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264      <div>
265        <header id="home" class="hero-section">
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269                <div class="hero-logo-wrapper"><img src="images/Group-29.svg" loading="eager" data-w-id="7741cff5-6989-3d27-5810-8dbb5b8c5de0" alt="" class="hero-logo"></div>
270                <div class="text-color-white mobil-hidden"><div data-w-id="71d972af-d66f-0835-1281-b660fdab7f48" class="zitat-wrapper">
271                    <div class="margin-bottom24">
272                      <div class="h4-text w-richtext"><p data-wf-id="[&quot;d07b4c0e-8569-f531-4b28-dc9604494110&quot;,&quot;6c9ad42a-f39c-1683-7030-8e8ab01ccdd2&quot;]" data-w-id="6c9ad42a-f39c-1683-7030-8e8ab01ccdd2">„Musik ist die universelle</p>
273<p data-wf-id="[&quot;d07b4c0e-8569-f531-4b28-dc9604494110&quot;,&quot;68caeff4-c793-971c-058a-d74d83dd5eee&quot;]" data-w-id="68caeff4-c793-971c-058a-d74d83dd5eee">Sprache der Menschheit.“</p></div>
274                    </div>
275                    <div class="h4-text italic">Henry Wadsworth Longfellow</div>
276                  </div></div>
277              </div>
278            </div>
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280        </header>
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286              <div class="text-align-center"><div data-w-id="0107eb2a-aa22-f1f1-5332-c347ddf23b08" style="-webkit-transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);-moz-transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);-ms-transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);opacity:0" class="zitat-wrapper">
287                  <div class="margin-bottom24">
288                    <div class="h4-text w-richtext"><p data-wf-id="[&quot;d07b4c0e-8569-f531-4b28-dc9604494110&quot;,&quot;6c9ad42a-f39c-1683-7030-8e8ab01ccdd2&quot;]" data-w-id="6c9ad42a-f39c-1683-7030-8e8ab01ccdd2">„Musik ist die universelle</p>
289<p data-wf-id="[&quot;d07b4c0e-8569-f531-4b28-dc9604494110&quot;,&quot;68caeff4-c793-971c-058a-d74d83dd5eee&quot;]" data-w-id="68caeff4-c793-971c-058a-d74d83dd5eee">Sprache der Menschheit.“</p></div>
290                  </div>
291                  <div class="h4-text italic">Henry Wadsworth Longfellow</div>
292                </div></div>
293            </div>
294          </div>
295        </div>
296      </section>
297      <section id="about">
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302                <div data-w-id="d09becb5-f056-3b63-ef9c-cf5948a12d26" style="-webkit-transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);-moz-transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);-ms-transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);transform:translate3d(0, 50px, 0) scale3d(1, 1, 1) rotateX(0) rotateY(0) rotateZ(0) skew(0, 0);opacity:0" class="bio-img-wrapper"><img src="images/WE1_7082.webp" loading="eager" alt="" class="img-big">
303                  <div class="heading-absolut-wrapper left">
304                    <h2 class="h2-text vertical">ABOUT</h2>
305                  </div>
306                </div>
307                <div class="bio-comp">
308                  <div class="biography-content">
309                    <div class="margin-bottom50">
310                      <div data-w-id="8e17d19f-1a70-45f4-7982-ef4f5eb1eb5a" class="biography-lang-links">
311                        <div data-lang="de" class="tab-link active">DE</div>
312                        <div class="tab-bar">|</div>
313                        <div data-lang="en" class="tab-link">En</div>
314                      </div>
315                    </div>
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318                        <div class="biography-text en w-richtext"><p>Christian Ludwig studied conducting at the Royal Academy of Music in London and violin at the Cologne University of Music and Dance. He has performed on numerous stages around the world, including the Cologne Philharmonie, the Théâtre des Champs-Élysées in Paris, the Konzerthaus Berlin and the Prinzregententheater in Munich.</p>
319<p>Among other roles, he has served as principal conductor of the Cologne Chamber Orchestra and the South Korean Gwangju Symphony Orchestra.</p>
320<p>In 2017, he was appointed an ‘Associate of the Royal Academy of Music in London’.</p>
321<p>&nbsp;</p>
322<p><br>Christian Ludwig currently heads the Arts and Music division of a German family foundation. In addition, he is Head of Strings at the family office <a href="http://www.art-strings.de/en">ART &amp; STRINGS</a>, which specialises, amongst other things, in high-quality Italian string instruments such as those by A. Stradivari, G.B. Guadagnini, N. Amati and A. Guarneri. In this role, he looks after the owners of these instruments in the portfolio, advises private investors and foundations, and supports owners in meaningfully comb
322ining intrinsic and material value.</p></div>
323                        <div class="biography-text de w-richtext"><p>Christian Ludwig studierte Dirigieren an der Royal Academy of Music in London und Violine an der Hochschule für Musik und Tanz in Köln. Er konzertierte auf zahlreichen Bühnen der Welt wie der Kölner Philharmonie, dem Pariser Théâtre des Champs-Élysées, dem Konzerthaus Berlin und dem Münchner Prinzregententheater.</p>
324<p>Er arbeitete unter anderem als Chefdirigent des Kölner Kammerorchesters sowie des südkoreanischen Gwangju Symphony Orchestra.</p>
325<p>2017 wurde er zum „Associate of the Royal Academy of Music in London” ernannt.</p>
326<p>&nbsp;</p>
327<p>Aktuell leitet Christian Ludwig den Bereich Kunst und Musik einer deutschen Familienstiftung. Darüber hinaus ist er Head of Strings des Family Office <a href="http://www.art-strings.de/">ART &amp; STRINGS</a>, das sich unter anderem auf hochwertige italienische Streichinstrumente wie beispielsweise von A. Stradivari, G.B. Guadagnini, N. Amati und A. Guarneri spezialisiert hat. In dieser Funktion betreut er die Eigentümer dieser Instrumente im Portfolio, berät Privatinvestoren sowie Stiftungen und unterstützt Eigentümer dabei, ideelle und reale Werte sinnvoll miteinander zu verbinden.</p></div>
328                      </div>
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331                      <div class="dropdown-wrapper">
332                        <div class="biography-text-wrapper">
333                          <div class="biography-text en w-richtext"><p>Christian Ludwig is the artistic director of the “<a href="http://www.erftkreiszyklus.de" target="_blank" rel="noopener">Erftkreiszyklus</a>” concert series, held in castles and palaces across the Rhein-Erft district near Cologne, as well as the “<a href="http://www.edle-klaenge.de" target="_blank" rel="noopener">Edle Klänge</a>” concert series in the Rhine-Main region.</p>
334<p>&nbsp;</p>
335<p>He also volunteers with various organisations and is committed to promoting musical talent and to the development and implementation of philanthropic projects.</p></div>
336                          <div class="biography-text de w-richtext"><p>Christian Ludwig ist künstlerischer Leiter der Konzertreihe „<u><a href="http://www.erftkreiszyklus.de/">Erftkreiszyklus</a></u>“ in Burgen und Schlössern des Rhein-Erft-Kreis bei Köln sowie der Konzertreihe „<a href="http://www.edle-klaenge.de/">Edle Klänge</a>“ im Rhein-Main-Gebiet.</p>
337<p>&nbsp;</p>
338<p>Ehrenamtlich engagiert er sich darüber hinaus in diversen Organisationen und setzt sich für die Förderung von musikalischen Talenten wie auch der Entwicklung und Realisierung von&nbsp;philanthropischen Projekten&nbsp;ein.</p></div>
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365                  <div class="margin-bottom24">
366                    <div class="h4-text w-richtext"><p>“Musik verleiht dem Universum eine Seele, dem Geist Flügel, der Phantasie Flugkraft, der Traurigkeit einen Zauber und allen Dingen Freude und Leben.”</p></div>
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368                  <div class="h4-text italic">Plato</div>
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399                        <div class="biography-text en w-richtext"><p>Christian Ludwig’s interest in seeing things from a different perspective led him, from an early age, to organise concerts and events himself and to forge links with those who ‘make things happen’ in the fields of culture and artist support.</p>
400<p>&nbsp;</p>
401<p>At the age of just 14, he gained his first experience as a borrower of significant historical string instruments – and gained an insight into a specialised market in which access and expertise are crucial.</p>
402<p>&nbsp;</p>
403<p><br>He now sees himself as a bridge-builder between foundations and owners of high-quality historical string instruments, as well as world-class musicians for whom a top-class string instrument represents their artistic voice.</p></div>
404                        <div class="biography-text de w-richtext"><p>Sein Interesse für den Perspektivwechsel brachte Christian Ludwig bereits früh dazu, selbst Konzerte und Events zu organisieren und den Kontakt mit „Ermöglichern“ von Kultur und Künstlerförderung aufzubauen.</p>
405<p>&nbsp;</p>
406<p>Bereits im Alter von 14 Jahren erwarb er erste Erfahrungen als Leihempfänger von bedeutenden historischen Streichinstrumenten – und erhielt Einblick in einen speziellen Markt, bei dem Zugang und Knowhow entscheidend sind.</p>
407<p>&nbsp;</p>
408<p>Inzwischen versteht er sich als Brückenbauer zwischen Stiftungen und Eigentümern von hochwertigen historischen Streichinstrumenten sowie hochkarätigen Musikern, für die ein Top-Streichinstrument die künstlerische Stimme darstellt.</p></div>
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414                          <div class="biography-text en w-richtext"><p>Christian Ludwig currently heads the Art and Music division of a German family foundation. He is also Head of Strings at the <a href="http://www.art-strings.de" target="_blank" rel="noopener">ART &amp; STRINGS</a> family office, which specialises, amongst other things, in high-quality Italian stringed instruments by makers such as A. Stradivari, G.B. Guadagnini, N. Amati and A. Guarneri. In this role, he looks after the owners of these instruments within the portfolio, advises private investors and foundations, and supports owners in meaningfully comb
414ining intrinsic and tangible value to generate an impact on culture and society.</p>
415<p>&nbsp;</p>
416<p><br>In addition, Christian Ludwig heads the art and music division of a German family foundation.</p>
417<p>&nbsp;</p>
418<p><br>Christian Ludwig is the artistic director of the ‘<a href="http://www.erftkreiszyklus.de" target="_blank" rel="noopener">Erftkreiszyklus</a>’ concert series, held in castles and palaces in the Rhein-Erft district near Cologne, and of the ‘<a href="http://www.edle-klaenge.de" target="_blank" rel="noopener">Edle Klänge</a>’ concert series in the Rhine-Main region.</p></div>
419                          <div class="biography-text de w-richtext"><p>Aktuell leitet Christian Ludwig den Bereich Kunst und Musik einer deutschen Familienstiftung. Darüber hinaus ist er Head of Strings des Family Office&nbsp;<a href="http://www.art-strings.de/">ART &amp; STRINGS</a>, das sich unter anderem auf hochwertige italienische Streichinstrumente wie beispielsweise von A. Stradivari, G.B. Guadagnini, N. Amati und A. Guarneri spezialisiert hat. In dieser Funktion betreut er die Eigentümer dieser Instrumente im Portfolio, berät Privatinvestoren sowie Stiftungen und unterstützt Eigentümer dabei, ideelle und reale Werte sinnvoll miteinander zu verbinden und einen Impact auf Kultur und Gesellschaft zu generieren.</p>
420<p>&nbsp;</p>
421<p>Darüber hinaus leitet Christian Ludwig den Bereich Kunst und Musik einer deutschen Familienstiftung.</p>
422<p>&nbsp;</p>
423<p>Christian Ludwig ist künstlerischer Leiter der Konzertreihe „<u><a href="http://www.erftkreiszyklus.de/">Erftkreiszyklus</a></u>“ in Burgen und Schlössern des Rhein-Erft-Kreis bei Köln sowie der Konzertreihe „<a href="http://www.edle-klaenge.de/">Edle Klänge</a>“ im Rhein-Main-Gebiet.</p></div>
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456                        <div class="biography-text en w-richtext"><p>Christian Ludwig served as conductor and artistic director of the Cologne Chamber Orchestra from 2008 to 2011 and as principal conductor of the Gw
456angju Symphony Orchestra in South Korea from 2011 to 2013.</p>
457<p>He has conducted at venues including the Cologne Philharmonie, the Théâtre des Champs-Élysées in Paris, the Prinzregententheater in Munich, the Philharmonie Essen, the Konzerthaus Dortmund and the Tonhalle Düsseldorf.<br>As an opera conductor, Christian Ludwig has conducted performances of Puccini’s "Turandot", Verdi’s "Il Trovatore" and "Un ballo in maschera", Rossini’s "The Barber of Seville", and Mozart’s "Così fan tutte" and "Don Giovanni" at opera houses including the State Theatres of Nuremberg and Karlsruhe, as well as the National Opera House of Korea.</p></div>
458                        <div class="biography-text de w-richtext"><p>Christian Ludwig leitete von 2008-2011 als Dirigent und Künstlerischer Leiter das Kölner Kammerorchester und von 2011-2013 als Chefdirigent das Gwangju Symphony Orchestra in Südkorea.</p>
459<p>Er dirigierte u. a. in der Kölner Philharmonie, dem Théâtre des Champs-Élysées in Paris, im Prinzregententheater in München, in der Philharmonie Essen, im Konzerthaus Dortmund und in der Tonhalle Düsseldorf.<br>Als Operndirigent leitete Christian Ludwig Vorstellungen von Puccinis Turandot, Verdis Troubadour und Ein Maskenball, Rossinis Barbier von Sevilla, Mozarts Cosi fan tutte und Don Giovanni an Opernhäusern wie den Staatstheatern Nürnberg und Karlsruhe sowie dem National Opera House of Korea.</p></div>
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465                          <div class="biography-text en w-richtext"><p>His CDs featuring works by Robert Fuchs, released on <a href="https://www.naxos.com/CatalogueDetail/?id=8.572222" target="_blank" rel="noopener">Naxos International</a> with the Cologne Chamber Orchestra, were awarded the ‘Choc de Classica’.</p>
466<p><br>In 2017, he was appointed an “Associate of the Royal Academy of Music in London”.</p>
467<p><br>From 2017 to 2025, Christian Ludwig conducted the State Government Orchestra in Düsseldorf, with which he performed regularly at the Tonhalle Düsseldorf and appeared at the Lichtburg Essen with an annually changing programme of film music.</p></div>
468                          <div class="biography-text de w-richtext"><p>Seine bei Naxos International mit dem Kölner Kammerorchester veröffentlichten&nbsp;<a href="https://www.naxos.com/CatalogueDetail/?id=8.572222">CDs mit Werken von Robert Fuchs</a>&nbsp;wurden mit dem „Choc de Classica“ ausgezeichnet.</p>
469<p><br>2017 wurde er zum „Associate of the Royal Academy of Music in London” ernannt.</p>
470<p><br>Seit 2017 leitet Christian Ludwig das&nbsp;Orchester der Landesregierung&nbsp;in Düsseldorf, mit dem er regelmäßig in der Tonhalle Düsseldorf auftritt und mit einem jährlichen wechselnden Filmmusik-Programm in der Lichtburg Essen zu sehen ist.</p></div>
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520                        <div class="biography-text en w-richtext"><p>“<strong>Technology is changing the relationship between people and wealth</strong>."</p>
521<p>&nbsp;</p>
522<p>The <strong>vountain GmbH RWA Summit 2026</strong> in Hanover was an impressive gathering of expertise and foresight, culminating in the launch of the new vountain dApp 2.0.</p>
523<p><br>Whether law, insurance, private banking or classic cars – the panels featuring high-profile guests such as <strong>Julia Ries</strong> (ARTE Generali), <strong>Anna Graf</strong> (Arvato Systems), <strong>Silvester Plotka</strong> (Nord/LB), <strong>Dr. Nina-Luisa Siedler</strong> (DAAvern), <strong>Dr. Steffen Härting</strong> (Deloitte), <strong>Johannes Huebner</strong> (AUTOCONSULT), <strong>Sebastian Riedl</strong> (Abt Classic) and other experts offered inspiring insights from a wide variety of fields.&nbsp;</p></div>
524                        <div class="biography-text de w-richtext"><p><strong>"Technologie verändert die Beziehung zwischen Menschen und Vermögen.</strong>"</p>
525<p>&nbsp;</p>
526<p>Der <strong>vountain GmbH RWA Summit 2026</strong> in Hannover war ein beeindruckendes Zusammentreffen von Expertise und Weitsicht, das in den Launc
526h der neuen vountain dApp 2.0 mündete.</p>
527<p><br>Ob Recht, Versicherung, Private Banking oder Klassik-Automobile – die Panels mit hochkarätigen Gästen wie <strong>Julia Ries</strong> (ARTE Generali), <strong>Anna Graf </strong>(Arvato Systems), <strong>Silvester Plotka</strong> (Nord/LB), <strong>Dr. Nina-Luisa Siedler</strong> (DAAvern), <strong>Dr. Steffen Härting</strong> (Deloitte), <strong>Johannes Huebner</strong> (AUTOCONSULT), <strong>Sebastian Riedl</strong>&nbsp;(Abt Classic) und weiteren Experten boten inspirierende Impulse aus unterschiedlichsten Welten.</p></div>
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533                          <div class="biography-text en w-richtext"><p>During the discussions on the importance of tamper-proof documentation, structure and digital transparency in relation to RWAs, one thought stood out for me during the fireside chat with <strong>Christiane Stein</strong> – a thought we must never lose sight of:<br>“<strong>Technology is changing the relationship between people and wealth</strong>. It can make wealth more visible, flexible and accessible. However, technological progress must not supplant the emotional and personal connection.”</p>
534<p>&nbsp;</p>
535<p><strong>Why is this so important?</strong> Cultural assets are a memory of time. As unique pieces, <strong>they carry their own history</strong>, which is irreplaceable. A digital history protects this identity and brings it to life for future generations.</p>
536<p>&nbsp;</p>
537<p>Just how vibrant this connection between history and the present is was demonstrated by <a href="http://www.manuellipstein.de" target="_blank" rel="noopener"><strong>Manuel Lipstein’s</strong></a> performance. It was a pleasure for me to introduce this exceptional artist, who, playing a loaned instrument – an Italian cello by Giacomo Zanoli (18th century) – brought the emotional power of our work at <a href="http://www.art-strings.de" target="_blank" rel="noopener"><strong>ART&amp;STRINGS</strong></a> to life.</p></div>
538                          <div class="biography-text de w-richtext"><p>Während der Diskussionen um die Wichtigkeit fälschungssicherer Dokumentation, Struktur und digitaler Transparenz bei RWAs stand im Fireside-Chat mit <strong>Christiane Stein</strong>&nbsp;für mich ein Gedanke im Zentrum, den wir niemals aus den Augen verlieren dürfen: <br>„<strong>Technologie verändert die Bezieung zwischen Menschen und Vermögen.</strong> Sie kann Vermögen sichtbarer, flexibler und zugänglicher machen. Der technische Fortschritt darf jedoch die emotionale und persönliche Verbindung nicht verdrängen“.</p>
539<p><br><br><strong>Warum ist das so wichtig?</strong> Kulturelle Vermögensgegenstände sind ein <strong>Gedächtnis der Zeit</strong>. Als Unikate tragen sie ihre eigene Geschichte, die unersetzbar ist. Ein digitaler Lebenslauf schützt diese Identität und macht sie für kommende Generationen erlebbar.</p>
540<p><br><br>Wie lebendig diese Verbindung von Geschichte und Gegenwart ist, zeigte der Auftritt von <strong><a href="http://www.manuellipstein.de">Manuel Lipstein</a>.</strong> Es war mir eine Freude, diesen Ausnahmekünstler vorzustellen, der mit einer Leihgabe, einem italienischen Cello von Giacomo Zanoli (18. Jahrhundert), die emotionale Kraft unserer Arbeit bei <strong><a href="http://www.art-strings.de">ART&amp;STRINGS</a></strong> hörbar machte.</p></div>
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562                        <div data-lang="de" class="tab-link active">DE</div>
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569                        <div class="biography-text en w-richtext"><p>"Extremely happy to have been able to contribute to a memorable YONA (Youth Orchestra of Namibia) Music Festival 2025.</p>
570<p>&nbsp;</p>
571<p>What started less than a decade ago with just a few children learning violin has blossomed into a vibrant gathering of more than 100 young musicians from across Namibia, performing in two sold-out concerts at Namibia’s National Theatre in Windhoek.</p>
572<p>&nbsp;</p>
573<p>This festival was more than just a musical event – it was an inspiring, intense and deeply enriching journey. Witnessing the dedication, teamwork, and joy of there talented young performers was truly unforgettable.</p></div>
574                        <div class="biography-text de w-richtext"><p>"Ich freue mich sehr, dass ich zu einem unvergesslichen YONA (Youth Orchestra of Namibia) Music Festival 2025 beitragen konnte.</p>
575<p>&nbsp;</p>
576<p>Was vor weniger als einem Jahrzehnt mit ein paar Geige lernenden Kindern begann, hat sich zu einem Musikfestival mit mehr als 100 jungen Musikern aus ganz Namibia entwickelt, die in zwei ausverkauften Konzerten im namibischen Nationaltheater in Windhoek auftraten.</p>
577<p>&nbsp;</p>
578<p>Die Mission von YONA, durch Musik Gräben zu überbrücken und Menschen zu stärken, war in jeder Note und jeder Geste spürbar.</p>
579<p>Es war ein Privileg, Teil dieser bemerkenswerten Erfahrung zu sein und dazu beizutragen, Namibias Kindern Richtung, Ziel und Hoffnung zu geben.</p></div>
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585                          <div class="biography-text en w-richtext"><p>YONA’s mission to bridge gaps and empower through music was palpable in every note and smile shared.</p>
586<p>It was a privilige to be part of this remarkable experience, helping to foster direction, purpose and hope for Namibia’s next generation.</p>
587<p>&nbsp;</p>
588<p>The festival’s atmosphere was truly infectious and unlike anything else: The passion for music was ever-present, accompanied by the joy of making music together, the constant desire to learn from each other and bond with new musical friends.</p>
589<p>&nbsp;</p>
590<p>I am deeply grateful to everyone who made this festival possible: the dedicated organizers, inspiring faculty, generous sponsors, and above all, the remarkable young musicians whose passion and creativity made this event truly unforgettable."</p>
591<p>&nbsp;</p>
592<p><em>Photo: Robert Niemeyer</em></p></div>
593                          <div class="biography-text de w-richtext"><p>Dieses Festival war mehr als nur ein musikalisches Ereignis - es war eine inspirierende, intensive und zutiefst bereichernde Reise. Die Hingabe, die Teamarbeit und die Freude dieser talentierten jungen Künstler zu erleben, war unvergesslich.</p>
594<p>Die Leidenschaft für die Musik war allgegenwärtig, begleitet von der Freude am gemeinsamen Musizieren, dem ständigen Wunsch, voneinander zu lernen und neue musikalische Freundschaften zu schließen.</p>
595<p>&nbsp;</p>
596<p>Ich bin allen, die dieses Festival ermöglicht haben, zutiefst dankbar: den engagierten Organisatoren, den inspirierenden Dozenten, den großzügigen Sponsoren und vor allem den bemerkenswerten jungen Musikern, deren Leidenschaft und Kreativität dieses Ereignis wirklich unvergesslich gemacht haben."</p>
597<p>&nbsp;</p>
598<p><em>Foto: Robert Niemeyer</em></p></div>
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920    document.body.removeChild(link);
921  }
922  // Add event listeners to all elements with the [data-download-href] attribute
923  document.querySelectorAll('[data-download-href]').forEach(element => {
924    element.addEventListener('click', function(event) {
925      event.preventDefault(); // Prevent the default action (if it's a link)
926      event.stopPropagation();
927      const url = element.getAttribute('data-download-href');
928      const filename = element.getAttribute('data-download-filename'); // Optional filename attribute
929      downloadFile(url, filename);
930    });
931  });
932</script>
932
933</body></html>

Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.