, electronic screeches, and unusual, eerie sounds created by loud amplification, reverb, and such tricks as sliding ball bearings up and down guitar strings. In 1966, they began to pick up a following in the London underground; onstage, they began to incorporate light shows to add to the psychedelic effect. Most importantly, Syd Barrett began to compose pop-psychedelic gems that combined unusual psychedelic arrangements (particularly in the haunting guitar and celestial organ licks) with catchy melodies and incisive lyrics that viewed the world with a sense of poetic, child-like wonder.</span></p><p align="justify"><span style="color: rgb(230, 230, 250);"></span></p><hr size="2" width="100%"><img alt="" src="/Fotos/waters2.JPG" height="160" width="188"><p align="justify"><span style="COLOR: #e6e6fa"><br></span></p> 178<p align="justify"><span style="COLOR: #e6e6fa">The group landed a recording contract with EMI in early 1967 and made the Top 20 with a brilliant debut single, "Arnold Layne," a sympathetic, c
178omic vignette about a transvestite. The follow-up, the kaleidoscopic "See Emily Play," made the Top Ten. The debut album, The Piper at the Gates of Dawn, also released in 1967, may have been the greatest British psychedelic album other than Sgt. Pepper's. Dominated almost wholly by Barrett's songs, the album was a charming funhouse of driving, mysterious rockers ("Lucifer Sam"), odd character sketches ("The Gnome"), childhood flashbacks ("Bike," "Matilda Mother"), and freakier pieces with lengthy instrumental passages ("Astronomy Domine," "Interstellar Overdrive," "Pow R Toch") that mapped out their fascination with space travel. The record was not only like no other at the time; it was like no other that Pink Floyd would make, colored as it was by a vision that was far more humorous, pop-friendly, and light-hearted than those of their subsequent epics.</span></p> 179<p align="justify"><span style="COLOR: #e6e6fa">The reason Pink Floyd never made a similar album was that Piper was the only one to be recorded under Barrett's leadership. Around mid-1967, the prodigy began showing increasingly alarm signs of mental instability. Syd would go catatonic onstage, playing music that had little to do with the material, or not playing at all. An American tour had to be cut short when he was barely able to function at all, let alone play the pop star game. Dependent upon Barrett for most of their vision and material, the rest of the group were nevertheless finding him impossible to work with, live or in the studio.</span></p> 180<p align="justify"><span style="COLOR: #e6e6fa">Around the beginning of 1968, guitarist Dave Gilmour, a friend of the band who was also from Cambridge, was brought in as a fifth member. The idea was that Gilmour would enable the Floyd to continue as a live outfit; Barrett would still be able to write and contribute to the records. That couldn't work either, and within a few months Barrett was out of the group. Pink Floyd's management, looking at the wreckage of a band that was now without its lead guitarist, lead singer, and primary songwriter, decided to abandon the group and manage Syd as a solo act.</span></p> 181<p align="justify"><span style="COLOR: #e6e6fa">Such calamities would have proven insurmountable for 99 out of 100 bands in similar predicaments. Incredibly, Pink Floyd would regroup and not only maintain their popularity, but eventually become even more successful. It was early in the game yet, after all; the first album had made the British Top Ten, but the group were still virtually unknown in America, where the loss of Syd Barrett meant nothing to the media. Gilmour was an excellent guitarist, and the band proved capable of writing enough original material to generate further ambitious albums, Waters eventually emerging as the dominant composer. The 1968 follow-up to Piper at the Gates of Dawn, A Saucerful of Secrets, made the British Top Ten, using Barrett's vision as an obvious blueprint, but taking a more formal, somber, and quasi-classical tone, especially in the long instrumental parts. Barrett, for his part, would go on to make a couple of interesting solo records before his mental problems instigated a retreat into oblivion (see separate entry on Syd Barrett for more details).</span></p> 182<p align="justify"><span style="COLOR: #e6e6fa">Over the next four years, Pink Floyd would continue to polish their brand of experimental rock, which married psychedelia with ever-grander arrangements on a Wagnerian operatic scale. Hidden underneath the pulsing, reverberant organs and guitars and insistently restated themes were subtle blues and pop influences that kept the material accessible to a wide audience. Abandoning the singles market, they concentrated on album-length works, and built a huge following in the progressive rock underground with constant touring in both Europe and North America. While LPs like Ummagumma (divided into live recordings and experimental outings by each member of the band), Atom Heart Mother (a collaboration with composer Ron Geesin), and More...(a film soundtrack) were erratic, each contained some extremely effective music.</span></p> 183<p align="justify"><span style="COLOR: #e6e6fa">By the early '70s Syd Barrett was a fading or nonexistent memory for most of Pink Floyd's fans, although the group, one could argue, never did match the brilliance of that somewhat anamolous 1967 debut. Meddle (1971) sharpened the band's sprawling epics into something more accessible, and polished the science-fiction ambience that the group had been exploring ever since 1968. Nothing, however, prepared Pink Floyd or their audience for the massive mainstream success of their 1973 album, Dark Side of the Moon, which made their brand of cosmic rock even more approachable with state-of-the-art production, more focused songwriting, an army of well-time stereophonic sound effects, and touches of saxophone and soulful female backup vocals.</span></p> 184<p align="justify"><span style="COLOR: #e6e6fa">Dark Side of the Moon finally broke the Pink Floyd as superstars in the United States, where it made #1. More astonishingly, it made them one of the biggest-selling acts of all time. Dark Side of the Moon spent an incomprensible 741 weeks on the Billboard album chart. Additionally, the primarily instrumental textures of the songs helped make Dark Side of the Moon easily translatable on an international level, and the record became (and still is) one of the most popular rock albums worldwide.</span></p> 185<p align="justify"><span style="color: rgb(230, 230, 250);">It was also an extremely hard act to follow, although the follow-up, Wish You Were Here (1975), also made #1, highlighted by a tribute of sorts to the long-departed Barrett, "Shine On You Crazy Diamond." Dark Side of the Moon had been dominated by lyrical themes of insecurity, fear, and the cold sterility of modern life; Wish You Were Here and Animals (1977) developed these morose themes even more explicitly. By this time Waters was taking a firm hand over Pink Floyd's lyrical and musical vision, which was consolidated by The Wall (1979).
185</span></p><p align="justify"><br><span style="color: rgb(230, 230, 250);"></span></p><p align="justify"><span style="color: rgb(230, 230, 250);"></span></p><hr size="2" width="100%"><p align="justify"><span style="COLOR: #e6e6fa"><br></span></p> 186<p align="justify"><span style="COLOR: #e6e6fa">The bleak, overambitious double concept album concerned itself with the material and emotional walls modern humans build around themselves for survival. The Wall was a huge success (even by Pink Floyd's standards), in part because the music was losing some of its heavy-duty electronic textures in favor of more approachable pop elements. Although Pink Floyd had rarely even released singles since the late '60s, one of the tracks, "Another Brick in the Wall," became a transatlantic #1. The band had been launching increasingly elaborate stage shows throughout the '70s, but the touring production of The Wall, featuring a construction of an actual wall during the band's performance, was the most excessive yet.</span></p> 187<p align="justify"><span style="COLOR: #e6e6fa">In the 1980s, the group began to unravel. Each of the four had done some side and solo projects in the past; more troublingly, Waters was asserting control of the band's musical and lyrical identity. That wouldn't have been such a problem had The Final Cut (1983) been such an unimpressive effort, with little of the electronic innovation so typical of their previous work. Shortly afterward, the band split up -- for a while. In 1986, Waters was suing Gilmour and Mason to dissolve the group's partnership (Wright had lost full membership status entirely); Waters lost, leaving a Roger-less Pink Floyd to get a Top Five album with Momentary Lapse of Reason in 1987. In an irony that was nothing less than cosmic, about 20 years after Pink Floyd shed its original leader to resume its career with great commercial success, they would do the same again to his successor. Waters released ambitious solo albums to nothing more than moderate sales and attention, while he watched his former colleagues (with Wright back in tow) rescale the charts.</span></p> 188<p align="justify"><span style="COLOR: #e6e6fa">Pink Floyd still have a huge fan base, but there's little that's noteworthy about their post-Waters output. They know their formula, they can execute it on a grand scale, and they can count on millions of customers -- many of them unborn when Dark Side of the Moon came out, and unaware that Syd Barrett was ever a member -- to buy their records and see their sporadic tours. The Division Bell, their first studio album in seven years, topped the charts in 1994 without making any impact on the current rock scene, except in a marketing sense. Ditto for the live Pulse album, recorded during a typically elaborately staged 1994 tour, which included a concert version of The Dark Side of the Moon in its entirety. Waters' solo career sputtered along, highlighted by a solo recreation of The Wall, performed at the site of the former Berlin Wall in 1990, and released as an album. Syd Barrett, it was reported in the summer of 1996, was lying ill in a Cambridge hospital, unable or unwilling to regulate his diabetic condition.</span></p></div> 189
189<script> 190 (function() { 191 var container = document.getElementById('nativeroll_video_cont'); 192 193 if (container && container.parentElement) { 194 var wrapper = document.createElement('div'); 195 wrapper.classList.add('js-teasers-wrapper'); 196 197 container.parentElement.insertBefore(wrapper, container.nextSibling); 198 } 199 })(); 200 </script>
200 201 202
202<script> 203 (function() { 204 var s = document.createElement('script'); 205 s.src = '/.s/src/adv_scripts/dist/promobox.js?v=20261001-2'; 206 s.async = true; 207 s.onload = function() { 208 window.showPromobox && window.showPromobox('inbody'); 209 }; 210 document.body.appendChild(s); 211 })(); 212 </script>
212 213 </div></td></tr></tbody></table> 214</td> 215 216<td valign="top" width="200"> 217 218 219 220<!-- --> 221<table style="background:url(http://pink-floyds.ru/8_sered_klass_8.gif) top left no-repeat #272727;border:2px solid #000000;" border="0" cellpadding="3" cellspacing="2" width="200"> 222<tbody><tr><td style="background:url(http://pink-floyds.ru/menu/Menu_prav.png) center no-repeat;color:#A7BECA;" align="center" height="32"><span style="FONT-SIZE: 20pt; COLOR: #494949; FONT-FAMILY: Niagara Engraved">Menu Pink Floyd</span></td></tr> 223<tr><td style="padding:3px;"><!--U1FRIENDS1Z--><ul class="uz"> 224<center> 225 <center><a href="http://pink-floyds.ru"><img alt="ÐÐ»Ð°Ð²Ð½Ð°Ñ ÑÑÑаниÑа" src="http://pink-floyds.ru/Menus/1Front.png" width="160" height="25" border="0"></a> 226 <a href="http://pink-floyds.ru/index/0-2"><img alt="ÐнÑоÑмаÑÐ¸Ñ Ð¾ ÑайÑе" src="http://pink-floyds.ru/Menus/2Informsite.png" width="160" height="25" border="0"></a> 227 <a href="http://pink-floyds.ru/gb/"><img alt="ÐоÑÑÐµÐ²Ð°Ñ ÐºÐ½Ð¸Ð³Ð°" src="http://pink-floyds.ru/Menus/3guest.png" width="160" height="25" border="0"></a> 228<a href="http://pink-floyds.ru/index/0-649"><img alt="ÐаÑалог ÑÑÑлок" src="http://pink-floyds.ru/Menus/links.png" width="160" height="25" border="0"></a> 229<a href="http://pink-floyds.ru/index/0-26"><img alt="Ðедиа ÑÐ°Ð¹Ð»Ñ Pink Floyd" src="http://pink-floyds.ru/Menus/MediaPinkFloyd.png" width="160" height="25" border="0"></a> 230<a href="http://pink-floyds.ru/publ"><img alt="ÐаÑалог ÑÑаÑей Pink Floyd" src="http://pink-floyds.ru/menu/Publ.png" width="160" height="25" border="0"></a> 231 232 <div> <br></div> 233 234<!-- Yandex.Metrika counter -->
235<script type="text/javascript" > 236 (function (d, w, c) { 237 (w[c] = w[c] || []).push(function() { 238 try { 239 w.yaCounter50264674 = new Ya.Metrika2({ 240 id:50264674, 241 clickmap:true, 242 trackLinks:true, 243 accurateTrackBounce:true 244 }); 245 } catch(e) { } 246 }); 247 248 var n = d.getElementsByTagName("script")[0], 249 s = d.createElement("script"), 250 f = function () { n.parentNode.insertBefore(s, n); }; 251 s.type = "text/javascript"; 252 s.async = true; 253 s.src = "https://mc.yandex.ru/metrika/tag.js"; 254 255 if (w.opera == "[object Opera]") { 256 d.addEventListener("DOMContentLoaded", f, false); 257 } else { f(); } 258 })(document, window, "yandex_metrika_callbacks2"); 259</script>
259 260<noscript><div><img src="https://mc.yandex.ru/watch/50264674" style="position:absolute; left:-9999px;" alt="" /></div></noscript> 261<!-- /Yandex.Metrika counter --> 262<center><table width="50" cellpadding="2" bordercolor="#363636" border="3" bgcolor="#000000" align="center"> 263<tbody> 264<tr> 265<td><a target="_blank" href="http://pink-floyds.ru/index/radio/0-1272"><img style="border-width: 5px; border-style: groove; border-color: rgb(107, 142, 35);" alt="" src="/Fotos/radikoment.jpg"></a><br> 266 267</td></tr></tbody></table> 268 269<a href="http://pink-floyds.ru/index/0-13"><img alt="History Pink Floyd" src="http://pink-floyds.ru/History.png" width="160" height="26" border="0"></a> 270<a href="http://pink-floyds.ru/index/0-14"><img alt="Delicate Sound Of" src="http://pink-floyds.ru/Menus/2DelicateSoundOf.png" width="160" height="25" border="0"></a> 271<a href="http://pink-floyds.ru/index/0-21"><img alt="Massed Gadgets" src="http://pink-floyds.ru/Menus/Massed.png" width="160" height="25" border="0"></a> 272<a href="http://pink-floyds.ru/index/0-17"><img alt="Tonite let's & All" src="http://pink-floyds.ru/Menus/5ToniteletsAll.png" width="160" height="25" border="0"></a> 273<a href="http://pink-floyds.ru/index/0-23"><img alt="Wish Were Here" src="http://pink-floyds.ru/Menus/Wish.png" width="160" height="25" border="0"></a> 274<a href="http://pink-floyds.ru/index/0-24"><img alt="Collection Of Great" src="http://pink-floyds.ru/Menus/9CollectionOfGreat.png" width="160" height="25" border="0"></a> 275<p> 276<br> 277<span style="font-size: 20pt; font-family: Monotype Corsiva;">ХиÑÑ Pink Floyd</span> 278</p><div align="center"> </div> 279 280<center><table width="165" cellpadding="2" bordercolor="#384146" border="3" bgcolor="#363636" align="center"> 281<tbody> 282<tr> 283<td><center><span style="font-family: Comic Sans MS; font-size: 8pt;"><a href="http://pink-floyds.ru/index/0-399">SHEEP</a><br> <a href="http://pink-floyds.ru/index/0-1010">Brutal Planet </a><br> <a href="http://pink-floyds.ru/index/0-860">Raped And Freezing</a><br> </span></center></td></tr></tbody></table> 284 285<center> <span style="FONT-SIZE: 20pt; FONT-FAMILY: Colonna MT"></span> 286<div align="center"> </div> 287<table width="150" cellpadding="2" bordercolor="#363636" border="2" bgcolor="#292929" align="center"> 288<tbody> 289 290<tr> 291<td> 292<div align="left"><center><span style="font-size: 8pt;"><br></span></center></div><br></td></tr></tbody></table></center></center></center></center></center></ul><!--/U1FRIENDS1Z--></td></tr> 293</tbody></table><br> 294<!--/--> 295 296</td> 297</tr> 298</tbody></table> 299<!-- /Body --> 300 301</td></tr></tbody></table> 302 303 304 305 306<!-- Footer --> 307<br> 308<table style="border:1px solid #4B575E;" border="0" cellpadding="10" cellspacing="0" width="100%"> 309<tbody><tr><td style="background:url(http://pink-floyds.ru/6_menu_rkfcc_6.jpg) top left no-repeat #384146;" align="center"><span style="FONT-SIZE: 20pt; COLOR: #696969; FONT-FAMILY: Niagara Engraved">Russian Fan Portal Pink Floyd. 2008 - 2026</span></td><td style="background:url('//src.ucoz.net/t/961/11.jpg') bottom right no-repeat #384146;" align="center"><font color="#000080"><!-- "' --><span class="pbIfr3ZT">ХоÑÑинг Ð¾Ñ <a href="https://www.ucoz.ru/">uCoz</a></span></font></td></tr> 310</tbody></table> 311<!-- /Footer --> 312</td></tr></tbody></table> 313<br> 314 315 316 317 318<div style="display:none" id="_wi2geoGate"></div><div style="display:none" id="_wi2geoGate"></div><div style="display:none" id="_wi2geoGate"></div><div style="display:none" id="_wi2geoGate"></div><div style="display:none" id="_wi2geoGate"></div></body></html> 319<!-- 0.03238 (s771) -->
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.