https://manddsobhann.org/assets/index-Bu8Vzxuk.js

1import{j as e}from"./ui-vendor-DS2fvFAB.js";import{f as h,r as m}from"./react-vendor-OCOswVCI.js";import{T as u,x as g,z as t,E as r,U as o,V as n}from"./admin-CxiXZOvO.js";import"./utils-vendor-DyvudwK4.js";import{J as x}from"./media-DiS1Q5YD.js";function w(){const{hash:s}=h();return m.useEffect(()=>{if(s){const a=document.getElementById(s.replace("#","")),i=document.querySelector("header");if(a){const l=setTimeout(()=>{const d=i?i.offsetHeight:0,c=a.getBoundingClientRect().top+window.scrollY-d;window.scrollTo({top:c,behavior:"smooth"})},100);return()=>clearTimeout(l)}}},[s]),e.jsxs("div",{className:"container mx-auto px-4 py-8",children:[e.jsx("section",{className:"mb-16",children:e.jsxs("div",{className:"relative h-[200px] md:h-[300px] w-full overflow-hidden rounded-xl mb-8",children:[e.jsx("img",{src:"/nirantari-record.avif",alt:"Mandd Sobhann People",className:"object-cover w-full h-full"}),e.jsxs("div",{className:"absolute inset-0 bg-gradient-to-r from-burgundy/20 to-transparent flex flex-col justify-center p-6 md:p-12 text-center md:text-left",children:[e.jsx("h1",{className:"text-3xl md:text-5xl font-bold text-white mb-4 font-heading subtle-contrast",children:"The People"}),e.jsx("p",{className:"text-lg md:text-xl text-white/90 max-w-md mx-auto md:mx-0 mb-6 subtle-contrast",children:"The visionaries and team behind Mandd Sobhann"})]})]})}),e.jsxs("section",{className:"mb-16",children:[e.jsx("h2",{className:"text-3xl font-bold mb-8 font-heading text-center",children:"The Visionaries of the Mandd Sobhann Music Experiment"}),e.jsxs(u,{defaultValue:"eric",className:"w-full",children:[e.jsxs(g,{className:" grid w-full grid-cols-2 sm:grid-cols-2 md:grid-cols-3 sm:gap-0 bg-transparent mb-14 gap-2",children:[e.jsx(t,{value:"chafra",className:`bg-cream text-lg data-[state=active]:bg-burgundy data-[state=active]:text-white 
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4               hover:bg-burgundy/10 transition-colors rounded-lg`,children:"Melvyn Rodrigues"})]}),e.jsx(r,{value:"chafra",className:"mt-6",children:e.jsxs("div",{className:"grid grid-cols-1 md:grid-cols-3 gap-8",children:[e.jsx("div",{className:"md:col-span-1",children:e.jsxs("div",{className:"sticky top-24",children:[e.jsx("div",{className:"relative aspect-square w-full overflow-hidden rounded-xl mb-4",children:e.jsx("img",{src:"/chafra-new.avif",alt:"Chafra D'costa",className:"object-cover w-full h-full"})}),e.jsxs("div",{className:"text-center",children:[e.jsx("h3",{className:"text-xl font-bold mb-2",children:"Chafra D'costa"}),e.jsx("p",{className:"text-muted-foreground font-semibold",children:"(1931-1992)"}),e.jsx("p",{className:"text-muted-foreground",children:"Poet & Playwright"})]})]})}),e.jsx("div",{className:"md:col-span-2 space-y-6",children:e.jsx("div",{className:"prose prose-lg max-w-none",children:e.jsxs(o,{initialVisibleParagraphs:3,children:[e.jsxs("p",{children:[e.jsx("b",{children:"Charles Francis D'costa (Chafra D'costa)"})," can be considered one of the brightest stars of Konkani, for all eternity. Deservingly, he was bestowed the title",e.jsx("b",{children:" 'Amar Chafra'"})," meaning 'Immortal Chafra'."]}),e.jsx("p",{className:"mt-4",children:'He was born on October 10, 1931, at Marnemikatte, Mangalore. Starting his Primary education at St John’s Higher Elementary School, Jeppu, he completed his SSLC at Milagres High School in 1948. He wrote and staged his first play "Nishttur Botl" in 1946, before moving to Mumbai with his family on May 1, 1948.'}),e.jsx("p",{className:"mt-4",children:`After a brief stint with the Election Commission of India, he joined B.E.S.T. and later established his own press. Chafra began his literary journey by writing articles for "Po'ynnari" in 1951, eventually becoming its editor for three years, during which he published his first story "Volachi Mo'ryad" and poem "Tukay Asa Vantto."`}),e.jsx("p",{className:"mt-4",children:`He was a regular reciter of poems on Akashvani from 1953, with his first poem "So'pnnantulem Raz" appearing in prominent magazines. His song "Komblya Babam-no Sad-re Ghala" gained immense popularity. In 1956, he became the editor of "Zag Mag." His first novel, "Sanybachem Pato'k," was serialized in "Po'ynnari" in 1960.`}),e.jsx("p",{className:"mt-4",children:`He was a fierce critic of social evils, forming a wing in "Po'ynnari" to fight against dowry, and his anti-dowry play "Sobhit So'msar" received acclaim from renowned playwright P.K. Atre (published in “Maratha”). His literary contributions were recognized early, with his poems included in Goan textbooks in 1962.`}),e.jsx("p",{className:"mt-4",children:`ChaFra moved back to Mangalore in 1969 , where he presented his plays “Jorji Butel” and “To'r

4nem To'rnem Mornem”. He married Stella Dcosta in 1974 and, in the same year, became the founder president of the Konkani Bhasha Mandall. He also founded "Jivit" Magazine in 1976 and brought the oppression of ST Christians in Pavoor to light in the "Udev" magazine.`}),e.jsx("p",{className:"mt-4",children:'His enduring impact on Konkani literature was cemented with the Central Sahitya Academy Award for his collection of poems, "Sonshache Kan," in 1989, following which 4 of his works were published in Nagari script in Goa and his Stories were published in Malayali Script in Magazines in Kerala.'}),e.jsxs("p",{className:"mt-4",children:["The Mangalorean Konkani Community honored him with ",e.jsx("b",{children:`"Konko'nni Sahity Kularo'tn"`})," in 1990."]}),e.jsx("p",{className:"mt-4",children:`ChaFra wrote extensively, with a repertoire including 13 plays (including the popular "Bhangar Munis"), 7 short plays, 5 novels, over 300 poems, and numerous articles and essays. He penned over 150 songs for various music troupes, including Mangalore's "Paradela," "Rang Tarang," and "Mandd Sobhann." `}),e.jsx("p",{className:"mt-4",children:'He served as Honorary President of Mandd Sobhann and as "Sutar" (Sootradar) for it’s presentations, apart from writing over 70% of Mandd Sobhann’s songs. Through his writings and speeches, he openly and critically questioned religion, politics, and false social practices.'}),e.jsx("p",{className:"mt-4",children:"ChaFra breathed his last on December 03, 1992. Yet, through his valued works and deep impact on Konkani Literature, he remains immortal."})]})})})]})}),e.jsx(r,{value:"melvyn",className:"mt-6",children:e.jsxs("div",{className:"grid grid-cols-1 md:grid-cols-3 gap-8",children:[e.jsx("div",{className:"md:col-span-1",children:e.jsxs("div",{className:"sticky top-24",children:[e.jsx("div",{className:"relative aspect-square w-full overflow-hidden rounded-xl mb-4",children:e.jsx("img",{src:"/melvyn.avif",alt:"Melvyn Rodrigues",className:"object-cover w-full h-full"})}),e.jsxs("div",{className:"text-center",children:[e.jsx("h3",{className:"text-xl font-bold mb-2",children:"Melvyn Rodrigues"}),e.jsx("p",{className:"text-muted-foreground",children:"Poet & Literary Figure"})]})]})}),e.jsx("div",{className:"md:col-span-2 space-y-6",children:e.jsx("div",{className:"prose prose-lg max-w-none",children:e.jsxs(o,{initialVisibleParagraphs:3,children:[e.jsxs("p",{children:["Born on 8th July, 1962, ",e.jsx("b",{children:"Melvyn Eugine Rodrigues"})," is one of the founding members and a driving force behind the Mandd Sobhann Musical Experiment. A distinguished Konkani Poet and Cultural Visionary, he played a pivotal role in shaping the early years of Mandd Sobhann by writing Lyrics, hosting Programmes, and guiding its Artistic Direction."]}),e.jsxs("p",{className:"mt-4",children:["He has authored numerous well-known Konkani songs, including ",e.jsx("i",{children:"Hanv Vetam, Ko’ttye Bhito'rlem Narlachem Vollem, Punve Ch'andne Tujya Angar, Zo’lma Disa, Ye' Moga Thoddem Ulo’vyam, Matyar Soro Astana, Hanv Kobu, Chint’tam So’dam, Jam' Zalom, Pavs, Sonrgo Hanv, Deva Mho'jya Yoare Aro, To’ddvana, Ko’llana"}),", and ",e.jsx("i",{children:"To Ye'vn Gela"}),". His celebrated song ",e.jsx("i",{children:"Chint’tam So’dam"})," was rendered by renowned playback singer Anup Jalota. He has also contributed significantly to Konkani Ghazal writing."]}),e.jsxs("p",{className:"mt-4",children:["As the founder of the ",e.jsx("b",{children:"Kavita Trust"}),", he has worked tirelessly to promote Konkani poetry at regional, national, and international levels. Through sustained literary initiatives, mentorship, and editorial work, he has inspired children, youth, and aspiring writers, earning him recognition as ",e.jsx("i",{children:"a poet who creates poets"}),". His works have been translated into Kannada, English, Hindi, Punjabi, and Arabic."]}),e.jsxs("p",{className:"mt-4",children:["His published works include poetry collections such as ",e.jsx("i",{children:"Mogapello, Fintam, Vaat, Pro’kr’tich'o Pas, Vinch'nar Ko'vita, Devi Nin'kasi, 20 Vya Shekddyantlyo Konko'nni Ko'vita, Ugtem Dar, Kupam Po'ndlim Mukham, Kallokantlim Ko'ntaram"}),", and ",e.jsx("i",{children:"Kavllya Pavlanchim Navlam"}),", along with the prose collections ",e.jsx("i",{children:"Shabdulim"})," and ",e.jsx("i",{children:"Kani Zaali Chali"}),", and the audio album ",e.jsx("i",{children:"Dini Dini"}),"."]}),e.jsx("p",{className:"mt-4",children:"Melvyn Rodrigues has received numerous honours, including the Karnataka Konkani S

4ahitya Academy Award, the Sahitya Akademi Award (New Delhi), the Konkani Bhasha Mandal Goa Award, the Daiji Dubai Award, the Konkani Kuttam Bahrain Award, the Vimala V. Pai Poetry Award, the Sandesha Award, and the FKCA Bangalore Honorary Award."}),e.jsx("p",{className:"mt-4",children:"He is also the co-founder of the Dubai Writers’ Union, serves as Convener of the Advisory Committee of the Konkani Section of the Sahitya Akademi, New Delhi, and works as the Director of Operations at Daiji World Media."})]})})})]})}),e.jsx(r,{value:"eric",className:"mt-6",children:e.jsxs("div",{className:"grid grid-cols-1 md:grid-cols-3 gap-8",children:[e.jsx("div",{className:"md:col-span-1",children:e.jsxs("div",{className:"sticky top-24",children:[e.jsx("div",{className:"relative aspect-square w-full overflow-hidden rounded-xl mb-4",children:e.jsx("img",{src:"/eric-bw.avif",alt:"Eric Ozario",className:"object-cover w-full h-full"})}),e.jsxs("div",{className:"text-center",children:[e.jsx("h3",{className:"text-xl font-bold mb-2",children:"Eric Ozario"}),e.jsx("p",{className:"text-muted-foreground font-semibold",children:"(1949 - 2025)"}),e.jsx("p",{className:"text-muted-foreground",children:"Cultural Activist & Composer"})]})]})}),e.jsx("div",{className:"md:col-span-2 space-y-6",children:e.jsx("div",{className:"prose prose-lg max-w-none",children:e.jsxs(o,{initialVisibleParagraphs:3,children:[e.jsxs("p",{children:["Born on May 18th 1949, ",e.jsx("b",{children:"Eric Alexander Ozario"})," Shines as the Brightest Star of Konkani Music and Movement."]}),e.jsx("p",{className:"mt-4",children:"A gifted and pioneering musician, Eric devoted his life to the enrichment of Konkani music, striving ceaselessly to bring innovation and artistic excellence to the field. Celebrated as a noble voice magician, he breathed life into the works of both past and contemporary poets, composing melodies for their verses and delivering them to the people with passion and artistry. His insistence on discipline, rigorous practice, punctuality, and fair remuneration for artists set a benchmark of professionalism that reshaped Konkani stage performances."}),e.jsx("p",{className:"mt-4",children:"In his quest for a distinct Konkani identity in music, Eric initiated the Mandd Sobhann musical experiment on 30 November 1986. Over the course of his career, he performed more than 200 Mandd Sobhann Shows in India and abroad, composed music for over a 1000 poems and songs, has performed in over 800 programmes, and produced 26 audio cassettes and CDs, leaving behind a legacy of unmatched richness. Recognising the need to institutionalize this movement, he founded and registered the Mandd Sobhann organization, dedicated to nurturing the Konkani linguistic identity and safeguarding cultural uniqueness. With the support of the community, he established Kalaangann — The Konkani Heritage Centre — ensuring it was not merely a structure but a vibrant nucleus of continuous cultural activity. Along with President Louis J. Pinto and the committee, over 2,200 performances of thirty-five artistic experiments were staged, supported by campaigns and tours that inspired deep linguistic pride. Mandd Sobhann to this day holds the only Guinness World Record in the name of Konkani."}),e.jsx("p",{className:"mt-4",children:"As director, Eric masterminded and brought to life landmark events including the World’s First Baila Show, Manddo Fest, Porob, Sant, Baila International, Punov, Manddo Utsav, Konkani Mahotsav, Konkani Nirantari, the Global Konkani Music Awards, the First World Konkani Cultural Festival, the Global Konkani Cinema Awards, and five successful seasons of the singing reality show ‘Soad’. His creative vision also gave rise to the Blockbuster Konkani film ‘Osmitay’."}),e.jsx("p",{className:"mt-4",children:"Eric’s passion for nurturing young talent was evident in the numerous vacation camps, training programmes, and workshops he organised, attracting youth and children to Konkani art and providing them with platforms to grow. His initiatives ensured the continuity of cultural engagement, with the Monthly Theatre Series being a particularly enduring endeavour."}),e.jsx("p",{className:"mt-4",children:"During his presidency of the Karnataka Konkani S

4ahitya Academy from 2005 to 2008, Konkani programmes flourished across Karnataka, significant literary works were published, and Konkani was introduced as a third language in school curricula. He also championed unity in diversity, working closely with Kudumi, Siddi, Kharvi, and other Konkani-speaking communities to bring their folk arts into the cultural mainstream, and forging strong cultural ties between Goa and Mangalore."}),e.jsx("p",{className:"mt-4",children:"Bringing 145 Konkani Organizations from around the globe under one Global Organization, he conducted numerous awareness campaigns and, in collaboration with Mangalore University, conducted a global survey and formulated a Konkani Language Plan. He was one of the architects of the first World Konkani Convention held in Mangalore. He drafted the roadmap for this convention. Eric Ozario is among the founding directors of the Konkani Language and Culture Foundation."}),e.jsx("p",{className:"mt-4",children:"Beyond culture, Eric was a committed activist. A proud Communist, Eric spent many precious years of his youth working for the welfare of workers. When some religiously-led institutions in Mangalore curtailed workers' rights or failed to provide them, he held the red flag high, fought through unique protests, and restored their rights. Opposing the Central Sahitya Academy’s stand of recognizing Konkani only in the Devanagari script and suppressing other Konkani in other scripts, he fought for justice in the High Court for five years on behalf of writers. He has always raised his voice for language, culture, environment, and the rights of the oppressed."}),e.jsx("p",{className:"mt-4",children:"His remarkable journey is documented in three biographies: ‘Red & White’ and ‘The Indefatigable Crusader’ in English, and ‘Tho’kanatl’lo Zhuzari’ in Konkani."}),e.jsx("p",{children:"The recipient of the Karnataka Rajyotsava Award in 1993, the prestigious title ‘Vishwa Konkani Kala Ratn’, and a Senior Fellowship from India’s Department of Culture, Eric was also introduced to audiences nationwide through Doordarshan’s ‘Surabhi’. Numerous organisations, including BarpiMitr Muscat, Konkani Kutam Bahrain, Daiji Dubai, and the Konkani Natak Sabha, honoured him with lifetime achievement awards, alongside hundreds of other accolades."})]})})})]})})]})]}),e.jsxs("section",{id:"people",className:"mb-16",children:[e.jsx("h2",{className:"text-3xl font-bold mb-8 font-heading text-center",children:"The People at Mandd Sobhann"}),e.jsxs("div",{className:"mb-12",children:[e.jsxs("h3",{className:"text-2xl font-bold mb-6 font-heading text-center",children:["Office Bearers ",n.TENURE]}),e.jsx("div",{className:"grid grid-cols-1 sm:grid-cols-2 md:grid-cols-3 lg:grid-cols-4 gap-8",children:n.OFFICE_BEARERS.map((a,i)=>e.jsxs("div",{className:"flex flex-col items-center text-center",children:[e.jsx("div",{className:"relative w-40 h-52 rounded-lg overflow-hidden mb-4 border-4 border-burgundy/10",children:e.jsx("img",{src:`/leadership/${a.image}`,alt:a.name,className:"object-cover w-full h-full"})}),e.jsx("h4",{className:"text-lg font-bold text-burgundy",children:a.name}),e.jsx("p",{className:"text-muted-foreground",children:a.post})]},i))})]}),e.jsxs("div",{className:"mb-12",children:[e.jsx("h3",{className:"text-2xl font-bold mb-6 font-heading text-center",children:"Ex-Officio"}),e.jsx("div",{className:"flex flex-wrap justify-center gap-8",children:n.EX_OFFICIO.map((a,i)=>e.jsxs("div",{className:"flex flex-col items-center text-center w-full sm:w-64 shrink-0",children:[e.jsx("div",{className:"relative w-40 h-52 rounded-lg overflow-hidden mb-4 border-4 border-burgundy/10",children:e.jsx("img",{src:`/leadership/${a.image}`,alt:a.name,className:"object-cover w-full h-full"})}),e.jsx("h4",{className:"text-lg font-bold text-burgundy",children:a.name}),e.jsx("p",{className:"text-muted-foreground",children:a.post})]},i))})]}),e.jsxs("div",{className:"mb-12",children:[e.jsx("h3",{className:"text-2xl font-bold mb-6 font-heading text-center",children:"Members"}),e.jsx("div",{className:"flex flex-wrap justify-center gap-8",children:n.COORDINATORS.map((a,i)=>e.jsxs("div",{className:"flex flex-col items-center text-center w-full sm:w-64 shrink-0",children:[e.jsx("div",{className:"relative w-40 h-52 rounded-lg overflow-hidden mb-4 border-4 border-burgundy/10",children:e.jsx("img",{src:`/leadership/${a.image}`,alt:a.name,className:"object-cover w-full h-full"})}),e.jsx("h4",{className:"text-lg font-bold text-burgundy",children:a.name}),e.jsx("p",{className:"text-muted-foreground",children:a.post})]},i))})]}),e.jsx("div",{className:"mb-12",children:e.jsx("div",{className:"grid grid-cols-1 sm:grid-cols-2 md:grid-cols-3 lg:grid-cols-4 gap-8",children:n.MEMBERS.map((a,i)=>e.jsxs("div",{className:"flex flex-col items-center text-center",children:[e.jsx("div",{className:"relative w-40 h-52 rounded-lg overflow-hidden mb-4 border-4 border-burgundy/10",children:e.jsx("img",{src:`/leadership/${a.image}`,alt:a.name,className:"object-cover w-full h-full"})}),e.jsx("h4",{className:"text-lg font-bold text-burgundy",children:a.name})]},i))})}),e.jsxs("div",{className:"mb-12",children:[e.jsx("h3",{className:"text-2xl font-bold mb-6 font-heading text-center",children:"Representatives"}),e.jsx("div",{className:"grid grid-cols-1 sm:grid-cols-2 md:grid-cols-3 lg:grid-cols-4 gap-8",children:n.REPRESENTATIVES.map((a,i)=>e.jsxs("div",{className:"flex flex-col items-center text-center",children:[e.jsx("div",{className:"relative w-40 h-52 rounded-lg overflow-hidden mb-4 border-4 border-burgundy/10",children:e.jsx("img",{src:`/leadership/${a.image}`,alt:a.name,className:"object-cover w-full h-full"})}),e.jsx("h4",{className:"text-lg font-bold text-burgundy",children:a.name}),e.jsx("p",{className:"text-muted-foreground",children:a.domain})]},i))})]})]}),e.jsx(x,{})]})}

4export{w as default};