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271                Issue <span class="issue-section--prev--num">13</span>
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277              <div class="sub-heading-section" data-outputs-exclude="epub,pdf">
278                <h2 class="sub-heading">Issue 14 – November 2019</h2>
279              </div>
280
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282                <figure class="is-relative">
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286                      Caption
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289                  <div id="caption-details" class="caption-details is-closed" data-outputs-exclude="epub,pdf">
290                    <figcaption>
291                      <span>James Richards,
292                        <em>on the side of the disease and not the cure</em>
293                        (dithered detail from excerpt), 2019.</span>
294                      <span>Digital image courtesy of James Richards (all rights
295                        reserved).</span>
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320                    <div class="card-content">
321                      <span class="card-page-type" data-outputs-exclude="epub,pdf">ARTIST COLLABORATION</span>
322                      <div class="content">
323                        <a href="/issues/14/james-richards-cover-collaboration/">
324                          <em>on the side of the disease and not the cure</em>
325                        </a>
326                      </div>
327                      
328                      
329                      <div class="card-contributor" data-outputs-exclude="epub,pdf">
330                        <span>With films by&nbsp;James Richards&nbsp;Sarah
331                          Perks</span>
332                      </div>
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345                      <span class="card-page-type" data-outputs-exclude="epub,pdf">ARTICLE</span>
346                      <div class="content">
347                        <a href="/issues/14/assemblage-of-specimens/">
348                          “The Assemblage of Specimens”: The Magazine as
349                          Catalogue in 1970s Britain
350                        </a>
351                      </div>
352                      
353                      
354                      <div class="card-contributor" data-outputs-exclude="epub,pdf">
355                        <span>By&nbsp;Samuel Bibby</span>
356                      </div>
357                    </div>
358                  </div>
359                </div>
360
361                <div class="column is-half-mobile is-one-third-tablet is-one-fifth-desktop">
362                  <div class="card">
363                    <div class="card-image" data-outputs-exclude="epub,pdf">
364                      <figure class="image">
365                        <img src="/issues/14/_assets/images/banners/nodonnell-fig6-hero.jpg" alt="">
366                      </figure>
367                    </div>
368                    <div class="card-content">
369                      <span class="card-page-type" data-outputs-exclude="epub,pdf">ARTICLE</span>
370                      <div class="content">
371                        <a href="/issues/14/jack-yeats-reception-in-london/">
372                          “Irrigated Neither by the Seine Nor by the Thames”:
373                          Jack B. Yeats’s Reception in London
374                        </a>
375                      </div>
376                      
377                      
378                      <div class="card-contributor" data-outputs-exclude="epub,pdf">
379                        <span>By&nbsp;Nathan O'Donnell</span>
380                      </div>
381                    </div>
382                  </div>
383                </div>
384
385                <div class="column is-half-mobile is-one-third-tablet is-one-fifth-desktop">
386                  <div class="card">
387                    <div class="card-image" data-outputs-exclude="epub,pdf">
388                      <figure class="image">
389                        <img src="/issues/14/_assets/images/banners/ksdootson-fig12-hero.jpg" alt="">
390                      </figure>
391                    </div>
392                    <div class="card-content">
393                      <span class="card-page-type" data-outputs-exclude="epub,pdf">ARTICLE</span>
394                      <div class="content">
395                        <a href="/issues/14/texture-of-capitalism/">
396                          The Texture of Capitalism: Industrial Oil Colours and
397                          the Politics of Paint in the Work of G.F. Watts
398                        </a>
399                      </div>
400                      
401                      
402                      <div class="card-contributor" data-outputs-exclude="epub,pdf">
403                        <span>By&nbsp;Kirsty Sinclair Dootson</span>
404                      </div>
405                    </div>
406                  </div>
407                </div>
408
409                <div class="column is-half-mobile is-one-third-tablet is-one-fifth-desktop">
410                  <div class="card">
411                    <div class="card-image" data-outputs-exclude="epub,pdf">
412                      <figure class="image">
413                        <img src="/issues/14/_assets/images/banners/croach2-fig2-hero.jpg" alt="">
414                      </figure>
415                    </div>
416                    <div class="card-content">
417                      <span class="card-page-type" data-outputs-exclude="epub,pdf">ARTICLE</span>
418                      <div class="content">
419                        <a href="/issues/14/ecosystem-of-exhibitions/">
420                          The Ecosystem of Exhibitions: Venues, Artists, and
421                          Audiences in Early Nineteenth-Century London
422                        </a>
423                      </div>
424                      
425                      
426                      <div class="card-contributor" data-outputs-exclude="epub,pdf">
427                        <span>By&nbsp;Catherine Roach</span>
428                      </div>
429                    </div>
430                  </div>
431                </div>
432
433                <div class="column is-half-mobile is-one-third-tablet is-one-fifth-desktop">
434                  <div class="card">
435                    <div class="card-image" data-outputs-exclude="epub,pdf">
436                      <figure class="image">
437                        <img src="/issues/14/_assets/images/banners/kfein-fig1-hero.jpg" alt="">
438                      </figure>
439                    </div>
440                    <div class="card-content">
441                      <span class="card-page-type" data-outputs-exclude="epub,pdf">ARTICLE</span>
442                      <div class="content">
443                        <a href="/issues/14/hosmers-clasped-hands/">
444                          “The Sense of Nearness”: Harriet Hosmer’s
445                          <em>Clasped Hands</em> and the Materials and Bodies of
446                          Nineteenth-Century Life Casting
447                        </a>
448                      </div>
449                      
450                      
451                      <div class="card-contributor" data-outputs-exclude="epub,pdf">
452                        <span>By&nbsp;Katherine Fein</span>
453                      </div>
454                    </div>
455                  </div>
456                </div>
457              </div>
458            </div>
459            <!-- TODO: image -->
460
461            <button class="issue-section--button theme-apricot" data-href="https://britishartstudies.ac.uk/issues/15/" data-outputs-exclude="epub,pdf">
462              <div class="issue-section--next">
463                Issue <span class="issue-section--next--num">15</span>
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466            </button>
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