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9An expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant...">
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17An expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.
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21Crystal evokes precision and clarity, to the extent that a common turn of phrase,...">
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38<script type="text/json" data-set="ProjectDetail">{"id":14506082,"site_id":"575303","link_url":false,"project_url":"Coloring-a-dream","direct_link":"https:\/\/simonklenell.com\/Coloring-a-dream","type":"project","link_target":"","title":"Coloring a dream","title_no_html":"Coloring a dream","show_title":true,"tags":[],"display":true,"excerpt":"Solo Exhibition at Culture Object in New York, April 2023.\r\n\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant...","excerpt_long":"Solo Exhibition at Culture Object in New York, April 2023.\r\n\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.\r\n\r\n\r\n\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase,...","content":"Solo Exhibition at <a href=\"https:\/\/www.cultureobject.com\/\" target=\"_blank\">Culture Object<\/a> in New York, April 2023.<br \/>\r\n<br \/>\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br \/>\r\n<br \/>\r\n<img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1000.jpg\" width=\"905\" height=\"767\" width_o=\"1500\" height_o=\"1272\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1500.jpg\" data-mid=\"79611683\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 848\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1250.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_2100.jpg\" data-mid=\"79611693\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1600_c.jpg\" \/><br \/>\r\n<br \/>\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br \/>\r\n<br \/>\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.<br \/>\r\n<br \/>\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br \/>\r\n<br \/>\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These 
38criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br \/>\r\n<br \/>\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br \/>\r\n<br \/>\r\n <img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_2100.jpg\" data-mid=\"79611676\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_2100.jpg\" data-mid=\"79611680\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_2100.jpg\" data-mid=\"79611682\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1600_c.jpg\" \/>","content_2x":"Solo Exhibition at <a href=\"https:\/\/www.cultureobject.com\/\" target=\"_blank\">Culture Object<\/a> in New York, April 2023.<br \/>\r\n<br \/>
38\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br \/>\r\n<br \/>\r\n<img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1250.jpg\" width=\"905\" height=\"767\" width_o=\"1500\" height_o=\"1272\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1500.jpg\" data-mid=\"79611683\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1250 \u00d7 1060\"\/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_2100.jpg\" data-mid=\"79611693\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/><br \/>\r\n<br \/>\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br \/>\r\n<br \/>\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.<br \/>\r\n<br \/>\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br \/>\r\n<br \/>\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br \/>\r\n<br \/>\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br \/>\r\n<br \/>\r\n <img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_2100.jpg\" data-mid=\"79611676\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_2100.jpg\" data-mid=\"79611680\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1600_c.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_2100.jpg\" data-mid=\"79611682\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1600 \u00d7 2133 _c\"\/>","content_no_html":"Solo Exhibition at Culture Object in New York, April 2023.\r\n\r\nAn exp
38ose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.\r\n\r\n{image 4}{image 5}\r\n\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.\r\n\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.\r\n\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.\r\n\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.\r\n\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.\r\n\r\n {image 1}{image 2}{image 3}","content_partial_html":"Solo Exhibition at <a href=\"https:\/\/www.cultureobject.com\/\" target=\"_blank\">Culture Object<\/a> in New York, April 2023.<br \/>\r\n<br \/>
38\r\nAn expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br \/>\r\n<br \/>\r\n<img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1000.jpg\" width=\"905\" height=\"767\" width_o=\"1500\" height_o=\"1272\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1500.jpg\" data-mid=\"79611683\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 848\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/ColoringADream_1_1250.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_2100.jpg\" data-mid=\"79611693\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_09_1600_c.jpg\" \/><br \/>\r\n<br \/>\r\nCrystal evokes precision and clarity, to the extent that a common turn of phrase, \"crystal clear\", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist\u2019s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon\u2019s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br \/>\r\n<br \/>\r\nSimon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company\u2019s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of \u2018purity\u2019 and by extension, Swedish identity itself.<br \/>\r\n<br \/>\r\nIn tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in \"Coloring A Dream\". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon\u2019s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon\u2019s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon\u2019s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br \/>\r\n<br \/>\r\nAs a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process \u2013 and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity\u2019s pull. These 
38criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br \/>\r\n<br \/>\r\nTo maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br \/>\r\n<br \/>\r\n <img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_2100.jpg\" data-mid=\"79611676\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_07_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_2100.jpg\" data-mid=\"79611680\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_18_1600_c.jpg\" \/><img src=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1000.jpg\" width=\"905\" height=\"1206\" width_o=\"2100\" height_o=\"2800\" src_o=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_2100.jpg\" data-mid=\"79611682\" border=\"0\" align=\"left\" data-title=\"905 \u2014 1000 \u00d7 1333\"data-hi-res=\"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/Simon-Klenell_mosaic_20_1600_c.jpg\" \/>","date":false,"bgcolor":"","comment_count":0,"thumb_url":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470.jpg","thumb_url_2x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470_2x.jpg","thumb_url_4x":null,"thumb_width":525,"thumb_height":700,"default_thumb_url":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_1705785470.jpg","default_thumb_url_2x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_1705785470_2x.jpg","default_thumb_url_4x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_1705785470_4x.jpg","default_thumb_width":200,"default_thumb_height":134,"custom_thumb_url":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470.jpg","custom_thumb_url_2x":"https:\/\/payload.cargocollective.com\/1\/17\/575303\/14506082\/prt_525x700_1705785470_2x.jpg","custom_thumb_url_4x":null,"custom_thumb_width":525,"custom_thumb_height":700,"sort":1,"set_id":0,"set_name":null,"set_key":null,"set_url":null,"set_count":null,"is_set":false,"views":"2,357"}</script>
vendor: 1 bytes, line 38
38
39<script type="text/x-handlebars-template" id="loading_animation"><div class="retinaSpinner loading"><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(0deg) translate(6px, 0px); transform: rotate(0deg) translate(6px, 0px);" class="spinner_circle part1"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(45deg) translate(6px, 0px); transform: rotate(45deg) translate(6px, 0px);" class="spinner_circle part2"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(90deg) translate(6px, 0px); transform: rotate(90deg) translate(6px, 0px);" class="spinner_circle part3"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(135deg) translate(6px, 0px); transform: rotate(135deg) translate(6px, 0px);" class="spinner_circle part4"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(180deg) translate(6px, 0px); transform: rotate(180deg) translate(6px, 0px);" class="spinner_circle part5"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(225deg) translate(6px, 0px); transform: rotate(225deg) translate(6px, 0px);" class="spinner_circle part6"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(270deg) translate(6px, 0px); transform: rotate(270deg) translate(6px, 0px);" class="spinner_circle part7"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(315deg) translate(6px, 0px); transform: rotate(315deg) translate(6px, 0px);" class="spinner_circle part8"></div></div></div></script>
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88									Coloring a dream
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114						<projectcontent>Solo Exhibition at <a href="https://www.cultureobject.com/" target="_blank">Culture Object</a> in New York, April 2023.<br />
115<br />
116An expose of works made at Kosta Glassworks as a holder of the Ulrica Hydman Vallien Grant 2022.<br />
117<br />
118<img src="https://payload.cargocollective.com/1/17/575303/14506082/ColoringADream_1_1000.jpg" width="905" height="767" width_o="1500" height_o="1272" src_o="https://payload.cargocollective.com/1/17/575303/14506082/ColoringADream_1_1500.jpg" data-mid="79611683" border="0" align="left" data-title="905 — 1000 × 848"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/ColoringADream_1_1250.jpg" /><img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_09_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_09_2100.jpg" data-mid="79611693" border="0" align="left" data-title="905 — 1000 × 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_09_1600_c.jpg" /><br />
119<br />
120Crystal evokes precision and clarity, to the extent that a common turn of phrase, "crystal clear", intuitively means something is unambiguous and easily understood. In contrast, Simon Klenell uses cut crystal, a traditional specialty of Sweden, to create work that is confoundingly unusual and mysterious. The artist’s signature technique begins with the traditional, if exaggerated, cutting of deep and bold patterns on crisp geometric shapes, this becomes the raw material for the second step; reheating the cut elements to distort and join them, often with globs of molten glass. Prodding at convention while embracing tradition is Simon’s central strategy, and in 'Coloring a Dream' he takes his task into new territory, with the addition of layers of color, obliterating what remains of traditional associations with the material and technique.<br />
121<br />
122Simon's new body of work was created in partnership with the most renowned names in Swedish glass, Orrefors Kosta Boda. Inspired by this association, Simon has cunningly referenced and combined the two techniques most closely connected to the company’s illustrious history; the color overlay and cut crystal. At the heart of this project is a probing of, and a challenge to conventional notions of ‘purity’ and by extension, Swedish identity itself.<br />
123<br />
124In tradition-bound Swedish glass, overlays and cutting are rarely combined, and for this very reason, they are at the heart of the work in "Coloring A Dream". The overlay, which can be executed in several ways (including the classic 'Swedish Overlay'), is a procedure for layering different colors of hot blown glass and is often used at Kosta to create special color effects. By contrast, cut crystal, of which Orrefors and Kosta are both noteworthy historical leaders, is traditionally colorless in order to capture light effect and maximize sparkle. Simon’s new vessels have opaque or translucent outer layers over richly colored transparent inner cores that are revealed only by deep cutting of an all-over graphic grid pattern that delineates and contours the forms with the relentlessly rational effect that only a grid may achieve. Gone is Simon’s typical interpretation of elaborate traditional cut glass patterns whose historical goal was to sparkle in ostentatious display. Instead of using cutting to distract and embellish, the goal of Simon’s grid is to describe and lay bare the form. This visual plotting of the form draws attention to it and begs the questions 'how' and 'why' it is the shape it is.<br />
125<br />
126As a super-cooled liquid, glass has no 'natural' or inherent form, left to its own devices it describes the location gravity brought it to at the moment it cooled. The shape of glass is thus always a record of time and process – and it is a temporary one that may be reheated and reshaped. The shaping of glass is a choreography of sorts, a dance that requires sustained speed and coordinated dexterity to defy gravity’s pull. These criteria describe a framework, or rules, that determine what may be made and how. In this manner, it is a metaphor for society, a microcosm of collaborative social action.<br />
127<br />
128To maintain focus on form as an outcome of processes, Simon has restricted the shapes he uses to the most classical and fundamental; the square and round cylinder, the disk, and the cuboid. Individually, these basic forms are easily comprehended, but combined, their interaction creates complexity and exponential possibilities. To avoid unnecessary compositional elaborations, Simon relies on a process to constrain and translate his work; he draws each piece crudely on the computer, shuffling and scaling basic shapes on the screen. This approach is very different from his typical procedure, in fact, it is the greatest innovation in this new work.<br />
129<br />
130 <img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_07_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_07_2100.jpg" data-mid="79611676" border="0" align="left" data-title="905 — 1000 × 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_07_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_18_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_18_2100.jpg" data-mid="79611680" border="0" align="left" data-title="905 — 1000 × 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_18_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_20_1000.jpg" width="905" height="1206" width_o="2100" height_o="2800" src_o="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_20_2100.jpg" data-mid="79611682" border="0" align="left" data-title="905 — 1000 × 1333"data-hi-res="https://payload.cargocollective.com/1/17/575303/14506082/Simon-Klenell_mosaic_20_1600_c.jpg" /></projectcontent>
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164								<img src="https://payload.cargocollective.com/1/17/575303/14506077/prt_700x875_1705785731.jpg" width="700" height="875"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14506077/prt_700x875_1705785731_2x.jpg >
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185							</div>
186
187
188								<div class="thumb_title">
189									<span>Coloring a dream</span>
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202
203							<div class="thumb_image" name="">
204								<img src="https://payload.cargocollective.com/1/17/575303/14445574/prt_500x666_1680640755.jpg" width="500" height="666"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14445574/prt_500x666_1680640755_2x.jpg >
205							</div>
206
207
208								<div class="thumb_title">
209									<span>Bod</span>
210								</div>
211							
212						</a>
213						
214				</div>
215			
216				<div class="thumbnail" id="item_14306381" name="14306381" style="width: 437px" data-setid="0" data-setname="">
217						<div class="loading" data-loading="14306381">
218							<img src="/_gfx/loadingAnim.gif">
219						</div>
220
221						<a href="/Cirrus" data-id="14306381" rel="history">
222
223							<div class="thumb_image" name="">
224								<img src="https://payload.cargocollective.com/1/17/575303/14306381/prt_437x583_1633981612.jpg" width="437" height="583"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14306381/prt_437x583_1633981612_2x.jpg >
225							</div>
226
227
228								<div class="thumb_title">
229									<span>Cirrus</span>
230								</div>
231							
232						</a>
233						
234				</div>
235			
236				<div class="thumbnail" id="item_14234601" name="14234601" style="width: 450px" data-setid="0" data-setname="">
237						<div class="loading" data-loading="14234601">
238							<img src="/_gfx/loadingAnim.gif">
239						</div>
240
241						<a href="/Himmel" data-id="14234601" rel="history">
242
243							<div class="thumb_image" name="">
244								<img src="https://payload.cargocollective.com/1/17/575303/14234601/prt_450x337_1614868870.jpg" width="450" height="337"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14234601/prt_450x337_1614868870_2x.jpg >
245							</div>
246
247
248								<div class="thumb_title">
249									<span>Himmel</span>
250								</div>
251							
252						</a>
253						
254				</div>
255			
256				<div class="thumbnail" id="item_14153467" name="14153467" style="width: 450px" data-setid="0" data-setname="">
257						<div class="loading" data-loading="14153467">
258							<img src="/_gfx/loadingAnim.gif">
259						</div>
260
261						<a href="/Renassans" data-id="14153467" rel="history">
262
263							<div class="thumb_image" name="">
264								<img src="https://payload.cargocollective.com/1/17/575303/14153467/prt_450x450_1614868758.jpg" width="450" height="450"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14153467/prt_450x450_1614868758_2x.jpg >
265							</div>
266
267
268								<div class="thumb_title">
269									<span>Renässans</span>
270								</div>
271							
272						</a>
273						
274				</div>
275			
276				<div class="thumbnail" id="item_14234595" name="14234595" style="width: 423px" data-setid="0" data-setname="">
277						<div class="loading" data-loading="14234595">
278							<img src="/_gfx/loadingAnim.gif">
279						</div>
280
281						<a href="/Jattedrommar-Almas-Chandelier" data-id="14234595" rel="history">
282
283							<div class="thumb_image" name="">
284								<img src="https://payload.cargocollective.com/1/17/575303/14234595/prt_423x284_1614868584.jpg" width="423" height="284"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14234595/prt_423x284_1614868584_2x.jpg >
285							</div>
286
287
288								<div class="thumb_title">
289									<span>Jättedrömmar, Almas Chandelier</span>
290								</div>
291							
292						</a>
293						
294				</div>
295			
296				<div class="thumbnail" id="item_13850964" name="13850964" style="width: 459px" data-setid="0" data-setname="">
297						<div class="loading" data-loading="13850964">
298							<img src="/_gfx/loadingAnim.gif">
299						</div>
300
301						<a href="/Semiotics" data-id="13850964" rel="history">
302
303							<div class="thumb_image" name="">
304								<img src="https://payload.cargocollective.com/1/17/575303/13850964/prt_459x258_1556279706.jpg" width="459" height="258"  data-hi-res=https://payload.cargocollective.com/1/17/575303/13850964/prt_459x258_1556279706_2x.jpg >
305							</div>
306
307
308								<div class="thumb_title">
309									<span>Semiotics</span>
310								</div>
311							
312						</a>
313						
314				</div>
315			
316				<div class="thumbnail" id="item_14234776" name="14234776" style="width: 300px" data-setid="0" data-setname="">
317						<div class="loading" data-loading="14234776">
318							<img src="/_gfx/loadingAnim.gif">
319						</div>
320
321						<a href="/PEO-lamp" data-id="14234776" rel="history">
322
323							<div class="thumb_image" name="">
324								<img src="https://payload.cargocollective.com/1/17/575303/14234776/prt_300x342_1614889809.jpg" width="300" height="342"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14234776/prt_300x342_1614889809_2x.jpg >
325							</div>
326
327
328								<div class="thumb_title">
329									<span>PEO lamp</span>
330								</div>
331							
332						</a>
333						
334				</div>
335			
336				<div class="thumbnail" id="item_11923549" name="11923549" style="width: 512px" data-setid="0" data-setname="">
337						<div class="loading" data-loading="11923549">
338							<img src="/_gfx/loadingAnim.gif">
339						</div>
340
341						<a href="/Rundgang" data-id="11923549" rel="history">
342
343							<div class="thumb_image" name="">
344								<img src="https://payload.cargocollective.com/1/17/575303/11923549/prt_512x398_1481274045.jpg" width="512" height="398" >
345							</div>
346
347
348								<div class="thumb_title">
349									<span>Rundgång</span>
350								</div>
351							
352						</a>
353						
354				</div>
355			
356				<div class="thumbnail" id="item_12795407" name="12795407" style="width: 350px" data-setid="0" data-setname="">
357						<div class="loading" data-loading="12795407">
358							<img src="/_gfx/loadingAnim.gif">
359						</div>
360
361						<a href="/Varite" data-id="12795407" rel="history">
362
363							<div class="thumb_image" name="">
364								<img src="https://payload.cargocollective.com/1/17/575303/12795407/prt_350x262_1493843697.jpg" width="350" height="262"  data-hi-res=https://payload.cargocollective.com/1/17/575303/12795407/prt_350x262_1493843697_2x.jpg >
365							</div>
366
367
368								<div class="thumb_title">
369									<span>Varité</span>
370								</div>
371							
372						</a>
373						
374				</div>
375			
376				<div class="thumbnail" id="item_13544036" name="13544036" style="width: 612px" data-setid="0" data-setname="">
377						<div class="loading" data-loading="13544036">
378							<img src="/_gfx/loadingAnim.gif">
379						</div>
380
381						<a href="/Sthlm-Glas" data-id="13544036" rel="history">
382
383							<div class="thumb_image" name="">
384								<img src="https://payload.cargocollective.com/1/17/575303/13544036/prt_612x524_1528233192.jpg" width="612" height="524"  data-hi-res=https://payload.cargocollective.com/1/17/575303/13544036/prt_612x524_1528233192_2x.jpg >
385							</div>
386
387
388								<div class="thumb_title">
389									<span>Sthlm Glas</span>
390								</div>
391							
392						</a>
393						
394				</div>
395			
396				<div class="thumbnail" id="item_14234782" name="14234782" style="width: 350px" data-setid="0" data-setname="">
397						<div class="loading" data-loading="14234782">
398							<img src="/_gfx/loadingAnim.gif">
399						</div>
400
401						<a href="/Big-Sur" data-id="14234782" rel="history">
402
403							<div class="thumb_image" name="">
404								<img src="https://payload.cargocollective.com/1/17/575303/14234782/prt_350x525_1614890905.jpg" width="350" height="525"  data-hi-res=https://payload.cargocollective.com/1/17/575303/14234782/prt_350x525_1614890905_2x.jpg >
405							</div>
406
407
408								<div class="thumb_title">
409									<span>Big Sur</span>
410								</div>
411							
412						</a>
413						
414				</div>
415			
416				<div class="thumbnail" id="item_11058937" name="11058937" style="width: 450px" data-setid="0" data-setname="">
417						<div class="loading" data-loading="11058937">
418							<img src="/_gfx/loadingAnim.gif">
419						</div>
420
421						<a href="/Mirror" data-id="11058937" rel="history">
422
423							<div class="thumb_image" name="">
424								<img src="https://payload.cargocollective.com/1/17/575303/11058937/prt_450x321_1529051766.jpg" width="450" height="321"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058937/prt_450x321_1529051766_2x.jpg >
425							</div>
426
427
428								<div class="thumb_title">
429									<span>Mirror</span>
430								</div>
431							
432						</a>
433						
434				</div>
435			
436				<div class="thumbnail" id="item_11930201" name="11930201" style="width: 419px" data-setid="0" data-setname="">
437						<div class="loading" data-loading="11930201">
438							<img src="/_gfx/loadingAnim.gif">
439						</div>
440
441						<a href="/Karneval" data-id="11930201" rel="history">
442
443							<div class="thumb_image" name="">
444								<img src="https://payload.cargocollective.com/1/17/575303/11930201/prt_419x283_1473200131.jpg" width="419" height="283"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11930201/prt_419x283_1473200131_2x.jpg >
445							</div>
446
447
448								<div class="thumb_title">
449									<span>Karneval</span>
450								</div>
451							
452						</a>
453						
454				</div>
455			
456				<div class="thumbnail" id="item_11058550" name="11058550" style="width: 389px" data-setid="0" data-setname="">
457						<div class="loading" data-loading="11058550">
458							<img src="/_gfx/loadingAnim.gif">
459						</div>
460
461						<a href="/A-B-C-010" data-id="11058550" rel="history">
462
463							<div class="thumb_image" name="">
464								<img src="https://payload.cargocollective.com/1/17/575303/11058550/prt_389x474_1614891252.jpg" width="389" height="474"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058550/prt_389x474_1614891252_2x.jpg >
465							</div>
466
467
468								<div class="thumb_title">
469									<span>A-B-C 010</span>
470								</div>
471							
472						</a>
473						
474				</div>
475			
476				<div class="thumbnail" id="item_11058578" name="11058578" style="width: 450px" data-setid="0" data-setname="">
477						<div class="loading" data-loading="11058578">
478							<img src="/_gfx/loadingAnim.gif">
479						</div>
480
481						<a href="/Center-For-Amorphous-Studies" data-id="11058578" rel="history">
482
483							<div class="thumb_image" name="">
484								<img src="https://payload.cargocollective.com/1/17/575303/11058578/prt_450x311_1454594147.jpg" width="450" height="311"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058578/prt_450x311_1454594147_2x.jpg >
485							</div>
486
487
488								<div class="thumb_title">
489									<span>Center For Amorphous Studies</span>
490								</div>
491							
492						</a>
493						
494				</div>
495			
496				<div class="thumbnail" id="item_11058495" name="11058495" style="width: 280px" data-setid="0" data-setname="">
497						<div class="loading" data-loading="11058495">
498							<img src="/_gfx/loadingAnim.gif">
499						</div>
500
501						<a href="/23-New-pieces" data-id="11058495" rel="history">
502
503							<div class="thumb_image" name="">
504								<img src="https://payload.cargocollective.com/1/17/575303/11058495/prt_280x411_1454592531.jpg" width="280" height="411"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058495/prt_280x411_1454592531_2x.jpg >
505							</div>
506
507
508								<div class="thumb_title">
509									<span>23 New pieces</span>
510								</div>
511							
512						</a>
513						
514				</div>
515			
516				<div class="thumbnail" id="item_11059602" name="11059602" style="width: 589px" data-setid="0" data-setname="">
517						<div class="loading" data-loading="11059602">
518							<img src="/_gfx/loadingAnim.gif">
519						</div>
520
521						<a href="/Omnipollos-Hatt" data-id="11059602" rel="history">
522
523							<div class="thumb_image" name="">
524								<img src="https://payload.cargocollective.com/1/17/575303/11059602/prt_589x461_1454688665.jpg" width="589" height="461" >
525							</div>
526
527
528								<div class="thumb_title">
529									<span>Omnipollos Hatt</span>
530								</div>
531							
532						</a>
533						
534				</div>
535			
536				<div class="thumbnail" id="item_11908540" name="11908540" style="width: 437px" data-setid="0" data-setname="">
537						<div class="loading" data-loading="11908540">
538							<img src="/_gfx/loadingAnim.gif">
539						</div>
540
541						<a href="/Nattlampa-Night-Light" data-id="11908540" rel="history">
542
543							<div class="thumb_image" name="">
544								<img src="https://payload.cargocollective.com/1/17/575303/11908540/prt_437x620_1472665928.jpg" width="437" height="620"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11908540/prt_437x620_1472665928_2x.jpg >
545							</div>
546
547
548								<div class="thumb_title">
549									<span>Nattlampa (Night Light)</span>
550								</div>
551							
552						</a>
553						
554				</div>
555			
556				<div class="thumbnail" id="item_11923593" name="11923593" style="width: 470px" data-setid="0" data-setname="">
557						<div class="loading" data-loading="11923593">
558							<img src="/_gfx/loadingAnim.gif">
559						</div>
560
561						<a href="/Alexander-Sjogren-Bocuse-d-or" data-id="11923593" rel="history">
562
563							<div class="thumb_image" name="">
564								<img src="https://payload.cargocollective.com/1/17/575303/11923593/prt_470x258_1473090997.jpg" width="470" height="258"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11923593/prt_470x258_1473090997_2x.jpg >
565							</div>
566
567
568								<div class="thumb_title">
569									<span>Alexander Sjögren, Bocuse d'or</span>
570								</div>
571							
572						</a>
573						
574				</div>
575			
576				<div class="thumbnail" id="item_11058681" name="11058681" style="width: 300px" data-setid="0" data-setname="">
577						<div class="loading" data-loading="11058681">
578							<img src="/_gfx/loadingAnim.gif">
579						</div>
580
581						<a href="/CFAS-Furnace" data-id="11058681" rel="history">
582
583							<div class="thumb_image" name="">
584								<img src="https://payload.cargocollective.com/1/17/575303/11058681/prt_300x450_1454594358.jpg" width="300" height="450"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058681/prt_300x450_1454594358_2x.jpg >
585							</div>
586
587
588								<div class="thumb_title">
589									<span>CFAS Furnace</span>
590								</div>
591							
592						</a>
593						
594				</div>
595			
596				<div class="thumbnail" id="item_11058794" name="11058794" style="width: 450px" data-setid="0" data-setname="">
597						<div class="loading" data-loading="11058794">
598							<img src="/_gfx/loadingAnim.gif">
599						</div>
600
601						<a href="/Frigger-Tactics" data-id="11058794" rel="history">
602
603							<div class="thumb_image" name="">
604								<img src="https://payload.cargocollective.com/1/17/575303/11058794/prt_450x300_1454596018.jpg" width="450" height="300"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058794/prt_450x300_1454596018_2x.jpg >
605							</div>
606
607
608								<div class="thumb_title">
609									<span>Frigger Tactics</span>
610								</div>
611							
612						</a>
613						
614				</div>
615			
616				<div class="thumbnail" id="item_9062241" name="9062241" style="width: 339px" data-setid="0" data-setname="">
617						<div class="loading" data-loading="9062241">
618							<img src="/_gfx/loadingAnim.gif">
619						</div>
620
621						<a href="/Things-I-Thought-I-Knew" data-id="9062241" rel="history">
622
623							<div class="thumb_image" name="">
624								<img src="https://payload.cargocollective.com/1/17/575303/9062241/prt_339x459_1418854463.jpg" width="339" height="459" >
625							</div>
626
627
628								<div class="thumb_title">
629									<span>Things I Thought I Knew</span>
630								</div>
631							
632						</a>
633						
634				</div>
635			
636				<div class="thumbnail" id="item_9060327" name="9060327" style="width: 256px" data-setid="0" data-setname="">
637						<div class="loading" data-loading="9060327">
638							<img src="/_gfx/loadingAnim.gif">
639						</div>
640
641						<a href="/Hex-Edit" data-id="9060327" rel="history">
642
643							<div class="thumb_image" name="">
644								<img src="https://payload.cargocollective.com/1/17/575303/9060327/prt_256x318_1447088048.jpg" width="256" height="318"  data-hi-res=https://payload.cargocollective.com/1/17/575303/9060327/prt_256x318_1447088048_2x.jpg >
645							</div>
646
647
648								<div class="thumb_title">
649									<span>Hex Edit</span>
650								</div>
651							
652						</a>
653						
654				</div>
655			
656				<div class="thumbnail" id="item_9059585" name="9059585" style="width: 312px" data-setid="0" data-setname="">
657						<div class="loading" data-loading="9059585">
658							<img src="/_gfx/loadingAnim.gif">
659						</div>
660
661						<a href="/Kartor" data-id="9059585" rel="history">
662
663							<div class="thumb_image" name="">
664								<img src="https://payload.cargocollective.com/1/17/575303/9059585/prt_312x305_1418854619.jpg" width="312" height="305" >
665							</div>
666
667
668								<div class="thumb_title">
669									<span>Kartor</span>
670								</div>
671							
672						</a>
673						
674				</div>
675			
676				<div class="thumbnail" id="item_9059645" name="9059645" style="width: 320px" data-setid="0" data-setname="">
677						<div class="loading" data-loading="9059645">
678							<img src="/_gfx/loadingAnim.gif">
679						</div>
680
681						<a href="/The-Ornsberg-Seminar" data-id="9059645" rel="history">
682
683							<div class="thumb_image" name="">
684								<img src="https://payload.cargocollective.com/1/17/575303/9059645/prt_320x214_1447087589.jpg" width="320" height="214"  data-hi-res=https://payload.cargocollective.com/1/17/575303/9059645/prt_320x214_1447087589_2x.jpg >
685							</div>
686
687
688								<div class="thumb_title">
689									<span>The Örnsberg Seminar</span>
690								</div>
691							
692						</a>
693						
694				</div>
695			
696				<div class="thumbnail" id="item_9060356" name="9060356" style="width: 211px" data-setid="0" data-setname="">
697						<div class="loading" data-loading="9060356">
698							<img src="/_gfx/loadingAnim.gif">
699						</div>
700
701						<a href="/Frigger-Tactics-Boda" data-id="9060356" rel="history">
702
703							<div class="thumb_image" name="">
704								<img src="https://payload.cargocollective.com/1/17/575303/9060356/prt_211x315_1447088123.jpg" width="211" height="315"  data-hi-res=https://payload.cargocollective.com/1/17/575303/9060356/prt_211x315_1447088123_2x.jpg >
705							</div>
706
707
708								<div class="thumb_title">
709									<span>Frigger Tactics (Boda)</span>
710								</div>
711							
712						</a>
713						
714				</div>
715			
716				<div class="thumbnail" id="item_9060389" name="9060389" style="width: 495px" data-setid="0" data-setname="">
717						<div class="loading" data-loading="9060389">
718							<img src="/_gfx/loadingAnim.gif">
719						</div>
720
721						<a href="/Rejmyre-Glass-Collection" data-id="9060389" rel="history">
722
723							<div class="thumb_image" name="">
724								<img src="https://payload.cargocollective.com/1/17/575303/9060389/prt_495x353_1418910886.jpg" width="495" height="353" >
725							</div>
726
727
728								<div class="thumb_title">
729									<span>Rejmyre Glass Collection</span>
730								</div>
731							
732						</a>
733						
734				</div>
735			
736				<div class="thumbnail" id="item_9060434" name="9060434" style="width: 250px" data-setid="0" data-setname="">
737						<div class="loading" data-loading="9060434">
738							<img src="/_gfx/loadingAnim.gif">
739						</div>
740
741						<a href="/Ornsbergsauktionen" data-id="9060434" rel="history">
742
743							<div class="thumb_image" name="">
744								<img src="https://payload.cargocollective.com/1/17/575303/9060434/prt_250x346_1447087888.jpg" width="250" height="346"  data-hi-res=https://payload.cargocollective.com/1/17/575303/9060434/prt_250x346_1447087888_2x.jpg >
745							</div>
746
747
748								<div class="thumb_title">
749									<span>Örnsbergsauktionen</span>
750								</div>
751							
752						</a>
753						
754				</div>
755			
756				<div class="thumbnail" id="item_9060417" name="9060417" style="width: 592px" data-setid="0" data-setname="">
757						<div class="loading" data-loading="9060417">
758							<img src="/_gfx/loadingAnim.gif">
759						</div>
760
761						<a href="/Ca-20-important-objects" data-id="9060417" rel="history">
762
763							<div class="thumb_image" name="">
764								<img src="https://payload.cargocollective.com/1/17/575303/9060417/prt_592x415_1418831315.jpg" width="592" height="415" >
765							</div>
766
767
768								<div class="thumb_title">
769									<span>Ca 20 important objects</span>
770								</div>
771							
772						</a>
773						
774				</div>
775			
776				<div class="thumbnail" id="item_9064682" name="9064682" style="width: 315px" data-setid="0" data-setname="">
777						<div class="loading" data-loading="9064682">
778							<img src="/_gfx/loadingAnim.gif">
779						</div>
780
781						<a href="/Meta" data-id="9064682" rel="history">
782
783							<div class="thumb_image" name="">
784								<img src="https://payload.cargocollective.com/1/17/575303/9064682/prt_315x345_1418909937.jpg" width="315" height="345"  data-hi-res=https://payload.cargocollective.com/1/17/575303/9064682/prt_315x345_1418909937_2x.jpg >
785							</div>
786
787
788								<div class="thumb_title">
789									<span>Meta</span>
790								</div>
791							
792						</a>
793						
794				</div>
795			
796				<div class="thumbnail" id="item_11058981" name="11058981" style="width: 310px" data-setid="0" data-setname="">
797						<div class="loading" data-loading="11058981">
798							<img src="/_gfx/loadingAnim.gif">
799						</div>
800
801						<a href="/You-We" data-id="11058981" rel="history">
802
803							<div class="thumb_image" name="">
804								<img src="https://payload.cargocollective.com/1/17/575303/11058981/prt_310x406_1454597591.jpg" width="310" height="406" >
805							</div>
806
807
808								<div class="thumb_title">
809									<span>You/We</span>
810								</div>
811							
812						</a>
813						
814				</div>
815			
816				<div class="thumbnail" id="item_9064690" name="9064690" style="width: 318px" data-setid="0" data-setname="">
817						<div class="loading" data-loading="9064690">
818							<img src="/_gfx/loadingAnim.gif">
819						</div>
820
821						<a href="/Fixation" data-id="9064690" rel="history">
822
823							<div class="thumb_image" name="">
824								<img src="https://payload.cargocollective.com/1/17/575303/9064690/prt_318x292_1418910206.jpg" width="318" height="292" >
825							</div>
826
827
828								<div class="thumb_title">
829									<span>Fixation</span>
830								</div>
831							
832						</a>
833						
834				</div>
835			
836				<div class="thumbnail" id="item_11058706" name="11058706" style="width: 450px" data-setid="0" data-setname="">
837						<div class="loading" data-loading="11058706">
838							<img src="/_gfx/loadingAnim.gif">
839						</div>
840
841						<a href="/Dark-Matter" data-id="11058706" rel="history">
842
843							<div class="thumb_image" name="">
844								<img src="https://payload.cargocollective.com/1/17/575303/11058706/prt_450x300_1454594540.jpg" width="450" height="300"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058706/prt_450x300_1454594540_2x.jpg >
845							</div>
846
847
848								<div class="thumb_title">
849									<span>Dark Matter</span>
850								</div>
851							
852						</a>
853						
854				</div>
855			
856				<div class="thumbnail" id="item_11058732" name="11058732" style="width: 350px" data-setid="0" data-setname="">
857						<div class="loading" data-loading="11058732">
858							<img src="/_gfx/loadingAnim.gif">
859						</div>
860
861						<a href="/Flaska" data-id="11058732" rel="history">
862
863							<div class="thumb_image" name="">
864								<img src="https://payload.cargocollective.com/1/17/575303/11058732/prt_350x279_1454596287.jpg" width="350" height="279"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058732/prt_350x279_1454596287_2x.jpg >
865							</div>
866
867
868								<div class="thumb_title">
869									<span>Flaska</span>
870								</div>
871							
872						</a>
873						
874				</div>
875			
876				<div class="thumbnail" id="item_11058887" name="11058887" style="width: 425px" data-setid="0" data-setname="">
877						<div class="loading" data-loading="11058887">
878							<img src="/_gfx/loadingAnim.gif">
879						</div>
880
881						<a href="/LCD" data-id="11058887" rel="history">
882
883							<div class="thumb_image" name="">
884								<img src="https://payload.cargocollective.com/1/17/575303/11058887/prt_425x269_1454596604.jpg" width="425" height="269"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058887/prt_425x269_1454596604_2x.jpg >
885							</div>
886
887
888								<div class="thumb_title">
889									<span>LCD</span>
890								</div>
891							
892						</a>
893						
894				</div>
895			
896				<div class="thumbnail" id="item_11058924" name="11058924" style="width: 188px" data-setid="0" data-setname="">
897						<div class="loading" data-loading="11058924">
898							<img src="/_gfx/loadingAnim.gif">
899						</div>
900
901						<a href="/Mayflower" data-id="11058924" rel="history">
902
903							<div class="thumb_image" name="">
904								<img src="https://payload.cargocollective.com/1/17/575303/11058924/prt_188x300_1454596753.jpg" width="188" height="300"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058924/prt_188x300_1454596753_2x.jpg >
905							</div>
906
907
908								<div class="thumb_title">
909									<span>Mayflower</span>
910								</div>
911							
912						</a>
913						
914				</div>
915			
916				<div class="thumbnail" id="item_11058956" name="11058956" style="width: 254px" data-setid="0" data-setname="">
917						<div class="loading" data-loading="11058956">
918							<img src="/_gfx/loadingAnim.gif">
919						</div>
920
921						<a href="/The-Bastards-Have-Landed" data-id="11058956" rel="history">
922
923							<div class="thumb_image" name="">
924								<img src="https://payload.cargocollective.com/1/17/575303/11058956/prt_254x450_1454597223.jpg" width="254" height="450"  data-hi-res=https://payload.cargocollective.com/1/17/575303/11058956/prt_254x450_1454597223_2x.jpg >
925							</div>
926
927
928								<div class="thumb_title">
929									<span>The Bastards Have Landed</span>
930								</div>
931							
932						</a>
933						
934				</div>
935			
936		</div>
937
938		<div class="show_index">
939			<a href="https://simonklenell.com">View all</a>
940		</div>
941		<div id="autopaginate_loader" class="moreload" data-view="Autopaginate" data-preload_distance="1500">
942			<div class="retinaSpinner loading"><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(0deg) translate(6px, 0px); transform: rotate(0deg) translate(6px, 0px);" class="spinner_circle part1"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(45deg) translate(6px, 0px); transform: rotate(45deg) translate(6px, 0px);" class="spinner_circle part2"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(90deg) translate(6px, 0px); transform: rotate(90deg) translate(6px, 0px);" class="spinner_circle part3"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(135deg) translate(6px, 0px); transform: rotate(135deg) translate(6px, 0px);" class="spinner_circle part4"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(180deg) translate(6px, 0px); transform: rotate(180deg) translate(6px, 0px);" class="spinner_circle part5"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(225deg) translate(6px, 0px); transform: rotate(225deg) translate(6px, 0px);" class="spinner_circle part6"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(270deg) translate(6px, 0px); transform: rotate(270deg) translate(6px, 0px);" class="spinner_circle part7"></div></div><div style="position: absolute; top: -2px;"><div style="-webkit-transform: rotate(315deg) translate(6px, 0px); transform: rotate(315deg) translate(6px, 0px);" class="spinner_circle part8"></div></div></div>		</div>
943
944
945
946
947	</body>
948</html>

Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.