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58 BOOKS FILMS TEXTS & ITW","content_partial_html":"<a href=\"#\" rel=\"home_page\">LIST OF WORKS<\/a> <a href=\"Books\" rel=\"history\" data-tags=\"Books\">BOOKS<\/a> <a href=\"Films\" rel=\"history\" data-tags=\"Films\">FILMS<\/a> <a href=\"Texts\" rel=\"history\" data-tags=\"Texts\">TEXTS & ITW<\/a>","thumb":"","thumb_meta":{"thumbnail_crop":null},"thumb_is_visible":false,"sort":2,"index":0,"set_id":0,"page_options":{"using_local_css":true,"local_css":"[local-style=\"20672864\"] .container_width {\n}\n\n[local-style=\"20672864\"] body {\n}\n\n[local-style=\"20672864\"] .backdrop {\n}\n\n[local-style=\"20672864\"] .page {\n}\n\n[local-style=\"20672864\"] .page_background {\n\tbackground-color: initial \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"20672864\"] .content_padding {\n\tpadding-bottom: 0rem \/*!main_margin*\/;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] bodycopy {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] h1 {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] h1 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] h2 {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] small {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672864\"] small a:hover {\n}","local_layout_options":{"split_layout":false,"split_responsive":false,"full_height":false,"advanced_padding_enabled":true,"main_margin_bottom":"0","page_container_bgcolor":"","show_local_thumbs":false,"page_bgcolor":""},"pin_options":{"position":"top","overlay":false,"accommodate":true}},"set_open":false,"images":[],"backdrop":null},{"id":20672865,"title":"Devenir soi-m\u00eame","project_url":"Devenir-soi-meme","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":true,"stack":false,"sort":4,"index":0,"page_count":13,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672872,"title":"L'Inexpliqu\u00e9","project_url":"L-Inexplique","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":true,"stack":false,"sort":32,"index":2,"page_count":11,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672885,"title":"Le Pourquoi Pas ?","project_url":"Le-Pourquoi-Pas","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":49,"index":3,"page_count":15,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672902,"title":"La M\u00e9thode des lieux","project_url":"La-Methode-des-lieux","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":67,"index":5,"page_count":8,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672917,"title":"L'Aust\u00e8re sentiment","project_url":"L-Austere-sentiment","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":81,"index":7,"page_count":3,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672921,"title":"D\u00e9serteurs","project_url":"Deserteurs-1","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":85,"index":8,"page_count":7,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672931,"title":"Sans titre (M.Bertillon)","project_url":"Sans-titre-M-Bertillon-1","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":95,"index":11,"page_count":6,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672939,"title":"Dominique Lambert","project_url":"Dominique-Lambert","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":103,"index":12,"page_count":5,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":20672950,"site_id":1199289,"project_url":"Info","direct_link":"https:\/\/www.stephaniesolinas.com\/Info","type":"page","title":"Info","title_no_html":"Info","tags":"","display":false,"pin":false,"pin_options":{},"in_nav":true,"is_homepage":false,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"Visual artist, writer and researcher, St\u00e9phanie Solinas develops a varied body of work - images, books, videos, installations -, exploring the thinking process...","content":"<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\t<div grid-col=\"x11\" grid-pad=\"2\"><br>\n<b><\/b>Visual artist, writer and researcher, <b>St\u00e9phanie Solinas<\/b> develops a varied body of work - images, books, videos, installations -, exploring the thinking process involved in the act of \u201cseeing\u201d and the weaving of the visible and the invisible, of science and belief, of the dynamic between the Self and the Other, which shapes identities. Her field of investigation extends from 19th to 21st century, from the birth of photography to artificial intelligence. <br>\n\n<br>\nGraduate in photography from ENS Louis Lumi\u00e8re in Paris, PhD in Visual Arts (Paris I Panth\u00e9on-Sorbonne University), Solinas was artist in residence at Villa Medici, the French Academy in Rome (2017\/18), Headlands Center for the Arts in San Francisco (2018\/19), Zero-G residency by \nFrench National Center for Space Studies (2024), Jan Michalski Foundation for writing and litterature in Switzerland (2025). She is the recipient of the <a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/services.scam.fr\/Laur%C3%A9ats-Prix\">Scam<\/a> Experimental Work Award for her short film for the Paris Op\u00e9ra \/ 3e Sc\u00e8ne (2018), the <a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/prixcameraclara.com\/\">Camera Clara Prize<\/a> (2020), the public commission from the Centre National des Arts Plastiques for the Bicentennial of Photography (2026\/27).<br>\n\n<br>\nHer work is exhibited in France and aboard, among others SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB in USA, FOAM in Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres d\u2019Arles, Mus\u00e9e national Eug\u00e8ne-Delacroix, Mus\u00e9e Carr\u00e9 d\u2019Art in France.<br>\n\n<br>\nShe has published <i>Dominique Lambert <\/i>(2010-2016), <i>Sans titre - M. Bertillon<\/i> (2011) and <i>D\u00e9serteurs<\/i> (2012) [RVB Books], <i>Le soleil ni la mort<\/i> (2022)<i> <\/i>[Delpire & co], <i>Guide du Pourquoi pas ?<\/i> (2020) and <i>L\u2019\u00catre plus<\/i> (2023) [Seuil \/ Fiction & Cie].<br>\n\n<br>\nSince 2014, St\u00e9phanie Solinas is leading a research elaborated as a cartography of identities, between materialism and transcendence. She anchors her investigations on three specific territories : Iceland, Italy and the West Coast of the USA.<br>\n\n<br>Works with gallery Jean-Kenta Gauthier, Paris, France.\n<br>Based in Paris, France.\n<br>\n<br><br>\n<br>\n<h2>[email protected]<\/h2><br>\n\n<br><br>\n<br>\n<b><\/b>Artiste plasticienne, autrice et chercheuse, <b>St\u00e9phanie Solinas<\/b> d\u00e9veloppe une \u0153uvre plurielle, \u00e0 la crois\u00e9e de la photographie, du livre et de l\u2019installation. Explorant la pens\u00e9e \u00e0 l\u2019oeuvre dans l\u2019op\u00e9ration m\u00eame de \u00abvoir\u00bb et le tissage du visible et de l\u2019invisible, du rationnel et de la croyance, de la dynamique entre Soi et l\u2019Autre, qui forme les identit\u00e9s, son champ d\u2019investigation s\u2019\u00e9tend du XIXe au XXIe si\u00e8cle, de la naissance de la photographie \u00e0 l\u2019intelligence artificielle. <br>\n\n<br>\nDocteure en Arts (Paris I Panth\u00e9on-Sorbonne), dipl\u00f4m\u00e9e en photographie de l\u2019ENS Louis Lumi\u00e8re, Solinas a \u00e9t\u00e9 pensionnaire de la Villa M\u00e9dicis, l\u2019Acad\u00e9mie de France \u00e0 Rome (2017\/18), du Headlands Center for the Arts \u00e0 San Francisco (2018\/19), de la r\u00e9sidence Z\u00e9ro-G du Centre National d\u2019\u00c9tudes Spatiales (2024), de la Fondation Jan Michalski pour l\u2019\u00e9criture et la litt\u00e9rature en Suisse
58(2025). Elle est laur\u00e9ate du Prix de l\u2019\u0153uvre exp\u00e9rimentale de la SCAM pour son court-m\u00e9trage pour l\u2019Op\u00e9ra de Paris \/ 3e Sc\u00e8ne (2018), du Prix Camera Clara (2020), de la commande publique du Centre National des Arts Plastiques pour le Bicentenaire de la Photographie (2026\/27).<br>\n\n<br>\nSon travail est expos\u00e9 en France et \u00e0 l\u2019\u00e9tranger, notamment SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB aux USA, FOAM \u00e0 Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres d\u2019Arles, Mus\u00e9e national Eug\u00e8ne-Delacroix, Mus\u00e9e Carr\u00e9 d\u2019Art en France.<br>\n\n<br>\nElle a publi\u00e9 plusieurs livres : <i>Dominique Lambert <\/i>(2010-2016), <i>Sans titre - M. Bertillon<\/i> (2011) et <i>D\u00e9serteurs<\/i> (2012) [RVB Books],<i> Le soleil ni la mort<\/i> (2022) [Delpire & co], <i>Guide du Pourquoi pas ? <\/i>(2020)<i> <\/i>et <i>L\u2019\u00catre plus<\/i> (2023) [Seuil \/ Fiction & Cie].<br>\n\n<br>\nDepuis 2014, St\u00e9phanie Solinas m\u00e8ne un ensemble d\u2019op\u00e9rations de cartographie des identit\u00e9s, entre mat\u00e9rialisme et transcendance. Elle ancre ses recherches sur trois terrains choisis : Islande, Italie et \u00c9tats-Unis. \n<br>\n<br>\nTravaille avec la galerie Jean-Kenta Gauthier, Paris, France.<br>Bas\u00e9e \u00e0 Paris, France.\n<br>\n<br>\n<div style=\"text-align: center\"><div style=\"text-align: left\"><h2><\/h2><\/div><\/div><br><h2><br>\n<br>\n<br><i><b><\/b><\/i><u><a href=\"https:\/\/www.sfmoma.org\/exhibition\/constellations\/\"><\/a><\/u><\/h2><br><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\"><br>\n<img width=\"1000\" height=\"707\" width_o=\"1000\" height_o=\"707\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/ab164615ed88994f786c99e855f01114581a56a7fb9fed7fe9c82d62552dbf99\/doigtStephanie_Solinas.jpg\" data-mid=\"114502141\" border=\"0\" \/><br>\n<br>\n<br><br><\/div>\n<\/div><div style=\"text-align: center;\"><h2>* news *<\/h2> <br>\n<b><a href=\"https:\/\/www.hangar.art\/\" target=\"_blank\">Reinventing Photography<\/a><\/b><br>\n[collective show]<br>Centre National des Arts Plastiques x Hangar, Bruxelles<br>\nOpening<br>\nSeptember 17, 2026<br>\nExhibition<br>\nSeptember 18 > December 20, 2026<br><br><b>CRTL. Nouvelles fonctions des images.<br><\/b>\n[exhibition catalog]<br>\"Comment la photographie a invent\u00e9 l'identit\u00e9. Des pouvoirs du portrait.\" <br>\n \"How Photography Invented Identity: The Power of the Portrait.\" <br>\nText (FR) published in the <i>CRTL. Nouvelles fonctions des images<\/i>\nexhibition catalog<br>\nENSP x Rencontres d\u2019Arles 2026<br>\n<br><b>Jouer le je<\/b><br>[solo show]<br>Jan Michalski Foundation for writing and literature, Montricher, Switzerland<br>\n<a href=\"https:\/\/fondation-janmichalski.com\/en\/agenda\/vernissage\" target=\"_blank\">Opening<\/a><br>December 12, 2025<br>\n<a href=\"https:\/\/fondation-janmichalski.com\/en\/agenda\/exposition-stephanie-solinas\" target=\"_blank\">Exhibition<\/a><br>December 13, 2025 > April 12, 2026<br>\n<a href=\"https:\/\/fondation-janmichalski.com\/en\/agenda\/exposition-stephanie-solinas#programme\" target=\"_blank\">Game sessions & Guided tours : Reservations<\/a>\n<br><br><i><b><a href=\"article-Transfuge-2\" rel=\"history\">St\u00e9phanie Solinas - On the road<\/a><\/b><\/i><br>[article]<br>by Damien Aubel for Transfuge #195<br>February 2026<br><br>\n<b>Art Gen\u00e8ve<\/b><br>\n[fair]<br>Jan Michalski Foundation for writing and literature @Palexpo, Geneva<br>\nJanuary 29 - February 2, 2026<i><b><\/b><\/i><br><br>\n<i><b><a href=\"https:\/\/www.rts.ch\/info\/culture\/arts-visuels\/2026\/article\/exposition-jouer-le-je-stephanie-solinas-explore-l-identite-a-montricher-29127551.html\" target=\"_blank\">St\u00e9phanie Solinas interroge nos identit\u00e9s avec \"Jouer le je\" \u00e0 la Fondation Michalski<\/a><\/b><\/i><br>\n[radio]<br>Interview by Pauline Rappaz on RTS, CH<br>January 28, 2026\n<br>\n<br><i><b>
58<a href=\"https:\/\/www.letemps.ch\/culture\/arts\/trouble-dans-nos-identites-et-reve-d-immortalite-a-montricher-la-plasticienne-stephanie-solinas-leve-le-voile-sur-la-fabrique-de-notre-moi?srsltid=AfmBOoohgCKlXWRo4-NwG3JiwIVI11piCCXbfzyxJxuWSjaz2smy_kuz\" target=\"_blank\">Trouble dans nos identit\u00e9s et r\u00eave d\u2019immortalit\u00e9: <br>\n\u00e0 Montricher, la plasticienne St\u00e9phanie Solinas l\u00e8ve le voile sur la fabrique de notre \u00abmoi\u00bb<\/a><\/b><\/i><br>\n[article]<br>\nby Julien Burri for Le Temps, CH<br>\nDecember 26, 2025<br><b><\/b><br><b>Devenir soi-m\u00eame<\/b><br>[conversation]<br>with\nVirginie Huet, Elles font l\u2019art x Photo Saint Germain, Cravan, Paris <br>\n\nNovember 27, 2025<br>\n<br>\n\t<b>Recherche vs Cr\u00e9ation et inversement<\/b><br>\n[symposium]<br>\nIMEC, Universit\u00e9 de Caen, ESADHaR Rouen<br>\nIMEC, November 19, 2025<br>\n\n<br>\n\t<b>Cosmologie \u2014 parcours crois\u00e9s de sept femmes photographes au pr\u00e9sent<\/b><br>[conversation]\n<br>\n with Marcelline Delbecq, El\u00e9onore False, Marina Gadonneix, Agn\u00e8s Geoffray, Constance Nouvel, Aur\u00e9lie P\u00e9trel - Pauline Vermare<br>\nConversations Paris Photo 2025<br>\nGrand Palais, Paris<br>November 16, 2025\n<br>\n\n<br>\n\t<b><a href=\"https:\/\/beauxartsparis.fr\/fr\/evenement\/penser-le-present-avec-stephanie-solinas-pierre-cassou-nogues-et-gwenola-wagon\" target=\"_blank\">Penser le pr\u00e9sent - P\u00e9r\u00e9grinations technologiques <br><\/a><\/b>[conversation]<br>with Gwenola Wagon, Pierre Cassou-Nogu\u00e8s - Audrey Illouz<br>\nEcole des Beaux-Arts de Paris<br>\nNovember 13, 2025<br><br><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"x12\" grid-pad=\"2\"><b>Paris Photo 2025<br><\/b>[fair]<br>\n<b> <\/b><a href=\"https:\/\/jeankentagauthier.com\/\" target=\"_blank\">Jean-Kenta Gauthier gallery<\/a> @Booth B22, Grand Palais, Paris, France<br>November 13-16, 2025<\/div><\/div>\n<br>\n\n<br>\n<b><a href=\"https:\/\/journals.openedition.org\/hybrid\/5438\" target=\"_blank\">Interroger l'identit\u00e9 par l\u2019art et la photographie<\/a><\/b><br>\n[interview]<br>\nRevue<i> Hybrid <\/i>14 (in French)<br><br>\n<b>Rio Buenaventura [Twelve West Coast Stations #XI]<\/b><br>[performance]<br>Librairie 7L, Paris, France<br>August 30, 2025<br>\n<br>\n<b>Voyager [Twelve West Coast Stations #V]<\/b><br>[collaborative projection and performance]<br>\n<a href=\"https:\/\/lesinattendues.be\/evenements\/voyager\/\">Rencontres Inattendues<\/a> Festival, Tournai, Belgium<br>\nAugust 30, 2025<br><br><b><a href=\"https:\/\/auvio.rtbf.be\/media\/la-couleur-des-idees-la-couleur-des-idees-3374145\" target=\"_blank\">La couleur des id\u00e9es<\/a><\/b><br>[radio]<br>Interview by Pascale Seys on <a href=\"https:\/\/www.radiofrance.fr\/franceinter\/podcasts\/la-20e-heure\/la-20eme-heure-du-lundi-16-juin-2025-1992951\">Musiq3 RTBF (in<\/a> French)<br>August 30, 2025<br>\n<br>\n<b><a href=\"https:\/\/www.radiofrance.fr\/franceinter\/podcasts\/la-20e-heure\/la-20eme-heure-du-lundi-16-juin-2025-1992951\" target=\"_blank\">La 20e heure<\/a><br>\n<\/b>[radio]<br>Interview by Eva Bester on <a href=\"https:\/\/www.radiofrance.fr\/franceinter\/podcasts\/la-20e-heure\/la-20eme-heure-du-lundi-16-juin-2025-1992951\">France Inter (in<\/a> French)<br>\nJune 16, 2025<b><br>\n<br>Fondation Jan Michalski pour l\u2019\u00e9criture et la litt\u00e9rature<br><\/b>[writing residency]<br>\nMontricher, Switzerland<br>May 15 - June 11, 2025<b><br><br>Rien ne va plus [No more bets]<br><\/b>[solo show]<br>\nJean-Kenta Gauthier gallery <i>Vaugirard<\/i>,Paris, France<br>Parties publiques de <i>Rio Buenaventura<\/i> (in French) : <a href=\"https:\/\/calendly.com\/jeankentagauthier\/stephanie-solinas-no-more-bets-rien-ne-va-pl-clone?month=2025-04&date=2025-04-09\">dates & inscription<\/a><br>\nApril 5 - July 26, 2025<b><br>\n<br>\nHorizon<br><\/b>[solo show]<br>\nJean-Kenta Gauthier gallery <i>Od\u00e9on<\/i>, Paris, France<br>April 5 - May 17, 2025<br>\n<br>\n<b><a href=\"https:\/\/jouer-dejouer.fr\/fr\" target=\"_blank\">Jouer\/D\u00e9jouer<\/a><\/b> <br>[symposium]\n<br>\n<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"x12\" grid-pad=\"2\">Mus\u00e9e de la Carte \u00e0 Jouer, Issy-les-Moulineaux, France<br>\nDecember 12-13, 2024<br><br><b>Paris Photo 2024<br><\/b>\n[fair]<br>\n<b> <\/b><a href=\"https:\/\/jeankentagauthier.com\/\" target=\"_blank\">Jean-Kenta Gauthier gallery<\/a> @Booth D23, Grand Palais, Paris, France<br>\nNovember 7-10, 2024<br><br><b><a href=\"https:\/\/www.fabrique-theatre.be\/laboratoire\/aprem\/\" target=\"_blank\">APREM #11 : Machines \u00e0 fant\u00f4mes<\/a><\/b><br>\n[experimental symposium]<br>\nLa Fabrique de Th\u00e9\u00e2tre, Mons, Belgium<br>\nNovember 5-7, 2024<br>\n<br>\n<b>Avec l\u2019Espace, vol.3<\/b><br>\n[exhibition]<br>Observatoire de l\u2019Espace, Centre National d\u2019\u00c9tudes Spatiales, FORMA, Paris, France<br>September 11-22, 2024<br>\n<br><b><a href=\"https:\/\/www.getty.edu\/art\/exhibitions\/19_century_now\/index.html\" target=\"_blank\">Nineteenth-Century Photography NOW<\/a><\/b><br>\n[exhibition]<br>J.P. Getty Museum, Los Angeles, USA<br>April 9-July 7, 2024\n<br><br><a href=\"https:\/\/www.centrepompidou.fr\/fr\/programme\/agenda\/evenement\/CGOU5n9\" target=\"_blank\"><b>Corps-\u00e0-Corps, Histoire(s) de la photographie<br><\/b><\/a>[exhibition]<br>Centre Georges Pompidou, Paris, France<br>\nSeptember 2023 - March 25, 2024<br><br><b>Laureate of the Zero-G residency by L\u2019Observatoire de l\u2019Espace <\/b><br>\nCentre National d\u2019\u00c9tudes Spatiales [Space Observatory - French National Center for Space Studies] \n<br>\n2024<br>\n<br><br><\/div><\/div><br>\n<\/div>","content_no_html":"\n\t\nVisual artist, writer and researcher, St\u00e9phanie Solinas develops a varied body of work - images, books, videos, installations -, exploring the thinking process involved in the act of \u201cseeing\u201d and the weaving of the visible and the invisible, of science and belief, of the dynamic between the Self and the Other, which shapes identities. Her field of investigation extends from 19th to 21st century, from the birth of photography to artificial intelligence. \n\n\nGraduate in photography from ENS Louis Lumi\u00e8re in Paris, PhD in Visual Arts (Paris I Panth\u00e9on-Sorbonne University), Solinas was artist in residence at Villa Medici, the French Academy in Rome (2017\/18), Headlands Center for the Arts in San Francisco (2018\/19), Zero-G residency by \nFrench National Center for Space Studies (2024), Jan Michalski Foundation for writing and litterature in Switzerland (2025). She is the recipient of the Scam Experimental Work Award for her short film for the Paris Op\u00e9ra \/ 3e Sc\u00e8ne (2018), the Camera Clara Prize (2020), the public commission from the Centre National des Arts Plastiques for the Bicentennial of Photography (2026\/27).\
58n\n\nHer work is exhibited in France and aboard, among others SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB in USA, FOAM in Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres d\u2019Arles, Mus\u00e9e national Eug\u00e8ne-Delacroix, Mus\u00e9e Carr\u00e9 d\u2019Art in France.\n\n\nShe has published Dominique Lambert (2010-2016), Sans titre - M. Bertillon (2011) and D\u00e9serteurs (2012) [RVB Books], Le soleil ni la mort (2022) [Delpire & co], Guide du Pourquoi pas ? (2020) and L\u2019\u00catre plus (2023) [Seuil \/ Fiction & Cie].\n\n\nSince 2014, St\u00e9phanie Solinas is leading a research elaborated as a cartography of identities, between materialism and transcendence. She anchors her investigations on three specific territories : Iceland, Italy and the West Coast of the USA.\n\nWorks with gallery Jean-Kenta Gauthier, Paris, France.\nBased in Paris, France.\n\n\n\[email protected]\n\n\n\nArtiste plasticienne, autrice et chercheuse, St\u00e9phanie Solinas d\u00e9veloppe une \u0153uvre plurielle, \u00e0 la crois\u00e9e de la photographie, du livre et de l\u2019installation. Explorant la pens\u00e9e \u00e0 l\u2019oeuvre dans l\u2019op\u00e9ration m\u00eame de \u00abvoir\u00bb et le tissage du visible et de l\u2019invisible, du rationnel et de la croyance, de la dynamique entre Soi et l\u2019Autre, qui forme les identit\u00e9s, son champ d\u2019investigation s\u2019\u00e9tend du XIXe au XXIe si\u00e8cle, de la naissance de la photographie \u00e0 l\u2019intelligence artificielle. \n\n\nDocteure en Arts (Paris I Panth\u00e9on-Sorbonne), dipl\u00f4m\u00e9e en photographie de l\u2019ENS Louis Lumi\u00e8re, Solinas a \u00e9t\u00e9 pensionnaire de la Villa M\u00e9dicis, l\u2019Acad\u00e9mie de France \u00e0 Rome (2017\/18), du Headlands Center for the Arts \u00e0 San Francisco (2018\/19), de la r\u00e9sidence Z\u00e9ro-G du Centre National d\u2019\u00c9tudes Spatiales (2024), de la Fondation Jan Michalski pour l\u2019\u00e9criture et la litt\u00e9rature en Suisse (2025). Elle est laur\u00e9ate du Prix de l\u2019\u0153uvre exp\u00e9rimentale de la SCAM pour son court-m\u00e9trage pour l\u2019Op\u00e9ra de Paris \/ 3e Sc\u00e8ne (2018), du Prix Camera Clara (2020), de la commande publique du Centre National des Arts Plastiques pour le Bicentenaire de la Photographie (2026\/27).\n\n\nSon travail est expos\u00e9 en France et \u00e0 l\u2019\u00e9tranger, notamment SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB aux USA, FOAM \u00e0 Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres d\u2019Arles, Mus\u00e9e national Eug\u00e8ne-Delacroix, Mus\u00e9e Carr\u00e9 d\u2019Art en France.\n\n\nElle a publi\u00e9 plusieurs livres : Dominique Lambert (2010-2016), Sans titre - M. Bertillon (2011) et D\u00e9serteurs (2012) [RVB Books], Le soleil ni la mort (2022) [Delpire & co], Guide du Pourquoi pas ? (2020) et L\u2019\u00catre plus (2023) [Seuil \/ Fiction & Cie].\n\n\nDepuis 2014, St\u00e9phanie Solinas m\u00e8ne un ensemble d\u2019op\u00e9rations de cartographie des identit\u00e9s, entre mat\u00e9rialisme et transcendance. Elle ancre ses recherches sur trois terrains choisis : Islande, Italie et \u00c9tats-Unis. \n\n\nTravaille avec la galerie Jean-Kenta Gauthier, Paris, France.Bas\u00e9e \u00e0 Paris, France.\n\n\n\n\n\n\t\n{image 1}\n\n\n* news * \nReinventing Photography\n[collective show]Centre National des Arts Plastiques x Hangar, Bruxelles\nOpening\nSeptember 17, 2026\nExhibition\nSeptember 18 > December 20, 2026CRTL. Nouvelles fonctions des images.\n[exhibition catalog]\"Comment la photographie a invent\u00e9 l'identit\u00e9. Des pouvoirs du portrait.\" \n \"How Photography Invented Identity: The Power of the Portrait.\" \nText (FR) published in the CRTL. Nouvelles fonctions des images\nexhibition catalog\nENSP x Rencontres d\u2019Arles 2026\nJouer le je[solo show]Jan Michalski Foundation for writing and literature, Montricher, Switzerland\nOpeningDecember 12, 2025\nExhibitionDecember 13, 2025 > April 12, 2026\nGame sessions & Guided tours : Reservations\nSt\u00e9phanie Solinas - On the road[article]by Damien Aubel for Transfuge #195February 2026\nArt Gen\u00e8ve\n[fair]Jan Michalski Foundation for writing and literature @Palexpo, Geneva\nJanuary 29 - February 2, 2026\nSt\u00e9phanie Solinas interroge nos identit\u00e9s avec \"Jouer le je\" \u00e0 la Fondation Michalski\n[radio]Interview by Pauline Rappaz on RTS, CHJanuary 28, 2026\n\nTrouble dans nos identit\u00e9s et r\u00eave d\u2019immortalit\u00e9: \n\u00e0 Montricher, la plasticienne St\u00e9phanie Solinas l\u00e8ve le voile sur la fabrique de notre \u00abmoi\u00bb\n[article]\nby Julien Burri for Le Temps, CH\nDecember 26, 2025Devenir soi-m\u00eame[conversation]with\nVirginie Huet, Elles font l\u2019art x Photo Saint Germain, Cravan, Paris \n\nNovember 27, 2025\n\n\tRecherche vs Cr\u00e9ation et inversement\n[symposium]\nIMEC, Universit\u00e9 de Caen, ESADHaR Rouen\nIMEC, November 19, 2025\n\n\n\tCosmologie \u2014 parcours crois\u00e9s de sept femmes photographes au pr\u00e9sent[conversation]\n\n with Marcelline Delbecq, El\u00e9onore False, Marina Gadonneix, Agn\u00e8s Geoffray, Constance Nouvel, Aur\u00e9lie P\u00e9trel - Pauline Vermare\nConversations Paris Photo 2025\nGrand Palais, ParisNovember 16, 2025\n\n\n\n\tPenser le pr\u
5800e9sent - P\u00e9r\u00e9grinations technologiques [conversation]with Gwenola Wagon, Pierre Cassou-Nogu\u00e8s - Audrey Illouz\nEcole des Beaux-Arts de Paris\nNovember 13, 2025Paris Photo 2025[fair]\n Jean-Kenta Gauthier gallery @Booth B22, Grand Palais, Paris, FranceNovember 13-16, 2025\n\n\n\nInterroger l'identit\u00e9 par l\u2019art et la photographie\n[interview]\nRevue Hybrid 14 (in French)\nRio Buenaventura [Twelve West Coast Stations #XI][performance]Librairie 7L, Paris, FranceAugust 30, 2025\n\nVoyager [Twelve West Coast Stations #V][collaborative projection and performance]\nRencontres Inattendues Festival, Tournai, Belgium\nAugust 30, 2025La couleur des id\u00e9es[radio]Interview by Pascale Seys on Musiq3 RTBF (in French)August 30, 2025\n\nLa 20e heure\n[radio]Interview by Eva Bester on France Inter (in French)\nJune 16, 2025\nFondation Jan Michalski pour l\u2019\u00e9criture et la litt\u00e9rature[writing residency]\nMontricher, SwitzerlandMay 15 - June 11, 2025Rien ne va plus [No more bets][solo show]\nJean-Kenta Gauthier gallery Vaugirard,Paris, FranceParties publiques de Rio Buenaventura (in French) : dates & inscription\nApril 5 - July 26, 2025\n\nHorizon[solo show]\nJean-Kenta Gauthier gallery Od\u00e9on, Paris, FranceApril 5 - May 17, 2025\n\nJouer\/D\u00e9jouer [symposium]\n\nMus\u00e9e de la Carte \u00e0 Jouer, Issy-les-Moulineaux, France\nDecember 12-13, 2024Paris Photo 2024\n[fair]\n Jean-Kenta Gauthier gallery @Booth D23, Grand Palais, Paris, France\nNovember 7-10, 2024APREM #11 : Machines \u00e0 fant\u00f4mes\n[experimental symposium]\nLa Fabrique de Th\u00e9\u00e2tre, Mons, Belgium\nNovember 5-7, 2024\n\nAvec l\u2019Espace, vol.3\n[exhibition]Observatoire de l\u2019Espace, Centre National d\u2019\u00c9tudes Spatiales, FORMA, Paris, FranceSeptember 11-22, 2024\nNineteenth-Century Photography NOW\n[exhibition]J.P. Getty Museum, Los Angeles, USAApril 9-July 7, 2024\nCorps-\u00e0-Corps, Histoire(s) de la photographie[exhibition]Centre Georges Pompidou, Paris, France\nSeptember 2023 - March 25, 2024Laureate of the Zero-G residency by L\u2019Observatoire de l\u2019Espace \nCentre National d\u2019\u00c9tudes Spatiales [Space Observatory - French National Center for Space Studies] \n\n2024\n\n","content_partial_html":"\n\t<br>\n<b><\/b>Visual artist, writer and researcher, <b>St\u00e9phanie Solinas<\/b> develops a varied body of work - images, books, videos, installations -, exploring the thinking process involved in the act of \u201cseeing\u201d and the weaving of the visible and the invisible, of science and belief, of the dynamic between the Self and the Other, which shapes identities. Her field of investigation extends from 19th to 21st century, from the birth of photography to artificial intelligence. <br>\n\n<br>\nGraduate in photography from ENS Louis Lumi\u00e8re in Paris, PhD in Visual Arts (Paris I Panth\u00e9on-Sorbonne University), Solinas was artist in residence at Villa Medici, the French Academy in Rome (2017\/18), Headlands Center for the Arts in San Francisco (2018\/19), Zero-G residency by \nFrench National Center for Space Studies (2024), Jan Michalski Foundation for writing and litterature in Switzerland (2025). She is the recipient of the <a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/services.scam.fr\/Laur%C3%A9ats-Prix\">Scam<\/a> Experimental Work Award for her short film for the Paris Op\u00e9ra \/ 3e Sc\u00e8ne (2018), the <a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/prixcameraclara.com\/\">Camera Clara Prize<\/a> (2020), the public commission from the Centre National des Arts Plastiques for the Bicentennial of Photography (2026\/27).<br>\n\n<br>\nHer work is exhibited in France and aboard, among others SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB in USA, FOAM in Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres d\u2019Arles, Mus\u00e9e national Eug\u00e8ne-Delacroix, Mus\u00e9e Carr\u00e9 d\u2019Art in France.<br>\n\n<br>\nShe has published <i>Dominique Lambert <\/i>(2010-2016), <i>Sans titre - M. Bertillon<\/i> (2011) and <i>D\u00e9serteurs<\/i> (2012) [RVB Books], <i>Le soleil ni la mort<\/i> (2022)<i> <\/i>[Delpire & co], <i>Guide du Pourquoi pas ?<\/i> (2020) and <i>L\u2019\u00catre plus<\/i> (2023) [Seuil \/ Fiction & Cie].<br>\n\n<br>\nSince 2014, St\u00e9phanie Solinas is leading a research elaborated as a cartography of identities, between materialism and transcendence. She anchors her investigations on three specific territories : Iceland, Italy and the West Coast of the USA.<br>\n\n<br>Works with gallery Jean-Kenta Gauthier, Paris, France.\n<br>Based in Paris, France.\n<br>\n<br><br>\n<br>\n<h2>[email protected]<\/h2><br>\n\n<br><br>\n<br>\n<b><\/b>Artiste plasticienne, autrice et chercheuse, <b>St\u00e9phanie Solinas<\/b> d\u00e9veloppe une \u0153uvre plurielle, \u00e0 la crois\u00e9e de la photographie, du livre et de l\u2019installation. Explorant la pens\u00e9e \u00e0 l\u2019oeuvre dans l\u2019op\u00e9ration m\u00eame de \u00abvoir\u00bb et le tissage du visible et de l\u2019invisible, du rationnel et de la croyance, de la dynamique entre Soi et l\u2019Autre, qui forme les identit\u00e9s, son champ d\u2019investigation s\u2019\u00e9tend du XIXe au XXIe si\u00e8cle, de la naissance de la photographie \u00e0 l\u2019intelligence artificielle. <br>\n\n<br>\nDocteure en Arts (Paris I Panth\u00e9on-Sorbonne), dipl\u00f4m\u00e9e en photographie de l\u2019ENS Louis Lumi\u00e8re, Solinas a \u00e9t\u00e9 pensionnaire de la Villa M\u00e9dicis, l\u2019Acad\u00e9mie de France \u00e0 Rome (2017\/18), du Headlands Center for the Arts \u00e0 San Francisco (2018\/19), de la r\u00e9sidence Z\u00e9ro-G du Centre National d\u2019\u00c9tudes Spatiales (2024), de la Fondation Jan Michalski pour l\u2019\u00e9criture et la litt\u00e9rature en Suisse
58(2025). Elle est laur\u00e9ate du Prix de l\u2019\u0153uvre exp\u00e9rimentale de la SCAM pour son court-m\u00e9trage pour l\u2019Op\u00e9ra de Paris \/ 3e Sc\u00e8ne (2018), du Prix Camera Clara (2020), de la commande publique du Centre National des Arts Plastiques pour le Bicentenaire de la Photographie (2026\/27).<br>\n\n<br>\nSon travail est expos\u00e9 en France et \u00e0 l\u2019\u00e9tranger, notamment SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB aux USA, FOAM \u00e0 Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres d\u2019Arles, Mus\u00e9e national Eug\u00e8ne-Delacroix, Mus\u00e9e Carr\u00e9 d\u2019Art en France.<br>\n\n<br>\nElle a publi\u00e9 plusieurs livres : <i>Dominique Lambert <\/i>(2010-2016), <i>Sans titre - M. Bertillon<\/i> (2011) et <i>D\u00e9serteurs<\/i> (2012) [RVB Books],<i> Le soleil ni la mort<\/i> (2022) [Delpire & co], <i>Guide du Pourquoi pas ? <\/i>(2020)<i> <\/i>et <i>L\u2019\u00catre plus<\/i> (2023) [Seuil \/ Fiction & Cie].<br>\n\n<br>\nDepuis 2014, St\u00e9phanie Solinas m\u00e8ne un ensemble d\u2019op\u00e9rations de cartographie des identit\u00e9s, entre mat\u00e9rialisme et transcendance. Elle ancre ses recherches sur trois terrains choisis : Islande, Italie et \u00c9tats-Unis. \n<br>\n<br>\nTravaille avec la galerie Jean-Kenta Gauthier, Paris, France.<br>Bas\u00e9e \u00e0 Paris, France.\n<br>\n<br>\n<h2><\/h2><br><h2><br>\n<br>\n<br><i><b><\/b><\/i><a href=\"https:\/\/www.sfmoma.org\/exhibition\/constellations\/\"><\/a><\/h2><br>\n\t<br>\n<img width=\"1000\" height=\"707\" width_o=\"1000\" height_o=\"707\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/ab164615ed88994f786c99e855f01114581a56a7fb9fed7fe9c82d62552dbf99\/doigtStephanie_Solinas.jpg\" data-mid=\"114502141\" border=\"0\" \/><br>\n<br>\n<br><br>\n<h2>* news *<\/h2> <br>\n<b><a href=\"https:\/\/www.hangar.art\/\" target=\"_blank\">Reinventing Photography<\/a><\/b><br>\n[collective show]<br>Centre National des Arts Plastiques x Hangar, Bruxelles<br>\nOpening<br>\nSeptember 17, 2026<br>\nExhibition<br>\nSeptember 18 > December 20, 2026<br><br><b>CRTL. Nouvelles fonctions des images.<br><\/b>\n[exhibition catalog]<br>\"Comment la photographie a invent\u00e9 l'identit\u00e9. Des pouvoirs du portrait.\" <br>\n \"How Photography Invented Identity: The Power of the Portrait.\" <br>\nText (FR) published in the <i>CRTL. Nouvelles fonctions des images<\/i>\nexhibition catalog<br>\nENSP x Rencontres d\u2019Arles 2026<br>\n<br><b>Jouer le je<\/b><br>[solo show]<br>Jan Michalski Foundation for writing and literature, Montricher, Switzerland<br>\n<a href=\"https:\/\/fondation-janmichalski.com\/en\/agenda\/vernissage\" target=\"_blank\">Opening<\/a><br>December 12, 2025<br>\n<a href=\"https:\/\/fondation-janmichalski.com\/en\/agenda\/exposition-stephanie-solinas\" target=\"_blank\">Exhibition<\/a><br>December 13, 2025 > April 12, 2026<br>\n<a href=\"https:\/\/fondation-janmichalski.com\/en\/agenda\/exposition-stephanie-solinas#programme\" target=\"_blank\">Game sessions & Guided tours : Reservations<\/a>\n<br><br><i><b><a href=\"article-Transfuge-2\" rel=\"history\">St\u00e9phanie Solinas - On the road<\/a><\/b><\/i><br>[article]<br>by Damien Aubel for Transfuge #195<br>February 2026<br><br>\n<b>Art Gen\u00e8ve<\/b><br>\n[fair]<br>Jan Michalski Foundation for writing and literature @Palexpo, Geneva<br>\nJanuary 29 - February 2, 2026<i><b><\/b><\/i><br><br>\n<i><b><a href=\"https:\/\/www.rts.ch\/info\/culture\/arts-visuels\/2026\/article\/exposition-jouer-le-je-stephanie-solinas-explore-l-identite-a-montricher-29127551.html\" target=\"_blank\">St\u00e9phanie Solinas interroge nos identit\u00e9s avec \"Jouer le je\" \u00e0 la Fondation Michalski<\/a><\/b><\/i><br>\n[radio]<br>Interview by Pauline Rappaz on RTS, CH<br>January 28, 2026\n<br>\n<br><i><b><a href=\"https:\/\/www.letemps.ch\/culture\/arts\/trouble-dans-nos-identites-et-reve-d-immortalite-a-montricher-la-plasticienne-stephanie-solinas-leve-le-voile-sur-la-fabrique-de-notre-moi?srsltid=AfmBOoohgCKlXWRo4-NwG3JiwIVI11piCCXbfzyxJxuWSjaz2smy_kuz\" target=\"_blank\">Trouble dans nos identit\u00e9s et r\u00eave d\u2019immortalit\u00e9: <br>\n\u00e0 Montricher, la plasticienne St\u00e9phanie Solinas l\u00e8ve le voile sur la fabrique de notre \u00abmoi\u00bb<\/a><\/b><\/i><br>\n[article]<br>\nby Julien Burri for Le Temps, CH<br>\nDecember 26, 2025<br><b><\/b><br><b>Devenir soi-m\u00eame<\/b><br>[conversation]<br>with\nVirginie Huet, Elles font l\u2019art x Photo Saint Germain, Cravan, Paris <br>\n\nNovember 27, 2025<br>\n<br>\n\t<b>Recherche vs Cr\u00e9ation et inversement<\/b><br>\n[symposium]<br>\nIMEC, Universit\u00e9 de Caen, ESADHaR Rouen<br>\nIMEC, November 19, 2025<br>\n\n<br>\n\t<b>Cosmologie \u2014 parcours crois\u00e9s de sept femmes photographes au pr\u00e9sent<\/b><br>[conversation]\n<br>\n with Marcelline Delbecq, El\u00e9onore False, Marina Gadonneix, Agn\u00e8s Geoffray, Constance Nouvel, Aur\u00e9lie P\u00e9trel - Pauline Vermare<br>\nConversations Paris Photo 2025<br>\nGrand Palais, Paris<br>November 16, 2025\n<br>\n\n<br>\n\t<b><a href=\"https:\/\/beauxartsparis.fr\/fr\/evenement\/penser-le-present-avec-stephanie-solinas-pierre-cassou-nogues-et-gwenola-wagon\" target=\"_blank\">
58Penser le pr\u00e9sent - P\u00e9r\u00e9grinations technologiques <br><\/a><\/b>[conversation]<br>with Gwenola Wagon, Pierre Cassou-Nogu\u00e8s - Audrey Illouz<br>\nEcole des Beaux-Arts de Paris<br>\nNovember 13, 2025<br><br><b>Paris Photo 2025<br><\/b>[fair]<br>\n<b> <\/b><a href=\"https:\/\/jeankentagauthier.com\/\" target=\"_blank\">Jean-Kenta Gauthier gallery<\/a> @Booth B22, Grand Palais, Paris, France<br>November 13-16, 2025\n<br>\n\n<br>\n<b><a href=\"https:\/\/journals.openedition.org\/hybrid\/5438\" target=\"_blank\">Interroger l'identit\u00e9 par l\u2019art et la photographie<\/a><\/b><br>\n[interview]<br>\nRevue<i> Hybrid <\/i>14 (in French)<br><br>\n<b>Rio Buenaventura [Twelve West Coast Stations #XI]<\/b><br>[performance]<br>Librairie 7L, Paris, France<br>August 30, 2025<br>\n<br>\n<b>Voyager [Twelve West Coast Stations #V]<\/b><br>[collaborative projection and performance]<br>\n<a href=\"https:\/\/lesinattendues.be\/evenements\/voyager\/\">Rencontres Inattendues<\/a> Festival, Tournai, Belgium<br>\nAugust 30, 2025<br><br><b><a href=\"https:\/\/auvio.rtbf.be\/media\/la-couleur-des-idees-la-couleur-des-idees-3374145\" target=\"_blank\">La couleur des id\u00e9es<\/a><\/b><br>[radio]<br>Interview by Pascale Seys on <a href=\"https:\/\/www.radiofrance.fr\/franceinter\/podcasts\/la-20e-heure\/la-20eme-heure-du-lundi-16-juin-2025-1992951\">Musiq3 RTBF (in<\/a> French)<br>August 30, 2025<br>\n<br>\n<b><a href=\"https:\/\/www.radiofrance.fr\/franceinter\/podcasts\/la-20e-heure\/la-20eme-heure-du-lundi-16-juin-2025-1992951\" target=\"_blank\">La 20e heure<\/a><br>\n<\/b>[radio]<br>Interview by Eva Bester on <a href=\"https:\/\/www.radiofrance.fr\/franceinter\/podcasts\/la-20e-heure\/la-20eme-heure-du-lundi-16-juin-2025-1992951\">France Inter (in<\/a> French)<br>\nJune 16, 2025<b><br>\n<br>Fondation Jan Michalski pour l\u2019\u00e9criture et la litt\u00e9rature<br><\/b>[writing residency]<br>\nMontricher, Switzerland<br>May 15 - June 11, 2025<b><br><br>Rien ne va plus [No more bets]<br><\/b>[solo show]<br>\nJean-Kenta Gauthier gallery <i>Vaugirard<\/i>,Paris, France<br>Parties publiques de <i>Rio Buenaventura<\/i> (in French) : <a href=\"https:\/\/calendly.com\/jeankentagauthier\/stephanie-solinas-no-more-bets-rien-ne-va-pl-clone?month=2025-04&date=2025-04-09\">dates & inscription<\/a><br>\nApril 5 - July 26, 2025<b><br>\n<br>\nHorizon<br><\/b>[solo show]<br>\nJean-Kenta Gauthier gallery <i>Od\u00e9on<\/i>, Paris, France<br>April 5 - May 17, 2025<br>\n<br>\n<b><a href=\"https:\/\/jouer-dejouer.fr\/fr\" target=\"_blank\">Jouer\/D\u00e9jouer<\/a><\/b> <br>[symposium]\n<br>\nMus\u00e9e de la Carte \u00e0 Jouer, Issy-les-Moulineaux, France<br>\nDecember 12-13, 2024<br><br><b>Paris Photo 2024<br><\/b>\n[fair]<br>\n<b> <\/b><a href=\"https:\/\/jeankentagauthier.com\/\" target=\"_blank\">Jean-Kenta Gauthier gallery<\/a> @Booth D23, Grand Palais, Paris, France<br>\nNovember 7-10, 2024<br><br><b><a href=\"https:\/\/www.fabrique-theatre.be\/laboratoire\/aprem\/\" target=\"_blank\">APREM #11 : Machines \u00e0 fant\u00f4mes<\/a><\/b><br>\n[experimental symposium]<br>\nLa Fabrique de Th\u00e9\u00e2tre, Mons, Belgium<br>\nNovember 5-7, 2024<br>\n<br>\n<b>Avec l\u2019Espace, vol.3<\/b><br>\n[exhibition]<br>Observatoire de l\u2019Espace, Centre National d\u2019\u00c9tudes Spatiales, FORMA, Paris, France<br>September 11-22, 2024<br>\n<br><b><a href=\"https:\/\/www.getty.edu\/art\/exhibitions\/19_century_now\/index.html\" target=\"_blank\">Nineteenth-Century Photography NOW<\/a><\/b><br>\n[exhibition]<br>J.P. Getty Museum, Los Angeles, USA<br>April 9-July 7, 2024\n<br><br><a href=\"https:\/\/www.centrepompidou.fr\/fr\/programme\/agenda\/evenement\/CGOU5n9\" target=\"_blank\"><b>Corps-\u00e0-Corps, Histoire(s) de la photographie<br><\/b><\/a>[exhibition]<br>Centre Georges Pompidou, Paris, France<br>\nSeptember 2023 - March 25, 2024<br><br><b>Laureate of the Zero-G residency by L\u2019Observatoire de l\u2019Espace <\/b><br>\nCentre National d\u2019\u00c9tudes Spatiales [Space Observatory - French National Center for Space Studies] \n<br>\n2024<br>\n<br><br><br>\n","thumb":"114502141","thumb_meta":{"thumbnail_crop":{"percentWidth":"100","marginLeft":0,"marginTop":0,"imageModel":{"id":114502141,"project_id":20672950,"image_ref":"{image 1}","name":"doigtStephanie_Solinas.jpg","hash":"ab164615ed88994f786c99e855f01114581a56a7fb9fed7fe9c82d62552dbf99","width":1000,"height":707,"sort":0,"exclude_from_backdrop":false,"date_added":"1627046010"},"stored":{"ratio":70.7,"crop_ratio":"16x9"},"cropManuallySet":false}},"thumb_is_visible":true,"sort":114,"index":0,"set_id":0,"page_options":{"using_local_css":true,"local_css":"[local-style=\"20672950\"] .container_width {\n}\n\n[local-style=\"20672950\"] body {\n\tbackground-color: initial \/*!variable_defaults*\/;\n}\n\n[local-style=\"20672950\"] .backdrop {\n}\n\n[local-style=\"20672950\"] .page {\n\tmin-height: auto \/*!page_height_default*\/;\n}\n\n[local-style=\"20672950\"] .page_background {\n\tbackground-color: initial \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"20672950\"] .content_padding {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] bodycopy {\n\tfont-size: 1rem;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] h1 {\n\tfont-size: 1.3rem;\n\tline-height: 1.1;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] h1 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] h2 {\n\tline-height: 1;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] small {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"20672950\"] small a:hover {\n}\n\n[local-style=\"20672950\"] .container {\n}","local_layout_options":{"split_layout":false,"split_responsive":false,"full_height":false,"advanced_padding_enabled":false,"page_container_bgcolor":"","show_local_thumbs":false,"page_bgcolor":""},"pin_options":{}},"set_open":false,"images":[{"id":114502141,"project_id":20672950,"image_ref":"{image 1}","name":"doigtStephanie_Solinas.jpg","hash":"ab164615ed88994f786c99e855f01114581a56a7fb9fed7fe9c82d62552dbf99","width":1000,"height":707,"sort":0,"exclude_from_backdrop":false,"date_added":"1627046010"}],"backdrop":{"id":3448299,"site_id":1199289,"page_id":20672950,"backdrop_id":12,"backdrop_path":"video","is_active":true,"data":{"video_url":"https:\/\/vimeo.com\/380604973","scale_option":"cover","margin":0,"limit_size":false,"preset_image":"\/\/static.cargo.site\/assets\/backdrop\/video\/hexed_16.png","alpha":100,"color":"rgba(51,51,51,1)","use_mobile_image":false,"image":"\/\/static.cargo.site\/assets\/backdrop\/default.jpg","hex":"#333","using_preset":false,"preset_width":"24","preset_height":"24","image_active":false,"requires_webgl":"false"}}}]}</script>
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198} 199 </style> 200 </div> 201 </div> 202 203 <div class="content_container"> 204 <div data-view="Content" data-set="Scaffolding"> 205 206 207 208 209 <div data-container="page" class="page_container" local-style="20672950" data-id="20672950"> 210 211 <div class="page container container_width" data-container="content" data-id="20672950"> 212 <bodycopy class="bodycopy content content_padding"> 213 214 <div class="page_content clearfix" data-elementresizer data-resize-parent> 215 <projectcontent><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""> 216 <div grid-col="x11" grid-pad="2"><br> 217<b></b>Visual artist, writer and researcher, <b>Stéphanie Solinas</b> develops a varied body of work - images, books, videos, installations -, exploring the thinking process involved in the act of âseeingâ and the weaving of the visible and the invisible, of science and belief, of the dynamic between the Self and the Other, which shapes identities. Her field of investigation extends from 19th to 21st century, from the birth of photography to artificial intelligence. <br> 218 219<br> 220Graduate in photography from ENS Louis Lumière in Paris, PhD in Visual Arts (Paris I Panthéon-Sorbonne University), Solinas was artist in residence at Villa Medici, the French Academy in Rome (2017/18), Headlands Center for the Arts in San Francisco (2018/19), Zero-G residency by 221French National Center for Space Studies (2024), Jan Michalski Foundation for writing and litterature in Switzerland (2025). She is the recipient of the <a target="_blank" rel="noopener" href="https://services.scam.fr/Laur%C3%A9ats-Prix">Scam</a> Experimental Work Award for her short film for the Paris Opéra / 3e Scène (2018), the <a target="_blank" rel="noopener" href="https://prixcameraclara.com/">Camera Clara Prize</a> (2020), the public commission from the Centre National des Arts Plastiques for the Bicentennial of Photography (2026/27).<br> 222 223<br> 224Her work is exhibited in France and aboard, among others SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB in USA, FOAM in Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres dâArles, Musée national Eugène-Delacroix, Musée Carré dâArt in France.<br> 225 226<br> 227She has published <i>Dominique Lambert </i>(2010-2016), <i>Sans titre - M. Bertillon</i> (2011) and <i>Déserteurs</i> (2012) [RVB Books], <i>Le soleil ni la mort</i> (2022)<i> </i>[Delpire & co], <i>Guide du Pourquoi pas ?</i> (2020) and <i>LâÃtre plus</i> (2023) [Seuil / Fiction & Cie].<br> 228 229<br> 230Since 2014, Stéphanie Solinas is leading a research elaborated as a cartography of identities, between materialism and transcendence. She anchors her investigations on three specific territories : Iceland, Italy and the West Coast of the USA.<br> 231 232<br>Works with gallery Jean-Kenta Gauthier, Paris, France. 233<br>Based in Paris, France. 234<br> 235<br><br> 236<br> 237<h2>[email protected]</h2><br> 238 239<br><br> 240<br> 241<b></b>Artiste plasticienne, autrice et chercheuse, <b>Stéphanie Solinas</b> développe une Åuvre plurielle, à la croisée de la photographie, du livre et de lâinstallation. Explorant la pensée à lâoeuvre dans lâopération même de «voir» et le tissage du visible et de lâinvisible, du rationnel et de la croyance, de la dynamique entre Soi et lâAutre, qui forme les identités, son champ dâinvestigation sâétend du XIXe au XXIe siècle, de la naissance de la photographie à lâintelligence artificielle. <br> 242 243<br> 244Docteure en Arts (Paris I Panthéon-Sorbonne), diplômée en photographie de lâENS Louis Lumière, Solinas a été pensionnaire de la Villa Médicis, lâAcadémie de France à Rome (2017/18), du Headlands Center for the Arts à San Francisco (2018/19), de la résidence Zéro-G du Centre National dâÃtudes Spatiales (2024), de la Fondation Jan Michalski pour lâécriture et la littérature en Suisse
244(2025). Elle est lauréate du Prix de lâÅuvre expérimentale de la SCAM pour son court-métrage pour lâOpéra de Paris / 3e Scène (2018), du Prix Camera Clara (2020), de la commande publique du Centre National des Arts Plastiques pour le Bicentenaire de la Photographie (2026/27).<br> 245 246<br> 247Son travail est exposé en France et à lâétranger, notamment SFMOMA, J. Paul Getty Museum, Fraenkel Gallery LAB aux USA, FOAM à Amsterdam, Centre Pompidou, Jeu de Paume, Rencontres dâArles, Musée national Eugène-Delacroix, Musée Carré dâArt en France.<br> 248 249<br> 250Elle a publié plusieurs livres : <i>Dominique Lambert </i>(2010-2016), <i>Sans titre - M. Bertillon</i> (2011) et <i>Déserteurs</i> (2012) [RVB Books],<i> Le soleil ni la mort</i> (2022) [Delpire & co], <i>Guide du Pourquoi pas ? </i>(2020)<i> </i>et <i>LâÃtre plus</i> (2023) [Seuil / Fiction & Cie].<br> 251 252<br> 253Depuis 2014, Stéphanie Solinas mène un ensemble dâopérations de cartographie des identités, entre matérialisme et transcendance. Elle ancre ses recherches sur trois terrains choisis : Islande, Italie et Ãtats-Unis. 254<br> 255<br> 256Travaille avec la galerie Jean-Kenta Gauthier, Paris, France.<br>Basée à Paris, France. 257<br> 258<br> 259<div style="text-align: center"><div style="text-align: left"><h2></h2></div></div><br><h2><br> 260<br> 261<br><i><b></b></i><u><a href="https://www.sfmoma.org/exhibition/constellations/"></a></u></h2><br></div> 262 <div grid-col="x11" grid-pad="2"><br> 263<img width="1000" height="707" width_o="1000" height_o="707" data-src="https://freight.cargo.site/t/original/i/ab164615ed88994f786c99e855f01114581a56a7fb9fed7fe9c82d62552dbf99/doigtStephanie_Solinas.jpg" data-mid="114502141" border="0" /><br> 264<br> 265<br><br></div> 266</div><div style="text-align: center;"><h2>* news *</h2> <br> 267<b><a href="https://www.hangar.art/" target="_blank">Reinventing Photography</a></b><br> 268[collective show]<br>Centre National des Arts Plastiques x Hangar, Bruxelles<br> 269Opening<br> 270September 17, 2026<br> 271Exhibition<br> 272September 18 > December 20, 2026<br><br><b>CRTL. Nouvelles fonctions des images.<br></b> 273[exhibition catalog]<br>"Comment la photographie a inventé l'identité. Des pouvoirs du portrait." <br> 274 "How Photography Invented Identity: The Power of the Portrait." <br> 275Text (FR) published in the <i>CRTL. Nouvelles fonctions des images</i> 276exhibition catalog<br> 277ENSP x Rencontres dâArles 2026<br> 278<br><b>Jouer le je</b><br>[solo show]<br>Jan Michalski Foundation for writing and literature, Montricher, Switzerland<br> 279<a href="https://fondation-janmichalski.com/en/agenda/vernissage" target="_blank">Opening</a><br>December 12, 2025<br> 280<a href="https://fondation-janmichalski.com/en/agenda/exposition-stephanie-solinas" target="_blank">Exhibition</a><br>December 13, 2025 > April 12, 2026<br> 281<a href="https://fondation-janmichalski.com/en/agenda/exposition-stephanie-solinas#programme" target="_blank">Game sessions & Guided tours : Reservations</a> 282<br><br><i><b><a href="article-Transfuge-2" rel="history">Stéphanie Solinas - On the road</a></b></i><br>[article]<br>by Damien Aubel for Transfuge #195<br>February 2026<br><br> 283<b>Art Genève</b><br> 284[fair]<br>Jan Michalski Foundation for writing and literature @Palexpo, Geneva<br> 285January 29 - February 2, 2026<i><b></b></i><br><br> 286<i><b><a href="https://www.rts.ch/info/culture/arts-visuels/2026/article/exposition-jouer-le-je-stephanie-solinas-explore-l-identite-a-montricher-29127551.html" target="_blank">Stéphanie Solinas interroge nos identités avec "Jouer le je" à la Fondation Michalski</a></b></i><br> 287[radio]<br>Interview by Pauline Rappaz on RTS, CH<br>January 28, 2026 288<br> 289<br><i><b><a href="https://www.letemps.ch/culture/arts/trouble-dans-nos-identites-et-reve-d-immortalite-a-montricher-la-plasticienne-stephanie-solinas-leve-le-voile-sur-la-fabrique-de-notre-moi?srsltid=AfmBOoohgCKlXWRo4-NwG3JiwIVI11piCCXbfzyxJxuWSjaz2smy_kuz" target="_blank">Trouble dans nos identités et rêve dâimmortalité: <br> 290à Montricher, la plasticienne Stéphanie Solinas lève le voile sur la fabrique de notre «moi»</a></b></i><br> 291[article]<br> 292by Julien Burri for Le Temps, CH<br> 293December 26, 2025<br><b></b><br><b>Devenir soi-même</b><br>[conversation]<br>with 294Virginie Huet, Elles font lâart x Photo Saint Germain, Cravan, Paris <br> 295 296November 27, 2025<br> 297<br> 298 <b>Recherche vs Création et inversement</b><br> 299[symposium]<br> 300IMEC, Université de Caen, ESADHaR Rouen<br> 301IMEC, November 19, 2025<br> 302 303<br> 304 <b>Cosmologie â parcours croisés de sept femmes photographes au présent</b><br>[conversation] 305<br> 306 with Marcelline Delbecq, Eléonore False, Marina Gadonneix, Agnès Geoffray, Constance Nouvel, Aurélie Pétrel - Pauline Vermare<br> 307Conversations Paris Photo 2025<br> 308Grand Palais, Paris<br>November 16, 2025 309<br> 310 311<br> 312 <b><a href="https://beauxartsparis.fr/fr/evenement/penser-le-present-avec-stephanie-solinas-pierre-cassou-nogues-et-gwenola-wagon" target="_blank">Penser le présent - Pérégrinations technologiques <br></a></b>[conversation]<br>with Gwenola Wagon, Pierre Cassou-Noguès - Audrey Illouz<br> 313Ecole des Beaux-Arts de Paris<br> 314November 13, 2025<br><br><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="x12" grid-pad="2"><b>Paris Photo 2025<br></b>[fair]<br> 315<b> </b><a href="https://jeankentagauthier.com/" target="_blank">Jean-Kenta Gauthier gallery</a> @Booth B22, Grand Palais, Paris, France<br>November 13-16, 2025</div></div> 316<br> 317 318<br> 319<b><a href="https://journals.openedition.org/hybrid/5438" target="_blank">Interroger l'identité par lâart et la photographie</a></b><br> 320[interview]<br> 321Revue<i> Hybrid </i>14 (in French)<br><br> 322<b>Rio Buenaventura [Twelve West Coast Stations #XI]</b><br>[performance]<br>Librairie 7L, Paris, France<br>August 30, 2025<br> 323<br> 324<b>Voyager [Twelve West Coast Stations #V]</b><br>[collaborative projection and performance]<br> 325<a href="https://lesinattendues.be/evenements/voyager/">Rencontres Inattendues</a> Festival, Tournai, Belgium<br> 326August 30, 2025<br><br><b><a href="https://auvio.rtbf.be/media/la-couleur-des-idees-la-couleur-des-idees-3374145" target="_blank">La couleur des idées</a></b><br>[radio]<br>Interview by Pascale Seys on <a href="https://www.radiofrance.fr/franceinter/podcasts/la-20e-heure/la-20eme-heure-du-lundi-16-juin-2025-1992951">Musiq3 RTBF (in</a> French)<br>August 30, 2025<br> 327<br> 328<b><a href="https://www.radiofrance.fr/franceinter/podcasts/la-20e-heure/la-20eme-heure-du-lundi-16-juin-2025-1992951" target="_blank">La 20e heure</a><br> 329</b>[radio]<br>Interview by Eva Bester on <a href="https://www.radiofrance.fr/franceinter/podcasts/la-20e-heure/la-20eme-heure-du-lundi-16-juin-2025-1992951">France Inter (in</a> French)<br> 330June 16, 2025<b><br> 331<br>Fondation Jan Michalski pour lâécriture et la littérature<br></b>[writing residency]<br> 332Montricher, Switzerland<br>May 15 - June 11, 2025<b><br><br>Rien ne va plus [No more bets]<br></b>[solo show]<br> 333Jean-Kenta Gauthier gallery <i>Vaugirard</i>,Paris, France<br>Parties publiques de <i>Rio Buenaventura</i> (in French) : <a href="https://calendly.com/jeankentagauthier/stephanie-solinas-no-more-bets-rien-ne-va-pl-clone?month=2025-04&date=2025-04-09">dates & inscription</a><br> 334April 5 - July 26, 2025<b><br> 335<br> 336Horizon<br></b>[solo show]<br> 337Jean-Kenta Gauthier gallery <i>Odéon</i>, Paris, France<br>April 5 - May 17, 2025<br> 338<br> 339<b><a href="https://jouer-dejouer.fr/fr" target="_blank">Jouer/Déjouer</a></b> <br>[symposium] 340<br> 341<div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="x12" grid-pad="2">Musée de la Carte à Jouer, Issy-les-Moulineaux, France<br> 342December 12-13, 2024<br><br><b>Paris Photo 2024<br></b> 343[fair]<br> 344<b> </b><a href="https://jeankentagauthier.com/" target="_blank">Jean-Kenta Gauthier gallery</a> @Booth D23, Grand Palais, Paris, France<br> 345November 7-10, 2024<br><br><b><a href="https://www.fabrique-theatre.be/laboratoire/aprem/" target="_blank">APREM #11 : Machines à fantômes</a></b><br> 346[experimental symposium]<br> 347La Fabrique de Théâtre, Mons, Belgium<br> 348November 5-7, 2024<br> 349<br> 350<b>Avec lâEspace, vol.3</b><br> 351[exhibition]<br>Observatoire de lâEspace, Centre National dâÃtudes Spatiales, FORMA, Paris, France<br>September 11-22, 2024<br> 352<br><b><a href="https://www.getty.edu/art/exhibitions/19_century_now/index.html" target="_blank">Nineteenth-Century Photography NOW</a></b><br> 353[exhibition]<br>J.P. Getty Museum, Los Angeles, USA<br>April 9-July 7, 2024 354<br><br><a href="https://www.centrepompidou.fr/fr/programme/agenda/evenement/CGOU5n9" target="_blank"><b>Corps-à -Corps, Histoire(s) de la photographie<br></b></a>[exhibition]<br>Centre Georges Pompidou, Paris, France<br> 355September 2023 - March 25, 2024<br><br><b>Laureate of the Zero-G residency by LâObservatoire de lâEspace </b><br> 356Centre National dâÃtudes Spatiales [Space Observatory - French National Center for Space Studies] 357<br> 3582024<br> 359<br><br></div></div><br> 360</div></projectcontent>
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