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38<script type="text/json" data-set="ProjectDetail">{"id":14506082,"site_id":"575303","link_url":false,"project_url":"Coloring-a-dream","direct_link":"https:\/\/simonklenell.com\/Coloring-a-dream","type":"project","link_target":"","title":"Coloring a dream","title_no_html":"Coloring a dream","show_title":true,"tags":[],"display":true,"excerpt":"Solo Exhibition at Culture Object in New York, April 2023.\r\n\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant...","excerpt_long":"Solo Exhibition at Culture Object in New York, April 2023.\r\n\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.\r\n\r\n\r\n\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase,...","content":"Solo Exhibition at <a href=\"https:\/\/www.cultureobject.com\/\" target=\"_blank\">Culture Object<\/a> in New York, April 2023.<br \/>\r\n<br \/>\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br \/>\r\n<br \/>\r\n<img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1000.jpg\" width=\"905\" height=\"767\" width_o=\"1500\" height_o=\"1272\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1500.jpg\" data-mid=\"79611683\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 848\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1250.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_2100.jpg\" data-mid=\"79611693\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1600_c.jpg\" \/><br \/>\r\n<br \/>\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br \/>\r\n<br \/>\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.<br \/>\r\n<br \/>\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br \/>\r\n<br \/>\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These
38criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br \/>\r\n<br \/>\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br \/>\r\n<br \/>\r\n <img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_2100.jpg\" data-mid=\"79611676\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_2100.jpg\" data-mid=\"79611680\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_2100.jpg\" data-mid=\"79611682\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1600_c.jpg\" \/>","content_2x":"Solo Exhibition at <a href=\"https:\/\/www.cultureobject.com\/\" target=\"_blank\">Culture Object<\/a> in New York, April 2023.<br \/>\r\n<br \/>
38\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br \/>\r\n<br \/>\r\n<img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1250.jpg\" width=\"905\" height=\"767\" width_o=\"1500\" height_o=\"1272\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1500.jpg\" data-mid=\"79611683\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1250 \u00d7 1060\"\/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_2100.jpg\" data-mid=\"79611693\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/><br \/>\r\n<br \/>\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br \/>\r\n<br \/>\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.<br \/>\r\n<br \/>\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br \/>\r\n<br \/>\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br \/>\r\n<br \/>\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br \/>\r\n<br \/>\r\n <img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_2100.jpg\" data-mid=\"79611676\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_2100.jpg\" data-mid=\"79611680\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_2100.jpg\" data-mid=\"79611682\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/>","content_no_html":"Solo Exhibition at Culture Object in New York, April 2023.\r\n\r\nAn exp
38ose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.\r\n\r\n{image 4}{image 5}\r\n\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.\r\n\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.\r\n\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.\r\n\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.\r\n\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.\r\n\r\n {image 1}{image 2}{image 3}","content_partial_html":"Solo Exhibition at <a href=\"https:\/\/www.cultureobject.com\/\" target=\"_blank\">Culture Object<\/a> in New York, April 2023.<br \/>\r\n<br \/>
38\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br \/>\r\n<br \/>\r\n<img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1000.jpg\" width=\"905\" height=\"767\" width_o=\"1500\" height_o=\"1272\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1500.jpg\" data-mid=\"79611683\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 848\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1250.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_2100.jpg\" data-mid=\"79611693\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1600_c.jpg\" \/><br \/>\r\n<br \/>\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br \/>\r\n<br \/>\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.<br \/>\r\n<br \/>\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br \/>\r\n<br \/>\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These
38criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br \/>\r\n<br \/>\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br \/>\r\n<br \/>\r\n <img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_2100.jpg\" data-mid=\"79611676\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_2100.jpg\" data-mid=\"79611680\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_2100.jpg\" data-mid=\"79611682\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1600_c.jpg\" \/>","date":false,"bgcolor":"","comment_count":0,"thumb_url":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470.jpg","thumb_url_2x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470_2x.jpg","thumb_url_4x":null,"thumb_width":525,"thumb_height":700,"default_thumb_url":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_1705785470.jpg","default_thumb_url_2x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_1705785470_2x.jpg","default_thumb_url_4x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_1705785470_4x.jpg","default_thumb_width":200,"default_thumb_height":134,"custom_thumb_url":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470.jpg","custom_thumb_url_2x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470_2x.jpg","custom_thumb_url_4x":null,"custom_thumb_width":525,"custom_thumb_height":700,"sort":1,"set_id":0,"set_name":null,"set_key":null,"set_url":null,"set_count":null,"is_set":false,"views":"2,357"}</script>
vendor: 1 bytes, line 38
38
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39 40 41
41<script src="/_jsapps/_libs/cargo_plugins/elementResizer.js"></script>
41 42 </head> 43 <body data-bodyview="index"> 44 45 <customhtml><div class="cargo_link">Running on <a href="http://cargocollective.com" target="_blank">Cargo</a></div></customhtml> 46 47 <img class="loading" src="/_gfx/loadingAnim.gif" data-loading="page"> 48 <div class="site_header"> 49 50 51 52 <div class="header_text"> 53 <a href="https://simonklenell.com" rel="show_index"> 54 Simon Klenell 55 </a> 56 </div> 57 58 <div class="navigation" data-view="Navigation" data-set="Navigation"> 59 <span id="autopagination_wrapper" data-view="Navigation" data-set="Navigation"> 60 <div id="menu_9183858" class="page_link" data-type="page" data-id="9183858"> 61 <a id="p9183858" href="/Work" rel="history"> 62 Work 63 </a> 64 </div> 65 <div id="menu_9059586" class="page_link" data-type="page" data-id="9059586"> 66 <a id="p9059586" href="/About" rel="history"> 67 About 68 </a> 69 </div> 70 </span> 71 72 </div> 73 74 75 </div> 76 77 78 <div class="container"> 79 80 <div id="project" class="project clear" data-view="ProjectDetail" data-set="Project"> 81 82 <div class="entry" data-id="14506082" data-resize-parent> 83 84 <div class="project_header"> 85 86 87 <div class="project_title"> 88 Coloring a dream 89 </div> 90 91 92 <div class="project_nav"> 93 94 <a href="#" class="previous" rel="prev_project"><img src="https://assets.cdn.cargocollective.com/415370/504286213121634151753589888114495488/arrow-left.svg?0fb3545eaf"></a> 95 96 97 <a href="#" class="index" rel="close_project"> 98 <div> 99 <span> </span> 100 <span> </span> 101 <span> </span> 102 <span> </span> 103 </div> 104 </a> 105 106 107 <a href="#" class="next" rel="next_project"><img src="https://assets.cdn.cargocollective.com/415370/504286213121634151753589888114495488/arrow-right.svg?e85295d302"></a> 108 109 </div> 110 111 </div> 112 113 <div class="project_content" data-elementresizer> 114 <projectcontent>Solo Exhibition at <a href="https://www.cultureobject.com/" target="_blank">Culture Object</a> in New York, April 2023.<br /> 115<br /> 116An expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br /> 117<br /> 118<img src="https://payload.cargocollective.com/1/17/575303/14506082/ColoringADream_1_1000.jpg" width="905" height="767" width_o="1500" height_o="1272" src_o="https://payload.cargocollective.com/1/17/575303/14506082/ColoringADream_1_1500.jpg" data-mid="79611683" border="0" align="left" data-title="905 â 1000 Ã 848"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/ColoringADream_1_1250.jpg" /><img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_09_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_09_2100.jpg" data-mid="79611693" border="0" align="left" data-title="905 â 1000 Ã 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_09_1600_c.jpg" /><br /> 119<br /> 120Crystal evokes precision and clarity, to the extent that a common turn of phrase, "crystal clear", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artistâs signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simonâs central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br /> 121<br /> 122Simon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the companyâs illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of âpurityâ and by extension, Swedish identity itself.<br /> 123<br />
124In tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in "Coloring A Dream". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simonâs new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simonâs typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simonâs grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br /> 125<br /> 126As a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process â and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravityâs pull. These criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br /> 127<br /> 128To maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br /> 129<br /> 130 <img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_07_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_07_2100.jpg" data-mid="79611676" border="0" align="left" data-title="905 â 1000 Ã 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_07_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_18_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_18_2100.jpg" data-mid="79611680" border="0" align="left" data-title="905 â 1000 Ã 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_18_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_20_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_20_2100.jpg" data-mid="79611682" border="0" align="left" data-title="905 â 1000 Ã 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_20_1600_c.jpg" /></projectcontent> 131 </div> 132 133 <div class="project_footer"> 134 135 136 137 138 139 </div> 140 141 <div class="show_index"> 142 <a href="https://simonklenell.com" rel="show_index">Index</a> 143 </div> 144 145 <directlink link="https://simonklenell.com/Coloring-a-dream" id="dl_14506082"></directlink> 146
147 </div> 148 149 </div> 150 151 </div> 152 153 <div id="index" class="thumbnails clear" data-view="Thumbnail" data-set="Projects" data-autopaginate="true"> 154 155 156 <div class="thumbnail" id="item_14506077" name="14506077" style="width: 700px" data-setid="0" data-setname=""> 157 <div class="loading" data-loading="14506077"> 158 <img src="/_gfx/loadingAnim.gif"> 159 </div> 160 161 <a href="/Ad-Libitum" data-id="14506077" rel="history"> 162 163 <div class="thumb_image" name=""> 164 <img src="https://payload.cargocollective.com/1/17/575303/14506077/prt_700x875_1705785731.jpg" width="700" height="875" data-hi-res=https://payload.cargocollective.com/1/17/575303/14506077/prt_700x875_1705785731_2x.jpg > 165 </div> 166 167 168 <div class="thumb_title"> 169 <span>Ad Libitum</span> 170 </div> 171 172 </a> 173 174 </div> 175 176 <div class="thumbnail" id="item_14506082" name="14506082" style="width: 525px" data-setid="0" data-setname=""> 177 <div class="loading" data-loading="14506082"> 178 <img src="/_gfx/loadingAnim.gif"> 179 </div> 180 181 <a href="/Coloring-a-dream" data-id="14506082" rel="history"> 182 183 <div class="thumb_image" name=""> 184 <img src="https://payload.cargocollective.com/1/17/575303/14506082/prt_525x700_1705785470.jpg" width="525" height="700" data-hi-res=https://payload.cargocollective.com/1/17/575303/14506082/prt_525x700_1705785470_2x.jpg > 185 </div> 186 187 188 <div class="thumb_title"> 189 <span>Coloring a dream</span> 190 </div> 191 192 </a> 193 194 </div> 195 196 <div class="thumbnail" id="item_14445574" name="14445574" style="width: 500px" data-setid="0" data-setname=""> 197 <div class="loading" data-loading="14445574"> 198 <img src="/_gfx/loadingAnim.gif"> 199 </div> 200 201 <a href="/Bod" data-id="14445574" rel="history"> 202 203 <div class="thumb_image" name=""> 204 <img src="https://payload.cargocollective.com/1/17/575303/14445574/prt_500x666_1680640755.jpg" width="500" height="666" data-hi-res=https://payload.cargocollective.com/1/17/575303/14445574/prt_500x666_1680640755_2x.jpg > 205 </div> 206 207 208 <div class="thumb_title"> 209 <span>Bod</span> 210 </div> 211 212 </a> 213 214 </div> 215 216 <div class="thumbnail" id="item_14306381" name="14306381" style="width: 437px" data-setid="0" data-setname=""> 217 <div class="loading" data-loading="14306381"> 218 <img src="/_gfx/loadingAnim.gif"> 219 </div> 220 221 <a href="/Cirrus" data-id="14306381" rel="history"> 222 223 <div class="thumb_image" name=""> 224 <img src="https://payload.cargocollective.com/1/17/575303/14306381/prt_437x583_1633981612.jpg" width="437" height="583" data-hi-res=https://payload.cargocollective.com/1/17/575303/14306381/prt_437x583_1633981612_2x.jpg > 225 </div> 226 227 228 <div class="thumb_title"> 229 <span>Cirrus</span> 230 </div> 231 232 </a> 233 234 </div> 235 236 <div class="thumbnail" id="item_14234601" name="14234601" style="width: 450px" data-setid="0" data-setname=""> 237 <div class="loading" data-loading="14234601"> 238 <img src="/_gfx/loadingAnim.gif"> 239 </div> 240 241 <a href="/Himmel" data-id="14234601" rel="history"> 242 243 <div class="thumb_image" name=""> 244 <img src="https://payload.cargocollective.com/1/17/575303/14234601/prt_450x337_1614868870.jpg" width="450" height="337" data-hi-res=https://payload.cargocollective.com/1/17/575303/14234601/prt_450x337_1614868870_2x.jpg > 245 </div> 246 247 248 <div class="thumb_title"> 249 <span>Himmel</span> 250 </div> 251 252 </a> 253 254 </div> 255 256 <div class="thumbnail" id="item_14153467" name="14153467" style="width: 450px" data-setid="0" data-setname=""> 257 <div class="loading" data-loading="14153467"> 258 <img src="/_gfx/loadingAnim.gif"> 259 </div> 260 261 <a href="/Renassans" data-id="14153467" rel="history"> 262 263 <div class="thumb_image" name=""> 264 <img src="https://payload.cargocollective.com/1/17/575303/14153467/prt_450x450_1614868758.jpg" width="450" height="450" data-hi-res=https://payload.cargocollective.com/1/17/575303/14153467/prt_450x450_1614868758_2x.jpg > 265 </div> 266 267 268 <div class="thumb_title"> 269 <span>Renässans</span> 270 </div> 271 272 </a> 273 274 </div> 275 276 <div class="thumbnail" id="item_14234595" name="14234595" style="width: 423px" data-setid="0" data-setname=""> 277 <div class="loading" data-loading="14234595">
278 <img src="/_gfx/loadingAnim.gif"> 279 </div> 280 281 <a href="/Jattedrommar-Almas-Chandelier" data-id="14234595" rel="history"> 282 283 <div class="thumb_image" name=""> 284 <img src="https://payload.cargocollective.com/1/17/575303/14234595/prt_423x284_1614868584.jpg" width="423" height="284" data-hi-res=https://payload.cargocollective.com/1/17/575303/14234595/prt_423x284_1614868584_2x.jpg > 285 </div> 286 287 288 <div class="thumb_title"> 289 <span>Jättedrömmar, Almas Chandelier</span> 290 </div> 291 292 </a> 293 294 </div> 295 296 <div class="thumbnail" id="item_13850964" name="13850964" style="width: 459px" data-setid="0" data-setname=""> 297 <div class="loading" data-loading="13850964"> 298 <img src="/_gfx/loadingAnim.gif"> 299 </div> 300 301 <a href="/Semiotics" data-id="13850964" rel="history"> 302 303 <div class="thumb_image" name=""> 304 <img src="https://payload.cargocollective.com/1/17/575303/13850964/prt_459x258_1556279706.jpg" width="459" height="258" data-hi-res=https://payload.cargocollective.com/1/17/575303/13850964/prt_459x258_1556279706_2x.jpg > 305 </div> 306 307 308 <div class="thumb_title"> 309 <span>Semiotics</span> 310 </div> 311 312 </a> 313 314 </div> 315 316 <div class="thumbnail" id="item_14234776" name="14234776" style="width: 300px" data-setid="0" data-setname=""> 317 <div class="loading" data-loading="14234776"> 318 <img src="/_gfx/loadingAnim.gif"> 319 </div> 320 321 <a href="/PEO-lamp" data-id="14234776" rel="history"> 322 323 <div class="thumb_image" name=""> 324 <img src="https://payload.cargocollective.com/1/17/575303/14234776/prt_300x342_1614889809.jpg" width="300" height="342" data-hi-res=https://payload.cargocollective.com/1/17/575303/14234776/prt_300x342_1614889809_2x.jpg > 325 </div> 326 327 328 <div class="thumb_title"> 329 <span>PEO lamp</span> 330 </div> 331 332 </a> 333 334 </div> 335 336 <div class="thumbnail" id="item_11923549" name="11923549" style="width: 512px" data-setid="0" data-setname=""> 337 <div class="loading" data-loading="11923549"> 338 <img src="/_gfx/loadingAnim.gif"> 339 </div> 340 341 <a href="/Rundgang" data-id="11923549" rel="history"> 342 343 <div class="thumb_image" name=""> 344 <img src="https://payload.cargocollective.com/1/17/575303/11923549/prt_512x398_1481274045.jpg" width="512" height="398" > 345 </div> 346 347 348 <div class="thumb_title"> 349 <span>Rundgång</span> 350 </div> 351 352 </a> 353 354 </div> 355 356 <div class="thumbnail" id="item_12795407" name="12795407" style="width: 350px" data-setid="0" data-setname=""> 357 <div class="loading" data-loading="12795407"> 358 <img src="/_gfx/loadingAnim.gif"> 359 </div> 360 361 <a href="/Varite" data-id="12795407" rel="history"> 362 363 <div class="thumb_image" name=""> 364 <img src="https://payload.cargocollective.com/1/17/575303/12795407/prt_350x262_1493843697.jpg" width="350" height="262" data-hi-res=https://payload.cargocollective.com/1/17/575303/12795407/prt_350x262_1493843697_2x.jpg > 365 </div> 366 367 368 <div class="thumb_title"> 369 <span>Varité</span> 370 </div> 371 372 </a> 373 374 </div> 375 376 <div class="thumbnail" id="item_13544036" name="13544036" style="width: 612px" data-setid="0" data-setname=""> 377 <div class="loading" data-loading="13544036"> 378 <img src="/_gfx/loadingAnim.gif"> 379 </div> 380 381 <a href="/Sthlm-Glas" data-id="13544036" rel="history"> 382 383 <div class="thumb_image" name=""> 384 <img src="https://payload.cargocollective.com/1/17/575303/13544036/prt_612x524_1528233192.jpg" width="612" height="524" data-hi-res=https://payload.cargocollective.com/1/17/575303/13544036/prt_612x524_1528233192_2x.jpg > 385 </div> 386 387 388 <div class="thumb_title"> 389 <span>Sthlm Glas</span> 390 </div> 391 392 </a> 393 394 </div> 395 396 <div class="thumbnail" id="item_14234782" name="14234782" style="width: 350px" data-setid="0" data-setname=""> 397 <div class="loading" data-loading="14234782">
398 <img src="/_gfx/loadingAnim.gif"> 399 </div> 400 401 <a href="/Big-Sur" data-id="14234782" rel="history"> 402 403 <div class="thumb_image" name=""> 404 <img src="https://payload.cargocollective.com/1/17/575303/14234782/prt_350x525_1614890905.jpg" width="350" height="525" data-hi-res=https://payload.cargocollective.com/1/17/575303/14234782/prt_350x525_1614890905_2x.jpg > 405 </div> 406 407 408 <div class="thumb_title"> 409 <span>Big Sur</span> 410 </div> 411 412 </a> 413 414 </div> 415 416 <div class="thumbnail" id="item_11058937" name="11058937" style="width: 450px" data-setid="0" data-setname=""> 417 <div class="loading" data-loading="11058937"> 418 <img src="/_gfx/loadingAnim.gif"> 419 </div> 420 421 <a href="/Mirror" data-id="11058937" rel="history"> 422 423 <div class="thumb_image" name=""> 424 <img src="https://payload.cargocollective.com/1/17/575303/11058937/prt_450x321_1529051766.jpg" width="450" height="321" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058937/prt_450x321_1529051766_2x.jpg > 425 </div> 426 427 428 <div class="thumb_title"> 429 <span>Mirror</span> 430 </div> 431 432 </a> 433 434 </div> 435 436 <div class="thumbnail" id="item_11930201" name="11930201" style="width: 419px" data-setid="0" data-setname=""> 437 <div class="loading" data-loading="11930201"> 438 <img src="/_gfx/loadingAnim.gif"> 439 </div> 440 441 <a href="/Karneval" data-id="11930201" rel="history"> 442 443 <div class="thumb_image" name=""> 444 <img src="https://payload.cargocollective.com/1/17/575303/11930201/prt_419x283_1473200131.jpg" width="419" height="283" data-hi-res=https://payload.cargocollective.com/1/17/575303/11930201/prt_419x283_1473200131_2x.jpg > 445 </div> 446 447 448 <div class="thumb_title"> 449 <span>Karneval</span> 450 </div> 451 452 </a> 453 454 </div> 455 456 <div class="thumbnail" id="item_11058550" name="11058550" style="width: 389px" data-setid="0" data-setname=""> 457 <div class="loading" data-loading="11058550"> 458 <img src="/_gfx/loadingAnim.gif"> 459 </div> 460 461 <a href="/A-B-C-010" data-id="11058550" rel="history"> 462 463 <div class="thumb_image" name=""> 464 <img src="https://payload.cargocollective.com/1/17/575303/11058550/prt_389x474_1614891252.jpg" width="389" height="474" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058550/prt_389x474_1614891252_2x.jpg > 465 </div> 466 467 468 <div class="thumb_title"> 469 <span>A-B-C 010</span> 470 </div> 471 472 </a> 473 474 </div> 475 476 <div class="thumbnail" id="item_11058578" name="11058578" style="width: 450px" data-setid="0" data-setname=""> 477 <div class="loading" data-loading="11058578"> 478 <img src="/_gfx/loadingAnim.gif"> 479 </div> 480 481 <a href="/Center-For-Amorphous-Studies" data-id="11058578" rel="history"> 482 483 <div class="thumb_image" name=""> 484 <img src="https://payload.cargocollective.com/1/17/575303/11058578/prt_450x311_1454594147.jpg" width="450" height="311" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058578/prt_450x311_1454594147_2x.jpg > 485 </div> 486 487 488 <div class="thumb_title"> 489 <span>Center For Amorphous Studies</span> 490 </div> 491 492 </a> 493 494 </div> 495 496 <div class="thumbnail" id="item_11058495" name="11058495" style="width: 280px" data-setid="0" data-setname=""> 497 <div class="loading" data-loading="11058495"> 498 <img src="/_gfx/loadingAnim.gif"> 499 </div> 500 501 <a href="/23-New-pieces" data-id="11058495" rel="history"> 502 503 <div class="thumb_image" name=""> 504 <img src="https://payload.cargocollective.com/1/17/575303/11058495/prt_280x411_1454592531.jpg" width="280" height="411" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058495/prt_280x411_1454592531_2x.jpg > 505 </div> 506 507 508 <div class="thumb_title"> 509 <span>23 New pieces</span> 510 </div> 511 512 </a> 513 514 </div> 515 516 <div class="thumbnail" id="item_11059602" name="11059602" style="width: 589px" data-setid="0" data-setname=""> 517 <div class="loading" data-loading="11059602">
518 <img src="/_gfx/loadingAnim.gif"> 519 </div> 520 521 <a href="/Omnipollos-Hatt" data-id="11059602" rel="history"> 522 523 <div class="thumb_image" name=""> 524 <img src="https://payload.cargocollective.com/1/17/575303/11059602/prt_589x461_1454688665.jpg" width="589" height="461" > 525 </div> 526 527 528 <div class="thumb_title"> 529 <span>Omnipollos Hatt</span> 530 </div> 531 532 </a> 533 534 </div> 535 536 <div class="thumbnail" id="item_11908540" name="11908540" style="width: 437px" data-setid="0" data-setname=""> 537 <div class="loading" data-loading="11908540"> 538 <img src="/_gfx/loadingAnim.gif"> 539 </div> 540 541 <a href="/Nattlampa-Night-Light" data-id="11908540" rel="history"> 542 543 <div class="thumb_image" name=""> 544 <img src="https://payload.cargocollective.com/1/17/575303/11908540/prt_437x620_1472665928.jpg" width="437" height="620" data-hi-res=https://payload.cargocollective.com/1/17/575303/11908540/prt_437x620_1472665928_2x.jpg > 545 </div> 546 547 548 <div class="thumb_title"> 549 <span>Nattlampa (Night Light)</span> 550 </div> 551 552 </a> 553 554 </div> 555 556 <div class="thumbnail" id="item_11923593" name="11923593" style="width: 470px" data-setid="0" data-setname=""> 557 <div class="loading" data-loading="11923593"> 558 <img src="/_gfx/loadingAnim.gif"> 559 </div> 560 561 <a href="/Alexander-Sjogren-Bocuse-d-or" data-id="11923593" rel="history"> 562 563 <div class="thumb_image" name=""> 564 <img src="https://payload.cargocollective.com/1/17/575303/11923593/prt_470x258_1473090997.jpg" width="470" height="258" data-hi-res=https://payload.cargocollective.com/1/17/575303/11923593/prt_470x258_1473090997_2x.jpg > 565 </div> 566 567 568 <div class="thumb_title"> 569 <span>Alexander Sjögren, Bocuse d'or</span> 570 </div> 571 572 </a> 573 574 </div> 575 576 <div class="thumbnail" id="item_11058681" name="11058681" style="width: 300px" data-setid="0" data-setname=""> 577 <div class="loading" data-loading="11058681"> 578 <img src="/_gfx/loadingAnim.gif"> 579 </div> 580 581 <a href="/CFAS-Furnace" data-id="11058681" rel="history"> 582 583 <div class="thumb_image" name=""> 584 <img src="https://payload.cargocollective.com/1/17/575303/11058681/prt_300x450_1454594358.jpg" width="300" height="450" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058681/prt_300x450_1454594358_2x.jpg > 585 </div> 586 587 588 <div class="thumb_title"> 589 <span>CFAS Furnace</span> 590 </div> 591 592 </a> 593 594 </div> 595 596 <div class="thumbnail" id="item_11058794" name="11058794" style="width: 450px" data-setid="0" data-setname=""> 597 <div class="loading" data-loading="11058794"> 598 <img src="/_gfx/loadingAnim.gif"> 599 </div> 600 601 <a href="/Frigger-Tactics" data-id="11058794" rel="history"> 602 603 <div class="thumb_image" name=""> 604 <img src="https://payload.cargocollective.com/1/17/575303/11058794/prt_450x300_1454596018.jpg" width="450" height="300" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058794/prt_450x300_1454596018_2x.jpg > 605 </div> 606 607 608 <div class="thumb_title"> 609 <span>Frigger Tactics</span> 610 </div> 611 612 </a> 613 614 </div> 615 616 <div class="thumbnail" id="item_9062241" name="9062241" style="width: 339px" data-setid="0" data-setname=""> 617 <div class="loading" data-loading="9062241"> 618 <img src="/_gfx/loadingAnim.gif"> 619 </div> 620 621 <a href="/Things-I-Thought-I-Knew" data-id="9062241" rel="history"> 622 623 <div class="thumb_image" name=""> 624 <img src="https://payload.cargocollective.com/1/17/575303/9062241/prt_339x459_1418854463.jpg" width="339" height="459" > 625 </div> 626 627 628 <div class="thumb_title"> 629 <span>Things I Thought I Knew</span> 630 </div> 631 632 </a> 633 634 </div> 635 636 <div class="thumbnail" id="item_9060327" name="9060327" style="width: 256px" data-setid="0" data-setname=""> 637 <div class="loading" data-loading="9060327">
638 <img src="/_gfx/loadingAnim.gif"> 639 </div> 640 641 <a href="/Hex-Edit" data-id="9060327" rel="history"> 642 643 <div class="thumb_image" name=""> 644 <img src="https://payload.cargocollective.com/1/17/575303/9060327/prt_256x318_1447088048.jpg" width="256" height="318" data-hi-res=https://payload.cargocollective.com/1/17/575303/9060327/prt_256x318_1447088048_2x.jpg > 645 </div> 646 647 648 <div class="thumb_title"> 649 <span>Hex Edit</span> 650 </div> 651 652 </a> 653 654 </div> 655 656 <div class="thumbnail" id="item_9059585" name="9059585" style="width: 312px" data-setid="0" data-setname=""> 657 <div class="loading" data-loading="9059585"> 658 <img src="/_gfx/loadingAnim.gif"> 659 </div> 660 661 <a href="/Kartor" data-id="9059585" rel="history"> 662 663 <div class="thumb_image" name=""> 664 <img src="https://payload.cargocollective.com/1/17/575303/9059585/prt_312x305_1418854619.jpg" width="312" height="305" > 665 </div> 666 667 668 <div class="thumb_title"> 669 <span>Kartor</span> 670 </div> 671 672 </a> 673 674 </div> 675 676 <div class="thumbnail" id="item_9059645" name="9059645" style="width: 320px" data-setid="0" data-setname=""> 677 <div class="loading" data-loading="9059645"> 678 <img src="/_gfx/loadingAnim.gif"> 679 </div> 680 681 <a href="/The-Ornsberg-Seminar" data-id="9059645" rel="history"> 682 683 <div class="thumb_image" name=""> 684 <img src="https://payload.cargocollective.com/1/17/575303/9059645/prt_320x214_1447087589.jpg" width="320" height="214" data-hi-res=https://payload.cargocollective.com/1/17/575303/9059645/prt_320x214_1447087589_2x.jpg > 685 </div> 686 687 688 <div class="thumb_title"> 689 <span>The Ãrnsberg Seminar</span> 690 </div> 691 692 </a> 693 694 </div> 695 696 <div class="thumbnail" id="item_9060356" name="9060356" style="width: 211px" data-setid="0" data-setname=""> 697 <div class="loading" data-loading="9060356"> 698 <img src="/_gfx/loadingAnim.gif"> 699 </div> 700 701 <a href="/Frigger-Tactics-Boda" data-id="9060356" rel="history"> 702 703 <div class="thumb_image" name=""> 704 <img src="https://payload.cargocollective.com/1/17/575303/9060356/prt_211x315_1447088123.jpg" width="211" height="315" data-hi-res=https://payload.cargocollective.com/1/17/575303/9060356/prt_211x315_1447088123_2x.jpg > 705 </div> 706 707 708 <div class="thumb_title"> 709 <span>Frigger Tactics (Boda)</span> 710 </div> 711 712 </a> 713 714 </div> 715 716 <div class="thumbnail" id="item_9060389" name="9060389" style="width: 495px" data-setid="0" data-setname=""> 717 <div class="loading" data-loading="9060389"> 718 <img src="/_gfx/loadingAnim.gif"> 719 </div> 720 721 <a href="/Rejmyre-Glass-Collection" data-id="9060389" rel="history"> 722 723 <div class="thumb_image" name=""> 724 <img src="https://payload.cargocollective.com/1/17/575303/9060389/prt_495x353_1418910886.jpg" width="495" height="353" > 725 </div> 726 727 728 <div class="thumb_title"> 729 <span>Rejmyre Glass Collection</span> 730 </div> 731 732 </a> 733 734 </div> 735 736 <div class="thumbnail" id="item_9060434" name="9060434" style="width: 250px" data-setid="0" data-setname=""> 737 <div class="loading" data-loading="9060434"> 738 <img src="/_gfx/loadingAnim.gif"> 739 </div> 740 741 <a href="/Ornsbergsauktionen" data-id="9060434" rel="history"> 742 743 <div class="thumb_image" name=""> 744 <img src="https://payload.cargocollective.com/1/17/575303/9060434/prt_250x346_1447087888.jpg" width="250" height="346" data-hi-res=https://payload.cargocollective.com/1/17/575303/9060434/prt_250x346_1447087888_2x.jpg > 745 </div> 746 747 748 <div class="thumb_title"> 749 <span>Ãrnsbergsauktionen</span> 750 </div> 751 752 </a> 753 754 </div> 755 756 <div class="thumbnail" id="item_9060417" name="9060417" style="width: 592px" data-setid="0" data-setname=""> 757 <div class="loading" data-loading="9060417"> 758 <img src="/_gfx/loadingAnim.gif"> 759 </div> 760 761 <a href="/Ca-20-important-objects" data-id="9060417" rel="history"> 762 763 <div class="thumb_image" name=""> 764 <img src="https://payload.cargocollective.com/1/17/575303/9060417/prt_592x415_1418831315.jpg" width="592" height="415" > 765 </div> 766 767 768 <div class="thumb_title"> 769 <span>Ca 20 important objects</span> 770 </div> 771 772 </a> 773 774 </div> 775 776 <div class="thumbnail" id="item_9064682" name="9064682" style="width: 315px" data-setid="0" data-setname=""> 777 <div class="loading" data-loading="9064682">
778 <img src="/_gfx/loadingAnim.gif"> 779 </div> 780 781 <a href="/Meta" data-id="9064682" rel="history"> 782 783 <div class="thumb_image" name=""> 784 <img src="https://payload.cargocollective.com/1/17/575303/9064682/prt_315x345_1418909937.jpg" width="315" height="345" data-hi-res=https://payload.cargocollective.com/1/17/575303/9064682/prt_315x345_1418909937_2x.jpg > 785 </div> 786 787 788 <div class="thumb_title"> 789 <span>Meta</span> 790 </div> 791 792 </a> 793 794 </div> 795 796 <div class="thumbnail" id="item_11058981" name="11058981" style="width: 310px" data-setid="0" data-setname=""> 797 <div class="loading" data-loading="11058981"> 798 <img src="/_gfx/loadingAnim.gif"> 799 </div> 800 801 <a href="/You-We" data-id="11058981" rel="history"> 802 803 <div class="thumb_image" name=""> 804 <img src="https://payload.cargocollective.com/1/17/575303/11058981/prt_310x406_1454597591.jpg" width="310" height="406" > 805 </div> 806 807 808 <div class="thumb_title"> 809 <span>You/We</span> 810 </div> 811 812 </a> 813 814 </div> 815 816 <div class="thumbnail" id="item_9064690" name="9064690" style="width: 318px" data-setid="0" data-setname=""> 817 <div class="loading" data-loading="9064690"> 818 <img src="/_gfx/loadingAnim.gif"> 819 </div> 820 821 <a href="/Fixation" data-id="9064690" rel="history"> 822 823 <div class="thumb_image" name=""> 824 <img src="https://payload.cargocollective.com/1/17/575303/9064690/prt_318x292_1418910206.jpg" width="318" height="292" > 825 </div> 826 827 828 <div class="thumb_title"> 829 <span>Fixation</span> 830 </div> 831 832 </a> 833 834 </div> 835 836 <div class="thumbnail" id="item_11058706" name="11058706" style="width: 450px" data-setid="0" data-setname=""> 837 <div class="loading" data-loading="11058706"> 838 <img src="/_gfx/loadingAnim.gif"> 839 </div> 840 841 <a href="/Dark-Matter" data-id="11058706" rel="history"> 842 843 <div class="thumb_image" name=""> 844 <img src="https://payload.cargocollective.com/1/17/575303/11058706/prt_450x300_1454594540.jpg" width="450" height="300" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058706/prt_450x300_1454594540_2x.jpg > 845 </div> 846 847 848 <div class="thumb_title"> 849 <span>Dark Matter</span> 850 </div> 851 852 </a> 853 854 </div> 855 856 <div class="thumbnail" id="item_11058732" name="11058732" style="width: 350px" data-setid="0" data-setname=""> 857 <div class="loading" data-loading="11058732"> 858 <img src="/_gfx/loadingAnim.gif"> 859 </div> 860 861 <a href="/Flaska" data-id="11058732" rel="history"> 862 863 <div class="thumb_image" name=""> 864 <img src="https://payload.cargocollective.com/1/17/575303/11058732/prt_350x279_1454596287.jpg" width="350" height="279" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058732/prt_350x279_1454596287_2x.jpg > 865 </div> 866 867 868 <div class="thumb_title"> 869 <span>Flaska</span> 870 </div> 871 872 </a> 873 874 </div> 875 876 <div class="thumbnail" id="item_11058887" name="11058887" style="width: 425px" data-setid="0" data-setname=""> 877 <div class="loading" data-loading="11058887"> 878 <img src="/_gfx/loadingAnim.gif"> 879 </div> 880 881 <a href="/LCD" data-id="11058887" rel="history"> 882 883 <div class="thumb_image" name=""> 884 <img src="https://payload.cargocollective.com/1/17/575303/11058887/prt_425x269_1454596604.jpg" width="425" height="269" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058887/prt_425x269_1454596604_2x.jpg > 885 </div> 886 887 888 <div class="thumb_title"> 889 <span>LCD</span> 890 </div> 891 892 </a> 893 894 </div> 895 896 <div class="thumbnail" id="item_11058924" name="11058924" style="width: 188px" data-setid="0" data-setname=""> 897 <div class="loading" data-loading="11058924"> 898 <img src="/_gfx/loadingAnim.gif"> 899 </div> 900 901 <a href="/Mayflower" data-id="11058924" rel="history"> 902 903 <div class="thumb_image" name=""> 904 <img src="https://payload.cargocollective.com/1/17/575303/11058924/prt_188x300_1454596753.jpg" width="188" height="300" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058924/prt_188x300_1454596753_2x.jpg > 905 </div> 906 907 908 <div class="thumb_title"> 909 <span>Mayflower</span> 910 </div> 911 912 </a> 913 914 </div> 915 916 <div class="thumbnail" id="item_11058956" name="11058956" style="width: 254px" data-setid="0" data-setname=""> 917 <div class="loading" data-loading="11058956">
918 <img src="/_gfx/loadingAnim.gif"> 919 </div> 920 921 <a href="/The-Bastards-Have-Landed" data-id="11058956" rel="history"> 922 923 <div class="thumb_image" name=""> 924 <img src="https://payload.cargocollective.com/1/17/575303/11058956/prt_254x450_1454597223.jpg" width="254" height="450" data-hi-res=https://payload.cargocollective.com/1/17/575303/11058956/prt_254x450_1454597223_2x.jpg > 925 </div> 926 927 928 <div class="thumb_title"> 929 <span>The Bastards Have Landed</span> 930 </div> 931 932 </a> 933 934 </div> 935 936 </div> 937 938 <div class="show_index"> 939 <a href="https://simonklenell.com">View all</a> 940 </div> 941 <div id="autopaginate_loader" class="moreload" data-view="Autopaginate" data-preload_distance="1500"> 942 <div class="retinaSpinner loading"><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(0deg) translate(6px, 0px); transform: rotate(0deg) translate(6px, 0px);" class="spinner_circle part1"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(45deg) translate(6px, 0px); transform: rotate(45deg) translate(6px, 0px);" class="spinner_circle part2"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(90deg) translate(6px, 0px); transform: rotate(90deg) translate(6px, 0px);" class="spinner_circle part3"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(135deg) translate(6px, 0px); transform: rotate(135deg) translate(6px, 0px);" class="spinner_circle part4"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(180deg) translate(6px, 0px); transform: rotate(180deg) translate(6px, 0px);" class="spinner_circle part5"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(225deg) translate(6px, 0px); transform: rotate(225deg) translate(6px, 0px);" class="spinner_circle part6"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(270deg) translate(6px, 0px); transform: rotate(270deg) translate(6px, 0px);" class="spinner_circle part7"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(315deg) translate(6px, 0px); transform: rotate(315deg) translate(6px, 0px);" class="spinner_circle part8"></div></div></div> </div> 943 944 945 946 947 </body> 948</html>
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.