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14</head><body><header id="header"><a class=" site-title" href="/home.html"><span class=" site-title-text u-break-word">MARILYN VOLKMAN</span><div class=" site-title-media"></div></a><a id="mobile-menu-icon" class="mobile-menu-icon hidden--no-js hidden--large"><svg viewBox="0 0 21 17" width="21" height="17" fill="currentColor"><rect x="0" y="0" width="21" height="3" rx="0"></rect><rect x="0" y="7" width="21" height="3" rx="0"></rect><rect x="0" y="14" width="21" height="3" rx="0"></rect></svg></a></header><nav class=" hidden--large"><ul class=" site-nav"><li class="nav-item nav-home "><a class="nav-link " href="/home.html">Home</a></li><li class="nav-flex2 nav-item "><a class="nav-link " href="/page/2-CV.html">CV</a></li><li class="nav-news nav-item "><a class="nav-link " href="/news.html">NEWS / PRESS</a></li><li class="d0 nav-divider hidden--small"></li><li class="nav-item expanded nav-museum "><a class="nav-link " href="/home.html">WORK</a><ul><li class="nav-item nav-museum "><a class="nav-link " href="/section/495061-NEO-%20CRAFT.html">NEO- CRAFT</a><ul><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495099-NEO-%20CRAFT%20VIDEOS.html">neo- craft videos</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495091-NEO-%20CRAFT%3a%20IDEAL%20WORLD%20TECH%3a%20Chicago.html">ideal world tech</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495271-INTRODUCTION%20TO%20NEO-%20CURRENCIES%3a%20SHANGHAI.html">neo- currencies</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495092-NEO-%20CRAFT%3a%20INTRODUCTION%20TO%20LIMITLESSNESS%3a%20BANFF.html">intro to limitlessness</a></li></ul></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495270-EVERYTHING%20IS%20VALUES.html">EVERYTHING IS VALUES</a></li><li class="nav-item nav-museum "><a class="nav-link " href="/section/495090-CURATORIAL%20%2f%20RESEARCH.html">CURATORIAL / RESEARCH</a><ul><li class="nav-gallery nav-item "><a class="nav-link " href="/artwork/4846114-27N%20%28Havana%2c%20Cuba%29.html">CURRENT RESEARCH - 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14<a class="nav-link " href="/section/495230-FRONTIER%3a%202015%2c%20Sometimes%20Art%20Space.html">frontier</a></li></ul></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495200-PROJECTS.html">PROJECTS</a></li><li class="nav-item nav-museum "><a class="nav-link " href="/section/495087-COLLABORATIONS.html">COLLABORATIONS</a><ul><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495224-OUR%20LITERAL%20SPEED.html">OUR LITERAL SPEED</a></li><li class="nav-item nav-museum "><a class="nav-link " href="/section/495089-CHALLENGING%20JEWELLERY.html">challenging jewellery</a><ul><li class="nav-gallery nav-item "><a class="nav-link " href="/section/499266-THE%20COLLECTIVE.html">the collective</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495198-THE%20COURSE.html">the course</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495176-THE%20LOTTERY.html">jewellery as currency</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/artwork/4833022-Challenging%20Jewellery%20at%20het%20HEM.html">cj exhibition</a></li></ul></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495088-OVERGRADUATION.html">overgraduation</a></li></ul></li><li class="nav-item nav-museum "><a class="nav-link " href="/section/495093-EXHIBITIONS%20%26%20EVENTS.html">EXHIBITIONS</a><ul><li class="nav-gallery nav-item "><a class="nav-link " href="/section/499268-HET%20HEM%20-%202020.html">HET HEM</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495095-THE%20WAY%20THE%20MYSTIC%20SEES%20-%202019.html">weinberg/newton</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/495225-BAD%20ROMANCE%20-%202017.html">bad romance</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/section/498722-Contingent%20Conventions%20-%202011.html">Contingent Conventions - 2011</a></li><li class="nav-gallery nav-item "><a class="nav-link " href="/artwork/4777000.html">coming soon</a></li></ul></li></ul></li><li class="nav-item nav-pdf1 "><a target="_blank" class="nav-link " href="//img-cache.oppcdn.com/fixed/67321/assets/vpKJEPXwERwKz6sg.pdf">Novel</a></li><li class="nav-item nav-contact "><a class="nav-link " href="/contact.html">CONTACT</a></li></ul><footer><div class=" copyright">© Marilyn Volkman</div></footer></nav><main id="main"><div class=" page t-wide-column"><ul><li class=" news-item"><h1 class=" news-item-title">Democratic Perspectives on Cuban News - 2020</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="Democratic Perspectives on Cuban News - 2020" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/3507x1171-7qYr2VyX_teiTvcx.jpg/3507x1171/2c05421643261fd8d79e1e4bff7f3d76.jpg 3507w, 15//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/2520x1220-7qYr2VyX_teiTvcx.jpg/2520x841/8d2b01f00385b731979abd5e6e133df0.jpg 2520w, 16//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1880x830-7qYr2VyX_teiTvcx.jpg/1880x627/b
160fb8cdeb7b43e68383874d8789153bc.jpg 1880w, 17//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1640x830-7qYr2VyX_teiTvcx.jpg/1640x547/0851e04f1842766ca09bbd75598ac1c2.jpg 1640w, 18//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1400x720-7qYr2VyX_teiTvcx.jpg/1400x467/cb1fe50732f2f7e4fb59c574503b19f6.jpg 1400w, 19//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1240x588-7qYr2VyX_teiTvcx.jpg/1240x414/ee9e3a8bb447ccb482989916d9e87548.jpg 1240w, 20//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-7qYr2VyX_teiTvcx.jpg/984x328/375aa0c131bd20626facc2bd88d2eaf5.jpg 984w, 21//img-cache.oppcdn.com/fixed/67321/assets/7qYr2VyX_teiTvcx.jpg 640w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%203507%201171%27%20width%3D%273507px%27%20height%3D%271171px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/7qYr2VyX_teiTvcx.jpg" data-aspectratio="3507/1171" /><noscript><img class="u-img " alt="Democratic Perspectives on Cuban News - 2020" src="//img-cache.oppcdn.com/fixed/67321/assets/7qYr2VyX_teiTvcx.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="https://www.programacuba.com/an%C3%A9cdotas-de-marilyn-volkman">Mare, Claudia. âForo Cubano Revista De Divulgación: Anécdotas De Marilyn Volkman.â Cuba Program: Democratic Perspectives on Cuban News (blog). Universidad Sergio Arboleda, December 2020.</a></p><p><b>Cuban Forum Outreach Magazine: Anecdotes from Marilyn Volkman</b> <br clear="none" />article coordinated by Claudia Mare</p><p>This issue of <a target="_blank" shape="rect" href="https://www.programacuba.com/revista-de-divulgaci%C3%B3n-no-27"><u>Cuban Forum</u></a> is dedicated to a compilation of stories about post-revolutionary Cuba as a location of contact. âAnecdotesâ proposes a space for collaboration focused on these relationships narrated in the first person by critics, intellectual or foreign academics and observers, in order to expose a negotiation and reconfiguration of the post-revolutionary paradigm with Cuba as a reference.</p><p>-Claudia Mare <br clear="none" /> <br clear="none" /> <br clear="none" /> <br clear="none" /> </p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">QOQQOON - 2020</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="QOQQOON - 2020" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1194x1192-pQISRhgl3MyhPgtP.jpg/1194x1192/def6468ca20b315ff0c52fdaecc49c1e.jpg 1194w, 22//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x4096-pQISRhgl3MyhPgtP.jpg/984x982/53605cdc8aaedd42c477539e12e04f3d.jpg 984w, 23//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1640x830-pQISRhgl3MyhPgtP.jpg/831x830/d182ba8119c1deba8f538bbad3ce10f2.jpg 831w, 24//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1400x720-pQISRhgl3MyhPgtP.jpg/721x720/138401789de8cec1007a071507e7eec0.jpg 721w, 25//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/640x4096-pQISRhgl3MyhPgtP.jpg/640x638/cc92769f083a1190507dbc71da268340.jpg 640w, 26//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-pQISRhgl3MyhPgtP.jpg/588x588/dfb9d8029066ac88cfc2ab3b83246503.jpg 588w, 27//img-cache.oppcdn.com/fixed/67321/assets/pQISRhgl3MyhPgtP.jpg 480w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%201194%201192%27%20width%3D%271194px%27%20height%3D%271192px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/pQISRhgl3MyhPgtP.jpg" data-aspectratio="1194/1192" /><noscript><img class="u-img " alt="QOQQOON - 2020" src="//img-cache.oppcdn.com/fixed/67321/assets/pQISRhgl3MyhPgtP.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="http://qoqqoon.com/by/marilyn-volkman/">Volkman, Marilyn. âPerformer/Spectator Relationships: A Dynamic of Equilibrium.â QOQQOON, Ed. Leigh Tennant and Steven Cottingham. issue 4. July 2020. Web and Print.</a></p><p><b>Performer/Spectator Relationships: A Dynamic of Equilibrium</b> <br clear="none" />by Marilyn Volkman, July 2020</p><p><i>The relationship between performer and spectator is predicated on physical, temporal, and psychological boundariesâa dynamic of mutual tension, dependency, and consent rooted in the continual flow of power from one to the other. It is this interaction between the spectatorâs positioning and the performerâs taking action from which an artwork is born...</i> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">GENDERPITCH.COM - 2020</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="GENDERPITCH.COM - 2020" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1612x928-UDvqrz36j6pTCe8v.jpg/1612x928/91c3abdb86d8fa5bbe011642b55c6093.jpg 1612w, 28//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1640x830-UDvqrz36j6pTCe8v.jpg/1441x830/00dbc9b6deb9d9190eb96ae19e39dd5d.jpg 1441w, 29//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1400x720-UDvqrz36j6pTCe8v.jpg/1250x720/57f5ca16e2165e587781b7dbbb60b672.jpg 1250w, 30//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1240x588-UDvqrz36j6pTCe8v.jpg/1021x588/81a476ae2abc94c2d385cbc4ace53caf.jpg 1021w, 31//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-UDvqrz36j6pTCe8v.jpg/984x566/83c9d7d423b648bf0210ae9da16ff22c.jpg 984w, 32//img-cache.oppcdn.com/fixed/67321/assets/UDvqrz36j6pTCe8v.jpg 640w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%201612%20928%27%20width%3D%271612px%27%20height%3D%27928px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/UDvqrz36j6pTCe8v.jpg" data-aspectratio="1612/928" /><noscript><img class="u-img " alt="GENDERPITCH.COM - 2020" src="//img-cache.oppcdn.com/fixed/67321/assets/UDvqrz36j6pTCe8v.jpg" /></noscript></div><div class=" news-item-content wordy"><p><a target="_blank" shape="rect" href="https://genderpitch.com/">Genderpitch.com:</a>
32 Casey Smallwood interviews Marilyn Volkman about the role of gender in her artistic practice, namely in projects where she interviews soldiers and puts a new spin Cindy Sherman's <i>Film Stills</i>.</p><p><a target="_blank" shape="rect" href="https://genderpitch.com/">Genderpitch.com</a> by Regina Williams</p><p><i>An artist's process is complicated and influenced by a myriad of experiences. Gender is sometimes an assumed influencer but is it really unique to each artist or is gender as a broad concept inherently implicit in every piece of artwork?</i></p><p><i>Storytelling between women focused on sharing personal narratives about the often complex and unpredictable journey of being being a woman in a global world. These powerful audio dairies will bond, teach, and entertain a community of culturally diverse women who understand that there is power in our collective voices. Support this podcast: <a target="_blank" shape="rect" href="https://anchor.fm/genderpitch/support">anchor.fm/genderpitch/support</a></i> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">Contemporary Jewellery - 2020</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="Contemporary Jewellery - 2020" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/2048x1366-dQmEFqtXx3Cpnk7M.jpg/2048x1366/a2d737f36068dfe2fb632f3962e515e3.jpg 2048w, 33//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/2520x1220-dQmEFqtXx3Cpnk7M.jpg/1829x1220/78600114b39b57214b0b45bd70fecb64.jpg 1829w, 34//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1640x830-dQmEFqtXx3Cpnk7M.jpg/1244x830/220f0d154074bd43be282691e4079f3e.jpg 1244w, 35//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1400x720-dQmEFqtXx3Cpnk7M.jpg/1079x720/1448eb391071fe790a129ee71672beb9.jpg 1079w, 36//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x4096-dQmEFqtXx3Cpnk7M.jpg/984x656/7ca2797816ff56e476de4e1fb1a2e46e.jpg 984w, 37//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-dQmEFqtXx3Cpnk7M.jpg/881x588/b3fb7a445e5af6ce49507c250f045fea.jpg 881w, 38//img-cache.oppcdn.com/fixed/67321/assets/dQmEFqtXx3Cpnk7M.jpg 640w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%202048%201366%27%20width%3D%272048px%27%20height%3D%271366px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/dQmEFqtXx3Cpnk7M.jpg" data-aspectratio="2048/1366" /><noscript><img class="u-img " alt="Contemporary Jewellery - 2020" src="//img-cache.oppcdn.com/fixed/67321/assets/dQmEFqtXx3Cpnk7M.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="https://hedendaagsesieraden.nl/2020/11/12/challenging-jewellery-een-samenwerking/">Van Es, Saskia, âChallenging Jewellery: een samenwerking,â Hedendaagse Sieraden, 12 Nov 2020. Web.</a></p><p><b>Challenging Jewellery: een samenwerking</b> <br clear="none" />by Saskia van Es, November 2020</p><p><i><b>Het sieraad als pedagogisch model</b></i> <br clear="none" /><i>Marilyn Volkman heeft, bijna als een antropoloog, alle gesprekken tussen de studenten en de docenten uitgeschreven. De opdracht van hogerhand om het begrip sieraad te âchallengenâ, het gestuntel van de groep om de gemeenschappelijke idealen vorm te geven en de inzichten die ontstonden, heeft ze ingedikt tot een novelle met een handvol fictieve personages. Daarvan heeft ze weer een film gemaakt, in haar uppie, thuis, waar ze alle rollen speelde...</i></p><p><i><b>Jewellery as a pedagogical model</b></i> <br clear="none" /><i>Marilyn Volkman has, almost like an anthropologist, transcribed the conversations between students and teachers. Taking the order from above to "challenge" the concept of jewellery, and the group's fumbling to shape shared ideals and insights that arose, she has thickened them into a
38novella with a handful of fictional characters. She then made a film of it, on her own, where she played all the roles...</i></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">YALE UNIVERSITY PRESS - 2016</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="YALE UNIVERSITY PRESS - 2016" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1166x1244-pXKP2IBDci9tNBwp.jpg/1166x1244/9a09191922a5050c1d2340baeeed17d2.jpg 1166w, 39//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/2520x1220-pXKP2IBDci9tNBwp.jpg/1143x1220/97078bf694d017775aff8edb777a133b.jpg 1143w, 40//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x4096-pXKP2IBDci9tNBwp.jpg/984x1049/7fa7fcd45a1b7b85bbd9e26953745174.jpg 984w, 41//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1640x830-pXKP2IBDci9tNBwp.jpg/777x830/cf4d1efa4b17e0edb20026505a848d76.jpg 777w, 42//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1400x720-pXKP2IBDci9tNBwp.jpg/674x720/02654c7582650bc667e11dadc2e64380.jpg 674w, 43//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/640x4096-pXKP2IBDci9tNBwp.jpg/640x682/a0c77410f86829e00e051e377dbbc10a.jpg 640w, 44//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-pXKP2IBDci9tNBwp.jpg/551x588/c7359af9c21c9799bd15f4056103c007.jpg 551w, 45//img-cache.oppcdn.com/fixed/67321/assets/pXKP2IBDci9tNBwp.jpg 449w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%201166%201244%27%20width%3D%271166px%27%20height%3D%271244px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/pXKP2IBDci9tNBwp.jpg" data-aspectratio="1166/1244" /><noscript><img class="u-img " alt="YALE UNIVERSITY PRESS - 2016" src="//img-cache.oppcdn.com/fixed/67321/assets/pXKP2IBDci9tNBwp.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="https://www.academia.edu/30749152/Our_Literal_Speed_presents_Emergencia_at_Clark_Art_Institute_Williamstown_MA_8_November_2014_published_in_Art_History_and_Emergency_eds._David_Breslin_and_Darby_English_New_Haven_Yale_University_Press_2016_">Our Literal Speed presents "Emergencia," at Clark Art Institute, Williamstown, MA, 8 November 2014, published in Art History and Emergency, eds. David Breslin and Darby English (New Haven: Yale University Press, 2016)</a></p><p><i>A male academic and a female development officer converse in a generic space akin to a theater stage after having had dinner with a well-groomed, middle-aged man.</i></p><p>ACADEMIC [hesitantly] <br clear="none" />Well . . . what do you think? Did we pull it off? Was I going too âhard-sellâ on him at the end? I mean, do you think he â understood? I feel like I was â he never really acted like he got it ... <br clear="none" /> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">TEMPORARY ART REVIEW - 2015</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="TEMPORARY ART REVIEW - 2015" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1050x450-G4MFkCJoqvGIElzL.jpg/1050x450/9a2bab690a08f05b9f335eab0012086e.jpg 1050w, 46//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-G4MFkCJoqvGIElzL.jpg/984x421/ab3b448c2a81b229e34430f6db553ad2.jpg 984w, 47//img-cache.oppcdn.com/fixed/67321/assets/G4MFkCJoqvGIElzL.jpg 640w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%201050%20450%27%20width%3D%271050px%27%20height%3D%27450px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/G4MFkCJoqvGIElzL.jpg" data-aspectratio="1050/450" /><noscript><img class="u-img " alt="TEMPORARY ART REVIEW - 2015" src="//img-cache.oppcdn.com/fixed/67321/assets/G4MFkCJoqvGIElzL.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="http://temporaryartreview.com/if-art-is-a-faith-then-i-am-an-agnostic/">Cottingham, Steven and Volkman, Marilyn, âIf Art Is A Faith Then I Am An Agnostic,â Temporary Art Review, 2015. Web.</a></p><p><i><b>If art is a faith then I am an agnostic</b></i></p><p>May 11, 2015 at 8:51 AM <br clear="none" />from: Marilyn Volkman <br clear="none" />to: Steven Cottingham</p><p><i>I hate that I wake up re-inspired by art almost everyday. Sometimes I think itâs a trap. But maybe thatâs just life.</i></p><p><i>Itâs kind of funny, and Iâm just rambling here, but I think itâs nice to have a name to put on it: that feeling of being inspired. Itâs stupidly simple, but sometimes I just think that being inspired by art is being inspired by people, or being hopeful about art is the potential for people to do meaningful things, to approach life in a meaningful way. Itâs this huge sensation of possibility...</i> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">ATLAS SIGHED - 2014</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="ATLAS SIGHED - 2014" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1082x1400-9b51q6VPZI7vs1vD.jpg/1082x1400/e7d4157a19ff96c1f07c54e0c5c14d40.jpg 1082w, 48//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x4096-9b51q6VPZI7vs1vD.jpg/984x1273/4389f3a098db6d00b7ac951d1227c6ae.jpg 984w, 49//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/2520x1220-9b51q6VPZI7vs1vD.jpg/942x1220/7b5a37009d4ce580ebfb018d6e967b36.jpg 942w, 50//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1640x830-9b51q6VPZI7vs1vD.jpg/641x830/755518586d455148f2024a45820337d3.jpg 641w,
51//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/640x4096-9b51q6VPZI7vs1vD.jpg/640x828/1f1daa93f3611a2cb3dcac86b65ffc83.jpg 640w, 52//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1400x720-9b51q6VPZI7vs1vD.jpg/556x720/897581d71e6bec9193c2e7a86f9e4769.jpg 556w, 53//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-9b51q6VPZI7vs1vD.jpg/454x588/5cd6e82af832375780ac55bcfceb4ca7.jpg 454w, 54//img-cache.oppcdn.com/fixed/67321/assets/9b51q6VPZI7vs1vD.jpg 370w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%201082%201400%27%20width%3D%271082px%27%20height%3D%271400px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/9b51q6VPZI7vs1vD.jpg" data-aspectratio="1082/1400" /><noscript><img class="u-img " alt="ATLAS SIGHED - 2014" src="//img-cache.oppcdn.com/fixed/67321/assets/9b51q6VPZI7vs1vD.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="https://e-artexte.ca/id/eprint/26540/1/Atlas%20Sighed%20catalogue.pdf">Cottingham, Steven and Beaulieu, Derek and Rezaei, Mohammad and Sorell, Lindsay and Volkman, Marilyn. Atlas Sighed: The 2014 Calgary Biennial. Calgary, 2014.</a></p><p><b>Atlas Sighed, catalog</b> <br clear="none" /><b><i>page 4</i></b><i></i>, Marilyn Volkman <br clear="none" /><i>'I hate that I wake up reinspired by art almost everyday'</i> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">UNIVERSITY OF CHICAGO: DOVA ZINE - 2014</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="UNIVERSITY OF CHICAGO: DOVA ZINE - 2014" data-srcset="//img-cache.oppcdn.com/fixed/67321/assets/abQO3hOhnljeoxGu.jpg 572w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%20572%20333%27%20width%3D%27572px%27%20height%3D%27333px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/abQO3hOhnljeoxGu.jpg" data-aspectratio="572/333" /><noscript><img class="u-img " alt="UNIVERSITY OF CHICAGO: DOVA ZINE - 2014" src="//img-cache.oppcdn.com/fixed/67321/assets/abQO3hOhnljeoxGu.jpg" /></noscript></div><div class=" news-item-content wordy"><p> <br clear="none" />Read: <a shape="rect" href="/Publications_Files/2014_DOVAZine_UChicago.pdf">DOVA Alumni Zine</a> <br clear="none" />Info: <a target="_blank" shape="rect" href="https://dova.uchicago.edu/graduate/recent-alumni">Department of Visual Arts, University of Chicago, Recent Alumni</a> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">BERFROIS MAGAZINE - 2014</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="BERFROIS MAGAZINE - 2014" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/686x800-FDvuf22zIA0UnWiF.jpg/686x800/65e330307a35f7a61ca1a2cbc456b80e.jpg 686w, 55//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/640x4096-FDvuf22zIA0UnWiF.jpg/640x746/a642c6301d4f5b882a091b4ae9adc510.jpg 640w, 56//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1400x720-FDvuf22zIA0UnWiF.jpg/617x720/72675603d058b248bc5d78c374adf0be.jpg 617w, 57//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-FDvuf22zIA0UnWiF.jpg/504x588/e46b0733e78d3e7d0d28f2b3d7f47cce.jpg 504w, 58//img-cache.oppcdn.com/fixed/67321/assets/FDvuf22zIA0UnWiF.jpg 411w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%20686%20800%27%20width%3D%27686px%27%20height%3D%27800px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/FDvuf22zIA0UnWiF.jpg" data-aspectratio="686/800" /><noscript><img class="u-img " alt="BERFROIS MAGAZINE - 2014" src="//img-cache.oppcdn.com/fixed/67321/assets/FDvuf22zIA0UnWiF.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="https://www.berfrois.com/2014/10/martin-luther-kings-greatest-artist-twentieth-century/">Jackson, Matthew Jesse, and Our Literal Speed. âMartin Luther Kingâs the Greatest Artist of the Twentieth Century.â Berfrois, 14 Oct. 2014. Web.</a></p><p><b>OUR LITERAL SPEED, Dorchester Projects, Chicago, 3 October, 2014</b></p><p><i>Two actors sit in gray folding chairs in the center of a room filled with people. It is a symposium on public art. The actors begin to speak.</i></p><p><i>Abbey Shaine Dubin: I mean, what Iâm trying to say is everybodyâs got Martin Luther King wrong, okay? Everybody treats him like this sacred, you know, political figure, this cultural icon, or, I mean, if youâre some cracker dumbfuck from, I donât know, Alabama or something, maybe heâs a demon. Doesnât matter. Point is, no matter what, heâs somebody you canât touch. Somebody you canât understand unless heâs a plastic action hero. I mean, the whole Civil Rights thing, all that stuff, itâs totally off-limits unless you want to heroize everything in this mechanical, already obvious way.</i></p><p><i>Marilyn Volkman [hesitantly]: Okay. Maybe Iâm following.</i></p><p>Info: <a target="_blank" shape="rect" href="https://www.ourliteralspeed.com">OLS website</a> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">CHICAGO CONTEMPORARY ART - 2014</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="CHICAGO CONTEMPORARY ART - 2014" data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1146x672-pziA5QOVjb2RAhkv.jpg/114
586x672/41ac8c86e1d6ebb9ac1894342b2175ce.jpg 1146w, 59//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/1240x588-pziA5QOVjb2RAhkv.jpg/1002x588/3a5ae683b29cc97ff56f0ec894da6d4b.jpg 1002w, 60//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/984x588-pziA5QOVjb2RAhkv.jpg/984x577/68e2db954b62ec88c5f2b2baecb3ec53.jpg 984w, 61//img-cache.oppcdn.com/fixed/67321/assets/pziA5QOVjb2RAhkv.jpg 640w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%201146%20672%27%20width%3D%271146px%27%20height%3D%27672px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/pziA5QOVjb2RAhkv.jpg" data-aspectratio="1146/672" /><noscript><img class="u-img " alt="CHICAGO CONTEMPORARY ART - 2014" src="//img-cache.oppcdn.com/fixed/67321/assets/pziA5QOVjb2RAhkv.jpg" /></noscript></div><div class=" news-item-content wordy"><p><i>Yali Romagosa interviews Marilyn Volkman and Dan Paz, 2014</i></p><p>Read: <a target="_blank" shape="rect" href="https://chicagocontemporaryartseminar.com/artist-interviews/yali-romagosa-interviews-marilyn-volkman-and-danielle-paz/">"Yali Romagosa Interviews Marilyn Volkman and Dan Paz.â Interview by Yali Romagosa, Chicago, Contemporary Art Seminar. 25 Apr. 2014. Web.</a> <br clear="none" /> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">CHICAGO ART SLANT - 2012 </h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="CHICAGO ART SLANT - 2012 " data-srcset="//img-cache.oppcdn.com/img/v1.0/s:67321/t:QkxBTksrVEVYVCtIRVJF/p:12/g:tl/o:2.5/a:50/q:90/864x576-ldQsgn0ylbraRQhM.jpg/864x576/08233c024c5bda0cb173deee4ef483e2.jpg 864w, 62//img-cache.oppcdn.com/fixed/67321/assets/ldQsgn0ylbraRQhM.jpg 640w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%20864%20576%27%20width%3D%27864px%27%20height%3D%27576px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/ldQsgn0ylbraRQhM.jpg" data-aspectratio="864/576" /><noscript><img class="u-img " alt="CHICAGO ART SLANT - 2012 " src="//img-cache.oppcdn.com/fixed/67321/assets/ldQsgn0ylbraRQhM.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Read: <a target="_blank" shape="rect" href="https://www.artslant.com/ny/articles/show/30215-geoslant-it-aint-easy">Wenzel, Erik, âGEOslant: It Ainât Easy,â ArtSlant. Art Slant, New York, 2012. Web.</a></p><p><b>Erik Wenzel on ARTE NO ES FACIL, curated by Marilyn Volkman and Dan Paz</b> <br clear="none" /> <br clear="none" /> <br clear="none" /><u><i>GEOSLANT: IT AIN'T EASY</i></u></p><p><i>âHe says, âItâs crazy that you canât get people to do it.â</i></p><p><i>âOk, but tell him: âTo me, it is crazy to think that you could get people to do it.ââ</i></p><p><i>We are standing outside on the street late at night in February trying to figure out how weâre going to realize our project, which is to be on view to the public in three days. To complicate things further, I speak no Spanish and my counterpart, Carlos Martiel Delgado SaÃnz, speaks no English. This is a typical exchange that has made participating in Arte No Es Fácil such a challenge and excitement. In Cuba you can get plenty of people to come help with something in a few hours notice. In America, you need at least a week, especially if itâs a Friday.</i></p></div><div class=" hr"></div></li><li class=" news-item"><h1 class=" news-item-title">UNIVERSITY OF NEW BRUNSWICK - 2015</h1><div class=" news-item-media"><img onerror="OPP.imgE(this);" alt="UNIVERSITY OF NEW BRUNSWICK - 2015" data-srcset="//img-cache.oppcdn.com/fixed/67321/assets/YlPPLA9DSK75sc6L.jpg 396w" src="data:image/svg+xml;charset=UTF-8,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20viewbox%3D%270%200%20396%20242%27%20width%3D%27396px%27%20height%3D%27242px%27%3E%3C%2Fsvg%3E" onload="OPP.imgL(this);" data-sizes="auto" class="u-img lazyload hidden--no-js " data-src="//img-cache.oppcdn.com/fixed/67321/assets/YlPPLA9DSK75sc6L.jpg" data-aspectratio="396/242" /><noscript><img class="u-img " alt="UNIVERSITY OF NEW BRUNSWICK - 2015" src="//img-cache.oppcdn.com/fixed/67321/assets/YlPPLA9DSK75sc6L.jpg" /></noscript></div><div class=" news-item-content wordy"><p>Listen: <a target="_blank" shape="rect" href="http://chsrfm.ca/blog/specialty/lunchbox/the-lunchbox-interview-marilyn-volkman-neocraft">Volkman, Marilyn, Sophia Bartholomew, âNEOCraftâ Interview. 97.9. CHSR-FM, Fredericton, New Brunswick, 07 Sept. 2015. Radio.</a></p><p><b>UNB RADIO, FREDERICTON, CANADA</b> <br clear="none" /><i>The Lunchbox Interview: Marilyn Volkman (NEO- CRAFT)</i> <br clear="none" /> <br clear="none" /></p></div><div class=" hr"></div></li></ul></div></main></div><footer><div class=" copyright">© Marilyn Volkman</div></footer><div class=" offline"></div>
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