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162        <h1 class="heading-21" style="color: #333">
163          <strong class="bold-text">
164            Elizabeth Edwards - Making paths: from colonial objects to
165            historical presences <br
166          /></strong>
167        </h1>
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174            <p>Resumo e bio disponíveis em português e inglês:</p>
175            <br />
176            <p class="paragraph-3">
177              <strong>PT</strong>
178            </p>
179            <p>
180              Criando caminhos: dos objetos coloniais às presenças históricas -
181              Neste artigo de revisão, uso ‘caminhos e trilhos’ como uma
182              metáfora através da qual se examinam processos que, nas últimas
183              décadas, transformaram os depósitos e provisões arquivísticas.
184              Esses processos transferem os arquivos coloniais de depósitos
185              moribundos fruto de práticas e ideologias do passado, para espaços
186              vibrantes de histórias contestadas e múltiplas subjetivida
186des – de
187              objetos coloniais a presenças históricas. Se os arquivos, como
188              entidades físicas, são propensos à deterioração, dissolução e
189              rearranjo, eles são também cada vez mais móveis epistemicamente, e
190              emergiram como espaços ativos onde as suas próprias identidades
191              são desafiadas e, ao mesmo tempo, oferecem uma contexto
192              intelectual mais novo e mais amplo. Em particular, considero três
193              caminhos principais – o evidencial, o experiencial e o
194              historiográfico – como sítios complexos de conexão.
195            </p>
196            <p class="paragraph-3">
197              <strong>EN</strong>
198            </p>
199            <p>
200              In this overview paper I use ‘paths and trackways’ as a central
201              metaphor through which to examine processes that have, in recent
202              decades, transformed the archival deposits and accruals. These
203              processes shift colonial archives from moribund deposits of past
204              practices and ideologies, to vibrant spaces of contested histories
205              and multiple subjectivities – from colonial objects to historical
206              presences. If archives, as physical entities, are prone to decay,
207              dissolution, and rearrangement, they are also increasingly mobile
208              epistemically, and have emerged as active spaces where their own
209              identities are challenged while at the same time, they offer a
210              newer and larger intellectual context. In particular, I consider
211              three major pathways – the evidential, the experiential and the
212              historiographical – as complex sites of connection.
213            </p>
214            <br />
215            <h2 class="heading-19">Bio</h2>
216            <br />
217            <p class="paragraph-3">
218              <strong>PT</strong>
219            </p>
220            <p>
221              Elizabeth Edwards é antropóloga visual e histórica, sendo
222              Professora Andrew W. Mellon no Victoria and Albert Museum Research
223              Institute, em Londres. É Professora Emérita de História
224              Fotográfica na De Montfort University, Leicester, onde foi
225              Diretora do Photographic History Research Centre de 2011-2016.
226              Também é Professora Honorária no Departamento de Antropologia da
227              University College London. Até 2005 ela foi curadora de
228              fotografias no Pitt Rivers Museum e professora de antropologia
229              visual na ISCA, University of Oxford, onde é curadora emérita e
230              pesquisadora afiliada. Especializada em práticas sociais e
231              materiais da fotografia, trabalha hà mais de 30 anos sobre as
232              relações entre fotografia, antropologia e história. Elizabeth
233              Edwards é consultora científica do projeto de investigação Photo
234              Impulse.
235            </p>
236            <p class="paragraph-3">
237              <strong>EN</strong>
238            </p>
239            <p>
240              Elizabeth Edwards é antropóloga visual e histórica, sendo
241              Professora Andrew W. Mellon no Victoria and Albert Museum Research
242              Institute, em Londres. É Professora Emérita de História
243              Fotográfica na De Montfort University, Leicester, onde foi
244              Diretora do Photographic History Research Centre de 2011-2016.
245              Também é Professora Honorária no Departamento de Antropologia da
246              University College London. Até 2005 ela foi curadora de
247              fotografias no Pitt Rivers Museum e professora de antropologia
248              visual na ISCA, University of Oxford, onde é curadora emérita e
249              pesquisadora afiliada. Especializada em práticas sociais e
250              materiais da fotografia, trabalha hà mais de 30 anos sobre as
251              relações entre fotografia, antropologia e história. Elizabeth
252              Edwards é consultora científica do projeto de investigação Photo
253              Impulse.
254            </p>
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