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top:32px;left:84px;width:179px;height:39px"><p style="text-align:start;" class="style_234459672249642410"><span style="text-align:start;line-height:1.35;letter-spacing:normal;font-weight:400;text-shadow:none;" class="style_3703123332111247076"><a href="home" class="style_3703123332111247076" style="line-height:1.38;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;"><span style="line-height:1.35;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;" class="style_3703123332111247076"> Silvia Lanzalone </span></a></span></p></div><div data-type="element" style="z-index:992;position:absolute; top:155px;left:52px;width:928px;height:3638px">
2<p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:left;text-shadow:none;"><span class="style_1214999088872097571 style_3193710721372582750" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:left;text-shadow:none;"><strong>Scritti</strong></span><br> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><a href="https://www.ilsileno.it/edizioni/wp-content/uploads/2023/07/Tortora-Mastrogiacomo_Il-Sileno_Edizioni.pdf"><i><span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">Componere Meridiano, a confronto con l'esperienza di Enrico Renna</span></i></a><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">volume monografico a cura di Daniela Tortora e Antonio Mastrogiacomo, con contributi di Stefano Valanzuolo, Paolo Sullo, Lorenzo Pone, Silvia Lanzalone, Filippo D'Eliso, Francesco D'Errico, Antonio Mastrogiacomo, Luca Iacono, Stefano Busiello, Alessandro Laraspata e Daniela Tortora, Il Sileno Edizioni, giugno 2023. ISBN 979-12-80064-44-8. </span><a href="https://www.ilsileno.it/edizioni/wp-content/uploads/2023/07/Tortora-Mastrogiacomo_Il-Sileno_Edizioni.pdf"><span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">https://www.ilsileno.it/edizioni/wp-content/uploads/2023/07/Tortora-Mastrogiacomo_Il-Sileno_Edizioni...</span></a><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </span></p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><br> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Research at Rome's Centro Ricerche Musicali on Interactive and Adaptive Installations and on Augmented Instruments. </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Michelangelo Lupone, Laura Bianchini, Silvia Lanzalone, Alessio Gabriele. Computer Music Journal, MIT Press, Cambridge USA, 2021. 44 (2-3), pp.133â158. doi: </span><a href="https://doi.org/10.1162/comj_a_00570"><span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">https://doi.org/10.1162/comj_a_00570</span></a><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </span></p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><br> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Composing with Feedback, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Silvia Lanzalone, Proceedings of 18th SMC-Sound and Music Computing Conference, 29.06.21-01.07.21. Virtual, 2021, pp. 123-130. ISBN: 978-88-945415-4-0. </span><a href="http://www.smc2021conference.org/">
2<span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">http://www.smc2021conference.org/</span></a><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> - </span><a href="https://doi.org/10.5281/zenodo.5037578"><span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">https://doi.org/10.5281/zenodo.5037578</span></a><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </span></i><br> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><br><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Peppino Di Giugno, genio italiano. Macchine Digitali per la Musica in Tempo Reale, di Alberto Giordano. </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Introduzione e cura di Silvia Lanzalone. Prefazione Curtis Roads. Nota storica Francesca Marchesiello. Testimonianze Gisella Belgeri, Nicola Bernardini, Emmanuel Favreau, Eugenio Guarino, Michelangelo Lupone, Sylviane Sapir, Alvise Vidolin. Edizioni Musicali Esarmonia. ISBN 978-88-6371-143-1. </span><a href="https://www.esarmonia.it/negozio/libri/didattica/peppino-di-giugno-genio-italiano-macchine-digitali-per-la-musica-in-tempo-reale/"><span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">https://www.esarmonia.it/negozio/libri/didattica/peppino-di-giugno-genio-italiano-macchine-digitali-per-la-musica-in-tempo-reale/</span></a></p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Augmented Instruments at CRM â Centro Ricerche Musicali of Rome: Feed-Drum, SkinAct, WindBack and ResoFlute</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di M.<strong> </strong>Lupone, L. Bianchini, S. Lanzalone, A. Gabriele, in Proceedings of ICMC - International Computer Music Conference, New York, USA, 16-23 June 2019.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Pluridisciplinarità / Transdisciplinarità - Unâanalisi dei Trienni di Musica Elettronica e dei corsi di Musica Elettronica nei Trienni, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Silvia Lanzalone. Atti Crescendo! Convegno sulla didattica e la ricerca della Musica Elettronica nei Conservatori. 05-07.04.2018. Conservatorio Statale di Musica âLuigi Canepaâ di Sassari, </span><br><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">CoME â Coordinamento Nazionale dei Docenti di Musica Elettronica. </span><a href="https://www.comecrescendo.it/wp-content/uploads/2019/01/lanzalone-salerno.pdf">
2<span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">https://www.comecrescendo.it/wp-content/uploads/2019/01/lanzalone-salerno.pdf</span></a><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </span></i><br> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><br> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Gesto âestesoâ e suono âaumentatoâ. Appunti sulla nuova liuteria, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Silvia Lanzalone. d.a.t. [divulgazioneaudiotestuale], numero 0, anno I, aprile 2017. Il Sileno Edizioni, ISSN 2611-0121 - </sp
2an><a href="https://www.ilsileno.it/dat/2017-n-0-e-n-1/"><span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">https://www.ilsileno.it/dat/2017-n-0-e-n-1/</span></a></p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><br> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Struttura, creazione, interazione, evoluzione: la ricerca al CRM per la realizzazione di Forme Immateriali di Michelangelo Lupone, </span></i><span class="style_1214999088872097571" style="background- line-height:1.63;font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Michelangelo Lupone, Laura Bianchini, Silvia Lanzalone, Alessio Gabriele, Martina De Luca, in Extending interactivity, Atti del XXI Colloquio di Informatica musicale, Cagliari, 28 settembre - 1 ottobre 2016, a cura di Anna Terzaroli e Andrea Valle, AIMI - Associazione di Informatica Musicale Italiana, Spaziomusica, 2016, pp. 77-84. ISBN: 9788890341342</span><br> </p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">New advancement of the research on the augmented wind instruments: Windback and Resoflute, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Michelangelo Lupone, Silvia Lanzalone, Lorenzo Seno,</span><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">in EAW2015 A Tecnologia ao Serviço da Criação, Congresso Internacional de Música Electroacústica de Aveiro 1, Livro de actas, Musical Coordenação do livro de actas: Helena Santana (INET-MD); Isabel Soveral (INET-MD); Diana Ferreira (Arte no Tempo). Edição: UA Editora / Universidade de Aveiro â INET-MD / Arte no Tempo. pp.156-163. ISBN 978-972-789-462-8</span><br> </p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Forme Immateriali by Michelangelo Lupone: structure, creation, interaction, evolution of a permanent adaptive music work, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Michelangelo Lupone, Silvia Lanzalone, Alessio Gabriele, Martina De Luca, in</span><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">EAW2015 A Tecnologia ao Serviço da Criação, Congresso Internacional de Música Electroacústica de Aveiro 1, Livro de actas, Musical Coordenação do livro de actas: Helena Santana (INET-MD); Isabel Soveral (INET-MD); Diana Ferreira (Arte no Tempo). Edição: UA Editora / Universidade de Aveiro â INET-MD / Arte no Tempo. pp. 177-183. ISBN 978-972-789-462-8.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><br><i>
2<span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Strumenti aumentati</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, p.877-888, di Silvia Lanzalone, in Acustica. Fondamenti e applicazioni, a cura di Renato Spagnolo. ed. Utet Università , 2015 â pp. 1632. ISBN 9788860084460</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Segno musicale/Gesto architettonico: il ruolo di Iannis Xenakis nel Poème electronique</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in Open museum Open city, catalogo della mostra a cura di Hou Hanru, Fondazione MAXXI Museo nazionale delle arti del XXI secolo, Editore Mousse publishing, pp. 192-195. 24.10-30.11.2014. ISBN 9788867491377</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Licht, Klang, Bild, Architektur</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in Architektur & Bau Forum, #448 - 12 giugno 2014. Edizioni Der Wirtschaftsverlag, PF555, 1008 Wien Zul. Nr. GZ 02Z030751W.</span></p><p> </p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Tra impronte di modernità e nuove responsabilità del comporre: colloquio con Silvia Lanzalone, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">intervista di Anna Laura Longo. in </span><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Universi sonori. Dialoghi sulla musica dei nostri tempi</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Anna Laura Longo e Federica Nardacci, A cura di Oriana Rispoli, Nuove Tendenze Edizioni 2015, pp. 22-37. ISBN 978-88-902731-2-4. Lâintervista è pubblicata anche in </span><a href="http://www.nuovetendenze.org/?p=4371"><span class="style_1214999088872097571 style_196506658702985926" style="font-weight:400;letter-spacing:normal;line-height:1;text-align:start;text-shadow:none;">http://www.nuovetendenze.org/?p=4371</span></a></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Clavecin électrique. Studio e realizzazione dell'opera, </span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">di Silvia Lanzalone, in Atti del XIX Colloquio di Informatica Musicale </span><i>
2<span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">"Sinestesie sonore"</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, A cura di Pietro Polotti, Giorgio Klauer, Federico Fontana, Carlo Drioli, AIMI - Associazione di Informatica Musicale Italiana, Conservatorio di Musica âG. Tartiniâ di Trieste, DADI - Dip. Arti e Design Industriale dell'Università IUAV di Venezia, Università degli Studi di Udine, Trieste, 2012, pp. 104-111. ISBN 9788890341304.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Poéme Electronique, opera del futuro</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in Equipèco, periodico trimestrale di ricerca e documentazione artistica e culturale, Carmine Mario Muliere Editore, Roma, Anno VII â Numero 24, 2010, pagg. 48 - 52.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Suoni scolpiti /sculture sonore. Un percorso (est)etico tra re-incarnazione e inte(g)razione</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in Le arti del suono, Numero 2 / 2009, Installazioni sonore e altri ascolti, pp. 109-132, edizione Orizzonti Meridionali, Cosenza, Semestrale, ISBN 978-88-89064-76-4.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">La breve vita di uno spettacolo immortale. Poème électronique: un resoconto</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in Music@, Bimestrale di musica del Conservatorio âA.Casellaâ de LâAquila, anno IV - n. 12, marzo-aprile 2009, pagg. 17 - 25.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Suoni scolpiti e sculture sonore: alcuni esempi di installazioni dâarte elettroacustica</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in âRadici Futuro, Biennale Musica - Atti del XVII Colloquio di Informatica Musicaleâ, AIMI - Associazione di Informatica Musicale Italiana, Conservatorio di Musica âBenedetto Marcelloâ, Ex Novo Ensemble, Facoltà di Design e Arti dellâUniversità IUAV di Venezia, La Biennale di Venezia, 2008, pp. 149-156.</span></p><p> </p>
2<p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">The âsuspended clarinetâ with the âuncaused soundâ. Description of a renewed musical instrument</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in âProceedings of 8th International Conference on New Interfaces for Musical Expressionâ - NIME08â, Casa Paganini â InfoMus Lab, Genova, 2008, pp.273-276. ISBN 13-978-88-901344-6-3</span></p><p> </p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Post-Prae-Ludium per Donau for tuba and live electronics by Luigi Nono. The algorithm for real time performance implemented with Max-MSP</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in âCreativity &Sciences, Proceedings of 5th Conferences UCM - Understanding and Creating Musicâ, Seconda Università degli Studi di Napoli, Facoltà di scienze MM.FF.NN., Dipartimento di Matematica, Caserta, 27-30.11.05, pp.105-111. ISBN 88-900456-3-9.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">HIDDENS GRIDS. Paths of expressive gesture between instruments, music and dance</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in Organized Sound, International Journal of Music and Technology, Cambridge University Press, 2000, vol.5, n°1, pp.17-26. ISSN: 1355-7718, EISSN: 1469-8153, doi: 10.1017/S1355771800001047.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">SDP â Sonorous Drawing Plane AND Laboratory <<The Sonic Draw>>. Timbric Esploration in Real Time through Expressive Gesture Tracks</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in A.A. V.V., âXIII CIM â Colloquium on Musical Informatics. Attiâ, a cura di M.C. De Amicis. LâAquila, 2000, Istituto GRAMMA, pp.209-212.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">The Manipulation of <<Body Sound>>, Interation between Music and Dance. Analysis of <<Contropasso>> by Michelangelo Lupone</span></i>
2<span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in A.A. V.V., âXIII CIM â Colloquium on Musical Informatics. Attiâ, a cura di M.C. De Amicis. LâAquila, 2000, Istituto GRAMMA, pp.112-115.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">Fly30 Library. Algoritmi di sintesi ed elaborazione del suono in tempo reale ottimizzati per il sistema Fly30</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in A.A. V.V., âLa Terra Fertile. Incontro Nazionale di Musica Elettronica. III edizione 1998. Attiâ, a cura di M.C. De Amicis. LâAquila, 1998, Istituto GRAMMA, pp.91-94.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">âSuono come Rumore - Rumore come Suono: ribaltamento di un giudizio estetico. Conversazione con Michelangelo Lupone.â,</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> intervista di Silvia Lanzalone, in A.A.V.V., âAppuntamenti sul Suono Rumore. Atti del Seminario 2â, a cura di Piero Mottola. Museo Sperimentale dellâAquila, marzo 1996, Accademia di Belle Arti di Firenze, maggio 1997. pagg. 3-9.</span></p><p> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"> </p><p class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;"><i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">La Forma del Senza-forma. Idea, struttura, materiale, algoritmo</span></i><span class="style_1214999088872097571" style="font-weight:400;letter-spacing:normal;line-height:1.63;text-align:start;text-shadow:none;">, di Silvia Lanzalone, in A.A. V.V., âLa Terra Fertile. Incontro Nazionale di Musica Elettronica. II edizione 1996. Atti.â, a cura di M.C. De Amicis e I. Prignano. LâAquila, 1996, Istituto GRAMMA, pp.188-193.</span></p></div><div data-type="element" style="z-index:9;position:absolute; top:3784px;left:22px;width:982px;height:41px"></div><div data-type="element" style="z-index:990;position:absolute; top:3813px;left:52px;width:928px;height:114px"><p style="text-align:start;" class="style_234459672249642410"><span class="style_1214999088872097571" style="line-height:1.63;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;"> </span></p><p style="line-height:1.63;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;" class="style_1214999088872097571"> </p><p style="line-height:1.63;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;" class="style_1214999088872097571"> </p><p style="line-height:1.63;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;" class="style_1214999088872097571"></p><p></p><p></p><p> </p><p style="line-height:1.63;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;" class="style_1214999088872097571"></p><p style="line-height:1.63;text-align:start;letter-spacing:normal;font-weight:400;text-shadow:none;
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