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90        <h1>Content Americas 2026</h1>
91        <p>(Continued on Page 6) At Content Americas, M&#252;ge Akar, head of Sales for Turkish broadcast television network ATV, met with VideoAge Daily to discuss the changes facing the Turkish TV sector. VideoAge Daily: How has production for broadcast TV changed with the advent of streaming? M&#252;ge Akar: Today, broadcast projects are developed with significantly higher expectations in terms of production value, viATV’s M&#252;ge Akar on the Changing Face of Turkish TV Content on sale: What’s available at the Miami shows Photo page: Market floor visuals of TV execs in action Multicom’s quest for content libraries enchanted by Victory My 2&#162;: Looking for different conference topics and panelists Page 10 Page 13 Page 6 Page 3 The film-television industry is changing. World politics are changing. Finance is changing. Society is changing. Even history is changing. Royal Historical Society fellow Dominic Green even wrote about how the present shapes the past in the digital era. So, it’s only logical that the TV trade show landscape would also change. Over the years we have seen old markets close down and new markets come up. Just recently, we have seen the demise of MIPTV, the birth of MIP London, and now Content Europe in Facing The EverEvolving TV Trade Show Landscape (Continued on Page 6) (Continued on Page 4) Content Americas is Thinking About a Ticking NATPE Global Content Americas 2026 kicked off the Miami markets yesterday, January 20. The mart will continue for two more days here at the Hilton Downtown Miami hotel. Then, after an 11-day pause, on February 2, we’ll move to Realscreen/NATPE Global for a total of five days at the InterContinental hotel, also here in downtown Miami. Coming at the beginning of the year, and with budgets restored, Content Americas is often used to complete deals initiated at MIP Cancun in November, but not completed because of depleted end-of-the-year budgets. If more negotiations are necessary, NATPE can come to the rescue later on as it offers further opportunities for face-to-face meetings. This eventuality doesn’t diminCONTENT AMERICAS 2026 January 21, 2026 &#169;2026 DISNEY/PIXAR. ALL RIGHTS RESERVED.</p>
92        <p>My 2&#162; January 21, 2026 3 Conference topics that buyers and sellers alike would find useful. Stop the presses. Go back to square one and look for new conference topics and panelists. This is how I envision conferences, seminars, and roundtables at international TV markets. For years now I’ve been complaining about the disconnect between the conference rooms and the market floor at TV trade shows. Now is the time to put my “money where my notebook is” and come up with meaningful, enlightened, practical, and useful topics for c
92onferences and seminars, which have become regular fixtures of TV markets. This is because, after reviewing the conference schedules for Miami’s Content Americas, NATPE Global, and MIP London, I envisioned myself indulging in a series of seminars that exhibitors and content buyers alike would find useful and related to their main reason for attending the events — which is buying and selling content rights. These proposed conferences are founded upon my personal conception of universally relevant topics. I’d start with “Buying Related Sports TV Rights,” followed by “Selling Comedy Shows,” “Programming Comedic Shows like Sitcoms, Dramedies, etc.,” and, with U.S. President Donald Trump routinely calling for the firing of comedians from television, I’d suggest: “Is Late Night TV Comedy?” This is to clarify what “comedy” really is. I’d also look for other buying and selling topics like “Buying Religious Programs” (as they relate to various holy days), “Who’s Selling Film/TV Libraries...And Why?” and exploring, “Why Studios Take Orders and Independents Sell?” And, in view of the upheaval in Venezuela, what about a panel of experts exploring what is “Next for Venezuelan Television?” Another subject to analyze would be “Content Developments’ Imperatives and Impediments,” which should be paired up with “Looking Forward to the Upcoming New TV Season,” and the related: “Ad Agencies’ Wants and Needs from TV Channels.” But let’s not neglect the ever-expanding gaming sector, therefore let’s have “Consumer Demand For New Gaming IP: What Rights Holders Need To Know.” Plus, I’d suggest something that has no practical aim, but could still be a major draw: “How TV Programmers Set Social and Cultural Trends.” Then I’d list something that all market participants could benefit from: “How To Make More Money in Show Biz Than Your Spouse in Shoe Biz.” And then, of course, there’s “The Art of the Mart: New Ways of Attending and Benefitting From TV Trade Shows,” since participating at TV markets represent a major expenditure for most companies. And, if we really want to dwell in the financial realm of things, why not stage: “Producers Seeking Mutually Benefitting Distribution Companies.” Finally, for those participants seeking a truly forward-looking “Future of Television” seminar, it would be crucial to recruit media philosopher panelists of the same stature as Canada’s Marshall McLuhan (1911-1980) and Austria’s Karl Popper (1902-1994). The benefit of these ideas is that every above-mentioned topic, subject, and theme is timeless — it returns each year feeling fresh and new. Dom Serafini VIDEOAGE DAILY AT CONTENT AMERICAS MAIN OFFICE 216 EAST 75TH STREET NEW YORK, NY 10021 TEL: (212) 288-3933 WWW.VIDEOAGEINTERNATIONAL.COM EDITOR-in-CHIEF DOM SERAFINI EDITORIAL TEAM LARRY ADKINS (MIAMI) SARA ALESSI (NEW YORK) ENZO CHIARULLO (ITALY) LORENZO COLINA (MIAMI) LEAH HOCHBAUM ROSNER (NY) SUSAN HORNIK (L.A.) CAROLINE INTERTAGLIA (FRANCE) OMAR MENDEZ (ARGENTINA) LUIS POLANCO (NY) MIKE REYNOLDS (L.A.) PUBLISHER MONICA GORGHETTO BUSINESS OFFICE LEN FINKEL LEGAL OFFICE STEVE SCHIFFMAN WEB MANAGER BRUNO MARRACINO DESIGN/PREPRESS CLAUDIO MATTIONI &#169; TV TRADE MEDIA INC. 2026 VIDEOAGE DAILY</p>
93        <p>January 21, 2026 4 (Continued from Cover) Content Americas is Thinking About a Ticking NATPE Global Content Americas Floor News • Kanal D International has secured new deals for its drama Sins &amp; Roses, inking sales in Croatia, Bosnia &amp; Herzegovina, and Montenegro. Blending themes of family, loyalty, and hidden truths, Sins &amp; Roses follows Serhat, a man who lost both his father and fortune as a child but built an empire founded on integrity. His seemingly solid world shatters when his wife Berrak conceals a devastating secret and falls into a coma. As Serhat searches for answers, his hardened heart faces an unexpected test with the arrival of Zeynep. Pictured at Content Americas: KDI’s Elif Tatoglu and Duda Perman Calinos Entertainment’s Salma (“For My Children”), the MBC Group adaptation of Turkish drama Woman, won the Favorite Levant Series Award at the 
936th Joy Awards, held in Riyadh, Saudi Arabia, on January 17. Produced by NTC Medya for MBC Group and adapted from MedYapım’s Turkish series Woman, Salma follows Salma, a young mother who suddenly finds herself facing life alone after the mysterious disappearance of her husband, Jalal. As she struggles to raise her two young children, Salma navigates poverty, emotional trauma, and the loneliness that surrounds her. Salma’s journey offers a powerful and deeply human portrait of Arab mothers confronting life’s harsh realities with resilience and determination. Pictured at Content Americas: Calinos Entertainment’s Goryana Vasileva, Onur Sozener, Cristina Duffy. Telefe’s fiction format Sres. Papis is getting a new adaptation in Greece and Cyprus for Alpha TV. The dramedy tells the story of four fathers who forge a friendship through their daily encounters at their children’s school gate, exploring fatherhood and family relationships from a contemporary perspective. The program had its first local adaptations in Chile, Mexico, and Peru and is now present in more than 25 territories. Gustavo Scaglione, president of the group that acquired Argentina’s Telefe, is at Content Americas. • The panel featuring Netflix’s Carolina Leconte, TIS Studios’ Samuel Duque, and Underground Producciones’ Sebasti&#225;n Ortega delved into the best strategies for co-productions and content licensing with Netflix. Leconte emphasized that there is no specific formula, business model or set of characteristics that make a project a perfect fit for Netflix. In particular, for co-productions based on local Latin American IPs with strong cultural and regional identities, there is no need for Netflix to acquire rights for the entire world. Not only would such an acquisition be costly, but a local player could handle a regional adaptation — for instance, in Asia — more effectively. ish the antagonism between the two market organizers — the London-based C21 publishing company (which organizes Content), and the Toronto-based Brunico (which organizes NATPE). In addition to publishing various trade publications, both organizations also run several TV trade shows. In order to better focus on NATPE Global in Miami, last month, Brunico announced that it would be discontinuing (or “pausing”) its NATPE Budapest TV market for Central and Eastern Europe. In terms of participation, Content Americas’ official figures indicate 851 buyers and 132 exhibitors. As for the number of delegates, the expectation is close to 2,100 people. Regarding the program, Content Americas features 50 speakers scattered among 23 conferences that take place during the same market floor hours. The Rose d’Or Latinos awards ceremony was held last night, followed by the opening party; and tomorrow, January 22, the Worldwide Audiovisual Women’s Association (WAWA) will host their Woman of the Year afternoon presentation (which, this year, takes place during Content instead of NATPE), followed by the Content Americas closing cocktail party and pitch winner announcement. For its part, NATPE Global will benefit from Realscreen’s unscripted crowd, which, together with the representatives of the 100 exhibiting companies and 600 buyers at NATPE, will bring the number of participants to an expected 1,800 TV executives. Last year, 550 participants from the Summit remained for NATPE. Among the NATPE participants will be 67 speakers who will preside over 26 conferences. The NATPE gala will take place on February 5, the day after the market floor opens for business. Realscreen Summit will feature 123 speakers for 23 conferences over two days, with February 4 overlapping with NATPE. Not being much of a real brick-and-mortar market, Realscreen Summit will revolve around talks (with some speakers shared with NATPE), an opening cocktail party, and an awards ceremony. On the market side, configurations for Content and NATPE will follow the usual patterns, with Content happening in suites on 17 of the hotel’s 21 floors, at the market floor’s booths and tables, as well as in a few boardrooms, all of them located on the floor below the Hilton hotel registration area. NATPE’s market side will c
93onsist of its usual tables, stands, meeting rooms on the second floor, cabanas by the outside pool on the 5th floor, and hotel suites up to the 33rd floor of the InterContinental Hotel. Pictured on the cover (l. to r.): Disney Entertainment Latin America’s Heather Harris, Henri Ringel, Fabiola Bovino, Jack Morera, Julieta Piazza, Barbara Lorenzo, Gustavo Sorotski, and Alis Perez. VIDEOAGE DAILY Cover Stories</p>
94        <p>KICKING OFF LONDON’S BIGGEST CONTENT WEEK.</p>
95        <p>(Continued from Cover) January 21, 2026 6 Portugal. We have seen the pause of NATPE Budapest and the emergence of NEM Dubrovnik. We have seen the demise of DISCOP in Johannesburg and the advent of MIP Africa in Cape Town. We’ve also seen the shifting locations of the AFM (Santa Monica, Las Vegas, Los Angeles) and the creation of the TIFF Market in Toronto. Just three years ago, from the ashes of NATPE, two markets were born: Content Americas and the new NATPE Global — trade shows that we’re now attending in Miami, one after the other, separated by 11 days and many opinions. The TV market is contracting with fewer companies to do international business, but the TV trade show events are splintering into hundreds of smaller events in every corner of the earth. And being small, they don’t need a large number of participants to survive. The digital era promised an online business panacea that did not materialize because buyers got inundated with sales pitches that were and are still impossible to attend to, and sellers became limited in reaching their ever-changing buying universe. For both buyers and sellers, TV trade shows became the only way to meet and interact in person with new prospects. There’s no question that TV trade shows are important. Now more than ever. Old timers remember with fondness, but also with some dismay, how, years ago, during the American syndication era, salespeople had to travel Monday to Friday to make pitches to TV stations throughout the U.S., and ask international TV sales executives if they wanted to go back to a time when they had to fly from, let’s say, Los Angeles to Tokyo, come back and immediately depart for Munich to meet with other clients. TV trade shows reduced, if not outright eliminated, the need to be constantly on the road (or in the sky). Nowadays, it is sufficient to attend three to four markets a year, and be able to make inroads to new territories and still meet with traditional partners. The time-consuming question, however, is how to figure out which markets to attend out of an ever-expanding plethora of events? The Italian Incantesimo (Enchanted) is the jewel of Multicom Entertainment’s recently acquired Victory library. Incantesimo is an Italian-language soap opera and drama anthology-style series set in and around a hospital, focusing on the personal and professional lives of doctors, nurses, clinic staff, and the patients they treat each day, in the vein of Grey’s Anatomy, Doctors, and ER. Incantesimo is one of the longest-running TV series on Italy’s RAI. It ranks third for RAI in most episodes for a single series (588 episodes), and ranks fifth for longest-running scripted series (10 seasons from 1998-2008). The Victory library contains over 30 films and series released from 1992-2007, internationally produced in English, German, Italian, Spanish and more, with highlights such as Shaka Zulu, a 2001 TV movie starring David Hasselhoff, Karen Allen, Omar Sharif, and Grace Jones; Diamond Hunters, a 2001 film starring Alyssa Milano, Roy Scheider, and Sean Patrick Flanery; The Magnificent Ambersons, a 2002 film starring Jennifer Tilly, Jonathan Rhys Meyers, and Bruce Greenwood; A Long Way Home, a 2003 drama starring Chad Michael Murray, Diane Ladd and Robert Ulrich; John XXIII - The Good Pope, a 2003 biographical drama starting Bob Hoskins; and Ocean Ave., a 2002 teen soap starting Megan Fox and featuring Rebecca Ferguson and Justine Eyre. sual language, and narrative quality. While broadcast TV still relies on longer episode formats and continuity-driven storytelling, there is now a stronger focus on refined pacing, cinematic aesthetics, and internationally competitive storytelling. Many projects are conceived from the outset to be adaptable across both broadcast and digital platforms. VAD: Has content changed for broadcast TV with the advent of streaming? MA: Traditional genres such as family drama, romance, and melodrama remain central, but they are now enriched with deeper character development, more complex conflicts, and contemporary themes. Storytelling has become more layered, with morally nuanced characters and higher emotional stakes. Broadcast TV continues to prioritize broad audience reach and emotional resonance, while integrating narrative sophistication inspired by global streaming trends. VAD: Has your marketing and sales strategy for LatAm changed over the years? MA: We now apply a more targeted and strategic approach, differentiating clearly between free-to-air broadcasters, pay-TV, and streaming platforms. Content positioning, promotional assets, and sales strategies are customized according to platform needs and audience behavior. There is also a stronger emphasis on early market engagement, localized marketing, and long-term partnerships. Latin America remains a key growth region for Turkish drama, and our strategy is focused on sustainable expansion and value-driven collaborations. Facing The Ever-Evolving TV Trade Show Landscape Multicom Enchanted by Victory Film Library ATV’s M&#252;ge Akar on the Changing Face of Turkish TV A.B.I. - A Broken Inheritance, a new drama 
95series topping the ATV roster at Content Americas VIDEOAGE DAILY Cover Stories</p>
96        <p>January 21, 2026 8 Koreans also have grudges against the Japanese, while Japanese villains are no longer in fashion in Hollywood movies. Another group of villains no longer needed in Hollywood consists of Arab-looking actors, recently replaced by Persians. TV Tastes That Change En Masse A recent article in The Wall Street Journal explored a wellknown conundrum: Is it the TV audience whose tastes change over the years, or are TV programmers the ones who decide what the public should or should not watch? The Journal‘s story was about the trend of U.S. viewers preferring to watch solo comic acts over duos and groups. According to the article, from the 1920s to 1970s, the comedic entertainment sector was populated by popular duos: Laurel and Hardy, Bud Abbott and Lou Costello, Dean Martin and Jerry Lewis, and Lucille Ball and Desi Arnaz, to name a few. Then, in 1973, their magic disappeared from the TV screens. What happened? Did people’s tastes change en masse? But what about the role of the programmers in all of that? Were TV programmers responsible for changing people’s tastes or was it what audiences wanted and Hollywood delivered? Programmers can indeed get rid of what audiences like because of production costs and they often decide what to greenlight from the creative pools. Both forces shape television: audience tastes change over time and strongly influence what survives, but programmers also steer what is available and how popular it becomes. The relationship is interactive rather than onesided. Out of the 135,600 listed actors in the U.S., it is estimated that just 8,600 of them have steady jobs. And those few who are in demand and work regularly on film and TV sets include a number of performers who look Russian, Chinese, or Iranian. This is because many U.S. film and TV productions seek actors to play villains — including terrorists, smugglers, human traffickers, deviant politicians, and civil servants — from those countries. And this practice isn’t just limited to the U.S. Recently, in China, for example, the number of anti-Japanese productions is increasing, especially wartime flicks. The latest is the big-budget film Evil Unbound, about a unit of the Japanese Imperial Army conducting experiments on living Chinese people. In July, another anti-Japanese film, Dead to Rights, about Japan’s massacre of Chinese people in the city of Nanjing, grossed the equivalent of $420 million. Villains in High Demand in Hollywood VIDEOAGE DAILY World FROM CREATION TO INTERNATIONAL DISTRIBUTION RETURNS TO LILLE (FRANCE) MARCH 24–26, 2026 MARCH 23 BUYERS UPFRONT 2ND EDITION AHEAD OF THE EVENT, GET AN EXCLUSIVE LOOK AT HIGHLY ANTICIPATED SERIES</p>
97        <p>&#169;2012 DISNEY ENTERPRISES INC./PIXAR</p>
98        <p>January 21, 2026 10 Global Content Highlights (Continued on Page 12) AMERICAN CINEMA INSPIRES Sugarcreek Amish Mysteries The Series (mystery) (pictured) Brand new eight-hour series, Sugarcreek Amish Mysteries is the continuation form UPTV’s greatest hit Sugarcreek Amish Mysteries: Blessings in Disguise. Drawn into one mystery after another, Cheryl quickly realizes her sharp instincts and outsider perspective are exactly what this tight-knit community needs. With the help of her unlikely friendships she forges among her Amish neighbors, Cheryl uncovers more than just answers. She pieces together a new sense of home, belonging, and even the fragile possibility of love. Sugarcreek Amish Mysteries: Blessings in Disguise (mystery) After Cheryl’s 3-year engagement ends in a devastating breakup, her life is turned upside down when her aunt offers her an escape from the city to the Amish town of Sugarcreek. Struggling with being a fish out of water, Cheryl uncovers an unsettling secret that c
98ould disrupt the small town Ohio. Cobra 11 (action) Two police inspectors and their team from a Bonn-Koeln precinct fight all sorts of criminals they encounter daily on major highways in Germany. Vencer o Morir (action, drama) 1793. French Revolution. For three years, Charette, a young man retired from the Royal Navy, has returned home. In the countryside, he resounds the anger of the peasants: they call the young retiree to take the command of the rebellion. We Three Kings (drama, family) In BeBe Winans’ We Three Kings, Bebe plays Lincoln, retired musician turned record store owner, and proud father to the three King sisters, Lydia, Gracie and Abigail. For the first time since their mother’s death, the three estranged King sisters return home for the holidays. The sisters end up finding love in the very town they tried so hard to leave behind. Hasta la Muerte (drama) Fed up with his mysterious and inexplicable wife, Hadi’s business trip turns his life around when he meets a spontaneous and special woman. Contact: [email protected]; [email protected] ATV A.B.I. (drama) (pictured) Doğan, a successful surgeon, returns to Istanbul for a family wedding. His return, however, brings back long-buried traumas and hidden crimes within the Hancıoğlu family. Doğan is forced to make a choice: leave once more and return to his old life, or stay and face the truth by uncovering the secrets at the heart of his family. The Ottoman: Orhan (drama) Osman Bey, the great leader of the Kayı tribe, is now old, and the struggle for succession lies between his sons, Orhan and Alaeddin. Orhan has yet to earn the full support of the leaders, and after a defeat at Bursa, he is stripped of command. While Alaeddin claims his right to the throne under political pressures, Orhan faces the chaos fueled by the Mongols and rival Anatolian principalities. With only his family and a few loyal warriors by his side, he relentlessly fights to fulfill his father’s dream of conquering Bursa and founding the last great Turkish state. Waves of Love (drama) A principled sea captain, Azil, returns home from a long voyage — only to be pulled into a deadly web of power, betrayal, and buried bloodlines when he unknowingly disrupts his half-brother Mehmet’s criminal operations and comes faceto-face with the powerful father, Osman, who once abandoned him, and Gunes, the woman he has fallen for, who now belongs to the very family he never knew he was part of. The Nightfall (drama) Police inspector Mahir, whose father was assassinated by 
98K&#252;rşat Kilimci, is determined to avenge his father’s death. He has a fateful encounter with Canfeza, the daughter of K&#252;rşat, and instantly falls in love. At Canfeza’s wedding, Mahir’s life will change forever. Stranger in the Mirror (drama) Azra and Emirhan seem like the perfect couple, but Emirhan’s obsessive love soon turns her life into a prison. When she tries to escape with her daughter Leyla, tragedy strikes, and Leyla is lost. Desperate, Azra undergoes plastic surgery to return to the Karaaslan mansion under a new identity. But complications erase her memory, and she becomes “Defne.” Drawn back into the mansion as a maid, Defne slowly uncovers dark secrets, reconnects with Leyla, and ultimately realizes the shocking truth: she is Azra, Leyla’s mother, and the key to it all. Contact: Muge Akar, [email protected] CALINOS ENTERTAINMENT Chasing the Sun (drama) (pictured) Gunes is forced to give up her dreams when her brother is imprisoned. Vowing to save him, Gunes infiltrates the life of Ayaz, who she thinks is the cause of this situation. While Ayaz breaks down his emotional walls with Gunes, she cannot avoid being caught between her feelings and revenge. Their journey is woven with secrets, where love becomes both salvation and captivity. Flames of Love (drama) Zumrut, the beautiful daughter of the struggling Kuloglu family, and Serhat, the precious son of the powerful Demirkan family, share an impossible love. Zumrut worked for the Demirkans, and Adil Demirkan eventually proposed despite familial disapproval. On the wedding night, Serhat, who was believed dead, suddenly returned. Torn between Adil, her mother, the Demirkan family, and the love of her life, Zumrut faces an impossible choice. Farah (drama) An Iranian woman flees her country and struggles to survive in Istanbul, working as a cleaning lady to fund her son’s medical treatment. One night, while cleaning, she witnesses a mafia murder and strikes a desperate deal with the hitman, Tahir. This act pulls her into a dangerous web between mafia and police, and an unexpected love story. Chains of Fate (drama) Mustafa struggles to make ends meet with his wife Canan and their young daughter Cemre. When Canan’s illness reaches a critical stage, Mustafa is desperate. To save her life, he confronts the factory owner and demands his wages. What begins as a desperate attempt to keep his family alive will spiral into a day that changes the lives of Mustafa and his daughter Cemre forever. Ana (drama) An ambitious young woman raised in a foster home by social worker Mama Lena, Ana takes a DNA test with her first paycheck to find her biological mother. The result shocks her: her mother is Victoria, her wealthy and powerful boss. Contact: [email protected] DISNEY ENTERTAINMENT LATIN AMERICA Aladdin (adventure, animation, family, musical) (pictured) Aladdin, a street-smart commoner, pairs up with clever, confident Princess Jasmine to fight against the evil sorcerer Jafar and foil his plans of taking over the kingdom. Along the way, Aladdin learns to believe in himself with the help of a comical, shape-shifting Genie whose three wishes can change everything. Brave (animation, family) Pixar Animation Studios whisks you away on an astounding adventure to an ancient land full of mystery and tradition. Bursting with heart, unforgettable characters, and Pixar’s signature humor, Brave is incredible entertainment for the whole family. Cars (action, animation, family) Lightning McQueen is living in the fast lane, until he hits a detour and gets stranded in Radiator Springs, a forgotten town on Route 66. There he meets a heap of hilarious characters who help him discover there’s more to life than fame. Toy Story 2 (adventure, animation, comedy, family) Enter Disney/Pixar’s incredible world with Woody, Buzz and Jessie in the movie that shows us what being a toy, and a friend, is all about. Rediscover the humor, heart and friendship of this hilarious adventure that goes to infinity and beyond! Contact: Tel: (+1 305) 239-8148 VIDEOAGE DAILY Miami Markets 2026</p>
99        <p>FOR BEST COVERAGE AT MIP LONDON VIDEOAGE IS THE PROVEN SOLUTION (MIP LONDON/SERIES MANIA EDITION)</p>
100        <p>January 21, 2026 12 (Continued on Page 14) (Continued from Page 10) INSURGENCE Founded in 2019 by technology executive Niccolo Messina, Insurgence is breaking new ground in the production and distribution of independent films and documentary content. Since its inception, the independent entertainment studio has premiered over 100 original movies and 60 documentaries on its own YouTube channel, amassing more than 9 billion streams worldwide. Insurgence has also licensed select titles from its library of independent features to digital streaming platforms worldwide, further demonstrating the company’s successful production and distribution formula aimed at empowering emerging filmmakers and reshaping the traditional movie distribution landscape. The company features Night Frights, a collection of 10 horror titles, and Lights… Camera… ACTION!, a package of 10 action movies. Contact: [email protected]; [email protected] INTER MEDYA Halef (drama) After secretly marrying Melek, the woman he loves, Serhat returns to his hometown only to be forced by a blood feud into a second, religious marriage with Yıldız. Serhat must step into his new role while living under the same roof with both women. In a mansion filled with enemies and buried truths, not only his leadership but also his love will be put to the ultimate test. Eshref Ruy
100a (drama) (pictured) Eşref spent years searching for a girl he once loved from afar as a child. In the process, he rose to power as a high-ranking member of a mafia syndicate. Musician Nisan ends up entangled in his world. He falls for her, unaware that she’s not only the long-lost love but also a police informant. As love, betrayal, and power collide, Eşref is pulled into a deep reckoning—both with his crew and his own heart. Heartstrings (family drama) The lives of Mahinur Aydın and Aras Yılmazer become intertwined by a dramatic hospital error when their daughters are switched at birth. Mahinur struggles to care for her sick daughter, Bade. As Bade’s condition worsens, Mahinur turns to Aras for help, and they discover the truth through DNA. This revelation sparks conflicts, but they join forces to save Bade. Deception (drama) Family court judge G&#252;zide Yenersoy seems to have it all: a loving lawyer husband, a successful son, and a daughter studying to be a doctor. But beneath the surface, buried secrets threaten to turn G&#252;
100zide’s picture-perfect life upside down. Valley Of Hearts (drama) Sumru abandoned her twins, but now lives a wealthy life. When her twins discover her identity, they confront her. Meanwhile, the Şansalans’ mansion is rife with family drama. As love blossoms between the twins and the Şansalans’ children, Sumru must face her past and decide whether love can overcome revenge. Contact: [email protected] KANAL D INTERNATIONAL Sins &amp; Roses (drama) (pictured) Betrayed by his past, Serhat built an empire on family and honor. But when the woman he loves hides a devastating secret, fate collides him with Zeynep — fearless, passionate, and unlike anyone he’s ever known. A story of shattered trust, forbidden desire, and a love powerful enough to defy destiny. The Family Burden (drama) Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal. As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother. Secret of Pearls (drama) Azem’s life shatters when he takes the blame for his wife’s death to protect his daughter. After prison, he seeks his adopted children, navigating complex relationships, but time has taken its toll. Daylight (drama) Gece’s summer dreams of university and music in Istanbul are disrupted when her family moves to Fo&#231;a for her sister G&#252;lce’s special needs. A tale of love, maturity, and unexpected challenges unfolds. Farewell Letter (drama) Alanur’s life, dependent on Ziya, takes an unexpected turn after 30 years. As their children, Aslı and Mehmet, navigate love and family opposition, hidden connections from the past resurface. Contact: [email protected] MULTICOM ENTERTAINMENT GROUP Legend of Destruction (new release) (animation) (pictured) Using more than 1,500 still paintings, this film tells the story of the Jewish revolt against Rome. Ben Batiach, a stocky, young, kind-hearted yeshiva student, who by the course of events becomes a fanatic zealot, leads the violent revolt against the empire. When he understands the horrendous consequences of his actions, it is too late to stop the impending chaos. The Hijacking of the Achille Lauro (1989) (drama) A global digital premiere, recently restored into 4K. In 1985, four militants of the Palestine Liberation Front hijack an Italian ocean liner, the Achille Lauro, demanding the release of Palestinians incarcerated in Israeli prisons. The fate of several passengers lies in their hands, among them Jewish-American businessman and World War II veteran Leon Klinghoffer. Kafka’s Last Trial (new release) (documentary) When Franz Kafka died in 1924, his loyal friend Max Brod could not bring himself to fulfill Kafka’s last instruction: to burn his remaining manuscripts. Instead, Brod devoted his life to championing Kafka’s work, rescuing his legacy from both obscurity and physical destruction. A gripping account of the controversial trial in Israeli courts — brimming with dilemmas legal, ethical, and political — that determined the fate of Kafka’s manuscripts. MOLT (new release) (drama, horror, thriller) Consumed by an Internet conspiracy about a sinister, unseen entity, a journalist grows convinced the threat is real. As his investigation deepens, he loses his grip on reality and spirals into paranoia. Ignoring his roommate’s warnings, he turns to a fringe parapsychologist who feeds his obsession. He doesn’t know if he’s closing in on the ominous presence—or if it’s hunting him. Big Dogs (2020) (action, crime) In a near-future where New York City is crushed by economic collapse, an elite NYPD unit takes justice underground, going undercover as taxi drivers to hunt gangsters, corrupt officials, and anyone threatening to burn the city down. But when alliances shift, even the lawmen can’t tell which side they’re really on. Big Dogs is a gritty, adrenaline-fueled crime thriller with high-stakes action, morally complex heroes, and a world on the brink. Contact: [email protected] NBCUNIVERSAL GLOBAL TV DISTRIBUTION The Five-Star Weekend (drama series) (pictured) Hollis Shaw (Golden Globe-winning and Emmy Award-nominated actress Jennifer Garner, The Last Thing He Told Me, Alias), a famed food influencer known for her delicious recipes, impeccable taste, and warm demeanor suffers a devastating loss. Unable to move forward, the effects of the loss start to expose the cracks in Hollis’s picture-perfect life—her strained marriage, her complicated relationship with her daughter, and her growing pursuit of validation from her followers. In an effort to overcome grief and find herself again, Hollis gets the idea to host a weekend away at her house in Nantucket with three friends from different stages in her life: her childhood, her twenties, thirties, and one surprise fifth star. Set against a luxurious and coastal backdrop, they will mature in ways they could never imagine as boun
100daries are pushed and secrets are exposed. The series is an adaptation of Elin Hilderbrand’s New York Times bestseller of the same name. PONIES (drama series) Moscow, 1977. Two “PONIES” (“persons of no interest” in intelligence speak) work anonymously as secretaries in the American Embassy. That is until their husbands are killed under mysterious circumstances in the USSR, and the pair become CIA operatives. Bea (Emilia Clarke) is an over-educated, Russian-speaking child of Soviet immigrants. Her cohort, Twila (Haley Lu Richardson), is a small-town girl who is as abrasive as she is fearless. Together, they work VIDEOAGE DAILY Miami Markets 2026</p>
101        <p>January 21, 2026 13 1. Inter Medya’s Beatriz Cea Okan, Sinem Aliskan. 2. NBCUniversal’s Andrew Clavin and Victor Dangond. 3. OGM’s Ekin Koyuncu Karaman. 4. Sinapsis Produccion’s Alejandro Parra. 5. Record TV’s Delmar Andrade. 6. Electric Entertainment’s Raul Pi&#241;a. 7. Blue Ant International’s Maria Ibarra and Vme’s Doris Vogelmann. 8. TRT Sales’ G&#246;kce Aydogdu. 9. SIC’s Carlota Vieira, Andr&#233; Santos Silva. 10. Boat Rocker’s Natalie Vines, Brad Horvath. 11. CeciG’s Cecilia Gomez de la Torre with Emilia Media’s Emilia Nuccio, and Fresh Bread’s George Rivera. 1. 4. 6. 9. 2. 3. 8. 11. 7. 10. 5. VIDEOAGE DAILY Photopage</p>
102        <p>January 21, 2026 14 (Continued from Page 12) to uncover a vast Cold War conspiracy and solve the mystery that made them widows in the first place. Lobo, Morir Matando (action-drama series) All hope is placed on Damian Rosales, a former detective tasked with protecting the young life of Renata de la Colina. She holds the key to a large fortune that many powerful and corrupt people are eager to acquire at all costs. The intense hunt begins, leading Damian and Renata on a dangerous journey that forges a bond of trust between the two solitary souls. The mission of protection turns into one of salvation for each other, where the only way out is to fight... or die fighting. Amadeus (limited drama series) When 25-year-old Amadeus arrives in bustling 18th Century Vienna, no longer a child prodigy and craving creative freedom, his world collides with two pivotal figures: his fiercely loyal future wife, Constanze Weber, and devoutly religious court composer, Antonio Salieri. As Amadeus’ brilliance continues to flourish in spite of his personal demons, a questionable reputation and skepticism from the conservative court, Salieri becomes increasingly tormented by this apparent divine gift. Amadeus is a threat to all that he holds dear in life: his talent, his reputation, even his faith in God, Salieri vows to bring him down. What begins as professional rivalry turns into a deeply personal obsession spanning 30 years, culminating in a murder confession and a desperate attempt to entwine himself with Mozart’s legacy forever. Prisoner (drama series) The high-stakes action thriller follows Amber (Izuka Hoyle), a principled young prison transport officer tasked with escorting Tibor (Tahar Rahim), a trained killer and high-value inmate, to court to testify against his elite crime syndicate. When their convoy is brutally ambushed, she’s forced to put her life in his hands. As the sole survivors, handcuffed and on the run, they must race to reach their destination alive and on time. Along the way, their uneasy alliance is tested as the syndicate closes in. Trust becomes a weapon and their shackled survival a moral dilemma, forcing Amber to confront how far she’ll go to protect what matters most. Contact: Tel: (+1 818) 777-1300 OGM UNIVERSE Deep In Love (drama) (pictured) Deep in Love is a poetic and emotional epic set on the stormy shores of the Black Sea. When two heirs of rival clans fall in love, their forbidden passion reignites an ancient curse that once turned lovers to stone. Years later, their lost daughter returns, unaware of her true identity, and finds herself caught between love, blood, and destiny. Reborn (drama) Aslı gets a second chance at life with a donor heart. The heart she received belonged to the daughter of Istanbul’s wealthiest family. With every beat of her borrowed heart, she steps deeper into a dangerous web of passion, secrets, and betrayal where love could either save or destroy her. The Fall of the King (drama) Kenan Baran — The King — appears to have it all: wealth, power, and a perfect wife. But beneath the surface, betrayal, desire, and old wounds threaten to shatter his empire. When one woman from his past reclaims her strength and another from a modest life becomes an unexpected temptation, Kenan’s reign begins to crumble. Six of Us (drama) Six siblings — Azize, Cemo, Zeliha, Fidan, Samet, and Balım — flee Istanbul after the brutal murder of their parents. At its core, the series explores themes of family, love, sacrifice, and the fight for survival amid both external threats and internal turmoil. Shahrarazad: Tears of Istanbul (drama) A young woman’s love becomes her greatest test when she makes a deadly pact to save her beloved. Set against the enchanting yet ruthless backdrop of Istanbul, Shahrarazad: Tears of Istanbul is a story of impossible love, sacrifice, and the price of power. Contact: [email protected] RADIAL ENTERTAINMENT C
102onan (variety show) (pictured) Hosted by Conan O’Brien, alongside his longtime sidekick Andy Richter, Conan blended O’Brien’s signature humor with celebrity interviews, current events, and pop culture. His guests ranged from Hollywood’s biggest stars to acclaimed musicians, authors, athletes, and political figures. In addition to a regular procession of celebrities from film, TV, and music, Conan was known for remote shoots that spanned the globe. Death Comes Knocking (unscripted, true-crime series) This gripping true-crime series tells the stories of ten standalone murder investigations across the U.S. and U.K., where in each episode, the suspect or key evidence was caught on a doorbell or security cam. Each episode explores the circumstances leading up to the homicides and charts the subsequent investigations, with the footage providing critical clues to help catch the killer. The series deep dives into the latest technology — including facial recognition, audio enhancement, and behavioural analysis — that helped solve the cases, with the help of world-leading forensic audio and video experts. Golden Princess Movie Library (scripted, action feature) Collection featuring 156 Hong Kong classics by John Woo and Ringo Lam, including new 4K of Hard Boiled, The Killer, A Better Tomorrow, Once A Thief, and City on Fire. JTSU (unscripted, reality series) Enter a world of extreme challenges as Justin and friends compete in battles of wits and wills — from overnight survival competitions to the ultimate marathon of hide-and-seek! Millennium Films (scripted, action, feature film) This extensive library includes London Has Fallen, Olympus Has Fallen, Angel Has Fallen, The Mechanic 1 &amp; 2, Hitman’s Bodyguard 1 &amp; 2, Rambo and Rambo V. Contact: [email protected] TELEFILMS Marty Supreme (drama) (pictured) Set in the underground world of 1950s table tennis, Marty Supreme follows Marty Mauser (Timoth&#233;e Chalamet), a young dreamer determined to earn respect in a sport no one takes seriously. As his talent grows, so does his obsession, pushing him into a dangerous game of ambition, hustling, and redemption. Greenland Migration (action) After surviving the disaster that wiped out most of Earth, the Garrity family leaves their bunker in Greenland to face a new reality. Together, they set out on a dangerous journey across a destroyed world, searching for a place to start again... and for hope. Shelter (action) On a remote coastal island, a reclusive man rescues a young girl from a deadly storm, drawing them both into danger. Forced out of isolation, he must confront his turbulent past while protecting her, sending them on a tense journey of survival and redemption. The Drama (drama) A happily engaged couple get put to the test when an unexpected revelation sends their wedding week off the rails. Nuremberg (drama) After World War II, U.S. Army psychiatrist Lt. Col. Douglas Kelley is tasked with evaluating Hermann G&#246;ring and other top Nazi officials as the Allies prepare the historic Nuremberg Trials. As Kelley delves deeper into the minds of the regime’s leaders, he realizes the unsettling truth of how ordinary individuals can perpetrate extraordinary evil. Contact: [email protected] VIDEOAGE DAILY Miami Markets 2026</p>
103        <p>thearchive.tv DOWNLOAD THE APP | Free Movies &amp; TV &#169;Multicom Entertainment Group, Inc. | TheArchive.tv, All rights reserved. Available on: Rare, Retro, &amp; Restored Hollywood of Stash Secret Your</p>
104        <p>Suite Number: 502</p>
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