1<!doctype html> 2 <!--[if lt IE 7]> <html class="no-js lt-ie9 lt-ie8 lt-ie7"> <![endif]--> 3 <!--[if IE 7]> <html class="no-js lt-ie9 lt-ie8"> <![endif]--> 4 <!--[if IE 8]> <html class="no-js lt-ie9"> <![endif]--> 5 <!--[if gt IE 8]><!--> <html class="no-js"> <!--<![endif]--> 6 7 8 9 <head> 10 <meta charset="utf-8"> 11 <meta http-equiv="X-UA-Compatible" content="IE=edge,chrome=1"> 12 <title>Speaking - Brian Chirls</title> 13 <meta name="author" content="Brian Chirls"> 14 15 <meta name="description" content="Speaking Computer Assisted Reporting Conference, Atlanta, 2015 Panel: VR for the NICAR world: Immersive data, with Robert Hernandez and Fergus Pitt …"> 16 17 <meta name="viewport" content="width=device-width"> 18 <link rel="canonical" href="http://chirls.com/speaking"> 19 20 <link href="/favicon.png" rel="icon"> 21 <link href="/stylesheets/screen.css" media="screen, projection" rel="stylesheet"> 22 <link href="/atom.xml" rel="alternate" title="Brian Chirls" type="application/atom+xml"> 23 </head> 24 25 26 <body > 27 28 <header> 29 <div class="grid-wrapper"> 30 <div class="grid"> 31 32 <div class="grid__item two-fifths lap-four-sixths palm-one-whole"> 33 <a href="/" class="site-title">Brian Chirls</a> 34</div> 35 36<div class="grid__item three-fifths lap-two-sixths palm-one-whole"> 37 <nav> 38 <input type="checkbox" id="toggle"> 39<label for="toggle" class="toggle" data-open="Main Menu" data-close="Close Menu"></label> 40<ul class="menu pull-right"> 41 <li><a href="/">Home</a></li> 42 <li><a href="/about/">About</a></li> 43 <li><a href="/work/">Work</a></li> 44 <li><a href="/speaking/">Speaking</a></li> 45</ul> 46 </nav> 47</div> 48 49 </div> 50</div> 51 </header> 52 53 54 55 <div class="grid-wrapper"> 56 <div class="grid grid-center"> 57 58 <div class="grid__item two-thirds lap-one-whole palm-one-whole"> 59 60 61 62<h1 class="title indent"> 63 Speaking 64</h1> 65<hr class="divider"> 66 67 68<h3>Computer Assisted Reporting Conference, Atlanta, 2015</h3> 69 70<p>Panel: <a href="http://ire.org/events-and-training/event/1494/1720/">VR for the NICAR world: Immersive data</a>, with <a href="http://annenberg.usc.edu/Faculty/Communication%20and%20Journalism/HernandezR.aspx">Robert Hernandez</a> and <a href="https://twitter.com/fergle">Fergus Pitt</a></p> 71 72<h3>IDFA <a href="http://www.doclab.org/2014/idfa-doclab-interactive-conference-2014/">DocLab Interactive Conference</a>, Amsterdam, 2014</h3> 73 74<p>Panel: Virtual Reality, with Danfung Dennis (<a href="http://www.conditionone.com/">Condition One</a>), <a href="http://www.themachinetobeanother.org">BeAnotherLab</a> (The Machine to Be Another), and <a href="http://oscarraby.net">Oscar Raby</a> (media artist)</p> 75 76<h3>IDFA <a href="http://www.idfa.nl/industry/festival/program-sections-awards/doclab-immersive-reality/doclab-academy.aspx">DocLab Academy</a>, Amsterdam, 2014</h3> 77 78<p>Masterclass: Design Patterns in Interactive Documentary</p> 79 80<p><a href="https://github.com/brianchirls/doclab2014masterclass">Presentation Slides</a></p> 81 82<h3>CPH:DOX, Copenhagen, 2014</h3> 83 84<p><a href="http://cphdox.dk/en/screening/community-building">Community Building</a> seminar</p> 85 86<p>This seminar takes a look at how you can involve your community already during the development phase, and how new digital technologies make it possible to engage them and interact with them. <a href="http://www.purpose.com/john-jackson/">John Jackson</a>, a professional public affairs strategist for companies such as Purpose and the co-author of ‘Small Acts of Resistance’ will moderate the panel, which consists of <a href="http://momentofilm.se/profiles/kerstin-uberlacker/">Kerstin Ãberlacker</a> from Sweden, who will talk about the transmedia project Ghostrocket about UFO data, the Danish artist group Wooloo who will talk about their social and political community experiments, and finally the American creative media developer Brian Chirls will show us what is technologically possible today, as well as how the opportunities create new rules for how we can involve the audience. Co-organized by SWIM.</p> 87 88<p><a href="https://github.com/brianchirls/cphdox2014">Presentation Slides</a></p> 89 90<h3>JSConf Asia, 2013</h3> 91 92<p>Getting Serious with Web Video</p> 93 94<p>This presentation introduces Seriously.js, a Javascript library for performing real-time video compositing effects in a browser with WebGL, exploring the lessons learned and the possibilities of combining the best of cinema with the best of the web. I’ll give a broad overview of the technical achievements and challenges, explore the art of designing an API for a creative audience, and project how far we’ll push the browser technology in the next year. Expect shiny demos.</p> 95 96<h3>DIY Days Ghent, 2012</h3> 97 98<p><a href="http://diydays.creativemediadays.be/session/technical-aspects-workshop">Technical aspects workshop</a></p> 99 100<p>Brian will give a background on how technology and culture shape each other on the Internet, show off the current state of the art, and then demonstrate some bleeding edge stuff that’s coming in the next year. Expect a lots of examples, especially of media pieces that go bad by using technology the wrong way.</p> 101 102<h3>South By Southwest Film Festival, 2012</h3> 103 104<p>Panel: Does HTML5 offer a montage moment for web cinema?</p> 105 106<p>Imagine if you could weave the sum of all human knowledge seamlessly into your film or documentary. New technologies like HTML5 make this possible. Video, audio and animation no longer needs to be in a “black box”, separate from other elements on a page. Recent works like The Wilderness Downtown, 3 Dreams of Black, and the hypervideo experiments from Mozilla’
106s Web Made Movies lab point to a radical shift in how we think of moving images. In the same way that montage pioneers like Eisenstein and Griffiths showed us that new formal and technical possibilities could blow our perceptions of cinema wide open, these panelists will bring examples and ideas that point to the storytelling potential when the web is fused with the power of cinema. The panel will include a brief presentation of a few innovative examples that feature high quality story and aesthetics as well as advanced technologies like: WebGL, Popcorn.js and the upcoming HTML Stream Processing API (an open standard for browser access to camera and microphone).</p> 107 108<p><a href="http://etherworks.ca/">Brett Gaylor</a> – Project Lead, <a href="http://mozillapopcorn.org/">Mozilla Popcorn Project</a> 109<a href="http://www.jigarmehta.com/">Jigar Mehta</a> – <a href="http://www.18daysinegypt.com/">18 Days in Egypt</a> 110Ingrid Kopp – Tribeca New Media Fund</p> 111 112<h3>Open Video Conference, 2011</h3> 113 114<p><a href="http://openvideoconference.org/video-processing-with-webgl/">Fun with WebGL, The audio API, and more</a></p> 115 116<p>Modern web broswers can make some amazing audiovisual candy, through new capabilities like HTML5, fast Javascript, and WebGL. All these capabilities point to untapped creative possibilitiesâthough weâre starting to see some really cool web-native cinema, like Google Creative Labâs Three Dreams of Black and NFBâs 1 Millionth Tower; and in a burgeoning WebGL gaming community. In this session, members of the web demoscene and creative communities will take turns showcasing their cool hacks and proofs-of-concept. Stuff like 3D and physics, beat detection, video processing, chromakey and lumakey, and more. Free form discussion, and possibly hacking, will follow.</p> 117 118<p>Brian Chirls – <a href="http://seriously.js.org">Seriously.js</a> 119<a href="http://robothaus.org/secretrobotron/">Robert Richter</a> – Mozilla 120<a href="http://mrdoob.com/">Mr. Doob</a> – <a href="https://github.com/mrdoob/three.js">Three.js</a> 121<a href="http://weare.buildingsky.net/">Corban Brook</a> – <a href="https://wiki.mozilla.org/User:David.humphrey/Audio_Data_API_2">Mozilla Audio Data API</a> 122Charles âCJâ Cliffe- <a href="https://github.com/cjcliffe/CubicVR.js">CubicVR.js</a></p> 123 124<h3>Transilvania International Film Festival, 2011</h3> 125 126<p>Thursday, June 9th 127Panel: Regional cooperation for postproduction, distribution and exhibition of feature films</p> 128 129<p>The roundtable will focus on digital distribution evolution, new models of distribution and will offer the opportunity to present and discuss concrete studies of films produced and distributed in the region, using innovative strategies. Our main belief is that cooperation between producers and distributors is more important than competition during this period of transition.</p> 130 131<p>with Jamie King, CEO of <a href="http://vodo.net">VODO</a>.</p> 132 133<h3>South By Southwest Film Festival, 2010</h3> 134 135<p>Sunday, March 14th – 12:30 PM to 1:30 PM 136Panel: <a href="http://my.sxsw.com/events/event/35"> The Main Event: Finding an Audience for Your Film</a></p> 137 138<p>The music industry is in freefall, bringing speculation that live shows are the revenue stream of the future. But what about film? Learn how to create events from four-walling, to multiple screenings how to make these screenings profitable, both financially and critically.</p> 139 140<p><a href="http://infinicine.com/">Laure Parsons</a> – <a href="http://xplusxfilms.com/">x + x films</a> / Director/Consultant 141Mila Aung-Thwin – <a href="http://www.eyesteelfilm.com/">EyeSteelFilm</a> / VP 142Brian Chirls – Three Eyed Labs 143Liz Ogilvie – B-Side 144<a href="http://jonreiss.com">Jon Reiss</a> – Hybrid Cinema / Filmmaker & Consultant</p> 145 146<h3><a href="http://theconversationspot.com/schedule.html">The Conversation</a>, 2010</h3> 147 148<p>Saturday, March 27th – 3:15 PM to 4:15 PM 149Workshop: Social Media Consults</p> 150 151<p>Social media experts will briefly highlight some of their favorite strategies for generating awareness – then answer your questions about tools and tactics that will work for your projects.</p> 152 153<p>Angel Aviles-Clinton, Co-Founder, <a href="http://bescenemarketing.com/">
153BeScene Marketing</a> 154Mila Aung-Thwin – <a href="http://www.eyesteelfilm.com/">EyeSteelFilm</a> / VP 155<a href="http://www.seanfitzroy.com/">Sean Fitzroy</a>, Founder, Cineshift 156Joselin Mane, CEO, <a href="http://www.litbel.com/">LITBeL</a> 157Host: Scott Macaulay, Producer and Editor, <a href="http://www.filmmakermagazine.com/">Filmmaker Magazine</a></p> 158 159<h3><a href="http://diydays.com/2010/03/registrationopens/">DIY DAYS NYC</a>, 2010</h3> 160 161<p>Saturday, April 3, 2010 – Time TBD 162Content TBD, but I promise it will be sci-fi and trippy</p> 163 164<h3>Harvard Business School Entertainment and Media Conference</h3> 165 166<p>Thursday, February 11, 2010 167<strong>“From the âWindowâ to the âWallâ: Changing Distribution Patterns in the Film Landscape”</strong> 168with Mark Gill (CEO, <a href="http://filmdept.com/">The Film Department</a>), John Logigian (Former COO, Walden Media), Georg Szalai (Editor of The Hollywood Reporter), Anita Elberse (Harvard Business School)</p> 169 170<h3>Open Video Conference</h3> 171 172<p>Saturday, June 20, 2009 @ 2:30 pm 173<a href="http://openvideoconference.org/venue/">Vanderbilt Hall, NYU</a> 17440 Washington Square S 175New York, NY 10012 176<a href="http://openvideoconference.org/venue/">map</a> 177<a href="http://chirls.com/2009/06/18/an-open-metadata-solution/">more details</a></p> 178 179<h3>Independent Film Festival Boston</h3> 180 181<p>Sunday, April 26, 2009 @ 12:00 pm 182<a href="http://www.somervilletheatreonline.com/somerville/index.php">Somerville Theatre</a> 18355 Davis Sq 184Somerville, MA 02144 185(617) 625-5700 186<a href="http://maps.google.com/maps?sourceid=Mozilla-search&q=somerville+theater,+somerville,+ma&ie=UTF8&ll=42.397189,-71.122527&spn=0.019649,0.036006&t=h&z=15&iwloc=A">map</a> 187<a href="http://chirls.com/2009/04/06/panel-independent-film-festival-boston/">more details</a></p> 188 189<h3>New Producers Alliance DigiDays Panel at Berlinale</h3> 190 191<p>Sunday, February 8, 2009 @ 11:00 192<a href="http://www.homebase-berlin.net/">HomeBase Lounge</a> 193Köthener str. 44 19410963 Berlin 195<a href="http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=K%C3%B6thener+Stra%C3%9Fe+44,+berlin&sll=52.505094,13.376149&sspn=0.008451,0.015664&g=K%C3%B6thener+str.+44,+berlin&ie=UTF8&z=16&iwloc=cent">map</a> 196Hosted by <a href="http://www.npa.org.uk/">New Producers Alliance</a></p> 197 198<h3>International Film Festival Rotterdam 2009</h3> 199 200<p><a href="http://www.filmfestivalrotterdam.com/professionals/cinemine/rotterdam_lab/rotterdam-lab-diy.aspx">Cinemart/Rotterdam Lab Workshop</a> 201<strong>DIY Workshop</strong>, Monday, January 26, 2009 202<strong>“Why DIY?” Panel</strong>, Monday, January 28, 2009 203with Lucius Barre, Lance Weiler (<a href="http://seizethemedia.com/">Seize The Media</a>, dir. <em>Head Trauma</em>), Michel Reilhac (<a href="http://www.arte-tv.com">ARTE France Cinema</a>), David Pope (<a href="http://www.npa.org.uk">New Producers Alliance</a>), Michael Gubbins (<a href="http://www.screendaily.com">Screen International</a>), Della Churchill (Chilling Pictures), Liz Rosenthal (<a href="http://powertothepixel.com">Power to the Pixel</a>)</p> 204 205<h3>New Zealand Film Commission, “Smashing The Window: A New Era of Film Distribution”</h3> 206 207<p>October 3, 2009 208<strong>Presentation: “A New Physics of Storytelling”</strong> 209<strong>Presentation: <em>Four Eyed Monsters</em> War Stories</strong> 210<strong>Panel Discussion</strong> 211with Jason Janego (<a href="http://www.magpictures.com">Magnolia Pictures</a>), Andy Freedman (<a href="http://www.substance001.com">Substance PR</a>)</p> 212 213<h3>From Here to Awesome, DIY Days San Francisco</h3> 214 215<p>August 17, 2008 216<strong>Presentation: “Cinema and the Singularity”</strong> 217with Jerry Paffendorf (<a href="http://wellohorld.com">Wello Horld</a>)</p> 218 219<h3>South By Southwest Film Festival, 2008</h3> 220 221<p>March 11, 2008 222Panel: <a href="http://2008.sxsw.com/film/conference/panels_schedule/?action=show&id=FP060177">We Like Short Shorts</a> 223with Jigar Mehta (<a href="http://www.nytimes.com">The New York Times</a>), Nathan Zellner (<a href="http://zellnerbros.com/goliath/">Goliath</a>), Brent Hoff (<a href="http://www.wholphindvd.com/">Wholphin DVD</a>), Nicole Barnette (Fourteen)</p> 224 225<h3>International Film Festival Rotterdam 2008</h3> 226 227<p>Cinemart Panel</p> 228 229<h3>Big Apple Film Festival</h3> 230 231<p>November 17, 2007 232<strong>
232Panel: Distribution in the New Age</strong> 233with Aaron Levine (<a href="http://genart.org/">Gen Art</a>), Peter Goldwyn (<a href="http://www.samuelgoldwynfilms.com/">Samuel Goldwyn Films</a>), Clémence Taillandier (Zeitgeist Films), Erik Davis (<a href="http://cinematical.com/">Cinematical.com</a>) 234<a href="http://chirls.com/2007/12/09/baff-panel-video/">View video of entire panel</a></p> 235 236<h3>Power to the Pixel at London Film Festival</h3> 237 238<p>October 26, 2007 239<strong>Breakout Q&A;</strong> moderated by Richard Ayers (<a href="http://www.magiclantern.co.uk/">Magic Lantern</a>) 240<a href="http://chirls.com/2007/11/06/power-to-the-pixel-breakout-qa/">Video of entire session</a></p> 241 242<h3>Vancouver International Film Festival</h3> 243 244<p>September 26, 2007 245<strong>Panel: Viral Marketing and Digital Distribution</strong> 246with Jim Gilliam (Brave New Films), Gerard Ungerman</p> 247 248<h3>Directors Guild of America</h3> 249 250<p>September 8, 2007 251<strong>Independent Directors Committee Think Tank</strong> 252with Arin Crumley and Susan Buice (<a href="http://foureyedmonsters.com/">Four Eyed Monsters</a>)</p> 253 254 255 256 </div> 257 258 259 <aside id="sidebar" class="grid__item one-third lap-one-whole palm-one-whole"> 260 <div class="grid"> 261 262 263<section class="social aside-module grid__item one-whole lap-one-half"> 264 <h1 class="title delta"> 265 Follow me 266 </h1> 267 <ul class="unstyled"> 268 269 270 <li><a class="github" href="//github.com/brianchirls"><i class="icon-github"></i> Github</a></li> 271 272 273 <li><a class="linkedin" href="//linkedin.com/in/brianchirls"><i class="icon-linkedin-sign"></i> LinkedIn</a></li> 274 275 <li><a class="stackoverflow" href="//stackoverflow.com/users/771724"><i class="icon-stackexchange"></i> StackOverflow</a></li> 276 <li><a class="twitter" href="//twitter.com/bchirls"><i class="icon-twitter"></i> Twitter</a></li> 277 278 </ul> 279</section> 280 281 282 <section id="recent-posts" class="aside-module grid__item one-whole lap-one-half"> 283 <h1 class="title delta">Recent Posts</h1> 284 <ul class="divided"> 285 286 <li class="post"> 287 <a href="/2014/03/20/relaunch/">Relaunch</a> 288 </li> 289 290 <li class="post"> 291 <a href="/2011/04/28/what-im-working-on-interactive-video-for-citizen-journalism/">What I'm Working On: Interactive Video for Citizen Journalism</a> 292 </li> 293 294 <li class="post"> 295 <a href="/2011/04/28/a-self-organizing-ad-hoc-peer-to-peer-human-network-for-optimal-subterranean-transportation-routing/">A Self-Organizing, Ad-hoc, Peer-to-peer, Human Network for Optimal Subterranean Transportation Routing</a> 296 </li> 297 298 <li class="post"> 299 <a href="/2011/02/08/what-im-working-on-tweet-to-the-middle-of-a-video/">What Iâm Working On: Tweet to the middle of a video</a> 300 </li> 301 302 <li class="post"> 303 <a href="/2011/01/13/what-im-working-on-synchronized-videos-in-html5-featuring-ok-go/">What I'm Working On: Synchronized Videos in HTML5 (featuring Ok Go)</a> 304 </li> 305 306 </ul> 307</section> 308<section class="contact aside-module grid__item one-whole lap-one-half"> 309 <h1 class="title delta"> 310 Contact 311 </h1> 312 <i>first name</i> at <i>last name</i> dot com 313</section> 314 315</div> 316 317 </aside> 318 319 </div> 320 </div> 321 322 <footer> 323 <div class="grid-wrapper"> 324 <div class="grid"> 325 <div class="grid__item"> 326 <p class="copyright"> 327 All content by Brian Chirls and licenced under <a href="//creativecommons.org/licenses/by-nc-sa/3.0/ie/">Creative Commons</a>.<br> 328 Code under <a href="//github.com/coogie/oscailte/blob/master/README.md">MIT Licence</a>. 329</p> 330 </div> 331 </div> 332</div> 333 334 </footer> 335 336 <!--[if lt IE 7]> 337 <p class="chromeframe">You are using an <strong>outdated</strong> browser. Please <a href="http://browsehappy.com/">upgrade your browser</a> or <a href="http://www.google.com/chromeframe/?redirect=true">activate Google Chrome Frame</a> to improve your experience.</p> 338 <![endif]--> 339 340
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