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167 </div> 168 </div> 169 <!-- DEFAULT HEADER CONTENT --> 170 171 </div> <!-- END .header-inner --> 172 </header> <!-- END header --> 173 <!-- HEADER --> 174 175 176 177 178 179 <!-- PAGEBODY --> 180 <div id="page-body" class=""> 181 182 183 <!-- SECTION --> 184 <section id="section-bio" class="notoppadding"> 185 <div class="section-inner"> 186 187 <div class="wrapper"> 188 <section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"> 189 <div class="wpb_text_column wpb_content_element " > 190 <div class="wpb_wrapper"> 191 </div><div class="split-section clearfix"><div class="split-left split-half text-dark"><div class="split-wrapped-content "> 192<p class="p1">BIOGRAPHY</p> 193<p>Michele Mariotti is the Musical Director of the Teatro dellâOpera di Roma since 2022 and Principal Conductor of the Rai National Symphony Orchestra from October 2026.</p> 194<p>Awarded the 36<sup>th</sup> Abbiati Prize as Best Orchestra Conductor, Michele is regularly invited by the main Italian and international theatres and festivals, including the Teatro alla Scala, the Paris Opéra, the Wiener Staatsoper, the Royal Opera House in London, the Bayerische Staatsoper, the Deutsche Oper in Berlin, the Salzburg Festival, the Rossini Opera Festival, the Metropolitan in New York, the San Carlo in Naples, the Verdi Festival in Parma, the Amsterdam Opera, the Lyric Opera of Chicago, the Los Angeles Opera, the Wexford Festival, the Théâtre des Champs-Elysées in Paris, the Teatro Real in Madrid.</p> 195<p>Mariotti has conducted the Gewandhaus Orchestra in Leipzig, the Orchestre National de France, the Münchner Symphoniker, the Orchestra Sinfonica Nazionale della Rai, the Danish National Symphony Orchestra, the Orchestra dellâAccademia Nazionale di Santa Cecilia in Rome, the Nederlands Philharmonisch Orkest, the Bamberger Symphoniker, the Royal Philharmonic Orchestra, the Gürzenich Orchester Köln, the Filarmonica della Scala, the RTà National Symphony Orchestra, SWR Symphonieorchester, to name a few.</p> 196<p>He regularly works with renowned stage directors like Mario Martone, David McVicar, Emma Dante, Davide Livermore, Damiano Michieletto, Robert Carsen, Simon Stone, Michael Mayer, Herbert Fritsch, Benedict Andrews, Tobias Kratzer, Johannes Erath, Claus Guth, Deborah Warner, Romeo Castellucci, Shirin Neshat.</p> 197<p>From 2008 he was Principal Conductor, and then Musical Director until 2018, of the Teatro Comunale di Bologna, where he has led numerous concerts and dozens of opera productions, including <em>La Bohème</em> directed by Graham Vick that won the Music Critics Award âFranco Abbiatiâ for best show in 2018. He has also conducted the Orchestra and Chorus of the Teatro Comunale di Bologna on tours covering various Italian cities, Tokyo, Moscow, and Paris.</p> 198<p>Some of his most recent engagements include <em>Il Barbiere di Siviglia, Norma</em> and <em>Luisa Miller</em> at the Wiener Staatsoper, <em>Moïse et Pharaon</em> at the Festival dâAix-en-Provence, Rossiniâs <em>Maometto II </em>and Verdiâs <em>Otello</em> at the Teatro di San Carlo in Naples, <em>Macbeth</em> at the Palau de les Arts Reina Sofia in Valencia, <em>Bohème </em>and <em>Aida </em>at the Paris Opera, <em>Guillaume Tell </em>at La Scala<em>, Ermione </em>at the Rossini Opera Festival (44th Abbiati Prize), the 2026 New Yearâs Concert at Teatro La Fenice, and <em>Dialogues des Carmélites</em>, <em>Aida,</em> Boitoâs <em>Mefistofele</em>, <em>Tosca</em>, the <em>Trittico Ricomposto, Peter Grimes, </em><em>Simon Boccanegra, Stabat Mater, Lohengrin, Tancredi</em> at the Teatro dellâOpera in Rome, at the Caracalla Baths in Rome with Bernsteinâs <em>West Side Story,</em> and the tour in Japan with the Chorus and Orchestra of the Rome Opera<em>. </em>He was recently on the podium of the Gürzenich Orchester Köln at Cologneâs Philharmonie, the Radio Filharmonisch Orkest at Amsterdamâs Concertgebouw, the George Enescu Philharmonic, the Tonkünstler Orchestra at the Viennaâs Musikverein and the Tokyo Symphony Orchestra.</p> 199<p>In the 2026/27 season, he is engaged in symphonic concerts in Italy and across Europe on the podium of RAI National Symphony Orchestra, Filarmonica della Scala, tSWR Symphony Orchestra Stuttgart, Orchestra Haydn and Dallas Symphony Orchestra. In addition to his work at the Teatro dellâOpera di Roma (with <em>The Rakeâs Progress</em> and <em>La cenerentola</em>), he conducts <em>Un ballo in maschera</em> in Vienna, <em>Otello </em>at the Metropolitan in New York and <em>Aida </em>staged by Robert Carsen at the Royal Opera House in Londra.</p> 200<p>Michele Mariotti has completed his humanistic studies and has obtained a diploma in Composition at the Rossini Conservatory in his hometown, Pesaro, where he also studied conducting under Manlio Benzi. At the same time, he obtained a diploma in Conducting at the Accademia Musicale Pescarese under Donato Renzetti. In 2026 he was elected Effective Academician of the Accademia Nazionale di S
200anta Cecilia.</p> 201</div></div> <!-- END .split-left --><div class="split-right split-half text-dark"><div class="split-wrapped-content "> 202<p class="p1">BIOGRAFIA</p> 203<p>Michele Mariotti è Direttore Musicale del Teatro dellâOpera di Roma dal 2022 e Direttore principale dellâOrchestra Sinfonica Nazionale della Rai da ottobre 2026.</p> 204<p>Insignito del 36° Premio Abbiati come Miglior direttore dâorchestra, è ospite dei principali teatri e festival italiani ed internazionali. Fra questi, il Teatro alla Scala, lâOpéra di Parigi, la Wiener Staatsoper, la Royal Opera House di Londra, la Bayerische Staatsoper, la Deutsche Oper di Berlino, il Festival di Salisburgo, il Rossini Opera Festival, il Metropolitan di New York, il San Carlo di Napoli, il Festival Verdi di Parma, lâOpera di Amsterdam, la Lyric Opera di Chicago, lâOpera di Los Angeles, il Festival di Wexford, il Théâtre des Champs-Elysées di Parigi, il Teatro Real di Madrid.</p> 205<p>à salito sul podio dellâOrchestra del Gewandhaus di Lipsia, dellâOrchestre National de France, dei Münchner Symphoniker, della Danish National Symphony Orchestra, dellâOrchestra dellâAccademia Nazionale di Santa Cecilia, dei Bamberger Symphoniker, della Royal Philharmonic Orchestra, della Nederlands Philharmonisch Orkest, della Gürzenich Orchester Köln, della Filarmonica della Scala, della RTà National Symphony Orchestra, SWR Symphonieorchester,  solo per citarne alcune.</p> 206<p>Collabora con registi di spicco come Mario Martone, David McVicar, Emma Dante, Davide Livermore, Damiano Michieletto, Robert Carsen, Simon Stone, Michael Mayer, Herbert Fritsch, Benedict Andrews, Tobias Kratzer, Johannes Erath, Claus Guth, Deborah Warner, Romeo Castellucci, Shirin Neshat.</p> 207<p>Dal 2008 è stato Direttore principale e poi Direttore musicale fino al 2018 del Comunale di Bologna, teatro in cui ha diretto numerosi concerti sinfonici e decine di produzioni operistiche, fra cui <em>La bohème </em>con la regia di Graham Vick, che ha vinto il premio della critica musicale âFranco Abbiatiâ come miglior spettacolo del 2018. Ha guidato inoltre lâOrchestra e il Coro del Comunale di Bologna in tournée in varie città italiane e a Tokyo, a Mosca, a Parigi.</p> 208<p>Più recentemente ha diretto alla Wiener Staatsoper<em> Il barbiere di Siviglia,</em> <em>Norma</em> e <em>Luisa Miller</em>, al Festival dâAix-en-Provence <em>Moïse et Pharaon</em>, al Teatro di San Carlo di Napoli<em> Maometto II</em> di Rossini e<em> Otello</em> di Verdi che ha portato anche al Festival dâAix-en-Provence, <em>Macbeth</em> al Palau de les Arts Reina Sofia di Valencia, <em>Bohème </em>e<em> Aida </em>allâOpera di Parigi, <em>Guillaume Tell</em> al Teatro alla Scala<em>, Ermione </em>al Rossini Opera Festival (44° Premio Abbiati), il Concerto di Capodanno 2026 al Teatro La Fenice, e <em>Dialogues des Carmélites</em>, <em>Aida,</em> <em>Mefistofele </em>di Boito, <em>Tosca</em>, il <em>Trittico Ricomposto,</em> <em>Peter Grimes, </em><em>Simon Boccanegra, Stabat Mater, Lohengrin e Tancredi </em>al Teatro dellâOpera di Roma, alle Terme di Caracalla <em>West Side Story</em>
208 di Bernstein, e una tournée in Giappone con il Coro e lâOrchestra del Teatro romano<em>. </em>à salito sul podio della Gürzenich Orchester Köln alla Philharmonie di Colonia, della Radio Filharmonisch Orkest al Concertgebouw di Amsterdam, della Filarmonica George Enescu, della Tonkünstler Orchestra al Muiskverein di Vienna e della Tokyo Symphony Orchestra.</p> 209<p>Nella stagione 2026/27 è impegnato in concerti sinfonici in Italia e in Europa sul podio dellâOrchestra Nazionale della Rai, della Filarmonica della Scala, della SWR Symphony Orchestra Stuttgart, dellâOrchestra Haydn e della Dallas Symphony Orchestra. Oltre allâattività al Teatro dellâOpera di Roma (con <em>The Rakeâs Progress</em> e <em>La cenerentola</em>), dirige <em>Un ballo in maschera</em> a Vienna, <em>Otello </em>al Metropolitan di New York e <em>Aida </em>alla Royal Opera House di Londra con la regia di Robert Carsen.</p> 210<p>Michele Mariotti ha concluso gli studi umanistici e si è diplomato in composizione al Conservatorio Rossini della sua città , Pesaro, dove ha anche studiato direzione dâorchestra sotto la guida di Manlio Benzi. Contemporaneamente si è diplomato in direzione d’orchestra presso lâAccademia Musicale Pescarese con Donato Renzetti. Nel 2026 è stato eletto Accademico Effettivo dellâAccademia Nazionale di Santa Cecilia.</p> 211</div></div> <!-- END .split-right --></div> <!-- END .split-section --><div class="wrapper"></p> 212 213 </div> 214 </div> 215</div></div></div></div> 216</section> </div> 217 218 </div> 219 </section> 220 <!-- SECTION --> 221 222 223 224 225 </div> <!-- END #page-body --> 226 <!-- PAGEBODY --> 227 228 229 <!-- FOOTER --> 230 <footer class="sticky-footer stickonload"> 231 <div class="footer-inner wrapper"> 232 <a id="backtotop" href="#">To Top</a> 233 234 <ul class="socialmedia-widget left-float"><li class="facebook"><a href="https://www.facebook.com/Michele-Mariotti-812633318834987/?fref=ts" target="_blank"></a></li><li class="twitter"><a href="https://twitter.com/mmariotti1979" target="_blank"></a></li><li class="instagram"><a href="https://www.instagram.com/michelemariotticonductor/" target="_blank"></a></li></ul> 235 <div class="copyright right-float">Copyright 2024 © - P.IVA 02251860413</div> 236 </div> 237 </footer> 238 <!-- FOOTER --> 239 240 241</div> <!-- END #page-content --> 242<!-- PAGE CONTENT --> 243 244<div id="pseudo-header"></div> 245 246 247<!-- Consent Management powered by Complianz | GDPR/CCPA Cookie Consent https://wordpress.org/plugins/complianz-gdpr --> 248<div id="cmplz-cookiebanner-container"><div class="cmplz-cookiebanner cmplz-hidden banner-1 bottom-right-view-preferences optin cmplz-center cmplz-categories-type-view-preferences" aria-modal="true" data-nosnippet="true" role="dialog" aria-live="polite" aria-labelledby="cmplz-header-1-optin" aria-describedby="cmplz-message-1-optin"> 249 <div class="cmplz-header"> 250 <div class="cmplz-logo"></div> 251 <div class="cmplz-title" id="cmplz-header-1-optin">Gestisci il consenso ai cookie</div> 252 <div class="cmplz-close" tabindex="0" role="button" aria-label="Close dialog"> 253 <svg aria-hidden="true" focusable="false" data-prefix="fas" data-icon="times" class="svg-inline--fa fa-times fa-w-11" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 352 512"><path fill="currentColor" d="M242.72 256l100.07-100.07c12.28-12.28 12.28-32.19 0-44.48l-22.24-22.24c-12.28-12.28-32.19-12.28-44.48 0L176 189.28 75.93 89.21c-12.28-12.28-32.19-12.28-44.48 0L9.21 111.45c-12.28 12.28-12.28 32.19 0 44.48L109.28 256 9.21 356.07c-12.28 12.28-12.28 32.19 0 44.48l22.24 22.24c12.28 12.28 32.2 12.28 44.48 0L176 322.72l100.07 100.07c12.28 12.28 32.2 12.28 44.48 0l22.24-22.24c12.28-12.28 12.28-32.19 0-44.48L242.72 256z"></path></svg> 254 </div> 255 </div> 256 257 <div class="cmplz-divider cmplz-divider-header"></div> 258 <div class="cmplz-body"> 259 <div class="cmplz-message" id="cmplz-message-1-optin">Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per archiviare e/o accedere alle informazioni del dispositivo. 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Il mancato consenso o la revoca del consenso può influire negativamente su determinate caratteristiche e funzioni.</div> 260 <!-- categories start --> 261 <div class="cmplz-categories"> 262 <details class="cmplz-category cmplz-functional" > 263 <summary> 264 <span class="cmplz-category-header"> 265 <span class="cmplz-category-title">Funzionali</span> 266 <span class='cmplz-always-active'> 267 <span class="cmplz-banner-checkbox"> 268 <input type="checkbox" 269 id="cmplz-functional-optin" 270 data-category="cmplz_functional" 271 class="cmplz-consent-checkbox cmplz-functional" 272 size="40" 273 value="1"/> 274 <label class="cmplz-label" for="cmplz-functional-optin" tabindex="0"><span class="screen-reader-text">Funzionali</span></label> 275 </span> 276 Always active </span> 277 <span class="cmplz-icon cmplz-open"> 278 <svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512" height="18" >
278<path d="M224 416c-8.188 0-16.38-3.125-22.62-9.375l-192-192c-12.5-12.5-12.5-32.75 0-45.25s32.75-12.5 45.25 0L224 338.8l169.4-169.4c12.5-12.5 32.75-12.5 45.25 0s12.5 32.75 0 45.25l-192 192C240.4 412.9 232.2 416 224 416z"/></svg> 279 </span> 280 </span> 281 </summary> 282 <div class="cmplz-description"> 283 <span class="cmplz-description-functional">La conservazione tecnica o l'accesso è strettamente necessario al fine legittimo di consentire la fruizione di un determinato servizio esplicitamente richiesto dall'abbonato o dall'utente, oppure al solo fine di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.</span> 284 </div> 285 </details> 286 287 <details class="cmplz-category cmplz-preferences" > 288 <summary> 289 <span class="cmplz-category-header"> 290 <span class="cmplz-category-title">Preferences</span> 291 <span class="cmplz-banner-checkbox"> 292 <input type="checkbox" 293 id="cmplz-preferences-optin" 294 data-category="cmplz_preferences" 295 class="cmplz-consent-checkbox cmplz-preferences" 296 size="40" 297 value="1"/> 298 <label class="cmplz-label" for="cmplz-preferences-optin" tabindex="0"><span class="screen-reader-text">Preferences</span></label> 299 </span> 300 <span class="cmplz-icon cmplz-open"> 301 <svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512" height="18" ><path d="M224 416c-8.188 0-16.38-3.125-22.62-9.375l-192-192c-12.5-12.5-12.5-32.75 0-45.25s32.75-12.5 45.25 0L224 338.8l169.4-169.4c12.5-12.5 32.75-12.5 45.25 0s12.5 32.75 0 45.25l-192 192C240.4 412.9 232.2 416 224 416z"/></svg> 302 </span> 303 </span> 304 </summary> 305 <div class="cmplz-description"> 306 <span class="cmplz-description-preferences">The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.</span> 307 </div> 308 </details> 309 310 <details class="cmplz-category cmplz-statistics" > 311 <summary> 312 <span class="cmplz-category-header"> 313 <span class="cmplz-category-title">Statistica</span> 314 <span class="cmplz-banner-checkbox"> 315 <input type="checkbox" 316 id="cmplz-statistics-optin" 317 data-category="cmplz_statistics" 318 class="cmplz-consent-checkbox cmplz-statistics" 319 size="40" 320 value="1"/> 321 <label class="cmplz-label" for="cmplz-statistics-optin" tabindex="0"><span class="screen-reader-text">Statistica</span></label> 322 </span> 323 <span class="cmplz-icon cmplz-open"> 324 <svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512" height="18" ><path d="M224 416c-8.188 0-16.38-3.125-22.62-9.375l-192-192c-12.5-12.5-12.5-32.75 0-45.25s32.75-12.5 45.25 0L224 338.8l169.4-169.4c12.5-12.5 32.75-12.5 45.25 0s12.5 32.75 0 45.25l-192 192C240.4 412.9 232.2 416 224 416z"/></svg> 325 </span> 326 </span> 327 </summary> 328 <div class="cmplz-description"> 329 <span class="cmplz-description-statistics">The technical storage or access that is used exclusively for statistical purposes.</span> 330 <span class="cmplz-description-statistics-anonymous">L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente a fini statistici anonimi. Senza una citazione, la conformità volontaria da parte del tuo provider di servizi Internet o record aggiuntivi da parte di terzi, le informazioni archiviate o recuperate solo per questo scopo di solito non possono essere utilizzate per identificarti.</span> 331 </div> 332 </details> 333 <details class="cmplz-category cmplz-marketing" > 334 <summary> 335 <span class="cmplz-category-header"> 336 <span class="cmplz-category-title">Marketing</span> 337 <span class="cmplz-banner-checkbox"> 338 <input type="checkbox" 339 id="cmplz-marketing-optin" 340 data-category="cmplz_marketing" 341 class="cmplz-consent-checkbox cmplz-marketing" 342 size="40" 343 value="1"/> 344 <label class="cmplz-label" for="cmplz-marketing-optin" tabindex="0"><span class="screen-reader-text">Marketing</span></label> 345 </span> 346 <span class="cmplz-icon cmplz-open"> 347 <svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512" height="18" >
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Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.