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304                    <span style="color: #000000;"><span style="font-size: 24px;"><span style="font-size: 24px;"><span style="font-family: andale mono, sans-serif;"><br /><span style="font-size: 18px;"><span style="font-size: 24px;"><strong>A Brief History </strong></span><br /><br /><span style="font-family: arial, sans-serif;"><span style="text-align: center;" data-font="//fonts.googleapis.com/css?family=Raleway:300"><span style="line-height: 24pt;">Pat Pendleton is a&nbsp;multidisciplinary&nbsp;artist (photography, textiles, collage)&nbsp;working in Angola, NY. Primarily an&nbsp;abstract painter (acrylic paint on paper, canvas, and wood),&nbsp;th</span></span>e discoveries and struggles found in a process of&nbsp;layering materials become a kind of interior landscape of color, shape&nbsp;and mark--evidence of the continuous present through ongoing transformation and changing elements.</span></span><br /></span></span></span><span style="font-family: arial, sans-serif; font-size: 18px;"><em><br /><img class="loading" style="display: block; margin-left: auto; margin-right: auto;" src="https://s3.amazonaws.com/artspan-fs/member_files/ppendleton/IMG_0709.jpg" alt="" width="399" height="369" data-ll-status="loading" /><br /><span style="color: #ff0000; line-height: 14pt;">The Twentieth Century painter, Georgia O'Keeffe signed her letters "from the faraway nearby." This idea reminds me of the way painting is a measure of the physical and&nbsp;psychic geography between self and other (person or painting) that is constantly shifting.&nbsp;</span></em><br /><strong><span style="line-height: 24pt;"><br />Pat is from Tonawanda, New York. She&nbsp;received a Bachelor of Arts degree in Studio Art from SUNY Collage at Oswego</span></strong><span style="line-height: 24pt;">&nbsp;and went on to further pursue ceramics and textile work while residing in San Francisco before relocating to Manhattan at the end of the 1970s and began painting and exhibiting in group shows at&nbsp; Minor Injury Gallery, Middle Collegiate Church, The Metropolitan Museum of Art, Emerging Collector Gallery, AIR Gallery, and Public Image Gallery.</span><strong><span style="line-height: 24pt;"> <br /><br />During the early 1990s she left New York to attend a graduate program in&nbsp;Naropa University in Boulder, Colorado and received a Master of Arts in Transpersonal Counseling Psychology and Art Therapy. </span></strong><span style="line-height: 24pt;">While working as a clinician and group facilitator in&nbsp; health care, she continued with a painting practice and participated in shows at Core New Art Gallery, Hospice of Metro Denver,&nbsp;</span><span style="line-height: 24pt;">Naropa</span><span style="line-height: 24pt;"> University Art Gallery, and Boulder Art Gallery.&nbsp;</span><strong><span style="line-height: 24pt;"><br /><br />Back in Western New York since 2005, </span></strong><span style="line-height: 24pt;">she&nbsp;</span><span style="line-height: 24pt;">has participated in numerous local exhibitions and local&nbsp;member shows, such as Hallwalls Contemporary Arts Center, Carnegie Art Center, Burchfield Penney Art Center, Artspace Buffalo Gallery, Western New York Book Arts Center, CEPA and Big Orbit.&nbsp;<br /></span><span style="line-height: 24pt;"><br /></span></span></span>
305<p style="line-height: 150%;"><span style="font-family: arial, sans-serif; color: #000000; font-size: 18px; line-height: 24pt;">Most recently in 2026, <strong>Buffalo Society of Artists Open Members Exhibition</strong> at Princessa Gallery; <strong>Between Doorways: Downtown Buffalo </strong>at Beebe&rsquo;s (Hunt Gallery); <strong>Live On Five</strong> Annual Fundraiser Auction at Buffalo Arts Studio; and <strong>Annual Members Exhibition at Western New&nbsp;York Artists Group</strong> Gallery.<br /><br /> </span></p>
306<p style="line-height: 150%;"><span style="font-family: arial, sans-serif; font-size: 18px; color: #000000; line-height: 24pt;"><strong>During 2025 she was represented in Orchard Park, NY by The Comma Fine Art Gallery</strong>. During 2024, she exhibited twenty paintings at Carnegie Art Center along with two other painters (<strong>Three Degrees of Abstraction: Painting--Mary Begley, Pat Pendleton, Eileen Pleasure<
306/strong>). During 2023, she participated in the annual <strong>Hallwalls Mid-winter Draw</strong>.<br /><br /> </span></p>
307<p style="line-height: 150%;"><span style="font-family: arial, sans-serif; color: #000000; font-size: 18px; line-height: 24pt;">While residing at Artspace Buffalo during 2017, she presented <strong>The Future of Something: Recent Painting by Pat&nbsp;Pendleton and J. Tim Raymond </strong>at Artspace Buffalo Gallery. An earlier opportunity at Artspace Buffalo Gallery allowed her to exhibit near one hundred works in 2012: <strong>Curious Evidence: Mixed Media Works by Pat&nbsp;Pendleton, 1982-2012.<br /><br /></strong></span></p>
308<span style="font-size: 18px; font-family: arial, sans-serif; color: #000000;"><strong><span style="line-height: 24pt;">A member of the Buffalo Society of Artists, Hallwalls&nbsp;Contemporary Arts Center and Western New York Artists Group, Pat&nbsp;has&nbsp;published reviews of Western New York art exhibitions in the former Artvoice and The Public. <em>Painting as a Path to Wellbeing </em>appeared in Art Therapy, the Journal of the American Art Therapy Association. Several self-published art picture books appear in the <a title="Blurb Book Store" href="https://www.blurb.com/user/buffalopat?profile_preview=true">Blurb Book Store</a>. Most recently, she writes short essays for her newsletter, <a href="https://patpendleton.substack.com/?utm_source=substack&amp;utm_medium=web&amp;utm_campaign=substack_profile"><em>This</em></a>, at Substack. Published in 2023 is&nbsp;<em>Woman in the Mirror: The Shape of Becoming--A </em><em>Memoir in Seven Stories</em>&nbsp;... available from <a href="https://www.bookemon.com/book-profile/the-shape-of-becoming/981764">Bookemon&nbsp;Creative </a><a href="https://www.bookemon.com/book-profile/the-shape-of-becoming/981764">Author&nbsp;</a><a href="https://www.bookemon.com/book-profile/the-shape-of-becoming/981764">Press.<br /></a><br />Other selected exhibitions include:</span></strong></span>
309<p><span style="font-family: arial, sans-serif; font-size: 18px; color: #000000;"><strong><span style="line-height: 24pt;"><br />2024<br /></span></strong><span style="line-height: 24pt;">Live On </span><span style="line-height: 24pt;">Five<br />Buffalo&nbsp;Arts Studio<br /></span><span style="line-height: 24pt;"><br />Collecting Conversations: Open Members Exhibition 2024<br />Niagara Arts &amp; Cultural Center</span><span style="line-height: 24pt;"><br /></span><span style="line-height: 24pt;"><br />Known, Imagined, Experienced<br />The&nbsp;Comma Fine Art Center</span><span style="line-height: 24pt;"><br /></span><strong><span style="line-height: 24pt;"><br />2023</span></strong><strong><span style="line-height: 24pt;"><br /></span></strong><span style="line-height: 24pt;">Wonders, Wild and new (Dec)</span><span style="line-height: 24pt;"><br />Inside, Outside, In Between (Sept)<br />The&nbsp;Comma Fine Art Center<br /><br /></span><strong><span style="line-height: 24pt;">2020<br /></span></strong><span style="line-height: 24pt;">Marks of </span><span style="line-height: 24pt;">Repair<br />Virtual&nbsp;Exhibition on "The Exhibit" platform<br /></span><span style="line-height: 24pt;"><br /></span><span style="line-height: 24pt;">20/20 Vision: Women Artists of Western New York<br />Castellani&nbsp;Art Museum of Niagara University</span><span style="line-height: 24pt;">&nbsp; &nbsp; &nbsp; &nbsp;</span><strong><span style="line-height: 24pt;"> &nbsp; &nbsp; &nbsp;&nbsp;<br /></span></strong><strong><span style="line-height: 24pt;"><br />2018<br /></span></strong><span style="line-height: 24pt;">Harvest: Recent Painting by George Grace, Pat </span><span style="line-height: 24pt;">Pendleton, J. Tim Raymond<br />Artspace</span><span style="line-height: 24pt;">&nbsp;Buffalo Gallery&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span><strong><span style="line-height: 24pt;"> &nbsp; &nbsp; &nbsp; &nbsp;<br /></span></strong><strong><span style="line-height: 24pt;"><br />2016</span></strong><strong><span style="line-height: 24pt;"><br /></span></strong><span style="line-height: 24pt;">Nephilim</span><span style="line-height: 24pt;">: Malcolm Bonney and Friends&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br /></span><span style="line-height: 24pt;">Artspace&nbsp;Buffalo Gallery&nbsp;<br /><br />Winter Drawing Rally (Feb)<br /></span><span style="line-height: 24pt;">Hallwalls</span><span style="line-height: 24pt;">&nbsp;Center for Contemporary Art&nbsp;</span><strong><span style="line-height: 24pt;"><br /></span></strong></span></p>
310<p><span style="font-size: 18px; color: #000000;"><span style="font-family: arial, sans-serif;"><strong><span style="line-height: 24pt;"><br />2014<br /></span></strong><span style="line-height: 24pt;">Year of the Horse: </span><span style="line-height: 24pt;">Fendya, Pendleton, Raymond<br />C</span></span><span style="line-height: 24pt;"><span style="font-family: arial, sans-serif; font-size: 18px;">.G. Jung Center Gallery&nbsp; &nbsp; &nbsp; &nbsp;</span> &nbsp; &nbsp;</span><strong><span style="line-height: 24pt;"> &nbsp; &nbsp;&nbsp;</span></strong><strong><span style="line-height: 24pt;"><br /></span></strong></span></p>
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343						<path d="M16 5c-2.987 0-3.362.013-4.535.066-1.17.054-1.97.24-2.67.512a5.392 5.392 0 0 0-1.95 1.268 5.392 5.392 0 0 0-1.267 1.95c-.272.698-.458 1.498-.512 2.67C5.013 12.637 5 13.012 5 16s.013 3.362.066 4.535c.054 1.17.24 1.97.512 2.67.28.724.657 1.337 1.268 1.95a5.392 5.392 0 0 0 1.95 1.268c.698.27 1.498.457 2.67.51 1.172.054 1.547.067 4.534.067s3.362-.013 4.535-.066c1.17-.054 1.97-.24 2.67-.51a5.392 5.392 0 0 0 1.95-1.27 5.392 5.392 0 0 0 1.268-1.95c.27-.698.457-1.498.51-2.67.054-1.172.067-1.547.067-4.534s-.013-3.362-.066-4.535c-.054-1.17-.24-1.97-.51-2.67a5.392 5.392 0 0 0-1.27-1.95 5.392 5.392 0 0 0-1.95-1.267c-.698-.272-1.498-.458-2.67-.512C19.363 5.013 18.988 5 16 5zm0 1.982c2.937 0 3.285.01 4.445.064 1.072.05 1.655.228 2.042.38.514.198.88.437 1.265.822.385.385.624.75.823 1.265.15.387.33.97.38 2.042.052 1.16.063 1.508.063 4.445 0 2.937-.01 3.285-.064 4.445-.05 1.072-.228 1.655-.38 2.042-.198.514-.437.88-.822 1.265-.385.385-.75.624-1.265.823-.387.15-.97.33-2.042.38-1.16.052-1.508.063-4.445.063-2.937 0-3.285-.01-4.445-.064-1.072-.05-1.655-.228-2.042-.38-.514-.198-.88-.437-1.265-.822a3.408 3.408 0 0 1-.823-1.265c-.15-.387-.33-.97-.38-2.042-.052-1.16-.063-1.508-.063-4.445 0-2.937.01-3.285.064-4.445.05-1.072.228-1.655.38-2.042.198-.514.437-.88.822-1.265.385-.385.75-.624 1.265-.823.387-.15.97-.33 2.042-.38 1.16-.052 1.508-.063 4.445-.063zm0 12.685a3.667 3.667 0 1 1 0-7.334 3.667 3.667 0 0 1 0 7.334zm0-9.316a5.65 5.65 0 1 0 0 11.3 5.65 5.65 0 0 0 0-11.3zm7.192-.222a1.32 1.32 0 1 1-2.64 0 1.32 1.32 0 0 1 2.64 0" fill-rule="evenodd"></path>
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345				</svg>
346			</span>
347		</a>
348								<div style="clear:both"></div>
349	</div>
350
351</div>
352
353                        </div>
354                                            <div class="socialIconContainer notify col-sm-3">
355                                                    </div>
356                        <div class="hidden-sm col-md-4">
357                            <div class="copyright">
358                                                                                                <div class="poweredByArtspan"><a href="https://www.artspan.com" target="_blank" >Powered by artspan.com - Artist Websites</a></div>
359
360                                                            
361                            </div>
362                        </div>
363                                            <div class="col-sm-3">
364                            <div class="shareIcons">
365                                
365<script type="text/javascript" src="https://platform-api.sharethis.com/js/sharethis.js#property=6476244e413e9c001905a3a3&product=inline-share-buttons&source=platform" async="async"></script>
365
366<div class="sharethis-inline-share-buttons" style="text-align: left"></div>
367                            </div>
368                        </div>
369                                    </footer>
370            </div>
371        </div>
372        <div class="modal" id="cpModalTemplate" tabindex="-1" role="dialog" aria-hidden="true">
373            <div class="modal-dialog">
374                <div class="modal-content">
375                    <div class="modal-header">
376                        <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">&times;</span></button>
377                        <h4 class="modal-title"></h4>
378                    </div>
379                    <div class="modal-body">
380                        <div class="container-fluid">
381                            <p></p>
382                        </div>
383                    </div>
384                    <div class="modal-footer">
385                    </div>
386                </div>
387            </div>
388        </div>
389
390		<div id="scrollToTop"><button class="btn btn-small"><span style="font-size:30px;">&uarr;</span></button></div>
391
392        		<!---- Used for the print frame shop iframe ---->
393
394    
395
396<script src="/E_Template/js/bootstrap.min.js"></script>
vendor: 1 bytes, line 396
396
397<script src="/E_Template/js/select2.min.js"></script>
vendor: 1 bytes, line 397
397
398<script src="/E_Template/js/app.min.js"></script>
398
399
400<script src="/build/runtime.5e3ab09c.js"></script>
vendor: 1 bytes, line 400
400
401<script src="/build/member.cc9e023e.js"></script>
401
402
403
404<script type="text/javascript">$(document).ready(function(){$('#scrollToTop').hide();$("#scrollToTop").click(function(ev){ev.preventDefault();$('body,html').animate({scrollTop:0},800);});$(window).scroll(function(){var windowPos=$(this).scrollTop();if(windowPos!==0){$('#scrollToTop').fadeIn();}else{$('#scrollToTop').fadeOut();}});
405		});</script>
405
406
407
408<script type="module" src="https://static.cloudflareinsights.com/beacon.min.js/v31edd6df95cf4e85bb4c19e7a9bdbcba1788362987495" integrity="sha512-iIg7k2xntmwu6/uSb5tpc/hySgZc4eoL31yB29W6tJFo2akwjPWcEqnCEdJvGexCL0KEQwVYv5BlowfhVz26hg==" data-cf-beacon='{"version":"2024.11.0","token":"ef924596e90642fdbb8efacd66dedf17","r":1,"spa":2}' crossorigin="anonymous"></script>
408
409</body>
410</html>

Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.