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class="entry-content"> 129 <h3></h3> 130<table style="border: 0px none; float: left; border-collapse: collapse; table-layout: auto; width: 640px;"> 131<tbody> 132<tr style="border: 0px;"> 133<td style="vertical-align: top; width: 220px;"><iframe src="https://player.vimeo.com/video/478022360" width="â235â" height="â176â" frameborder="0" allowfullscreen="allowfullscreen"><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span></iframe></p> 134<p>Our goal is to provide a stream of ideas and concepts concerning our global visual language.</td> 135<td style="vertical-align: top;"><span style="font-size: 10pt;"><strong>The VASA VJIC staff welcomes you to our open, online, and free</strong></span><strong><em><span style="font-size: 10pt;"> VASA Journal on Images and Culture (VJIC).</span></em></strong></p> 136<p><span style="font-size: 10pt;"><strong>VJIC publishes thematic threads and visual discourses by invited authors. Each author is provided a platform to express their ideas and knowledge on specific topics.<br /> 137</strong></span></p> 138<p><strong><span style="font-size: 10pt;">Theme issues provide the space for a curator/author to build through image and text an inquiry into a specific topic or area.</span></strong></td> 139</tr> 140</tbody> 141</table> 142<h3><strong>Table of Contents</strong> <span style="font-size: 10px;"><em>(VJIC is best viewed with Firefox)</em></span></h3> 143<p>Content is organized by author. To access the work of an author/curator select a theme listed below.</p> 144<p><em>(Editorâs note: Dialogs may appear in various forms and formats. Key to understanding the journalâs use of the term âdialogâ is to understand it as a conversation, an exchange of sorts between the the author and the reader/viewer. A conversation between âyouâ and your experience. Meaning is not always clear and obvious, that is the point. Conversations between âyouâ and âyouâ are complex, if you listen.)</em></p> 145<table class=" alignleft"> 146<tbody> 147<tr> 148<td style="width: 220px; text-align: left; vertical-align: top;"><strong>Thematic Thread:<br /> 149a Manifesto<br /> 150</strong><strong>Michele Agosta</strong>Photographing Fragility: Manifesto of an Ethical and Poetic Gaze </td> 151<td style="padding-left: 60px; text-align: center; vertical-align: middle;"><img class="aligncenter wp-image-1507" src="https://vjic.org/wp-content/uploads/2026/01/Screenshot-2026-01-10-at-15.22.26-1-237x300.png" alt="" width="170" height="215" srcset="https://vjic.org/wp-content/uploads/2026/01/Screenshot-2026-01-10-at-15.22.26-1-237x300.png 237w, https://vjic.org/wp-content/uploads/2026/01/Screenshot-2026-01-10-at-15.22.26-1-768x971.png 768w, https://vjic.org/wp-content/uploads/2026/01/Screenshot-2026-01-10-at-15.22.26-1-810x1024.png 810w, https://vjic.org/wp-content/uploads/2026/01/Screenshot-2026-01-10-at-15.22.26-1.png 932w" sizes="(max-width: 170px) 100v
151w, 170px" /><br /> 152<a href="http://vjic.org/vjic2/?page_id=9017">Access theme table of contents</a></td> 153</tr> 154<tr> 155<td style="width: 220px; text-align: left; vertical-align: top;"><strong>Thematic Thread:<br /> 156Artist Books, photobooks and what’s between<br /> 157</strong>Hi, Iâm Carla Della Beffa,<br /> 158Iâm a visual artist and writer from Italy, my contribution will be about books: photo-books, artistâs books, and in between.<strong>Editor: Carla Della Beffa</strong></td> 159<td style="padding-left: 60px; text-align: center; vertical-align: middle;"><img class="wp-image-1500 aligncenter" src="https://vjic.org/wp-content/uploads/2025/12/carla-vasa-content-libri1-150x150.jpg" alt="" width="176" height="174" /><br /> 160<a href="http://vjic.org/vjic2/?page_id=8878">Access Theme Table of Contents</a></td> 161</tr> 162<tr> 163<td style="width: 220px; text-align: left; vertical-align: top;"><strong>Thematic Thread:</strong></p> 164<h4 class="entry-title"><strong>Sarah Jabbari:<br /> 165(Re) shaping Identity: Resistance,Conformity and Representation</strong></h4> 166<p><strong>Editor: Sarah Jabbari</strong></td> 167<td style="padding-left: 60px; text-align: center; vertical-align: top;"><img class="wp-image-1495 alignnone" src="https://vjic.org/wp-content/uploads/2025/02/Harald_Identities-350-150x150.jpg" alt="" width="184" height="184" /></p> 168<p><a href="https://vjic.org/vjic2/?page_id=8285">Access Identity Table of Contents</a></td> 169</tr> 170<tr> 171<td style="width: 220px; text-align: left; vertical-align: top;"> 172<h4><strong>Thematic Thread:<br /> 173</strong></h4> 174<h4><strong><span style="font-size: 14pt;">AI: Creativity and Imagemaking</span></strong></h4> 175<p><strong>Eds: Edward Bateman & </strong><strong>Robert Hirsch</strong></td> 176<td style="padding-left: 60px; text-align: center; vertical-align: top;"> 177<div id="attachment_1490" style="width: 160px" class="wp-caption aligncenter"><img class="size-thumbnail wp-image-1490" src="https://vjic.org/wp-content/uploads/2025/01/1.6-Max-Headroom300-150x150.jpg" alt="" width="150" height="150" /><p class="wp-caption-text">Max Headroom</p></div> 178<p>Essays consider the role and impact of AI on Creativity and Imagemaking</p> 179<p><a href="https://vjic.org/vjic2/?page_id=8074">Access AI theme Table of Contents</a></td> 180</tr> 181<tr> 182<td style="width: 220px; text-align: left; vertical-align: top;"> 183<h4><strong>Thematic Thread:<br /> 184Street Photography: A Paradigm Considered</strong></h4> 185<p><strong><span style="font-size: 12pt;">Roberto Muffoletto</span></strong></p> 186<p><strong>Roberto is a curator, photographer and director of the VASA Project.</strong></p> 187<p> </td> 188<td style="padding-left: 60px; text-align: left; vertical-align: top;"><iframe src="https://player.vimeo.com/video/1042597478?h=6685a026a2h=6d1c105a0e" width="250" height="204" frameborder="0" allowfullscreen="allowfullscreen"><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span></iframe></p> 189<p>Essays inquire into the narratives and discourse on “Street Photography”<a href="https://vjic.org/vjic2/?page_id=8174">Access Theme Table of Contents</a></td> 190</tr> 191<tr> 192<td style="width: 200px; text-align: left; vertical-align: top;"> 193<h4><strong><br /> 194Thematic Thread:<br /> 195Colonial to Contemporary Photography in Australia</strong></h4> 196<p><strong>Alexandra Guerman</strong></td> 197<td style="padding-left: 60px; text-align: left; vertical-align: top;"> 198<h4 style="text-align: left;"><iframe src="https://player.vimeo.com/video/827973690?h=6d1c105a0e" width="250" height="204" frameborder="0" allowfullscreen="allowfullscreen"><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span></iframe></h4> 199<p>Essays on the voice of First Nations artists and their unique perspectives as rightful owners of this land.</p> 200<p><a href="https://vjic.org/vjic2/?page_id=7475">Access Theme Table of Contents</a></td> 201</tr> 202<tr> 203<td style="width: 200px; text-align: left; vertical-align: top;"> 204<h4><strong><br /> 205Thematic Thread:<br /> 206</strong><strong>Thoughts on Photography</strong></h4> 207<p><strong>Bruce Jackson</strong></p> 208<p><strong>Bruce Jackson</strong> is SUNY Distinguished Professor and James Agee Professor of American Culture at University at Buffalo. He is a photographer and filmmaker.</td> 209<td style="padding-left: 60px; text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/731842255?h=e07cdb11e1" width="250" height="150" frameborder="0" allowfullscreen="allowfullscreen"><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span></iframe></p> 210<h4 style="text-align: left;">Essays on Susan Sontag, Walker Evans and Roland Barthes.</h4> 211<h4><a href="https://vjic.org/vjic2/?page_id=6904"><span style="font-size: 12pt;">Access Theme Table of Contents<br /> 212Thoughts on Photography</span></a></h4> 213</td> 214</tr> 215<tr> 216<td style="width: 200px; text-align: left; vertical-align: top;"> 217<h4><strong>Thematic Thread:<br /> 218Photography and the Holocaust: Then and Now</strong></h4> 219<p><strong>Robert Hirsch</strong></p> 220<p><strong>Robert Hirsch</strong> is a photo-base artist, curator, educator, historian. Hirschâs work has been exhibited in over 200 international solo and group shows.</td> 221<td style="padding-left: 60px; text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/589810557?h=a510f05677" width="250" height="150" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> 222<p>Access Theme Table of Contents<br /> 223<a href="https://vjic.org/vjic2/?page_id=6312">Photography and the Holocaust: </a><br /> 224<a href="https://vjic.org/vjic2/?page_id=6312">Then and Now</a></td> 225</tr> 226<tr> 227<td style="width: 200px; text-align: left; vertical-align: top;"> 228<h4><a href="https://vjic.org/vjic2/?page_id=6178"><strong>Thematic Thread:</strong></a><br /> 229<strong>Only women can do that.</strong></h4> 230<p><span style="font-size: 14pt;"><strong>Sabine Kutt</strong></span></p> 231<p>Sabine is a ballet master, choreographer, art curator and photographer. She received her art education at the renowned Palucca School for Modern Dance and Classical Ballet in Dresden and at the University of Leipzig.</td> 232<td style="padding-left: 60px; text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/593303090?h=10315b5434" width="250" height="150" frameborder="0" allowfullscreen="allowfullscreen"><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span></iframe></p> 233<p> </p> 234<p>Access theme Table of Contents:<br /> 235<a href="https://vjic.org/vjic2/?page_id=6178">Only a woman can do that</a></td> 236</tr> 237<tr> 238<td style="width: 200px; text-align: left; vertical-align: top;"> 239<h4><strong>Thematic Thread:</strong><br /> 240<strong>The Idea of a Wall</strong></h4> 241<p><span style="font-size: 14pt;"><strong>Stefano Ruffa</strong></span></p> 242<p>Stefano Ruffa is a photographer, curator, gallery owner, bookseller. His life is spent working between media & cultural studies and photography. Stefano Ruffa is the founder, curator and director for the <a href="https://www.facebook.com/OneRoom/"><em>ONEROOM Lab and Bookstore</em></a> located in Rome, Italy.</td> 243<td style="padding-left: 60px; text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/521900946" width="250" height="204" frameborder="0" allowfullscreen="allowfullscreen"><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span></iframe></p> 244<p><a href="https://vjic.org/vjic2/?page_id=5853">Access essays:</a><br /> 245<a href="https://vjic.org/vjic2/?page_id=5853">The Idea of a Wall</a></p> 246<p>** Theme Completed</td> 247</tr> 248<tr> 249<td style="width: 200px; text-align: left; vertical-align: top;"> 250<h4><a href="https://vjic.org/vjic2/?page_id=4624"><strong>Thematic Thread:</strong></a><br /> 251<a href="https://vjic.org/vjic2/?page_id=4624"><strong>Quantum and the Visual Arts</strong></a></h4> 252<h4><strong>Dan Duda</strong></h4> 253<p><em>Dan Duda is a scientific writer and contributor to VJIC. He is living in Lititz, Pennsylvania (USA).</em></td> 254<td style="padding-left: 60px; text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/139607269" width="250" height="204" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /> 255<a href="https://vjic.org/vjic2/?page_id=4624">Access The Quantum and the Visual Arts Thematic Thread Essays</a></td> 256</tr> 257<tr> 258<td style="width: 200px; text-align: left; vertical-align: top;"> 259<h4><a href="https://vjic.org/vjic2/?page_id=5687"> <strong>Thematic Thread:</strong></a><br /> 260<a href="https://vjic.org/vjic2/?page_id=5687"><strong>Can An Artist Create Their Own Unique Language?</strong></a></h4> 261<p>Nkosinathi Dlamini, Austria<br /> 262Mike Amrose, USA<br /> 263Judith Rodriguez,Argentina<br /> 264Paula Scamparini, Brazil<br /> 265Sandeep Biswas, India<br /> 266Andreas Muller, Austria<br /> 267Lesia Maruschak, Canada<br /> 268Lawrence Brose, USA</td> 269<td style="padding-left: 60px; text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/478023215" width="250" height="140" frameborder="0" allowfullscreen="allowfullscreen"><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span><span style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" data-mce-type="bookmark" class="mce_SELRES_start"></span></iframe></p> 270<p><a href="https://vjic.org/vjic2/?page_id=5687">Access: Can An Artist Create </a><br /> 271Their Own Unique Language?</p> 272<p>** Theme Completed</td> 273</tr> 274<tr> 275<td style="width: 200px; text-align: left; vertical-align: top;"> 276<h4><a href="https://vjic.org/vjic2/?page_id=4622"><strong>Thematic Thread:</strong></a><br /> 277<a href="https://vjic.org/vjic2/?page_id=4622"> <strong>On Photography</strong></a></h4> 278<h4><strong>SaÌndor SzilaÌgyi</strong></h4> 279<p><em><strong>Sándor Szilágyi</strong> is a Hungarian media theorist, writer on photography, living in Budapest, Hungary. His interest range from Hungarian art photography, documentarist photography, and the theoretical questions of photography.</em></td> 280<td style="padding-left: 60px; text-align: center; vertical-align: top;">VASA – VJIC is inviting you to<br /> 281ten (10) essays by SaÌndor SzilaÌgyi. <iframe src="https://player.vimeo.com/video/142495124" width="250" height="204" frameborder="0" allowfullscreen="allowfullscreen"></iframe><a href="https://vjic.org/vjic2/?page_id=4622">Access <em>On Photography</em> Thematic Thread Essays</a>**<br /> 282Theme Completed</td> 283</tr> 284</tbody> 285</table> 286<p> </p> 287<table> 288<tbody> 289<tr> 290<td style="text-align: left; vertical-align: top;"> 291<h4><strong><a href="https://vjic.org/vjic2/?page_id=5134">Thematic Thread:<br />
292Phenomenology of Photography</a><br /> 293</strong></h4> 294<h4><strong>Ione Manzali</strong></h4> 295<p><em>Iona Manzali is a Brazilian philosopher and contributor to VJIC. She is living in Europe. </em></td> 296<td style="text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/190862305" width="250" height="175" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> 297<p><a href="https://vjic.org/vjic2/?page_id=5134">Access The Phenomenology of Photogoraphy Thematic Thread Essays</a></p> 298<p>** Theme Completed</td> 299</tr> 300<tr> 301<td style="text-align: left; vertical-align: top;"> 302<h4><a href="https://vjic.org/vjic2/?page_id=5268"><strong>Thematic Thread:<br /> 303The Image, The Text and the Author</strong></a></h4> 304<h4><strong>Daniela Noitz</strong></h4> 305<p><em>Daniela Noitz is an Austrian writer and author.</em></p> 306<p> </td> 307<td style="text-align: center; vertical-align: top;"><iframe src="https://player.vimeo.com/video/201998280" width="250" height="175" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> 308<p><a href="https://vjic.org/vjic2/?page_id=5268">Access The Image, The Text and </a><br /> 309<a href="https://vjic.org/vjic2/?page_id=5268">the Author</a></p> 310<p>** Theme Completed</td> 311</tr> 312<tr> 313<td style="text-align: left; vertical-align: top;"> 314<h4><a href="https://vjic.org/vjic2/?page_id=3590"><strong>Theme Issue: Identity Politics</strong></a></h4> 315<p><a href="https://vjic.org/vjic2/?page_id=3590"> <strong>Editor: Rachel Zimmermann</strong></a></p> 316<p><em>Throughout history artists and academics alike have been significantly concerned with the relationship between art and issues of identity… </em></td> 317<td style="text-align: center; vertical-align: top;"><a href="https://vjic.org/wp-content/uploads/2014/12/fini-1.jpg"><iframe src="//player.vimeo.com/video/118233631" width="220" height="165" frameborder="0" allowfullscreen="allowfullscreen"></iframe></a></p> 318<p><a href="https://vjic.org/vjic2/?page_id=3590">Access Identity Politics Theme</a></p> 319<p>** Theme Completed</td> 320</tr> 321<tr> 322<td style="text-align: left; vertical-align: top;"> 323<h4><a href="https://vjic.org/vjic2/?page_id=4728"><strong>Theme Issue:<br /> 324The Photobook in Digital Times</strong></a></h4> 325<p>Editor: Mary Gold</p> 326<p>Invited essays, videos and e-publications that inquired into the photographic e-book addressing issues related to the disappearance of the object â the dematerialization of the book.</p> 327<p> </td> 328<td style="text-align: center; vertical-align: top;"> <iframe src="https://player.vimeo.com/video/157906349" width="220" height="165" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> 329<p><a href="https://vjic.org/vjic2/?page_id=4728">Access The Photobook</a><br /> 330<a href="https://vjic.org/vjic2/?page_id=4728">in Digital Times</a></p> 331<p>** Theme Completed</td> 332</tr> 333</tbody> 334</table> 335<p><strong>Past Essays, Book Discussions, Visual Dialogs<br /> 336Note: Past Issues for more essays and reviews.<br /> 337</strong></p> 338<table class=" alignleft" style="border: 0px none; float: left; width: 100%; border-collapse: collapse; table-layout: auto;"> 339<tbody> 340<tr style="border: 0px none;"> 341<td style="width: 220px; text-align: center; vertical-align: top;"> 342<p><div id="attachment_1367" style="width: 310px" class="wp-caption aligncenter"><img class="wp-image-1367 size-medium" src="https://vjic.org/wp-content/uploads/2014/12/impractical_woman_kor-2-1-300x213.jpg" alt="© Dana SochorovaÌ" width="300" height="213" srcset="https://vjic.org/wp-content/uploads/2014/12/impractical_woman_kor-2-1-300x213.jpg 300w, https://vjic.org/wp-content/uploads/2014/12/impractical_woman_kor-2-1-768x546.jpg 768w, https://vjic.org/wp-content/uploads/2014/12/impractical_woman_kor-2-1-1024x728.jpg 1024w" sizes="(max-width: 300px) 100vw, 300px" /><p class="wp-caption-text">© Dana SochorovaÌ</p></div></td> 343<td style="text-align: left; vertical-align: top;"> 344<h4><span style="font-size: 12pt;">September 2016</span></h4> 345<h4><strong>Dana SochorovaÌ</strong></h4> 346<p><a href="https://vjic.org/vjic2/?page_id=5094"><strong>Impractical Woman</strong></a></p> 347<p>The long term time-lapse project, part of which I present here, consists of recording everyday events and situations documented in the passage of time with the intention to show life in its unstoppable flow. Although the narrative in the background is personal, it also has a universal validity.</td> 348</tr> 349<tr style="border: 0px none;"> 350<td style="width: 220px; text-align: center; vertical-align: top;"> 351<div class="mceTemp"></div> 352<p><div id="attachment_1355" style="width: 160px" class="wp-caption aligncenter"><img class="size-thumbnail wp-image-1355" src="https://vjic.org/wp-content/uploads/2014/12/IE-golden-gate-park-san-francisco-1-of-1-150x150.jpg" alt="© Brady" width="150" height="150" /><p class="wp-caption-text">© Brady</p></div></td> 353<td style="text-align: left; vertical-align: top;"> February 2016</p> 354<p><strong>Mark Brady</strong><br /> 355Book Discussion:<br /> 356<strong><a href="https://vjic.org/vjic2/?page_id=4693">The Paisley Tunnel</a></strong></p> 357<p>Easy Rider, Robert Frank’s <em>The Americans</em>. Woodstock, California Dreaming, Vietnam, Civil rights and the Women’s Rights Movement are the unspoken context of this book….</td> 358</tr> 359<tr style="border: 0px none;"> 360<td style="width: 220px; text-align: center; vertical-align: top;"> 361<div id="attachment_1194" style="width: 160px" class="wp-caption aligncenter"><a href="https://vjic.org/wp-content/uploads/2014/12/reznik03.jpg"><img class="wp-image-1194 size-thumbnail" src="https://vjic.org/wp-content/uploads/2014/12/reznik03-150x150.jpg" alt="© Reznik" width="150" height="150" /></a><p class="wp-caption-text">© Reznik</p></div> 362<p><iframe src="https://player.vimeo.com/video/130850129" width="220" height="165" frameborder="0" allowfullscreen="allowfullscreen"></iframe></td> 363<td style="text-align: left; vertical-align: top;">August 2015</p> 364<p><strong>Ksenia Belash</strong><br />
365Book discussion:<br /> 366<strong><a href="https://vjic.org/vjic2/?page_id=4261">Natalya Reznik: Secrets</a></strong></p> 367<p>When I was initially considering how to approach writing about âSecretsâ, I thought of a number of possible readings which could result from this exquisitely designed edition …</td> 368</tr> 369<tr style="border: 0px none;"> 370<td style="width: 220px; text-align: center; vertical-align: top;"> 371<div class="mceTemp"> 372<div id="attachment_1186" style="width: 160px" class="wp-caption aligncenter"><a href="https://vjic.org/wp-content/uploads/2014/12/DSC_0086.jpg"><img class="size-thumbnail wp-image-1186" src="https://vjic.org/wp-content/uploads/2014/12/DSC_0086-150x150.jpg" alt="© Dennis Church" width="150" height="150" /></a><p class="wp-caption-text">© Dennis Church</p></div> 373</div> 374</td> 375<td style="text-align: left; vertical-align: top;">July 2015</p> 376<p><strong>Dennis Church</strong><br /> 377<a href="https://vjic.org/vjic2/?page_id=4244">Visual Dialog: Other Americans</a></p> 378<p>inspired to photograph people on the street, with an intent of just looking very closely at what is, what do people look like on this street corner, on this day in time. I worked …</td> 379</tr> 380<tr style="border: 0px;"> 381<td style="vertical-align: top; width: 220px;"><a href="https://vjic.org/wp-content/uploads/2014/12/Nikola_Mihov_The_Sea_Inside_07-copy.jpg"><img class="aligncenter wp-image-1178" src="https://vjic.org/wp-content/uploads/2014/12/Nikola_Mihov_The_Sea_Inside_07-copy-300x200.jpg" alt="© Nikola Mihov" width="238" height="163" /></a></td> 382<td style="vertical-align: top;">June 2015</p> 383<p><strong>Nikola Mihov</strong><br /> 384<strong><a href="https://vjic.org/vjic2/?page_id=4160">Visual Dialog: The Sea Inside</a></strong></p> 385<p>On June 2014, the Black Sea town of Varna, Bulgaria, was hit by heavy rains. Тhe suburb of Asparuhovo was swamped by a three-metre high wave destroying…</td> 386</tr> 387<tr style="border: 0px;"> 388<td style="vertical-align: top; width: 220px;"><a href="https://vjic.org/wp-content/uploads/2014/12/klaus-fp-600.jpg"><img class="wp-image-1169 aligncenter" src="https://vjic.org/wp-content/uploads/2014/12/klaus-fp-600-300x189.jpg" alt="klaus-fp-600" width="236" height="150" srcset="https://vjic.org/wp-content/uploads/2014/12/klaus-fp-600-300x189.jpg 300w, https://vjic.org/wp-content/uploads/2014/12/klaus-fp-600.jpg 600w" sizes="(max-width: 236px) 100vw, 236px" /></a></td> 389<td style="text-align: left; vertical-align: top;">April 2015</p> 390<p>Klaus Pamminger<br /> 391<strong>Visual Dialogs:</strong><br /> 392<strong><a href="https://vjic.org/vjic2/?page_id=4084">Four Films</a></strong></p> 393<p>One key theme of the artist is the exploration of space as both architectural and social or virtual dimension. Spatial and temporal ….<strong><a href="https://vjic.org/vjic2/?page_id=4084"> more</a></strong></td> 394</tr> 395<tr style="border: 0px;"> 396<td style="width: 220px; text-align: center; vertical-align: top;"> <a href="https://vjic.org/wp-content/uploads/2014/12/paula-arcadie-250.jpg"><img class="wp-image-1165 size-full" src="https://vjic.org/wp-content/uploads/2014/12/paula-arcadie-250.jpg" alt="Paula Scamparini" width="250" height="195" /></a></td> 397<td style="text-align: left; vertical-align: top;">April 2015</p> 398<p><strong>Paula Scamparini</strong><br /> 399<strong>Visual Dialogs:</strong><br /> 400<strong><a href="https://vjic.org/vjic2/?page_id=3939">Serie Palavras and Muchen Series</a></strong></p> 401<p>As the contemporary times indicate the rebuilding of our relations with nature and the world itself, I believe it is of great importance to work within culture from the perspective that any reconstruction requests before some obliteration.</td> 402</tr> 403<tr style="border: 0px;"> 404<td style="vertical-align: top; width: 220px;"><a href="https://vjic.org/wp-content/uploads/2014/12/oats-3.jpg"><img class="wp-image-1155 aligncenter" src="https://vjic.org/wp-content/uploads/2014/12/oats-3-150x150.jpg" alt="Leah Oates" width="202" height="193" /></a></td> 405<td style="text-align: left; vertical-align: top;">February 2015</p> 406<p><strong>Leah Oats</strong><br /> 407<strong>Visual Dialog: <a href="https://vjic.org/vjic2/?page_id=3710">Transitory Space</a></strong></p> 408<p><em>Transitory spaces have a messy human energy that is perpetually in the present yet continually altering. They are endlessly interesting, alive places where there is a great deal of beauty and</em> …</td> 409</tr> 410</tbody> 411</table> 412 </div><!-- .entry-content --> 413 </div><!-- #post-## --> 414 415 416 <div id="comments"> 417 418 419 420 421</div><!-- #comments --> 422 423 424 </div><!-- #content --> 425 </div><!-- #container --> 426 427 428 <div id="primary" class="widget-area" role="complementary"> 429 <ul class="xoxo"> 430 431<li id="text-4" class="widget-container widget_text"> <div class="textwidget"><b>Editor:</b><br> 432 Roberto Muffoletto, MFA, Ph.D. 433 434</div> 435 </li><li id="text-3" class="widget-container widget_text"> <div class="textwidget"> 436</div> 437 </li> </ul> 438 </div><!-- #primary .widget-area --> 439 440 441 <div id="secondary" class="widget-area" role="complementary"> 442 <ul class="xoxo"> 443 <li id="text-5" class="widget-container widget_text"> <div class="textwidget"></div> 444 </li> </ul> 445 </div><!-- #secondary .widget-area --> 446 447 </div><!-- #main --> 448 449 <div id="footer" role="contentinfo"> 450 <div id="colophon"> 451 452 453 454 <div id="footer-widget-area" role="complementary"> 455 456 457 458 459 <div id="fourth" class="widget-area"> 460 <ul class="xoxo"> 461 <li id="eu_cookie_law_widget-2" class="widget-container widget_eu_cookie_law_widget"><div 462 class="hide-on-button" 463 data-hide-timeout="30"
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