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https://tom-hatton.co.uk/

html tom-hatton.co.uk collected 2026-10-08 03:00:57 UTC 23,210 bytes, 92 lines download raw bytes

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24<script type="text/json" data-set="ProjectDetail">{"id":126567,"site_id":"41871","link_url":"0","project_url":"Home","direct_link":"http:\/\/tom-hatton.co.uk\/Home","type":"page","link_target":"_blank","title":"Home","title_no_html":"Home","show_title":true,"display":false,"content":"<h2>T O M &nbsp; H A T T O N<br><\/h2><br><a href=\"https:\/\/twitter.com\/_tomhatton\"><\/a><br>\n<br>\n<h1><a href=\"Now-Here\" rel=\"history\">Now Here &nbsp;<i>Calais&nbsp;<\/i><\/a>&nbsp;<small><i>(2016)<\/i><\/small><\/h1><h1>\n\n<a href=\"The-Weight-of-Ashen-Soil\" rel=\"history\">The Weight of Ashen Soil &nbsp;<small><i>(2012)<\/i><\/small><\/a><\/h1><br>\n<br>\n<a href=\"CV\" rel=\"history\">CV<\/a><br>&nbsp;<br>\ue025 &nbsp; | &nbsp; <a href=\"https:\/\/twitter.com\/_tomhatton\" class=\"icon-link\">\ue004<\/a>\n<br><br>\n<br>\n<br>\n<img width=\"2000\" height=\"1429\" width_o=\"2000\" height_o=\"1429\" src_o=\"https:\/\/cortex.persona.co\/t\/original\/i\/9c90bba2260ef0514da2e240694c134e8f60c0bb1687d33d4da833f49e72bf60\/CJ-3-02-crop-cmyk.jpg\" data-mid=\"137835\" border=\"0\" \/><br>\n<br>\n<div style=\"text-align: left\"><div style=\"text-align: center\"><small><i>from<\/i> Now Here, Calais Refugee Camp, March 2016&nbsp;<\/small><\/div><\/div><small><i>click on the images for a full screen preview<\/i><\/small><br><br>\n<br><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div style=\"text-align: center;\"><div style=\"text-align: left;\"><i>Hatton's images of the Calais Refugee camp productively contribute to a growing body of work in this area. They document the transition toward a sense of permanence that has grown out of the makeshift and temporary. His high-contrast, monochromatic photographs really push the documentary feel of the images, but by being unpopulated, their emotional weight is somewhat indirect. They are packed with detail and a sense of tragedy.<\/i><br><br>CLIFF LAUSON, Curator, Hayward Gallery<\/div><\/div><i><\/i><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div style=\"text-align: center;\"><div style=\"text-align: left;\"><i>Tom Hatton's pictures have for me real presence and real purpose. They do a very difficult thing: they speak about the refugee crisis without clich\u00e9 or sanctimony or voyeurism. They are conceived in an artistic rather than a journalistic mode that is nevertheless not aestheticized. I admire the way his voice is low key and that is what gives his pictures their quiet power.<\/i><br><br>KATE BUSH, Head of Photography, Science Museum Group<\/div><\/div><\/div>\n<\/div>\n<br>","content_no_html":"T O M &nbsp; H A T T O N\n\nNow Here &nbsp;Calais&nbsp;&nbsp;(2016)\n\nThe Weight of Ashen Soil &nbsp;(2012)\n\nCV&nbsp;\ue025 &nbsp; | &nbsp; \ue004\n\n\n\n{image 10}\n\nfrom Now Here, Calais Refugee Camp, March 2016&nbsp;click on the images for a full screen preview\n\n\tHatton's images of the Calais Refugee camp productively contribute to a growing body of work in this area. They document the transition toward a sense of permanence that has grown out of the makeshift and temporary. His high-contrast, monochromatic photographs really push the documentary feel of the images, but by being unpopulated, their emotional weight is somewhat indirect. They are packed with detail and a sense of tragedy.CLIFF LAUSON, Curator, Hayward Gallery\n\tTom Hatton's pictures have for me real presence and real purpose. They do a very difficult thing: they speak about the refugee crisis without clich\u00e9 or sanctimony or voyeurism. They are conceived in an artistic rather than a journalistic mode that is nevertheless not aestheticized. I admire the way his voice is low key and that is what gives his pictures their quiet power.KATE BUSH, Head of Photography, Science Museum Group\n\n","content_partial_html":"<h2>T O M &nbsp; H A T T O N<br><\/h2><br><a href=\"https:\/\/twitter.com\/_tomhatton\"><\/a><br>\n<br>\n<h1><a href=\"Now-Here\" rel=\"history\">Now Here &nbsp;<i>Calais&nbsp;<\/i><\/a>&nbsp;<i>(2016)<\/i><\/h1><h1>\n\n<a href=\"The-Weight-of-Ashen-Soil\" rel=\"history\">The Weight of Ashen Soil &nbsp;<i>(2012)<\/i><\/a><\/h1><br>\n<br>\n<a href=\"CV\" rel=\"history\">CV<\/a><br>&nbsp;<br>\ue025 &nbsp; | &nbsp; <a href=\"https:\/\/twitter.com\/_tomhatton\" class=\"icon-link\">
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61					    			<projectcontent><h2>T O M &nbsp; H A T T O N<br></h2><br><a href="https://twitter.com/_tomhatton"></a><br>
62<br>
63<h1><a href="Now-Here" rel="history">Now Here &nbsp;<i>Calais&nbsp;</i></a>&nbsp;<small><i>(2016)</i></small></h1><h1>
64
65<a href="The-Weight-of-Ashen-Soil" rel="history">The Weight of Ashen Soil &nbsp;<small><i>(2012)</i></small></a></h1><br>
66<br>
67<a href="CV" rel="history">CV</a><br>&nbsp;<br> &nbsp; | &nbsp; <a href="https://twitter.com/_tomhatton" class="icon-link"></a>
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71<img width="2000" height="1429" width_o="2000" height_o="1429" src_o="https://cortex.persona.co/t/original/i/9c90bba2260ef0514da2e240694c134e8f60c0bb1687d33d4da833f49e72bf60/CJ-3-02-crop-cmyk.jpg" data-mid="137835" border="0" /><br>
72<br>
73<div style="text-align: left"><div style="text-align: center"><small><i>from</i> Now Here, Calais Refugee Camp, March 2016&nbsp;</small></div></div><small><i>click on the images for a full screen preview</i></small><br><br>
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75	<div grid-col="x11" grid-pad="2" class=""><div style="text-align: center;"><div style="text-align: left;"><i>Hatton's images of the Calais Refugee camp productively contribute to a growing body of work in this area. They document the transition toward a sense of permanence that has grown out of the makeshift and temporary. His high-contrast, monochromatic photographs really push the documentary feel of the images, but by being unpopulated, their emotional weight is somewhat indirect. They are packed with detail and a sense of tragedy.</i><br><br>CLIFF LAUSON, Curator, Hayward Gallery</div></div><i></i></div>
76	<div grid-col="x11" grid-pad="2" class=""><div style="text-align: center;"><div style="text-align: left;"><i>Tom Hatton's pictures have for me real presence and real purpose. They do a very difficult thing: they speak about the refugee crisis without cliché or sanctimony or voyeurism. They are conceived in an artistic rather than a journalistic mode that is nevertheless not aestheticized. I admire the way his voice is low key and that is what gives his pictures their quiet power.</i><br><br>KATE BUSH, Head of Photography, Science Museum Group</div></div></div>
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