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237				<div class="et_pb_text_inner"><h1>About Guildhouse</h1></div>
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271				<div class="et_pb_text_inner"><h4><strong>Guildhouse is South Australia’s peak body for visual art, craft and design.</strong></h4>
272<p>We represent 1200+ Members across diverse areas of contemporary visual arts practice at all career stages, as well as arts organisations, businesses and guilds.</p>
273<p>With a clear focus on creating opportunities for artists and leading sector development, Guildhouse engages and supports artists with creative and career development programs such as residencies, mentorships, one-on-one advice, tailored business skill development, network development and opportunities to create new work.</p>
274<p>Guildhouse has developed a diversified business model, with a growing network of philanthropic supporters and a growing social enterprise that is creating new forms of revenue for the creative industries.</p>
275<p>Guildhouse is comprised of a dynamic team, supporting a growing Membership base and presents a thriving annual program of events and initiatives in partnership with South Australia’s leading cultural and corporate partners.</p></div>
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281				<div class="et_pb_text_inner"><h6><span style="color: #000000;"><strong>Vision</strong></span></h6>
282<p>That artists, craft practitioners and designers are valued as creative workers and makers of culture</p>
283<h6><strong>Purpose</strong></h6>
284<p>To empower visual artists, craft practitioners and designers to achieve their boldest creative and commercial ambitions</p>
285<h6><strong>Manifesto</strong></h6>
286<p><strong></strong></p>
287<ul>
288<li>We nurture artists</li>
289<li>We connect artists</li>
290<li>We invest in artists</li>
291<li>We promote artists</li>
292<li>We stand with artists</li>
293</ul></div>
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340					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img fetchpriority="high" decoding="async" width="593" height="601" src="https://guildhouse.org.au/wp-content/uploads/2020/04/Katie-Sarah.jpg" alt="Photographic portrait of John Hood" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-18376" /></span></div>
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351				<h5 class="et_pb_toggle_title">Katie Sarah (Chair)</h5>
352				<div class="et_pb_toggle_content clearfix"><p><strong>Director/Owner, Sarah Mountain Journeys Pty Ltd</strong></p>
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356<p><span>Katie Sarah currently owns and manages Sarah Mountain Journeys Pty Ltd.</span></p>
357<p><span>Her experience and education have developed skills in a variety of industries and roles. She has worked in roles ranging from a national organisation to family business, in technical, sales, and managerial roles.</span></p>
358<p><span>Her business experience combined with field experience in extreme conditions and environments has led to the acquisition of skills in project management, working with third world business partners, logistics, and risk management in high pressure situations. Working both as a member of a team, and in leadership and managerial roles has given her a wide range of experience and expertise.</span></p>
359<p><span>Katie’s first climbing experience at altitude was a successful summit of a 6542m peak in Bolivia in 2006. Katie was the first Australian woman to summit Mt Himlung, Nepal (7126m) in 2009, and participated in an expedition that pioneered a new route on Mt Vinson in Antarctica in 2008.</span></p>
360<p><span>In 2010, Katie summited Mt Everest, the world’s highest peak at 8848m, becoming the first South Australian (and sixth Australian) woman to do so.</span></p>
361<p><span>As of June 2013, she was one of the few Australian women to have completed the 7 Summits – the highest peak on each of the seven continents.</span></p>
362<p><span>As of January 2018, she is the only woman in the world – one of approximately 9 people – to have completed both the 7 Summits and the 7 Volcanic Summits. Having successfully skied the Last Degree to the South Pole, with a similar expedition to the North Pole to be undertaken in April 2019, she will add the Explorers’ Grand Slam to these achievements, becoming not only the first woman in the world to complete the Explorers’ Grand Slam plus 7 Volcanic Summits, but one of only approximately 4 people in the world to have ever successfully completed this goal.</span></p>
363<p><span>On a professional level over recent years Katie has also taken ownership and control of Sarah Mountain Journeys, to turn it into a successful niche business operating in extreme and adventure travel.</span></p>
364<p><span>Katie is married with three adult sons. She counts herself fortunate enough to be able to combine work with a passion for the outdoors, spending as much time as can be spared from home and family pursuing outdoor hobbies such as rock climbing, mountaineering and training for Ironman triathlons as well as maintaining an active interest in several not for profit organisations. Katie is Chairperson for Holiday Explorers, Board Member of Guide Dogs SA/NT and Patron of Nature Play SA, as well as an active volunteer for the Leukaemia Foundation and Meals on Wheels. She is also associated with brilliant SA organisations such as Catherine House, SAHMRI and Sight For All.</span></p>
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380					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="600" height="600" data-src="https://guildhouse.org.au/wp-content/uploads/2022/11/FutureTraditions-LanaAdams-HighRes-23-copy.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-39118 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600/600;" /></span></div>
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391				<h5 class="et_pb_toggle_title">Dameeli Coates (Deputy Chair)</h5>
392				<div class="et_pb_toggle_content clearfix"><div dir="ltr"><span>Dameeli Coates is a Wakka Wakka woman whose family are from Southern Queensland.  She is an emerging weaver, curator, textile artist and designer who grew up on Kaurna Yarta. She spent 20 years working as a Human Rights campaigner in Indigenous affairs, policy and programs across Australia for Government and non-government organisations. She lived for a short time in rural Vietnam and for 12 years in London raising a family and studying.<br /></span><br /><span>She has an Honours degree in Textile Design from Central Saint Martin’s College, London. Her curatorial and arts practice has been influenced by examining the effects of dispossession, displacement and settler colonial borders on Indigenous identities and collective sense of belonging.<br /></span><br /><span>Dameeli is deeply interested in how textiles can be both cultural critique and beautiful objects; she loves their constructed and sculptural abilities and produces three dimensional, scaled-up objects as well as everyday, interactive products like fabric and surface materials.</span><span></span></div></div>
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405					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="500" height="500" data-src="https://guildhouse.org.au/wp-content/uploads/2021/06/thumbnail_image002.jpg" alt="Photographic portrait of Rod Lindquist" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-29211 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 500px; --smush-placeholder-aspect-ratio: 500/500;" /></span></div>
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416				<h5 class="et_pb_toggle_title">Talia Begley</h5>
417				<div class="et_pb_toggle_content clearfix"><p><strong>Director, JL Lawyers</strong></p>
418<p>Talia is a corporate and tax lawyer with close to 20 years’ experience, including the last 5 years as an owner and director of boutique law firm, JL Lawyers.</p>
419<div dir="ltr">
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421<p class="x_MsoNormal">An honours graduate of the University of Melbourne, Talia initially honed her legal skills at a top ten national law firm in Melbourne before returning to her much loved home state of South Australia.</p>
422<p class="x_MsoNormal">Talia has prior experience in the not for profit sector in both professional advisory and governance roles.</p>
423<p class="x_MsoNormal">She is also an Associate member of the Tax Institute and currently holds a position on the Risk and Finance Committee of Sensei Product Solutions, which advises to the Board of this national IT company.</p>
424<p class="x_MsoNormal">Talia has a keen and broad interest in the Arts and in supporting the growth of the sector in South Australia (albeit little artistic credentials herself&#8230;).</p>
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439					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="593" height="601" data-src="https://guildhouse.org.au/wp-content/uploads/2020/11/Christian-Hall.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-23934 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 593px; --smush-placeholder-aspect-ratio: 593/601;" /></span></div>
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450				<h5 class="et_pb_toggle_title">Christian Hall</h5>
451				<div class="et_pb_toggle_content clearfix"><p>Christian Hall is a studio-based contemporary artist working in the field of object art and design. Initially trained in jewellery and metal techniques, his practice has evolved across the production of jewellery, everyday objects, sculpture and installation. The foundation of his practice has been an ongoing curiosity and experimentation with object making via a research-led, solo exhibition practice. He also works across production and commissioned works, teaching, mentoring and other areas of professional engagement.<o:p></o:p></p>
452<p>Hall has exhibited and been engaged in projects nationally and internationally, held teaching positions in TAFE and universities and worked as the Creative Director for JamFactory&#8217;s Jewellery and Metal Studio. He is a mid-career artist currently engaged in practice-based PhD research. His belief in the visual arts as a form of research has pushed his practice to continually develop into new areas, technically, conceptually and across a topology of object-based practice. This contribution has been recognised via regular funding support from state, federal and overseas agencies since 2003.<o:p></o:p></p>
453<p>Hall has a particular focus on skills-based and material-led practice and has predominantly practiced in the area of metals. He gained introduction to the field by training at Sydney College of the Arts with preeminent visual artists, the late Margaret West, and silver smith Helge Larsenfrom 1994-1998. He achieved Masters under the supervision of Dr Marl Edgoose and Dr Karin Findeis in 2003. From these antecedents he has gained both a technical and critical perspective upon practice. Hall believes in the artists role as one that challenges the normative conventions of their area of practice and the broader social context. He seeks to nurture this criticality in ever aspect of his work in the visual arts.<o:p></o:p></p></div>
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472					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1200" height="1200" data-src="https://guildhouse.org.au/wp-content/uploads/2023/09/Tsering-Hannaford-headshot-websize.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-41521 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1200px; --smush-placeholder-aspect-ratio: 1200/1200;" /></span></div>
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478			</div><div class="et_pb_module et_pb_toggle et_pb_toggle_4 et_pb_toggle_item  et_pb_toggle_close">
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483				<h5 class="et_pb_toggle_title">Tsering Hannaford</h5>
484				<div class="et_pb_toggle_content clearfix"><p>Tsering Hannaford is a portrait artist based between South Australia and New South Wales.</p>
485<p>She pursued a career in the arts after completing a BA in Psychology and graduate studies in Art History at the University of Adelaide. Experience in paintings conservation at Artlab led to a deeper appreciation of techniques, materials, and the practice of painting itself. Atelier based training in New York and France followed and have informed Tsering’s practice, with a focus on traditional methods of working from life.</p>
486<p>Her work is held in public and private collections across Australia and abroad, including the National Portrait Gallery of Australia and Sydney Modern. She is regularly included in national portrait prizes, including nine times in the Archibald Prize (highly commended in 2020).</p>
487<p>Tsering has held positions as an education facilitator at the Art Gallery of South Australia, Vice President of the Royal South Society of Arts (where she is also a Fellow) and sponsors a youth award for portraiture.</p></div>
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500					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="462" height="462" data-src="https://guildhouse.org.au/wp-content/uploads/2021/09/Kirsteen-BWcopy.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-30989 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 462px; --smush-placeholder-aspect-ratio: 462/462;" /></span></div>
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511				<h5 class="et_pb_toggle_title">Kirsteen Mackay</h5>
512				<div class="et_pb_toggle_content clearfix"><p>Highly respected South Australian Government Architect Kirsteen Mackay<span> is Director of the Office for Design and Architecture SA and the Deputy Presiding Member of the Adelaide Park Lands Authority, a member of the Architectural Practice Board of South Australia and a Royal Society of Arts Fellow. </span><span></p>
513<p>Kirsteen studied architecture at the Glasgow School of Art and the Royal College of Art. She was also an inaugural Research Associate at the Helen Hamlyn Centre for Design at the Royal College of Art, a centre that is a global leader in Inclusive Design, Design Thinking and Creative Leadership that works with government, business, academia and the third sector.  </span></p></div>
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526					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1362" height="1362" data-src="https://guildhouse.org.au/wp-content/uploads/2026/04/Profile-Pic-Guildhouse-ES-copy.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-48964 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1362px; --smush-placeholder-aspect-ratio: 1362/1362;" /></span></div>
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537				<h5 class="et_pb_toggle_title">Emily Sidwell</h5>
538				<div class="et_pb_toggle_content clearfix"><div class="ms-outlook-mobile-reference-message skipProofing"><span data-markjs="true" class="outlook-search-highlight">Emily</span> brings over 20 years of senior leadership experience in People &amp; Culture, organisational development, and strategy across government, not‑for‑profit, and private sectors.</div>
539<div class="ms-outlook-mobile-reference-message skipProofing"></div>
540<div class="ms-outlook-mobile-reference-message skipProofing">With more than a decade of Board and Governance experience, she offers deep insight into the strategic, cultural, and organisational challenges facing purpose‑driven organisations.</div>
541<div class="ms-outlook-mobile-reference-message skipProofing">She has a strong background in the not‑for‑profit sector and is committed to advancing inclusion and diversity, ensuring organisations create environments where people and creativity can thrive.</div>
542<div class="ms-outlook-mobile-reference-message skipProofing"></div>
543<div class="ms-outlook-mobile-reference-message skipProofing"><span data-markjs="true" class="outlook-search-highlight">Emily</span>’s expertise in leadership, culture, and strategic transformation underpins her dedication to supporting the arts community and delivering meaningful, sustainable impact.</div></div>
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556					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="2560" height="2560" data-src="https://guildhouse.org.au/wp-content/uploads/2022/02/Stuart-Symons-bw-square-scaled.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-33907 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 2560px; --smush-placeholder-aspect-ratio: 2560/2560;" /></span></div>
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567				<h5 class="et_pb_toggle_title">Stuart Symons</h5>
568				<div class="et_pb_toggle_content clearfix"><p>Stuart is a corporate communications and strategic planning leader with a lifelong interest in South Australia’s cultural life.</p>
569<p>As Head of Corporate Affairs &amp; Strategy for Australia’s largest customer-owned bank, People First Bank, Stuart has significant corporate experience, including 13 years with ASX-listed entities, in Australia, the UK and Papua New Guinea.</p>
570<p>Stuart has more than a decade of board experience, with previous roles including Chair of Brink Productions (one of Australia’s leading performing arts companies), Chair of the Australian Institute of Company Directors Tomorrow’s Director Committee and Councillor with the Financial Services Institute of Australia.</p>
571<p>Through Modernist Adelaide, Stuart’s mid-century architecture tours, exhibitions, presentations, publications and social media increase public appreciation and preservation of the city’s design heritage and contribute to economic growth through heritage tourism – acknowledged with Adelaide Fringe’s Best Community Event 2025, the City of Adelaide Prize Commendation 2021 and South Australian Emerging Historian of the Year 2019.</p>
572<p>Stuart is a graduate of AICD’s Company Directors Course and holds MBA, BA (Hons) and journalism and management qualifications.</p></div>
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600				<div class="et_pb_text_inner"><h2 style="text-align: left;">Staff</h2></div>
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619					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1750" height="1750" data-src="https://guildhouse.org.au/wp-content/uploads/2026/01/BN_sq.jpg" alt="" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-48118 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1750px; --smush-placeholder-aspect-ratio: 1750/1750;" /></span></div>
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630				<h5 class="et_pb_toggle_title">Beth Neate</h5>
631				<div class="et_pb_toggle_content clearfix"><p><strong>CEO</strong></p>
632<p>Beth Neate is a respected arts and creative industries leader with 20 years experience in sector advocacy, program delivery, community arts and cultural development, audience engagement and film and television production.</p>
633<p>As the former Head of Production and Development at the South Australian Film Corporation, Beth oversaw state government investment in the screen industry, driving record levels of local production and establishing new alliances in support of South Australian screen practitioners.</p>
634<p>Born and raised on Kaurna Country, Beth’s infinite curiosity has led to a rich and diverse work history across Australia and overseas for agencies including the United Nations and the ABC. As a proud disability ally, Beth also serves as the Chair of Tutti Arts.</p>
635<p><a href="mailto:[email protected]">[email protected]</a></p></div>
636			</div>
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648					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1167" height="1167" data-src="https://guildhouse.org.au/wp-content/uploads/2026/01/DSC09005-copy.jpg" alt="" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-48097 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1167px; --smush-placeholder-aspect-ratio: 1167/1167;" /></span></div>
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655				
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659				<h5 class="et_pb_toggle_title">Tracy Le Cornu</h5>
660				<div class="et_pb_toggle_content clearfix"><p><strong>Curator, Professional Services</strong></p>
661<p>Tracy has worked in the visual arts for twenty five years. Based largely between London, Sydney and Adelaide, she has honed a diverse skill set in auction administration, gallery management, client and stakeholder-focussed services, fine art research, collection advisory services, secondary art market valuing, public art advisory and business development.</p>
662<p>In 1999 she was awarded a degree in the Theory of Art and Design from Winchester School of Art, UK. Her career began in the auction world at Sotheby&#8217;s in London, moving into gallery management and fine art research. Since 2010 her primary focus has been on contemporary Australian visual art.</p>
663<p>Working collaboratively with artists, government, architects, interior designers and public art professionals, Tracy thrives on helping artists build sustainable careers by creating meaningful opportunities outside of the typical gallery space.</p>
664<p>When not doing all things art you may well find her doing all things nature, with gardening and plant nurturing being a particular passion.</p>
665<p><a href="mailto:[email protected]">[email protected]</a></p></div>
666			</div>
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678					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1111" height="1112" data-src="https://guildhouse.org.au/wp-content/uploads/2026/01/ME_sq.jpg" alt="" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-48111 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1111px; --smush-placeholder-aspect-ratio: 1111/1112;" /></span></div>
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685				
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688				
689				<h5 class="et_pb_toggle_title">Merinda Edwards</h5>
690				<div class="et_pb_toggle_content clearfix"><p><strong><b>Partnerships &amp; Development </b>Manager</strong></p>
691<p>Originally from Victoria (Djilang, Taungurung and Naarm Country) Merinda&#8217;s passion for the arts grew as she established herself in Adelaide.</p>
692<p>Working in a diversity of roles, from completing a PhD at the University of South Australia with extensive teaching and academic experience, Merinda has taken on a variety of roles such as directing her own festivals, marketing management in the arts, private sectors and state government to running live music venues, galleries and leading large scale arts activations.</p>
693<p>Merinda is passionate about communicating with the public, drawing people in with stories, and creative and engaging communications practices. From her academic experience of community development, partnerships, and placemaking, Merinda&#8217;s passion is to connect people to achieve goals with vibrancy!</p>
694<p>In her free time, you can find her chasing events, festivals and gigs writing reviews for local publications or an adventure in the bush; on a quiet day, you will find her in her garden, or kitchen cooking up a storm.</p>
695<p><a href="mailto:[email protected]">[email protected]</a></p></div>
696			</div>
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708					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1132" height="1133" data-src="https://guildhouse.org.au/wp-content/uploads/2026/01/LA_sq.jpg" alt="" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-48110 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1132px; --smush-placeholder-aspect-ratio: 1132/1133;" /></span></div>
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719				<h5 class="et_pb_toggle_title">Lana Adams</h5>
720				<div class="et_pb_toggle_content clearfix"><p><strong>Senior Communications and Engagement Coordinator</strong></p>
721<p>Lana Adams is a photographer and arts worker working on Kaurna land, Adelaide.</p>
722<p>Lana graduated from a Bachelor of Visual Arts, Honours, in 2014 from The University of South Australia and received the Atkins Award for Outstanding Photographic Work. Her undergraduate work was selected for the 2012 Helpmann Academy Graduate Exhibition. Since studying visual arts, she has completed postgraduate study in the realm of Museum Studies. Lana works as a freelance photographer for artists and cultural organisations across Adelaide.</p>
723<p><a href="http://www.lanaadams.net">www.lanaadams.net</a></p>
724<p><a href="mailto:[email protected]">[email protected]</a></p></div>
725			</div>
726			</div>
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742				<div class="et_pb_blurb_content">
743					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1167" height="1167" data-src="https://guildhouse.org.au/wp-content/uploads/2026/01/DSC08994-copy.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-48094 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1167px; --smush-placeholder-aspect-ratio: 1167/1167;" /></span></div>
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749			</div><div class="et_pb_module et_pb_toggle et_pb_toggle_12 et_pb_toggle_item  et_pb_toggle_close">
750				
751				
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754				<h5 class="et_pb_toggle_title">Sian Watson</h5>
755				<div class="et_pb_toggle_content clearfix"><p><strong>Producer, Professional Services</strong></p>
756<p><span>Sian grew up on Ngunnawal Land and received her Bachelor of Visual Arts (sculpture) from the ANU in 2015. Sian runs an active studio-based sculpture practice, working primarily with steel, concrete and bronze to explore themes of climate change and processes of time. Sian has completed multiple public art commissions, has exhibited work in Australia, Canada and the USA and was the recent recipient of the 2020 Sculpture By the Sea Clitheroe Emerging Artist Mentor Award.</span></p>
757<p><span>Sian recently relocated to Kaurna country, bringing her passion for supporting artists and the arts to Guildhouse. Sian enjoys making, hiking and gardening, and is always on the hunt for the best breakfast burrito in town.</span></p>
758<p><strong><a href="http://www.sianwatson.com.au/">www.sianwatson.com.au</a></strong></p>
759<p><a href="mailto:%[email protected]"><strong>[email protected]</strong></a></p></div>
760			</div>
761			</div><div class="et_pb_column et_pb_column_1_4 et_pb_column_18  et_pb_css_mix_blend_mode_passthrough">
762				
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766				<div class="et_pb_module et_pb_blurb et_pb_blurb_13  et_pb_text_align_left  et_pb_blurb_position_top et_pb_bg_layout_light">
767				
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771				<div class="et_pb_blurb_content">
772					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="2000" height="2000" data-src="https://guildhouse.org.au/wp-content/uploads/2026/03/LD_sq.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-48582 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 2000px; --smush-placeholder-aspect-ratio: 2000/2000;" /></span></div>
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778			</div><div class="et_pb_module et_pb_toggle et_pb_toggle_13 et_pb_toggle_item  et_pb_toggle_close">
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782				
783				<h5 class="et_pb_toggle_title">Lawson Dodd</h5>
784				<div class="et_pb_toggle_content clearfix"><p><strong>Producer, Professional Services</strong></p>
785<div class="x_elementToProof" data-olk-copy-source="MessageBody">Lawson Dodd is a Kaurna, Narungga and Ngarrindjeri artist and designer based on Kaurna Country. With a background in graphic design, his practice spans visual communication, branding and digital media, informed by a strong connection to culture, storytelling and contemporary design.</div>
786<div class="x_elementToProof" data-olk-copy-source="MessageBody"></div>
787<div class="x_elementToProof" data-olk-copy-source="MessageBody">Lawson has experience across both creative and administrative roles, bringing a considered and collaborative approach to project delivery. His work includes brand development, campaign design and stakeholder engagement, with a focus on creating meaningful and culturally responsive outcomes.</div>
788<div class="x_elementToProof" data-olk-copy-source="MessageBody"></div>
789<div class="x_elementToProof" data-olk-copy-source="MessageBody">Alongside his design practice, Lawson is passionate about supporting artists and communities through accessible and engaging visual communication. He is particularly interested in the role of design in shaping conversations around identity, culture and community.</div>
790<div class="x_elementToProof" data-olk-copy-source="MessageBody"></div>
791<div class="x_elementToProof" data-olk-copy-source="MessageBody">Outside of work, Lawson draws inspiration from pop culture, travel and digital spaces, often exploring how these influences can intersect with and elevate First Nations storytelling.</div>
792<p><a href="mailto:%[email protected]">[email protected]</a></p></div>
793			</div>
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804				<div class="et_pb_blurb_content">
805					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1440" height="1440" data-src="https://guildhouse.org.au/wp-content/uploads/2024/05/IsabelMargot_Example.jpg" alt="Photographic portrait of Clare Suridge" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-43226 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1440px; --smush-placeholder-aspect-ratio: 1440/1440;" /></span></div>
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811			</div><div class="et_pb_module et_pb_toggle et_pb_toggle_14 et_pb_toggle_item  et_pb_toggle_close">
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816				<h5 class="et_pb_toggle_title">Isabel Margot</h5>
817				<div class="et_pb_toggle_content clearfix"><p><strong>Membership and Programs Coordinator</strong></p>
818<p>Isabel Margot is an arts worker, artist and writer. Having volunteered and worked at a variety of organisations, including FELTspace, Art Gallery of South Australia, Adelaide Contemporary Experimental (ACE), MOD. and Samstag Museum of Art, she brings to Guildhouse a deep passion for the local arts sector. Isabel completed a Bachelor of Contemporary Art at UniSA, has performed at SASA Gallery and exhibited at the Perth Institute of Contemporary Arts (PICA) and FELTspace. From 2022 to 2023, Isabel undertook a Curatorial Internship at ACE to support the development of the annual Artistic Program and event delivery.</p>
819<p><a href="mailto:[email protected]">[email protected]</a></p>
820<p>Photography by Thomas McCammon, featuring work by Loren Orsillo</p></div>
821			</div>
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832				<div class="et_pb_blurb_content">
833					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="593" height="601" data-src="https://guildhouse.org.au/wp-content/uploads/2018/11/Clare-Suridge.jpg" alt="Photographic portrait of Clare Suridge" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-1320 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 593px; --smush-placeholder-aspect-ratio: 593/601;" /></span></div>
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839			</div><div class="et_pb_module et_pb_toggle et_pb_toggle_15 et_pb_toggle_item  et_pb_toggle_close">
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844				<h5 class="et_pb_toggle_title">Clare Suridge</h5>
845				<div class="et_pb_toggle_content clearfix"><p><strong>Finance Officer</strong></p></div>
846			</div>
847			</div>
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873				<div class="et_pb_text_inner"><h2 style="text-align: left;">Artist Advisory Group</h2></div>
874			</div><div class="et_pb_module et_pb_text et_pb_text_6  et_pb_text_align_left et_pb_bg_layout_light">
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879				<div class="et_pb_text_inner"><p style="text-align: left;">Guildhouse established an Artist Advisory Group in 2017 to ensure the relevance of our programs to artists, craftspeople and designers across South Australia. The following artists currently comprise the Artist Advisory Group:</p></div>
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897				<div class="et_pb_blurb_content">
898					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1500" height="1500" data-src="https://guildhouse.org.au/wp-content/uploads/2022/10/headshot-copy.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-38876 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500/1500;" /></span></div>
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909				<h5 class="et_pb_toggle_title">Roy Ananda</h5>
910				<div class="et_pb_toggle_content clearfix"><p style="font-weight: 400;">Roy Ananda is a visual artist, writer, and educator practicing on Kaurna Country (Tarndanya/Adelaide Plains). His objects, drawings, installations, texts, and videos variously celebrate popular culture, play, process, and the very act of making. Since 2001 he has exhibited prolifically around Australia, holding solo exhibitions at Adelaide Central Gallery (Adelaide), the Contemporary Art Centre of South Australia (Adelaide), Dianne Tanzer Gallery+ Projects (Melbourne), FELTspace (Adelaide), Gallery 4a (Sydney), Hugo Michell Gallery (Adelaide), Samstag Museum of Art (Adelaide), and West Space (Melbourne).</p>
911<p style="font-weight: 400;">His work has been included in such significant survey exhibitions as <em>Primavera</em> (2004) at the MCA (Sydney), the <em>Australian Drawing Biennial </em>(2004) at the Drill Hall Gallery (Canberra), and <em>CACSA Contemporary 2015</em> at SASA Gallery (Adelaide). In 2017 Ananda completed a post-graduate research degree at the University of South Australia with a specific focus on the intersection of pop-culture fandom and contemporary art practice.</p>
912<p style="font-weight: 400;">He has lectured in drawing and sculpture at Adelaide Central School of Art since 2004 and currently holds the position of Head of Drawing. His writing has appeared in a wide variety of journals, books, exhibition catalogues, zines, and websites. Ananda was the feature artist of the 2021 South Australian Living Artists Festival and subject of that year’s SALA Publication.</p>
913<p style="font-weight: 400;"><a href="http://www.royananda.com">www.royananda.com</a></p>
914<p>&nbsp;</p></div>
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927					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="593" height="601" data-src="https://guildhouse.org.au/wp-content/uploads/2020/11/Thom-Buchanan.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-23718 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 593px; --smush-placeholder-aspect-ratio: 593/601;" /></span></div>
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938				<h5 class="et_pb_toggle_title">Thomas Buchanan</h5>
939				<div class="et_pb_toggle_content clearfix"><p>Thom Buchanan&#8217;s practice traverses a Cross-disciplinary mode of investigations. Informed by his background in drawing and painting, it also incorporates installation, photography, video, performance, sound, murals and collaborations. Buchanan is a master of large-scale live performative works and collaboration. He has been interrogating ideas of the physiological ramifications of built and natural environments for 15 years and still asking questions.</p>
940<p>He has exhibited extensively locally, nationally, and internationally and has won a number of major art prizes and grants. His work has been commissioned by The State Theatre Company (SA), Australian Dance Theatre, Vivid Festival Sydney, Adelaide Festival, Edinburgh Fringe Festival (UK), Slingsby Theatre Company, Fringe Festival (SA), SALA Festival, the Surge Festival in Glasgow, Cabaret Festival, Guitar Festival, Canberra Centenary, Canberra Symphony Orchestra, Zephyr Quartet, Big Picture Pillar festival, Big Day Out, Rise Festival (NZ), just to name a few.</p>
941<p><a href="http://www.thombuchanan.net">www.thombuchanan.net</a> </p></div>
942			</div>
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954					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="593" height="601" data-src="https://guildhouse.org.au/wp-content/uploads/2020/11/Brad-Darkson.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-24129 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 593px; --smush-placeholder-aspect-ratio: 593/601;" /></span></div>
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965				<h5 class="et_pb_toggle_title">Brad Darkson</h5>
966				<div class="et_pb_toggle_content clearfix"><div class="gmail-_2Hij5 gmail-_3bcaz">Brad Darkson is a South Australian visual artist currently working across various media including carving, sound, sculpture, multimedia installation, and painting. Darkson&#8217;s practice is regularly focused on site specific works, and connections between contemporary and traditional cultural practice, language and lore. His current research interests include hostile architecture, bureaucracy, seaweed, and the neo-capitalist hellhole we&#8217;re all forced to exist within. Conceptually Darkson&#8217;s work is often informed by his First Nations and Anglo Australian heritage. Brad&#8217;s mob on his Dad&#8217;s side is the Chester family, with lineages to Narungga and many other Nations in South Australia from Ngarrindjeri to Far West Coast. On his Mum&#8217;s side he&#8217;s from the Colley and Ball convict and settler migrant families, both arriving in 1839 aboard the Duchess of Northumberland.</div>
967<div class="gmail-_2Hij5 gmail-_3bcaz"></div>
968<div class="gmail-_2Hij5 gmail-_3bcaz">In 2015 he completed a BFA at the University of South Australia and in 2017 he completed an MFAD at the University of Tasmania. Selected exhibitions include <i>Make Yourself Comfortable I</i> (solo exhibition) Post Office Projects 2022, <i>Neoteric</i> (group exhibition) 2022, <i>Experimenta Life Forms</i> (international triennial of media art) touring 2021 &#8211; 2024; <i>Adelaide//International</i> (group exhibition) Samstag Museum 2020; <i>International Symposium on Electronic Art</i> (South Korea) 2019; <i>VIETNAM – ONE IN, ALL IN</i> (Country Arts SA national exhibition) touring 2019 – 2021; <i>The Return</i> (group exhibition) Dark Mofo 2018; <i>LOSS. GAIN. REVERB. DELAY.</i> (solo exhibition) Vitalstatistix 2017. </div>
969<div class="gmail-_2Hij5 gmail-_3bcaz"></div>
970<div class="gmail-_2Hij5 gmail-_3bcaz">Darkson currently sits on the board of The Australian Network for Art and Technology and the Guildhouse Artist Advisory Group.</div>
971<p><a href="http://www.darkson.art">www.darkson.art</a></p></div>
972			</div>
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984					<div class="et_pb_main_blurb_image"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img decoding="async" width="1500" height="1500" data-src="https://guildhouse.org.au/wp-content/uploads/2021/09/E_ZANELLI_Kaspar-Schmidt-Mumm_SkeweredFromAllAngles_2019-web.jpg" alt="Photographic portrait of Emma Fey" class="et-waypoint et_pb_animation_top et_pb_animation_top_tablet et_pb_animation_top_phone wp-image-31323 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500/1500;" /></span></div>
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995				<h5 class="et_pb_toggle_title">Kaspar Schmidt Mumm</h5>
996				<div class="et_pb_toggle_content clearfix"><p>Born in Germany in 1990, my family immigrated to South Australia in the year 2000. My mother was an immigrant to Canada as a result of the civil war between Pakistan and India. My father is a German with a Columbian upbringing.</p>
997<p>My education in the arts is based on Mentoring from people such as James Brown IV (MASH Designs), Darren O&#8217;Donnell (Mammalian Diving Reflex) and Koruna Schmidt Mumm (Art Therapist). I have always avoided institutionalisation, for better or for worse.</p>
998<p>Today the primary parts of my practice are; my music (Slowmango); street performance (Baitfridge); and collaborative gallery performance (IMMI). These projects are deeply collaborative and involve an array of artists and non-artists. Whenever I present an artwork, it comes with an entourage of collaborators. I have an extremely social practice that melds and changes with my community. A process of communication, healing and expression that is centered around play.</p>
999<p><a href="http://www.kasparschmidtmumm.com">www.kasparschmidtmumm.com</a> </p></div>
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1057				<div class="et_pb_text_inner"><h2 style="text-align: left;">Annual Reports</h2></div>
1058			</div>
1059			</div>
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1075				<span class="et_pb_image_wrap "><img decoding="async" width="595" height="841" data-src="https://guildhouse.org.au/wp-content/uploads/2026/07/Cover_2025-Annual-Report.jpg" alt="Guildhouse 2017 Annual Report front cover" title="Cover_2025 Annual Report" class="wp-image-49625 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 595px; --smush-placeholder-aspect-ratio: 595/841;" /></span>
1076			</div><div class="et_pb_button_module_wrapper et_pb_button_0_wrapper et_pb_button_alignment_center et_pb_module ">
1077				<a class="et_pb_button et_pb_button_0 et_pb_bg_layout_light" href="https://guildhouse.aflip.in/GuildhouseAnnualReport2025" target="_blank">2025 Annual Report</a>
1078			</div>
1079			</div><div class="et_pb_column et_pb_column_1_4 et_pb_column_32  et_pb_css_mix_blend_mode_passthrough">
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1089				<span class="et_pb_image_wrap "><img decoding="async" data-src="https://guildhouse.org.au/wp-content/uploads/2025/05/Screenshot-2025-05-01-at-11.34.02 AM.png" alt="Guildhouse 2017 Annual Report front cover" title="Screenshot 2025-05-01 at 11.34.02 AM" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" class="lazyload" style="--smush-placeholder-width: 569px; --smush-placeholder-aspect-ratio: 569/806;" /></span>
1090			</div><div class="et_pb_button_module_wrapper et_pb_button_1_wrapper et_pb_button_alignment_center et_pb_module ">
1091				<a class="et_pb_button et_pb_button_1 et_pb_bg_layout_light" href="https://guildhouse.aflip.in/2024GuildhouseAnnualReport" target="_blank">2024 Annual Report</a>
1092			</div>
1093			</div><div class="et_pb_column et_pb_column_1_4 et_pb_column_33  et_pb_css_mix_blend_mode_passthrough">
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1103				<span class="et_pb_image_wrap "><img decoding="async" width="500" height="706" data-src="https://guildhouse.org.au/wp-content/uploads/2024/05/2023AnnualReport.jpg" alt="Guildhouse 2017 Annual Report front cover" title="Screenshot" class="wp-image-43137 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 500px; --smush-placeholder-aspect-ratio: 500/706;" /></span>
1104			</div><div class="et_pb_button_module_wrapper et_pb_button_2_wrapper et_pb_button_alignment_center et_pb_module ">
1105				<a class="et_pb_button et_pb_button_2 et_pb_bg_layout_light" href="https://guildhouse.aflip.in/2023GuildhouseAnnualReport" target="_blank">2023 Annual Report</a>
1106			</div>
1107			</div><div class="et_pb_column et_pb_column_1_4 et_pb_column_34  et_pb_css_mix_blend_mode_passthrough et-last-child">
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1117				<span class="et_pb_image_wrap "><img decoding="async" width="900" height="1272" data-src="https://guildhouse.org.au/wp-content/uploads/2023/05/Screen-Shot-2023-05-08-at-10.24.34-am.png" alt="Guildhouse 2017 Annual Report front cover" title="Screen Shot 2023-05-08 at 10.24.34 am" class="wp-image-40552 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900/1272;" /></span>
1118			</div><div class="et_pb_button_module_wrapper et_pb_button_3_wrapper et_pb_button_alignment_center et_pb_module ">
1119				<a class="et_pb_button et_pb_button_3 et_pb_bg_layout_light" href="https://guildhouse.aflip.in/2022GuildhouseAnnualReport" target="_blank">2022 Annual Report</a>
1120			</div>
1121			</div>
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1137				<span class="et_pb_image_wrap "><img decoding="async" width="426" height="602" data-src="https://guildhouse.org.au/wp-content/uploads/2022/05/Screen-Shot-2022-05-09-at-10.07.57-am.png" alt="Guildhouse 2017 Annual Report front cover" title="Screen Shot 2022-05-09 at 10.07.57 am" class="wp-image-35759 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 426px; --smush-placeholder-aspect-ratio: 426/602;" /></span>
1138			</div><div class="et_pb_button_module_wrapper et_pb_button_4_wrapper et_pb_button_alignment_center et_pb_module ">
1139				<a class="et_pb_button et_pb_button_4 et_pb_bg_layout_light" href="https://guildhouse.org.au/wp-content/uploads/2022/05/2021-Annual-Report_online-viewing.pdf" target="_blank">2021 Annual Report</a>
1140			</div>
1141			</div><div class="et_pb_column et_pb_column_1_4 et_pb_column_36  et_pb_css_mix_blend_mode_passthrough">
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1151				<span class="et_pb_image_wrap "><img decoding="async" width="1810" height="2560" data-src="https://guildhouse.org.au/wp-content/uploads/2021/06/2020-Annual-Report-cover-scaled.jpg" alt="Guildhouse 2017 Annual Report front cover" title="2020 Annual Report- cover" class="wp-image-29145 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 1810px; --smush-placeholder-aspect-ratio: 1810/2560;" /></span>
1152			</div><div class="et_pb_button_module_wrapper et_pb_button_5_wrapper et_pb_button_alignment_center et_pb_module ">
1153				<a class="et_pb_button et_pb_button_5 et_pb_bg_layout_light" href="https://guildhouse.org.au/wp-content/uploads/2021/06/2020-Annual-Report-FINAL-digital.pdf" target="_blank">2020 Annual Report</a>
1154			</div>
1155			</div><div class="et_pb_column et_pb_column_1_4 et_pb_column_37  et_pb_css_mix_blend_mode_passthrough">
1156				
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1160				<div class="et_pb_module et_pb_image et_pb_image_6">
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1165				<a href="https://guildhouse.org.au/wp-content/uploads/2020/05/FINAL-2019-Annual-Report_.pdf" target="_blank"><span class="et_pb_image_wrap "><img decoding="async" width="876" height="1245" data-src="https://guildhouse.org.au/wp-content/uploads/2020/04/Screen-Shot-2020-04-24-at-10.52.09-am.jpg" alt="Guildhouse 2017 Annual Report front cover" title="" class="wp-image-18278 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 876px; --smush-placeholder-aspect-ratio: 876/1245;" /></span></a>
1166			</div><div class="et_pb_button_module_wrapper et_pb_button_6_wrapper et_pb_button_alignment_center et_pb_module ">
1167				<a class="et_pb_button et_pb_button_6 et_pb_bg_layout_light" href="https://guildhouse.org.au/wp-content/uploads/2020/05/FINAL-2019-Annual-Report_.pdf" target="_blank">2019 Annual Report</a>
1168			</div>
1169			</div><div class="et_pb_column et_pb_column_1_4 et_pb_column_38  et_pb_css_mix_blend_mode_passthrough et-last-child">
1170				
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1174				<div class="et_pb_module et_pb_image et_pb_image_7">
1175				
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1179				<a href="https://guildhouse.org.au/wp-content/uploads/2019/05/FINAL-2018-Annual-Report-070519.pdf" target="_blank"><span class="et_pb_image_wrap "><img decoding="async" width="360" height="510" data-src="https://guildhouse.org.au/wp-content/uploads/2019/11/2018-Annual-Report-image-1.jpg" alt="Guildhouse 2017 Annual Report front cover" title="" class="wp-image-14540 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 360px; --smush-placeholder-aspect-ratio: 360/510;" /></span></a>
1180			</div><div class="et_pb_button_module_wrapper et_pb_button_7_wrapper et_pb_button_alignment_center et_pb_module ">
1181				<a class="et_pb_button et_pb_button_7 et_pb_bg_layout_light" href="https://guildhouse.org.au/wp-content/uploads/2019/05/FINAL-2018-Annual-Report-070519.pdf" target="_blank">2018 Annual Report</a>
1182			</div>
1183			</div>
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1199				<a href="https://guildhouse.org.au/wp-content/uploads/2019/01/2017_Annual-Report.pdf" target="_blank"><span class="et_pb_image_wrap "><img decoding="async" width="395" height="559" data-src="https://guildhouse.org.au/wp-content/uploads/2019/11/2017-Annual-Report-image-1.jpg" alt="Guildhouse 2017 Annual Report front cover" title="" class="wp-image-14545 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 395px; --smush-placeholder-aspect-ratio: 395/559;" /></span></a>
1200			</div><div class="et_pb_button_module_wrapper et_pb_button_8_wrapper et_pb_button_alignment_center et_pb_module ">
1201				<a class="et_pb_button et_pb_button_8 et_pb_bg_layout_light" href="https://guildhouse.org.au/wp-content/uploads/2019/01/2017_Annual-Report.pdf" target="_blank">2017 Annual Report</a>
1202			</div>
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1213				<a href="https://guildhouse.org.au/wp-content/uploads/2019/01/Guildhouse-Annual-Report-2016sml.pdf" target="_blank"><span class="et_pb_image_wrap "><img decoding="async" width="395" height="559" data-src="https://guildhouse.org.au/wp-content/uploads/2019/11/2016-Annual-Report-image-1.jpg" alt="Guildhouse 2016 Annual Report front cover" title="" class="wp-image-14550 lazyload" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" style="--smush-placeholder-width: 395px; --smush-placeholder-aspect-ratio: 395/559;" /></span></a>
1214			</div><div class="et_pb_button_module_wrapper et_pb_button_9_wrapper et_pb_button_alignment_center et_pb_module ">
1215				<a class="et_pb_button et_pb_button_9 et_pb_bg_layout_light" href="https://guildhouse.org.au/wp-content/uploads/2019/01/Guildhouse-Annual-Report-2016sml.pdf" target="_blank">2016 Annual Report</a>
1216			</div>
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1246</div>
1247
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1251<div class="container">
1252	<div id="footer-widgets" class="clearfix">
1253		<div class="footer-widget"><div id="text-3" class="fwidget et_pb_widget widget_text">			<div class="textwidget"><p><strong><span class="">We acknowledge the Kaurna people</span><span class=""> </span><span class="">as the traditional owners of the land</span><span class=""> </span><span class="">upon which we work. We recognise</span><span class=""> </span><span class="">that sovereignty was never ceded,</span><span class=""> </span><span class="">and pay our respects to Elders past and</span><span class=""> </span><span class="">present. </span></strong></p>
1254</div>
1255		</div></div><div class="footer-widget"><div id="text-4" class="fwidget et_pb_widget widget_text">			<div class="textwidget"><p>Guildhouse ABN 75 442 934 320</p>
1256<p>Postal address: 63 Light Square, Adelaide SA 5000<br />
1257+61 (0) 8 8410 1822<br />
1258<a href="mailto:[email protected]">[email protected]</a></p>
1259<p><a href="https://guildhouse.org.au/copyright/">Copyright Policy</a><br />
1260<a href="https://guildhouse.org.au/privacy-policy/">Privacy Policy</a><br />
1261<a href="https://guildhouse.org.au/terms-and-conditions/">Terms and Conditions</a><br />
1262© Guildhouse 2026</p>
1263</div>
1264		</div></div><div class="footer-widget"><div id="text-8" class="fwidget et_pb_widget widget_text">			<div class="textwidget"><p><a href="https://guildhouse.org.au/guildhouse-professional-services/">Guildhouse Professional Services</a><br />
1265<a href="https://guildhouse.org.au/programs/">Programs</a><br />
1266<a href="https://guildhouse.org.au/support-us/">Support Us</a><br />
1267<a href="https://guildhouse.org.au/membership/">Membership</a><br />
1268<a href="https://guildhouse.org.au/contact/">Contact</a></p>
1269<p><a href="https://instagram.com/guildhouse_au/">Instagram</a><br />
1270<a href="https://www.facebook.com/GuildhouseAU">Facebook</a></p>
1271</div>
1272		</div></div><div class="footer-widget"><div id="media_image-5" class="fwidget et_pb_widget widget_media_image"><a href="https://guildhouse.org.au/"><img width="521" height="521" data-src="https://guildhouse.org.au/wp-content/uploads/2026/06/IAC_House_supporter.png" class="image wp-image-49506  attachment-full size-full lazyload" alt="" style="--smush-placeholder-width: 521px; --smush-placeholder-aspect-ratio: 521/521;max-width: 100%; height: auto;" decoding="async" src="data:image/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==" /></a></div></div>	</div>
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1275
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