1<!DOCTYPE html> 2<html> 3<head> 4 <title>Carl Testa Music - Projects</title> 5 <meta charset="utf-8"/> 6 <link rel="stylesheet" type="text/css" href="bootstrap.min.css"> 7 <link href='https://fonts.googleapis.com/css?family=Roboto:300,400,700' rel='stylesheet' type='text/css'> 8 <link rel="stylesheet" type="text/css" href="main.css"> 9 <meta name="viewport" content="width=device-width, initial-scale=1"> 10</head> 11<body> 12 13 <header class="container"> 14 <div class="row"> 15 <h1 class="col-xs-3 col-sm-6 col-md-4"><a href="http://carltesta.net" target="_self">Carl Testa Music</a></h1> 16 <nav class="col-xs-9 col-sm-6 col-md-8 text-right"> 17 <p><a href="about.php" target="_self">About</a></p> 18 <!--<p><a href="workshops.htm" target="_self">Workshops</a></p>>--> 19 <p><a href="projects.htm" target="_self">Projects</a></p> 20 <p><a href="performances.php" target="_self">Performances</a></p> 21 <p><a href="music.htm" target="_self">Listen</a></p> 22 </nav> 23 </div> 24 </header> 25 26 <section class="container"> 27 <div class="row"> 28 <figure class="col-xs-12 col-sm-5"> 29 <a href="sway.htm" target="_self"><img src="photos/Carl_Testa_by_Alexis_Aguam_2_web.jpg"/></a> 30 <figcaption>photo by Alexis Aguam</figcaption> 31 </figure> 32 <figure class="col_xs_12 col-sm-7"> 33 <h4>Sway</h4> 34 <p><em>Sway</em> is the name I have given to my live processing environment for any number of musicians. It is an example of an interactive music system like George Lewis's Voyager or Pauline Oliveros's Expanded Instrument System. It differs from those systems in that it is an autonomous system focused on live processing audio input.</p> 35 <p><a href="sway.htm" target="_self">More...</a></p> 36</figure> 37</div> 38 39<div class="row"> 40<figure class="col-xs-12 col-sm-5"> 41<a href="wfs.htm" target="_self"><img src="photos/wfs_workshop_setup.jpeg"/></a> 42</figure> 43<figure class="col_xs_12 col-sm-7"> 44<h4>Wave Field Synthesis</h4> 45<p>From June 2022 - July 2024 I designed and constructed a 64-channel Wave Field Synthesis Speaker Array for use in workshops and performances of electroacoustic music.</p> 46<p><a href="wfs.htm" target="_self">More...</a></p> 47</figure> 48</div> 49 50<div class="row"> 51 52<figure class="col-xs-12 col-sm-5"> 53<a href="livecoding.htm" target="_self"><img src="photos/livecoding.jpg"/></a> 54<figcaption></figcaption> 55</figure> 56<figure class="col_xs_12 col-sm-7"> 57<h4>Live Coding</h4> 58<p>I've been live coding in some form since 2012. In 2020, I started a remote collaboration with composer <a href="http://racheldevorah.studio/" target="_blank">Rachel Devorah</a> where we use SuperCollider and Troop to simultaneously shape a live coded sonic structure of manipulated samples and synthesized textures.</p> 59<p><a href="livecoding.htm" target="_self">More...</a></p> 60</figure> 61</div> 62 63<div class="row"> 64<figure class="col-xs-12 col-sm-5"> 65 <a href="ensembles.htm" target="_self"><img src="photos/ensemble.jpg"/></a> 66 </figure> 67 <figure class="col_xs_12 col-sm-7"> 68 <h4>Ensembles</h4> 69 <p>My ensemble music ranges from works for trio (clarinet, bass, percussion) to works for medium-sized ensembles with electronics.</p> 70 <p><a href="ensembles.htm" target="_self">More Info and Links to Scores...</a></p> 71</figure> 72</div> 73 74 <div class="row"> 75 76 <figure class="col-xs-12 col-sm-5"> 77 <a href="solo.htm" target="_self"><img src="photos/solobass.jpg"/></a> 78 <figcaption>photo by Rob Miller</figcaption> 79 </figure> 80 <figure class="col_xs_12 col-sm-7"> 81 <h4>Solo Bass and Electronics</h4> 82 <p>My music for solo bass and electronics incorporates live sampling and granular synthesis to create a dynamic, interactive environment for textural and melodic solo excursions on the string bass.</p> 83 <p><a href="solo.htm" target="_self">More...</a></p> 84</figure> 85</div> 86 87<div class="row"> 88<figure class="col-xs-12 col-sm-5"> 89 <a href="liveprocessing.htm" target="_self"><img src="photos/electroacoustic.jpg"/></a> 90 <ficaption>photo by Kelly Jensen</figcaption> 91 </figure> 92 <figure class="col_xs_12 col-sm-7"> 93 <h4>Live Processing Duos</h4> 94 <p>Since 2006, I've been developing various computer and hardware-based instruments to electronically process acoustic instruments. This includes live sampling and granular synthesis as well as tap delay-based processing. Some musicians I've worked with include, guitarists Christopher Riggs, Joe Morris, Brandon Seabrook, vocalist Anne Rhodes, trumpeter Louis Guarino Jr., and cellist Nathan Bontrager, among others.</p> 95 <p><a href="liveprocessing.htm" target="_self">More...</a></p> 96</figure> 97</div> 98 99<div class="row"> 100<figure class="col-xs-12 col-sm-5"> 101 <a href="lighting.htm" target="_self"><img src="photos/lighting.jpg"/></a> 102 <ficaption>photo by Taylor Ho Bynum</figcaption> 103 </figure> 104 <figure class="col_xs_12 col-sm-7"> 105 <h4>Lighting</h4> 106 <p>Since 2010, I've worked extensively with computer-controlled lighting equipment to create dynamic visual accompaniments to music, dance, theater, and performance. The piece <em>Waver</em>, performed by Rachel Bernsen, incorporates algorithmic computer music and computer-controlled lighting to create a dynamic lighting environment in which Bernsen executes a structured improvisation through a gamut of movement strategies that are tightly connected to the musical content.</p> 107 <p><a href="lighting.htm" target="_self">More...</a></p> 108 109</figure> 110</div> 111 112 113</section> 114 115 116 <footer class="container"> 117 <div class="row"> 118 <p class="col-sm-4">© Carl Testa</p> 119 <ul class="col-sm-8"> 120 <li class="col-sm-1"><a href="http://twitter.com/carltesta" target="new"><img src="https://s3.amazonaws.com/codecademy-content/projects/make-a-website/lesson-4/twitter.svg"></a></li> 121 <li class="col-sm-1"><a href="http://www.facebook.com/carltestamusic" target="new"><img src="https://s3.amazonaws.com/codecademy-content/projects/make-a-website/lesson-4/facebook.svg"></a></li> 122 </ul> 123 </div> 124 </footer> 125 126</body> 127</html>
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