https://andrea-pach.manus.space/assets/index-BZwAW27a.js

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Ns{constructor(n,a){super(n,a)}bindMethods(){super.bindMethods(),this.fetchNextPage=this.fetchNextPage.bind(this),this.fetchPreviousPage=this.fetchPreviousPage.bind(this)}setOptions(n){n._type="infinite",super.setOptions(n)}getOptimisticResult(n){return n._type="infinite",super.getOptimisticResult(n)}fetchNextPage(n){return this.fetch({...n,meta:{fetchMore:{direction:"forward"}}})}fetchPreviousPage(n){return this.fetch({...n,meta:{fetchMore:{direction:"backward"}}})}createResult(n,a){const{state:o}=n,l=super.createResult(n,a),{isFetching:c,isRefetching:f,isError:m,isRefetchError:p}=l,g=o.fetchMeta?.fetchMore?.direction,x=m&&g==="forward",v=c&&g==="forward",y=m&&g==="backward",S=c&&g==="backward";return{...l,fetchNextPage:this.fetchNextPage,fetchPreviousPage:this.fetchPreviousPage,hasNextPage:bv(a,o.data),hasPreviousPage:vv(a,o.data),isFetchNextPageError:x,isFetchingNextPage:v,isFetchPreviousPageError:y,isFetchingPreviousPage:S,isRefetchError:p&&!x&&!y,isRefetching:f&&!v&&!S}}},zv=class extends _0{#t;#e;#n;#r;constructor(n){super(),this.#t=n.client,this.mutationId=n.mutationId,this.#n=n.mutationCache,this.#e=[],this.state=n.state||F0(),this.setOptions(n.options),this.scheduleGc()}setOptions(n){this.options=n,this.updateGcTime(this.options.gcTime)}get meta(){return this.options.meta}addObserver(n){this.#e.includes(n)||(this.#e.push(n),this.clearGcTimeout(),this.#n.notify({type:"observerAdded",mutation:this,observer:n}))}removeObserver(n){this.#e=this.#e.filter(a=>a!==n),this.scheduleGc(),this.#n.notify({type:"observerRemoved",mutation:this,observer:n})}optionalRemove(){this.#e.length||(this.state.status==="pending"?this.scheduleGc():this.#n.remove(this))}continue(){return this.#r?.continue()??this.execute(this.state.variables)}async execute(n){const a=()=>{this.#a({type:"continue"})},o={client:this.#t,meta:this.options.meta,mutationKey:this.options.mutationKey};this.#r=B0({fn:()=>this.options.mutationFn?this.options.mutationFn(n,o):Promise.reject(new Error("No 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a=this.#t.get(n.queryHash);a&&(n.destroy(),a===n&&this.#t.delete(n.queryHash),this.notify({type:"removed",query:n}))}clear(){Ye.batch(()=>{this.getAll().forEach(n=>{this.remove(n)})})}get(n){return this.#t.get(n)}getAll(){return[...this.#t.values()]}find(n){const a={exact:!0,...n};return this.getAll().find(o=>bh(a,o))}findAll(n={}){const a=this.getAll();return Object.keys(n).length>0?a.filter(o=>bh(n,o)):a}notify(n){Ye.batch(()=>{this.listeners.forEach(a=>{a(n)})})}onFocus(){Ye.batch(()=>{this.getAll().forEach(n=>{n.onFocus()})})}onOnline(){Ye.batch(()=>{this.getAll().forEach(n=>{n.onOnline()})})}},Mv=class{#t;#e;#n;#r;#a;#i;#o;#s;constructor(n={}){this.#t=n.queryCache||new Tv,this.#e=n.mutationCache||new kv,this.#n=n.defaultOptions||{},this.#r=new Map,this.#a=new Map,this.#i=0}mount(){this.#i++,this.#i===1&&(this.#o=rf.subscribe(async n=>{n&&(await this.resumePausedMutations(),this.#t.onFocus())}),this.#s=Sl.subscribe(async n=>{n&&(await 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18 * @license React
19 * scheduler.production.js
20 *
21 * Copyright (c) Meta Platforms, Inc. and affiliates.
22 *
23 * This source code is licensed under the MIT license found in the
24 * LICENSE file in the root directory of this source tree.
25 */var Lh;function xS(){return Lh||(Lh=1,(function(n){function a(H,N){var O=H.length;H.push(N);e:for(;0<O;){var ae=O-1>>>1,ge=H[ae];if(0<c(ge,N))H[ae]=N,H[O]=ge,O=ae;else break e}}function o(H){return H.length===0?null:H[0]}

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26 * @license React
27 * react-dom.production.js
28 *
29 * Copyright (c) Meta Platforms, Inc. and affiliates.
30 *
31 * This source code is licensed under the MIT license found in the
32 * LICENSE file in the root directory of this source tree.
33 */var Fh;function bS(){if(Fh)return vt;Fh=1;var n=Ml();function a(g){var x="https://react.dev/errors/"+g;if(1<arguments.length){x+="?args[]="+encodeURIComponent(arguments[1]);for(var v=2;v<arguments.length;v++)x+="&args[]="+encodeURIComponent(arguments[v])}return"Minified React error #"+g+"; visit "+x+" for the full message or use the non-minified dev environment for full errors and additional helpful warnings."}function o(){}var l={d:{f:o,r:function(){throw Error(a(522))},D:o,C:o,L:o,m:o,X:o,S:o,M:o},p:0,findDOMNode:null},c=Symbol.for("react.portal");function f(g,x,v){var y=3<arguments.length&&arguments[3]!==void 0?arguments[3]:null;return{$$typeof:c,key:y==null?null:""+y,children:g,containerInfo:x,implementation:v}}var m=n.__CLIENT_INTERNALS_DO_NOT_USE_OR_WARN_USERS_THEY_CANNOT_UPGRADE;function p(g,x){if(g==="font")return"";if(typeof x=="string")return x==="use-credentials"?x:""}return vt.__DOM_INTERNALS_DO_NOT_USE_OR_WARN_USERS_THEY_CANNOT_UPGRADE=l,vt.createPortal=function(g,x){var v=2<arguments.length&&arguments[2]!==void 0?arguments[2]:null;if(!x||x.nodeType!==1&&x.nodeType!==9&&x.nodeType!==11)throw Error(a(299));return f(g,x,null,v)},vt.flushSync=function(g){var x=m.T,v=l.p;try{if(m.T=null,l.p=2,g)return g()}finally{m.T=x,l.p=v,l.d.f()}},vt.preconnect=function(g,x){typeof g=="string"&&(x?(x=x.crossOrigin,x=typeof x=="string"?x==="use-credentials"?x:"":void 0):x=null,l.d.C(g,x))},vt.prefetchDNS=function(g){typeof g=="string"&&l.d.D(g)},vt.preinit=function(g,x){if(typeof g=="string"&&x&&typeof x.as=="string"){var v=x.as,y=p(v,x.crossOrigin),S=typeof x.integrity=="string"?x.integrity:void 0,z=typeof x.fetchPriority=="string"?x.fetchPriority:void 0;v==="style"?l.d.S(g,typeof x.precedence=="string"?x.precedence:void 0,{crossOrigin:y,integrity:S,fetchPriority:z}):v==="script"&&l.d.X(g,{crossOrigin:y,integrity:S,fetchPriority:z,nonce:typeof x.nonce=="string"?x.nonce:void 0})}},vt.preinitModule=function(g,x){if(typeof g=="string")if(typeof x=="object"&&x!==null){if(x.as==null||x.as==="script"){var v=p(x.as,x.crossOrigin);l.d.M(g,{crossOrigin:v,integrity:typeof x.integrity=="string"?x.integrity:void 0,nonce:typeof x.nonce=="string"?x.nonce:void 0})}}else x==null&&l.d.M(g)},vt.preload=function(g,x){if(typeof g=="string"&&typeof x=="object"&&x!==null&&typeof x.as=="string"){var v=x.as,y=p(v,x.crossOrigin);l.d.L(g,v,{crossOrigin:y,integrity:typeof x.integrity=="string"?x.integrity:void 0,nonce:typeof x.nonce=="string"?x.nonce:void 0,type:typeof x.type=="string"?x.type:void 0,fetchPriority:typeof x.fetchPriority=="string"?x.fetchPriority:void 0,referrerPolicy:typeof x.referrerPolicy=="string"?x.referrerPolicy:void 0,imageSrcSet:typeof x.imageSrcSet=="string"?x.imageSrcSet:void 0,imageSizes:typeof x.imageSizes=="string"?x.imageSizes:void 0,media:typeof x.media=="string"?x.media:void 0})}},vt.preloadModule=function(g,x){if(typeof g=="string")if(x){var v=p(x.as,x.crossOrigin);l.d.m(g,{as:typeof x.as=="string"&&x.as!=="script"?x.as:void 0,crossOrigin:v,integrity:typeof x.integrity=="string"?x.integrity:void 0})}else l.d.m(g)},vt.requestFormReset=function(g){l.d.r(g)},vt.unstable_batchedUpdates=function(g,x){return g(x)},vt.useFormState=function(g,x,v){return m.H.useFormState(g,x,v)},vt.useFormStatus=function(){return m.H.useHostTransitionStatus()},vt.version="19.2.1",vt}var Uh;function x1(){if(Uh)return gd.exports;Uh=1;function n(){if(!(typeof __REACT_DEVTOOLS_GLOBAL_HOOK__>"u"||typeof __REACT_DEVTOOLS_GLOBAL_HOOK__.checkDCE!="function"))try{__REACT_DEVTOOLS_GLOBAL_HOOK__.checkDCE(n)}catch(a){console.error(a)}}return n(),gd.exports=bS(),gd.exports}/**
34 * @license React
35 * react-dom-client.production.js
36 *
37 * Copyright (c) Meta Platforms, Inc. and affiliates.
38 *
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b=t.memoizedProps,w=fa(r,b);d.props=w;var D=d.context,W=r.contextType;h=qa,typeof W=="object"&&W!==null&&(h=gt(W));var I=r.getDerivedStateFromProps;W=typeof I=="function"||typeof d.getSnapshotBeforeUpdate=="function",b=t.pendingProps!==b,W||typeof d.UNSAFE_componentWillReceiveProps!="function"&&typeof d.componentWillReceiveProps!="function"||(b||D!==h)&&jg(t,d,s,h),yr=!1;var _=t.memoizedState;d.state=_,es(t,s,d,u),$i(),D=t.memoizedState,b||_!==D||yr?(typeof I=="function"&&(iu(t,r,I,s),D=t.memoizedState),(w=yr||Sg(t,r,w,s,_,D,h))?(W||typeof d.UNSAFE_componentWillMount!="function"&&typeof d.componentWillMount!="function"||(typeof d.componentWillMount=="function"&&d.componentWillMount(),typeof d.UNSAFE_componentWillMount=="function"&&d.UNSAFE_componentWillMount()),typeof d.componentDidMount=="function"&&(t.flags|=4194308)):(typeof d.componentDidMount=="function"&&(t.flags|=4194308),t.memoizedProps=s,t.memoizedState=D),d.props=s,d.state=D,d.context=h,s=w):(typeof d.componentDidMount=="function"&&(t.flags|=4194308),s=!1)}else{d=t.stateNode,_c(e,t),h=t.memoizedProps,W=fa(r,h),d.props=W,I=t.pendingProps,_=d.context,D=r.contextType,w=qa,typeof D=="object"&&D!==null&&(w=gt(D)),b=r.getDerivedStateFromProps,(D=typeof b=="function"||typeof d.getSnapshotBeforeUpdate=="function")||typeof d.UNSAFE_componentWillReceiveProps!="function"&&typeof d.componentWillReceiveProps!="function"||(h!==I||_!==w)&&jg(t,d,s,w),yr=!1,_=t.memoizedState,d.state=_,es(t,s,d,u),$i();var U=t.memoizedState;h!==I||_!==U||yr||e!==null&&e.dependencies!==null&&co(e.dependencies)?(typeof b=="function"&&(iu(t,r,b,s),U=t.memoizedState),(W=yr||Sg(t,r,W,s,_,U,w)||e!==null&&e.dependencies!==null&&co(e.dependencies))?(D||typeof d.UNSAFE_componentWillUpdate!="function"&&typeof d.componentWillUpdate!="function"||(typeof d.componentWillUpdate=="function"&&d.componentWillUpdate(s,U,w),typeof d.UNSAFE_componentWillUpdate=="function"&&d.UNSAFE_componentWillUpdate(s,U,w)),typeof d.componentDidUpdate=="function"&&(t.flags|=4),typeof d.getSnapshotBeforeUpdate=="function"&&(t.flags|=1024)):(typeof d.componentDidUpdate!="function"||h===e.memoizedProps&&_===e.memoizedState||(t.flags|=4),typeof d.getSnapshotBeforeUpdate!="function"||h===e.memoizedProps&&_===e.memoizedState||(t.flags|=1024),t.memoizedProps=s,t.memoizedState=U),d.props=s,d.state=U,d.context=w,s=W):(typeof d.componentDidUpdate!="function"||h===e.memoizedProps&&_===e.memoizedState||(t.flags|=4),typeof d.getSnapshotBeforeUpdate!="function"||h===e.memoizedProps&&_===e.memoizedState||(t.flags|=1024),s=!1)}return d=s,To(e,t),s=(t.flags&128)!==0,d||s?(d=t.stateNode,r=s&&typeof r.getDerivedStateFromError!="function"?null:d.render(),t.flags|=1,e!==null&&s?(t.child=ua(t,e.child,null,u),t.child=ua(t,null,r,u)):pt(e,t,r,u),t.memoizedState=d.state,e=t.child):e=Qn(e,t,u),e}function Rg(e,t,r,s){return aa(),t.flags|=256,pt(e,t,r,s),t.child}var uu={dehydrated:null,treeContext:null,retryLane:0,hydrationErrors:null};function du(e){return{baseLanes:e,cachePool:Pm()}}function fu(e,t,r){return e=e!==null?e.childLanes&~r:0,t&&(e|=qt),e}function Lg(e,t,r){var s=t.pendingProps,u=!1,d=(t.flags&128)!==0,h;if((h=d)||(h=e!==null&&e.memoizedState===null?!1:(Ze.current&2)!==0),h&&(u=!0,t.flags&=-129),h=(t.flags&32)!==0,t.flags&=-33,e===null){if(Me){if(u?Sr(t):jr(),(e=Ue)?(e=Qp(e,rn),e=e!==null&&e.data!=="&"?e:null,e!==null&&(t.memoizedState={dehydrated:e,treeContext:gr!==null?{id:vn,overflow:Sn}:null,retryLane:536870912,hydrationErrors:null},r=xm(e),r.return=t,t.child=r,mt=t,Ue=null)):e=null,e===null)throw hr(t);return Vu(e)?t.lanes=32:t.lanes=536870912,null}var b=s.children;return s=s.fallback,u?(jr(),u=t.mode,b=Mo({mode:"hidden",children:b},u),s=ra(s,u,r,null),b.return=t,s.return=t,b.sibling=s,t.child=b,s=t.child,s.memoizedState=du(r),s.childLanes=fu(e,h,r),t.memoizedState=uu,is(null,s)):(Sr(t),mu(t,b))}var w=e.memoizedState;if(w!==null&&(b=w.dehydrated,b!==null)){if(d)t.flags&256?(Sr(t),t.flags&=-257,t=gu(e,t,r)):t.memoizedState!==null?(jr(),t.child=e.child,t.flags|=128,t=null):(jr(),b=s.fallback,u=t.mode,s=Mo({mode:"visible",children:s.children},u),b=ra(b,u,r,null),b.flags|=2,s.return=t,b.return=t,s.sibling=b,t.child=s,ua(t,e.child,null,r),s=t.child,s.memoizedState=du(r),s.childLanes=fu(e,h,r),t.memoizedState=uu,t=is(null,s));else if(Sr(t),Vu(b)){if(h=b.nextSibling&&b.nextSibling.dataset,h)var D=h.dgst;h=D,s=Error(l(419)),s.stack="",s.digest=h,Ii({value:s,source:null,stack:null}),t=gu(e,t,r)}else if(nt||Ya(e,t,r,!1),h=(r&e.childLanes)!==0,nt||h){if(h=Fe,h!==null&&(s=Mt(h,r),s!==0&&s!==w.retryLane))throw w.retryLane=s,na(e,s),Rt(h,e,s),lu;Iu(b)||No(),t=gu(e,t,r)}else Iu(b)?(t.flags|=192,t.child=e.child,t=null):(e=w.treeContext,Ue=sn(b.nextSibling),mt=t,Me=!0,pr=null,rn=!1,e!==null&&vm(t,e),t=mu(t,s.children),t.flags|=4096);return t}return 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h=e.memoizedState;h===null?e.memoizedState={isBackwards:t,rendering:null,renderingStartTime:0,last:s,tail:r,tailMode:u,treeForkCount:d}:(h.isBackwards=t,h.rendering=null,h.renderingStartTime=0,h.last=s,h.tail=r,h.tailMode=u,h.treeForkCount=d)}function Fg(e,t,r){var s=t.pendingProps,u=s.revealOrder,d=s.tail;s=s.children;var h=Ze.current,b=(h&2)!==0;if(b?(h=h&1|2,t.flags|=128):h&=1,B(Ze,h),pt(e,t,s,r),s=Me?Qi:0,!b&&e!==null&&(e.flags&128)!==0)e:for(e=t.child;e!==null;){if(e.tag===13)e.memoizedState!==null&&Ng(e,r,t);else if(e.tag===19)Ng(e,r,t);else if(e.child!==null){e.child.return=e,e=e.child;continue}if(e===t)break e;for(;e.sibling===null;){if(e.return===null||e.return===t)break 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hu(e,t){return(e.lanes&t)!==0?!0:(e=e.dependencies,!!(e!==null&&co(e)))}function $y(e,t,r){switch(t.tag){case 3:be(t,t.stateNode.containerInfo),xr(t,et,e.memoizedState.cache),aa();break;case 27:case 5:ut(t);break;case 4:be(t,t.stateNode.containerInfo);break;case 10:xr(t,t.type,t.memoizedProps.value);break;case 31:if(t.memoizedState!==null)return t.flags|=128,Uc(t),null;break;case 13:var s=t.memoizedState;if(s!==null)return s.dehydrated!==null?(Sr(t),t.flags|=128,null):(r&t.child.childLanes)!==0?Lg(e,t,r):(Sr(t),e=Qn(e,t,r),e!==null?e.sibling:null);Sr(t);break;case 19:var u=(e.flags&128)!==0;if(s=(r&t.childLanes)!==0,s||(Ya(e,t,r,!1),s=(r&t.childLanes)!==0),u){if(s)return Fg(e,t,r);t.flags|=128}if(u=t.memoizedState,u!==null&&(u.rendering=null,u.tail=null,u.lastEffect=null),B(Ze,Ze.current),s)break;return null;case 22:return t.lanes=0,Og(e,t,r,t.pendingProps);case 24:xr(t,et,e.memoizedState.cache)}return Qn(e,t,r)}function Ug(e,t,r){if(e!==null)if(e.memoizedProps!==t.pendingProps)nt=!0;else{if(!hu(e,r)&&(t.flags&128)===0)return nt=!1,$y(e,t,r);nt=(e.flags&131072)!==0}else nt=!1,Me&&(t.flags&1048576)!==0&&bm(t,Qi,t.index);switch(t.lanes=0,t.tag){case 16:e:{var s=t.pendingProps;if(e=la(t.elementType),t.type=e,typeof e=="function")Sc(e)?(s=fa(e,s),t.tag=1,t=_g(null,t,e,s,r)):(t.tag=0,t=cu(null,t,e,s,r));else{if(e!=null){var u=e.$$typeof;if(u===$){t.tag=11,t=Tg(null,t,e,s,r);break e}else if(u===M){t.tag=14,t=Mg(null,t,e,s,r);break e}}throw t=se(e)||e,Error(l(306,t,""))}}return t;case 0:return cu(e,t,t.type,t.pendingProps,r);case 1:return s=t.type,u=fa(s,t.pendingProps),_g(e,t,s,u,r);case 3:e:{if(be(t,t.stateNode.containerInfo),e===null)throw Error(l(387));s=t.pendingProps;var d=t.memoizedState;u=d.element,_c(e,t),es(t,s,null,r);var h=t.memoizedState;if(s=h.cache,xr(t,et,s),s!==d.cache&&Mc(t,[et],r,!0),$i(),s=h.element,d.isDehydrated)if(d={element:s,isDehydrated:!1,cache:h.cache},t.updateQueue.baseState=d,t.memoizedState=d,t.flags&256){t=Rg(e,t,s,r);break e}else if(s!==u){u=en(Error(l(424)),t),Ii(u),t=Rg(e,t,s,r);break e}else{switch(e=t.stateNode.containerInfo,e.nodeType){case 9:e=e.body;break;default:e=e.nodeName==="HTML"?e.ownerDocument.body:e}for(Ue=sn(e.firstChild),mt=t,Me=!0,pr=null,rn=!0,r=Om(t,null,s,r),t.child=r;r;)r.flags=r.flags&-3|4096,r=r.sibling}else{if(aa(),s===u){t=Qn(e,t,r);break e}pt(e,t,s,r)}t=t.child}return t;case 26:return To(e,t),e===null?(r=Jp(t.type,null,t.pendingProps,null))?t.memoizedState=r:Me||(r=t.type,e=t.pendingProps,s=Qo(pe.current).createElement(r),s[ft]=t,s[Et]=e,ht(s,r,e),ot(s),t.stateNode=s):t.memoizedState=Jp(t.type,e.memoizedProps,t.pendingProps,e.memoizedState),null;case 27:return ut(t),e===null&&Me&&(s=t.stateNode=Yp(t.type,t.pendingProps,pe.current),mt=t,rn=!0,u=Ue,Mr(t.type)?(Yu=u,Ue=sn(s.firstChild)):Ue=u),pt(e,t,t.pendingProps.children,r),To(e,t),e===null&&(t.flags|=4194304),t.child;case 5:return e===null&&Me&&((u=s=Ue)&&(s=Tb(s,t.type,t.pendingProps,rn),s!==null?(t.stateNode=s,mt=t,Ue=sn(s.firstChild),rn=!1,u=!0):u=!1),u||hr(t)),ut(t),u=t.type,d=t.pendingProps,h=e!==null?e.memoizedProps:null,s=d.children,Wu(u,d)?s=null:h!==null&&Wu(u,h)&&(t.flags|=32),t.memoizedState!==null&&(u=Gc(e,t,Wy,null,null,r),vs._currentValue=u),To(e,t),pt(e,t,s,r),t.child;case 6:return e===null&&Me&&((e=r=Ue)&&(r=Mb(r,t.pendingProps,rn),r!==null?(t.stateNode=r,mt=t,Ue=null,e=!0):e=!1),e||hr(t)),null;case 13:return Lg(e,t,r);case 4:return be(t,t.stateNode.containerInfo),s=t.pendingProps,e===null?t.child=ua(t,null,s,r):pt(e,t,s,r),t.child;case 11:return Tg(e,t,t.type,t.pendingProps,r);case 7:return pt(e,t,t.pendingProps,r),t.child;case 8:return pt(e,t,t.pendingProps.children,r),t.child;case 12:return pt(e,t,t.pendingProps.children,r),t.child;case 10:return s=t.pendingProps,xr(t,t.type,s.value),pt(e,t,s.children,r),t.child;case 9:return u=t.type._context,s=t.pendingProps.children,sa(t),u=gt(u),s=s(u),t.flags|=1,pt(e,t,s,r),t.child;case 14:return Mg(e,t,t.type,t.pendingProps,r);case 15:return Eg(e,t,t.type,t.pendingProps,r);case 19:return Fg(e,t,r);case 31:return Jy(e,t,r);case 22:return Og(e,t,r,t.pendingProps);case 24:return sa(t),s=gt(et),e===null?(u=Cc(),u===null&&(u=Fe,d=Ec(),u.pooledCache=d,d.refCount++,d!==null&&(u.pooledCacheLanes|=r),u=d),t.memoizedState={parent:s,cache:u},Bc(t),xr(t,et,u)):((e.lanes&r)!==0&&(_c(e,t),es(t,null,null,r),$i()),u=e.memoizedState,d=t.memoizedState,u.parent!==s?(u={parent:s,cache:s},t.memoizedState=u,t.lanes===0&&(t.memoizedState=t.updateQueue.baseState=u),xr(t,et,s)):(s=d.cache,xr(t,et,s),s!==u.cache&&Mc(t,[et],r,!0))),pt(e,t,t.pendingProps.children,r),t.child;case 29:throw t.pendingProps}throw Error(l(156,t.tag))}function In(e){e.flags|=4}function xu(e,t,r,s,u){if((t=(e.mode&32)!==0)&&(t=!1),t){if(e.flags|=16777216,(u&335544128)===u)if(e.stateNode.complete)e.flags|=8192;else if(gp())e.flags|=8192;else throw ca=go,Dc}else e.flags&=-16777217}function Kg(e,t){if(t.type!=="stylesheet"||(t.state.loading&4)!==0)e.flags&=-16777217;else if(e.flags|=16777216,!rh(t))if(gp())e.flags|=8192;else throw ca=go,Dc}function Eo(e,t){t!==null&&(e.flags|=4),e.flags&16384&&(t=e.tag!==22?bt():536870912,e.lanes|=t,oi|=t)}function ss(e,t){if(!Me)switch(e.tailMode){case"hidden":t=e.tail;for(var r=null;t!==null;)t.alternate!==null&&(r=t),t=t.sibling;r===null?e.tail=null:r.sibling=null;break;case"collapsed":r=e.tail;for(var s=null;r!==null;)r.alternate!==null&&(s=r),r=r.sibling;s===null?t||e.tail===null?e.tail=null:e.tail.sibling=null:s.sibling=null}}function Ke(e){var t=e.alternate!==null&&e.alternate.child===e.child,r=0,s=0;if(t)for(var u=e.child;u!==null;)r|=u.lanes|u.childLanes,s|=u.subtreeFlags&65011712,s|=u.flags&65011712,u.return=e,u=u.sibling;else for(u=e.child;u!==null;)r|=u.lanes|u.childLanes,s|=u.subtreeFlags,s|=u.flags,u.return=e,u=u.sibling;return e.subtreeFlags|=s,e.childLanes=r,t}function eb(e,t,r){var s=t.pendingProps;switch(kc(t),t.tag){case 16:case 15:case 0:case 11:case 7:case 8:case 12:case 9:case 14:return Ke(t),null;case 1:return Ke(t),null;case 3:return r=t.stateNode,s=null,e!==null&&(s=e.memoizedState.cache),t.memoizedState.cache!==s&&(t.flags|=2048),Gn(et),Te(),r.pendingContext&&(r.context=r.pendingContext,r.pendingContext=null),(e===null||e.child===null)&&(Va(t)?In(t):e===null||e.memoizedState.isDehydrated&&(t.flags&256)===0||(t.flags|=1024,Hc())),Ke(t),null;case 26:var u=t.type,d=t.memoizedState;return e===null?(In(t),d!==null?(Ke(t),Kg(t,d)):(Ke(t),xu(t,u,null,s,r))):d?d!==e.memoizedState?(In(t),Ke(t),Kg(t,d)):(Ke(t),t.flags&=-16777217):(e=e.memoizedProps,e!==s&&In(t),Ke(t),xu(t,u,e,s,r)),null;case 27:if(jt(t),r=pe.current,u=t.type,e!==null&&t.stateNode!=null)e.memoizedProps!==s&&In(t);

48else{if(!s){if(t.stateNode===null)throw Error(l(166));return Ke(t),null}e=G.current,Va(t)?Sm(t):(e=Yp(u,s,r),t.stateNode=e,In(t))}return Ke(t),null;case 5:if(jt(t),u=t.type,e!==null&&t.stateNode!=null)e.memoizedProps!==s&&In(t);else{if(!s){if(t.stateNode===null)throw Error(l(166));return Ke(t),null}if(d=G.current,Va(t))Sm(t);else{var h=Qo(pe.current);switch(d){case 1:d=h.createElementNS("http://www.w3.org/2000/svg",u);break;case 2:d=h.createElementNS("http://www.w3.org/1998/Math/MathML",u);break;default:switch(u){case"svg":d=h.createElementNS("http://www.w3.org/2000/svg",u);break;case"math":d=h.createElementNS("http://www.w3.org/1998/Math/MathML",u);break;case"script":d=h.createElement("div"),d.innerHTML="<script><\/script>",d=d.removeChild(d.firstChild);break;case"select":d=typeof s.is=="string"?h.createElement("select",{is:s.is}):h.createElement("select"),s.multiple?d.multiple=!0:s.size&&(d.size=s.size);break;default:d=typeof s.is=="string"?h.createElement(u,{is:s.is}):h.createElement(u)}}d[ft]=t,d[Et]=s;e:for(h=t.child;h!==null;){if(h.tag===5||h.tag===6)d.appendChild(h.stateNode);else if(h.tag!==4&&h.tag!==27&&h.child!==null){h.child.return=h,h=h.child;continue}if(h===t)break e;for(;h.sibling===null;){if(h.return===null||h.return===t)break e;h=h.return}h.sibling.return=h.return,h=h.sibling}t.stateNode=d;e:switch(ht(d,u,s),u){case"button":case"input":case"select":case"textarea":s=!!s.autoFocus;break e;case"img":s=!0;break e;default:s=!1}s&&In(t)}}return Ke(t),xu(t,t.type,e===null?null:e.memoizedProps,t.pendingProps,r),null;case 6:if(e&&t.stateNode!=null)e.memoizedProps!==s&&In(t);else{if(typeof s!="string"&&t.stateNode===null)throw Error(l(166));if(e=pe.current,Va(t)){if(e=t.stateNode,r=t.memoizedProps,s=null,u=mt,u!==null)switch(u.tag){case 27:case 5:s=u.memoizedProps}e[ft]=t,e=!!(e.nodeValue===r||s!==null&&s.suppressHydrationWarning===!0||Lp(e.nodeValue,r)),e||hr(t,!0)}else e=Qo(e).createTextNode(s),e[ft]=t,t.stateNode=e}return Ke(t),null;case 31:if(r=t.memoizedState,e===null||e.memoizedState!==null){if(s=Va(t),r!==null){if(e===null){if(!s)throw Error(l(318));if(e=t.memoizedState,e=e!==null?e.dehydrated:null,!e)throw Error(l(557));e[ft]=t}else aa(),(t.flags&128)===0&&(t.memoizedState=null),t.flags|=4;Ke(t),e=!1}else r=Hc(),e!==null&&e.memoizedState!==null&&(e.memoizedState.hydrationErrors=r),e=!0;if(!e)return t.flags&256?(Gt(t),t):(Gt(t),null);if((t.flags&128)!==0)throw Error(l(558))}return Ke(t),null;case 13:if(s=t.memoizedState,e===null||e.memoizedState!==null&&e.memoizedState.dehydrated!==null){if(u=Va(t),s!==null&&s.dehydrated!==null){if(e===null){if(!u)throw Error(l(318));if(u=t.memoizedState,u=u!==null?u.dehydrated:null,!u)throw Error(l(317));u[ft]=t}else aa(),(t.flags&128)===0&&(t.memoizedState=null),t.flags|=4;Ke(t),u=!1}else u=Hc(),e!==null&&e.memoizedState!==null&&(e.memoizedState.hydrationErrors=u),u=!0;if(!u)return t.flags&256?(Gt(t),t):(Gt(t),null)}return Gt(t),(t.flags&128)!==0?(t.lanes=r,t):(r=s!==null,e=e!==null&&e.memoizedState!==null,r&&(s=t.child,u=null,s.alternate!==null&&s.alternate.memoizedState!==null&&s.alternate.memoizedState.cachePool!==null&&(u=s.alternate.memoizedState.cachePool.pool),d=null,s.memoizedState!==null&&s.memoizedState.cachePool!==null&&(d=s.memoizedState.cachePool.pool),d!==u&&(s.flags|=2048)),r!==e&&r&&(t.child.flags|=8192),Eo(t,t.updateQueue),Ke(t),null);case 4:return Te(),e===null&&Nu(t.stateNode.containerInfo),Ke(t),null;case 10:return Gn(t.type),Ke(t),null;case 19:if(K(Ze),s=t.memoizedState,s===null)return Ke(t),null;if(u=(t.flags&128)!==0,d=s.rendering,d===null)if(u)ss(s,!1);else{if(Ie!==0||e!==null&&(e.flags&128)!==0)for(e=t.child;e!==null;){if(d=yo(e),d!==null){for(t.flags|=128,ss(s,!1),e=d.updateQueue,t.updateQueue=e,Eo(t,e),t.subtreeFlags=0,e=r,r=t.child;r!==null;)hm(r,e),r=r.sibling;return B(Ze,Ze.current&1|2),Me&&Un(t,s.treeForkCount),t.child}e=e.sibling}s.tail!==null&&zt()>_o&&(t.flags|=128,u=!0,ss(s,!1),t.lanes=4194304)}else{if(!u)if(e=yo(d),e!==null){if(t.flags|=128,u=!0,e=e.updateQueue,t.updateQueue=e,Eo(t,e),ss(s,!0),s.tail===null&&s.tailMode==="hidden"&&!d.alternate&&!Me)return Ke(t),null}else 2*zt()-s.renderingStartTime>_o&&r!==536870912&&(t.flags|=128,u=!0,ss(s,!1),t.lanes=4194304);s.isBackwards?(d.sibling=t.child,t.child=d):(e=s.last,e!==null?e.sibling=d:t.child=d,s.last=d)}return s.tail!==null?(e=s.tail,s.rendering=e,s.tail=e.sibling,s.renderingStartTime=zt(),e.sibling=null,r=Ze.current,B(Ze,u?r&1|2:r&1),Me&&Un(t,s.treeForkCount),e):(Ke(t),null);case 22:case 23:return Gt(t),Fc(),s=t.memoizedState!==null,e!==null?e.memoizedState!==null!==s&&(t.flags|=8192):s&&(t.flags|=8192),s?(r&536870912)!==0&&(t.flags&128)===0&&(Ke(t),t.subtreeFlags&6&&(t.flags|=8192)):Ke(t),r=t.updateQueue,r!==null&&Eo(t,r.retryQueue),r=null,e!==null&&e.memoizedState!==null&&e.memoizedState.cachePool!==null&&(r=e.memoizedState.cachePool.pool),s=null,t.memoizedState!==null&&t.memoizedState.cachePool!==null&&(s=t.memoizedState.cachePool.pool),s!==r&&(t.flags|=2048),e!==null&&K(oa),null;case 24:return r=null,e!==null&&(r=e.memoizedState.cache),t.memoizedState.cache!==r&&(t.flags|=2048),Gn(et),Ke(t),null;case 25:return null;case 30:return null}throw Error(l(156,t.tag))}function tb(e,t){switch(kc(t),t.tag){case 1:return e=t.flags,e&65536?(t.flags=e&-65537|128,t):null;case 3:return Gn(et),Te(),e=t.flags,(e&65536)!==0&&(e&128)===0?(t.flags=e&-65537|128,t):null;case 26:case 27:case 5:return jt(t),null;case 31:if(t.memoizedState!==null){if(Gt(t),t.alternate===null)throw Error(l(340));aa()}return e=t.flags,e&65536?(t.flags=e&-65537|128,t):null;case 13:if(Gt(t),e=t.memoizedState,e!==null&&e.dehydrated!==null){if(t.alternate===null)throw Error(l(340));aa()}return e=t.flags,e&65536?(t.flags=e&-65537|128,t):null;case 19:return K(Ze),null;case 4:return Te(),null;case 10:return Gn(t.type),null;case 22:case 23:return Gt(t),Fc(),e!==null&&K(oa),e=t.flags,e&65536?(t.flags=e&-65537|128,t):null;case 24:return Gn(et),null;case 25:return null;default:return null}}function Gg(e,t){switch(kc(t),t.tag){case 3:Gn(et),Te();break;case 26:case 27:case 5:jt(t);break;case 4:Te();break;case 31:t.memoizedState!==null&&Gt(t);break;case 13:Gt(t);break;case 19:K(Ze);break;case 10:Gn(t.type);break;case 22:case 23:Gt(t),Fc(),e!==null&&K(oa);break;case 24:Gn(et)}}function os(e,t){try{var r=t.updateQueue,s=r!==null?r.lastEffect:null;if(s!==null){var u=s.next;r=u;do{if((r.tag&e)===e){s=void 0;var d=r.create,h=r.inst;s=d(),h.destroy=s}r=r.next}

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s=e.tag;if(s===5||s===6)e=e.stateNode,t?(r.nodeType===9?r.body:r.nodeName==="HTML"?r.ownerDocument.body:r).insertBefore(e,t):(t=r.nodeType===9?r.body:r.nodeName==="HTML"?r.ownerDocument.body:r,t.appendChild(e),r=r._reactRootContainer,r!=null||t.onclick!==null||(t.onclick=Ln));else if(s!==4&&(s===27&&Mr(e.type)&&(r=e.stateNode,t=null),e=e.child,e!==null))for(vu(e,t,r),e=e.sibling;e!==null;)vu(e,t,r),e=e.sibling}function Oo(e,t,r){var s=e.tag;if(s===5||s===6)e=e.stateNode,t?r.insertBefore(e,t):r.appendChild(e);else if(s!==4&&(s===27&&Mr(e.type)&&(r=e.stateNode),e=e.child,e!==null))for(Oo(e,t,r),e=e.sibling;e!==null;)Oo(e,t,r),e=e.sibling}function Vg(e){var t=e.stateNode,r=e.memoizedProps;try{for(var s=e.type,u=t.attributes;u.length;)t.removeAttributeNode(u[0]);ht(t,s,r),t[ft]=e,t[Et]=r}catch(d){_e(e,e.return,d)}}var Vn=!1,rt=!1,Su=!1,Yg=typeof WeakSet=="function"?WeakSet:Set,lt=null;function nb(e,t){if(e=e.containerInfo,Ku=$o,e=om(e),gc(e)){if("selectionStart"in e)var r={start:e.selectionStart,end:e.selectionEnd};else e:{r=(r=e.ownerDocument)&&r.defaultView||window;var s=r.getSelection&&r.getSelection();if(s&&s.rangeCount!==0){r=s.anchorNode;var u=s.anchorOffset,d=s.focusNode;s=s.focusOffset;try{r.nodeType,d.nodeType}catch{r=null;break e}var h=0,b=-1,w=-1,D=0,W=0,I=e,_=null;t:for(;;){for(var U;I!==r||u!==0&&I.nodeType!==3||(b=h+u),I!==d||s!==0&&I.nodeType!==3||(w=h+s),I.nodeType===3&&(h+=I.nodeValue.length),(U=I.firstChild)!==null;)_=I,I=U;for(;;){if(I===e)break t;if(_===r&&++D===u&&(b=h),_===d&&++W===s&&(w=h),(U=I.nextSibling)!==null)break;I=_,_=I.parentNode}I=U}r=b===-1||w===-1?null:{start:b,end:w}}else r=null}r=r||{start:0,end:0}}else r=null;for(Gu={focusedElem:e,selectionRange:r},$o=!1,lt=t;lt!==null;)if(t=lt,e=t.child,(t.subtreeFlags&1028)!==0&&e!==null)e.return=t,lt=e;else for(;lt!==null;){switch(t=lt,d=t.alternate,e=t.flags,t.tag){case 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55 * @license lucide-react v0.453.0 - ISC
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57 * This source code is licensed under the ISC license.
58 * See the LICENSE file in the root directory of this source tree.
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90 * @license React
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92 *
93 * Copyright (c) Meta Platforms, Inc. and affiliates.
94 *
95 * This source code is licensed under the MIT license found in the
96 * LICENSE file in the root directory of this source tree.
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103          .show-mobile { display: none !important; }
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105h der Auswertung im Juni ist für Herbst eine große Studie geplant. Andrea Pach: „Die Kleinstudie dient auch dem letzten Feinschliff für das Studiendesign, wir sehen aber schon jetzt signifikante Verbesserungen der kognitiven Fähigkeiten bei den Probanden." Dabei werden Testreihen durchgeführt, in denen es etwa gilt, sich möglichst viele Symbole zu merken, Muster zu erkennen und simultan zu arbeiten. 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Mai 2026 · Diözesankonservatorium Wien"}),i.jsxs("p",{"data-loc":"client/src/pages/Home.tsx:612",style:{fontFamily:"'Lora', serif",fontSize:"0.82rem",lineHeight:1.7,color:"rgba(250,247,242,0.82)",margin:"0 0 0.75rem"},children:["Prof. Mag. Dr. Andrea Pach präsentierte ihr Buch ",i.jsx("em",{"data-loc":"client/src/pages/Home.tsx:613",children:"„Spirale der Sinne“"})," und stellte die bevorstehende Orgelstudie vor. Ein vollbesetzter Saal erlebte einen Abend an der Schnittstelle von Musik, Kognitionswissenschaft und Praxis."]}),i.jsx("a",{"data-loc":"client/src/pages/Home.tsx:615",href:"/dozentin/buchpraesentation",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.55rem",letterSpacing:"0.12em",textTransform:"uppercase",color:"#b8860b",textDecoration:"none",border:"1px solid #b8860b",padding:"0.4rem 1rem",display:"inline-block"},children:"Bericht mit Fotos →"})]})]}),i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:624",children:[i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:625",className:"section-label",style:{color:"#d4a017",marginBottom:"1rem"},children:"Das Buch"}),i.jsx("h2",{"data-loc":"client/src/pages/Home.tsx:626",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"clamp(1.8rem, 3.5vw, 2.8rem)",fontWeight:400,lineHeight:1.2,color:"#faf7f2",marginBottom:"1rem"},children:"Spirale der Sinne"}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:636",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.1rem",color:"#d4a017",marginBottom:"2rem",lineHeight:1.5},children:"Orgel versus Klavier im Spiegel der Neuroplastizität und der Wirkung fraktaler Muster auf unser Gehirn"}),i.jsx("blockquote",{"data-loc":"client/src/pages/Home.tsx:647",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.2rem",lineHeight:1.7,color:"rgba(250,247,242,0.85)",borderLeft:"2px solid #b8860b",paddingLeft:"1.2rem",marginBottom:"2rem"},children:`„Nicht von ungefähr wird der Orgelklang daher oft als ‚gewohnheitsbedürftig komplex' beschrieben – unser Gehirn benötigt eine gewisse Zeit, um die Fülle an Informationen zu entschlüsseln und zu genießen."`}),i.jsxs("p",{"data-loc":"client/src/pages/Home.tsx:660",style:{fontFamily:"'Lora', serif",fontSize:"1rem",lineHeight:1.8,color:"rgba(250,247,242,0.8)",marginBottom:"2rem"},children:["In diesem Grundlagenwerk schließt Andrea Pach die Lücke zwischen instrumentaler Praxis und moderner Hirnforschung. Das Buch analysiert präzise, wie das komplexe Zusammenspiel von Händen und Füßen an der Orgel, die auditive Verarbeitung im Raum und das Lesen dreier Notensysteme die Neuroplastizität fördern. Im Schlussteil präsentiert das Buch die von ihr entwickelte ",i.jsx("strong",{"data-loc":"client/src/pages/Home.tsx:661",style:{color:"#d4a017"},children:"PACH-Methode"})," (Präsenz, Achtsamkeit, Co-Koordination, Harmonie) als praxisnahe neuronale Lebensschule."]}),i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:665",style:{borderTop:"1px solid rgba(184,134,11,0.3)",paddingTop:"1.5rem",display:"grid",gridTemplateColumns:"1fr 1fr",gap:"0.75rem"},children:[["Autorin","Prof. Mag. 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105,children:"Akademie & Weiterbildung"}),i.jsxs("h2",{"data-loc":"client/src/pages/Home.tsx:739",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"clamp(2.4rem, 4.6vw, 4rem)",fontWeight:300,lineHeight:1.04,color:"#faf7f2",margin:"0 0 1.2rem"},children:["PACH-Methode",i.jsx("br",{"data-loc":"client/src/pages/Home.tsx:740"}),i.jsx("span",{"data-loc":"client/src/pages/Home.tsx:740",style:{color:"#d4a017",fontStyle:"italic"},children:"University"})]}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:742",style:{fontFamily:"'Lora', serif",fontSize:"1rem",lineHeight:1.85,color:"rgba(250,247,242,0.82)",maxWidth:"680px",margin:0},children:"Mit der PACH-Methode University bündelt Prof. Mag. Dr. Andrea Pach ihre pädagogische und wissenschaftliche Arbeit in einem eigenständigen Weiterbildungsangebot. Die Academy richtet sich an Musikerinnen und Musiker aller Instrumente; die aktuellen Lernwege konzentrieren sich auf Orgel und Klavier."})]}),i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:746",style:{borderLeft:"2px solid #b8860b",padding:"1.6rem 1.75rem",background:"rgba(250,247,242,0.06)"},children:[i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:747",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.56rem",letterSpacing:"0.18em",textTransform:"uppercase",color:"#d4a017",marginBottom:"0.8rem"},children:"Für die Berichterstattung"}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:748",style:{fontFamily:"'Lora', serif",fontSize:"0.9rem",lineHeight:1.75,color:"rgba(250,247,242,0.78)",margin:"0 0 1.3rem"},children:"Die Academy verbindet kostenfreie Einstiege, eine Community für die Grundlagenarbeit sowie aufbauende Formate für Practitioner und Master."}),i.jsxs("a",{"data-loc":"client/src/pages/Home.tsx:751",href:"/pach-methode-university",style:{display:"inline-flex",alignItems:"center",gap:"0.55rem",color:"#d4a017",borderBottom:"1px solid #b8860b",paddingBottom:"0.4rem",fontFamily:"'Montserrat', sans-serif",fontSize:"0.59rem",letterSpacing:"0.14em",textTransform:"uppercase",textDecoration:"none"},children:["Zur PACH-Methode University ",i.jsx("span",{"data-loc":"client/src/pages/Home.tsx:751","aria-hidden":"true",children:"→"})]})]})]})})]})}function k3(){const n=qr();return i.jsxs("section",{"data-loc":"client/src/pages/Home.tsx:763",id:"forschung",style:{background:"#f0ebe0",padding:"7rem 0",position:"relative",overflow:"hidden"},children:[i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:765",style:{position:"absolute",right:0,top:0,bottom:0,width:"45%",backgroundImage:`url(${_x})`,backgroundSize:"cover",backgroundPosition:"center",opacity:.15}}),i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:777",className:"container",style:{position:"relative"},children:i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:778",id:"forschungsprojekt",ref:n,className:"fade-in-up",children:[i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:779",className:"section-label",style:{marginBottom:"1rem"},children:"Forschungsprojekt"}),i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:780",className:"gold-divider",style:{marginBottom:"3rem",maxWidth:"200px"}}),i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:782",style:{display:"grid",gridTemplateColumns:"repeat(auto-fit, minmax(300px, 1fr))",gap:"3rem"},children:[i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:783",children:[i.jsx("h2",{"data-loc":"client/src/pages/Home.tsx:784",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"clamp(1.8rem, 3.5vw, 2.8rem)",fontWeight:400,lineHeight:1.2,color:"#2c1810",marginBottom:"2rem"},children:"Die Orgel als neurodidaktisches Interventionsinstrument"}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:795",style:{fontFamily:"'Lora', serif",fontSize:"1.05rem",lineHeight:1.85,color:"#3d2010",marginBottom:"1.5rem"},children:"Während das Klavier als neurowissenschaftliches Forschungsmodell bereits gut etabliert ist, stellt die Orgel ein wissenschaftliches Desiderat dar. Dieses Forschungsprojekt schließt diese Lücke empirisch."}),i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:799",style:{marginBottom:"2rem"},children:[{label:"Projekttitel",value:"Validierung kognitiver Transfereffekte durch multisensorische Integration und bipedale Koordination"},{label:"Projektleitung",value:"Prof. Mag. 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Auf dieser Seite informieren wir über die wissenschaftliche Fragestellung, den Projektfortsc

105hritt und kommende Erkenntnisse."})]})]}),i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:821",children:[i.jsx("h3",{"data-loc":"client/src/pages/Home.tsx:822",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"1.6rem",fontWeight:500,color:"#2c1810",marginBottom:"1.5rem"},children:"Ziele & Klinische Relevanz"}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:832",style:{fontFamily:"'Lora', serif",fontSize:"1.05rem",lineHeight:1.85,color:"#3d2010",marginBottom:"1.5rem"},children:"Die Studie untersucht mit 150 Teilnehmenden aus 16 europäischen und außereuropäischen Ländern im Alter von 12 bis 78 Jahren, inwiefern die vielschichtige Orgelpraxis – das simultane Zusammenspiel von Händen und Füßen an mehreren Manualen und Pedal, das Lesen und Verarbeiten mehrerer Notensysteme, räumlich-auditive Orientierung, visuelle Steuerung, Balance sowie motorische und sensomotorische Koordination – mit messbaren Leistungen bei exekutiven Funktionen, Aufmerksamkeit, Gedächtnis, Task-Switching und multisensorischer Integration zusammenhängt."}),i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:836",style:{background:"#2c1810",padding:"2rem",marginBottom:"1.5rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:837",className:"section-label",style:{color:"#d4a017",marginBottom:"1rem"},children:"Klinische Relevanz"}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:838",style:{fontFamily:"'Lora', serif",fontSize:"0.95rem",lineHeight:1.8,color:"rgba(250,247,242,0.9)"},children:"Sollten sich die Hypothesen bestätigen, qualifiziert sich die Orgel als Präventionsinstrument: einerseits als Schutzfaktor gegen kognitiven Abbau und Demenz für das alternde Gehirn (Aufbau kognitiver Reserve), andererseits als Training exekutiver Funktionen für das sich entwickelnde Gehirn bei Jugendlichen."})]}),i.jsx("blockquote",{"data-loc":"client/src/pages/Home.tsx:843",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.2rem",lineHeight:1.7,color:"#2c1810",borderLeft:"3px solid #b8860b",paddingLeft:"1.5rem"},children:'„Die ersten Auswertungen geben uns große Hoffnung – wir sehen bereits signifikante Verbesserungen der kognitiven Fähigkeiten bei den Probanden."'})]})]})]})})]})}function P3(){const n=qr();return i.jsx("section",{"data-loc":"client/src/pages/Home.tsx:866",id:"kuenstlerin",style:{background:"#1a3a2a",padding:"7rem 0",overflow:"hidden"},children:i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:867",className:"container",children:i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:868",ref:n,className:"fade-in-up",children:i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:869",style:{display:"grid",gridTemplateColumns:"repeat(auto-fit, minmax(300px, 1fr))",gap:"4rem",alignItems:"start"},children:[i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:870",children:[i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:871",className:"section-label",style:{color:"#d4a017",marginBottom:"1rem"},children:"Die Orgelkünstlerin"}),i.jsxs("h2",{"data-loc":"client/src/pages/Home.tsx:872",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"clamp(2rem, 4vw, 3.2rem)",fontWeight:300,lineHeight:1.15,color:"#faf7f2",marginBottom:"2rem"},children:["Internationale",i.jsx("br",{"data-loc":"client/src/pages/Home.tsx:880"}),i.jsx("span",{"data-loc":"client/src/pages/Home.tsx:881",style:{fontStyle:"italic",color:"#d4a017"},children:"Konzertorganistin"})]}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:884",style:{fontFamily:"'Lora', serif",fontSize:"1.05rem",lineHeight:1.85,color:"rgba(250,247,242,0.85)",marginBottom:"1.5rem"},children:"Prof. Mag. Dr. Andrea Pach zählt zu den profiliertesten Konzertorganistinnen Österreichs. Seit den 1980er Jahren konzertiert sie auf den bedeutendsten Orgeln Europas und darüber hinaus – von den Salzburger Festspielen und dem Großen Saal des Wiener Musikvereins über das Wiener Konzerthaus bis hin zu Domkirchen und Kathedralen u. a. in Deutschland, Ungarn, Spanien, Frankreich, der Schweiz, Italien und Belgien. Sie konzertierte u. a. im Wiener Stephansdom, im Salzburger Dom, im Mainzer Dom, in der Münchner Frauenkirche, in der Kathedrale von Pécs, in der Budapester St.-Stephans-Basilika (Krönungskirche), in der Kathedrale von Menorca und auf Mallorca, in St. Sulpice (Paris) sowie im Münster Basel, Kloster Einsiedeln und im Stift Engelberg."}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:888",style:{fontFamily:"'Lora', serif",fontSize:"1.05rem",lineHeight:1.85,color:"rgba(250,247,242,0.85)",marginBottom:"1.5rem"},children:"2024 spielte sie die Uraufführung der ihr gewidmeten Toccata von Jackson Xavier Kizhavana an der neuen Riesenorgel des Stephansdoms Wien – ein Ereignis, das im Radio Stephansdom übertragen wurde und das Publikum zu Begeisterungsstürmen hinriss."}),i.jsxs("p",{"data-loc":"client/src/pages/Home.tsx:892",style:{fontFamily:"'Lora', serif",fontSize:"1.05rem",lineHeight:1.85,color:"rgba(250,247,242,0.85)",marginBottom:"2rem"},children:["Als Solistin arbeitete sie mit renommierten Orchestern und Dirigenten zusammen, darunter Christian Arming, Peter Planyavsky, Peter Lang und Andreas Stoehr. Sie konzertierte bei den Salzburger Festspielen, den Wiener Festwochen, dem Wiener Musiksommer sowie bei den Haydntagen der Gesellschaft der Musikfreunde in Wien. Als Gründerin und langjährige Leiterin der ",i.jsx("em",{"data-loc":"client/src/pages/Home.tsx:893",children:"Ausseer Orgelfestwochen"})," (seit 1994) und der Wiener Orgelfestwochen ",i.jsx("em",{"data-loc":"client/src/pages/Home.tsx:893",children:"Orgel Modern"})," (seit 1996) hat sie maßgeblich zur Förderung der Orgelkultur in Österreich beigetragen. Ihre künstlerischen Projekte mit Gottfried von Einem, Barbara Frischmuth, Romuald Pekny, Adelheid Picha und mit Hermann Nitsch prägten neue Stilrichtungen in der Orgelmusik; u. a. resultierten daraus eigene CD-Einspielungen."]}),i.jsxs("div",{"data-loc":"client/src/pages/Home.tsx:897",style:{borderTop:"1px solid rgba(184,134,11,0.3)",paddingTop:"2rem",marginBottom:"2rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:898",className:"section-label",style:{color:"#d4a017",marginBottom:"1.5rem"},children:"Uraufführungen namhafter Komponisten"}),i.jsx("p",{"data-loc":"client/src/pages/Home.tsx:899",style:{fontFamily:"'Lora', serif",fontSize:"0.95rem",lineHeight:1.8,color:"rgba(250,247,242,0.8)",marginBottom:"1.5rem"},children:"Prof. Pach spielte Uraufführungen zeitgenössischer Orgelwerke zahlreicher namhafter Komponisten und ist Widmungsträgerin vieler dieser Werke. Sie wirkte damit maßgeblich an der Erweiterung des modernen Orgelrepertoires mit."}),i.jsx("div",{"data-loc":"client/src/pages/Home.tsx:902",style:{display:"flex",flexDirection:"column",gap:"0.6rem"},children:[{year:"1992",composer:"Franz Xaver Frenzel",work:"Suite in vier Tänzen für Orgel solo",note:"Ausseer Kultursommer"},{year:"1994",composer:"Franz Xaver Frenzel",work:"Jugendmesse für Orgel, Bläser und Chor",note:"Hollabrunn, Leitung: Andrea Pach"},{year:"1995",composer:"Franz Xaver Frenzel",work:"Konzert für Andrea (Orgel solo)",note:"Gewidmet Andrea Pach – Ausseer Kultursommer"},{year:"1995",composer:"Franz Xaver Frenzel",work:"Konzert für Orgel und Orchester in C-Dur",note:"Auftragswerk ORGEL MODERN – Klangbogen Wien"},{year:"1995",composer:"Roland Baumgartner",work:"Anti War Suite (gewidmet Andrea Pach)",note:"Auftragswerk ORGEL MODERN – Klangbogen Wien"},{year:"1996",composer:"Roland Baumgartner",work:"Symbiose für Orgel und Brass-Trio (gewidmet Andrea Pach)",note:"Auftragswerk ORGEL MODERN – Wiener Orgelfestwochen"},{year:"1996",composer:"Viktor Fortin",work:"Meditation, Litanei und Laudes für Brass-Quintett, Alphorn und Orgel",note:"Auftragswerk ORGEL MODERN – Wiener Orgelfestwochen"},{year:"1998",composer:"Leopold Brauneiss",work:"Didymoi für Orgel (gewidmet Andrea Pach)",note:"Wiener Augustinerkirche"},{year:"1999",composer:"Johann Strauß Sohn / Oliver Graber & Andrea Pach",work:"Perpetuum mobile – Transkription für Orgel solo",note:"Ausseer Kultursommer"},{year:"1999",composer:"Johann Strauß Sohn / Oliver Graber & Andrea Pach",work:"Ouvertüre zu „Eine Nacht in Venedig“ – Transkription für Orgel solo",note:"Ausseer Kultursommer"},{year:"2000",composer:"Kurt Roger",work:"Passacaglia Gothique – Europäische Uraufführung",note:"Musikverein Wien, Gesellschaft der Musikfreunde"},{year:"2000",composer:"Roland Baumgartner",work:"Missa Maria Regina für Orgelsolo und Oberchor",note:"Auftragswerk ORGEL MODERN – Salzburger Dom"},{year:"2000",composer:"Roland Baumgartner",work:"Fantasia über B-A-C-H (gewidmet Andrea Pach)",note:"Auftragswerk ORGEL MODERN – Salzburger Dom"},{year:"2005",composer:"Albert Schönberger",work:"Lobe den Herrn – Mutationes für zwei Orgeln",note:"Auftragswerk ORGEL MODERN – Altaussee"},{year:"2024",composer:"Jackson Xavier Kizhavana",work:"Toccata für Andrea (gewidmet Andrea Pach)",note:"Neue Riesenorgel Stephansdom Wien, 22. 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110),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:695",style:{background:"rgba(184,134,11,0.1)",border:"1px solid rgba(184,134,11,0.25)",padding:"1.5rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:696",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.58rem",letterSpacing:"0.15em",textTransform:"uppercase",color:"#d4a017",marginBottom:"0.75rem"},children:'Eigene Uraufführung: „Die Weisung Gottes ist gerecht"'}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:699",style:{fontFamily:"'Lora', serif",fontSize:"0.9rem",lineHeight:1.75,color:"rgba(250,247,242,0.85)"},children:'Eine Orgelfantasie über den Choral aus GLalt 535/4. Die mächtigen Klänge zu Beginn stehen für die „Weisung Gottes", gefolgt von einem rastlosen Pedalmotiv als Bild des getriebenen Lebens – bis zur Stille und dem leisen Choral am Ende.'})]})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:705",children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:708",style:{background:"#2c1810",padding:"2rem",marginBottom:"2rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:709",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.58rem",letterSpacing:"0.15em",textTransform:"uppercase",color:"#d4a017",marginBottom:"1rem"},children:"Feedback zum Konzert"}),i.jsx("blockquote",{"data-loc":"client/src/pages/HomePage.tsx:712",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.1rem",lineHeight:1.7,color:"rgba(250,247,242,0.9)",borderLeft:"2px solid #b8860b",paddingLeft:"1.2rem",marginBottom:"1rem"},children:"„Die neue Riesenorgel war grandios gespielt, eine unglaubliche Ausstrahlung, der Dom hat gebebt. Ich habe die Orgel so noch nie gehört. Ich habe Gänsehaut beim Hören bekommen. Ich war schon öfter im Dom bei Messen. Aber eine solche Harmonie in der Gestaltung und so berührend war es noch nie. Danke!“"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:724",style:{fontFamily:"'Lora', serif",fontSize:"0.82rem",color:"#b8860b"},children:"— Herbert, Uraufführung Stephansdom, 22. Mai 2024"}),i.jsx("blockquote",{"data-loc":"client/src/pages/HomePage.tsx:726",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.1rem",lineHeight:1.7,color:"rgba(250,247,242,0.9)",borderLeft:"2px solid #b8860b",paddingLeft:"1.2rem",marginTop:"1.5rem",marginBottom:"1rem"},children:'„Ein unglaublich packendes Stück und grandios gespielt an der Riesenorgel im Stephansdom. Es hat alles rundherum zu strahlen begonnen. Plötzlich war soviel Licht da."'}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:739",style:{fontFamily:"'Lora', serif",fontSize:"0.82rem",color:"#b8860b"},children:"— Steffi, Toccata für Andrea, Uraufführung Stephansdom"}),i.jsx("blockquote",{"data-loc":"client/src/pages/HomePage.tsx:741",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.1rem",lineHeight:1.7,color:"rgba(250,247,242,0.9)",borderLeft:"2px solid #b8860b",paddingLeft:"1.2rem",marginTop:"1.5rem",marginBottom:"1rem"},children:"„Die Toccata für Andrea ist ein absolut grandioses Werk, das sich mit der tollsten Filmmusik messen kann. Die Virtuosität der Organistin ist atemberaubend.“"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:754",style:{fontFamily:"'Lora', serif",fontSize:"0.82rem",color:"#b8860b"},children:"— Norbert, Toccata für Andrea, Uraufführung Stephansdom"})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:757",style:{background:"rgba(184,134,11,0.08)",border:"1px solid rgba(184,134,11,0.2)",padding:"1.5rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:758",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.58rem",letterSpacing:"0.15em",textTransform:"uppercase",color:"#d4a017",marginBottom:"0.75rem"},children:"Feedback – Albert Schönberger, Domorganist Mainz a.D."}),i.jsx("blockquote",{"data-loc":"client/src/pages/HomePage.tsx:761",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1rem",lineHeight:1.7,color:"rgba(250,247,242,0.85)",borderLeft:"2px s

110olid rgba(184,134,11,0.4)",paddingLeft:"1rem"},children:'„Liebe Andrea, danke für dieses sehr berührende Gedenken der, die an und durch Corona ihr Leben lassen mussten. 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Die gemeinsame Liebe zur Orgel verband sie im späteren Alter weiterhin – speziell als sie ihm ihre Erfindung der ersten transportablen Pfeifenorgel (Europapatent) in Prinzendorf vorstellen durfte."}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:799",style:{fontFamily:"'Lora', serif",fontSize:"1rem",lineHeight:1.85,color:"rgba(250,247,242,0.85)",marginBottom:"1.5rem"},children:"Angeregt durch seine Bilder und Aktionskunst, entwickelte Andrea Pach eine neue Herangehensweise für die Interpretation von Kompositionen, Improvisation und Pädagogik. In dieser Art entstanden 2020/21 Orgelimprovisationen zu 3 seiner Bilder aus dem Auferstehungszyklus III (2019/20). 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110olid #b8860b",paddingLeft:"1.2rem",margin:0},children:["liebe andrea,",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:902"}),i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:902"}),"ich bin sehr beeindruckt …",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:903"}),i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:903"}),"die offenheit, meine arbeit zu verstehen,",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:904"}),"ist dir sichtlich gelungen.",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:905"}),i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:905"}),"ich freue mich sehr ……",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:906"}),i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:906"}),"dein",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:907"}),"hermann nitsch"]}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:910",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.55rem",letterSpacing:"0.1em",color:"rgba(184,134,11,0.7)",marginTop:"1rem"},children:"schrieb Hermann Nitsch am 21. 12. 2021"})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:916",style:{padding:"1.25rem",background:"rgba(184,134,11,0.08)",borderLeft:"2px solid rgba(184,134,11,0.4)",marginBottom:"1rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:917",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1rem",lineHeight:1.7,color:"rgba(250,247,242,0.85)",marginBottom:"0.5rem"},children:"Ohne Provokation gibt es keinen Schöpfungsakt, weil Neues immer provoziert."}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:920",style:{fontFamily:"'Lora', serif",fontSize:"0.78rem",color:"#b8860b"},children:"— Hermann Nitsch"})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:923",style:{padding:"1.25rem",background:"rgba(184,134,11,0.08)",borderLeft:"2px solid rgba(184,134,11,0.4)"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:924",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1rem",lineHeight:1.7,color:"rgba(250,247,242,0.85)",marginBottom:"0.5rem"},children:"Alle große Kunst ist Therapie. Kunst ist ein großes Lebenselixier und daher therapeutisch. Ich fasse meine Kunst therapeutisch auf."}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:927",style:{fontFamily:"'Lora', serif",fontSize:"0.78rem",color:"#b8860b"},children:"— Hermann Nitsch"})]})]})]}),a==="einem"&&i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:935",style:{display:"grid",gridTemplateColumns:"minmax(280px, 1fr) minmax(320px, 1.5fr)",gap:"4rem",alignItems:"start"},children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:937",children:[i.jsxs("h2",{"data-loc":"client/src/pages/HomePage.tsx:938",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"clamp(1.6rem, 3vw, 2.4rem)",fontWeight:300,lineHeight:1.2,color:"#faf7f2",marginBottom:"1.5rem"},children:["Gottfried von Einem –",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:946"}),i.jsx("span",{"data-loc":"client/src/pages/HomePage.tsx:947",style:{fontStyle:"italic",color:"#d4a017"},children:"Gesamtorgelwerk & Kongress"})]}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:950",style:{fontFamily:"'Lora', serif",fontSize:"1rem",lineHeight:1.85,color:"rgba(250,247,242,0.85)",marginBottom:"1.5rem"},children:"Andrea Pach widmete sich als eine der führenden Interpretinnen dem Orgelwerk Gottfried von Einems. Sie spielte das Gesamtorgelwerk ein und konzertierte wiederholt mit seinen Werken – darunter das Konzert für Orgel und Orchester op. 62 mit den Grazer Philharmonikern im Stephansdom (1994) und bei den Salzburger Festspielen (1995)."}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:954",style:{fontFamily:"'Lora', serif",fontSize:"1rem",lineHeight:1.85,color:"rgba(250,247,242,0.85)",marginBottom:"1.5rem"},children:'Beim Internationalen Gottfried-von-Einem-Kongress im Wiener Musikverein war sie als Referentin für die Orgelwerke eingeladen. Ihr Beitrag „Die Orgel in Gottfried von Einems Œuvre" erschien 2003 im Verlag Hans Schneider, Tutzing (S. 411–433).'}),i.jsxs("p",{"data-loc":"client/src/pages/HomePage.tsx:958",style:{fontFamily:"'Lora', serif",fontSize:"1rem",lineHeight:1.85,color:"rgba(250,247,242,0.85)",marginBottom:"2rem"},children:["Bei der Präsentation seiner Biographie im Wiener Musikverein spielte Andrea Pach Orgel, während der legendäre Schauspieler und Regisseur ",i.jsx("strong",{"data-loc":"client/src/pages/HomePage.tsx:959",style:{color:"#faf7f2"},children:"Otto Schenk"})," aus dem Buch las."]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:963",style:{marginBottom:"2rem",display:"flex",gap:"1rem",alignItems:"flex-start"},children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:964",style:{flexShrink:0},children:[i.jsx("img",{"data-loc":"client/src/pages/HomePage.tsx:965",src:"https://d2xsxph8kpxj0f.cloudfront.net/310519663320910392/YbKQUZiiR5qdTiiiUguyyy/einem-schoenborn_09aab679.png",alt:"Erzbischof Schönborn, Andrea Pach und Gottfried von Einem an der Orgel im Stephansdom",style:{width:"180px",height:"auto",display:"block",boxShadow:"0 4px 16px rgba(0,0,0,0.5)"}}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:970",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.48rem",letterSpacing:"0.08em",color:"rgba(250,247,242,0.4)",marginTop:"0.4rem",textAlign:"center",maxWidth:"180px"},children:"Erzbischof Schönborn · Andrea Pach · Gottfried von Einem"})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:974",style:{flex:1},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:975",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.52rem",letterSpacing:"0.12em",textTransform:"uppercase",color:"#d4a017",marginBottom:"0.4rem"},children:"Erwähnung in der Autobiographie"}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:978",style:{fontFamily:"'Lora', serif",fontSize:"0.82rem",lineHeight:1.65,color:"rgba(250,247,242,0.8)",marginBottom:"0.6rem"},children:"Andrea Pach wird in Gottfried von Einems Autobiographie „Ich hab’ unendlich viel erlebt“ auf Seite 279 als Interpretin seiner Orgelwerke erwähnt."}),i.jsx("a",{"data-loc":"client/src/pages/HomePage.tsx:981",href:"https://d2xsxph8kpxj0f.cloudfront.net/310519663320910392/YbKQUZiiR5qdTiiiUguyyy/einem-biographie-erwaehnung_392b313b.pdf",target:"_blank",rel:"noopener noreferrer",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.52rem",letterSpacing:"0.08em",color:"rgba(184,134,11,0.8)",textDecoration:"none",borderBottom:"1px solid rgba(184,134,11,0.3)",paddingBottom:"1px"},onMouseEnter:l=>l.currentTarget.style.color="#d4a017",onMouseLeave:l=>l.currentTarget.style.color="rgba(184,134,11,0.8)",children:"Biographie-Se

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Gottfried von Einem sprach selbst über sein Leben und Werk."]}),i.jsx("a",{"data-loc":"client/src/pages/HomePage.tsx:1001",href:"https://d2xsxph8kpxj0f.cloudfront.net/310519663320910392/YbKQUZiiR5qdTiiiUguyyy/MusikvereinKammersaal_571e35c6.pdf",target:"_blank",rel:"noopener noreferrer",style:{display:"inline-flex",alignItems:"center",gap:"0.4rem",fontFamily:"'Montserrat', sans-serif",fontSize:"0.58rem",letterSpacing:"0.12em",textTransform:"uppercase",fontWeight:600,padding:"0.55rem 1.1rem",background:"rgba(184,134,11,0.25)",border:"1px solid rgba(184,134,11,0.5)",color:"#d4a017",textDecoration:"none",transition:"background 0.2s"},onMouseEnter:l=>l.currentTarget.style.background="rgba(184,134,11,0.4)",onMouseLeave:l=>l.currentTarget.style.background="rgba(184,134,11,0.25)",children:"Originaleinladung als PDF →"})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1010",style:{borderTop:"1px solid rgba(184,134,11,0.25)",paddingTop:"1.5rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1011",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.55rem",letterSpacing:"0.15em",textTransform:"uppercase",color:"#d4a017",marginBottom:"1.25rem"},children:"Pressestimmen"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1014",style:{display:"grid",gridTemplateColumns:"1fr 1fr",gap:"1rem"},children:[{quote:"„Einems Orgelwerke … und da der Komponist selbst diese Aufnahmen seines Konzertes für Orgel und Orchester, op. 62, der Geistlichen Sonate, op. 38, und der Sonate für Orgel, op. 64, „abgesegnet“ hat, sind sie über jede Kritik erhaben.“",source:"Kleine Zeitung – Kultur, 1994",pdf:null},{quote:"„Orgelraritäten eines Großen unserer Zeit in Bad Aussee … Furios erklangen dann die Pedalsoli des Allegro-Satzes … Andrea Pach … indem sie die Pedal-Eskapaden mühelos zum besten gab.“",source:"Salzkammergut-Zeitung, 1994",pdf:null},{quote:"„Sie spielen das alles wirklich großartig – Kompliment! Das Konzert ist eine fabelhafte Leistung, und in dieser Interpretation ist es viel überzeugender … Ihr (Doppel-)Pedalsolo im dritten Satz ist atembetäubend „hingelegt“!“",source:"Thomas Daniel Schlee (persönliche Würdigung)",pdf:null},{quote:"„Im Wagner-Saal des Musikvereins stellte die Wiener Organistin Andrea Pach neben Originalkompositionen für Orgel auch einige bemerkenswerte Beispiele solcher Bearbeitungen vor – von den Orgelkompositionen ist vor allem Gottfried von Einems beseelte Sonate für Orgel op. 64 zu erwähnen, von der auch eine hervorragende CD-Einspielung Andrea Pachs vorliegt.“",source:"Wiener Zeitung, 14. April 2000 (Manfred A. Schmid)",pdf:"https://d2xsxph8kpxj0f.cloudfront.net/310519663320910392/YbKQUZiiR5qdTiiiUguyyy/CreatePDF_IMG_9211_c33bdb84.pdf"},{quote:"„Eine brillante Technik legte sie an den Tag, gepaart mit einem großen Einfühlungsvermögen in die Orgel. 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110ine:!0,poster:R3,style:{display:"block",width:"100%",aspectRatio:"16 / 9",background:"#110603"},children:[i.jsx("source",{"data-loc":"client/src/pages/HomePage.tsx:1354",src:_3,type:"video/mp4"}),"Ihr Browser unterstützt die Videowiedergabe nicht."]}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1357","aria-hidden":"true",style:{position:"absolute",left:"1.1rem",top:"1rem",pointerEvents:"none",color:"#f1d389",fontFamily:"'Montserrat', sans-serif",fontSize:"0.5rem",letterSpacing:"0.18em",textTransform:"uppercase",background:"rgba(26,10,5,0.82)",border:"1px solid rgba(212,160,23,0.55)",padding:"0.4rem 0.55rem"},children:"Im Gespräch"})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1359",children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1360",style:{display:"flex",alignItems:"center",gap:"0.85rem",fontFamily:"'Montserrat', 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–",i.jsx("br",{"data-loc":"client/src/pages/HomePage.tsx:1393"}),i.jsx("span",{"data-loc":"client/src/pages/HomePage.tsx:1394",style:{color:"#d4a017",fontStyle:"italic"},children:"Music to Brain"})]}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:1396",style:{fontFamily:"'Lora', serif",fontSize:"0.96rem",lineHeight:1.8,color:"rgba(250,247,242,0.82)",maxWidth:"650px",margin:"0 0 1.6rem"},children:"Die PACH-Methode University richtet sich an Musikerinnen und Musiker aller Instrumente. Die aktuellen Kurse fokussieren Orgel und Klavier und verbinden musikalische Erfahrung, bewusste Wahrnehmung und neurowissenschaftliche Erkenntnisse."}),i.jsx(le,{"data-loc":"client/src/pages/HomePage.tsx:1399",href:"/pach-methode-university",style:{display:"inline-flex",alignItems:"center",gap:"0.5rem",padding:"0.82rem 1.4rem",background:"#b8860b",color:"#faf7f2",fontFamily:"'Montserrat', sans-serif",fontSize:"0.6rem",letterSpacing:"0.14em",textTransform:"uppercase",fontWeight:600,textDecoration:"none",transition:"background 0.25s, transform 0.25s"},onMouseEnter:a=>{a.currentTarget.style.background="#d4a017",a.currentTarget.style.transform="translateY(-2px)"},onMouseLeave:a=>{a.currentTarget.style.background="#b8860b",a.currentTarget.style.transform="translateY(0)"},children:"Zur Academy →"})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1404",style:{justifySelf:"center",textAlign:"center"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1405",style:{width:"min(220px, 100%)",aspectRatio:"1",background:"rgba(250,247,242,0.06)",border:"1px solid rgba(184,134,11,0.35)",display:"grid",placeItems:"center",padding:"1.5rem"},children:i.jsx("img",{"data-loc":"client/src/pages/HomePage.tsx:1406",src:k0,alt:"PACH-Methode – Erfolg beginnt in den Neuronen",style:{width:"100%",maxWidth:"170px",display:"block"}})}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1408",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.5rem",letterSpacing:"0.15em",textTransform:"uppercase",color:"rgba(250,247,242,0.52)",marginTop:"0.85rem"},children:"Kurse · Community · Master"})]})]})]})]})})})}function X3(){const n=Ha();return i.jsx("section",{"data-loc":"client/src/pages/HomePage.tsx:1423",id:"veroeffentlichungen",style:{background:"#2c1810",padding:"7rem 0"},children:i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1424",style:{maxWidth:"1200px",margin:"0 auto",padding:"0 1.5rem"},children:i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1425",ref:n,className:"fade-in-up",children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1426",style:Tn("#d4a017"),children:"Veröffentlichungen"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1427",style:Mn}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1429",style:{display:"grid",gridTemplateColumns:"repeat(auto-fit, minmax(300px, 1fr))",gap:"4rem",alignItems:"start"},children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1431",children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1432",style:{position:"relative",marginBottom:"2rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1433",style:{position:"absolute",top:"-10px",left:"-10px",right:"10px",bottom:"10px",border:"1px solid rgba(184,134,11,0.3)",pointerEvents:"none"}}),i.jsx("img",{"data-loc":"client/src/pages/HomePage.tsx:1437",src:G3,alt:"Spirale der Sinne – Buchcover",style:{width:"100%",maxWidth:"360px",display:"block",boxShadow:"0 20px 60px rgba(0,0,0,0.6)"}})]}),i.jsx("h3",{"data-loc":"client/src/pages/HomePage.tsx:1440",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"2rem",fontWeight:400,color:"#faf7f2",marginBottom:"0.5rem"},children:"Spirale der Sinne"}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:1443",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1rem",color:"#d4a017",marginBottom:"1.5rem",lineHeight:1.5},children:"Orgel versus Klavier im Spiegel der Neuroplastizität und der Wirkung fraktaler Muster auf unser Gehirn"}),i.jsx("p",{"data-loc":"client/src/pages/HomePage.tsx:1446",style:{fontFamily:"'Lora', serif",fontSize:"0.9rem",lineHeight:1.75,color:"rgba(250,247,242,0.8)",marginBottom:"1.5rem"},children:"Ein Buch über die Orgel als Erfahrungsraum: zwischen Klang, Bewegung, Wahrnehmung und Denken. Andrea Pach verbindet darin ihre künstlerische Erfahrung mit Impulsen für einen bewussten, ganzheitlichen Zugang zur Musik."}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1449",style:{fontFamily:"'Lora', serif",fontSize:"0.8rem",color:"rgba(250,247,242,0.6)",marginBottom:"1.5rem",lineHeight:1.6}

110,children:"ISBN Softcover: 978-3-99192-109-7 · Hardcover: 978-3-99181-675-1 · E-Book: 978-3-99192-110-3"}),i.jsx("a",{"data-loc":"client/src/pages/HomePage.tsx:1452",href:Ve.buch,style:{display:"inline-flex",alignItems:"center",gap:"0.5rem",padding:"0.85rem 2rem",background:"#b8860b",color:"#faf7f2",fontFamily:"'Montserrat', sans-serif",fontSize:"0.65rem",letterSpacing:"0.15em",textTransform:"uppercase",textDecoration:"none",fontWeight:600},children:"Jetzt bestellen →"}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1471",style:{marginTop:"2rem",background:"rgba(184,134,11,0.08)",border:"1px solid rgba(184,134,11,0.25)",padding:"1.5rem"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1472",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.55rem",letterSpacing:"0.2em",textTransform:"uppercase",color:"#d4a017",marginBottom:"0.75rem"},children:"Rückblick · Buchpräsentation"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1473",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"1.1rem",fontWeight:600,color:"#faf7f2",marginBottom:"0.5rem"},children:"Orgel, Klavier und Neuroplastizität"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1474",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.6rem",letterSpacing:"0.1em",color:"#b8860b",marginBottom:"0.75rem"},children:"Lange Nacht der Kirchen · 29. Mai 2026 · Diözesankonservatorium Wien"}),i.jsxs("p",{"data-loc":"client/src/pages/HomePage.tsx:1475",style:{fontFamily:"'Lora', serif",fontSize:"0.88rem",lineHeight:1.75,color:"rgba(250,247,242,0.85)",marginBottom:"1rem"},children:["Prof. Mag. Dr. Andrea Pach gab Einblick in die Entstehungsgeschichte ihres Buches ",i.jsx("em",{"data-loc":"client/src/pages/HomePage.tsx:1476",children:"„Spirale der Sinne“"})," und sprach mit dem Publikum über Orgelspiel, Wahrnehmung und musikalische Erfahrung. Ein Abend, der Kunst, Bildung und Forschung persönlich zusammenführte."]}),i.jsx("a",{"data-loc":"client/src/pages/HomePage.tsx:1478",href:"/dozentin/buchpraesentation",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.6rem",letterSpacing:"0.12em",textTransform:"uppercase",color:"#b8860b",textDecoration:"none",border:"1px solid #b8860b",padding:"0.5rem 1.2rem",display:"inline-block"},children:"Bericht mit Fotos →"})]})]}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1487",children:[i.jsx("h3",{"data-loc":"client/src/pages/HomePage.tsx:1488",style:{fontFamily:"'Cormorant Garamond', serif",fontSize:"1.6rem",fontWeight:400,color:"#faf7f2",marginBottom:"2rem"},children:"Weitere Publikationen & Erfindungen"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1492",style:{display:"flex",flexDirection:"column",gap:"1.25rem",marginBottom:"3rem"},children:[{year:"2025",title:"Spirale der Sinne",type:"Buch",desc:"Buchschmiede von Dataform Media GmbH"},{year:"2009",title:"Mind Music",type:"Artikel",desc:"Musikerziehung. Die Zeitschrift für den Musikunterricht, Jg. 62, S. 18 f."},{year:"2004",title:"Musikalität – Potential versus Performance",type:"Artikel",desc:"Musikerziehung. Zeitschrift der Musikerzieher Österreichs, Jg. 57, S. 246–254"},{year:"2003",title:"Die Orgel in Gottfried von Einems Œuvre",type:"Buchbeitrag",desc:"Gottfried von Einem Kongreß Wien, Verlag Hans Schneider, Tutzing, S. 411–433"},{year:"1998",title:"Über Gottfried von Einems Werke für und mit Orgel",type:"Artikel",desc:"Ars Organi, Jg. 46, Heft 3, S. 149–158"},{year:"1997",title:"Die Orgel für Komponisten. Eine Einführung",type:"Buch",desc:"Musikverlag Katzbichler, München/Salzburg"},{year:"1997",title:"Europäisches Patent",type:"Erfindung",desc:"Erste transportable Pfeifenorgel mit 3 Manualen, 78 Registern - Symbiose"},{year:"1992",title:"Karl Walter. Ein Leben für die Orgel",type:"Buch",desc:"Karl-Walter Gesellschaft, Wien"},{year:"1989",title:"Karl Walter. Leben und Werk",type:"Dissertation",desc:"3 Bände, Universität Wien"}].map(({year:a,title:o,type:l,desc:c})=>i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1504",style:{paddingBottom:"1.25rem",borderBottom:"1px solid rgba(184,134,11,0.15)"},children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1505",style:{display:"flex",gap:"0.75rem",alignItems:"baseline",marginBottom:"0.3rem"},children:[i.jsx("span",{"data-loc":"client/src/pages/HomePage.tsx:1506",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.6rem",color:"#b8860b",fontWeight:600},children:a}),i.jsx("span",{"data-loc":"client/src/pages/HomePage.tsx:1507",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.55rem",letterSpacing:"0.1em",textTransform:"uppercase",color:"#5c3d2e",background:"rgba(184,134,11,0.1)",padding:"1px 6px"},children:l})]}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1509",style:{fontFamily:"'Lora', serif",fontStyle:"italic",fontSize:"0.95rem",color:"#faf7f2",marginBottom:"0.2rem"},children:o}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1510",style:{fontFamily:"'Lora', serif",fontSize:"0.8rem",color:"rgba(250,247,242,0.6)"},children:c})]},o))})]})]})]})})})}function J3(){const n=Ha(),a=[{name:"Herbert",context:"Uraufführung Stephansdom, 22. Mai 2024",text:"Die neue Riesenorgel war grandios gespielt, eine unglaubliche Ausstrahlung, der Dom hat gebebt. Ich habe die Orgel so noch nie gehört. Ich habe Gänsehaut beim Hören bekommen. Ich war schon öfter im Dom bei Messen. Aber eine solche Harmonie in der Gestaltung und so berührend war es noch nie. Danke!",category:"orgel"}

110,{name:"Steffi",context:"Toccata für Andrea, Uraufführung Stephansdom",text:"Ein unglaublich packendes Stück und grandios gespielt an der Riesenorgel im Stephansdom. Es hat alles rundherum zu strahlen begonnen. Plötzlich war soviel Licht da. Ich habe die Orgel vorher noch nie so packend gehört.",category:"orgel"},{name:"Albert Schönberger",context:"Domorganist Mainz a.D. – PASSION und TRANSFORMATION, 30.12.2021",text:"Liebe Andrea, danke für dieses sehr berührende Gedenken der, die an und durch Corona ihr Leben lassen mussten. Deine improvisierten Klangbilder nehmen uns hinein in das Leid derer und stimmen nachdenklich, aber auch hoffnungsvoll im Sinne der Erinnerung, dass wir das Leben, unser Leben in Höherem sehen dürfen.",category:"orgel"},{name:"Norbert",context:"Toccata für Andrea, Uraufführung Stephansdom",text:"Die Toccata für Andrea ist ein absolut grandioses Werk, das sich mit der tollsten Filmmusik messen kann. Die Virtuosität der Organistin ist atemberaubend.",category:"orgel"},{name:"Hermann Nitsch",context:"Persönliche Nachricht, 21. 12. 2021",text:`liebe andrea,
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112ich bin sehr beeindruckt …
113
114die offenheit, meine arbeit zu verstehen, ist dir sichtlich gelungen.
115
116ich freue mich sehr ……
117
118dein
119hermann nitsch`,category:"nitsch"},{name:"Sandra",context:"VOM DUNKEL zum LICHT",text:"Der Meditationstext und die Musik haben mich sehr berührt. Beim Klavierstück war es, als würde minutenlang auf eine schmerzvolle Wunde gedrückt. Letztendlich aber erfolgte die Erlösung und es stellte sich der Frieden im Inneren ein.",category:"meditation"},{name:"Christiana",context:"GRAB und AUFERSTEHN",text:"Sehr schöner Meditationstext. Wunderschöne Musik, ich hätte noch viel länger zuhören können.",category:"meditation"},{name:"Norbert",context:"ICH bin ICH",text:"Die Musikstücke zum Meditationstext ICH bin ICH haben mich sehr unterstützt, Gedankenzwänge abzulegen und mir Freiheit in meinem Denken und Empfinden zu geben.",category:"meditation"},{name:"Barbara",context:"VOLLENDUNG",text:"Ich arbeite immer wieder mit dem Meditationstext und höre mir die Musik immer wieder an, es tut sich so viel in mir. Ich arbeite gerne damit weiter.",category:"meditation"}];return i.jsx("section",{"data-loc":"client/src/pages/HomePage.tsx:1540",id:"feedback",style:{background:"#f0ebe0",padding:"7rem 0"},children:i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1541",style:{maxWidth:"1200px",margin:"0 auto",padding:"0 1.5rem"},children:i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1542",ref:n,className:"fade-in-up",children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1543",style:Tn(),children:"Feedback & Stimmen"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1544",style:Mn}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1547",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.58rem",letterSpacing:"0.15em",textTransform:"uppercase",color:"#2c1810",marginBottom:"1.5rem"},children:"Orgelspiel"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1550",style:{display:"grid",gridTemplateColumns:"repeat(auto-fit, minmax(280px, 1fr))",gap:"1.5rem",marginBottom:"3rem"},children:a.filter(o=>o.category==="orgel").map(({name:o,context:l,text:c})=>i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1552",style:{background:"#faf7f2",padding:"2rem",borderTop:"2px solid #b8860b",boxShadow:"0 4px 20px rgba(44,24,16,0.06)"},children:[i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1558",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.05rem",lineHeight:1.7,color:"#2c1810",marginBottom:"1.25rem"},children:["„",c,'"']}),i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1568",children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1569",style:{fontFamily:"'Lora', serif",fontWeight:600,fontSize:"0.85rem",color:"#2c1810"},children:o}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1570",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.55rem",letterSpacing:"0.1em",color:"#b8860b",textTransform:"uppercase",marginTop:"0.2rem"},children:l})]})]},o+l))}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1577",style:{fontFamily:"'Montserrat', sans-serif",fontSize:"0.58rem",letterSpacing:"0.15em",textTransform:"uppercase",color:"#2c1810",marginBottom:"1.5rem",marginTop:"1rem"},children:"Hermann Nitsch – Persönliches Feedback"}),i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1580",style:{marginBottom:"3rem"},children:a.filter(o=>o.category==="nitsch").map(({name:o,context:l,text:c})=>i.jsxs("div",{"data-loc":"client/src/pages/HomePage.tsx:1582",style:{background:"#2c1810",padding:"2.5rem",borderTop:"2px solid #b8860b",maxWidth:"680px"},children:[i.jsx("div",{"data-loc":"client/src/pages/HomePage.tsx:1588",style:{fontFamily:"'Cormorant Garamond', serif",fontStyle:"italic",fontSize:"1.2rem",lineHeight:2,color:"rgba(250,247,242,0.95)",borderLeft:"2px s

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k.useEffect(()=>{window.scrollTo({top:0,left:0,behavior:"auto"}),document.title=`${T0} – Andrea Pach`},[]),i.jsxs("div",{"data-loc":"client/src/pages/AGBPage.tsx:71",style:{minHeight:"100vh",background:"#f0ebe0",color:"#2c1810"},children:[i.jsx("style",{"data-loc":"client/src/pages/AGBPage.tsx:72",children:`
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175,children:"Transparente Grundlagen für künstlerische, wissenschaftliche und pädagogische Angebote von Andrea Pach – vom Forschungsprojekt über Weiterbildung bis zu Veröffentlichungen aus PACH Editions."})]})}),i.jsx("section",{"data-loc":"client/src/pages/AGBPage.tsx:98",style:{padding:"clamp(2.8rem, 6vw, 5.5rem) 1.5rem"},children:i.jsx("div",{"data-loc":"client/src/pages/AGBPage.tsx:99",style:{width:"min(1040px, 100%)",margin:"0 auto"},children:i.jsxs("div",{"data-loc":"client/src/pages/AGBPage.tsx:100",className:"agb-layout",style:{display:"grid",gridTemplateColumns:"minmax(0, 1fr) minmax(230px, 0.34fr)",gap:"clamp(1.5rem, 5vw, 4rem)",alignItems:"start"},children:[i.jsxs("article",{"data-loc":"client/src/pages/AGBPage.tsx:101",style:{background:"#faf7f2",padding:"clamp(1.5rem, 4.5vw, 4rem)",border:"1px solid rgba(184,134,11,0.28)",boxShadow:"0 20px 55px rgba(44,24,16,0.09)"},children:[i.jsxs(rr,{"data-loc":"client/src/pages/AGBPage.tsx:102",number:"01",title:"Geltungsbereich & Anbieterin",children:[i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:103",style:xt,children:"Diese Allgemeinen Geschäftsbedingungen gelten für sämtliche entgeltlichen und unentgeltlichen Angebote, Inhalte und Dienste von Andrea Pach, die über diese Website, den Bereich PACH Editions, die PACH-Methode University oder nach individueller Vereinbarung zugänglich gemacht, gebucht oder erworben werden, soweit für ein konkretes Angebot keine vorrangigen besonderen Bedingungen bekannt gegeben werden."}),i.jsxs("p",{"data-loc":"client/src/pages/AGBPage.tsx:104",style:xt,children:["Anbieterin ist Prof. Mag. Dr. Andrea Pach, Schenkendorfgasse 7, 1210 Wien, Österreich. Sie erreichen Andrea Pach unter ",i.jsx("a",{"data-loc":"client/src/pages/AGBPage.tsx:104",href:"mailto:[email protected]",style:{color:"#8a610d"},children:"[email protected]"}),". Die Vertragssprache ist Deutsch, sofern nicht beim jeweiligen Angebot ausdrücklich etwas anderes angegeben wird."]})]}),i.jsxs(rr,{"data-loc":"client/src/pages/AGBPage.tsx:107",number:"02",title:"Angebotsbereiche",children:[i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:108",style:xt,children:"Die Website informiert über unterschiedliche, inhaltlich voneinander getrennte Bereiche. Maßgeblich sind jeweils die konkrete Angebotsbeschreibung, die vor Vertragsschluss angezeigten Preise und die dort genannten Teilnahme- oder Lieferbedingungen."}),i.jsx("div",{"data-loc":"client/src/pages/AGBPage.tsx:109",style:{display:"grid",gap:"0.55rem",margin:"1.1rem 0 0"},children:Qw.map((n,a)=>i.jsxs("div",{"data-loc":"client/src/pages/AGBPage.tsx:110",style:{display:"flex",gap:"0.7rem",alignItems:"flex-start",padding:"0.72rem 0.78rem",background:a%2===0?"rgba(184,134,11,0.07)":"transparent",borderLeft:"2px solid #b8860b"},children:[i.jsxs("span",{"data-loc":"client/src/pages/AGBPage.tsx:110",style:{...Pn,color:"#b8860b",fontSize:"0.5rem",paddingTop:"0.19rem"},children:["0",a+1]}),i.jsx("span",{"data-loc":"client/src/pages/AGBPage.tsx:110",style:{fontFamily:"'Lora', serif",color:"#4a2e1e",fontSize:"0.86rem",lineHeight:1.55},children:n})]},n))})]}),i.jsxs(rr,{"data-loc":"client/src/pages/AGBPage.tsx:114",number:"03",title:"Forschungsprojekt · Orgel · Gehirn · Evolution",children:[i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:115",style:xt,children:"Informationen, Berichte, Studienmaterialien, Abbildungen, Texte, Konzeptionen und Hinweise zum Forschungsprojekt sind – auch soweit sie unentgeltlich zugänglich sind – Teil des geschützten Internetangebots von Andrea Pach und unterliegen diesen AGB. Sie dürfen ausschließlich zur persönlichen Information genutzt werden."}),i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:116",style:xt,children:"Die Teilnahme an einer Studie erfolgt freiwillig und auf Grundlage der jeweils gesondert bereitgestellten Studieninformationen, Einwilligungen und Datenschutzhinweise. Die unentgeltliche Information oder Anmeldung begründet keinen Anspruch auf Übernahme, Vervielfältigung, Nutzung oder Nachahmung der Forschungsinhalte, der Studienkonzeption oder der PACH-Methode."})]}),i.jsxs(rr,{"data-loc":"client/src/pages/AGBPage.tsx:119",number:"04",title:"Kurse & PACH-Methode University",children:[i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:120",style:xt,children:"Für Kurse, Community-Angebote und Weiterbildungen gelten neben die

175sen AGB die in der jeweiligen Kursbeschreibung angeführten Voraussetzungen, Inhalte, Laufzeiten, Preise und besonderen Teilnahmebedingungen. Der technische Zugang sowie die Buchungs- oder Zahlungsabwicklung können über TrainerCentral erfolgen. Die dortigen technischen Nutzungsbedingungen gelten ergänzend für die Plattformnutzung."}),i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:121",style:xt,children:"Ein Vertrag über ein konkretes Kursangebot kommt mit der im jeweiligen Buchungsprozess vorgesehenen Bestätigung oder einer ausdrücklichen individuellen Zusage zustande. Für Beratungs-, Coaching- und Unterrichtsangebote werden Leistungsumfang, Termin, Vergütung und gegebenenfalls Absagebedingungen vorab individuell vereinbart."})]}),i.jsxs(rr,{"data-loc":"client/src/pages/AGBPage.tsx:124",number:"05",title:"PACH Editions · Direktverkauf",children:[i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:125",style:xt,children:"Der Bereich PACH Editions umfasst insbesondere gedruckte Bücher, CDs, Notenausgaben und weitere künstlerische oder wisse

175nschaftliche Veröffentlichungen. Produktabbildungen und Beschreibungen dienen der Information; maßgeblich sind die beim Kauf ausgewiesene Ausgabe, der Gesamtpreis und die Versandbedingungen."}),i.jsxs("p",{"data-loc":"client/src/pages/AGBPage.tsx:126",style:xt,children:["Die Darstellung im Shop stellt eine Einladung zur Bestellung dar. Die Zahlungsabwicklung erfolgt über die jeweils verlinkte Stripe-Zahlungsseite. Nach erfolgreicher Zahlung wird die Bestellung bestätigt und die Ware nach Maßgabe der ausgewiesenen Lieferbedingungen versandt. Für Versand, Zahlung, Widerruf und Rücksendung gelten ergänzend die gesonderten Hinweise unter ",i.jsx(le,{"data-loc":"client/src/pages/AGBPage.tsx:126",href:"/shop/versand",style:{color:"#8a610d"},children:"Versand & Zahlung"})," sowie ",i.jsx(le,{"data-loc":"client/src/pages/AGBPage.tsx:126",href:"/shop/widerruf",style:{color:"#8a610d"},children:"Widerruf & Rücksendung"}),"."]})]}),i.jsxs(rr,{"data-loc":"client/src/pages/AGBPage.tsx:129",number:"06",title:"Urheberrecht, Schutz der Inhalte & Nutzungsrechte",children:[i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:130",style:xt,children:"Sämtliche auf dieser Website und in den zugehörigen Angeboten bereitgestellten Inhalte – insbesondere Texte, Fotos, Grafiken, Videos, Audiodateien, Studienmaterialien, Forschungsberichte, Kursunterlagen, Notenmaterialien, Konzepte, die PACH-Methode sowie sonstige Inhalte und Gestaltungen – sind urheberrechtlich oder durch sonstige Schutzrechte geschützt. Dies gilt unabhängig davon, ob ein Inhalt kostenpflichtig oder unentgeltlich zugänglich ist."}),i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:131",style:xt,children:"Die Inhalte sind ausschließlich für die persönliche Information oder die konkret vereinbarte eigene Nutzung bestimmt. Ohne vorherige schriftliche Zustimmung von Andrea Pach sind insbesondere das Kopieren, Vervielfältigen, Übernehmen, Veröffentlichen, Weitergeben, öffentliche Zugänglichmachen, Bearbeiten, Nachahmen oder die Nutzung zur Entwicklung, zum Training oder zur Nachbildung eigener Angebote, Methoden oder Systeme nicht gestattet."}),i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:132",style:xt,children:"Soweit digitale Inhalte oder digitale Dienstleistungen während einer gesetzlichen Rücktrittsfrist sofort bereitgestellt werden sollen, erfolgt dies nur nach den im jeweiligen Buchungsprozess vorgesehenen gesonderten Erklärungen. Gesetzliche Rechte bleiben unberührt."})]}),i.jsxs(rr,{"data-loc":"client/src/pages/AGBPage.tsx:135",number:"07",title:"Preise, Zahlung, Lieferung & Belege",children:[i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:136",style:xt,children:"Alle Preise, Versandkosten, gegebenenfalls anfallende Steuern sowie Zahlungsarten werden beim jeweiligen Angebot vor dem verbindlichen Abschluss klar ausgewiesen. Bei PACH Editions wird die Zahlung über Stripe abgewickelt. Stripe kann nach erfolgreicher Zahlung einen elektronischen Zahlungsbeleg übermitteln."}),i.jsx("p",{"data-loc":"client/src/pages/AGBPage.tsx:137",style:xt,children:"Lieferfristen für physische Produkte richten sich nach dem Versandziel und dem Zustelldienst. Bei nicht verfügbarer Ware informiert Andrea Pach unverzüglich über den Stand der Bestellung und stimmt das weitere Vorgehen ab."})]}),i.jsx(rr,{"data-loc":"client/src/pages/AGBPage.tsx:140",number:"08",title:"Gesetzliche Rechte, Widerruf & Gewährleistung",children:i.jsxs("p",{"data-loc":"client/src/pages/AGBPage.tsx:141",style:xt,children:["Für Verbraucherinnen und Verbraucher gelten die zwingenden gesetzlichen Rechte, insbesondere zum Rücktritt bei Fernabsatzverträgen und zur Gewährleistung. Die Einzelheiten für physische Shopprodukte finden Sie auf der Seite ",i.jsx(le,{"data-loc":"client/src/pages/AGBPage.tsx:141",href:"/shop/widerruf",style:{color:"#8a610d"},children:"Widerruf & Rücksendung"}),". 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