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506p-content/uploads/2024/01/Screen-Shot-2024-01-01-at-9.16.42-PM.png" class="img-responsive wp-post-image" alt="" decoding="async" fetchpriority="high" srcset="https://reelhonestreviews.com/wp-content/uploads/2024/01/Screen-Shot-2024-01-01-at-9.16.42-PM.png 1510w, https://reelhonestreviews.com/wp-content/uploads/2024/01/Screen-Shot-2024-01-01-at-9.16.42-PM-204x300.png 204w, https://reelhonestreviews.com/wp-content/uploads/2024/01/Screen-Shot-2024-01-01-at-9.16.42-PM-695x1024.png 695w, https://reelhonestreviews.com/wp-content/uploads/2024/01/Screen-Shot-2024-01-01-at-9.16.42-PM-768x1132.png 768w, https://reelhonestreviews.com/wp-content/uploads/2024/01/Screen-Shot-2024-01-01-at-9.16.42-PM-1042x1536.png 1042w, https://reelhonestreviews.com/wp-content/uploads/2024/01/Screen-Shot-2024-01-01-at-9.16.42-PM-1389x2048.png 1389w" sizes="(max-width: 1510px) 100vw, 1510px" /> <!-- Display the Title as a link to the Post's permalink. --> 507 <h1><a href="https://reelhonestreviews.com/top-films-of-2023/" rel="bookmark" title="Permanent Link to Top Films of 2023"> 508 Top Films of 2023 </a></h1> 509 <small><span class="highlight"><i class="icon blog-date"></i> 510 January 1st, 2024 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 511 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a>, <a href="https://reelhonestreviews.com/category/review/" rel="category tag">Review</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 512 0 thoughts on “Top Films of 2023” </span></small> 513 <!-- Display the Post's content in a div box. --> 514 <div class="entry"> 515 <p>While there have been literally hundreds and hundreds of movies released in 2023, the huge blockbuster movies seem to quickly dissipate from my memory. This year, as I waited for âthe one that knocks my socks off,â I have found that itâs been a year of the more quiet and thought-provoking films and not the sock-removal films. After scouring the releases and putting together a list of 14 movies I truly loved, I noticed a theme: Quietness and Introspection. Is this a reflection of my age? Perhaps. Or perhaps Iâve been doing this for so long, it takes a lot to impress and surprise me. Whatever the case, here is my list of Top Films of 2023.</p> 516<p>10: âSomewhere in Queensâ</p> 517<p>Ray Romano co-writes and directs this insightful film about an average dad whose relationship with his son isnât what he thought it was. Watching him grow and push away, attempting to cut the apron strings from his parents, Jacob (Matthew âSticksâ Russo) wants to pave his own path in life as he falls in love with a girl who isnât exactly Mom (Laurie Metcalf) and Dadâs (Romano) first choice. And with this comes the burden of a mother who is battling and recovering from breast cancer. This is a story of and for any family and Romano, wearing three hats as writer, director and actor, balances and brings love and levity in the most human way possible to this story. Family, loyalty, love, and self are all familiar topics as they are integrated artfully into this story that will capture you and your heart.</p> 518<p>9. âAnatomy of a Fallâ</p> 519<p>A young visually impaired boy is âwitnessâ to his fatherâs death high in the mountains as his mother, Sandra (Sandra Huller), is accused of murder. Fighting for her freedom as the truth is unveiled, details of their marriage are peeled away to reveal a very different story. We easily walk in Sandraâs shoes as she attempts to protect and care for her son, especially as the state steps in to do the same. Itâs a tightrope act for Sandra as we want so badly to believe her, but we also question the reality of the situation. The ending isnât what you expect and may leave some dissatisfied, however, it also opens the door to conversation as to what actually took place.</p> 520<p>8. âThe Boys in the Boatâ</p> 521<p>Sometimes you just need a story to uplift and inspire and George Clooney finds just the right tone to do so with âThe Boys in the Boatâ starring Joel Edgerton as the University of Washington Rowing Teamâs coach and Callum Turner as the young man to carry the team. While it might be a predictable story, it is based upon the true story from 1936 as the team fought not only to win against the ivy league schools, but to also be a part of the Berlin Olympics. Great performances are key as well as characters we care about and Clooney delivers.</p> 522<p>7. âBlackberryâ</p> 523<p>Truth is always stranger (and more entertaining) than fiction and Matt Johnsonâs âBlackBerryâ proves it. Starring Jay Baruchel, Glenn Howerton, and Johnson who also co-writes, we are taken back in time to the era of the BlackBerry phone and how it began, rose to being a powerhouse only to plummet to its death. The story is a crazy one and Johnson finds a way to create characters that are over-the-top yet believable while he embraces the humor in the ridiculousness of it all. This big business movie is mesmerizing and engaging as you wait for the final scenes.  You really don’t know the ending!</p> 524<p>6. âPast Livesâ</p> 525<p>Celine Song writes and directs an international story that everyone over 20 can relate to. Itâs the âwhat ifsâ of life. And if we could turn back the hands of time would we? Greta Lee stars as Nora, a y
525oung Asian woman whose family moved to the States when she was a child, leaving her best friend and crush Teo Yoo (Hae Sung) behind. Their lives take drastically different routes, but the roads soon intersect to see how they have changed as well as stayed the same. This is a beautifully quiet and introspective film filled with emotion as we watch Nora and Hae find solace with their current lives and choices. Additionally, John Magaroâs performance as Nora’s husband placed in a very uncomfortable situation is one of brilliant subtleties that connects us more deeply to the story. Once you see this film, youâll need to find the space and time to reflect on your own lifeâs choices and where you turned left or right at the crossroads.</p> 526<p>5. âStory Aveâ</p> 527<p>This film took a good 20 minutes to hook me, but once it did, you couldnât pull me away with a team of wild horses. Co-written and directed by Aristotle Torres, we meet a young teen, Kadir (Asante Blackk) whose guilt and circumstances drive him to the leader of a gang in NYC, Skemes (Melvin Gregg). Thrown into making a poor choice, he finds himself guided by Luis (Luis Guzman) whose own ghosts haunt his life as he attempts to make a positive impression upon Kadir. Together, Luis and Kadir navigate this rocky time, leaning on one another and pushing away to find the right answers for themselves. The ending left me breathless with tears streaming down my cheeks, completely satisfied with the gorgeous and meaningful film.</p> 528<p>4.  âNyadâ</p> 529<p>Yes, itâs true. Iâm turning 60 and this movie is all about this time period in one womanâs life: Diana Nyad played by Annette Bening. Refusing to succumb to the notion that the best is all behind her, she vows to do what she failed at doing 3 decades earlier; swim from Havana, Cuba to the Florida Keys. An incredible feat that no one had done before, Nyad trains and fails, but doesnât give up. Accompanied by her coach, Bonnie (Jodie Foster) and a small support team, we too become a part of her team as she swims endlessly, battling both Mother Nature and her creations as well as the nay-sayers. Beningâs sublime performance is unparalleled as she becomes the irascible yet tenacious middle-aged woman with a vision. Cinematically stunning, âNyadâ pulls you into the rocky waters so that you almost feel the waves crashing over you.  </p> 530<p>3. âBarbieâ</p> 531<p>Never would I have thought I would have loved (and I mean loved) a big budget movie about a Mattel doll even if I did have my very own Barbie and camper as a kid. This is a larger than life story written by Greta Gerwig and hubby Noah Baumbach, tackling societal stereotypes, and gender issues as well as the inherent inequities. âBarbieâ becomes an emotionally loaded yet still very funny look at our world and the expectations for women who have to âdo it allâ or âhave it all.â Costuming and production design are stellar, but the deft direction, intuitive acting, and a deeply meaningful script that consumed me and had me crying at least twice are what make this one of my top movies of the year.</p> 532<p>2. âFlora and Sonâ</p> 533<p>John Carney writes and directs (and creates original songs) in a story of a young mom, Flora (Eve Hewson) who isnât going to get the Mother of the Year Award any time soon as her teenage son Max (Oren Kinlan) finds himself on the verge of incarceration in Ireland. Looking to connect with her music-loving and -producing teen, Flora buys him a guitar only to have it land in her hands.  She then finds more than music lessons on-line from the California guitarist Jeff (Joseph Gordon-Levitt) as the lessons become a form of therapy.  We begin to understand Flora, revealing what itâs really like to be a mom in her situation, as she attempts to do better. The brutal honesty of motherhood and living life portrayed in this film is sometimes a gut-punch and at others a wake up to reality. Thereâs nothing flashy in this story and that is to its credit. Itâs beautiful, sweet, honest, and emotionally raw. I dare you not to love this film!</p> 534<p>âAmerican Fictionâ<br />
535This is the movie of the year. Cord Jefferson co-writes and directs the story of Thelonious Monk Ellison (Jeffrey Wright), an author who is struggling with his second book; the first wasnât exactly on the best-sellersâ list. Aghast at what is actually selling, particularly Sintara Goldenâs (Issa Rae) book about being poor and Black â capitalizing on the stereotypical Black experience as she writes in that vernacular â Monk uses a pseudonym and writes his own Black experience novel, seen through the eyes of a convict. You guessed itâ¦it becomes a best-seller. Disgusted by this popularity, Monk attempts to reckon his own reflection and how he perceives himself. We also delve into Monkâs family as his sister Lisa (Tracee Ellis Ross) and brother Clifford (Sterling K. Brown), both with their own stories, wrestle with an aging mother (Leslie Uggams) who suffers from dementia. If ever there was a movie that could open up the lines of communication to ask important questions about race and understanding, this is the one! With great performances and a complex script, this is a movie everyone should see.</p> 536<p>Tied for 11th Place are:</p> 537<p>“Are You There God? It’s Me, Margaret”</p> 538<p>“She Came to Me”</p> 539<p>“Tetris”</p> 540<p>“The Promised Land”</p> 541 </div> 542 <div class="entry-meta"> 543 Tags: <a href="https://reelhonestreviews.com/tag/american-fiction/" rel="tag">American Fiction</a>, <a href="https://reelhonestreviews.com/tag/anatomy-of-a-fall/" rel="tag">Anatomy of a Fall</a>, <a href="https://reelhonestreviews.com/tag/asante-blackk/" rel="tag">Asante Blackk</a>, <a href="https://reelhonestreviews.com/tag/barbie/" rel="tag">Barbie</a>, <a href="https://reelhonestreviews.com/tag/blackberry/" rel="tag">Blackberry</a>, <a href="https://reelhonestreviews.com/tag/eve-hewson/" rel="tag">Eve Hewson</a>, <a href="https://reelhonestreviews.com/tag/flora-and-son/" rel="tag">Flora and Son</a>, <a href="https://reelhonestreviews.com/tag/george-clooney/" rel="tag">George Clooney</a>, <a href="https://reelhonestreviews.com/tag/glenn-howerton/" rel="tag">Glenn Howerton</a>, <a href="https://reelhonestreviews.com/tag/greta-gerwig/" rel="tag">Greta Gerwig</a>, <a href="https://reelhonestreviews.com/tag/independent-films/" rel="tag">Independent Films</a>, <a href="https://reelhonestreviews.com/tag/jay-baruchel/" rel="tag">Jay Baruchel</a>, <a href="https://reelhonestreviews.com/tag/jeffrey-wright/" rel="tag">Jeffrey Wright</a>, <a href="https://reelhonestreviews.com/tag/john-carney/" rel="tag">John Carney</a>, <a href="https://reelhonestreviews.com/tag/luis-guzman/" rel="tag">Luis Guzman</a>, <a href="https://reelhonestreviews.com/tag/matt-johnson/" rel="tag">Matt Johnson</a>, <a href="https://reelhonestreviews.com/tag/movies/" rel="tag">Movies</a>, <a href="https://reelhonestreviews.com/tag/past-lives/" rel="tag">Past Lives</a>, <a href="https://reelhonestreviews.com/tag/ray-romano/" rel="tag">Ray Romano</a>, <a href="https://reelhonestreviews.com/tag/somewhere-in-queens/" rel="tag">Somewhere in Queens</a>, <a href="https://reelhonestreviews.com/tag/story-ave/" rel="tag">Story Ave</a>, <a href="https://reelhonestreviews.com/tag/the-boys-in-the-boat/" rel="tag">The Boys in the Boat</a>, <a href="https://reelhonestreviews.com/tag/top-films-2023/" rel="tag">Top Films 2023</a> </div> 544 </div> 545 <div class="post"> 546 <img width="1280" height="1932" src="https://reelhonestreviews.com/wp-content/uploads/2023/08/Screen-Shot-2023-08-11-at-1.53.28-PM.png" class="img-responsive wp-post-image" alt="" decoding="async" srcset="https://reelhonestreviews.com/wp-content/uploads/2023/08/Screen-Shot-2023-08-11-at-1.53.28-PM.png 1280w, https://reelhonestreviews.com/wp-content/uploads/2023/08/Screen-Shot-2023-08-11-at-1.53.28-PM-199x300.png 199w, https://reelhonestreviews.com/wp-content/uploads/2023/08/Screen-Shot-2023-08-11-at-1.53.28-PM-678x1024.png 678w, https://reelhonestreviews.com/wp-content/uploads/2023/08/Screen-Shot-2023-08-11-at-1.53.28-PM-768x1159.png 768w, https://reelhonestreviews.com/w
546p-content/uploads/2023/08/Screen-Shot-2023-08-11-at-1.53.28-PM-1018x1536.png 1018w" sizes="(max-width: 1280px) 100vw, 1280px" /> <!-- Display the Title as a link to the Post's permalink. --> 547 <h1><a href="https://reelhonestreviews.com/fall-tv-whats-worth-waiting-for/" rel="bookmark" title="Permanent Link to Fall TV: What’s Worth Waiting For"> 548 Fall TV: What’s Worth Waiting For </a></h1> 549 <small><span class="highlight"><i class="icon blog-date"></i> 550 September 12th, 2023 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 551 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 552 0 thoughts on “Fall TV: What’s Worth Waiting For” </span></small> 553 <!-- Display the Post's content in a div box. --> 554 <div class="entry"> 555 <p>Fall is in the air as the school buses are beginning their morning and afternoon routes, the tinge of red outlines the tops of the maple tree leaves, and the days aren’t lasting quite as long. While is sad to see the summer end, it’s exciting to anticipate the 2023 Fall TV season. Here’s what’s on my list of things to look forward to:</p> 556<p>1. Season 3 of “Only Murders in the Building” Episodes 1 and 2 are already streaming on Hulu. It’s a slow start and feels a bit stilted, but there’s so much more to come. “OMITB” has always delivered and I’m all in on betting it’ll rise to the occasion.</p> 557<p>2. Season 5 (Part I) of “Virgin River” begins September 7, 2023. Fans of the series will be able to binge 10 episodes of the first part of this new season, but they’ll have to wait for answers to burning questions with Part II for the remaining 2 episodes on Thursday, November 30, 2023. </p> 558<p>3. “Lessons in Chemistry” is an 8-part series adapted from the book of the same name. The Apple TV+ series stars Brie Larson as Elizabeth Zott, a chemist turned cooking show star, and premieres Friday, October 13 with the remaining 7 episodes dropping each Friday through November. </p> 559<p>4. Hooked on Fox’s “Animal Control” starring Joel McHale as the jaded former officer amidst a ragtag group of employees? Season 2 is slated to begin late in 2023…stay tuned for updates!</p> 560<p>5. Oui Oui! Netflix’s “Emily in Paris” Season 4 is on its way. The exact release date is not yet known, but a holiday release looks promising. This upbeat soap opera style light-hearted drama finds its way on to my top series to look forward to.</p> 561<p>6. “Abbott Elementary” had been set to premiere Season 3 in September, but sadly with the WGA strike we may not find out if Janine and Gregory get together or if Principal Coleman can keep her job as the Franklin Institute threatens her and the school’s future until well into 2024.</p> 562 </div> 563 <div class="entry-meta"> 564 </div> 565 </div> 566 <div class="post"> 567 <img width="1084" height="724" src="https://reelhonestreviews.com/wp-content/uploads/2019/04/GillianGreeneSliderImage.png" class="img-responsive wp-post-image" alt="" decoding="async" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/04/GillianGreeneSliderImage.png 1084w, https://reelhonestreviews.com/wp-content/uploads/2019/04/GillianGreeneSliderImage-300x200.png 300w, https://reelhonestreviews.com/wp-content/uploads/2019/04/GillianGreeneSliderImage-768x513.png 768w, https://reelhonestreviews.com/wp-content/uploads/2019/04/GillianGreeneSliderImage-1024x684.png 1024w" sizes="(max-width: 1084px) 100vw, 1084px" /> <!-- Display the Title as a link to the Post's permalink. --> 568 <h1><a href="https://reelhonestreviews.com/director-gillian-greene-on-comedy-fanboy-and-finding-humor-in-everyday-life/" rel="bookmark" title="Permanent Link to Director Gillian Greene on Comedy âFanboyâ and Finding Humor in Everyday Life"> 569 Director Gillian Greene on Comedy âFanboyâ and Finding Humor in Everyday Life </a></h1> 570 <small><span class="highlight"><i class="icon blog-date"></i> 571 April 15th, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 572 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a>, <a href="https://reelhonestreviews.com/category/review/" rel="category tag">Review</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 573 0 thoughts on “Director Gillian Greene on Comedy âFanboyâ and Finding Humor in Everyday Life” </span></small> 574 <!-- Display the Post's content in a div box. --> 575 <div class="entry"> 576 <p>Hollywood appears to be ground zero for #MeToo and #TimesUp which has opened the eyes of all and the doors for women, especially in creating director seats. While we still have a long way to go, one woman, Gillian Greene, whoâs been a part of Hollywood her entire life, is seated comfortably in that directorâs chair and released her short film âFanboyâ via Amazon on March 22. While the film was only meant to demonstrate her skills as a director to get work for feature films, Greene wanted to share this charming comedy about a South Carolina video store employee (Fran Kranz) who dreams of being in Sam Raimiâs sequel to âF
576or Love of the Gameâ and tries his hand at the Hollywood scene.</p> 577<p>The vivacious mother of five whoâs husband is Sam Raimi (âSpider-Manâ) and is the daughter of the beloved actor Lorne Greene (âBonanzaâ) spoke with me recently about making âFanboy,â her life, and whatâs next. (Edited for length and clarity.)</p> 578<p>To read the interview as it appears in the Monday, April 15, 2019 edition, go to <a href="https://cinemafemme.com/2019/04/15/director-gillian-greene-on-comedy-fanboy-and-finding-humor-in-everyday-life/?fbclid=IwAR17zJO5kx1VphuMPI3x5zwIpSUveeU4ULlJJ59YNvRrxUawICraBaUHdfg">CINEMA FEMME</a></p> 579 </div> 580 <div class="entry-meta"> 581 Tags: <a href="https://reelhonestreviews.com/tag/fan-boy/" rel="tag">Fan Boy</a>, <a href="https://reelhonestreviews.com/tag/gillian-greene/" rel="tag">Gillian Greene</a>, <a href="https://reelhonestreviews.com/tag/hollywood/" rel="tag">Hollywood</a>, <a href="https://reelhonestreviews.com/tag/sam-raimi/" rel="tag">Sam Raimi</a>, <a href="https://reelhonestreviews.com/tag/women-filmmakers/" rel="tag">Women Filmmakers</a> </div> 582 </div> 583 <div class="post"> 584 <img width="491" height="286" src="https://reelhonestreviews.com/wp-content/uploads/2019/04/mike-wallace.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/04/mike-wallace.jpg 491w, https://reelhonestreviews.com/wp-content/uploads/2019/04/mike-wallace-300x175.jpg 300w" sizes="auto, (max-width: 491px) 100vw, 491px" /> <!-- Display the Title as a link to the Post's permalink. --> 585 <h1><a href="https://reelhonestreviews.com/6111-2/" rel="bookmark" title="Permanent Link to 4th DOC10 Film Festival is right around the corner"> 586 4th DOC10 Film Festival is right around the corner </a></h1> 587 <small><span class="highlight"><i class="icon blog-date"></i> 588 April 9th, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 589 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a>, <a href="https://reelhonestreviews.com/category/review/" rel="category tag">Review</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 590 0 thoughts on “4th DOC10 Film Festival is right around the corner” </span></small> 591 <!-- Display the Post's content in a div box. --> 592 <div class="entry"> 593 <p>The Chicago Media Projectâs Doc10 Film Festival is gearing up for its fourth year with 10 award-winning documentaries from other film festivals, such as the prestigious 2019 Sundance Film Festival.</p> 594<p>The festival will take place April 11-14 in Lincoln Square at the Davis Theatre (4614 N. Lincoln Ave., Chicago). It will showcase thought-provoking films, a VR-RV (Virtual Reality), special panel discussions and workshops as well as opening and closing night parties.</p> 595<p>The films touch upon politics (âKnock Down The House,â âMike Wallace is Hereâ) and our current immigration system (âThe Infiltratorsâ) to environmental issues (âAnthropocene: The Human Epochâ) and religious beliefs (âHail Satan?â) and more.<br /> 596TO READ THE ARTICLE IN ITS ENTIRETY AS PUBLISHED IN THE APRIL 6 EDITION OF THE DAILY JOURNAL, GO TO<br /> 597<a href="https://www.daily-journal.com/life/entertainment/doc-film-festival-right-around-the-corner/article_bf6fe586-563c-11e9-b116-7b7f0f4caffb.html">THE DAILY JOURNAL</a></p> 598 </div> 599 <div class="entry-meta"> 600 </div> 601 </div> 602 <div class="post"> 603 <img width="1625" height="1104" src="https://reelhonestreviews.com/wp-content/uploads/2019/03/AARP.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/w
603p-content/uploads/2019/03/AARP.png 1625w, https://reelhonestreviews.com/wp-content/uploads/2019/03/AARP-300x204.png 300w, https://reelhonestreviews.com/wp-content/uploads/2019/03/AARP-768x522.png 768w, https://reelhonestreviews.com/wp-content/uploads/2019/03/AARP-1024x696.png 1024w" sizes="auto, (max-width: 1625px) 100vw, 1625px" /> <!-- Display the Title as a link to the Post's permalink. --> 604 <h1><a href="https://reelhonestreviews.com/grandmas-get-a-new-chance-at-love-in-new-aarp-web-series/" rel="bookmark" title="Permanent Link to Grandmas get a new chance at love in new AARP web series"> 605 Grandmas get a new chance at love in new AARP web series </a></h1> 606 <small><span class="highlight"><i class="icon blog-date"></i> 607 March 29th, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 608 <a href="https://reelhonestreviews.com/category/interviews/" rel="category tag">Interviews</a>, <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 609 0 thoughts on “Grandmas get a new chance at love in new AARP web series” </span></small> 610 <!-- Display the Post's content in a div box. --> 611 <div class="entry"> 612 <p>Reality television finds a new twist with the digital series âDate My Grandmaâ now streaming on AARPâs YouTube channel. This adorable, positive and often-times funny reality dating show âcelebrates love, family and companionship.â</p> 613<p>The six episodes, now available to view, can be seen at datemygram.com.</p> 614<p>I recently spoke with Vice President and Executive Producer of AARP Studios Jeffrey Eagle, who shared the behind-the-scenes stories and his hopes for this show and more to come. (Edited for space and clarity.)</p> 615<p>Pamela Powell (PP): How did you come up with this concept?</p> 616<p>Jeffrey Eagle (JE): Weâre always trying to look at ways to celebrate people and their lives in whatever life transition theyâre in, but a keen focus on 50-plus [population]. AARP, in trying to speak to its 38 million members in terms of what theyâre interested in, have long talked about companionship, relationships, social isolation, and we just thought what an interesting way to tap into a topic like dating. As we talk multiculturally, but also multigenerationally, how fun would it be to involve grandchildren?<br /> 617To read the interview in its entirety as published in the March 28, 2019 edition of The Daily Journal, go to <a href="https://www.daily-journal.com/life/entertainment/grandmas-get-a-new-chance-at-love-in-new-aarp/article_ac08e908-5000-11e9-be00-0ffcfa6ccb3e.html">THE DAILY JOURNAL</a></p> 618 </div> 619 <div class="entry-meta"> 620 Tags: <a href="https://reelhonestreviews.com/tag/aarp/" rel="tag">AARP</a>, <a href="https://reelhonestreviews.com/tag/aging/" rel="tag">Aging</a>, <a href="https://reelhonestreviews.com/tag/dating/" rel="tag">dating</a>, <a href="https://reelhonestreviews.com/tag/reality-television/" rel="tag">reality television</a>, <a href="https://reelhonestreviews.com/tag/relationships/" rel="tag">relationships</a>, <a href="https://reelhonestreviews.com/tag/web-series/" rel="tag">Web series</a> </div> 621 </div> 622 <div class="post"> 623 <img width="675" height="1000" src="https://reelhonestreviews.com/wp-content/uploads/2019/02/fwmf.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/02/fwmf.jpg 675w, https://reelhonestreviews.com/wp-content/uploads/2019/02/fwmf-203x300.jpg 203w" sizes="auto, (max-width: 675px) 100vw, 675px" /> <!-- Display the Title as a link to the Post's permalink. --> 624 <h1><a href="https://reelhonestreviews.com/an-interview-with-stephen-merchant-fighting-with-my-family/" rel="bookmark" title="Permanent Link to An Interview with Stephen Merchant, “Fighting With My Family”"> 625 An Interview with Stephen Merchant, “Fighting With My Family” </a></h1> 626 <small><span class="highlight"><i class="icon blog-date"></i> 627 February 20th, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 628 <a href="https://reelhonestreviews.com/category/interviews/" rel="category tag">Interviews</a>, <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 629 0 thoughts on “An Interview with Stephen Merchant, “Fighting With My Family”” </span></small> 630 <!-- Display the Post's content in a div box. --> 631 <div class="entry"> 632 <p>âFighting With My Family,â based on a true story written and directed by Stephen Merchant (âThe Officeâ), is a humorous yet meaningful film about a wrestling family, the Knights, whose lives and dreams change as young Paige (Florence Pugh), gets the opportunity to become the next WWE champion.</p> 633<p>Dwayne âThe Rockâ Johnson not only has a great part in the film, he is to thank for giving Merchant this seed of an idea. While the movie premiered at the Sundance Film Festival, Merchant was also in Chicago, where I spoke with him at length about creating the film.</p> 634<p>Questions and answers are edited for length and clarity.</p> 635<p>Pamela Powell (PP): Congratulations on your Sundance premiere. First, tell me how you became aware of this story?</p> 636<p>SM: Itâs all because of The Rock. He was in the UK making âFast and Furious 6.â He couldnât sleep one night, and there it was… a documentary about this crazy family from Norwich, and because heâs from a wrestling world and a wrestling family, he related to it. I think somewhere along the line, he realized it had a ready-made, built-in Rocky underdog story thatâs just waiting to become a movie. [He wanted someone with] British sensibility to write it because he knew it was a British family⦠so, he came to me.</p> 637<p>PP: So, we can thank The Rockâs insomnia for this great story.</p> 638<p>To read the interview in its entirety as it was published in The Daily Journal, Feb. 16, 2019, go to <a href="https://www.daily-journal.com/life/entertainment/q-a-with-fighting-with-my-family-writer-and-director/article_4ffa2bfc-2efb-11e9-a216-5bb1e4d9b71a.html">THE DAILY JOURNAL</a></p> 639 </div> 640 <div class="entry-meta"> 641 </div> 642 </div> 643 <div class="post"> 644 <img width="800" height="548" src="https://reelhonestreviews.com/w
644p-content/uploads/2019/01/Slamdance2019dateslabel_800.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/01/Slamdance2019dateslabel_800.png 800w, https://reelhonestreviews.com/wp-content/uploads/2019/01/Slamdance2019dateslabel_800-300x206.png 300w, https://reelhonestreviews.com/wp-content/uploads/2019/01/Slamdance2019dateslabel_800-768x526.png 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /> <!-- Display the Title as a link to the Post's permalink. --> 645 <h1><a href="https://reelhonestreviews.com/the-2019-slamdance-hot-list/" rel="bookmark" title="Permanent Link to The 2019 Slamdance Hot List"> 646 The 2019 Slamdance Hot List </a></h1> 647 <small><span class="highlight"><i class="icon blog-date"></i> 648 January 23rd, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 649 <a href="https://reelhonestreviews.com/category/film-festivals/" rel="category tag">Film Festivals</a>, <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 650 0 thoughts on “The 2019 Slamdance Hot List” </span></small> 651 <!-- Display the Post's content in a div box. --> 652 <div class="entry"> 653 <p>The 2019 Slamdance Film Festival will open its doors at the top of Main St. in Park City, Utah at the Treasure Mountain Inn on Jan. 25 and run through Jan. 31st. This intimate, competitive, and ever-growing festival gives independent filmmakers and fans of creative films, many of which push the boundaries in both topic matter and style, a different lens with which to view them. And many of these films will be picked up for distribution and just might be the start for the next Christopher Nolan. </p> 654<p>If you’re in Park City, this is a festival not to be missed and here are my top picks so far:</p> 655<p>HAPPY FACE:<br /> 656In the superficial world in which we live, looks determine not only how others perceive us, but even who we are. Co-written and directed by Alexandre Franchi, âHappy Faceâ tackles this subject, introducing us to a teenager, struggling with his motherâs diagnosis of cancer that will result in a resection of her face. Joining a patient support group for those who have congenital anomalies or resulting disfigurements from an accident, he disguises himself to fit in. This is an eye-opening look into our own reactions and perceptions of those who may not initially be physically perfect. With no make up, these real people eloquently tell their own stories in this fictional tale. <img loading="lazy" decoding="async" src="https://reelhonestreviews.com/wp-content/uploads/2019/01/happy-face-215x300.jpg" alt="" width="215" height="300" class="alignnone size-medium wp-image-5972" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/01/happy-face-215x300.jpg 215w, https://reelhonestreviews.com/wp-content/uploads/2019/01/happy-face.jpg 715w" sizes="auto, (max-width: 215px) 100vw, 215px" /><br /> 657<a href="https://www.imdb.com/title/tt6470028/videoplayer/vi4069898777">TRAILER </a></p> 658<p>THE VAST OF NIGHT:<br /> 659Mystery and intrigue are at their highest as the residents of a small town are distracted by a local basketball game. Only a switchboard operator and a radio DJ have an inkling that something is askew. Written by James Montague and Craig Dietrich, and directed by Andrew Patterson, the film stars Sierra McCormick and Jake Horowtitz in this âsci-fi adventureâ film. </p> 660<p>HURRY SLOWLY:<br /> 661 One fateful summer, Fiona and her cognitively impaired brother set a course that will slowly change their futures. Written by Anders Emblem and starring Amalie Ibsen Jensen and David Jakobsen, this Norwegian story promises to connect our own lives with theirs as it dissects family and individuality as it relates to responsibility. </p> 662<p>IMPETUS:<br /> 663Written and directed by Jennifer Alleyn the lines of filmmaking and reality are blurred to create a surreal story of love, loss and what drives us forward. With an experimental and sensual feel, the film finds a common thread, stitching themes together into one glorious tapestry of a story.<br /> 664<img loading="lazy" decoding="async" src="https://reelhonestreviews.com/w
664p-content/uploads/2019/01/impetus-197x300.jpg" alt="" width="197" height="300" class="alignnone size-medium wp-image-5970" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/01/impetus-197x300.jpg 197w, https://reelhonestreviews.com/wp-content/uploads/2019/01/impetus.jpg 658w" sizes="auto, (max-width: 197px) 100vw, 197px" /></p> 665<p>LOST HOLIDAY:<br /> 666A crazy, fast-paced story about Margaret (Kate Lyn Sheil) and Daryl (Joshua Leonard) who attempt to solve the mystery of a missing friend. Their antics and issues of past love interests intersect, sometimes creating a roadblock in finding their friend. What they ultimately find creates even more surprises, many of which they might not be ready or able to handle.<br /> 667<img loading="lazy" decoding="async" src="https://reelhonestreviews.com/wp-content/uploads/2019/01/lost-holiday-212x300.jpg" alt="" width="212" height="300" class="alignnone size-medium wp-image-5971" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/01/lost-holiday-212x300.jpg 212w, https://reelhonestreviews.com/wp-content/uploads/2019/01/lost-holiday.jpg 706w" sizes="auto, (max-width: 212px) 100vw, 212px" /></p> 668<p>WE ARE THANKFUL:<br /> 669The film is part real life and part re-enactment, promising to entertain and connect us with the residents in a village a world away in South Africa. Showing the power of film and filmmaking, Siyabonga Majola wants nothing more than to be in a movie and as luck would have it, one is being filmed nearby. What lengths will he go to in order to make his dreams come true? Interestingly, this film is also re-enacted by the very people who experienced what happened that fateful year.</p> 670<p>DONS OF DISCO:<br /> 671If you thought Disco was dead, think again as âDons of Discoâ powers into Slamdance. This documentary is filled with comedy and music as it discovers the identity behind the artist Den Harrow. Part mystery, party history, director Jonathan Sutak will give audiences plenty to ponder during film and after the credits roll.</p> 672<p>MEMPHIS ’69:<br /> 673Following along the beat of music is âMemphis â69.â The 4th annual Country Blues Festival took place in Memphis. It was an historic event and until recently, the color footage had not been located. Now, almost 50 years later, we see the talent of blues masters such as Sleepy John Estes and Nathan Beauregard and many more, in full color footage. These legends and the amalgam of people who loved them are restored and brought back to life thanks to this discovery.</p> 674<p>Check out the full schedule of films which include shorts, features, documentaries and exclusive to Slamdance, “Anarchy Shorts.” Tickets are affordable and the venue is small and welcoming. <a href="https://slamdance2019.eventive.org/films">SLAMDANCE SCHEDULE</a></p> 675 </div> 676 <div class="entry-meta"> 677 Tags: <a href="https://reelhonestreviews.com/tag/dons-of-disco/" rel="tag">Dons of Disco</a>, <a href="https://reelhonestreviews.com/tag/film-festivals/" rel="tag">Film Festivals</a>, <a href="https://reelhonestreviews.com/tag/happy-face/" rel="tag">Happy Face</a>, <a href="https://reelhonestreviews.com/tag/impetus/" rel="tag">Impetus</a>, <a href="https://reelhonestreviews.com/tag/lost-holiday/" rel="tag">Lost Holiday</a>, <a href="https://reelhonestreviews.com/tag/park-city/" rel="tag">Park City</a>, <a href="https://reelhonestreviews.com/tag/slamdance/" rel="tag">Slamdance</a> </div> 678 </div> 679 <div class="post"> 680 <img width="863" height="479" src="https://reelhonestreviews.com/wp-content/uploads/2019/01/Screen-Shot-2019-01-15-at-4.02.46-PM.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/01/Screen-Shot-2019-01-15-at-4.02.46-PM.png 863w, https://reelhonestreviews.com/wp-content/uploads/2019/01/Screen-Shot-2019-01-15-at-4.02.46-PM-300x167.png 300w, https://reelhonestreviews.com/wp-content/uploads/2019/01/Screen-Shot-2019-01-15-at-4.02.46-PM-768x426.png 768w" sizes="auto, (max-width: 863px) 100vw, 863px" /> <!-- Display the Title as a link to the Post's permalink. --> 681 <h1><a href="https://reelhonestreviews.com/5950-2/" rel="bookmark" title="Permanent Link to A Sneak Peek At Sundance Film Festival 2019"> 682 A Sneak Peek At Sundance Film Festival 2019 </a></h1> 683 <small><span class="highlight"><i class="icon blog-date"></i> 684 January 15th, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 685 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 686 0 thoughts on “A Sneak Peek At Sundance Film Festival 2019” </span></small> 687 <!-- Display the Post's content in a div box. --> 688 <div class="entry"> 689 <p>Itâs that time of year…Itâs time to Sundance! The prestigious film festival founded by Robert Redford to help develop a safe and nurturing space for independent filmmaking has morphed into a high-profile Hollywood scene. While still trying to hold on to its roots, and last year we saw evidence of this, the festival reportedly reeled in a record-breaking number of submissions this year: 14,259 films from 152 countries. The 2019 Sundance Film Festival (SFF) will take place January 24th through February 3rd.<br /> 690To read the article in its entirety, go<br /> 691<a href="https://view.joomag.com/fete-lifestyle-magazine-january-2019-success-issue/0465362001546974381?token=xBd7xtAGSSqOjuMAXE079E0J2JAINuKqmFxojx7ZgsFw6PujtbJKflD8HvdW%2BvQSg4nKRfvUbgjFlSzll42dtmaxlJd9dnqsAkL6roI1TI0AkOcIKXj%2F8s07xjYO27sZbzTtGbayZgc9ULj5vMZ2k9aQTVEaS1A32tKbmDgNTZAHvIwlbKzMBfBr8RsaAYqhj2qJ8SlQf8D6FzCCzzzcUQ%3D%3D&ref=email" rel="noopener noreferrer" target="_blank">HERE</a></p> 692 </div> 693 <div class="entry-meta"> 694 </div> 695 </div> 696 <div class="post"> 697 <img width="1000" height="750" src="https://reelhonestreviews.com/w
697p-content/uploads/2019/01/CinemaJaw.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/01/CinemaJaw.png 1000w, https://reelhonestreviews.com/wp-content/uploads/2019/01/CinemaJaw-300x225.png 300w, https://reelhonestreviews.com/wp-content/uploads/2019/01/CinemaJaw-768x576.png 768w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /> <!-- Display the Title as a link to the Post's permalink. --> 698 <h1><a href="https://reelhonestreviews.com/cinemajaws-best-female-actresses-of-2018/" rel="bookmark" title="Permanent Link to CINEMAJAW’s Best Female Actresses of 2018"> 699 CINEMAJAW’s Best Female Actresses of 2018 </a></h1> 700 <small><span class="highlight"><i class="icon blog-date"></i> 701 January 7th, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 702 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 703 0 thoughts on “CINEMAJAW’s Best Female Actresses of 2018” </span></small> 704 <!-- Display the Post's content in a div box. --> 705 <div class="entry"> 706 707<p class="wp-block-paragraph"><em>Reviewed this episode: On the Basis of Sex</em><em>Trivia: Best Actress Movie Trivia<br></em><em>CinemaWAR: What is a better courtroom movie â The People v. Larry Flynt or A Few Good Men?<br></em><em>Sponsored by: Cards Against Humanity</em></p> 708 709 710 711<p class="wp-block-paragraph">Our wrap up of 2018 continues with our Top 5 Female Performances of the year. 2018 was one HELL of a year in film. Perhaps the very best in CinemaJaw history. This week we take a look at the women who gave film performances that helped make this past year what it is.</p> 712 713 714 715<p class="wp-block-paragraph">Joining us is a woman who loves to examine film from the feminine perspective. <a href="https://twitter.com/pamelapowell9" target="_blank" rel="noreferrer noopener">Pamela Powel</a> has been on the film beat for nearly a decade. With shows on radio, television and the internet, she is a true voice in film criticism. We are proud to call her a friend of the show!<br></p> 716 717 718 719<p class="wp-block-paragraph">To listen to the podcast, go to <a href="http://cinemajaw.com/wordpress/cinemajaw-404-pamela-powell-best-female-performances-of-2018/">http://cinemajaw.com/wordpress/cinemajaw-404-pamela-powell-best-female-performances-of-2018/</a></p> 720 </div> 721 <div class="entry-meta"> 722 Tags: <a href="https://reelhonestreviews.com/tag/bestactress/" rel="tag">BestActress</a>, <a href="https://reelhonestreviews.com/tag/careymulligan/" rel="tag">CareyMulligan</a>, <a href="https://reelhonestreviews.com/tag/chuckkoplinski/" rel="tag">ChuckKoplinski</a>, <a href="https://reelhonestreviews.com/tag/cinemajaw/" rel="tag">Cinemajaw</a>, <a href="https://reelhonestreviews.com/tag/favourite/" rel="tag">Favourite</a>, <a href="https://reelhonestreviews.com/tag/mattkubinski/" rel="tag">MattKubinski</a>, <a href="https://reelhonestreviews.com/tag/reginaking/" rel="tag">ReginaKing</a>, <a href="https://reelhonestreviews.com/tag/ronan/" rel="tag">Ronan</a>, <a href="https://reelhonestreviews.com/tag/wildlife/" rel="tag">Wildlife</a> </div> 723 </div> 724 <div class="post"> 725 <img width="1170" height="780" src="https://reelhonestreviews.com/wp-content/uploads/2019/01/RBG-Doc.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2019/01/RBG-Doc.png 1170w, https://reelhonestreviews.com/wp-content/uploads/2019/01/RBG-Doc-300x200.png 300w, https://reelhonestreviews.com/wp-content/uploads/2019/01/RBG-Doc-768x512.png 768w, https://reelhonestreviews.com/wp-content/uploads/2019/01/RBG-Doc-1024x683.png 1024w" sizes="auto, (max-width: 1170px) 100v
725w, 1170px" /> <!-- Display the Title as a link to the Post's permalink. --> 726 <h1><a href="https://reelhonestreviews.com/best-documentaries-of-2018/" rel="bookmark" title="Permanent Link to Best Documentaries of 2018"> 727 Best Documentaries of 2018 </a></h1> 728 <small><span class="highlight"><i class="icon blog-date"></i> 729 January 1st, 2019 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 730 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a>, <a href="https://reelhonestreviews.com/category/review/" rel="category tag">Review</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 731 0 thoughts on “Best Documentaries of 2018” </span></small> 732 <!-- Display the Post's content in a div box. --> 733 <div class="entry"> 734 735<p class="wp-block-paragraph">I cannot recall a more emotional, educational, and enlightening year in documentary filmmaking. 2018 may forever be remembered as the best in this genre as it tackled important political, global, social and even strange topics, allowing us to walk in another’s shoes, creating empathy and understanding, and most importantly, broadening our horizons as we see the world through a wider lens.</p> 736 737 738 739<p class="wp-block-paragraph">10. MINDING THE GAP by Bing Liu depicts three young men who bond and support one another via skateboarding. Their stories diverge as they grow, highlighting their environment and family background as they find resiliency to rise above.</p> 740 741 742 743<p class="wp-block-paragraph">9. FREE SOLO might be one of the most nerve-racking documentaries I’ve seen as I watched a young man, Alex Honnold, “train” to climb the face of El Capitan in Yosemite without any safety ropes. Stunning cinematography punctuate this death-defying endeavor with an unusual backstory. To describe it as gripping is both a pun and an understatement! Directed by Jimmy Chin and Elizabeth Chai Vasarhelyi. <a href="https://www.imdb.com/name/nm1888091/?ref_=tt_ov_dr">E</a></p> 744 745 746 747<p class="wp-block-paragraph">8. ON HER SHOULDERS tells the inspiring story of Nadia Murad who defied the social and gender confines of her culture and enlightened the world. With her efforts, this young woman, sometimes reluctantly-so is changing our understanding of ISIS, equality, and humanity. Directed by Alexandria Bombach.</p> 748 749 750 751<p class="wp-block-paragraph">7. PICK OF THE LITTER gives us insight into what it takes to become a guide dog for the blind. The dynamic filmmaking duo, Dana Nachman and Don Hardy, partner up again to tug on our heartstrings and keep us on the edge of our seats as we watch and root for these puppies who vie for giving a human the much-needed independence. It’s a captivatingly beautiful story that connects you with these pups, their training families, and with those who need their services.</p> 752 753 754 755<p class="wp-block-paragraph">6. SCIENCE FAIR gives us hope in our future leaders as filmmakers Cristina Constantini and Darren Foster follow nine young high school students as they attempt to be “Best in Fair.” This age is a complicated one, but compounding the typical emotional ups and downs is the heavy burden to prove you’re the most intelligent. “Science Fair” is a riveting story with humor as these kids race to the finish line.</p> 756 757 758 759<p class="wp-block-paragraph">5. DIVIDE AND CONQUER: THE STORY OF ROGER AILES will awaken your senses as you begin to understand who the founder of Fox News was. The filmmaker, Alexis Bloom, creates a compelling story using found footage, childhood photos, and interviews from those who knew him best. As the story progresses, we see his true colors, changing the course of history for individuals as well as the United States.</p> 760 761 762 763<p class="wp-block-paragraph">4. WON’T YOU BE MY NEIGHBOR is one of the most timely and heartwarming documentaries of the year as it depicts Fred Rogers’ life. Whether or not you were a fan of “Mr. Roger’s Neighborhood” as a child, this film will inspire you and remind you of what’s truly important in life as you see this man’s life-long endeavor to help children in a volatile world. Have tissues handy! Directed by Morgan Neville</p> 764 765 766 767<p class="wp-block-paragraph">3. THREE IDENTICAL STRANGERS begins as a sweet and coincidental story that takes heart-wrenching and unbelievable turns, creating an incredibly bizarre and disturbing story. Triplets, separated “at birth,” are reunited, but the circumstances under which these babies were taken is the core of the story. Reminiscent of human experimentation, it’s an inconceivable unfolding of events with dire consequences. Directed by Tim Wardle</p> 768 769 770 771<p class="wp-block-paragraph">2. LOVE, GILDA is first-time feature filmmaker Lisa D’Apolito’s uplifting and comedic project showcasing the life of Gilda Radner. While the young comic’s life was cut short by cancer, D’Apolito brings her back to life with found footage of Radner’s childhood, photographs, and readings from her journal. Radner’s unique voice is heard as we are reminded of the importance of love and laughter. Available on CNN Jan. 1</p> 772 773 774 775<p class="wp-block-paragraph">
775RBG, directed by Betsy West and Julie Cohen, finds its way into the number 1 position, depicting the life of Supreme Court Justice Ruth Bader Ginsberg. This is nothing like what you might expect a film about a Justice to be as it is filled with wonderful humor, great sadness, compassion, and at its core, this is a love story. West and Cohen allow us into Ginsberg’s remarkable life creating a story about a true super hero who changed the world for women and equality. Her story is an important one to know and one which will inspire future generations of young women to stand up and be heard. After viewing “RBG,” be sure to see “On the Basis of Sex,” starring Felicity Jones and Armie Hammer and directed by Mimi Leder. To read my interview with Cohen and West for FF2 Media, go to <a href="https://ff2media.com/blog/2018/04/30/rbg-documents-extraordinary-life-of-ruth-bader-ginsburg/">https://ff2media.com/blog/2018/04/30/rbg-documents-extraordinary-life-of-ruth-bader-ginsburg/</a></p> 776 777 778 779<p class="wp-block-paragraph">TIED FOR 11th PLACE: With so many great docs, it was tough to stick to just 10, so here are a few more to put on your list to see: FUNNY TWEETS by Laurie McGuinness, SOCIAL ANIMALS by Jonathan Ignatius Green, FAHRENHEIT 11/9 by Michael Moore, and DARK MONEY by Kimberly Reed.</p> 780 </div> 781 <div class="entry-meta"> 782 Tags: <a href="https://reelhonestreviews.com/tag/documentaries/" rel="tag">Documentaries</a>, <a href="https://reelhonestreviews.com/tag/freesolo/" rel="tag">FreeSolo</a>, <a href="https://reelhonestreviews.com/tag/gildaradner/" rel="tag">GildaRadner</a>, <a href="https://reelhonestreviews.com/tag/justiceginsberg/" rel="tag">JusticeGinsberg</a>, <a href="https://reelhonestreviews.com/tag/lovegilda/" rel="tag">LoveGilda</a>, <a href="https://reelhonestreviews.com/tag/michaelmoore/" rel="tag">MichaelMoore</a>, <a href="https://reelhonestreviews.com/tag/mindingthegap/" rel="tag">MindingtheGap</a>, <a href="https://reelhonestreviews.com/tag/onhershoulders/" rel="tag">OnHerShoulders</a>, <a href="https://reelhonestreviews.com/tag/rbg/" rel="tag">RBG</a> </div> 783 </div> 784 <div class="post"> 785 <img width="556" height="326" src="https://reelhonestreviews.com/wp-content/uploads/2018/12/Screen-Shot-2018-12-24-at-9.41.59-AM.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/12/Screen-Shot-2018-12-24-at-9.41.59-AM.png 556w, https://reelhonestreviews.com/wp-content/uploads/2018/12/Screen-Shot-2018-12-24-at-9.41.59-AM-300x176.png 300w" sizes="auto, (max-width: 556px) 100vw, 556px" /> <!-- Display the Title as a link to the Post's permalink. --> 786 <h1><a href="https://reelhonestreviews.com/the-best-of-2018/" rel="bookmark" title="Permanent Link to The Best of 2018"> 787 The Best of 2018 </a></h1> 788 <small><span class="highlight"><i class="icon blog-date"></i> 789 December 24th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 790 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a>, <a href="https://reelhonestreviews.com/category/review/" rel="category tag">Review</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 791 0 thoughts on “The Best of 2018” </span></small> 792 <!-- Display the Post's content in a div box. --> 793 <div class="entry"> 794 795<p class="wp-block-paragraph">This year, from my vantage point, has provided some of the most inspiring and poignant films in recent memory. From documentaries punctuating the fact that truth is many times stranger than fiction and stories that give us hope to narrative features integrating politics, the environment, religion and accentuating the need for identity, it’s been a remarkable year. </p> 796 797 798 799<p class="wp-block-paragraph">As I began to compile my “best of” list, I had more than 30 films so I created 2 categories: Best Feature Film and Best Documentaries. It seemed only fair. But even separating them into categories didn’t help as much as I had wanted. Many of my choices which didn’t make it, toggled back and forth between the top ten slots and as my film critic partner Chuck Koplinski says, “Tied for 11th place.” The “winners” who made it into my top 10 were the films that in addition to being a great story told well (as Robert Redford always says), these are films which moved me the most and still evoke an emotional response even after viewing it more than once. All of my “tied for 11th place” choices are great movies with amazing performances and outstanding cinematography, but the final decision weighed upon the lasting effects of the film.</p> 800 801 802 803<p class="wp-block-paragraph">BEST FEATURE FILMS</p> 804 805 806 807<p class="wp-block-paragraph">10. WHAT THEY HAD: Elizabeth Chomko’s writing and directorial debut depicts a family’s struggle with “doing what’s best” or Ruth (Blythe Danner) whose dementia is worsening. Hilary Swank and Michael Shannon create a realistic sibling relationship as they attempt and frequently fail at agreeing on Mom’s care and Robert Forster gives us a remarkably memorable performance as Ruth’s husband.</p> 808 809 810 811<p class="wp-block-paragraph">9. PUZZLE: Polly Mann and Oren Moverman recreate the Argentinian story of Agnes (Kelly Macdonald) whose insulated life as a mother and wife is awakened as she discovers a world outside of her own. Mark Turtletaub directs this deeply layered story with religious elements and parallels that pushes the boundaries of storytelling.</p> 812 813 814 815<p class="wp-block-paragraph">8.
815 CAPERNAUM: Taking place in Lebanon, a streetwise kid is suing his parents for neglect. The film takes us on his harrowing journey that landed him behind bars and in the situation at hand. Nadine Labaki directs young Zain Al Rafeea who gives a soulful performance that haunts you long after the credits roll. </p> 816 817 818 819<p class="wp-block-paragraph">7. ROMA: Alfonso Cuaron pays homage to the strong women in his life, his mother, grandmother, and a live-in servant, in this sometimes surreal and always poignant memoir. Cuaron finds a way to reinvent filmmaking with “Roma” as he finds and showcases the extraordinary talents of newcomer Yalitza Aparicio.</p> 820 821 822 823<p class="wp-block-paragraph">6. THE GUILTY: Gustov Moller writes and directs this one-man show taking place in a single room, but thanks to succinct and descriptive writing, your mind takes you to several location as you insert the various characters into the film. Jakob Cedergren creates the role of Ashgar, a dispatch police officer who receives a call from a kidnapped woman. His own baggage finds its way into the unfolding and incredibly tense story that has you on the edge of your seat, unable to predict the upcoming twists and turns.</p> 824 825 826 827<p class="wp-block-paragraph">5. AMERICAN ANIMALS: Unique storytelling techinques find their way into this film as Bart Layton recreates a Lexington, KY Transylvania University library heist. Editing is key in this strange yet true story and Layton is a master as we watch these character spiral slowly downward. Inserting interviews with the actual characters elevates the incredible story to make this one of the most entertaining and unusual films of the year.</p> 828 829 830 831<p class="wp-block-paragraph">4. CAN YOU EVER FORGIVE ME?: The world seems to provide many strange stories for filmmakers to bring to the masses and Nicole Holefcener has found Lee Israel, a writer who’s hit rock bottom and finds she is quite talented in the art of forgery. Marielle Heller directs Melissa McCarthy and Richard E. Grant as unlikely friends and business partners, each attempting to find meaning in their lives. McCarthy is able to show us her dramatic talents in this complex and beautiful role while Grant uses his authenticity and style to give balance and provide levity and love in this heartfelt story.</p> 832 833 834 835<p class="wp-block-paragraph">3. MARY QUEEN OF SCOTS: Josie Rourke directs Saoirse Ronan and Margot Robbie who portray royal sisters, Queen Mary and Queen Elizabeth I, respectively. Rourke brings history to life as we gain insight and understanding to a story of greed, power, and love all effected by religion and gender. Ronan and Robbie are extraordinary as we learn about the centuries-old story of sisterly rivalry.</p> 836 837 838 839<p class="wp-block-paragraph">2. FIRST REFORMED: Paul Schrader writes and directs Ethan Hawke as a pastor wrestling his inner demons and understanding of life, religion, politics, and the doomed environment. It’s an exquisite and eloquent story of hope versus despair pushing your intellectual and emotional breaking point to its limits. This is, by far, Hawke’s best performance.</p> 840 841 842 843<ol class="wp-block-list"><li> WILDLIFE: Zoe Kazan and Paul Dano write the screenplay while Dano takes the director’s chair to tell the story of a young teen watching and dealing with his parents’ failing marriage. Ed Oxenbould gives an Oscar-worthy performance of a boy who must grow up and understand his circumstances at much too early of an age. Carey Mulligan’s performance is equally complicated and extraordinary as the flawed wife and mother who must find independence. As a viewer, it’s difficult to watch the life-altering decisions, yet the characters are so rich that you immediately understand their every thought. “Wildlife” is a film to watch and dissect each and every scene, learning what drives the characters and how the subtle and nuanced performances convey these emotions.</li></ol> 844 845 846 847<p class="wp-block-paragraph">Watch for an upcoming article for the Top 10 Documentaries of 2018!</p> 848 </div> 849 <div class="entry-meta"> 850 Tags: <a href="https://reelhonestreviews.com/tag/best-of-2018/" rel="tag">Best of 2018</a>, <a href="https://reelhonestreviews.com/tag/films/" rel="tag">Films</a> </div> 851 </div> 852 <div class="post"> 853 <img width="1167" height="683" src="https://reelhonestreviews.com/w
853p-content/uploads/2018/12/conrad.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/12/conrad.jpg 1167w, https://reelhonestreviews.com/wp-content/uploads/2018/12/conrad-300x176.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/12/conrad-768x449.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/12/conrad-1024x599.jpg 1024w" sizes="auto, (max-width: 1167px) 100vw, 1167px" /> <!-- Display the Title as a link to the Post's permalink. --> 854 <h1><a href="https://reelhonestreviews.com/an-interview-with-jennifer-karum/" rel="bookmark" title="Permanent Link to An Interview with Jennifer Karum"> 855 An Interview with Jennifer Karum </a></h1> 856 <small><span class="highlight"><i class="icon blog-date"></i> 857 December 20th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 858 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 859 0 thoughts on “An Interview with Jennifer Karum” </span></small> 860 <!-- Display the Post's content in a div box. --> 861 <div class="entry"> 862 863<p class="wp-block-paragraph">Autism is a word that in todayâs schools and society we hear quite often. Our own hometown of Kankakee has, for years, supported Autism Speaks through the Kilbride Family Classic, now known as the Run for Autism.</p> 864 865 866 867<p class="wp-block-paragraph">And through supportive programs such as the Merchant Street Art Gallery of Artists with Autism, the public gets a chance to better appreciate the talents of a population that affects more than 3.5 million Americans, according to the Autism Society.</p> 868 869 870 871<p class="wp-block-paragraph">You might be wondering how autism and film are related as your local film critic is writing this story.</p> 872 873 874 875<p class="wp-block-paragraph">The answer is not only an easy one, but an inspiring one: Jennifer Karum. Through Chicago networking, Karum connected with me about a web series, âConrad,â she created and recently premiered at the Gene Siskel Film Center.</p> 876 877 878 879<p class="wp-block-paragraph">Through numerous conversations and a formal interview recently, Karum shared her thoughts about growing up and her current accomplishments. Hereâs what she had to say.</p> 880 881 882 883<p class="wp-block-paragraph">To read the interview in its entirety, go to <a href="https://www.daily-journal.com/life/entertainment/q-a-with-conrad-s-jennifer-karum/article_83851c40-023a-11e9-974c-0fe795333f39.html">https://www.daily-journal.com/life/entertainment/q-a-with-conrad-s-jennifer-karum/article_83851c40-023a-11e9-974c-0fe795333f39.html</a></p> 884 </div> 885 <div class="entry-meta"> 886 Tags: <a href="https://reelhonestreviews.com/tag/autism/" rel="tag">Autism</a>, <a href="https://reelhonestreviews.com/tag/chicago/" rel="tag">Chicago</a>, <a href="https://reelhonestreviews.com/tag/conradseries/" rel="tag">ConradSeries</a>, <a href="https://reelhonestreviews.com/tag/jennifer-karum/" rel="tag">Jennifer Karum</a> </div> 887 </div> 888 <div class="post"> 889 <img width="491" height="615" src="https://reelhonestreviews.com/wp-content/uploads/2018/12/rita_hayworth_intro2.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/12/rita_hayworth_intro2.jpg 491w, https://reelhonestreviews.com/wp-content/uploads/2018/12/rita_hayworth_intro2-240x300.jpg 240w" sizes="auto, (max-width: 491px) 100vw, 491px" /> <!-- Display the Title as a link to the Post's permalink. --> 890 <h1><a href="https://reelhonestreviews.com/2018-women-film-critic-circle-award-winners/" rel="bookmark" title="Permanent Link to 2018 Women Film Critic Circle Award Winners"> 891 2018 Women Film Critic Circle Award Winners </a></h1> 892 <small><span class="highlight"><i class="icon blog-date"></i> 893 December 12th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 894 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 895 0 thoughts on “2018 Women Film Critic Circle Award Winners” </span></small> 896 <!-- Display the Post's content in a div box. --> 897 <div class="entry"> 898 899<p class="wp-block-paragraph"><strong>The 2018 Women Film Critic Circle Awards have been announced. This organization, comprised of 75 w
899omen film critics since 2004, gives greater voice to films by and pertaining to women. Their unique categories highlight this aspect of filmmaking, but the âspecial mentionâ awards find an even deeper meaning to women in this industry. </strong></p> 900 901 902 903<p class="wp-block-paragraph"><strong>The biggest winner this year is âThe Favouriteâ with three wins: Best Movie About Women, Best Actress (Olivia Colman), and Best Comedic Actress (Olivia Colman). âRoma,â âEighth Grade,â and âIf Beale Street Could Talkâ all gathered two awards each. </strong></p> 904 905 906 907<p class="wp-block-paragraph"><strong> As a member of this organization, Iâm proud to share this yearâs WFCC Award winners:</strong></p> 908 909 910 911<p class="wp-block-paragraph"><strong>BEST MOVIE ABOUT WOMEN</strong></p> 912 913 914 915<ul class="wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex"><li class="blocks-gallery-item"><figure><img loading="lazy" decoding="async" width="1024" height="576" src="https://reelhonestreviews.com/wp-content/uploads/2018/12/the-favourite-1024x576.jpg" alt="" data-id="5861" data-link="https://reelhonestreviews.com/?attachment_id=5861" class="wp-image-5861" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/12/the-favourite-1024x576.jpg 1024w, https://reelhonestreviews.com/wp-content/uploads/2018/12/the-favourite-300x169.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/12/the-favourite-768x432.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/12/the-favourite.jpg 1200w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure></li></ul> 916 917 918 919<p class="wp-block-paragraph">**The Favourite</p> 920 921 922 923<p class="wp-block-paragraph">Runner-up: Roma</p> 924 925 926 927<p class="wp-block-paragraph"><strong>BEST MOVIE BY A WOMAN</strong></p> 928 929 930 931<p class="wp-block-paragraph">**Can You Ever Forgive Me?</p> 932 933 934 935<p class="wp-block-paragraph">Runner-up: Leave No Trace</p> 936 937 938 939<p class="wp-block-paragraph"><strong>BEST WOMAN STORYTELLER [Screenwriting Award]</strong></p> 940 941 942 943<p class="wp-block-paragraph">**Audrey Wells: The Hate U Give </p> 944 945 946 947<p class="wp-block-paragraph">Runner-up: Debra Granik: Leave No Trace</p> 948 949 950 951<p class="wp-block-paragraph"><strong>BEST ACTRESS</strong></p> 952 953 954 955<p class="wp-block-paragraph">**Olivia Colman, The Favourite</p> 956 957 958 959<p class="wp-block-paragraph">Runner-up: Toni Collette, Hereditary</p> 960 961 962 963<p class="wp-block-paragraph"><strong>BEST ACTOR</strong></p> 964 965 966 967<p class="wp-block-paragraph">**Ethan Hawke, First Reformed</p> 968 969 970 971<p class="wp-block-paragraph">Runner-up: Viggo Mortensen, Green Book</p> 972 973 974 975<p class="wp-block-paragraph"><strong>BEST COMEDIC ACTRESS</strong></p> 976 977 978 979<p class="wp-block-paragraph">**Olivia Colman, The Favourite</p> 980 981 982 983<p class="wp-block-paragraph">Runner-up: Melissa McCarthy, Can You Ever Forgive Me?</p> 984 985 986 987<p class="wp-block-paragraph"><strong>BEST YOUNG ACTRESS</strong></p> 988 989 990 991<p class="wp-block-paragraph">**Elsie Fisher, Eighth Grade</p> 992 993 994 995<p class="wp-block-paragraph">Runner-up: Thomasin McKenzie, Leave No Trace</p> 996 997 998 999<p class="wp-block-paragraph"><strong>BEST FOREIGN FILM BY OR ABOUT WOMEN</strong></p> 1000 1001 1002 1003<p class="wp-block-paragraph">**Roma</p> 1004 1005 1006 1007<p class="wp-block-paragraph">Runner-up: Capernaum</p> 1008 1009 1010 1011<p class="wp-block-paragraph"><strong>BEST DOCUMENTARY BY OR ABOUT WOMEN</strong></p> 1012 1013 1014 1015<p class="wp-block-paragraph">**RBG</p> 1016 1017 1018 1019<p class="wp-block-paragraph">Runner-Up: Shirkers</p> 1020 1021 1022 1023<p class="wp-block-paragraph"><strong>WOMENâS WORK/BEST ENSEMBLE</strong></p> 1024 1025 1026 1027<p class="wp-block-paragraph">**Widows</p> 1028 1029 1030 1031<p class="wp-block-paragraph">Runner-Up: The Favourite</p> 1032 1033 1034 1035<p class="wp-block-paragraph"><strong>SPECIAL MENTION AWARDS</strong></p> 1036 1037 1038 1039<p class="wp-block-paragraph"><strong>COURAGE IN FILMMAKING</strong></p> 1040 1041 1042 1043<p class="wp-block-paragraph">**Jennifer Fox, The Tale</p> 1044 1045 1046 1047<p class="wp-block-paragraph">Runner-Up: Haifaa Al-Mansour, Mary Shelley</p> 1048 1049 1050 1051<p class="wp-block-paragraph"><strong>COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]</strong></p> 1052 1053 1054 1055<p class="wp-block-paragraph">**Nicole Kidman: Destroyer</p> 1056 1057 1058 1059<p class="wp-block-paragraph">Runner-Up: Viola Davis: Widows</p> 1060 1061 1062 1063<p class="wp-block-paragraph"><strong>*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against wom</strong></p> 1064 1065 1066 1067<p class="wp-block-paragraph">**Say Her Name: The Life And Death Of Sandra Bland</p> 1068 1069 1070 1071<p class="wp-block-paragraph"><strong>*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America</strong></p> 1072 1073 1074 1075<p class="wp-block-paragraph">**If Beale Street Could Talk</p> 1076 1077 1078 1079<p class="wp-block-paragraph"><strong>*KAREN MORLEY AWARD: For best exemplifying a womanâs place in history or society, and a courageous search for identity</strong></p> 1080 1081 1082 1083<p class="wp-block-paragraph">**Roma</p> 1084 1085 1086 1087<p class="wp-block-paragraph"><strong>*THE INVISIBLE WOMAN AWARD: [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]</strong></p> 1088 1089 1090 1091<p class="wp-block-paragraph">**Glenn Close, The Wife</p> 1092 1093 1094 1095<p class="wp-block-paragraph"><strong>ACTING AND ACTIVISM</strong></p> 1096 1097 1098 1099<p class="wp-block-paragraph">**Viola Davis</p> 1100 1101 1102 1103<p class="wp-block-paragraph"><strong>LIFETIME ACHIEVEMENT</strong></p> 1104 1105 1106 1107<p class="wp-block-paragraph">Ellen Burstyn</p> 1108 1109 1110 1111<p class="wp-block-paragraph"><strong>BEST KEPT SECRET AWARD</strong></p> 1112 1113 1114 1115<p class="wp-block-paragraph">All The Overlooked ‘Gone Girls Of Cinema’ PIONEERS: FIRST WOMEN FILMMAKERS<strong>. </strong>
1115A Kino Lorber Collectors Edition Release.</p> 1116 1117 1118 1119<p class="wp-block-paragraph"><strong>BEST SCREEN COUPLE</strong></p> 1120 1121 1122 1123<p class="wp-block-paragraph">**If Beale Street Could Talk</p> 1124 1125 1126 1127<p class="wp-block-paragraph"><strong>BEST FEMALE ACTION HEROES</strong></p> 1128 1129 1130 1131<p class="wp-block-paragraph">**Black Panther</p> 1132 1133 1134 1135<p class="wp-block-paragraph"><strong>MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD</strong></p> 1136 1137 1138 1139<p class="wp-block-paragraph">**Jacki Weaver: Widows</p> 1140 1141 1142 1143<p class="wp-block-paragraph"><strong>BEST EQUALITY OF THE SEXES</strong></p> 1144 1145 1146 1147<p class="wp-block-paragraph">**Black Panther</p> 1148 1149 1150 1151<p class="wp-block-paragraph"><strong>BEST ANIMATED FEMALES</strong></p> 1152 1153 1154 1155<p class="wp-block-paragraph">**Incredibles 2</p> 1156 1157 1158 1159<p class="wp-block-paragraph"><strong>BEST FAMILY FILM</strong></p> 1160 1161 1162 1163<p class="wp-block-paragraph">**Eighth Grade</p> 1164 1165 1166 1167<p class="wp-block-paragraph"><strong>HALL OF SHAME </strong></p> 1168 1169 1170 1171<p class="wp-block-paragraph"><strong>**Member Picks:</strong></p> 1172 1173 1174 1175<p class="wp-block-paragraph"><strong>*Fifty Shades Freed: F</strong>or perpetuating unrealistic and demeaning stereotypes of women, being defined by men emotionally and physically.</p> 1176 1177 1178 1179<p class="wp-block-paragraph"><strong>*Bryan Singer: </strong>Accused of committing crimes against young men, his continued status as a hirable, high-paid director is an affront to the women in the film industry who are struggling for recognition. </p> 1180 1181 1182 1183<p class="wp-block-paragraph"><strong>*Les Moonves:</strong> Chairman and CEO of CBS, Moonves resigned in light of allegations that he sexually abused many women, and information on the culture of fear that he reigned over is now coming out.</p> 1184 1185 1186 1187<p class="wp-block-paragraph"><strong>Baby It’s Cold Outside. </strong>This traditional holiday season song has now been banned on radio stations following Me-Too protests, as promoting suggestive date rape lyrics. The debate that has followed is raising critical issues for discussion, but all agree that the male character, however culturally dated, is creepy. The Oscar winning song originated in the 1949 musicalNeptune’s Daughter<strong>,</strong> performed by Esther Williams and Ricardo Montalban.</p> 1188 </div> 1189 <div class="entry-meta"> 1190 Tags: <a href="https://reelhonestreviews.com/tag/awards/" rel="tag">Awards</a>, <a href="https://reelhonestreviews.com/tag/wfcc/" rel="tag">WFCC</a>, <a href="https://reelhonestreviews.com/tag/womenfilmmakers/" rel="tag">WomenFilmmakers</a> </div> 1191 </div> 1192 <div class="post"> 1193 <img width="1140" height="655" src="https://reelhonestreviews.com/wp-content/uploads/2018/11/jesus.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/11/jesus.jpg 1140w, https://reelhonestreviews.com/wp-content/uploads/2018/11/jesus-300x172.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/11/jesus-768x441.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/11/jesus-1024x588.jpg 1024w" sizes="auto, (max-width: 1140px) 100vw, 1140px" /> <!-- Display the Title as a link to the Post's permalink. --> 1194 <h1><a href="https://reelhonestreviews.com/qa-with-aarp-studios-vice-president-jeffrey-eagle/" rel="bookmark" title="Permanent Link to Q&A with AARP Studios Vice President Jeffrey Eagle"> 1195 Q&A with AARP Studios Vice President Jeffrey Eagle </a></h1> 1196 <small><span class="highlight"><i class="icon blog-date"></i> 1197 November 24th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1198 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1199 0 thoughts on “Q&A with AARP Studios Vice President Jeffrey Eagle” </span></small> 1200 <!-- Display the Post's content in a div box. --> 1201 <div class="entry"> 1202 <p>âCare to Laughâ is the first feature-length documentary film to come out of AARP Studios. While the studio has been in existence for the last decade, bringing topical information to 50-plus year olds, the creation of feature films for theatrical release is a relatively new endeavor.</p> 1203<p>Comedian Jesus Trejo stars in âCare to Laugh,â a documentary about the balancing act of caring for his aging parents and perfecting his craft as a comic. As the film travels to various festivals around the country, collecting awards and praise by all who see it, itâs obvious that the topic of caring for our loved one
1203s as they age resonates with everyone, no matter their age.</p> 1204<p>I recently sat down with director Julie Getz, star and comedian Jesus Trejo, and vice president and executive producer of AARP Studios, Jeffrey Eagle, to discuss the film, now a part of NYC DOC. What I learned about the film, the studios and their endeavors was quite surprising and just might give you a new outlook on one of the largest nonprofit organizations in the U.S.</p> 1205<p>Go to <a href="https://www.daily-journal.com/life/entertainment/q-a-with-aarp-studios-vice-president-jeffrey-eagle/article_d30ab3f4-e833-11e8-8472-e763e187f7df.html">THE DAILY JOURNAL</a> to read the interview in its entirety.</p> 1206 </div> 1207 <div class="entry-meta"> 1208 </div> 1209 </div> 1210 <div class="post"> 1211 <img width="628" height="278" src="https://reelhonestreviews.com/wp-content/uploads/2018/08/Screen-Shot-2018-08-26-at-7.55.41-PM.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/08/Screen-Shot-2018-08-26-at-7.55.41-PM.png 628w, https://reelhonestreviews.com/wp-content/uploads/2018/08/Screen-Shot-2018-08-26-at-7.55.41-PM-300x133.png 300w" sizes="auto, (max-width: 628px) 100vw, 628px" /> <!-- Display the Title as a link to the Post's permalink. --> 1212 <h1><a href="https://reelhonestreviews.com/tiff-2018-an-interview-with-filmmaker-thom-fitzgerald/" rel="bookmark" title="Permanent Link to TIFF 2018, An interview with filmmaker Thom Fitzgerald"> 1213 TIFF 2018, An interview with filmmaker Thom Fitzgerald </a></h1> 1214 <small><span class="highlight"><i class="icon blog-date"></i> 1215 August 26th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1216 <a href="https://reelhonestreviews.com/category/film-festivals/" rel="category tag">Film Festivals</a>, <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1217 0 thoughts on “TIFF 2018, An interview with filmmaker Thom Fitzgerald” </span></small> 1218 <!-- Display the Post's content in a div box. --> 1219 <div class="entry"> 1220 <p>The 2018 Toronto International Film Festival is just around the corner with hundreds of features, short films and documentaries from around the world.</p> 1221<p>TIFF also has virtual reality experiences, conferences, presentations by legendary directors and even a few parties beginning Sept. 6 and running through Sept. 16.</p> 1222<p>This âfestival of festivalsâ began in 1976 and has grown to be one of the premiere festivals in the world as both seasoned filmmakers and up-and-comers walk the red carpet and wait for the audienceâs reactions to their creations.</p> 1223<p>Thom Firzgeraldâs newest film, âSplinters,â will make its world debut at TIFF, and I had a chance to talk with the award-winning filmmaker about the film, inspired by the play of the same name by Lee-Anne Poole.</p> 1224<p>Set in a small farming community in Nova Scotia, Belle (Sophia Banzhaf) attempts to find peace with the loss of her father and to rectify and repair her relationship with her mother, who finds difficulty in accepting her sexual identity. Itâs a beautiful and heartfelt drama, capturing the love of family and self as it explores the complexities of life.</p> 1225<p>Fitzgerald shared his thoughts about his characters and creating this timeless and relevant film.</p> 1226<p>To read the interview in its entirety go to<br /> 1227<a href="http://eedition.daily-journal.com/08-25-18-DJ/">THE DAILY JOURNAL</a></p> 1228 </div> 1229 <div class="entry-meta"> 1230 </div> 1231 </div> 1232 <div class="post"> 1233 <img width="1130" height="810" src="https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_5171.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/w
1233p-content/uploads/2018/07/IMG_5171.jpg 1130w, https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_5171-300x215.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_5171-768x551.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_5171-1024x734.jpg 1024w" sizes="auto, (max-width: 1130px) 100vw, 1130px" /> <!-- Display the Title as a link to the Post's permalink. --> 1234 <h1><a href="https://reelhonestreviews.com/mckenzie-chinn-chicago-filmmaker-talks-about-her-newest-film-olympia/" rel="bookmark" title="Permanent Link to McKenzie Chinn, Chicago filmmaker talks about her newest film “Olympia”"> 1235 McKenzie Chinn, Chicago filmmaker talks about her newest film “Olympia” </a></h1> 1236 <small><span class="highlight"><i class="icon blog-date"></i> 1237 August 16th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1238 <a href="https://reelhonestreviews.com/category/interviews/" rel="category tag">Interviews</a>, <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1239 0 thoughts on “McKenzie Chinn, Chicago filmmaker talks about her newest film “Olympia”” </span></small> 1240 <!-- Display the Post's content in a div box. --> 1241 <div class="entry"> 1242 <p>Chicago area commercial actress and filmmaker McKenzie Chinn, creates an undeniably compelling story with her first feature film âOlympiaâ from Cow Lamp Films. Chinnâs tale, inspired by her own question of what it means to make the transition into true adulthood, takes us on a journey of self-discovery with the main character of Olympia who is dealing with a dying mother, a loving and committed boyfriend, and making momentous decisions. Chinnâs vividly centered artistry shines through her layered characters, integrating graphic art and insightful humor as we are drawn into the character and struggle of Olympia. We laugh as we identify with her and feel the pain of walking in her shoes while she makes her own unique journey through life. </p> 1243<p>I had a chance to sit down and talk with Chinn, a vibrant young woman from Baltimore who moved to the Windy City in 2008 to attend DePaul Universityâs School of Theater to study acting. She lit up the small coffee shop as her energy and smile were wonderfully infectious. We openly discussed her background, the genesis of âOlympia,â and what it means to be not just female in the world of filmmaking, but also a woman of color. By the end of the interview, Chinn seemed wise beyond her years and from my perspective, she is now standing firmly in the land of adulthood.</p> 1244<p>Pamela Powell (PP): Tell me about the musical group you perform with.</p> 1245<p>McKenzie Chinn (MC): We fuse lyrical narrative hip hop styles of poetry with music and sound and perform thatâ¦We tend to write a lot about identity ⦠We spend a lot of time talking about what it means to be a black person in the world today, what it means to be a woman in the world today, and what itâs like to be a part of our generation. Iâm really interested in ⦠the power of our own personal narratives and also how powerful it is when you see your narrative reflected outside of you. So when you see your narrative in the media, when you see someone whoâs similar to you in a film or on TV, itâs validating in a way thatâs really critical.</p> 1246<p>PP: Do you think things are truly changing quickly thanks to the #MeToo movement or do you think things began changing prior to that?</p> 1247<p>MC: I think a little bit of both. I think the way that we get to tell our stories is changing very rapidly and the ways in which we get to tell them differently, that has been precipitated by the #MeToo movement. For instance, in the early [2000âs], we had âSex in the Cityâ which was fun and great and spoke to a lot of people, but that show was very limited in its scope; limited in how we got to think of ourselves as women in the world. Now we have shows like âBroad Cityâ and platforms like â2 Dope Queensâ [and] I feel like we are getting to encompass more of ourselves, weâre able to be more faceted and more nuanced and way less apologetic about how we present. I think the attitude about it is deal with it. Thatâs not my problem any more, thatâs your problem. Itâs incredibly empowering. I think [these shows] really changed how
1247women get to talk about themselves and how we get to encompass our fuller selves.</p> 1248<p>PP: When did you first start telling stories?</p> 1249<p>MC: Iâve always been a story teller ever since I can remember. One of the things I loved doing when other kids would play outside, I would just be writing little stories. One of the first stories I ever wrote, Iâll never forget it, ⦠was about a unicorn that got kidnapped. And my sister did the illustrations.</p> 1250<p>PP: Do you still have the book?</p> 1251<p>MC: No. I wish I still did. I can still see my sisterâs illustrations and we took it very seriously. For the longest time, I thought I was going to be a writer. I was going to study journalism, but then got pulled in the direction of theater which I found incredibly exciting and intoxicating. Then I went to graduate school and that was incredibly consuming. So writing as just an activity that got back-burnered in a really major way. But when I finished school in 2011, I finished unemployed [and] we were still recovering from the recession. I have all this time and all this expressive energy and so I started writing [again].</p> 1252<p>PP: That brings us to your film âOlympia.â</p> 1253<p>MC: I got a fellowship that funded a large part of OLYMPIA. Itâs called the Annenberg Artist Fellowship and a component ⦠of that fellowship is having an artist mentor and [Tarell Alvin MCCraney- âMoonlightâ ] was my artist mentor. Itâs so exciting to be in a moment where people get to encompass fuller selves, not just stereotypes and not just best friends, but to actually have a voice and have a story in an arc ⦠regardless of where they come fromâ¦Â </p> 1254<p>PP: Thatâs amazing that this was your first project and it was through DePaul!</p> 1255<p>MC: This was my first foray into filmmaking. I think I only take really big steps. [laughs] Like Burnham, one of the architects of Chicago said âMake no small plans,â and I think thatâs just a part of my DNA as an artist. It never even occurred to me to make a short. It was a huge learning curve, but I was smart enough to surround myself with people who I knew had much more experience and could help the vision come to life.</p> 1256<p>PP: Tell me about writing âOlympia.â</p> 1257<p>MC: I wrote OLYMPIA shortly after turning 30 which felt like a major milestone in a way that I wasnât expecting. I feel like folks in my generation, the millennial generation, that we donât have the same milestones that our parents had to move us into adulthood. You know, my parentsâ generation, sometime in their twenties, maybe their thirties, they got married, started a career that they would have for thirty or forty years, got a house, [and] had children. These are very recognizable mile markers that confer adulthood. I felt like by the time people in my generation got to those same points, the rule book had completely changed⦠The economy has changed and what weâre able to do has changed. If those things that were mile markers arenât really the same anymore then what does it mean to be an adult? I found myself turning 30 and feeling like, âOh my gosh, I donât feel like Iâve accomplished what I should have by this age and I should have a much better handle on life. I should have a 401k and all these things I really have not done much thinking about.â ⦠Olympia is trying to figure out her career. Sheâs in this relationship that has gone really well but that she doesnât necessarily feel like she owed anything to in terms of like putting anything into stone and her mother is ill. All of these things are coming to a head. Itâs forcing her to make a solid choice and go in a specific direction. I think there are variables, but sheâs just never had to choose or has felt like it was important to choose until now.</p> 1258<p>PP: In the film, Olympia is very connected with her mother who is dying. Can you explore this topic a little further from a personal standpoint?</p> 1259<p>MC: While this story is not autobiographical, I definitely pull from my own sense of whatâs important and what resonates for me. One of my most cherished relationships is with my mom and fortunately sheâs still with me. I think it would be so incredibly disorienting to me to not have that figure in my life⦠I remember feeling like that for me would be the breaking point. You have to make a choice now because you donât have this thing you can lean on, you donât have an escape hatch. Itâs you now. For me thatâs adulthood.</p> 1260<p>PP: I loved the Chicago drone shots and graphic art!</p> 1261<p>MC: The Drone shots were Greg Dixon. He was dead set on having those kind of shots. The animation was his idea [too]. Itâs collaborativeâ¦lifts it to a level that you never imagined. It changed the whole tenor and tone.<br /> 1262PP: Tell me about your cast.</p> 1263<p>MC: As a person of color, it was just very important to me that the story be ⦠around other people of color. That was very intentional. I think so many times when youâre a person of color in media, you get asked to lean into a stereotype or the tired type of idea like a maid. Or how many times have I auditioned to be a slave? Iâm just over it. It felt really good to write and perform in a story that, yes, Iâm fully black, all the time ⦠Iâm just a person living my life. You donât have to divorce those things. They can both be true. And that every single thing doesnât have to revolve around oppression and marginalization.</p> 1264<p>PP: To be honest, I didnât even realize that everyone was a person of color in the film.<br /> 1265 <br /> 1266MC: Isnât that great that weâre in that place now? I think so many times we see movies where the cast is mostly black or people of color and people write it off as a black movie. No, actually itâs just a movie. Itâs really so heartwarming to hear you say that!</p> 1267<p>Check back to find out where you can see this film!</p> 1268 </div> 1269 <div class="entry-meta"> 1270 </div> 1271 </div> 1272 <div class="post"> 1273 <img width="315" height="535" src="https://reelhonestreviews.com/w
1273p-content/uploads/2018/07/onlocation.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/07/onlocation.jpg 315w, https://reelhonestreviews.com/wp-content/uploads/2018/07/onlocation-177x300.jpg 177w" sizes="auto, (max-width: 315px) 100vw, 315px" /> <!-- Display the Title as a link to the Post's permalink. --> 1274 <h1><a href="https://reelhonestreviews.com/author-lisa-iannucci-discusses-her-newest-television-film-and-travel-guide/" rel="bookmark" title="Permanent Link to Author Lisa Iannucci discusses her newest television, film, and travel guide"> 1275 Author Lisa Iannucci discusses her newest television, film, and travel guide </a></h1> 1276 <small><span class="highlight"><i class="icon blog-date"></i> 1277 July 14th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1278 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1279 0 thoughts on “
1279Author Lisa Iannucci discusses her newest television, film, and travel guide” </span></small> 1280 <!-- Display the Post's content in a div box. --> 1281 <div class="entry"> 1282 <p class="p1"><span class="s1">Prolific author Lisa Iannucci has taken her love of film, television, and travel and combined them to create an entertainment guide like no other.<span class="Apple-converted-space"> </span>âOn Location: A Film and TV Loverâs Travel Guide,â released in May, 2018, gives readers an opportunity to not find unusual locations across the U.S. where films have been made, but to also participate in the experiences of the show or film.<span class="Apple-converted-space"> </span>I had a chance to talk with Iannucci recently about creating this literary gem. </span></p> 1283<p class="p1"><span class="s1">Born and raised in Yonkers, N.Y., Iannucci lost her father at a very young age.<span class="Apple-converted-space"> </span>Her mother bought her a little black and white television set in which she found comfort and respite.<span class="Apple-converted-space"> </span>She shared, âIf anything was going on, I would go in my room, shut the door, and watch a movie or a television show.â<span class="Apple-converted-space"> </span>Her love of this medium as well as a passion for writing began around the same time, and from that point, she knew what she wanted to do in life. </span></p> 1284<p class="p1"><span class="s1"><span class="Apple-converted-space">Iannucci attended </span>college for screenwriting and then worked for a magazine which was a subsidiary of CBS. She then married and had three children.<span class="Apple-converted-space"> </span>Tragically, she lost her husband, creating a new path for herself and her children.<span class="Apple-converted-space"> </span>Iannucci began freelance writing and as her kids got older, she began to travel more.<span class="Apple-converted-space"> </span>âEvery trip that we did, I tied it into something film and TV related.â<span class="Apple-converted-space"> </span>This was the spark to create a niche travel concept leading to her website <a href="http://www.thevirgintraveler.com/"><span class="s2">The Virgin Traveler</span></a>. </span></p> 1285<p class="p1"><span class="s1"><img loading="lazy" decoding="async" class="alignnone size-medium wp-image-5655" src="https://reelhonestreviews.com/wp-content/uploads/2018/07/vt-header-2-300x74.jpg" alt="" width="300" height="74" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/07/vt-header-2-300x74.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/07/vt-header-2-768x189.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/07/vt-header-2.jpg 1018w" sizes="auto, (max-width: 300px) 100vw, 300px" /></span></p> 1286<p class="p1"><span class="s1">Iannucci chuckled as she shared that she gets a few odd looks about the title of her site.<span class="Apple-converted-space"> </span>However, her outlook on traveling supports this unique title. In her younger years, she didnât travel as much as she wanted.<span class="Apple-converted-space"> </span>Now she sees things on her own and feels that she is â…doing things all over for the first time.<span class="Apple-converted-space"> </span>There are a lot of people out there who donât really have a chance to travel till later in life…â which is why she wrote âOn Location.â<span class="Apple-converted-space"> </span>She continued, âItâs ok to start no matter when youâre starting … Just do it.<span class="Apple-converted-space"> </span>Itâs never too late…â</span></p> 1287<p class="p1"><span class="s1">Iannucciâs book highlights each and every state in the United States, some states obviously having more information than others, but all 50 are covered.<span class="Apple-converted-space"> </span>She didnât want her book to be an encyclopedia of film or television scene locations, though.<span class="Apple-converted-space"> </span>There needs to be something interactive to do at that particular location whether itâs a museum, an annual convention, or even a restaurant, you need to experience what the film featured.<span class="Apple-converted-s
1287pace"> For example, </span>Iannucci fondly recalled a BBQ restaurant in the final scene of âTop Gun,â located in California where you can dine and see the piano or purchase memorabilia from the film. </span></p> 1288<p class="p1"><span class="s1"><img loading="lazy" decoding="async" class="alignnone size-medium wp-image-5657" src="https://reelhonestreviews.com/wp-content/uploads/2018/07/bob-newhart-300x150.jpg" alt="" width="300" height="150" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/07/bob-newhart-300x150.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/07/bob-newhart.jpg 736w" sizes="auto, (max-width: 300px) 100vw, 300px" />Statue Alerts are also a part of Iannucciâs book.<span class="Apple-converted-space"> </span>Her recent trip to Chicago with her daughter shocked her as they strolled along Navy Pier only to bump into a bronze sculpture of Bob Newhart.<span class="Apple-converted-space"> </span>âI literally geeked out when I saw that! … They had the bronze couch next to him and I sat on the couch and pretended to be a patient.â<span class="Apple-converted-space"> </span>She also loved being a part of the new <a href="http://snltheexhibition.com/"><span class="s2">Saturday Night Live exhibit in Chicago</span></a>, sitting on the set of <i>Weekend Update</i> and âchattingâ with Jimmy Fallon about her book. </span></p> 1289<div id="attachment_5662" style="width: 310px" class="wp-caption alignnone"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-5662" class="size-medium wp-image-5662" src="https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_1555-300x225.jpg" alt="" width="300" height="225" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_1555-300x225.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_1555-768x576.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/07/IMG_1555-1024x768.jpg 1024w" sizes="auto, (max-width: 300px) 100vw, 300px" /><p id="caption-attachment-5662" class="wp-caption-text">Photo Credit: Samantha Brinkley</p></div> 1290<p class="p1"><span class="s1">I asked Iannucci what her top three places were in the book and without hesitation she named Jamestown, N.Y., which coincidentally happens to be my hometown!<span class="Apple-converted-space"> </span>Her reasoning is easy:<span class="Apple-converted-space"> </span>Lucille Ball.<span class="Apple-converted-space"> </span>Having attended Lucy Fest which occurs each August, Iannucci laughed aloud as she recalled making a Vitameatavegamin commercial and then stomping grapes.<span class="Apple-converted-space"> </span>âThe lady next to me threw grapes at me!â<span class="Apple-converted-space"> </span>She also shared that this August, Jamestown will be opening the <a href="https://tickets.comedycenter.org/Info.aspx?EventID=10"><span class="s2">National Comedy Center</span></a> which will âhouse the whole history of comedyâ and the SNL originators (Aykroyd, Morris, Newman, & Zweibel) along with Amy Schumer will all be on hand to cut the proverbial ribbon.<span class="Apple-converted-space"> </span>Iannucci and I then laughed about the debacle of the âold Lucyâ versus the ânew Lucyâ statues in town.</span></p> 1291<p class="p1"><span class="s1">Iannucci immediately continued with her next two choices; San Francisco for the <a href="https://waltdisney.org/"><span class="s2">Walt Disney Family Museum</span></a> and the <a href="http://www.theroxburymotel.com/Rooms/"><span class="s2">Roxbury Motel</span></a> located in the Catskills not far from her current residence in Poughkeepsie, N.Y.<span class="Apple-converted-space"> </span>Her love of film history and the behind the scenes information makes the Disney Museum a favorite for her and the creative film and television themed rooms at the Roxbury plunges you into your favorite worlds from Star Trek and Star Wars to the Adams Family where, as she said, â…everywhere you look, no pun intended, there was something creepy and kooky!â</span></p> 1292<p class="p1"><span class="s1">Iannucciâs love of all things in film and television naturally lead to the production of a podcast as well as a newsletter to keep fans up to date.<span class="Apple-converted-s
1292pace"> </span><a href="http://www.blogtalkradio.com/reeltravels"><span class="s2"><i>Reel Travels</i></span></a> recently featured an interview with Joanna Wilson who spoke about âA Christmas Story.â<span class="Apple-converted-space"> </span>With each podcast, Iannucci, with all of her celebrity contacts, also features a âCelebrity Minuteâ<span class="Apple-converted-space"> </span>where a celebrity shares their favorite location from a movie or show…not from their own, of course!</span></p> 1293<p class="p1"><span class="s1">Iannucciâs book, published by <a href="http://globepequot.com/book/9781493030859"><span class="s2">Globe Pequot Press</span></a>, can be found at Barnes & Noble as well as <a href="https://www.amazon.com/Location-Film-Lovers-Travel-Guide-ebook/dp/B078J4C1R5/ref=la_B001HOJ4AA_1_2?s=books&ie=UTF8&qid=1531578511&sr=1-2"><span class="s2">Amazon</span></a>, but signed copies can be purchased at <a href="https://www.oblongbooks.com/"><span class="s2">Oblong Bookstore</span></a> in Rhinebeck, NY.<span class="Apple-converted-space"> </span>Listen to her podcast for great interviews at <a href="http://www.blogtalkradio.com/reeltravels"><span class="s2">http://www.blogtalkradio.com/reeltravels</span></a> and subscribe to her newsletter for up the moment information about all things travel, TV, and film.</span></p> 1294 </div> 1295 <div class="entry-meta"> 1296 </div> 1297 </div> 1298 <div class="post"> 1299 <img width="793" height="601" src="https://reelhonestreviews.com/wp-content/uploads/2018/07/Screen-Shot-2018-07-11-at-9.38.28-AM.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/07/Screen-Shot-2018-07-11-at-9.38.28-AM.png 793w, https://reelhonestreviews.com/wp-content/uploads/2018/07/Screen-Shot-2018-07-11-at-9.38.28-AM-300x227.png 300w, https://reelhonestreviews.com/wp-content/uploads/2018/07/Screen-Shot-2018-07-11-at-9.38.28-AM-768x582.png 768w" sizes="auto, (max-width: 793px) 100vw, 793px" /> <!-- Display the Title as a link to the Post's permalink. --> 1300 <h1><a href="https://reelhonestreviews.com/indistry-the-new-digital-wave-of-the-future/" rel="bookmark" title="Permanent Link to INDISTRY The New Digital Wave of the Future"> 1301 INDISTRY The New Digital Wave of the Future </a></h1> 1302 <small><span class="highlight"><i class="icon blog-date"></i> 1303 July 11th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1304 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1305 0 thoughts on “INDISTRY The New Digital Wave of the Future” </span></small> 1306 <!-- Display the Post's content in a div box. --> 1307 <div class="entry"> 1308 <p class="p1"><span class="s1">If you think thereâs no true innovative advances left in the world to make, then you havenât been introduced to INDISTRY MEDIA and its co-founders Erroll Angara and Mary Landaverde. Iâve had the pleasure of being introduced to these energetic and driven sisters and it is now my pleasure to introduce them to you.  </span></p> 1309<p class="p1"><span class="s1">In October, 2017, Landaverde and Angara began to pave a new road in the world of technology and consumerism that just might be the next global marketplace. This new frontier, as CEO Landaverde described to me during one of the companyâs recent events partnering with Virgin Hotel in Chicago, is an amalgam of Netflix, Facebook, and Amazon where the consumer interacts with their platform. Landaverde said, â[INDISTRY] was about how we get people engaged with the content. How do we make them not a passive viewer, but an active one.â</span></p> 1310<p>To read the article in its entirety, go to <a href="https://joom.ag/9BMY/p60">Fete Lifestyle Magazine</a></p> 1311 </div> 1312 <div class="entry-meta"> 1313 </div> 1314 </div> 1315 <div class="post"> 1316 <img width="968" height="672" src="https://reelhonestreviews.com/w
1316p-content/uploads/2018/05/Screen-Shot-2018-05-18-at-11.03.04-AM.png" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/05/Screen-Shot-2018-05-18-at-11.03.04-AM.png 968w, https://reelhonestreviews.com/wp-content/uploads/2018/05/Screen-Shot-2018-05-18-at-11.03.04-AM-300x208.png 300w, https://reelhonestreviews.com/wp-content/uploads/2018/05/Screen-Shot-2018-05-18-at-11.03.04-AM-768x533.png 768w" sizes="auto, (max-width: 968px) 100vw, 968px" /> <!-- Display the Title as a link to the Post's permalink. --> 1317 <h1><a href="https://reelhonestreviews.com/sizzling-independent-summer-movies/" rel="bookmark" title="Permanent Link to SIZZLING INDEPENDENT SUMMER MOVIES"> 1318 SIZZLING INDEPENDENT SUMMER MOVIES </a></h1> 1319 <small><span class="highlight"><i class="icon blog-date"></i> 1320 May 18th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1321 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1322 0 thoughts on “SIZZLING INDEPENDENT SUMMER MOVIES” </span></small> 1323 <!-- Display the Post's content in a div box. --> 1324 <div class="entry"> 1325 <p>(From the May, 2018 issue of Fete Lifestyle Magazine)</p> 1326<p class="p1"><span class="s1">Summertime and the living is easy. I can hear the rich voice of Ella Fitzgerald in my head now, but whatâs not easy is finding great films to see this summer. Big blockbusters take over the screens, edging out the independent little guys which, in my mind, are more worth your hard-earned dollar. Traveling to film festival across the country, Iâm able to easily find and share with you the films that will make your summer movie going experience sizzle. (All films featured open after May 18)</span></p> 1327<p class="p1"><span class="s1"><b><i><img loading="lazy" decoding="async" class="alignnone size-medium wp-image-5590" src="https://reelhonestreviews.com/wp-content/uploads/2018/05/The-Seagull2-300x200.jpg" alt="" width="300" height="200" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/05/The-Seagull2-300x200.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/05/The-Seagull2-768x512.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/05/The-Seagull2-1024x682.jpg 1024w, https://reelhonestreviews.com/wp-content/uploads/2018/05/The-Seagull2.jpg 1280w" sizes="auto, (max-width: 300px) 100vw, 300px" /></i></b></span></p> 1328<p class="p1"><span class="s1"><b><i>MAY:</i></b></span></p> 1329<p class="p1"><span class="s1"><b><i>Spotlight:  </i></b></span></p> 1330<p class="p1"><span class="s1"> <b>âThe Seagullâ</b> is based on Chekovâs play of the same name, but donât let that scare you away. Annette Bening stars in this film about an aging actress, unrequited love, love triangles, and family. This elegant, fast-paced comedy draws you back in time, witnessing the stages of life and love. Itâs an all-star cast with stellar performances from Saoirse Ronan, Elizabeth Moss, Brian Dennehy, Corey Stoll, Billy Howle, and Mare Winningham.</span></p> 1331<p class="p1"><span class="s1"><b><i>Also playing:</i></b></span></p> 1332<p class="p1"><span class="s1"> <b>âOn Chesil Beachâ </b>stars Saoirse Ronan and Billy Howle as a newlywed couple in 1962 England, struggling with an awkward wedding night.</span></p> 1333<p class="p1"><span class="s1"> <b>âFirst Reformedâ </b>gives Ethan Hawke a dramatic role like no other as a struggling pastor wrestling with a death of his son and an environmental activist.</span></p> 1334<p class="p1"><span class="s1"> <b>âTerminalâ</b> stars Margot Robbie, Mike Myers, and Simon Pegg in this sinister, twisted, and murderous tale motivated by revenge.</span></p> 1335<p class="p1"><span class="s1"> <b>âBook Clubâ </b>gives <i>50 Shades of Grey</i> a new look through the lens of four life-long friends during their book club discussion. Diane Keaton, Jane Fonda, Mary Steenburgen and Candice Bergen star. </span></p> 1336<p class="p1"><span class="s1"> <b>âThe Gospel According to Andreâ</b> documents the life of fashion designer Andre Leon Talle.</span></p> 1337<p>To read the article in its entirety, go to <a href="https://view.joomag.com/fete-lifestyle-magazine-may-2018-wellness/0183184001525888294?token=xBd7xtAGSSqOjuMAXE079E0J2JAINuKqmFxojx7ZgsFw6PujtbJKflD8HvdW%2BvQSicdajO%2FvAPXJ%2BfaBtfnP0TUXRfQek2ExAkL6roI1TI0AkOcIKXj%2F8s07xjYO27sZbzTtGbayZgc9ULj5vMZ2k1zuV6Oc3OeG2tKbmDgNTZAHvIwlbKzMBcxvIEnkM1OtvMRjK2mPLXT6FzCCzzzcUQ%3D%3D&ref=email">FETE LIFESTYLE MAGAZINE</a></p> 1338 </div> 1339 <div class="entry-meta"> 1340 </div> 1341 </div> 1342 <div class="post"> 1343 <img width="1200" height="800" src="https://reelhonestreviews.com/w
1343p-content/uploads/2018/04/ebert.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/04/ebert.jpg 1200w, https://reelhonestreviews.com/wp-content/uploads/2018/04/ebert-300x200.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/04/ebert-768x512.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/04/ebert-1024x683.jpg 1024w" sizes="auto, (max-width: 1200px) 100vw, 1200px" /> <!-- Display the Title as a link to the Post's permalink. --> 1344 <h1><a href="https://reelhonestreviews.com/ebertfest-2018-20th-anniversary/" rel="bookmark" title="Permanent Link to Ebertfest 2018: 20th Anniversary"> 1345 Ebertfest 2018: 20th Anniversary </a></h1> 1346 <small><span class="highlight"><i class="icon blog-date"></i> 1347 April 4th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1348 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1349 0 thoughts on “Ebertfest 2018: 20th Anniversary” </span></small> 1350 <!-- Display the Post's content in a div box. --> 1351 <div class="entry"> 1352 <p>Ebertfest, now celebrating its 20th anniversary, was started by the world-renowned movie critic Roger Ebert to celebrate films that didnât receive the recognition they deserved during their original runs: âThe festival gives these films and their filmmakers a well-deserved second look.â</p> 1353<p>Open to the public, this five-day event now programmed by Rogerâs widow, Chaz, and festival director Nate Kohn, keeps in mind what Roger would have wanted, following an established criteria for selection. Each film is followed by an in-depth discussion with actors, directors, critics and, of course, the audience.</p> 1354<p>To read the entire article, published April 4, 2018, go to</p> 1355<p><a href="http://www.daily-journal.com/life/ebertfest-coming-to-champaign/article_6d17b010-3690-11e8-9bd5-cb0d2e9890c5.html">THE DAILY JOURNAL</a></p> 1356<p>#Day4Empathy</p> 1357 </div> 1358 <div class="entry-meta"> 1359 </div> 1360 </div> 1361 <div class="post"> 1362 <img width="1664" height="1000" src="https://reelhonestreviews.com/wp-content/uploads/2018/03/RiC.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/03/RiC.jpg 1664w, https://reelhonestreviews.com/wp-content/uploads/2018/03/RiC-300x180.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/03/RiC-768x462.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/03/RiC-1024x615.jpg 1024w" sizes="auto, (max-width: 1664px) 100vw, 1664px" /> <!-- Display the Title as a link to the Post's permalink. --> 1363 <h1><a href="https://reelhonestreviews.com/chicago-filmmaker-michael-glover-smith-looks-to-seed-spark-for-his-next-movie-rendezvous-in-chicago/" rel="bookmark" title="Permanent Link to Chicago filmmaker Michael Glover Smith looks to Seed & Spark for his next movie “Rendezvous in Chicago”"> 1364 Chicago filmmaker Michael Glover Smith looks to Seed & Spark for his next movie “Rendezvous in Chicago” </a></h1> 1365 <small><span class="highlight"><i class="icon blog-date"></i> 1366 March 28th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1367 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1368 0 thoughts on “Chicago filmmaker Michael Glover Smith looks to Seed & Spark for his next movie “Rendezvous in Chicago”” </span></small> 1369 <!-- Display the Post's content in a div box. --> 1370 <div class="entry"> 1371 <p>Michael Glover Smith picks up his proverbial pen to culminate his trilogy of relationship films with “Rendezvous In Chicago.” Reuniting a few familiar faces from his first two endeavors, “<a href="https://www.amazon.com/Cool-Apocalypse/dp/B01GFZOXSI">Cool Apocalypse</a>” and “<a href="https://www.facebook.com/mercuryinretrograde/">Mercury in Retrograde</a>,” Smith’s newest film is comprised of three unrelated vignettes, telling, as he said, “the story of a single relationship.” But don’t worry…if you haven’t seen his first two creations, it’s not a prerequisite, although you’re missing out on two wonderful films!</p> 1372<p><img loading="lazy" decoding="async" class="size-medium wp-image-5479 alignleft" src="https://reelhonestreviews.com/w
1372p-content/uploads/2018/03/10477421_10152223425257742_5253200367523877314_o-2-200x300.jpg" alt="" width="200" height="300" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/03/10477421_10152223425257742_5253200367523877314_o-2-200x300.jpg 200w, https://reelhonestreviews.com/wp-content/uploads/2018/03/10477421_10152223425257742_5253200367523877314_o-2-768x1151.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/03/10477421_10152223425257742_5253200367523877314_o-2-683x1024.jpg 683w, https://reelhonestreviews.com/wp-content/uploads/2018/03/10477421_10152223425257742_5253200367523877314_o-2.jpg 1366w" sizes="auto, (max-width: 200px) 100vw, 200px" /></p> 1373<p>Smith had a chance to talk with me about making “Rendezvous in Chicago,” addressing key points such as funding, the Inclusion Rider, his plans for shooting, and the talented cast with whom he has, in many cases, developed “…a kind of short hand on set.”</p> 1374<p>Independent filmmaking always has its challenges, but first and foremost, funding is the most difficult. Smith said, “‘Cool Apocalypse’ was made for very little money and I raised it all by crowdfunding. ‘Mercury in Retrograde’ had a considerably higher budget and was financed through equity investors. ‘Rendevous’ is a combination of the two approaches: we’ve raised some money through investors and are using Seed & Spark, a great crowdfunding platform designed specifically for filmmakers, to raise the rest of the money we need.”</p> 1375<p><iframe loading="lazy" width="1180" height="664" src="https://www.youtube.com/embed/73MLVM3wQGE?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p> 1376<p>Smith is thrilled to be reunited with Nina Ganet (“Cool Apocalpyse” “Henry Gamble’s Birthday Party”) recognizing that she was just 22 years old when they first worked together. Now, four years later, “…she has a lot more acting experience and life experience” which will allow Ganet’s portrayal of “Julie” to bring, as Smith stated, “…a lot of the changes that have occured in her own life to the character.” Smith has also worked with Kevin Wehby (“Cool Apocalypse,” “Mercury in Retrograde”
1376) and Shane Simmons (“Mercury in Retrograde”) and is looking forward to working with Clare Cooney, Rashaad Hall, and Matt Sherbach (“Chicago P.D.”), describing them as “brilliant actors.”</p> 1377<p>As a seasoned writer and director, Smith is not at all daunted by the filming process. He said, “Honestly, I think the actual shooting is going to be fun and easy. We have a great cast and crew and I anticipate it being a summer camp-type atmosphere.” Smith is cognizant of the need to give women opportunities in the world of filmmaking and has the innovative Layne Marie Williams as Assistant Director and sole producer. Williams, founder of <a href="http://www.laynemariewilliams.com/women-of-the-now.html">Women of the Now</a>, will be bringing in Armani Barron as Production Manager and Hannah Butler as the Script Supervisor. Smith has already announced Christine Sciortino as Hair & Makeup Stylist and Haley McCormick as the Art Director and Costume Designer.  Additionally, Smith anticipates hiring women as production assistants and as part of his camera crew. Smith excitedly s
1377aid, “This means more than half our crew will be women. I’m a fan of the <a href="https://www.npr.org/sections/thetwo-way/2018/03/05/590867132/whats-an-inclusion-rider-here-s-the-story-behind-frances-mcdormand-s-closing-wor">Inclusion Rider</a>!”</p> 1378<p>With so many wheels already in motion, Smith’s only reservations come in the form of how to fund “Rendezvous in Chicago.” “The hardest part will be raising the money in advance.” With lightness and a certain encouraging tone, Smith said, “…most campaigns are funded through the accumulation of many small donations. Even $25 can help a lot!”</p> 1379<p>Interestingly, in a typical 30-day campaign to fully fund a film, the successful projects are 1/3 funded in the first three days. Smith is hoping for a “…strong start right out of the gate.” Contributing in other ways is also very helpful to independent projects such as “Rendezvous in Chicago.” Sharing a link on Facebook, Twitter, and Instagram is also greatly appreciated.</p> 1380<p>For links to contribute, go to<a href="https://www.seedandspark.com/fund/rendezvous-in-chicago"> Seed & Spark</a></p> 1381 </div> 1382 <div class="entry-meta"> 1383 </div> 1384 </div> 1385 <div class="post"> 1386 <img width="1170" height="780" src="https://reelhonestreviews.com/wp-content/uploads/2018/03/MissKiet.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/03/MissKiet.jpg 1170w, https://reelhonestreviews.com/wp-content/uploads/2018/03/MissKiet-300x200.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/03/MissKiet-768x512.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/03/MissKiet-1024x683.jpg 1024w" sizes="auto, (max-width: 1170px) 100vw, 1170px" /> <!-- Display the Title as a link to the Post's permalink. --> 1387 <h1><a href="https://reelhonestreviews.com/female-directors-featured-at-ceuff-down-from-last-year/" rel="bookmark" title="Permanent Link to Female directors featured at CEUFF down from last year"> 1388 Female directors featured at CEUFF down from last year </a></h1> 1389 <small><span class="highlight"><i class="icon blog-date"></i> 1390 March 12th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1391 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1392 0 thoughts on “Female directors featured at CEUFF down from last year” </span></small> 1393 <!-- Display the Post's content in a div box. --> 1394 <div class="entry"> 1395 <p>Hosted by the Gene Siskel Film Center, the month-long Chicago European Union Film Festival (CEUFF) will feature 9 films directed by women (9 out of 61 = ~ 14.8 percent, down from last yearâs record high of 25 percent). The festival is celebrating its 21st year year, beginning March 9 through April 5.</p> 1396<p>Dramatic narratives are the stories women are telling most at this festival, ranging from period pieces such as Barbara Albertâs moralistic and psychological period film <i>Mademoiselle Paradis </i>to Elina Psykouâs powerful current-day tale of <i>Oedipus</i>.  Tonie Marshall puts the spotlight on games women (have to) play when trying to compete and win in the corporate boardroom in the French film <i>Number One</i>, and Marleen Jonkmanâs <i>Messi and Maud </i>captures the societal pressures of motherhood and the freedom of a road trip through Chile.</p> 1397<p>To read the article in its entirety, go to:</p> 1398<p><a href="http://ff2media.com">FF2 Media Female directors featured at CEUFF down from last year</a></p> 1399 </div> 1400 <div class="entry-meta"> 1401 </div> 1402 </div> 1403 <div class="post"> 1404 <!-- Display the Title as a link to the Post's permalink. --> 1405 <h1><a href="https://reelhonestreviews.com/video-wrap-from-hollywood-on-state-via-reel-chicago/" rel="bookmark" title="Permanent Link to Video Wrap from “Hollywood on State” via Reel Chicago"> 1406 Video Wrap from “Hollywood on State” via Reel Chicago </a></h1> 1407 <small><span class="highlight"><i class="icon blog-date"></i> 1408 March 7th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1409 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1410 0 thoughts on “Video Wrap from “Hollywood on State” via Reel Chicago” </span></small> 1411 <!-- Display the Post's content in a div box. --> 1412 <div class="entry"> 1413 <p>There were a few additions to the Hollywood on State Oscar night viewing party at the Gene Siskel Film Center last night: I ventured into the celebration with staff writer Joey Filer, who wielded a camera and microphone to capture the action for a thrilling video. Watch the video below and go to www.reelchicago.com for the full story!</p> 1414<div class="epyt-video-wrapper"><iframe loading="lazy" style="display: block; margin: 0px auto;" id="_ytid_39413" width="1180" height="664" data-origwidth="1180" data-origheight="664" src="https://www.youtube.com/embed/uDoa_UaUVvY?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&
1414color=red&controls=1&disablekb=0&" class="__youtube_prefs__ epyt-is-override no-lazyload" title="YouTube player" allow="fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen data-no-lazy="1" data-skipgform_ajax_framebjll=""></iframe></div> 1415 </div> 1416 <div class="entry-meta"> 1417 </div> 1418 </div> 1419 <div class="post"> 1420 <img width="807" height="454" src="https://reelhonestreviews.com/wp-content/uploads/2018/03/oscars-2018.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/03/oscars-2018.jpg 807w, https://reelhonestreviews.com/wp-content/uploads/2018/03/oscars-2018-300x169.jpg 300w, https://reelhonestreviews.com/wp-content/uploads/2018/03/oscars-2018-768x432.jpg 768w" sizes="auto, (max-width: 807px) 100vw, 807px" /> <!-- Display the Title as a link to the Post's permalink. --> 1421 <h1><a href="https://reelhonestreviews.com/and-the-winners-might-be-oscar-predictions-2018/" rel="bookmark" title="Permanent Link to And the winners (might be) …Oscar Predictions 2018"> 1422 And the winners (might be) …Oscar Predictions 2018 </a></h1> 1423 <small><span class="highlight"><i class="icon blog-date"></i> 1424 March 4th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1425 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1426 0 thoughts on “And the winners (might be) …Oscar Predictions 2018” </span></small> 1427 <!-- Display the Post's content in a div box. --> 1428 <div class="entry"> 1429 <p>The Oscar winners will soon be known, but until the curtain draws to a close, RHR has her predictions (and hopes) for the talented recipients of  that little gold statue. Without further ado, here they are with predicted winners in <strong>bold</strong> and RHR’s hopefuls with an asterisk *</p> 1430<p class="p1"><em><strong><span class="s1">ACTOR IN A LEADING ROLE</span></strong></em></p> 1431<p class="p2"><span class="s1">NOMINEES</span></p> 1432<p class="p3"><strong><span class="s1">TIMOTHÃE CHALAMET*</span></strong></p> 1433<p class="p4"><strong><span class="s1">Call Me by Your Name</span></strong></p> 1434<p class="p3"><span class="s1">DANIEL DAY-LEWIS</span></p> 1435<p class="p4"><span class="s1">Phantom Thread</span></p> 1436<p class="p3"><span class="s1">DANIEL KALUUYA</span></p> 1437<p class="p4"><span class="s1">Get Out</span></p> 1438<p class="p3"><span class="s1">GARY OLDMAN</span></p> 1439<p class="p4"><span class="s1">Darkest Hour</span></p> 1440<p class="p3"><span class="s1">DENZEL WASHINGTON</span></p> 1441<p class="p4"><span class="s1">Roman J. Israel, Esq.</span></p> 1442<p> </p> 1443<p class="p1"><em><strong><span class="s1">ACTOR IN A SUPPORTING ROLE</span></strong></em></p> 1444<p class="p2"><span class="s1">NOMINEES</span></p> 1445<p class="p3"><span class="s1">WILLEM DAFOE</span></p> 1446<p class="p4"><span class="s1">The Florida Project</span></p> 1447<p class="p3"><span class="s1">WOODY HARRELSON</span></p> 1448<p class="p4"><span class="s1">Three Billboards outside Ebbing, Missouri</span></p> 1449<p class="p3"><span class="s1">RICHARD JENKINS</span></p> 1450<p class="p4"><span class="s1">The Shape of Water</span></p> 1451<p class="p3"><span class="s1">CHRISTOPHER PLUMMER*</span></p> 1452<p class="p4"><span class="s1">All the Money in the World</span></p> 1453<p class="p3"><strong><span class="s1">SAM ROCKWELL</span></strong></p> 1454<p class="p4"><strong><span class="s1">Three Billboards outside Ebbing, Missouri</span></strong></p> 1455<p> </p> 1456<p class="p1"><em><span class="s1">ACTRESS IN A LEADING ROLE</span></em></p> 1457<p class="p2"><span class="s1">NOMINEES</span></p> 1458<p class="p3"><strong><span class="s1">SALLY HAWKINS*</span></strong></p> 1459<p class="p4"><span class="s1">The Shape of Water</span></p> 1460<p class="p3"><span class="s1">FRANCES MCDORMAND</span></p> 1461<p class="p4"><span class="s1">Three Billboards outside Ebbing, Missouri</span></p> 1462<p class="p3"><span class="s1">MARGOT ROBBIE</span></p> 1463<p class="p4"><span class="s1">I, Tonya</span></p> 1464<p class="p3"><span class="s1">SAOIRSE RONAN</span></p> 1465<p class="p4"><span class="s1">Lady Bird</span></p> 1466<p class="p3"><span class="s1">MERYL STREEP</span></p> 1467<p class="p4"><span class="s1">The Post</span></p> 1468<p class="p1"><span class="s1">ACTRESS IN A SUPPORTING ROLE</span></p> 1469<p class="p2"><span class="s1">NOMINEES</span></p> 1470<p class="p3"><span class="s1">MARY J. BLIGE</span></p> 1471<p class="p4"><span class="s1">Mudbound</span></p> 1472<p class="p3"><strong><span class="s1">ALLISON JANNEY*</span></strong></p> 1473<p class="p4"><strong><span class="s1">I, Tonya</span></strong></p> 1474<p class="p3"><span class="s1">LESLEY MANVILLE</span></p> 1475<p class="p4"><span class="s1">Phantom Thread</span></p> 1476<p class="p3"><span class="s1">LAURIE METCALF</span></p> 1477<p class="p4"><span class="s1">Lady Bird</span></p> 1478<p class="p3"><span class="s1">OCTAVIA SPENCER</span></p> 1479<p class="p4"><span class="s1">The Shape of Water</span></p> 1480<p> </p> 1481<p class="p1"><em><span class="s1">ANIMATED FEATURE FILM</span></em></p> 1482<p class="p2"><span class="s1">NOMINEES</span></p> 1483<p class="p3"><span class="s1">
1483THE BOSS BABY</span></p> 1484<p class="p4"><span class="s1">Tom McGrath and Ramsey Naito</span></p> 1485<p class="p3"><span class="s1">THE BREADWINNER</span></p> 1486<p class="p4"><span class="s1">Nora Twomey and Anthony Leo</span></p> 1487<p class="p3"><strong><span class="s1">COCO*</span></strong></p> 1488<p class="p4"><strong><span class="s1">Lee Unkrich and Darla K. Anderson</span></strong></p> 1489<p class="p3"><span class="s1">FERDINAND</span></p> 1490<p class="p4"><span class="s1">Carlos Saldanha and Lori Forte</span></p> 1491<p class="p3"><span class="s1">LOVING VINCENT</span></p> 1492<p class="p4"><span class="s1">Dorota Kobiela, Hugh Welchman and Ivan Mactaggart</span></p> 1493<p> </p> 1494<p class="p1"><strong><span class="s1">CINEMATOGRAPHY</span></strong></p> 1495<p class="p2"><span class="s1">NOMINEES</span></p> 1496<p class="p3"><span class="s1">BLADE RUNNER 2049</span></p> 1497<p class="p4"><span class="s1">Roger A. Deakins</span></p> 1498<p class="p3"><span class="s1">DARKEST HOUR</span></p> 1499<p class="p4"><span class="s1">Bruno Delbonnel</span></p> 1500<p class="p3"><strong><span class="s1">DUNKIRK</span></strong></p> 1501<p class="p4"><strong><span class="s1">Hoyte van Hoytema</span></strong></p> 1502<p class="p3"><span class="s1">MUDBOUND</span></p> 1503<p class="p4"><span class="s1">Rachel Morrison</span></p> 1504<p class="p3"><span class="s1">THE SHAPE OF WATER*</span></p> 1505<p class="p4"><span class="s1">Dan Laustsen</span></p> 1506<p> </p> 1507<p class="p1"><strong><span class="s1">COSTUME DESIGN</span></strong></p> 1508<p class="p2"><span class="s1">NOMINEES</span></p> 1509<p class="p3"><strong><span class="s1">BEAUTY AND THE BEAST*</span></strong></p> 1510<p class="p4"><strong><span class="s1">Jacqueline Durran</span></strong></p> 1511<p class="p3"><span class="s1">DARKEST HOUR</span></p> 1512<p class="p4"><span class="s1">Jacqueline Durran</span></p> 1513<p class="p3"><span class="s1">PHANTOM THREAD</span></p> 1514<p class="p4"><span class="s1">Mark Bridges</span></p> 1515<p class="p3"><span class="s1">THE SHAPE OF WATER</span></p> 1516<p class="p4"><span class="s1">Luis Sequeira</span></p> 1517<p class="p3"><span class="s1">VICTORIA & ABDUL</span></p> 1518<p class="p4"><span class="s1">Consolata Boyle</span></p> 1519<p> </p> 1520<p class="p1"><strong><span class="s1">DIRECTING</span></strong></p> 1521<p class="p2"><span class="s1">NOMINEES</span></p> 1522<p class="p3"><strong><span class="s1">DUNKIRK</span></strong></p> 1523<p class="p4"><strong><span class="s1">Christopher Nolan</span></strong></p> 1524<p class="p3"><span class="s1">GET OUT</span></p> 1525<p class="p4"><span class="s1">Jordan Peele</span></p> 1526<p class="p3"><span class="s1">LADY BIRD</span></p> 1527<p class="p4"><span class="s1">Greta Gerwig</span></p> 1528<p class="p3"><span class="s1">PHANTOM THREAD</span></p> 1529<p class="p4"><span class="s1">Paul Thomas Anderson</span></p> 1530<p class="p3"><span class="s1">THE SHAPE OF WATER*</span></p> 1531<p class="p4"><span class="s1">Guillermo del Toro</span></p> 1532<p> </p> 1533<p class="p1"><strong><span class="s1">DOCUMENTARY (FEATURE)</span></strong></p> 1534<p class="p2"><span class="s1">NOMINEES</span></p> 1535<p class="p3"><span class="s1">ABACUS: SMALL ENOUGH TO JAIL</span></p> 1536<p class="p4"><span class="s1">Steve James, Mark Mitten and Julie Goldman</span></p> 1537<p class="p3"><strong><span class="s1">FACES PLACES*</span></strong></p> 1538<p class="p4"><strong><span class="s1">Agnès Varda, JR and Rosalie Varda</span></strong></p> 1539<p class="p3"><span class="s1">ICARUS</span></p> 1540<p class="p4"><span class="s1">Bryan Fogel and Dan Cogan</span></p> 1541<p class="p3"><span class="s1">LAST MEN IN ALEPPO</span></p> 1542<p class="p4"><span class="s1">Feras Fayyad, Kareem Abeed and Søren Steen Jespersen</span></p> 1543<p class="p3"><span class="s1">STRONG ISLAND</span></p> 1544<p class="p4"><span class="s1">Yance Ford and Joslyn Barnes</span></p> 1545<p> </p> 1546<p class="p1"><strong><span class="s1">DOCUMENTARY (SHORT SUBJECT)</span></strong></p> 1547<p class="p2"><span class="s1">NOMINEES</span></p> 1548<p class="p3"><span class="s1">EDITH+EDDIE*</span></p> 1549<p class="p4"><span class="s1">Laura Checkoway and Thomas Lee Wright</span></p> 1550<p class="p3"><strong><span class="s1">HEAVEN IS A TRAFFIC JAM ON THE 405</span></strong></p> 1551<p class="p4"><strong><span class="s1">Frank Stiefel</span></strong></p> 1552<p class="p3"><span class="s1">HEROIN(E)</span></p> 1553<p class="p4"><span class="s1">Elaine McMillion Sheldon and Kerrin Sheldon</span></p> 1554<p class="p3"><span class="s1">KNIFE SKILLS</span></p> 1555<p class="p4"><span class="s1">Thomas Lennon</span></p> 1556<p class="p3"><span class="s1">TRAFFIC STOP</span></p> 1557<p class="p4"><span class="s1">Kate Davis and David Heilbroner</span></p> 1558<p> </p> 1559<p class="p1"><span class="s1">FILM EDITING</span></p> 1560<p class="p2"><span class="s1">NOMINEES</span></p> 1561<p class="p3"><span class="s1">BABY DRIVER*</span></p> 1562<p class="p4"><span class="s1">Paul Machliss and Jonathan Amos</span></p> 1563<p class="p3"><span class="s1">DUNKIRK</span></p> 1564<p class="p4"><span class="s1">Lee Smith</span></p> 1565<p class="p3"><strong><span class="s1">I, TONYA</span></strong></p> 1566<p class="p4"><strong><span class="s1">Tatiana S. Riegel</span></strong></p> 1567<p class="p3"><span class="s1">THE SHAPE OF WATER</span></p> 1568<p class="p4"><span class="s1">Sidney Wolinsky</span></p> 1569<p class="p3"><span class="s1">THREE BILLBOARDS OUTSIDE EBBING, MISSOURI</span></p> 1570<p class="p4"><span class="s1">Jon Gregory</span></p> 1571<p> </p> 1572<p class="p1"><span class="s1">FOREIGN LANGUAGE FILM</span></p> 1573<p class="p2"><span class="s1">NOMINEES</span></p> 1574<p class="p3"><strong><span class="s1">A FANTASTIC WOMAN</span></strong></p> 1575<p class="p4"><strong><span class="s1">Chile</span></strong></p> 1576<p class="p3"><span class="s1">THE INSULT</span></p> 1577<p class="p4"><span class="s1">Lebanon</span></p> 1578<p class="p3"><span class="s1">LOVELESS</span></p> 1579<p class="p4"><span class="s1">Russia</span></p> 1580<p class="p3"><span class="s1">ON BODY AND SOUL</span></p> 1581<p class="p4"><span class="s1">Hungary</span></p> 1582<p class="p3"><span class="s1">THE SQUARE*</span></p> 1583<p class="p4"><span class="s1">Sweden</span></p> 1584<p> </p> 1585<p class="p1"><span class="s1">MAKEUP AND HAIRSTYLING</span></p> 1586<p class="p2"><span class="s1">NOMINEES</span></p> 1587<p class="p3"><span class="s1">DARKEST HOUR</span></p> 1588<p class="p4"><span class="s1">Kazuhiro Tsuji, David Malinowski and Lucy Sibbick</span></p> 1589<p class="p3"><span class="s1">VICTORIA & ABDUL</span></p> 1590<p class="p4"><span class="s1">Daniel Phillips and Lou Sheppard</span></p> 1591<p class="p3"><strong><span class="s1">WONDER*</span></strong></p> 1592<p class="p4"><strong><span class="s1">Arjen Tuiten</span></strong></p> 1593<p> </p> 1594<p class="p1"><span class="s1">MUSIC (ORIGINAL SCORE)</span></p> 1595<p class="p2"><span class="s1">NOMINEES</span></p> 1596<p class="p3"><strong><span class="s1">DUNKIRK</span></strong></p> 1597<p class="p4"><strong><span class="s1">Hans Zimmer</span></strong></p> 1598<p class="p3"><span class="s1">PHANTOM THREAD*</span></p> 1599<p class="p4"><span class="s1">Jonny Greenwood</span></p> 1600<p class="p3"><span class="s1">THE SHAPE OF WATER</span></p> 1601<p class="p4"><span class="s1">Alexandre Desplat</span></p> 1602<p class="p3"><span class="s1">STAR WARS: THE LAST JEDI</span></p> 1603<p class="p4"><span class="s1">John Williams</span></p> 1604<p class="p3"><span class="s1">THREE BILLBOARDS OUTSIDE EBBING, MISSOURI</span></p> 1605<p class="p4"><span class="s1">Carter Burwell</span></p> 1606<p> </p> 1607<p class="p1"><span class="s1">MUSIC (ORIGINAL SONG)</span></p> 1608<p class="p2"><span class="s1">NOMINEES</span></p> 1609<p class="p3"><strong><span class="s1">MIGHTY RIVER</span></strong></p> 1610<p class="p4"><strong><span class="s1">from Mudbound; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson</span></strong></p> 1611<p class="p3"><span class="s1">MYSTERY OF LOVE</span></p> 1612<p class="p4"><span class="s1">from Call Me by Your Name; Music and Lyric by Sufjan Stevens</span></p> 1613<p class="p3"><span class="s1">REMEMBER ME*</span></p> 1614<p class="p4"><span class="s1">from Coco; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez</span></p> 1615<p class="p3"><span class="s1">STAND UP FOR SOMETHING</span></p> 1616<p class="p4"><span class="s1">from Marshall; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren</span></p> 1617<p class="p3"><span class="s1">THIS IS ME</span></p> 1618<p class="p4"><span class="s1">from The Greatest Showman; Music and Lyric by Benj Pasek and Justin Paul</span></p> 1619<p> </p> 1620<p class="p1"><span class="s1">BEST PICTURE</span></p> 1621<p class="p2"><span class="s1">NOMINEES</span></p> 1622<p class="p3"><span class="s1">CALL ME BY YOUR NAME</span></p> 1623<p class="p4"><span class="s1">Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers</span></p> 1624<p class="p3"><span class="s1">DARKEST HOUR</span></p> 1625<p class="p4"><span class="s1">Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers</span></p> 1626<p class="p3"><span class="s1">DUNKIRK</span></p> 1627<p class="p4"><span class="s1">Emma Thomas and Christopher Nolan, Producers</span></p> 1628<p class="p3"><span class="s1">GET OUT</span></p> 1629<p class="p4"><span class="s1">Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers</span></p> 1630<p class="p3"><span class="s1">LADY BIRD</span></p> 1631<p class="p4"><span class="s1">Scott Rudin, Eli Bush and Evelyn O’Neill, Producers</span></p> 1632<p class="p3"><span class="s1">PHANTOM THREAD</span></p> 1633<p class="p4"><span class="s1">JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers</span></p> 1634<p class="p3"><span class="s1">THE POST</span></p> 1635<p class="p4"><span class="s1">Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers</span></p> 1636<p class="p3"><span class="s1">THE SHAPE OF WATER*</span></p> 1637<p class="p4"><span class="s1">Guillermo del Toro and J. Miles Dale, Producers</span></p> 1638<p class="p3"><strong><span class="s1">THREE BILLBOARDS OUTSIDE EBBING, MISSOURI</span></strong></p> 1639<p class="p4"><strong><span class="s1">Graham Broadbent, Pete Czernin and Martin McDonagh, Producers</span></strong></p> 1640<p> </p> 1641<p class="p1"><span class="s1">PRODUCTION DESIGN</span></p> 1642<p class="p2"><span class="s1">NOMINEES</span></p> 1643<p class="p3"><span class="s1">BEAUTY AND THE BEAST</span></p> 1644<p class="p4"><span class="s1">Production Design: Sarah Greenwood; Set Decoration: Katie Spencer</span></p> 1645<p class="p3"><strong><span class="s1">BLADE RUNNER 2049</span></strong></p> 1646<p class="p4"><strong><span class="s1">Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola</span></strong></p> 1647<p class="p3"><span class="s1">DARKEST HOUR</span></p> 1648<p class="p4"><span class="s1">Production Design: Sarah Greenwood; Set Decoration: Katie Spencer</span></p> 1649<p class="p3"><span class="s1">DUNKIRK</span></p> 1650<p class="p4"><span class="s1">Production Design: Nathan Crowley;
1650 Set Decoration: Gary Fettis</span></p> 1651<p class="p3"><span class="s1">THE SHAPE OF WATER*</span></p> 1652<p class="p4"><span class="s1">Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeffrey A. Melvin</span></p> 1653<p> </p> 1654<p class="p1"><span class="s1">SHORT FILM (ANIMATED)</span></p> 1655<p class="p2"><span class="s1">NOMINEES</span></p> 1656<p class="p3"><span class="s1">DEAR BASKETBALL</span></p> 1657<p class="p4"><span class="s1">Glen Keane and Kobe Bryant</span></p> 1658<p class="p3"><span class="s1">GARDEN PARTY</span></p> 1659<p class="p4"><span class="s1">Victor Caire and Gabriel Grapperon</span></p> 1660<p class="p3"><strong><span class="s1">LOU*</span></strong></p> 1661<p class="p4"><strong><span class="s1">Dave Mullins and Dana Murray</span></strong></p> 1662<p class="p3"><span class="s1">NEGATIVE SPACE</span></p> 1663<p class="p4"><span class="s1">Max Porter and Ru Kuwahata</span></p> 1664<p class="p3"><span class="s1">REVOLTING RHYMES</span></p> 1665<p class="p4"><span class="s1">Jakob Schuh and Jan Lachauer</span></p> 1666<p> </p> 1667<p class="p1"><span class="s1">SHORT FILM (LIVE ACTION)</span></p> 1668<p class="p2"><span class="s1">NOMINEES</span></p> 1669<p class="p3"><span class="s1">DEKALB ELEMENTARY</span></p> 1670<p class="p4"><span class="s1">Reed Van Dyk</span></p> 1671<p class="p3"><span class="s1">THE ELEVEN O’CLOCK</span></p> 1672<p class="p4"><span class="s1">Derin Seale and Josh Lawson</span></p> 1673<p class="p3"><span class="s1">MY NEPHEW EMMETT</span></p> 1674<p class="p4"><span class="s1">Kevin Wilson, Jr.</span></p> 1675<p class="p3"><strong><span class="s1">THE SILENT CHILD*</span></strong></p> 1676<p class="p4"><strong><span class="s1">Chris Overton and Rachel Shenton</span></strong></p> 1677<p class="p3"><span class="s1">WATU WOTE/ALL OF US</span></p> 1678<p class="p4"><span class="s1">Katja Benrath and Tobias Rosen</span></p> 1679<p> </p> 1680<p class="p1"><span class="s1">SOUND EDITING</span></p> 1681<p class="p2"><span class="s1">NOMINEES</span></p> 1682<p class="p3"><strong><span class="s1">BABY DRIVER*</span></strong></p> 1683<p class="p4"><strong><span class="s1">Julian Slater</span></strong></p> 1684<p class="p3"><span class="s1">BLADE RUNNER 2049</span></p> 1685<p class="p4"><span class="s1">Mark Mangini and Theo Green</span></p> 1686<p class="p3"><span class="s1">DUNKIRK</span></p> 1687<p class="p4"><span class="s1">Richard King and Alex Gibson</span></p> 1688<p class="p3"><span class="s1">THE SHAPE OF WATER</span></p> 1689<p class="p4"><span class="s1">Nathan Robitaille and Nelson Ferreira</span></p> 1690<p class="p3"><span class="s1">STAR WARS: THE LAST JEDI</span></p> 1691<p class="p4"><span class="s1">Matthew Wood and Ren Klyce</span></p> 1692<p> </p> 1693<p class="p1"><span class="s1">SOUND MIXING</span></p> 1694<p class="p2"><span class="s1">NOMINEES</span></p> 1695<p class="p3"><strong><span class="s1">BABY DRIVER*</span></strong></p> 1696<p class="p4"><strong><span class="s1">Julian Slater, Tim Cavagin and Mary H. Ellis</span></strong></p> 1697<p class="p3"><span class="s1">BLADE RUNNER 2049</span></p> 1698<p class="p4"><span class="s1">Ron Bartlett, Doug Hemphill and Mac Ruth</span></p> 1699<p class="p3"><span class="s1">DUNKIRK</span></p> 1700<p class="p4"><span class="s1">Gregg Landaker, Gary A. Rizzo and Mark Weingarten</span></p> 1701<p class="p3"><span class="s1">THE SHAPE OF WATER</span></p> 1702<p class="p4"><span class="s1">Christian Cooke, Brad Zoern and Glen Gauthier</span></p> 1703<p class="p3"><span class="s1">STAR WARS: THE LAST JEDI</span></p> 1704<p class="p4"><span class="s1">David Parker, Michael Semanick, Ren Klyce and Stuart Wilson</span></p> 1705<p> </p> 1706<p class="p1"><span class="s1">VISUAL EFFECTS</span></p> 1707<p class="p2"><span class="s1">NOMINEES</span></p> 1708<p class="p3"><span class="s1">BLADE RUNNER 2049</span></p> 1709<p class="p4"><span class="s1">John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover</span></p> 1710<p class="p3"><span class="s1">GUARDIANS OF THE GALAXY VOL. 2</span></p> 1711<p class="p4"><span class="s1">Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick</span></p> 1712<p class="p3"><span class="s1">KONG: SKULL ISLAND</span></p> 1713<p class="p4"><span class="s1">Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus</span></p> 1714<p class="p3"><span class="s1">STAR WARS: THE LAST JEDI</span></p> 1715<p class="p4"><span class="s1">Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould</span></p> 1716<p class="p3"><strong><span class="s1">WAR FOR THE PLANET OF THE APES*</span></strong></p> 1717<p class="p4"><strong><span class="s1">Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist</span></strong></p> 1718<p> </p> 1719<p class="p1"><span class="s1">WRITING (ADAPTED SCREENPLAY)</span></p> 1720<p class="p2"><span class="s1">NOMINEES</span></p> 1721<p class="p3"><strong><span class="s1">CALL ME BY YOUR NAME</span></strong></p> 1722<p class="p4"><strong><span class="s1">Screenplay by James Ivory</span></strong></p> 1723<p class="p3"><span class="s1">THE DISASTER ARTIST</span></p> 1724<p class="p4"><span class="s1">Screenplay by Scott Neustadter & Michael H. Weber</span></p> 1725<p class="p3"><span class="s1">LOGAN</span></p> 1726<p class="p4"><span class="s1">Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold</span></p> 1727<p class="p3"><span class="s1">MOLLY’S GAME</span></p> 1728<p class="p4"><span class="s1">Written for the screen by Aaron Sorkin</span></p> 1729<p class="p3"><span class="s1">MUDBOUND*</span></p> 1730<p class="p4"><span class="s1">Screenplay by Virgil Williams and Dee Rees</span></p> 1731<p> </p> 1732<p class="p1"><span class="s1">WRITING (ORIGINAL SCREENPLAY)</span></p> 1733<p class="p2"><span class="s1">NOMINEES</span></p> 1734<p class="p3"><span class="s1">THE BIG SICK</span></p> 1735<p class="p4"><span class="s1">Written by Emily V. Gordon & Kumail Nanjiani</span></p> 1736<p class="p3"><strong><span class="s1">GET OUT</span></strong></p> 1737<p class="p4"><strong><span class="s1">Written by Jordan Peele</span></strong></p> 1738<p class="p3"><span class="s1">LADY BIRD</span></p> 1739<p class="p4"><span class="s1">Written by Greta Gerwig</span></p> 1740<p class="p3"><span class="s1">THE SHAPE OF WATER*</span></p> 1741<p class="p4"><span class="s1">Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro</span></p> 1742<p class="p3"><span class="s1">THREE BILLBOARDS OUTSIDE EBBING, MISSOURI</span></p> 1743 </div> 1744 <div class="entry-meta"> 1745 </div> 1746 </div> 1747 <div class="post"> 1748 <img width="940" height="1200" src="https://reelhonestreviews.com/w
1748p-content/uploads/2018/02/hos-2018-header.jpg" class="img-responsive wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://reelhonestreviews.com/wp-content/uploads/2018/02/hos-2018-header.jpg 940w, https://reelhonestreviews.com/wp-content/uploads/2018/02/hos-2018-header-235x300.jpg 235w, https://reelhonestreviews.com/wp-content/uploads/2018/02/hos-2018-header-768x980.jpg 768w, https://reelhonestreviews.com/wp-content/uploads/2018/02/hos-2018-header-802x1024.jpg 802w" sizes="auto, (max-width: 940px) 100vw, 940px" /> <!-- Display the Title as a link to the Post's permalink. --> 1749 <h1><a href="https://reelhonestreviews.com/the-gene-siskel-film-centers-hollywood-on-state-where-youre-the-star/" rel="bookmark" title="Permanent Link to The Gene Siskel Film Center’s “Hollywood on State: Where You’re the Star”"> 1750 The Gene Siskel Film Center’s “Hollywood on State: Where You’re the Star” </a></h1> 1751 <small><span class="highlight"><i class="icon blog-date"></i> 1752 February 27th, 2018 </span> <span class="highlight"><i class="icon blog-user"></i>Posted by <a href="https://reelhonestreviews.com/author/pamela/" rel="author">pamela</a> </span> <span class="highlight"><i class="icon blog-category"></i> 1753 <a href="https://reelhonestreviews.com/category/news/" rel="category tag">News</a> </span> <span class="highlight"><i class="icon blog-comments"></i> 1754 0 thoughts on “The Gene Siskel Film Center’s “Hollywood on State: Where You’re the Star”” </span></small> 1755 <!-- Display the Post's content in a div box. --> 1756 <div class="entry"> 1757 <p>The Gene Siskel Film Center will once again hosts its annual Oscar viewing party â â<a href="http://www.siskelfilmcenter.org/hollywoodonstate2018" target="_blank" rel="noopener noreferrer">Hollywood on State: Where Youâre the Star</a>â â on Sunday, March 4.</p> 1758<p>This star-studded extravaganza, sponsored by Southwest Airlines, BMO Harris Bank, and The Richard and Ellen Sandor Family Foundation, gives participants an opportunity to watch the 90th Academy Awards show, live via telecast, in one of the newly renovated theaters as well as walk the red carpet while photogs capture the moment.</p> 1759<p>To read the article in its entirety, check out the link below:</p> 1760<blockquote class="wp-embedded-content" data-secret="eohguygi7I"><p><a href="http://www.reelchicago.com/article/best-seats-town-siskel-film-center-oscar-viewing-party/">Best seats in town: Siskel Center Oscar Viewing Party</a></p></blockquote> 1761<p><iframe loading="lazy" class="wp-embedded-content" sandbox="allow-scripts" security="restricted" style="position: absolute; clip: rect(1px, 1px, 1px, 1px);" src="http://www.reelchicago.com/article/best-seats-town-siskel-film-center-oscar-viewing-party/embed/#?secret=eohguygi7I" data-secret="eohguygi7I" width="600" height="338" title="“Best seats in town: Siskel Center Oscar Viewing Party” — | Reel Chicago - Midwest film, audio, production, TV, and advertising" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p> 1762 </div> 1763 <div class="entry-meta"> 1764 </div> 1765 </div> 1766 1767 1768 <div class="navigation"> 1769 <div class="alignleft"> 1770 </div> 1771 <div class="alignright"> 1772 </div> 1773 </div> 1774 1775 1776 </div> 1777 <!-- / posts --> 1778 1779 <!-- sidebar --> 1780 <div class="vc_col-md-3 vc_col-sm-12 vc_col-xs-12"> 1781 1782 1783<div class="col-md-12 blog_widget"><h4>Archives</h4> <label class="screen-reader-text" for="archives-dropdown-2">Archives</label> 1784 <select id="archives-dropdown-2" name="archive-dropdown"> 1785 1786 <option value="">Select Month</option> 1787 <option value='https://reelhonestreviews.com/2025/12/'> December 2025 </option> 1788 <option value='https://reelhonestreviews.com/2024/04/'> April 2024 </option> 1789 <option value='https://reelhonestreviews.com/2024/01/'> January 2024 </option> 1790 <option value='https://reelhonestreviews.com/2023/12/'> December 2023 </option> 1791 <option value='https://reelhonestreviews.com/2023/11/'>
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2152<script type="module"> 2153/*! This file is auto-generated */ 2154var e="script#wp-emoji-settings",t=document.querySelector(e);if(!(t instanceof HTMLScriptElement))throw new Error("Element missing: "+e);const r=JSON.parse(t.text),s=(window._wpemojiSettings=r,"wpEmojiSettingsSupports"),o=["flag","emoji"];function i(e){try{var t={supportTests:e,timestamp:(new Date).valueOf()};sessionStorage.setItem(s,JSON.stringify(t))}catch(e){}}function c(e,t,n){e.clearRect(0,0,e.canvas.width,e.canvas.height),e.fillText(t,0,0);t=new Uint32Array(e.getImageData(0,0,e.canvas.width,e.canvas.height).data);e.clearRect(0,0,e.canvas.width,e.canvas.height),e.fillText(n,0,0);const r=new Uint32Array(e.getImageData(0,0,e.canvas.width,e.canvas.height).data);return t.every((e,t)=>e===r[t])}function p(e,t){e.clearRect(0,0,e.canvas.width,e.canvas.height),e.fillText(t,0,0);var n=e.getImageData(16,16,1,1);for(let e=0;e<n.data.length;e++)if(0!==n.data[e])return!1;return!0}function u(e,t,n,r){switch(t){case"flag":return n(e,"\ud83c\udff3\ufe0f\u200d\u26a7\ufe0f","\ud83c\udff3\ufe0f\u200b\u26a7\ufe0f")?!1:!n(e,"\ud83c\udde8\ud83c\uddf6","\ud83c\udde8\u200b\ud83c\uddf6")&&!n(e,"\ud83c\udff4\udb40\udc67\udb40\udc62\udb40\udc65\udb40\udc6e\udb40\udc67\udb40\udc7f","\ud83c\udff4\u200b\udb40\udc67\u200b\udb40\udc62\u200b\udb40\udc65\u200b\udb40\udc6e\u200b\udb40\udc67\u200b\udb40\udc7f");case"emoji":return!r(e,"\ud83e\u1fac8")}return!1}function f(e,t,n,r){let a;const s=(a="undefined"!=typeof WorkerGlobalScope&&self instanceof WorkerGlobalScope?new OffscreenCanvas(300,150):document.createElement("canvas")).getContext("2d",{willReadFrequently:!0}),o=(s.textBaseline="top",s.font="600 32px Arial",{});return e.forEach(e=>{o[e]=t(s,e,n,r)}),o}function a(e){var t=document.createElement("script");t.src=e,t.defer=!0,document.head.appendChild(t)}r.supports={everything:!0,everythingExceptFlag:!0},new Promise(t=>{let n=function(){try{var e=JSON.parse(sessionStorage.getItem(s));if("object"==typeof e&&"number"==typeof e.timestamp&&(new Date).valueOf()<e.timestamp+604800&&"object"==typeof e.supportTests)return e.supportTests}catch(e){}return null}();if(!n){if("undefined"!=typeof Worker&&"undefined"!=typeof OffscreenCanvas&&"undefined"!=typeof URL&&URL.createObjectURL&&"undefined"!=typeof Blob)try{var e="postMessage("+f.toString()+"("+[JSON.stringify(o),u.toString(),c.toString(),p.toString()].join(",")+"));",r=new Blob([e],{type:"text/javascript"});const a=new Worker(URL.createObjectURL(r),{name:"wpTestEmojiSupports"});return void(a.onmessage=e=>{i(n=e.data),a.terminate(),t(n)})}catch(e){}i(n=f(o,u,c,p))}t(n)}).then(e=>{for(const n in e)r.supports[n]=e[n],r.supports.everything=r.supports.everything&&r.supports[n],"flag"!==n&&(r.supports.everythingExceptFlag=r.supports.everythingExceptFlag&&r.supports[n]);var t;r.supports.everythingExceptFlag=r.supports.everythingExceptFlag&&!r.supports.flag,r.supports.everything||((t=r.source||{}).concatemoji?a(t.concatemoji):t.wpemoji&&t.twemoji&&(a(t.twemoji),a(t.wpemoji)))}); 2155//# sourceURL=https://reelhonestreviews.com/wp-includes/js/wp-emoji-loader.min.js 2156</script>
2156 2157 2158 </body> 2159</html>
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.