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807<div id="moduleContentWrapper19601794" class="widget-wrapper widget-type-page"><div id="moduleContent19601794"> 808 809 810 811 812 813 <p><a href="https://masto.ai/@gary">Mastodon</a>: <a href="https://hcommons.social/web/@garyhall">@[email protected]</a></p> 814 <p><a href="https://hcommons.org/members/garyhall/">Knowledge Commons (was Humanities Commons)</a></p> 815</div></div></div> 816 817 818 819 820 821 </div></div></div></div></div></div> 822 823 824 825 <div id="sectionContent8183532" class="sectionWrapper "><div class="iw-s1"><div class="iw-s2"><div class="iw-s3"><div class="iw-s4"><div class="section"> 826 827 <div class="caption">Latest</div> 828 829 830 831 <div class="content-passthrough"><div id="moduleContentWrapper19710174" class="widget-wrapper widget-type-page"><div id="moduleContent19710174"> 832 833 834 835 836 837 <p><a href="https://open.substack.com/pub/openhumanities/p/welcome-to-the-open-humanities-newsletter?r=1iuqqb&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true">Open Humanities</a> newsletter</p> 838 <p><a href="http://garyhall.squarespace.com/100-inhuman-made-badges/">100% Inhuman Made badges project</a></p> 839 <p><span class="full-image-block ssNonEditable"><span><a href="http://garyhall.squarespace.com/100-inhuman-made-badges/"><img style="width: 184px;" src="/storage/Screenshot%202026-04-13%20at%2010.23.48.png?__SQUARESPACE_CACHEVERSION=1777305746358" alt="" /></a></span></span></p> 840 <p>Podcast: '<a href="https://www.youtube.com/watch?v=_QbYJ2JwSn4">Gary Hall: Defund Culture</a>', <em>Breaking Culture Live, </em>April,<em> </em>2026</p> 841 <p>Podcast: '<a href="https://www.scholeirl.org/">Friendship, and Other Ways of Producing Knowledge</a>', featuring Sigi Jöttkandt, Joanna Zylinska and Gary Hall, <em>ScholÄ IRL</em>, Episode 4, April 2026</p> 842 <p>Podcast: '<a href="http://garyhall.squarespace.com/journal/?SSScrollPosition=0">Defund Culture by Any Means Necessary</a>', <em>Minor Compositions Podcast</em> - Season 2, Episode 5, March, 2026, with Gary Hall and Seth Wheeler, hosted by Stevphen Shukaitis</p> 843 <p>Book: <a href="https://www.mediastudies.press/defund-culture-a-radical-proposal"><em>Defund Culture: A Radical Proposal</em></a><em>, </em>2026</p> 844 <p><span class="full-image-block ssNonEditable"><span><a href="https://www.mediastudies.press/pub/nb-hall-defund/release/3"><img src="https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcT7goqhPbEzTBZTfYwgbmxkG1qAHvyGhij67JYe7DvnXQ&s&__SQUARESPACE_CACHEVERSION=1771683441236" alt="" /></a></span></span></p> 845 <p>Talk: ‘<a href="https://www.bcs.org/events-calendar/2025/october/webinar-liquidate-ai-art">Liquidate AI Art</a>’, <a href="https://computer-arts-society.com/events/index.html">Computer Arts Society</a>, London, 15 October, 2025</p> 846 <p><span class="full-image-block ssNonEditable"><span><a href="http://www.openhumanitiespress.org/books/titles/masked-media/"><img src="http://www.openhumanitiespress.org/book-covers/masked-media_cover_200x300.png?__SQUARESPACE_CACHEVERSION=1741884961240" alt="" /></a></span></span></p> 847 <p>Book:<em> </em><a href="http://www.openhumanitiespress.org/books/titles/masked-media/"><em>Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence</em></a><em>, </em>2025</p> 848 <p>Journal issue: <a href="https://parsejournal.com/journal/#ecologies-of-dissemination">Ecologies of Dissemination</a> issue of <em>PARSE</em> <em>Journal</em> #21 - Summer, 2025, edited by Eva Weinmayr and Femke Snelting. (I am one of the contributors to this experimental issue which emphasizes collective, community-based and relational practices of knowledge production over individual authorship.) </p> 849 <p>AI Magazine: <a href="https://www.robotreviewofbooks.org/"><em>Robot Review of Books</em></a></p> 850 <p><span class="full-image-block ssNonEditable"><span><a href="https://www.robotreviewofbooks.org/"><img style="width: 188px;" src="/storage/Screenshot%202024-06-22%20at%2015.28.07.png?__SQUARESPACE_CACHEVERSION=1719253276759" alt="" /></a></span></span></p> 851</div></div></div> 852 853 854 855 856 857 </div></div></div></div></div></div> 858 859 860 861 <div id="sectionContent2980410" class="sectionWrapper "><div class="iw-s1"><div class="iw-s2"><div class="iw-s3"><div class="iw-s4"><div class="section"> 862 863 <div class="caption">Some recent and not-so-recent publications</div> 864 865 866 867 <div class="content-passthrough">
867<div id="moduleContentWrapper6852474" class="widget-wrapper widget-type-page"><div id="moduleContent6852474"> 868 869 870 871 872 873 <p><!--[if !mso]> <mce:style><! v\:* {behavior:url(#default#VML);} o\:* {behavior:url(#default#VML);} w\:* {behavior:url(#default#VML);} .shape {behavior:url(#default#VML);} --> <!--[endif] --></p> 874 <p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:DoNotShowRevisions /> <w:DoNotPrintRevisions /> <w:DoNotShowMarkup /> <w:DoNotShowComments /> <w:DoNotShowInsertionsAndDeletions /> <w:DoNotShowPropertyChanges /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> <w:LidThemeOther>EN-GB</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> 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/* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} --> <!--[endif] --></p> 875 <p><a href="https://thewritingplatform.com/2024/05/a-brief-history-of-writing-from-human-meaning-to-computational-pattern-recognition-and-beyond/">A Brief History of Writing</a>: From Human Meaning to Pattern Recognition and Beyond, with Joanna Zylinska</p> 876 <p><a href="https://compendium.copim.ac.uk/">Experimental Publishing Compendium</a></p> 877 <p><a href="http://www.openhumanitiespress.org/books/series/liquid-books/">Combinatorial Books: Gathering Flowers</a> (book series)</p> 878 <p>‘<a href="https://www.liverpooluniversitypress.co.uk/pb-assets/OA%20chapters/Briel_9781802076622_ch5_OA-1687267442.pdf">How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel</a>’.</p> 879 <p><span class="ssNonEditable full-image-block"><span><a href="https://www.liverpooluniversitypress.co.uk/pb-assets/OA%20chapters/Briel_9781802076622_ch5_OA-1687267442.pdf"><img style="width: 90px;" src="http://garyhall.squarespace.com/storage/9781802070545.cover.jpg?__SQUARESPACE_CACHEVERSION=1715849850207" alt="" /></a></span></span></p> 880 <p>'<a href="https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6/release/1">Experimenting With Copyright Licences</a>' (blogpost for the COPIM project - <span class="text-wrapper">part of the documentation for the first book of the <a href="http://www.openhumanitiespress.org/books/series/liquid-books/">Combinatorial Books</a> pilot</span>)</p> 881 <p>Contribution to '<a href="https://www.journals.uchicago.edu/doi/10.1086/721475">Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!</a>' (invited talk: in Spanish translation with English subtitles)</p> 882 <p><a href="http://partisansocialclub.com/re-commoning/">How to Practise the Culture-led Re-Commoning of Cities (printable poster)</a>, Partisan Social Club, adjusted by Gary Hall</p> 883 <p><span class="full-image-block ssNonEditable"><span><a href="https://pure.coventry.ac.uk/ws/portalfiles/portal/72398432/CityDoesNotExistHALLJORDAN_1_.pdf"><img style="width: 294px;" src="/storage/Screenshot%202024-03-16%20at%2009.09.29.png?__SQUARESPACE_CACHEVERSION=1710584782137" alt="" /></a></span></span></p> 884 <p>'<a href="https://anchor.fm/aposthumanities/episodes/S2E6-Gary-Hall-Writing-against-elitism-with-A-Stubborn-Fury-e166bip">Writing Against Elitism with A Stubborn Fury</a>' (podcast)</p> 885 <p><span class="full-image-block ssNonEditable"><span><a href="http://www.openhumanitiespress.org/books/titles/a-stubborn-fury/"><img style="width: 90px;" src="/storage/a-stubborn-fury_cover_200x300.jpg?__SQUARESPACE_CACHEVERSION=1715849871743" alt="" /></a></span></span></p> 886 <p>'<a href="https://soundcloud.com/user-230862454/the-uberfication-of-the-university">The Uberfication of the University - with Gary Hall</a>' (podcast)</p> 887 <p><span class="full-image-block ssNonEditable"><span><a href="https://manifold.umn.edu/projects/the-uberfication-of-the-university"><img style="width: 90px;" src="/storage/mini.jpg?__SQUARESPACE_CACHEVERSION=1715849880960" alt="" /></a></span></span></p> 888 <p>'"<a href="https://www.semana.com/cultura/articulo/la-modernidad-fue-un-blip-en-el-sistema-sobre-teorias-y-disrupciones-con-gary-hall/202105/">La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall</a>' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)</p> 889 <p>'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Mé
889ndez Cota - <a href="https://doi.org/10.21428/785a6451.d3ecc6cc">Part 1</a>; <a href="https://doi.org/10.21428/785a6451.5be753b2">Part 2</a>; <a href="https://doi.org/10.21428/785a6451.6804756b">Part 3</a> (blog post)</p> 890 <p><a style="font-size: 12px;" href="https://www.upress.umn.edu/book-division/books/the-uberfication-of-the-university"></a></p> 891</div></div></div> 892 893 894 895 896 897 </div></div></div></div></div></div> 898 899 900 901 <div id="sectionContent2515510" class="sectionWrapper "><div class="iw-s1"><div class="iw-s2"><div class="iw-s3"><div class="iw-s4"><div class="section"> 902 903 <div class="caption">Open Access</div> 904 905 906 907 <div class="content-passthrough"><div id="moduleContentWrapper5604593" class="widget-wrapper widget-type-page"><div id="moduleContent5604593"> 908 909 910 911 912 913 <p>Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repository PURE <a href="https://pureportal.coventry.ac.uk/en/persons/gary-hall/publications/">here</a>, or in Humanities Commons <a href="https://hcommons.org/members/garyhall/">here</a></p> 914 <p><span class="full-image-block ssNonEditable"><span><a href="http://radicaloa.disruptivemedia.org.uk/"><img style="width: 100px;" src="/storage/cropped-cropped-roAorange-icon.png?__SQUARESPACE_CACHEVERSION=1509996906490" alt="" /></a></span></span></p> 915 <p><a href="https://radicaloa.org/">Radical Open Access</a></p> 916 <p><a href="http://radicaloa.disruptivemedia.org.uk/latest-publications/">Radical Open Access Virtual Book Stand</a></p> 917 <p>'"<a href="https://hcommons.org/deposits/item/hc:33781">Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences</a>' (an MA dissertation about the ROAC by Ellie Masterman). </p> 918 <p><span class="full-image-block ssNonEditable"><span><a href="https://copim.pubpub.org"><img style="width: 124px;" src="/storage/copim-logo.png?__SQUARESPACE_CACHEVERSION=1594628954303" alt="" /></a></span></span></p> 919</div></div></div> 920 921 922 923 924 925 </div></div></div></div></div></div> 926 927 928 929 <div id="sectionContent8183550" class="sectionWrapper "><div class="iw-s1"><div class="iw-s2"><div class="iw-s3"><div class="iw-s4"><div class="section"> 930 931 <div class="caption">Last 5 blog posts</div> 932 933 934 935 <div class="content-passthrough"><div id="moduleContentWrapper19710318" class="widget-wrapper widget-type-journalarchive"><div id="moduleContent19710318"> 936 937 938 939 940 941 942 943 <ul class="archive-item-list-pt"> 944 <li><a href="/journal/2026/8/13/response-to-roger-f-malina-rethinking-space-art-in-2026-as-p.html">Response to Roger F. Malina, 'Rethinking Space Art in 2026 as Pirate Philosophy in Action' </a></li> <li><a href="/journal/2026/6/8/discussion-about-the-100-inhuman-made-badges-project-with-ch.html">Discussion About the 100% Inhuman Made Badges Project with Chris King</a></li> <li><a href="/journal/2026/5/21/commonwealth-short-story-prize-ai-plagiarism-controversy.html"> Commonwealth Short Story Prize AI Plagiarism Controversy</a></li> <li><a href="/journal/2026/5/18/sigi-jottkandt-joanna-zylinska-gary-hall-friendship-and-othe.html">Sigi Jöttkandt, Joanna Zylinska & Gary Hall, 'Friendship, and Other Ways of Producing Knowledge', ScholÄ IRL podcast on OHP </a></li> <li><a href="/journal/2026/5/11/response-to-is-social-media-antithetical-to-academic-life.html">Response to 'Is Social Media Antithetical to Academic Life?'</a></li> 945 </ul> 946 947 948 949</div></div></div> 950 951 952 953 954 955 </div></div></div></div></div></div> 956 957 958 959 960 961</div></div></div></div></div></div> 962 <div id="sidebar2Wrapper" class="verticalNavigationBarWrapper"><div class="iw-vnb1"><div class="iw-vnb2"><div class="iw-vnb3"><div class="iw-vnb4"><div id="sidebar2" class="verticalNavigationBar"> 963 964 965 966 967 968</div></div></div></div></div></div> 969 970 971 972 <div id="contentWrapper"><div id="content"> 973 974 975 976 977 978 979 980 981 982 <p style="text-align: justify;"><span class="full-image-block ssNonEditable"><span><img style="width: 730px;
982" src="/storage/20170519_152520-2.jpg?__SQUARESPACE_CACHEVERSION=1759836325719" alt="" /></span><span class="thumbnail-caption" style="width: 730px;">Norimichi Hirakawa, The Irreversible [4-Dimensional Version] 2016</span></span></p> 983<p style="text-align: justify;"><strong><span style="font-size: 150%;">Biography</span></strong></p> 984<p>Gary Hall is an experimental media theorist, writer, editor and publisher working at the intersection of digital culture, politics and technology. He is founding co-director of<a href="http://openhumanitiespress.org/"> Open Humanities Press</a> (OHP) and Professor Emeritus of Media @ Coventry University, UK, where he was founding co-director of its <span style="font-size: 12px;"><a href="http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures/">Centre for Postdigital Cultures</a></span><span style="font-size: 12px;"> from 2017 to 2025. In 2010 he was </span><span style="color: black;">a Visiting Fellow at the <a href="https://www.crassh.cam.ac.uk/">Centre for Research in the Arts, Social Sciences and Humanities</a> (CRASSH), University of Cambridge; and </span><span style="color: black;">from 2013 to 2015 </span><span style="color: black;">a Visiting Professor at the </span><span style="color: black;" lang="EN-US">Hybrid Publishing Lab – Leuphana Inkubator</span><span style="color: black;" lang="EN-US">, Leuphana University</span><span style="color: black;">, Germany</span>. He formerly taught at the University of Sussex and Middlesex University. </p> 985<p style="text-align: left;"><span style="color: black;">His research </span><span style="font-size: 12px;">has been published in </span><span style="font-size: 12px;"><em>Radical Philosophy, </em></span><span style="font-size: 12px;"><em>New Formations</em>, </span><span style="font-size: 12px;"><em>Media Theory, Cultural Studies</em>, <em>Cultural Politics, </em></span><span style="font-size: 12px;"><em>American Literature</em> and <em>Angelaki</em>, and has been translated into Chinese, French, Japanese, Turkish, Russian, Spanish and Slovenian. He is the author of a number of books. They include: <a href="https://www.mediastudies.press/defund-culture-a-radical-proposal"><em>Defund Culture: A Radical Proposal</em></a><em> </em>(mediastudies.press, 2026); </span><span style="font-style: italic;"><a href="http://www.openhumanitiespress.org/books/titles/masked-media/"><em>Masked Media: What It Means To Be Human in the Age of Artificial Creative Intelligence</em></a></span><span style="font-style: italic;"> </span><span style="font-size: 12px;">(Open Humanities Press, 2025 - </span><span style="font-style: italic;">explicitly co-written with a radically relational assemblage of humans and nonhumans, including AI</span><span style="font-style: italic;">)</span><span style="font-style: italic;">;</span><span style="font-size: 12px;"> <a href="http://www.openhumanitiespress.org/books/titles/a-stubborn-fury/"><em>A Stubborn Fury: How Writing Works In Elitist Britain</em></a> (Open Humanities Press, 2021);</span><span style="font-size: 12px;"> </span><a style="font-size: 12px;" href="https://mitpress.mit.edu/9780262034401/pirate-philosophy/"><em>Pirate Philosophy</em></a><em> </em><span style="font-size: 12px;">(MIT Press, 2016); and </span><a style="font-size: 12px;" href="http://www.upress.umn.edu/book-division/books/the-uberfication-of-the-university"><em>T</em><em>he Uberfication of the University</em></a><em> </em><span style="font-size: 12px;">(Minnesota UP, 2016)</span><span style="font-size: 12px;">. In addition, he is co-author of</span><span style="font-size: 12px;"> </span><a style="font-size: 12px;" href="http://www.rowmaninternational.com/books/open-education"><em>Open Education: A Study In Disruption</em></a><em> </em><span style="font-size: 12px;">(Rowman and Littlefield International, 2014), and co-editor of</span><span style="font-size: 12px;"> </span><a style="font-size: 12px;" href="http://books.google.com/books?id=Xvu0AzxhTrwC&printsec=frontcover&dq=birchall"><em>New Cultural Studies: Adventures in Theory</em></a><span style="font-size: 12px;"> (Edinburgh UP, 2006).</span></p> 986<p><a style="font-family: 'Trebuchet MS'; text-align: justify;" href="http://www.garyhall.info/publications/"><span class="full-image-block ssNonEditable" style="display: inline !important;"><span><img style="width: 710px;" src="/storage/books5.jpg?__SQUARESPACE_CACHEVERSION=1715849448414" alt="" /></span></span></a></p> 987<div> 988<p>He has a history of creating norm-critical collaborative research contexts. In
9881999 he co-founded the journal <a href="http://www.culturemachine.net/"><em>Culture Machine</em></a><em>, </em>one of the first open-access journals dedicated to media and cultural theory. Its contributors have included figures such as Alain Badiou, Bernard Stiegler, N. Katherine Hayles and Johanna Drucker. In 2006 he co-founded <a href="http://openhumanitiespress.org/">Open Humanities Press</a> - the first open-access publishing house explicitly devoted to critical and cultural theory - which he continues to co-direct. OHP has published books by Isabelle Stengers, Timothy Morton, Claire Colebrook and many others. He also co-edits OHP's influential <a href="http://liquidbooks.pbwiki.com/">Liquid Books</a><span style="font-size: 12px;"> series and the Jisc-funded </span><a style="font-size: 12px;" href="http://www.livingbooksaboutlife.org">Living Books About Life</a> series. OHP was a founder member of both the <a href="https://radicaloa.org/">Radical Open Access Collective</a> and <a href="https://scholarled.org/">ScholarLed</a>, with Hall being co-PI on the associated Research England and Arcadia Trust funded <a href="https://copim.pubpub.org/overview">Community-led Open Publication Infrastructures for Monographs</a> (COPIM) project which ran for 3.5 years to May 2023.</p> 989<p>He has given lectures, talks and seminars at institutions around the world, including the Australian National University, Cambridge University, Columbia University, University of Heidelberg, K.U. Leuven, Lund University, Monash University, New York University, <sp
989an>Universidad Iberoamericana in Mexico, </span><span>Xi'an Jiaotong Liverpool University in China,</span> the Onassis Cultural Centre in Athens, the Reina Sofia Museum in Madrid and the Wellcome Collection, Whitechapel Gallery and Institute of Contemporary Arts (ICA) in London.</p> 990<p>He is currently developing a series of <a href="http://garyhall.squarespace.com/about/">politico-institutional interventions</a> that experiment with digital media to actualise, or creatively perform, contemporary<span style="color: black;"> </span>theory, including in relation to the city and public institutions such as the art gallery, the library and the museum. He is also collaborating on the setting up of a new international research studi and network. </p> 991</div> 992<div>He has written on AI, class, the commons, copyright, cultural analytics, data, metadata, digital capitalism, digital humanities, the history and future of the book, media archaeology, new materialism, open access, open education, piracy, the posthuman, posthumanities, Marxism, post-Marxism, psychoanalysis, the quantified self, the sharing/gig economy, secrecy, the university, and on the philosophy of <span style="font-size: 12px;">Foucault, </span><span style="font-size: 12px;">Deleuze, </span><span style="font-size: 12px;">Derrida, </span><span style="font-size: 12px;">Lyotard, </span><span style="font-size: 12px;">Hardt and Negri, Mouffe, Latour, Stiegler, Manovich and Braidotti. </span>He is associated with the development of a number of critical concepts and practices, including <a href="http://repository.jisc.ac.uk/6069/">open media</a>, <a href="http://www.culturemachine.net/index.php/cm/article/view/354/358">liquid theory</a>, <a href="http://www.livingbooksaboutlife.org">living books</a>, <a href="http://disruptivemedia.org.uk/radical-open-access-conference-videos-online/">radical open access</a>, <a href="https://curve.coventry.ac.uk/open/items/4b7671d5-371f-438b-83c7-9275935550f8/1/">the microentrepreneur of the self</a>, <a href="http://bit.ly/1tI3XEV">affirmative disruption</a>, <a href="http://dx.doi.org/10.3998/3336451.0019.201">disruptive humanities</a>, <a href="http://www.isak.liu.se/acsis/konferenser?l=sv">masked media</a>, <a style="font-size: 12px;" href="http://www.upress.umn.edu/book-division/books/the-uberfication-of-the-university"><em>uberfied university/uber.edu</em></a><em>, </em><a href="http://garyhall.squarespace.com/journal/2016/1/28/ubercapitalism.html">übercapitalism</a>, <a href="http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/91">anti-bourgeois theory</a> and <a href="https://mitpress.mit.edu/books/pirate-philosophy">pirate philosophy</a>. </div> 993<p> </p> 994<p>Follow him on <a href="http://garyhall.squarespace.com/contact/">LinkedIn</a> <a href="https://www.linkedin.com/in/gary-hall-21ba21271/">here</a></p> 995<p>And via the Open Humanities Press newsletter <a href="https://openhumanities.substack.com/p/welcome-to-the-open-humanities-newslette">here</a></p> 996<p> </p> 997 998 999 1000 1001</div></div> <!-- Content --> 1002 1003 1004 1005 </div></div> <!-- Page Body --> 1006 1007 1008 1009 <div id="pageFooterWrapper"><div id="pageFooter"> 1010 1011 Media Gifts is 'raw in its focus on content', having been constructed according to some of the principles of Brutalist Web Design set out by David Bryant Copeland. 1012 1013Except where otherwise indicated, content on Media Gifts can be distributed, reproduced, transmitted, translated, modified, remixed, built upon, used and 'pirated' in any medium, even without indication of origin. (This does not affect any rights others may have in it or in how it is used.) 1014 1015Given the lack of a licence that is consistent with the (inhumanist) approach to copyright that is articulated and enacted on Media Gifts - although the cc4r licence (https://gitlab.constantvzw.org/unbound/cc4r) comes closer than most - this statement is provided to acknowledge yet deny the copyrighting that is performed by default by a public domain CC-O licence or when all rights are otherwise waived. 1016 1017 1018 1019 1020 </div></div> 1021 1022 </div></div> <!-- Canvas --> 1023 1024 1025 1026 1027 <div class="clearer" id="bodyClearer"></div> 1028 1029 1030 1031 1032 1033</body> 1034</html>
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