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112                    <a class='logo' href='/'><img itemprop="image" class="alt-standard" alt="Dowling Walsh" src="https://s3.amazonaws.com/files.collageplatform.com.prod/application/59401639dca837907fd444a7/0367d4ad1c08f0bef6c7264d49623260.png" width="161"/></a><nav class='main'><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/news" class="active">News</a><a href="/contact">Contact</a></nav><nav class='languages'></nav><div class="mobile-menu-wrapper"><nav class='mobile'><a class="menu" href="#">Menu</a><div class="navlinks"><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/news" class="active">News</a><a href="/contact">Contact</a></div></nav></div>
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119<div class='news container'><div class="list " id=""><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-christ-child-and-the-bicycle-thieves'><img itemprop="image" alt='The Christ Child and the Bicycle Thieves'
120                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f3277d89e9192d563e95e3e41cea0aee.png'
121                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/f3277d89e9192d563e95e3e41cea0aee.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f3277d89e9192d563e95e3e41cea0aee.png 2x" ></a></div><div class='info'><h1><a href='/news/the-christ-child-and-the-bicycle-thieves'>
122                                                The Christ Child and the Bicycle Thieves
123                        </a></h1><h2>Considering Bo Bartlett&#039;s &quot;Christmas&quot;</h2><h3>December 2025</h3><div class='summary paragraph-styling'><p>In the middle of &ldquo;Christmas,&rdquo; Bo Bartlett&rsquo;s large-scale surrealistic painting that is on display at Dowling Walsh Gallery in Rockland through December, is a boy on a red bicycle with Baby Jesus tucked into his backpack, paused amid the fresh snowfall. On each of the Christ Child&rsquo;s palms weeps a pinprick of blood; the tableau is no happy holiday scene.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/new-books-for-the-new-year-emerald-drifters'><img itemprop="image" alt='New Books for the New Year: Emerald Drifters'
124                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5d3e3c81c0cbe4d9b4b68352f89af977.png'
125                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5d3e3c81c0cbe4d9b4b68352f89af977.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5d3e3c81c0cbe4d9b4b68352f89af977.png 2x" ></a></div><div class='info'><h1><a href='/news/new-books-for-the-new-year-emerald-drifters'>
126                                                New Books for the New Year: Emerald Drifters
127                        </a></h1><h2>In her second Monacelli book the UK-born, US-based, photographer Cig Harvey shares her distinctive images of beauty, nature, sensory experience, and domestic life.</h2><h3>February 2025</h3><div class='summary paragraph-styling'><p>In a recent interview with the American curator Donna McNeil, Cig Harvey made an impassioned appeal for art&rsquo;
127s role in opening oneself up. &ldquo;If we feel more, I feel we will have more compassion,&rdquo; she told McNeil. &ldquo;I use all of the devices that I have as an artist to ask, &lsquo;How can I get you to look? How can I get you to live more?&rdquo;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/portland-magazine-the-other-wyeths-by-daniel-kany'><img itemprop="image" alt='Portland Magazine - The Other Wyeths by Daniel Kany'
128                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4de544d29fb7225b3609fc34f9929d29.jpeg'
129                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/4de544d29fb7225b3609fc34f9929d29.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4de544d29fb7225b3609fc34f9929d29.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/portland-magazine-the-other-wyeths-by-daniel-kany'>
130                                                Portland Magazine - The Other Wyeths by Daniel Kany
131                        </a></h1><h2>You Knew N.C., Andrew, and Jamie, but Have You Met Carolyn, Ann, Anna B., and Henriette?</h2><h3>September 2023</h3><div class='summary paragraph-styling'><p>I first saw Anna B. McCoy&#39;s work at Dowling Walsh Gallery about ten years ago. I was struck by her mastery not only of the brush, but of classical modes (incuding &quot;tronies&quot;: recognizable tropes such as a smoker, a crone, a reveler, etc.)&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/farnsworth-commissions-site-specific-mural'><img itemprop="image" alt='Farnsworth commissions site-specific mural'
132                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/692b5a889a6f53d49d1ff949502cb27a.png'
133                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/692b5a889a6f53d49d1ff949502cb27a.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/692b5a889a6f53d49d1ff949502cb27a.png 2x" ></a></div><div class='info'><h1><a href='/news/farnsworth-commissions-site-specific-mural'>
134                                                Farnsworth commissions site-specific mural
135                        </a></h1><h2>Beginning May 15, the Farnsworth Art Museum commissioned Portland-based artists Rachel Gloria Adams and Ryan Adams to create a site-specific mural, &quot;You Showed Me Love,&quot; on the museum’s campus.</h2><h3>May 2023</h3><div class='summary paragraph-styling'><p>The collaborative project, scheduled for completion by Friday, May 26, merges the artists&rsquo; signature styles of vibrant graphic patterns of natural worlds and gem-like lettering. The work is being created on the Museum Street side of the Farnsworth&rsquo;s main museum building. &quot;You Showed Me Love&quot; represents the inaugural work in the Farnsworth&rsquo;s new mural initiative, which will invite artists to participate in this site-specific project every two years.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/art-review-vibrant-colors-illuminate-rockland-galleries-by-jorge-s-arango-for-the-portland-press-herald'><img itemprop="image" alt='Art review: Vibrant colors illuminate Rockland galleries - BY JORGE S. ARANGO for the Portland Press Herald'
136                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/3e0ef962481e86706170661e71bf6a2c.jpeg'
137                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/3e0ef962481e86706170661e71bf6a2c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/3e0ef962481e86706170661e71bf6a2c.jpeg 2x" ></a></div><div class='info'><h1>
137<a href='/news/art-review-vibrant-colors-illuminate-rockland-galleries-by-jorge-s-arango-for-the-portland-press-herald'>
138                                                Art review: Vibrant colors illuminate Rockland galleries - BY JORGE S. ARANGO for the Portland Press Herald
139                        </a></h1><h2>Brighten up your life by seeing these shows at Dowling Walsh and Caldbeck galleries.</h2><h3>May 2023</h3><div class='summary paragraph-styling'><p>The Rockland art season is exploding with color. And I don&rsquo;t mean spring blossoms. Four current shows traffic in bold, vibrant palettes.</p><p>Three are at Dowling Walsh: &ldquo;Kevin Xiques: This Is for You&rdquo; (through May 27), &ldquo;Elizabeth Osborne: Verdant&rdquo; and &ldquo;Robert Hamilton: Feeding the Fishes&rdquo; (both through June 24). The other, &ldquo;Morris David Dorenfeld: Tapestry Master&rdquo; (through May 29), is at Caldbeck. Warning: Bring your sunglasses!</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/a-process-language-jenny-brillharts-placement-by-alan-crichton-for-the-free-press'><img itemprop="image" alt='A Process Language: Jenny Brillhart&#039;s &#039;Placement&#039; by Alan Crichton for The Free Press'
140                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/029e274d9edab1159c056a70d1004c49.jpeg'
141                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/029e274d9edab1159c056a70d1004c49.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/029e274d9edab1159c056a70d1004c49.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/a-process-language-jenny-brillharts-placement-by-alan-crichton-for-the-free-press'>
142                                                A Process Language: Jenny Brillhart&#039;s &#039;Placement&#039; by Alan Crichton for The Free Press
143                        </a></h1><h3>February 2023</h3><div class='summary paragraph-styling'><p>Jenny Brillhart&rsquo;s premiere solo exhibit in Maine is an event that needs your attention. On first seeing the paintings in her exhibit, &ldquo;Placement,&rdquo; at Bangor&rsquo;s&nbsp;Zillman Art Museum through April 21, one sees elegant&nbsp;geometrical abstractions in close, light greys and muted colors, a series of works investigating spare composi-tions and their spatial variations.</p><p>&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Gallery Artists featured in View from Here at Center for Maine Contemporary Art'
144                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2ab1ff6dd20ade601e8a0fc4555e10b2.png'
145                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/2ab1ff6dd20ade601e8a0fc4555e10b2.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2ab1ff6dd20ade601e8a0fc4555e10b2.png 2x" ></div><div class='info'><h1>
146                                                Gallery Artists featured in View from Here at Center for Maine Contemporary Art
147                                              </h1><h2>Tessa Greene O&#039;Brien, Joyce Tenneson, Aaron T Stephan, and Hilary Irons</h2><div class='summary paragraph-styling'><p>&quot;CMCA will present the thematic group exhibition,&nbsp;The View from Here, that will feature works by over a dozen artists (including two collaboratives) who have previously exhibited or otherwise been involved at CMCA across our history (1952-2022). The celebratory exhibition will coincide with CMCA&rsquo;s 70th anniversary, and the unifying concept will be unique and dynamic ways of looking at the world through new or recent works, underscoring CMCA&rsquo;s forward-thinking trajectory. Artists include: Katherine Bradford, Sam Cady, Ann Craven, Lois Dodd, Inka Essenhigh, Linden Frederick, Alison Hildreth, Hilary Irons, Erin Johnson, John Moore, Tessa Green O&rsquo;Brien, Wade Kavenaugh &amp; Stephen Nguyen, Probably Joel, Aaron T Stephan, tectonic industries, Joyce Tenneson, and Nicole Wittenberg, among others.&quot;</p></div><div class='links in-text'><div class='file'><a href='https://cmcanow.org/event/the-view-from-here/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Reggie Burrows Hodges at the Center for Maine Contemporary Art'
148                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/31aaabacb5f2c60cde03683aa44f2096.jpeg'
149                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/31aaabacb5f2c60cde03683aa44f2096.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/31aaabacb5f2c60cde03683aa44f2096.jpeg 2x" ></div><div class='info'><h1>
149
150                                                Reggie Burrows Hodges at the Center for Maine Contemporary Art
151                                              </h1><h2>Solo Exhibition on view May 28, 2022 - September 11, 2022</h2><div class='summary paragraph-styling'><p>&quot;Modalities of memory and surveillance tumble over one another in Hawkeye. Hodges&rsquo;s series relates the huddled referees, conferring an event to a mother&rsquo;s keen watchfulness over her child. He builds a grammar of tiled floors, wallpaper and tennis courts, a patterned robe and sports uniforms: forms are affected loosely, dancing with the evidence of their brush work in the presence of blackness. Hodges preserves the multiplicity of his subject matter by applying a light touch to snap shots of the past, rendering them hazy and indistinct. Meanings are entangled, tense with forces of personal memory. Hodges grasps with this momentum and guides it into the gentle, profound collisions which ripple through this work.&quot;</p></div><div class='links in-text'><div class='file'><a href='https://cmcanow.org/event/reggie-hodges-burrows-2022/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Neil Welliver: Chrysalis reviewed in The Free Press'
152                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/135e0615c4e2ef93dd4b48e53da6d196.png'
153                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/135e0615c4e2ef93dd4b48e53da6d196.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/135e0615c4e2ef93dd4b48e53da6d196.png 2x" ></div><div class='info'><h1>
154                                                Neil Welliver: Chrysalis reviewed in The Free Press
155                                              </h1><h2>by Christopher Crosman</h2><div class='summary paragraph-styling'><p>&quot;The early paintings mark the transformative, if not to say slow, awakening of Welliver&rsquo;s own work. The ravenous, raucous, uncontained early works ricochet between abstraction and realism. In the late landscapes, for which he is best known, the seem- ing slapdash urgency of these early paintings dis- sipates into something new, vital, and central to the artist&rsquo; s being. In W elliver&rsquo; s mature, monumental paintings of Maine&rsquo;s northern forests and streams we see a new kind of painting where surface han- dling, painterly gesture, and subject &mdash; unruly nature &mdash; seamlessly merge and quietly coalesce. The fading memory of those manicured lawns of suburban academia &mdash; Manet-like picnics on the grass with fellow faculty accompanied by nude models, dogs, sheep, and general dissonance &mdash; eventually yield to the randomness of nature for its own sake on its own terms. Those early collisions of fantasy and reality &mdash; butterflies and friends, sheep and tubas &mdash; finally resolve into Welliver&rsquo;s full, final embrace of plangent nature, as source and solace.&quot;</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/62890ed84ff5dc91390a4c6b' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/joyce-tenneson-will-be-inducted-into-the-international-photography-hall-of-fame-at-a-ceremony-october-29th-2021'><img itemprop="image" alt='Joyce Tenneson will be inducted into the International Photography Hall of Fame at a ceremony October 29th, 2021'
156                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5b7041480afcefb449a3e076da54bfb8.jpeg'
157                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5b7041480afcefb449a3e076da54bfb8.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5b7041480afcefb449a3e076da54bfb8.jpeg 2x" ></a></div><div class='info'><h1>
157<a href='/news/joyce-tenneson-will-be-inducted-into-the-international-photography-hall-of-fame-at-a-ceremony-october-29th-2021'>
158                                                Joyce Tenneson will be inducted into the International Photography Hall of Fame at a ceremony October 29th, 2021
159                        </a></h1><h3>October 2021</h3><div class='summary paragraph-styling'><p>Haunting, ethereal, mystical, &ndash; all of these words describe the photographic style of Joyce Tenneson.&nbsp; Her photos command a complex and intense emotional response from the viewer, which has made Tenneson one of the leading photographers of her generation.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Collage as Lifestyle | By Debra Spark | Photos by Michael D. Wilson'
160                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/30ec62a1c8c957af35fae941f4210d3e.jpeg'
161                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/30ec62a1c8c957af35fae941f4210d3e.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/30ec62a1c8c957af35fae941f4210d3e.jpeg 2x" ></div><div class='info'><h1>
162                                                Collage as Lifestyle | By Debra Spark | Photos by Michael D. Wilson
163                                              </h1><h2>A couple with a knack for assemblage renovate a home to suit their lifestyle</h2><h3>June 2021</h3><div class='summary paragraph-styling'><p>In 2010, visual artists Will Sears and Tessa O&rsquo;Brien found themselves doing set design for a Maine music festival. For Tessa, the job came 8 years into the 12 she spent traveling the country doing just such work. Will, however, was new to the art production world and not a Mainer. He just happened to be in state for an art residency when a mutual friend (the sculptor John Bisbee) recommended him for the gig. By the time Will and Tessa had transitioned from friends who met while working to a couple with a house in Portland&rsquo;s East End, Tessa had tired of the on-the-road lifestyle. She wanted to be engaged with her own community. Although Will took her place on the road for a while, he had the same desire. The two were never going to give up their respective studio practices, but they found a way to settle down by creating their own opportunities, adopting a &ldquo;collage as lifestyle&rdquo; approach to earning a living.</p></div><div class='links in-text'><div class='file'><a href='https://www.decormaine.com/home/collage-as-lifestyle?rq=Tessa' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/aaron-t-stephan-untitled-monuments-review-in-forbes'><img itemprop="image" alt='Aaron T Stephan | Untitled Monuments review in Forbes'
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165                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/a5b3701cf85e33dfa4325b955568ef48.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a5b3701cf85e33dfa4325b955568ef48.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/aaron-t-stephan-untitled-monuments-review-in-forbes'>
166                                                Aaron T Stephan | Untitled Monuments review in Forbes
167                        </a></h1><h2>Aaron T Stephan’s Colossal Sculpture And Intricate Cyanotypes Compel Us To Confront Current Events And History: by arts contributor Natasha Gural</h2><div class='summary paragraph-styling'><p>Stephan&rsquo;s work is a frank exploration of our current existence, examining an intricate web of information conveyed through quotidian materials and objects. The viewer is compelled to confront the entanglement of public monuments which can generate more intense structural dilemmas.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/reggie-burrows-hodges-receives-jacob-lawrence-award-in-art-from-american-academy-of-arts-and-letters'><img itemprop="image" alt='Reggie Burrows Hodges receives Jacob Lawrence Award in Art from American Academy of Arts and Letters'
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169                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/d9e93826b59c52ab3769e991590136b4.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d9e93826b59c52ab3769e991590136b4.jpeg 2x" ></a></div><div class='info'><h1>
169<a href='/news/reggie-burrows-hodges-receives-jacob-lawrence-award-in-art-from-american-academy-of-arts-and-letters'>
170                                                Reggie Burrows Hodges receives Jacob Lawrence Award in Art from American Academy of Arts and Letters
171                        </a></h1><div class='summary paragraph-styling'><p>The American Academy of Arts and Letters announced today the 18 artists who will receive its 2021 awards in art. Due to the pandemic, the awards will be acknowledged on May 19 during the Academy&rsquo;s online Ceremonial. The art prizes and purchases, totaling $500,000, honor both established and emerging artists. The award winners were chosen from a group of 125 artists who had been invited to submit work. The members of this year&rsquo;s award committee were: Catherine Murphy (Chair), Nicole Eisenman, Ann Hamilton, Philip Pearlstein, Judy Pfaff, Joel Shapiro, Amy Sillman, Kiki Smith, and Terry Winters.</p><p>Gallery artist Reggie Burrows Hodges received the Jacob Lawrence Award in Art.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/reggie-burrows-hodges-in-artforum'><img itemprop="image" alt='Reggie Burrows Hodges in Artforum'
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173                                  ></a></div><div class='info'><h1><a href='/news/reggie-burrows-hodges-in-artforum'>
174                                                Reggie Burrows Hodges in Artforum
175                        </a></h1><h2>by David Everitt Howe</h2><div class='summary paragraph-styling'><p>In a catalogue essay for the show, the writer Hilton Als says that Hodges&rsquo;s &ldquo;characters are pushing up past . . . the idea that blackness is &lsquo;heavy,&rsquo; politically, artistically, and otherwise.&rdquo; Indeed, the artist captures a number of playful or celebratory moments in his paintings: a hurdler triumphantly leaping over an obstacle, for instance, or people riding unicycles. But to my eyes, the works are still extraordinarily dense&mdash;history, heart, and meaning imbue every mark he makes.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/reggie-burrows-hodges-review-in-hyperallergic'><img itemprop="image" alt='Reggie Burrows Hodges: Review in Hyperallergic'
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177                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/b18b39ec56d3fb3aa423a20f6d0e7f22.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b18b39ec56d3fb3aa423a20f6d0e7f22.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/reggie-burrows-hodges-review-in-hyperallergic'>
178                                                Reggie Burrows Hodges: Review in Hyperallergic
179                        </a></h1><h2>by Alexandra M. Thomas</h2><div class='summary paragraph-styling'><p>In Inky Blacks and Earthy Pastels, Reggie Burrows Hodges Crafts Collective Portraits. Dwelling somewhere between abstraction and figuration, Hodges&#39;s impressionistic paintings enact a critique of rugged individualism.&nbsp;</p><p>&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='In the Abstract Review: Portland Press Herald'
180                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/1ec946cefbe36f03cfd7153cdeb79484.jpeg'
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181
182                                                In the Abstract Review: Portland Press Herald
183                                              </h1><h2>by Jorge Arango</h2><div class='summary paragraph-styling'><p>Mention American Abstract Expressionism, and most people immediately think of the 1940s and &rsquo;50s, first-generation Ab Ex artists Jackson Pollock and Willem de Kooning, or the co- emergent Color Field painters who included Mark Rothko, Clyfford Still and Barnett Newman. The next generation overlapped with the first, emerging in earnest in the 1960s and spawning talents such as Morris Louis, Helen Frankenthaler, Joan Mitchell and Kenneth Noland. These painters continued to reject figurative and representational art but allowed wider latitude; sometimes, for example, obliquely referring to landscapes. Their looser, softer work was dubbed Post-Painterly Abstraction by the influential critic Clement Greenberg.</p><p>The four painters now holding court at Dowling Walsh begin the trajectory of American Abstraction in the first generation with Stephen Pace, technically acknowledge the second with Noland (though the paintings here are from 2006-2007, near his death in Port Clyde in 2010, and are of a different order entirely) and come to rest in Lyrical Abstraction of the 1970s with Ann Purcell and Syd Solomon, whose touch was lighter and brighter than either previous genre.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/6019894ed5bc7f254f627d02' target="_blank">Download PDF</a><a href='https://www.pressherald.com/2021/01/31/art-review-dowling-walsh-show-covers-the-range-of-abstract-expressionism/' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/reggie-burrows-hodges-receives-joan-mitchell-painters-sculptors-grant'><img itemprop="image" alt='Reggie Burrows Hodges receives Joan Mitchell Painters &amp;amp; Sculptors Grant'
184                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/17cb28e024fa64a09b648887e59ef1fd.jpeg'
185                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/17cb28e024fa64a09b648887e59ef1fd.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/17cb28e024fa64a09b648887e59ef1fd.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/reggie-burrows-hodges-receives-joan-mitchell-painters-sculptors-grant'>
186                                                Reggie Burrows Hodges receives Joan Mitchell Painters &amp; Sculptors Grant
187                        </a></h1><div class='summary paragraph-styling'><p>In this moment of profound change and contraction within the arts landscape, we at the Foundation felt it was particularly important to continue with this annual grants cycle, providing artists with flexible financial support as well as the recognition essential to career progress.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Picturing Maine &amp;amp; America — Paintings of Robert Hamilton: The Best-Kept Secret of Maine Art  by Christopher Crosman'
188                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e48723ce058a9ace4c0017f1de8f3978.jpeg'
189                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e48723ce058a9ace4c0017f1de8f3978.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e48723ce058a9ace4c0017f1de8f3978.jpeg 2x" ></div><div class='info'><h1>
190                                                Picturing Maine &amp; America — Paintings of Robert Hamilton: The Best-Kept Secret of Maine Art  by Christopher Crosman
191                                              </h1><h2>“If you fall off a cliff, you might as well try to fly.” — As told to Robert Hamilton by a fellow artist</h2><h3>9/29/2020</h3><div class='links in-text'><div class='file'><a href='https://chriscrosman.substack.com/p/robert-hamilton' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Escape Artists | Betsy Eby and Bo Bartlett'
192                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d67260c7fd9782d9185a3db6011f355c.jpeg'
193                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/d67260c7fd9782d9185a3db6011f355c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d67260c7fd9782d9185a3db6011f355c.jpeg 2x" ></div><div class='info'><h1>
193
194                                                Escape Artists | Betsy Eby and Bo Bartlett
195                                              </h1><h2>Georgia painters find peace, and plenty of inspiration, on a remote Penobscot Bay island.</h2><h3>May/June 2020</h3><div class='summary paragraph-styling'><p>Like yin and yang, realist painter&nbsp;Bo Bartlett&nbsp;and abstract painter&nbsp;Betsy Eby&nbsp;are opposites working in perfect harmony. But the dualism extends beyond their art, to the two paradoxical locations they choose to practice it &mdash; Bartlett&rsquo;s native Columbus, Georgia, in winter, and, in summer, a tiny island 23 miles off the coast of Port Clyde, in Maine.</p></div><div class='links in-text'><div class='file'><a href='https://mainehomes.com/escape-artists/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='STILL LIVES featuring Cig Harvey'
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197                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/930e64e39a5a5fa14aaf8aaed2fd2c6e.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/930e64e39a5a5fa14aaf8aaed2fd2c6e.jpeg 2x" ></div><div class='info'><h1>
198                                                STILL LIVES featuring Cig Harvey
199                                              </h1><h2>In this unnatural state of isolation, photographers show us the things that bind.  BY THE NEW YORK TIMES</h2><h3>APRIL 21, 2020</h3><div class='links in-text'><div class='file'><a href='https://www.nytimes.com/interactive/2020/04/21/us/coronavirus-photographers-diary.html?action=click&amp;module=Top%20Stories&amp;pgtype=Homepage' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Farnsworth Art Museum Honors 13 Women of Vision'
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202                                                Farnsworth Art Museum Honors 13 Women of Vision
203                                              </h1><h2>The Farnsworth Art Museum is pleased to announce thirteen Women of Vision as the 2020 Maine in America award recipients. The awardees are Lucy Copeland Farnsworth, Berenice Abbott, Linda Bean, Katherine Bradford, Edith R. Dixon, Cig Harvey, Edna St. Vincent Millay, Louise Nevelson, Elizabeth Noyce, Molly Neptune Parker, Maureen Rothschild, Phyllis Mills Wyeth, and Marguerite Thomas Zorach.</h2><h3>January 2020</h3><div class='summary paragraph-styling'><p>Throughout Maine&rsquo;s history, women have played key leadership roles in the shaping of the state. From groundbreaking politicians to cultural pioneers, women in Maine have been and continue to be trailblazers in their respective fields. The Farnsworth Art Museum owes its existence to one such woman who, through her generosity and vision, helped transform the small, working-class city of Rockland, a community of just over 7,000 people, into what is now recognized as the art capital of Maine.&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://www.artfixdaily.com/artwire/release/6783-farnsworth-art-museum-honors-13-women-of-vision' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail">
203<img itemprop="image" alt='Marilyn Turtz'
204                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/754cf365bf8a06cbe7eb0334691e9a09.jpeg'
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206                                                Marilyn Turtz
207                                              </h1><h2>The Medium as Muse at Nassau County Museum of Art</h2><div class='summary paragraph-styling'><p>Marilyn Turtz is included in the exhibition, The Medium as Muse currently on view at the Nassau County Museum of Art through May 17, 2020. The exhibition also includes works by Michael Albert, Richard Estes, Maryellen Hackett, Louis Comfort Tiffany, Abby Weir, and Lisa Zilker.&nbsp;</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/reggie-burrows-hodges-awarded-ellis-beauregard-fellowship-in-the-visual-arts'><img itemprop="image" alt='Reggie Burrows Hodges awarded Ellis-Beauregard Fellowship in the Visual Arts'
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210                                                Reggie Burrows Hodges awarded Ellis-Beauregard Fellowship in the Visual Arts
211                        </a></h1><div class='summary paragraph-styling'><p>Gallery artist Reggie Burrows Hodges has been awarded the Ellis-Beauregard Foundation Fellowhsip in the Visual Arts.&nbsp;The Ellis-Beauregard Fellowship awards $25,000 to a Maine artist working in&nbsp;the visual arts and is paired with a solo exhibition at the Center for Maine Contemporary Art, a scholarly&nbsp;publication and a gallery talk.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/tim-susan-and-greta-van-campen'><img itemprop="image" alt='Tim, Susan, and Greta Van Campen'
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214                                                Tim, Susan, and Greta Van Campen
215                        </a></h1><h2>When Art is a Family Affair: By Ann Dodds Costello</h2><h3>Fall 2016</h3><div class='summary paragraph-styling'><p>Is a child whose parents are successful artists inclined to become an artist, and when this happens, why does it happen? Is it genetic or the result of being raised by artists in a home full of art?</p><p>In the case of the Van Campens, it was probably a bit of both&mdash;nature plus nurture. Artists Tim and Susan raised two daughters in a Thomaston, Maine, home filled with art, and both parents worked full-time in home studios, thereby immersing their girls in that world.&nbsp; The family tree also includes both artists and art lovers.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alan-magee4'><img itemprop="image" alt='Alan Magee'
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217<a href='/news/alan-magee4'>
218                                                Alan Magee
219                        </a></h1><h2>HiLo Art: Alan Magee by Alan Crichton for The Free Press</h2><h3>Tuesday, September 24, 2019</h3><div class='summary paragraph-styling'><p>Alan Magee has been one of America&rsquo;s best-known and -loved artists since the 1980s when he began to produce literally hundreds of covers for magazines and novels that entered the national imagination almost subliminally as one of the pleasures in the consciousness of readers.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cig-harvey9'><img itemprop="image" alt='Cig Harvey'
220                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/62ceb62aa5e095d7d175e59ee107a858.jpeg'
221                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/62ceb62aa5e095d7d175e59ee107a858.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/62ceb62aa5e095d7d175e59ee107a858.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/cig-harvey9'>
222                                                Cig Harvey
223                        </a></h1><h2>Cig Harvey engages the senses with ‘Eating Flowers’ at Ogunquit Museum of American Art | July 18 - October 31 by Bob Keyes</h2><h3>July 2019</h3><div class='summary paragraph-styling'><p>Museum director Michael Mansfield calls photographer Cig Harvey &ldquo;kind of a hero&rdquo; and praises the artist for working with &ldquo;contagious enthusiasm&rdquo; and creating &ldquo;inspiring&rdquo; art.</p><p>Harvey calls the exhibition in Ogunquit something &ldquo;I&rsquo;ve always wanted and couldn&rsquo;t articulate. I am lit up smiling. I&rsquo;ve been lucky to have many shows in the last 20 years, but none like this.&rdquo;</p><p>The exhibition, &ldquo;Eating Flowers: Sensations of Cig Harvey,&rdquo; is a mid-career survey of 70 photographs, video, neon and written word pieces. Collectively, the work addresses Harvey&rsquo;s interest in exploring the sensations of touch, taste, sound, smell and memory. Her photos are full of mystery and sometimes feel like the tangible expression of a dream.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jenny-brillhart'><img itemprop="image" alt='Jenny Brillhart'
224                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2cd2df0edc244fff43421ecd9bf13796.jpeg'
225                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/2cd2df0edc244fff43421ecd9bf13796.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2cd2df0edc244fff43421ecd9bf13796.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/jenny-brillhart'>
226                                                Jenny Brillhart
227                        </a></h1><h2>Art review: Jenny Brillhart’s paintings deserve a closer look, literally    by: Daniel Kany</h2><h3>May 2019</h3><div class='summary paragraph-styling'><p>Brillhart can paint. Her scenes are not only accurate, but also precise, and she can handle the brush and knife with a rare ability, which she uses to excellent effect. These scenes will strike many (at first, at least) as being as cold as the aluminum on which she paints. The sense of remove, however, dissolves as we begin to see the hyper-realistic images as paintings rather than photographically observed scenes. It&rsquo;s easy to miss Brillhart&rsquo;s marks because they play their representational parts so well, but with a closer look (I mean this literally &ndash; when you get close to the canvas to observe the surface), her mark making appears as nothing short of masterly &ndash; and it is handled to brilliant effect.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alan-magee3'><img itemprop="image" alt='Alan Magee'
228                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ed4961d367ea1805db710b4bdb745006.jpeg'
229                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/ed4961d367ea1805db710b4bdb745006.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ed4961d367ea1805db710b4bdb745006.jpeg 2x" ></a></div><div class='info'><h1>
229<a href='/news/alan-magee3'>
230                                                Alan Magee
231                        </a></h1><h2>Natural History at Forum Gallery</h2><div class='summary paragraph-styling'><p>Alan Magee is included in the group exhibition, Natural History, at Forum Gallery in New York. The show was reviewed by the Wall Street International.&nbsp;</p><p>&quot;Alan Magee creates poetic compositions from natural and man-made objects whose history, in his hands, is palpable. Beginning with the premise that everything is what it seems and not what it seems, Magee spins his subjects into seemingly simple, marvelously complex, peaceful, contemplative paintings.&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/connie-hayes2'><img itemprop="image" alt='Connie Hayes'
232                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a3761e50510d7b574800636b2aedada6.jpeg'
233                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/a3761e50510d7b574800636b2aedada6.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a3761e50510d7b574800636b2aedada6.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/connie-hayes2'>
234                                                Connie Hayes
235                        </a></h1><h2>Face Time | Painter Connie Hayes quietly draws the Rockland community     by Scott Sell for the Islandport Magazine</h2><h3>Spring 2019</h3><div class='summary paragraph-styling'><p>When Connie Hayes turned sixty-six last year, she started doing a series of self-portraits. It was something of a surprise to a Maine painter who has spent her career focusing on work that is largely comprised of landscapes and still life studies: bucolic French gardens, gridlock in Manhattan, Vinalhaven at dusk.</p><p>She did twenty-five drawings, refreshing her knowledge of anatomy and the structural elements of the face. She wasn&rsquo;t interested in having versions of her own face leave the privacy of her studio but she was neverthe- less invigorated by the exercise. She put out&nbsp;a community-wide call, asking if people would sit for her to have their portraits drawn and, over the months of January and February of this year, Hayes drew one hundred portraits of people throughout the Rockland area.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/stephen-pace2'><img itemprop="image" alt='Stephen Pace'
236                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e12d50b398d813187ad620e63ec71643.jpeg'
237                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e12d50b398d813187ad620e63ec71643.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e12d50b398d813187ad620e63ec71643.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/stephen-pace2'>
238                                                Stephen Pace
239                        </a></h1><h2>Reflections | Berry Campbell Gallery</h2><div class='summary paragraph-styling'><p>Stephen Pace&#39;s work is currently on view in a solo exhibition at Berry Campbell Gallery in New York City. Titled<em>&nbsp;Reflections</em>, the show includes works from the later half of Pace&#39;s life while he was living mostly in Stonington, Maine.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alexandra-tyng6'><img itemprop="image" alt='Alexandra Tyng'
240                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4ad0aba07c2b32277f905722ac49e658.jpeg'
241                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/4ad0aba07c2b32277f905722ac49e658.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4ad0aba07c2b32277f905722ac49e658.jpeg 2x" ></a></div><div class='info'><h1>
241<a href='/news/alexandra-tyng6'>
242                                                Alexandra Tyng
243                        </a></h1><h2>Second Sight - Scavengers</h2><div class='summary paragraph-styling'><p>&quot;Scavengers is my visual description of how it feels to have one&rsquo;s privacy invaded. The idea first came into my mind after a recent biography of my father was published. In it were intimate details of his personal life that were inevitably going to come out, but as well-written as the book was, my family found it hard to go through the experience of having our private life revealed to the public. Still harder was the experience of reading reviews of the book and people&rsquo;s thoughtless comments. The characters in the painting are my siblings and I. As I planned the work I asked my sister and brother to describe their strongest emotion around the experience. My sister felt an impulse to protect her parents, my brother was afraid the book would provoke arguments and bad feelings, and I was nervous about how the personal information I had shared with the author would be written about and interpreted. I incorporated our responses into the composition.&quot; - Alexandra Tyng</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/scott-kelley4'><img itemprop="image" alt='Scott Kelley'
244                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/55b3022afd20f997d56b0b706315df2d.jpeg'
245                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/55b3022afd20f997d56b0b706315df2d.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/55b3022afd20f997d56b0b706315df2d.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/scott-kelley4'>
246                                                Scott Kelley
247                        </a></h1><h2>Peaks Island author’s book proceeds to supply Wabanaki artists</h2><h3>February 2019</h3><div class='summary paragraph-styling'><p>Scott Kelley started the grant program after learning that native craftsmen were struggling to afford supplies they used to gather for free.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/elizabeth-fox3'><img itemprop="image" alt='Elizabeth Fox'
248                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b959d55d05ac803b4bac72d7d74b140a.jpeg'
249                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/b959d55d05ac803b4bac72d7d74b140a.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b959d55d05ac803b4bac72d7d74b140a.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/elizabeth-fox3'>
250                                                Elizabeth Fox
251                        </a></h1><h2>Pecha Kucha Talk</h2><div class='summary paragraph-styling'><p>Elizabeth Fox was included in Pecha Kucha Midcoast&#39;s presentation on November 9th, 2018. Fox discusses the individual concepts behind a grouping&nbsp;of her paintings. A video of the talk can be viewed via the link below.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/margaret-rizzio'><img itemprop="image" alt='Margaret Rizzio'
252                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8c37c3e84d512147596c7b8bd3231c79.jpeg'
253                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/8c37c3e84d512147596c7b8bd3231c79.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8c37c3e84d512147596c7b8bd3231c79.jpeg 2x" ></a></div><div class='info'><h1>
253<a href='/news/margaret-rizzio'>
254                                                Margaret Rizzio
255                        </a></h1><h2>From Here to There at Printed Matter</h2><div class='summary paragraph-styling'><p>Margaret Rizzio&#39;s book, From Here to There is featured at Printed Matter, Inc.&nbsp;From here to there&nbsp;is a study of 10 years of Mail Art sent to strangers and acquaintances. It is broken up into four chapters: Attire, Fare, Curio and ephemera. Sending mail of admiration reminds us that creative culture moves forward by the power of physical reminders that we are part of a larger community. Sent pieces of fan mail are small appreciations of large acts by innovative minds. It reminds people to slow down, reflect and appreciate.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cig-harvey8'><img itemprop="image" alt='Cig Harvey'
256                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/806590027ae379758db6cac48eee8e0a.jpeg'
257                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/806590027ae379758db6cac48eee8e0a.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/806590027ae379758db6cac48eee8e0a.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/cig-harvey8'>
258                                                Cig Harvey
259                        </a></h1><h2>The 2018 Virginia Prize is awarded to Cig Harvey</h2><h3>October 2018</h3><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/elizabeth-fox2'><img itemprop="image" alt='Elizabeth Fox'
260                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/93d2c486d03e8653e46754fa04b7e213.jpeg'
261                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/93d2c486d03e8653e46754fa04b7e213.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/93d2c486d03e8653e46754fa04b7e213.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/elizabeth-fox2'>
262                                                Elizabeth Fox
263                        </a></h1><h2>Artists on Art Magazine: The Case for Intuition in Creating Art</h2><div class='summary paragraph-styling'><p>Elizabeth Fox discusses the role of intuition in the creative process in the latest issue of Artist on Art Magazine.</p><p>&quot;I find the gut will let me know if something is working or not. In a state of awareness there is no static answer but free flow of being. The gut, intuition. Are these forms of awareness?&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eric-green4'><img itemprop="image" alt='Eric Green'
264                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5a61d9498e2477e3df2116a3c34cf208.jpeg'
265                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5a61d9498e2477e3df2116a3c34cf208.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5a61d9498e2477e3df2116a3c34cf208.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/eric-green4'>
266                                                Eric Green
267                        </a></h1><h2>Poets and Artists, Issue #98 | Anything but the Figure, Curated by Jans Anders Nelson</h2><h3>September 2018</h3><div class='summary paragraph-styling'><p>In editing this issue, the unifying factor will be defined by my decisions I need to make to meet the challenge I face in selecting from what will be a large catalog of works submitted in a variety of mediums. I know the resulting publication, print or digital, will be gorgeous because I have already seen just how talented this group is. I do n
267ot want you to make something you think will fit, I want to see what you know is uniquely you. As for me, I will quote SupremeCourt Justice Potter Stewart; &ldquo;I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description, and perhaps I could never succeed in intelligibly doing so. But I know it when I see it.&rdquo;</p><p>- Jan Anders Nelson</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey'
268                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/1cca04069935a865d65cfca5bf2f12a6.jpeg'
269                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/1cca04069935a865d65cfca5bf2f12a6.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/1cca04069935a865d65cfca5bf2f12a6.jpeg 2x" ></div><div class='info'><h1>
270                                                Cig Harvey
271                                              </h1><h2>Being Women: Poetry and Imagery</h2><h3>August 2018</h3><div class='summary paragraph-styling'><p>This summer, we selected six poems by women and asked photographers to let the poems inspire them.</p><p>- The New York Times</p></div><div class='links in-text'><div class='file'><a href='https://www.nytimes.com/interactive/2018/08/17/us/women-poetry-photos.html' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/marilyn-turtz'><img itemprop="image" alt='Marilyn Turtz'
272                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c8740a55db72ecce748ca74c14adea89.jpeg'
273                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/c8740a55db72ecce748ca74c14adea89.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c8740a55db72ecce748ca74c14adea89.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/marilyn-turtz'>
274                                                Marilyn Turtz
275                        </a></h1><h2>Garvey Simon Gallery</h2><div class='summary paragraph-styling'><p>Marilyn Turtz is included in the exhibition <em>Select 3</em> at Garvey Simon Gallery in New York. The exhibiton features an array of mediums and conceptual frameworks; all unfited by the interest in the intersection between design and the natural world.&nbsp;</p><p>Marilyn Turtz is a former student of Lois Dodd. Her intimate paintings, evoked from observation of the Maine landscape, translate to serence glimpses of light and color. &quot;Ms. Turtz has perfected the art of distilling a scene&#39;s essence without getting bogged down in fussy detail. She has an especially sensitive way with atmosphere, catching with equal skill mist over morning fields, afternoon&#39;s golden glow, and the lengthening shadows of evening.&quot; - Helen A. Harrison, The New York Times&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/joyce-tenneson3'><img itemprop="image" alt='Joyce Tenneson'
276                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ed33c737f6a9b37053c4d8bdbdafdce6.jpeg'
277                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/ed33c737f6a9b37053c4d8bdbdafdce6.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ed33c737f6a9b37053c4d8bdbdafdce6.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/joyce-tenneson3'>
278                                                Joyce Tenneson
279                        </a></h1><h2>Lucie Award for Outstanding Achievement in Portraiture</h2><div class='summary paragraph-styling'><p>Joyce Tenneson has been selected as the 2018 recipient of the Lucie Award for Outstanding Achievement in Portraiture. The Lucie Awards honor the greatest achievements in photography. Other photographers to have received this award include Judith Joy Ross, Rosalind Fox Solomon, Nan Golding, David Burnett, Greg Gorman, and Brigitte Lacombe.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/david-graeme-baker2'><img itemprop="image" alt='David Graeme Baker'
280                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8f731fd0101ad96ba6300174e0d2e262.jpeg'
281                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/8f731fd0101ad96ba6300174e0d2e262.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8f731fd0101ad96ba6300174e0d2e262.jpeg 2x" ></a></div><div class='info'><h1>
281<a href='/news/david-graeme-baker2'>
282                                                David Graeme Baker
283                        </a></h1><h2>Bernaducci Gallery</h2><div class='summary paragraph-styling'><p>David Graeme Baker and Bo Bartlett and included in the exhibition Objects of Desire at Bernaducci Gallery in New York on view from June 14 - July&nbsp;17, 2018. This summer survey exhibition also includes works by John Baeder, William Fisk, Emily Copeland, and others.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bo-bartlett5'><img itemprop="image" alt='Bo Bartlett'
284                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4a6eab24d621cc641c107ab21ac8efbe.jpeg'
285                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/4a6eab24d621cc641c107ab21ac8efbe.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4a6eab24d621cc641c107ab21ac8efbe.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/bo-bartlett5'>
286                                                Bo Bartlett
287                        </a></h1><h2>Miles McEnery Gallery</h2><div class='summary paragraph-styling'><p>Bo Bartlett will have a solo exhibition at Miles McEnery Gallery in New York from May 31, 2018 - July 7, 2018.&nbsp;Bo Bartlett&rsquo;s series of recent gouaches captures the passing moments of a hazy summer day and transforms them into glistening narratives of wonder. The works depict Bartlett&rsquo;s tranquil summers spent with his wife, artist Betsy Eby, on Wheaton Island off of the coast of Maine, where the only signs of human life in the natural landscape are the renovated fisherman&rsquo;s cottages, which serve as separate studios for the artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/stephen-pace'><img itemprop="image" alt='Stephen Pace'
288                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/0d4bf9aedf7bec788d04639f2ed0ca8b.jpeg'
289                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/0d4bf9aedf7bec788d04639f2ed0ca8b.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/0d4bf9aedf7bec788d04639f2ed0ca8b.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/stephen-pace'>
290                                                Stephen Pace
291                        </a></h1><h2>Dorothea and Lea Rabkin Foundation</h2><div class='summary paragraph-styling'><p>Stephen Pace is included in the exhibition, &quot;Celebrating Maine&#39;s Artist Endowed Foundations&quot; at the Dorothea and Leo Rabkin Foundation in Portland. This exhibition also includes works by Joan Maie Beauregard, Bob Crewe, John David Ellis, Joseph Fiore, Beverly Hallam, Kenneth Noland and others. It celebrates&nbsp;these influentional artists as well as the legacy that they have left to support the arts in Maine.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/vito-desalvo3'><img itemprop="image" alt='Vito DeSalvo'
292                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/1846df11161ac93e3205dee7a1d22e90.jpeg'
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294                                                Vito DeSalvo
295                        </a></h1><h2>Exhibition at Firecat Projects</h2><div class='summary paragraph-styling'><p>Firecat Projects in Chicago will host an exhibition of Vito DeSalvo&#39;s work beginning May 25, 2018.&nbsp;</p><p>_</p><p>Firecat projects welcomes an exhibition of Vito Desalvo&rsquo;s colored pencil drawings from various stages of his career under the title,&nbsp;<em>Back and Forth</em>. As stated by Desalvo,&nbsp;&ldquo;There are some new pieces but then I threw some old favorites in the mix. They meant something to folks close to me before but I&rsquo;m done with them now. I still like the drawings but you have to learn when to wash up and change your clothes some time.&rdquo;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacob-hessler-boundaries'><img itemprop="image" alt='Jacob Hessler: Boundaries'
296                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/fec35a2d8067955c478748ee407cf8d1.jpeg'
297                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/fec35a2d8067955c478748ee407cf8d1.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/fec35a2d8067955c478748ee407cf8d1.jpeg 2x" ></a></div><div class='info'><h1>
297<a href='/news/jacob-hessler-boundaries'>
298                                                Jacob Hessler: Boundaries
299                        </a></h1><h2>Hyperallergic Review</h2><div class='summary paragraph-styling'><p>&quot;As the prospect of a controversial wall looms on the U.S.-Mexican border, as immigrants and refugees are caught in an ever-expanding limbo, and as ICE stakes out courtrooms, it is unsurprising that American writers and artists have begun incorporating the concepts of &ldquo;borders&rdquo; and &ldquo;boundaries&rdquo; into their work. For their collaborative project&nbsp;<a href="http://cmcanow.org/event/jacob-hessler-richard-blanco-boundaries/">Boundaries</a>, on view at the Center for Maine Contemporary Art, photographer Jacob Bond Hessler and poet Richard Blanco address the subject from a range of angles, using handsome large-scale color prints and poignant words.</p><p>The show consists of nine photograph-poem pairings. For the most part, Blanco&rsquo;s poems were prompted by Hessler&rsquo;s photographs, but they are not ekphrastic. There are no direct descriptive references to the images, although here and there the connection is made tangible. Rather, the poems run parallel to the photographs, often adding a narrative to what is a wide-open image.&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='With first children’s book, Peaks Island artist Scott Kelley creates a world without fear'
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301                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/1c7db1f8d94411e5431ff82f96598d0e.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/1c7db1f8d94411e5431ff82f96598d0e.jpeg 2x" ></div><div class='info'><h1>
302                                                With first children’s book, Peaks Island artist Scott Kelley creates a world without fear
303                                              </h1><h2>&#039;I Am Birch&#039; is a parable for our times and a reminder that just because someone says something is true, it doesn&#039;t make it so.</h2><h3>April 2018</h3><div class='summary paragraph-styling'><p>PEAKS ISLAND &mdash; Scott Kelley walks slowly down Island Avenue, lamenting the culture of fear that has lately directed the course of American life. These days, a lot of people spend a lot of time and energy consumed with fear, worrying about protecting their borders and their homes and combating the omniscient bogeyman.</p><p>Kelley isn&rsquo;t buying it. He&rsquo;s not naive about the dangers and threats of modern society, but he refuses to raise his kid in a culture of fear.</p><p>It was from that mindset that Kelley, a fine-art painter best known for his engrossingly detailed watercolors of flamingos and herons, wrote and illustrated his first children&rsquo;s book, &ldquo;I Am Birch.&rdquo; Yarmouth-based Islandport Press releases the book this week, and Kelley celebrates with a launch party at 4:30 p.m. Friday at Maine Historical Society in Portland.</p></div><div class='links in-text'><div class='file'><a href='https://www.pressherald.com/2018/04/22/peaks-island-artist-scott-kelley-creates-a-world-without-fear/' target="_blank">View More of the article by Bob Keyes with the Portland Press Herald</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Joyce Tenneson | Nordic Light International Festival of Photography'
304                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/0636ca6c22e2daaa1e62ad4515e3bd79.jpeg'
305                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/0636ca6c22e2daaa1e62ad4515e3bd79.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/0636ca6c22e2daaa1e62ad4515e3bd79.jpeg 2x" ></div><div class='info'><h1>
305
306                                                Joyce Tenneson | Nordic Light International Festival of Photography
307                                              </h1><h3>April 2018</h3><div class='summary paragraph-styling'><h3>On the edge of Norway&#39;s north-west coast, world renowned photographers, aspiring photographers, photography students and others interested in photography, art and culture gather in the charming city of Kristiansund. &nbsp;Joyce Tenneson is one of the prominent photographers that will be exhibiting and lecturing during Nordic Light 2018.</h3></div><div class='links in-text'><div class='file'><a href='http://www.nle.no/guests2018/joyce-tenneson' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='These Haunting Photos Were Inspired by a Near-Death Experience'
308                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e42dff1e44690b2f84463ed741b9c545.jpeg'
309                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e42dff1e44690b2f84463ed741b9c545.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e42dff1e44690b2f84463ed741b9c545.jpeg 2x" ></div><div class='info'><h1>
310                                                These Haunting Photos Were Inspired by a Near-Death Experience
311                                              </h1><h2>When a car crash left her unable to speak, Cig Harvey used photography to examine life&#039;s miracles and misfortunes.</h2><h3>March 2018</h3><div class='summary paragraph-styling'><p>It&#39;s been well documented that a&nbsp;<a href="https://creators.vice.com/en_us/article/pgqj3z/the-daguerreotype-unsettling-world-of-victorian-photography" target="_blank">brush with death</a>&nbsp;can reframe a person&#39;s relationship with life. When a car crash left photographer&nbsp;<a href="http://www.cigharvey.com/" target="_blank">Cig Harvey</a>&nbsp;unable to speak for several weeks, she&nbsp;<a href="https://www.vice.com/en_us/article/dp5qqk/nick-bruno-photographer-dreams-daily-vice-005" target="_blank">turned to her art</a>&nbsp;to make sense of life and the human experience. Harvey&#39;s most recent book,&nbsp;<a href="http://www.cigharvey.com/youanorchestrayouabomb/" target="_blank">You an Orchestra You a Bomb</a>,&nbsp;recalls in sprightly color and inky darkness the shortness of our time on earth. Through photographs and text, the book both celebrates and mourns the fleeting nature of existence. &quot;Underneath thin skin, amongst saliva, organs, and bone, we are orchestras,&rdquo; Harvey writes. &quot;But open our mouths, deep down between tears, nerves, and gristle, we are bombs.&quot;</p></div><div class='links in-text'><div class='file'><a href='https://www.vice.com/en_us/article/mbxj8n/these-haunting-photos-were-inspired-by-a-near-death-experience' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/vito-desalvo2'><img itemprop="image" alt='Vito DeSalvo'
312                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/847717a1604c094b1795e03bc6f0ab17.jpeg'
313                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/847717a1604c094b1795e03bc6f0ab17.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/847717a1604c094b1795e03bc6f0ab17.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/vito-desalvo2'>
314                                                Vito DeSalvo
315                        </a></h1><h2>Esthetic Lens Magazine</h2><div class='summary paragraph-styling'><p>Vito DeSalvo&#39;s work was featured in Esthetic Lens Magazine. Personal Dynamics: The Artwork of Vito Desalvo features excerpts from the artist&#39;s book <em>International People in the Know,</em> one excerpt&nbsp;shown below<em>.&nbsp;</em></p><p><strong>December 11, 2017</strong></p><p><em>As these nights become truly deep in their darkness and begin before you turn to 
315see your thoughts fade away, my mind turns inward. The comfort in this blanket of vast clear blackness frees me to mentally wander and notice nuances in myself.&nbsp;</em></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alan-magee2'><img itemprop="image" alt='Alan Magee'
316                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ef4c701fb64edcc234fcac818abc6c28.jpeg'
317                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/ef4c701fb64edcc234fcac818abc6c28.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ef4c701fb64edcc234fcac818abc6c28.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/alan-magee2'>
318                                                Alan Magee
319                        </a></h1><h2>Talking Art in Maine</h2><div class='summary paragraph-styling'><p>Alan Magee will be speaking at the Lincoln Theater in Damariscotta, Maine&nbsp;on Thursday, March 8 at 7pm. Magee has received awards for his painting from the American Academy and Instittue of Arts and Letters and the National Academy of Design.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacob-hessler2'><img itemprop="image" alt='Jacob Hessler'
320                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b24cf844960420992e91bde7c4e6d931.jpeg'
321                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/b24cf844960420992e91bde7c4e6d931.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b24cf844960420992e91bde7c4e6d931.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/jacob-hessler2'>
322                                                Jacob Hessler
323                        </a></h1><h2>Boundaries featured in Portland Press Herald</h2><div class='summary paragraph-styling'><p><em>Boundaries</em> by Jacob Hessler and Richard Blanco has been featured in an article in the Portland Press Herald. The exhibition&nbsp;is currently on view at the&nbsp;Center for Maine Contemporary Art (CMCA) in Rockland. Bob Keyes writes, &quot;It&#39;s a quiet, reflective exhibition that asks viewers to consider the boundaries that divide us by race, gender, class and other ways. As artists, the two attempt to tear down barriers to create understanding, empathy and compassion.&quot;&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/vito-desalvo'><img itemprop="image" alt='Vito DeSalvo'
324                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d76fb2716f6852707c9f241a5b27d3f5.jpeg'
325                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/d76fb2716f6852707c9f241a5b27d3f5.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d76fb2716f6852707c9f241a5b27d3f5.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/vito-desalvo'>
326                                                Vito DeSalvo
327                        </a></h1><h2>Internal Landscapes</h2><div class='summary paragraph-styling'><p>Vito DeSalvo&#39;s current exhibition at John Molloy Gallery in New York City was featured in Wall Street International. The exhibition runs from February 8, 2018- March 3, 2018.&nbsp;</p><p>&quot;The work utilizes many of the current social euphamisms that are used both deliberatly and unknowingly to answer a question &#39;no&#39; while not saying that.&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/henriette-wyeth'><img itemprop="image" alt='Henriette Wyeth'
328                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5fddd5f23d533e478d48004af855b40f.jpeg'
329                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5fddd5f23d533e478d48004af855b40f.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5fddd5f23d533e478d48004af855b40f.jpeg 2x" ></a></div><div class='info'><h1>
329<a href='/news/henriette-wyeth'>
330                                                Henriette Wyeth
331                        </a></h1><h2>Magical &amp; Real: Henriette Wyeth and Peter Hurd</h2><div class='summary paragraph-styling'><p>Currently on view at the Michener Art Museum, <em>Magical &amp; Real</em> is a retrospective of works by Henriette Wyeth and her husband, Peter Hurd. The exhibition features over 100 works by the artists, painted both at their home in New Mexico and at their home in Chadds Ford, Pennsylvania. This is the first major exhibiiton to focus on the works of Henriette Wyeth, N.C. Wyeth&#39;s oldest child.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-mcrae-morton3'><img itemprop="image" alt='Sarah McRae Morton'
332                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a6f55fd31dcba8eb9db034f0e60bf99c.jpeg'
333                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/a6f55fd31dcba8eb9db034f0e60bf99c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a6f55fd31dcba8eb9db034f0e60bf99c.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/sarah-mcrae-morton3'>
334                                                Sarah McRae Morton
335                        </a></h1><h2>Exhibition at Red Raven Art Company</h2><div class='summary paragraph-styling'><p>Sarah McRae Morton&#39;s exhibition, The Ghost of a Flea, is currently on view at Red Raven Art Company in Lancaster, Pennsylvania. The works will be on view through the month of February.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jamie-wyeth'><img itemprop="image" alt='Jamie Wyeth'
336                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/36522304e62528f46170e9ea59e9894c.jpeg'
337                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/36522304e62528f46170e9ea59e9894c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/36522304e62528f46170e9ea59e9894c.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/jamie-wyeth'>
338                                                Jamie Wyeth
339                        </a></h1><h2>The Kennedy Studies at the Farnsworth</h2><div class='summary paragraph-styling'><p>Jamie Wyeth: The Kennedy Studies is currently on view at the Farnsworth Art Museum in Rockland.&nbsp;Three years after the assassination of President Kennedy, 21-year old Jamie Wyeth embarked on a series of preparatory sketches for a posthumous portrait of the president known for his eloquence, diplomacy, and optimism. The challenge, of course, was not only to portray a man Wyeth never met, but also to paint the portrait of such a well-known public figure. Kennedy would have been fifty years old in 1967 when Wyeth completed the painting, now also fifty and recently acquired by Boston&#39;s Museum of Fine Arts. Several of candid pencil studies of the Kennedy brothers, and a color study of JFK made in preparation for his now famous portrait, are presented. The works will be on view until April 1, 2018.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/john-goodyear'><img itemprop="image" alt='John Goodyear'
340                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/77f14e76298f25bb0c0132cb4c3c80f8.jpeg'
341                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/77f14e76298f25bb0c0132cb4c3c80f8.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/77f14e76298f25bb0c0132cb4c3c80f8.jpeg 2x" ></a></div><div class='info'><h1>
341<a href='/news/john-goodyear'>
342                                                John Goodyear
343                        </a></h1><h2>Art Wynwood</h2><div class='summary paragraph-styling'><p>John Goodyear&#39;s piece <em>Red, Yellow, Blue Construction</em> will be on view at the Berry Campbell booth at Art Wynwood in Miami, Florida in February. This piece was made in 1978 and is one of the artist&#39;s kinetic constructions. Goodyear has used these constructions as well as painting, drawing, and installation to engage his audience and recontextualize the viewer&#39;s present observation.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/elizabeth-fox'><img itemprop="image" alt='Elizabeth Fox'
344                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5611fc6b04b5498d0d3f7ef34e61ef58.jpeg'
345                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5611fc6b04b5498d0d3f7ef34e61ef58.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5611fc6b04b5498d0d3f7ef34e61ef58.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/elizabeth-fox'>
346                                                Elizabeth Fox
347                        </a></h1><h2>Featured on Artsy</h2><div class='summary paragraph-styling'><p>Elizabeth Fox was featured on Artsy in the article Art to Buy for Music Lovers. Her works<em> Beyonce as Venus in Giotto Blue </em>and <em>Beyonce with Strawberry Candy Wrappers </em>were included alongside pieces by Lawrence Schiller and Shepard Fairey.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/scott-kelley3'><img itemprop="image" alt='Scott Kelley'
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349                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/bd9115cc60ee68801db54be7ec1bd8e5.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/bd9115cc60ee68801db54be7ec1bd8e5.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/scott-kelley3'>
350                                                Scott Kelley
351                        </a></h1><h2>Exhibition at Surovek Gallery</h2><div class='summary paragraph-styling'><p>Scott Kelley is currently showing at Surovek Gallery in Palm Beach, Florida. This exhibition contains works by Kelley that embrace the flora and fauna of Florida through watercolors of&nbsp;flamingos, herons, alligators, and waterlillies.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Alexandra Tyng'
352                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2c3993b9f68c2ddc368d429bda3da473.jpeg'
353                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/2c3993b9f68c2ddc368d429bda3da473.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2c3993b9f68c2ddc368d429bda3da473.jpeg 2x" ></div><div class='info'><h1>
354                                                Alexandra Tyng
355                                              </h1><h2>Maine Muse</h2><div class='summary paragraph-styling'><p>Alexandra Tyng was featured in the November/December issue of Maine Boats, Homes &amp; Harbors. Carl Little discusses Tyng&#39;s relationship with Maine and the processes behind&nbsp;her plein air paintings. &quot;Plein air painting,&quot; she told critic Stephen May, is &quot;my source of ideas, and a way of keeping my brushstrokes fresh and my color sense accurate.&quot;&nbsp;</p></div><div class='links in-text'><div class='file'><a href='https://maineboats.com/print/issue-149' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bo-bartlett-center'><img itemprop="image" alt='Bo Bartlett Center'
356                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/9ef9246dc094542c584b2bfa993cc2ed.png'
357                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/9ef9246dc094542c584b2bfa993cc2ed.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/9ef9246dc094542c584b2bfa993cc2ed.png 2x" ></a></div><div class='info'><h1>
357<a href='/news/bo-bartlett-center'>
358                                                Bo Bartlett Center
359                        </a></h1><h2>Opening Exhibitions</h2><div class='summary paragraph-styling'><p>The Bo Bartlett Center is set to open on January 18th, 2018 with two exhibitions;<em> Bo Bartlett Retrospective</em> and <em>Peers &amp; Influences</em>. The first will include large-scale works of the artist, some of which have never been exhibited before. The second is a group exhibition of works by artists including Jamie Wyeth, Wolf Kahn, Odd Nerdrum&nbsp;and others, co-curated by Bartlett and Eby.&nbsp;</p><p>David Houston, Director of the Bo Bartlett Center, states, &quot;I look forward to the opening of this unique cultural institution in the College of the Arts at CSU. We will work to add to the many unwritten chapters of the history of American Art while continuing to develop our deep commitment to innovative community service.&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cig-harvey6'><img itemprop="image" alt='Cig Harvey'
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361                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/7a31899f79bf1dfb5c50249bcb1c94a1.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/7a31899f79bf1dfb5c50249bcb1c94a1.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/cig-harvey6'>
362                                                Cig Harvey
363                        </a></h1><h2>Seeking Transience</h2><div class='summary paragraph-styling'><p>Cig Harvey&#39;s series and book, &quot;You an&nbsp;Orchestra You a Bomb&quot;, are featured in the current issue of Aesthetica Magazine. The author writes, &quot;Each vignette captures moments of awe, resting in the threshold between bewitchment and disaster. Each image nestled within split secornds where beauty mingles alongside an arresting sense of danger- dripping with sensory information and visceral consideration. There are moments of enlightment to be found in a tangled web of emotion: characters are brought to the surface as harbingers for events that are yet to play out.&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cig-harvey5'><img itemprop="image" alt='Cig Harvey'
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366                                                Cig Harvey
367                        </a></h1><h2>In Harmony</h2><div class='summary paragraph-styling'><p>Cig Harvey&#39;s book You an Orchestra You a Bomb was reviewed by Elin Spring and Suzanne Revy on the photography blog What Will You Remember. &quot;Cig Harvey&rsquo;s new book,&nbsp;You an Orchestra You a Bomb&nbsp;is a reverent autobiography of family and parental love. She opens with written vignettes of brief episodes from her past and, as if looking through a prism, describes a rainbow of colors in her memories from beige to blue to red.&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey'
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369
370                                                Cig Harvey
371                                              </h1><h2>Fairytale Photos of Everyday Life</h2><div class='summary paragraph-styling'><p>Cig Harvey was featured in the New York Times for her new series &quot;You an Orchestra You a Bomb.&quot; Jonathan Blaustein writes, &quot;Her book and exhibit carefully recreate that sense of childhood wonder, mizing saturted colors with verdant symbols and engaging text, allowing viewers to contemplate that sense of the unknown, but from a place of joy rather thatn anxiety.&quot;</p><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p></div><div class='links in-text'><div class='file'><a href='https://lens.blogs.nytimes.com/2017/11/22/fairytale-photos-of-everyday-life/?module=Slide&amp;region=SlideShowTopBar&amp;version=SlideCard-20&amp;action=Click&amp;contentCollection=Blogs&amp;slideshowTitle=Fairytale%20Photos%20of%20Everyday%20Life&amp;currentSlide=20&amp;entrySlide=1&amp;pgtype=imageslideshow' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jacob Hessler'
372                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/83d8f373a353f558d3765dbcf3bf0f95.jpeg'
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374                                                Jacob Hessler
375                                              </h1><h2>Boundaries | Exhibition at Coral Gables Museum</h2><h3>November 2017 - January 2018</h3><div class='summary paragraph-styling'><p>This exhibition will combine poems by poet laureate Richard Blanco with the artwork of photographer Jacob Hessler in order to explore the physical, imagined, and psychological boundary lines &ndash; both historic and current that have plagued our American Society. Although the world continues to move its way towards being boundary-less with advances in technology (air travel/social media/etc.), our nation continues to feel more and more polarized, repeating our past mistakes and drawing lines in the sand with an us vs. them mentality.</p><p>Across this North American continent, lie both visible and invisible boundaries.</p></div><div class='links in-text'><div class='file'><a href='http://coralgablesmuseum.org/portfolio-item/boundaries-november-2-26-2017/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Colin Page'
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378                                                Colin Page
379                                              </h1><h2>2018 Rockland Workshop</h2><h3>October 2017</h3><div class='summary paragraph-styling'><p>In 2018 Colin Page will be&nbsp;teaching a painting class in Rockland, ME September 17-21. He is&nbsp;limiting the class to just 12 students this year. Because of high demand for the class in previous years, sign ups for this class are throguh a lottery. Tuition is $995, and the class is being organized by&nbsp;<a href="http://colinpage.cmail20.com/t/r-l-jluityul-pjtihdll-k/">Coastal Maine Art Workshops</a>.&nbsp;</p><p>To enter the lottery for this class, send an email to&nbsp;<a href="mailto:[email protected]">[email protected]</a>&nbsp;between 9am October 23 and 5pm October 27. They&nbsp;will acknowledge receipt of the email, so you won&#39;t have to worry if it came through. Only emails received during the times listed above will be entered into the drawing. The names will literally be put into a hat, and Colin&#39;s&nbsp;daughters will pull out the names. 12 people will be selected for the class and another 20 will be chosen for a 
379wait list.&nbsp;</p><p>If you are selected for the class plan to register online and pay your $300 deposit by November 30, 2017. If they&nbsp;don&#39;t have your registration by the deadline they&nbsp;will have to pass your place on to the next wait list name. If you are chosen for the wait list, no registration or deposit is due unless you are moved on to the class list.&nbsp;</p><p>If you have any questions about this process feel free to email Colin&nbsp;at&nbsp;<a href="mailto:[email protected]">[email protected]</a>&nbsp;or Lyn at&nbsp;<a href="mailto:[email protected]">[email protected]</a>.&nbsp;</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cig-harvey3'><img itemprop="image" alt='Cig Harvey'
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382                                                Cig Harvey
383                        </a></h1><h2>Contrasts: Varying Visions from Six Master Photographers</h2><div class='summary paragraph-styling'><p>Cig Harvey&#39;s was included in an exhibition at the Cape Cod Museum of Art titled, Contrasts: Varying Visions from Six Master Photographers. The exhibition also included works by Fran Forman, Andy Howard, Lou Jones, Sean Kernan, and Karin Rosenthal. &quot;This exhibition will highlight the diverse kinds of images that are being made in our photographic worlds, and also shine a light on the techniques and approaches that are used to communicate a variety of personal and aesthetic messages.&quot;&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/scott-kelley2'><img itemprop="image" alt='Scott Kelley'
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386                                                Scott Kelley
387                        </a></h1><h2>Poetic Research</h2><h3>August 16, 2017</h3><div class='summary paragraph-styling'><p>Scott Kelley&#39;s article &quot;Poetic Research&quot; has been featured in Volume 17 of Common-Place: The Journal of Early American Life. His piece discusses the research and process behind creating his work. Kelley writes, &quot;That&#39;s how my work gets made: in bits and pieces, one thing leading to another, then another, until the process stops. With the whales, this hasn&#39;t happened yet. Part of me hopes it never will.&quot;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bo-bartlett3'><img itemprop="image" alt='Bo Bartlett'
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389<a href='/news/bo-bartlett3'>
390                                                Bo Bartlett
391                        </a></h1><h2>Society of 1858 Prize for Southern Contemporary Art</h2><h3>August 16, 2017</h3><div class='summary paragraph-styling'><p>Bo Bartlett has received the prestigious 1858 Prize for Contemporary Southern Art from the Society 1858 of the Gibbes Museum in Charleston, South Carolina. The prize is awarded to an artist whose work contributes to a new understanding of art in the South. It recognizes the highest level of artistic achievement. Bartlett is acclaimed for his large-scale paintings that explore American life and cultural heritage. His exhibition at Dowling Walsh runs for the month of August.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bo-barlett'><img itemprop="image" alt='Bo Barlett'
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393                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/7172a314685291252b9880f27d0946c4.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/7172a314685291252b9880f27d0946c4.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/bo-barlett'>
394                                                Bo Barlett
395                        </a></h1><h2>Things Don&#039;t Stay Fixed</h2><h3>June 20, 2017</h3><div class='summary paragraph-styling'><p>Gallery artist Bo Bartlett and his wife, artist Betsy Eby, are directing and producing a feature-length film titled &ldquo;Things Don&rsquo;t Stay Fixed.&rdquo; The film is being shot in Columbus, Georgia, Bartlett&rsquo;s hometown. Bartlett says of the filmmaking process, &ldquo;Because I have painted for so long, I can sit there and put a little touch of red on the canvas and step back and look at it for five minutes. I can say, &lsquo;Do I like that? Maybe I do; maybe I don&rsquo;t,&rsquo;&rdquo; Bartlett said. &ldquo;That is a luxury and you can&rsquo;t do that here. You have to make a decision and go with it.&rdquo;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Colin Page'
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398                                                Colin Page
399                                              </h1><h2>An Artist Goes Sailing</h2><h3>2017</h3><div class='summary paragraph-styling'><p>Colin Page&rsquo;s article, An Artist Goes Sailing, was featured in the latest issue of Maine Boats, Homes and Harbors.&nbsp;Page discusses his recent interest in sailing and the effect that it&rsquo;s had on his paintings. &ldquo;I&rsquo;m reminded to keep looking for places I can grow as an artist. I&rsquo;m reminded to look for joy in my art making. As I sit in the studio in the winter, I remember the feeling of the wind filling my sails and pushing me forward. As I paint a harbor scene, I recall looking for shifts of color telling me about gusts of wind on the water. As I paint sunlight bouncing on ripples, I recall the way my boat rode over the chop and slid through the ocean.&rdquo;&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://maineboats.com/print/issue-147/artist-goes-sailing' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett: Paintings'
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401
402                                                Bo Bartlett: Paintings
403                                              </h1><h2>Island Life</h2><h3>2017</h3><div class='summary paragraph-styling'><p>Bo Bartlett&rsquo;s studio on Wheaton Island was featured in the article,&nbsp;Island Life&nbsp;by Polly Saltonstall in Maine Boats, Homes and Harbors. Bartlett and his wife, Betsy Eby each have studios on the island, giving them beautiful spaces to make work while facing the ocean. &ldquo;It&rsquo;s beyond our wildest expectations,&rdquo; said Bartlett.&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://maineboats.com/print/issue-147/island-life' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Alexandra Tyng'
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406                                                Alexandra Tyng
407                                              </h1><h2>&quot;Pictures of You&quot;</h2><h3>May 2, 2017</h3><div class='summary paragraph-styling'><p>Alexandra Tyng has just been featured in&nbsp;<a href="http://www.pbs.org/show/articulate/">Articulate</a>, an Emmy&reg; award-winning arts and culture show nationally syndicated on PBS. The&nbsp;segment &ldquo;Pictures of You&rdquo; explores how portraits are &ldquo;a lie that illustrates the truth.&rdquo; In the interview with Alexandra, she gives her professional insight into the unique relationship between artist and subject, highlighting the trust that the subject places in the artist.</p></div><div class='links in-text'><div class='file'><a href='http://www.pbs.org/video/3000448404/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Alexandra Tyng'
408                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b00e0709c0104b65e245f14a7641e1fe.jpeg'
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410                                                Alexandra Tyng
411                                              </h1><h2>Paragraphs on all Figure Paintings</h2><h3>2017</h3><div class='summary paragraph-styling'><p>When my grandparents retired they bought a farmhouse with the idea that it would be an ideal place for their children and grandchildren to gather. They commissioned my mother to design an addition to the house that became known as &ldquo;the ship&rdquo; because of its unusual shape. It was the first space frame ever built for living. Unfortunately it burned to the ground several years after my grandmother sold the house. Recently I became curious to find the spot where it used to be.&nbsp;</p><p>Linda Tracey Brandon is an imaginative realist painter working in oils and graphic media. She frequently writes about art&nbsp;<a href="http://lindatraceybrandon.com">lindatraceybrandon.com</a></p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595fa4fcfea8370157f8dfaa' target="_blank">Download PDF</a><a href='http://www.dowlingwalsh.com/wp-content/uploads/2017/05/ATyng_Statements.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eric Green'
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413
414                                                Eric Green
415                                              </h1><h2>Bernarducci Meisel</h2><h3>April 6-29, 2017</h3><div class='summary paragraph-styling'><p>Eric Green&rsquo;s work is currently&nbsp;featured in a group exhibition at Bernarducci Meisel Gallery titled &ldquo;Size Doesn&rsquo;t Matter&rdquo;. The exhibition is a survey of small works curated by Susan P. Meisel and will run through April 29, 2017. It includes three of Eric Green&rsquo;s Mirrored Room series.</p></div><div class='links in-text'><div class='file'><a href='http://www.bernarduccimeisel.com/current/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Barlett'
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417                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/7bd775448526dafed20f40d0c645cfb1.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/7bd775448526dafed20f40d0c645cfb1.jpeg 2x" ></div><div class='info'><h1>
418                                                Bo Barlett
419                                              </h1><h2>The American Life</h2><h3>March 2, 2017</h3><div class='summary paragraph-styling'><p>Bo Bartlett&rsquo;s current museum exhibition&nbsp;Bo Bartlett: American Artist&nbsp;at the Mennello Museum of American Art was reviewed by Hind Berji in Artborne Magazine. &ldquo;Bartlett&rsquo;s work-in all its anticipation and apprehension-is still nostalgic; it somehow reminds us of the thoroughly American childhood some of us never had, like the pile of leaves we never jumped into or the calm summer days we never truly enjoyed. It reminds us of optimism that is embedded in our cultural fabric and the sadness that accompanies it.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='https://artbornemagazine.com/the-american-life-of-bo-bartlett/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Sarah Mcrae Morton'
420                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ab60adeae1cc95898a51b95c9e3f71ee.jpeg'
421                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/ab60adeae1cc95898a51b95c9e3f71ee.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ab60adeae1cc95898a51b95c9e3f71ee.jpeg 2x" ></div><div class='info'><h1>
422                                                Sarah Mcrae Morton
423                                              </h1><h2>The Mountain Whale Review</h2><h3>February 21, 2017</h3><div class='summary paragraph-styling'><p>Sarah McRae Morton&rsquo;s current exhibition, The Mountain Whale at Red Raven Art Company in Pennsylvania was reviewed in Lancaster Online. &ldquo;Her canvases are filled with elements of history, imagination and romance, swirled together with a confidence reminiscent of the masters.&rdquo; The exhibition will&nbsp;be on view through the end of February.</p></div><div class='links in-text'><div class='file'><a href='http://lancasteronline.com/features/entertainment/sarah-mcrae-morton-s-annual-solo-show-at-red-raven/article_d60aa980-f85f-11e6-b256-e300612be4d6.html' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Joyce Tenneson'
424                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/581aa670945ea7e16e789a5dd1ee341b.jpeg'
425                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/581aa670945ea7e16e789a5dd1ee341b.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/581aa670945ea7e16e789a5dd1ee341b.jpeg 2x" ></div><div class='info'><h1>
425
426                                                Joyce Tenneson
427                                              </h1><h2>Maine Museum of Photographic Arts</h2><h3>February 16 - May 30, 2017</h3><div class='summary paragraph-styling'><p>The Maine Museum of Photographic Arts is presenting an exhibition of Joyce Tenneson&rsquo;s mixed media photography works. The exhibition, &ldquo;Joyce Tenneson&rsquo;s Maine: Gold Trees&rdquo; runs from February 16- May 30, 2017. There will be an Opening Reception on Thursday, February 16 from 6-8 pm and and Artist Talk on Thursday, May 11 from 6-8 pm.</p><p>&ldquo;Trees throughout history have inspired deep symbolic meaning in cultures around the world. The &ldquo;tree of life&rdquo; metaphor expresses the mystical concept that all forms of life are interconnected. When we stand with the trees, we feel we are part of them, and they are part of us. They give us a sense of belonging to the greater universe.&rdquo;</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett'
428                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/40eba29c15a4394ffc0bace130f753e7.jpeg'
429                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/40eba29c15a4394ffc0bace130f753e7.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/40eba29c15a4394ffc0bace130f753e7.jpeg 2x" ></div><div class='info'><h1>
430                                                Bo Bartlett
431                                              </h1><h2>The Mennello Museum</h2><h3>January 27 - May 7, 2017</h3><div class='summary paragraph-styling'><p>The Mennello Museum of American Art is presenting an exhibition of Bartlett&rsquo;s work titled, Bo Bartlett: American Artist. The exhibition opens January 27, 2017 and will be open through May 7, 2017. &ldquo;The exhibition present large-scale oil paintings that are figurative, psychologically imbued, beautifully rendered, and wonderfully sublime by one of the most significant Realist painters of his generation.&rdquo; In conjunction with this exhibition, the Orlando Museum of Art will present four additional major paintings&nbsp;by the artist.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Sarah Mcrae Morton'
432                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/42d07e9db98ad1ba8ac71dc531601694.jpeg'
433                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/42d07e9db98ad1ba8ac71dc531601694.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/42d07e9db98ad1ba8ac71dc531601694.jpeg 2x" ></div><div class='info'><h1>
434                                                Sarah Mcrae Morton
435                                              </h1><h2>Show Review</h2><h3>December 13, 2016</h3><div class='summary paragraph-styling'><p>Sarah McRae Morton&rsquo;s exhibition &ldquo;Mapping Stars at Noon&rdquo; was reviewed this week in The Seattle Times. Michael Upchurch writes, &ldquo;Morton&rsquo;s work is visionary, virtuosic and full of bewildering surprises. Her paintings are both rigorously composed and deliciously unhinged. The sheer energy she conveys on the canvas is a marvel.&rdquo;&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://www.seattletimes.com/entertainment/visual-arts/sarah-mcrae-mortons-painterly-talents-serve-her-vivid-dreamscapes-well/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eric Green'
436                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/d2c0a1c586ec6bf3d9b1e939c532b3de.jpeg'
437                                  ></div><div class='info'><h1>
437
438                                                Eric Green
439                                              </h1><h2>Artist, Poet &amp; Novelist</h2><h3>December 6, 2016</h3><div class='summary paragraph-styling'><p>Eric Green was recently interviewed by Jan Anders Nelson on his blog, Artist Interrupted. In an answer to the question by Nelsen, &ldquo;Why do you do what you do?&rdquo; Green says, &ldquo;I suppose I was compelled because of being overwhelmed by the poetry of being alive. I wanted to show others what I felt and saw.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='https://janandersnelson.wordpress.com/2016/12/06/eric-green-artist-poet-novelist/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eric Green'
440                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/8e4b2dea9ce03c3bbc629a6587c28cf7.jpeg'
441                                  ></div><div class='info'><h1>
442                                                Eric Green
443                                              </h1><h2>The Gettysburg Review</h2><h3>Winter 2016</h3><div class='summary paragraph-styling'><p>Eric Green&rsquo;s paintings were featured in the Winter issue of The Gettysburg Review.</p><p>Green&rsquo;s work, &ldquo;Pole&rdquo; 1994, Acrylic on panel 34&Prime; x 56&Prime; can be seen here on the cover.</p></div><div class='links in-text'><div class='file'><a href='http://www.gettysburgreview.com/html/portal/login.jsp?r=1498763456390' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes'
444                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/78950a628ab568c69ac854e203fce17c.jpeg'
445                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/78950a628ab568c69ac854e203fce17c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/78950a628ab568c69ac854e203fce17c.jpeg 2x" ></div><div class='info'><h1>
446                                                Connie Hayes
447                                              </h1><h2>Maine Thing Quarterly</h2><div class='summary paragraph-styling'><p>Connie Hayes was recently interviewed in the Art of Maine issue of Maine Thing Quarterly. &ldquo;When Connie Hayes says something is beautiful, it&rsquo;s not just an observation. It&rsquo;s a call to action. &ldquo;My process is to be astonished first,&rdquo; she explained. &ldquo;When I&rsquo;m astonished with the light, with the color, with the shape &ndash; the way the yellow is pulsating underneath something &ndash; that astonishment makes me itchy. My hands start to move. I&rsquo;m grabbing for paper.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='https://visitmaine.com/quarterly/arts/artists' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Scott Kelly'
448                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/393899ef6a2489aa9cb992790e1f5e6d.jpeg'
449                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/393899ef6a2489aa9cb992790e1f5e6d.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/393899ef6a2489aa9cb992790e1f5e6d.jpeg 2x" ></div><div class='info'><h1>
450                                                Scott Kelly
451                                              </h1><h2>Portland Museum of Art</h2><h3>October 15 - December 31, 2016</h3><div class='summary paragraph-styling'><p>Scott Kelley will be featured in the upcoming&nbsp;Of Whales in Paint: Rockwell Kent&rsquo;s Moby Dick, on view from October 15 through December 31, 2016. The installation, inspired by the PMA&rsquo;s recent acquisition of a Lakeside Press Rockwell Kent edition of the novel, will examine historic and contemporary artistic responses to Herman Melville&rsquo;s Moby Dick. The museum chose several of Kelley&rsquo;s paintings and scrimshaw pieces for the exhibition, as well as works by Jamie Wyeth, Frank Stella and Leonard Baskin.</p></div><div class='links in-text'><div class='file'><a href='http://www.portlandmuseum.org/exhibitions/whales-paint' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Scott Kelly'
452                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f732a273c967e5bc30b6a8be4608618c.jpeg'
453                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/f732a273c967e5bc30b6a8be4608618c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f732a273c967e5bc30b6a8be4608618c.jpeg 2x" ></div><div class='info'><h1>
453
454                                                Scott Kelly
455                                              </h1><h2>Artist Talk at the Portland Museum of Art</h2><h3>October 14, 2016</h3><div class='summary paragraph-styling'><p>SCOTT KELLEY will give a talk at the opening reception for OF WHALES IN PAINT at the PORTLAND MUSEUM OF ART on Friday, October 14th, beginning at 6:00 PM. Several of Mr. Kelley&rsquo;s works are included in the exhibition, along with works by Rockwell Kent, Jamie Wyeth, Leonard Baskin and others.&nbsp;Admission is free &ndash; we hope to see you there!</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jonathan Laurence'
456                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/0a7f5a7abec2bccf27bd21b7e3a2adcb.jpeg'
457                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/0a7f5a7abec2bccf27bd21b7e3a2adcb.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/0a7f5a7abec2bccf27bd21b7e3a2adcb.jpeg 2x" ></div><div class='info'><h1>
458                                                Jonathan Laurence
459                                              </h1><h2>Persistent Documentation</h2><div class='summary paragraph-styling'><p>Kate Murphy recently interviewed Jonathan Laurence for Frontrunner magazine. The conversation covers Jonathan&rsquo;s inspiration, travel, and his exhibition GLTCH at the Dowling Walsh Gallery.</p></div><div class='links in-text'><div class='file'><a href='http://www.frontrunnermagazine.com/jonathan-laurence/#sg1' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Vickery'
460                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c6a35091a7f43488d6e1b1fa34190861.jpeg'
461                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/c6a35091a7f43488d6e1b1fa34190861.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c6a35091a7f43488d6e1b1fa34190861.jpeg 2x" ></div><div class='info'><h1>
462                                                David Vickery
463                                              </h1><h2>The Poetry of Place</h2><div class='summary paragraph-styling'><p>The painter David Vickery explores space: outdoor, indoor, around, above, across, beyond. He is equally expert at representing the parlor and the panorama, the intimate and the out there.</p></div><div class='links in-text'><div class='file'><a href='http://www.islandjournal.com/article/david-vickery-the-poetry-of-place/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Van Campens'
464                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8e79e3d662083b427d921c956e989f98.jpeg'
465                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/8e79e3d662083b427d921c956e989f98.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8e79e3d662083b427d921c956e989f98.jpeg 2x" ></div><div class='info'><h1>
466                                                Van Campens
467                                              </h1><h2>When Art is a Family Affair</h2><h3>September 2, 2016</h3><div class='summary paragraph-styling'><p>The Van Campen family was featured in the December issue of Maine Boats, Homes &amp; Harbors in an article written by Ann Dodds Costello. Costello writes, &ldquo;Is a child whose parents are successful artists inclined to become an artist, and when this happens, why does it happen? Is it genetic or the result of being raised by artists in a home full of art?&rdquo; The article discusses Tim, Susan, and Greta Van Campen&rsquo;s backgrounds, various artistic practices, and influences.</p></div><div class='links in-text'><div class='file'><a href='http://maineboats.com/print/issue-147/island-life' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Alan Magee'
468                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/198beaac12557d6bddab152628aa0701.jpeg'
469                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/198beaac12557d6bddab152628aa0701.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/198beaac12557d6bddab152628aa0701.jpeg 2x" ></div><div class='info'><h1>
469
470                                                Alan Magee
471                                              </h1><h2>A Visual Artist Talks about Writers and Books</h2><h3>July 20, 2016</h3><div class='summary paragraph-styling'><p>Artist Alan Magee, who lives in Cushing, will speak at the Waldoboro Public Library on Wednesday, July 20, at 7 p.m. Magee will discuss the influence of literature on his work.</p></div><div class='links in-text'><div class='file'><a href='http://www.freepressonline.com/Content/Login/-9?ReturnUrl=%2fContent%2f-bull-Book-Reviews-Literary-Events%2fBook-Reviews-Literary-Events%2fArticle%2fAlan-Magee-A-Visual-Artist-Talks-About-Writers-and-Books%2f42%2f64%2f46693' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes Art Review'
472                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ad0975e661e5e8c0419fdc1d33637a95.jpeg'
473                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/ad0975e661e5e8c0419fdc1d33637a95.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ad0975e661e5e8c0419fdc1d33637a95.jpeg 2x" ></div><div class='info'><h1>
474                                                Connie Hayes Art Review
475                                              </h1><h2>Connie Hayes Reimagined in Italy</h2><h3>June 12, 2016</h3><div class='summary paragraph-styling'><p>Connie Hayes is one of Maine&rsquo;s best-known painters. She was born in Gardiner and now lives and works in Rockland. Through the &rsquo;80s, she held administrative and teaching posts at Maine College of Art. In the &rsquo;90s she lived in New York City. Her work has been extremely popular: Greenhut Galleries sold many hundreds of her paintings in the past and Dowling Walsh does very well with her now.&nbsp;Her work is familiar. Yet, Hayes&rsquo; large exhibition of new works at Dowling Walsh, &ldquo;New Work From Italy,&rdquo; caught me by surprise.</p></div><div class='links in-text'><div class='file'><a href='http://www.pressherald.com/2016/06/12/connie-hayes-reimagined-in-italy/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett: The Intermediary'
476                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a1dc3d0d8486bcfba3e7f9440e57f73f.jpeg'
477                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/a1dc3d0d8486bcfba3e7f9440e57f73f.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a1dc3d0d8486bcfba3e7f9440e57f73f.jpeg 2x" ></div><div class='info'><h1>
478                                                Bo Bartlett: The Intermediary
479                                              </h1><h2>Huffington Post</h2><h3>June 20, 2016</h3><div class='summary paragraph-styling'><p>In early 1991, art critic Roberta Smith looked over Bo Bartlett&rsquo;s painting God&mdash;a sweeping image of a black man, poised in front of a sweeping coastal horizon, wrapped in a quilt&mdash;and came slightly unglued. In her New York Times review of the exhibition she later wrote of the piece: &ldquo;As consciousness raising, this is fairly simple-minded. As history painting, it&rsquo;s idiotic.&rdquo;&nbsp;In the same column, Smith also dings Bartlett for his &ldquo;conservative&rdquo; artistic style (realism), dismissing his paintings as being &ldquo;more trendy than timeless.&rdquo; Smith&rsquo;s comments, which generated a domino effect of subsequent negative reviews&mdash;by Peter Schjeldahl, Michael Kimmelman and others&mdash;re-shaped the arc of Bartlett&rsquo;s career.</p></div><div class='links in-text'><div class='file'><a href='http://www.huffingtonpost.com/entry/bo-bartlett-the-intermediary_us_5761b3a2e4b07d4d0a419b2d' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Alexandra Tyng'
480                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/06bb2718e2d1342a83b1bc19f5a86176.jpeg'
481                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/06bb2718e2d1342a83b1bc19f5a86176.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/06bb2718e2d1342a83b1bc19f5a86176.jpeg 2x" ></div><div class='info'><h1>
481
482                                                Alexandra Tyng
483                                              </h1><h2>Jet Streams</h2><h3>June 2016</h3><div class='summary paragraph-styling'><p>Alexandra Tyng&rsquo;s painting, Jet Streams, will be the cover art for &ldquo;Art of Acadia&rdquo; (June 2016,) the new book by brothers David and Carl Little. Jet Streams will also be part of Acadia National Park&rsquo;s Centennial celebration in an exhibit at the Mount Desert Island Biological Laboratories this summer.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Photographer Joyce Tenneson'
484                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f8a97fdb4957abab5dc790f0534d0702.jpeg'
485                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/f8a97fdb4957abab5dc790f0534d0702.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f8a97fdb4957abab5dc790f0534d0702.jpeg 2x" ></div><div class='info'><h1>
486                                                Photographer Joyce Tenneson
487                                              </h1><h2>Lecture at UNM</h2><h3>April 22, 2016</h3><div class='summary paragraph-styling'><p>Joyce Tenneson, renowned photographer, presents a lecture at the&nbsp;UNM Center for the Arts&nbsp;in room 2018 on Friday, April 22 at 5:15 p.m.&nbsp; The lecture is sponsored by the UNM Department of Art and Art History. For more information, contact the UNM Center for the Arts at (505) 277-2112 or at&nbsp;[email protected]&nbsp;or visit&nbsp;Joyce Tenneson.</p></div><div class='links in-text'><div class='file'><a href='http://news.unm.edu/news/photographer-joyce-tenneson-to-present-lecture-at-unm' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eric Green in Nyc'
488                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a61efa9c26fa6608cf97899ea8ed5b83.jpeg'
489                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/a61efa9c26fa6608cf97899ea8ed5b83.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a61efa9c26fa6608cf97899ea8ed5b83.jpeg 2x" ></div><div class='info'><h1>
490                                                Eric Green in Nyc
491                                              </h1><h2>AMERINGER | MCENERY | YOHE</h2><h3>April 21 - May 21, 2016</h3><div class='summary paragraph-styling'><p>Featured on The Paris Review Blog:&nbsp;<a href="https://www.theparisreview.org/blog/2016/04/25/time-diptychs-mirrored-rooms/">http://www.theparisreview.org/blog/2016/04/25/time-diptychs-mirrored-rooms/.</a></p></div><div class='links in-text'><div class='file'><a href='http://www.amy-nyc.com/exhibitions/eric-green' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Sailor, Apprentice Shipwright and Artist - James Dodds'
492                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5c2ec35bfd83ab5c964d41b376d614fe.jpeg'
493                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5c2ec35bfd83ab5c964d41b376d614fe.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5c2ec35bfd83ab5c964d41b376d614fe.jpeg 2x" ></div><div class='info'><h1>
494                                                Sailor, Apprentice Shipwright and Artist - James Dodds
495                                              </h1><h2>Fuses his passions as he pays tribute to Bermuda at Messum&#039;s</h2><h3>April 5, 2016</h3><div class='summary paragraph-styling'><p>&ldquo;James Dodds&rsquo; pictures look as though they&rsquo;ve been created with the use of an adze, a caulking mallet and a rip saw, but that&rsquo;s not surprising when you discover that these were the tools he once wielded as a shipwright before ever he picked up a paintbrush.&rdquo;</p><p>These words from Yachting Monthly journalist Dick Durham give as good an insight as any into the former merchant sailor and apprentice shipwright whose latest exhibition of oils, some on wood, others on linen, opens at Messum&rsquo;s in Cork Street, Mayfair on April 5.</p></div><div class='links in-text'><div class='file'><a href='http://www.kcwtoday.co.uk/event/sailor-apprentice-shipwright-and-artist-james-dodds-fuses-his-passions-as-he-pays-tribute-to-bermuda-at-messums/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='The Elliot Show'
496                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/9dadf35fa3ba9d0c8cae8a46b1d8359e.jpeg'
497                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/9dadf35fa3ba9d0c8cae8a46b1d8359e.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/9dadf35fa3ba9d0c8cae8a46b1d8359e.jpeg 2x" ></div><div class='info'><h1>
497
498                                                The Elliot Show
499                                              </h1><h2>opens at Firecat Projects in Chicago</h2><h3>March 25 - April 16, 2016</h3><div class='summary paragraph-styling'><p>Eleven-year-old outsider artist, Elliot, has been creating socially poignant and conscience work in his hometown of Portland, Oregon. His&nbsp;youth affords him a fresh perspective without the constraints of a traditional artistic background. Elliot is a self-taught artist with an innate&nbsp;vision. Each piece is as much about the subject as it is about the creative act itself. He interlaces authentic subjects and genuine forms with&nbsp;supernatural themes. As an emerging artist, his visionary perspective is worth close attention.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Interview with Connie Hayes'
500                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f1f9f688efffb2033554745600a96d8e.jpeg'
501                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/f1f9f688efffb2033554745600a96d8e.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f1f9f688efffb2033554745600a96d8e.jpeg 2x" ></div><div class='info'><h1>
502                                                Interview with Connie Hayes
503                                              </h1><h3>February 29, 2016</h3><div class='summary paragraph-styling'><p>Larry Groff recently interviewed&nbsp;Connie Hayes&nbsp;for Painting Perceptions, a&nbsp;blog that serves as a&nbsp;vehicle for artists to present and discuss their ideas and work through interview format. &nbsp;He was fortunate to meet Connie last summer in Civita Castellana, Italy and was curious to find out more about her new body of work.&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://paintingperceptions.com/interview-with-connie-hayes/' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/scott-kelley'><img itemprop="image" alt='Scott Kelley'
504                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e43e3d22d127f9596f1fa382a3bea7fc.png'
505                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e43e3d22d127f9596f1fa382a3bea7fc.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e43e3d22d127f9596f1fa382a3bea7fc.png 2x" ></a></div><div class='info'><h1><a href='/news/scott-kelley'>
506                                                Scott Kelley
507                        </a></h1><h2>The Portland Museum of Art</h2><h3>January 21, 2016</h3><div class='summary paragraph-styling'><p>Congratulations to Scott Kelley! Scott&rsquo;s Self-Portrait as Ishmael&rsquo;s Arm is going to be included in the upcoming inaugural exhibition of the new museum configuration, MASTERWORKS ON PAPER &ndash; Highlights from the Portland Museum of Art, which opens on Thursday, January 21. His work is also featured in the first volume their permanent collection, called: THE COLLECTION &ndash; Highlights From The Portland Museum of Art.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jacob and Alissa Hessler'
508                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/efb3d95ac4555a360d4c80505214d2f5.png'
509                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/efb3d95ac4555a360d4c80505214d2f5.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/efb3d95ac4555a360d4c80505214d2f5.png 2x" ></div><div class='info'><h1>
509
510                                                Jacob and Alissa Hessler
511                                              </h1><h2>7 Tips to building a creative community</h2><div class='summary paragraph-styling'><p>Jacob and&nbsp;Alissa Hessler are a husband-and-wife creative team who run a boutique creative studio in the wilds of coastal Maine while teaching modern landscape photography around the United States.&nbsp; B&amp;H Photo Video recently talked to the pair to get their thoughts on building a creative community.&nbsp;&nbsp;</p></div><div class='links in-text'><div class='file'><a href='https://www.bhphotovideo.com/explora/photography/tips-and-solutions/7-tips-building-creative-community-jacob-and-alissa-hessler' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Fields and Tyng'
512                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4e0ec21aea6f1f40489b695c878f4531.jpeg'
513                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/4e0ec21aea6f1f40489b695c878f4531.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/4e0ec21aea6f1f40489b695c878f4531.jpeg 2x" ></div><div class='info'><h1>
514                                                Fields and Tyng
515                                              </h1><h2>50 Memorable Painters</h2><h3>2015</h3><div class='summary paragraph-styling'><p>Shawn Fields&nbsp;and&nbsp;Alexandra Tyng&nbsp;are listed as two of the 50 Memorable Painters, as curated by John Seed and Didi Melendez, 2015 edition.&nbsp;</p></div><div class='links in-text'><div class='file'><a href='https://www.poetsandartists.com' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Holiday Gift Guide'
516                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/1bac73371d0e765925731cb738255538.jpeg'
517                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/1bac73371d0e765925731cb738255538.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/1bac73371d0e765925731cb738255538.jpeg 2x" ></div><div class='info'><h1>
518                                                Holiday Gift Guide
519                                              </h1><div class='summary paragraph-styling'><p>Great Selections for the Holiday Season with 20% Off List Price and Complimentary Shipping Through December 20, 2015.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cmca-at-dowling-walsh-gallery'><img itemprop="image" alt='CMCA at Dowling Walsh Gallery'
520                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/64caebaea934d1256b62969fe04081d3.png'
521                                  ></a></div><div class='info'><h1><a href='/news/cmca-at-dowling-walsh-gallery'>
522                                                CMCA at Dowling Walsh Gallery
523                        </a></h1><h2>“Pairings: Selections from the Bruce Brown Photography Collection,”</h2><h3>November 6 – December 19, 2015</h3><div class='summary paragraph-styling'><p>As part of the year-long Maine Photo Project, CMCA, in conjunction with The University of Maine Museum of Art (UMMA) in Bangor, is presenting a two-part exhibition celebrating one of Maine&rsquo;s most significant photography collectors.&nbsp;Bruce Brown, CMCA&rsquo;s curator emeritus, began collecting photography in earnest in 2000. Since then, Brown&rsquo;s passion for the discipline and its practitioners has resulted in an extensive collection of photographs taken by those residing in Maine and those inspired by the state&rsquo;s unique, creative sense of place.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Elizabeth Fox Show Reviewed'
524                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c65f02fec53f2a43eb8c602d04e19d96.jpeg'
525                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/c65f02fec53f2a43eb8c602d04e19d96.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c65f02fec53f2a43eb8c602d04e19d96.jpeg 2x" ></div><div class='info'><h1>
525
526                                                Elizabeth Fox Show Reviewed
527                                              </h1><h2>Le Mal de Mer</h2><h3>November 2015</h3><div class='summary paragraph-styling'><p>There is a diaspora underway in the national art culture. Artists, for a variety of reasons, are migrating to regions where a kinder quality of life may be found. They seek an economic equation that affords artists their most coveted luxury, time in the studio. These migrations are creating some interesting cross-pollination of ideas and Maine is a beneficiary of this trend. The paintings of Elizabeth Fox import to Maine some welcome characteristics from her former home in New Orleans. They have also absorbed and reflect back imagery acquired in her new home in Standish, Maine. She paints the mundane world around her as if she imagined it, dreamed it.</p></div><div class='links in-text'><div class='file'><a href='http://thechart.me/dreamlike-spirituality-elizabeth-fox-paintings/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Alexandra Tyng'
528                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e1f0f1d7238c5a0e255eb4a5225ce841.jpeg'
529                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e1f0f1d7238c5a0e255eb4a5225ce841.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e1f0f1d7238c5a0e255eb4a5225ce841.jpeg 2x" ></div><div class='info'><h1>
530                                                Alexandra Tyng
531                                              </h1><h2>Pleinair Magazine</h2><h3>October - November 2015</h3><div class='summary paragraph-styling'><p>Whether studying aerial views from a plane, painting from a model, or working directly from nature, this Philadelphia artist establishes a reason to paint something. For her, there has to be a theme or an idea worth exploring.</p></div><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/2013/04/2015_PAM_ALEXANDRA-TYNG.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Anna B. Mccoy in the Free Press'
532                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a938f6b4b743e6259caf1ba1524a79f9.jpeg'
533                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/a938f6b4b743e6259caf1ba1524a79f9.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a938f6b4b743e6259caf1ba1524a79f9.jpeg 2x" ></div><div class='info'><h1>
534                                                Anna B. Mccoy in the Free Press
535                                              </h1><h2>The Paintings of Anna B. McCoy</h2><h3>September 16, 2015</h3><div class='summary paragraph-styling'><p>&nbsp;Her re-invention of a type of painting popularized by Rembrandt and the Dutch Baroque &mdash; the &ldquo;tronie&rdquo; &mdash; is far more than an antiquarian enterprise in this age of &ldquo;selfies.&rdquo; McCoy&rsquo;s paintings of friends and family recall the long tradition of such explorations of the human psyche &mdash; from Leonardo&rsquo;s late-in-life self-portrait drawing to Rembrandt&rsquo;s etchings of himself from youthful blade to weary old age. More recent artists have portrayed themselves in their work &mdash; David Hockney, Chuck Close, Andy Warhol, Cindy Sherman &mdash; and Elizabeth Peyton paints small-scale heads of friends and celebrities. McCoy&rsquo;s approach, however, is uniquely her own, and &ldquo;Dandelion Puff,&rdquo; for example, exhibits an endearing, self-deprecating humor, tinged with intimations of mortality, comparing her own tightly curled hair not just to the ubiquitous flower, bane of bourgeois suburban lawns, but to its final, fragile state of impending dissolution just one breath away.</p></div><div class='links in-text'><div class='file'>
535<a href='http://www.freepressonline.com/Content/Login/-9?ReturnUrl=%2fContent%2fArt%2fArt%2fArticle%2fThe-Paintings-of-Anna-B-McCoy%2f61%2f172%2f41222' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cig-harvey'><img itemprop="image" alt='Cig Harvey'
536                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/15d0c6c848f058791f4f6a637e3ad118.jpeg'
537                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/15d0c6c848f058791f4f6a637e3ad118.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/15d0c6c848f058791f4f6a637e3ad118.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/cig-harvey'>
538                                                Cig Harvey
539                        </a></h1><h2>The Telegraph</h2><h3>September 10, 2015</h3><div class='summary paragraph-styling'><p>When photographer&nbsp;Cig Harvey&nbsp;points her camera at her family, she creates magic. Familiar domestic environments are gently manipulated to lend a sense of the surreal. A gently blowing curtain obscures a kneeling figure; light becomes fairy dust and a hot tub is filled with limitless silver light.&nbsp;Published as &lsquo;Gardening at Night&rsquo;, the photographs are designed with a narrative in mind. &ldquo;Light, colour, frame and format are purely in service of the story,&rdquo; the Maine-based artist tells me.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jesse Gillespie Show Reviewed'
540                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/7eaa124f50e20032deb41a43da32ba2a.jpeg'
541                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/7eaa124f50e20032deb41a43da32ba2a.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/7eaa124f50e20032deb41a43da32ba2a.jpeg 2x" ></div><div class='info'><h1>
542                                                Jesse Gillespie Show Reviewed
543                                              </h1><h2>The Free Press</h2><h3>September 9, 2015</h3><div class='summary paragraph-styling'><p>At what point does realism become unreal? Can we still speak of representation if an artwork actually incorporates its subject? How much does beauty depend on recognition?&nbsp;Questions like these pop up while wandering through&nbsp;Jesse Gillespie&rsquo;s first show at Rockland&rsquo;s Dowling Walsh Gallery. In basic terms, the artist mounts ordinary, found objects on panels and paints the entire piece with layers of acrylic medium and oil paint to achieve a very selective, muted palette. Most artists who work with found objects value them for their history. Gillespie erases that history, making the objects universal and timeless.&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://freepressonline.com/Content/Columnists/-art-current/Article/art-current-Jesse-Gillespie-at-Dowling-Walsh-Gallery/50/268/41091' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett Center Reception'
544                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/177611edb7b46088e3a2e19ad125279b.jpeg'
545                                  ></div><div class='info'><h1>
546                                                Bo Bartlett Center Reception
547                                              </h1><h2>Dowling Walsh Gallery</h2><h3>August 8, 2015</h3><div class='summary paragraph-styling'><p>JOIN US FOR AN EVENING WITH BO BARTLETT&nbsp;and learn about the exciting plans, vision and mission of The Bo Bartlett Center&nbsp;in Columbus, Georgia, from Bo Bartlett and the Center&rsquo;s Executive Director and Board Members.</p></div><div class='links in-text'><div class='file'><a href='https://coa.columbusstate.edu/thebobartlettcenter/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Representing the Estate of Stephen Pace'
548                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e7b61cecc5dfca9c02378183db7eb6b6.jpeg'
549                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e7b61cecc5dfca9c02378183db7eb6b6.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e7b61cecc5dfca9c02378183db7eb6b6.jpeg 2x" ></div><div class='info'><h1>
549
550                                                Representing the Estate of Stephen Pace
551                                              </h1><h2>(1918-2010) in Maine</h2><h3>June 5, 2015</h3><div class='summary paragraph-styling'><p>Dowling Walsh Gallery is pleased to announce representation of the Estate of Stephen Pace (1918-2010) in Maine. Stephen Pace is known for his abstract expressionist paintings, which over time evolved into an exuberant broad-brush representational style of scenes from his surroundings in Maine.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Tollef in Maine Boats, Homes &amp;amp; Harbors'
552                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/d1623e9a467fc93b0b3057c9a91aa63a.jpeg'
553                                  ></div><div class='info'><h1>
554                                                Tollef in Maine Boats, Homes &amp; Harbors
555                                              </h1><h2>A Painter Follows His Bliss</h2><h3>May 2015</h3><div class='summary paragraph-styling'><p>An excerpt: &ldquo;One feels with Runquist that he is fearless when it comes to making art&hellip; he is not afraid of making mistakes &ndash; indeed, he often leaves them in. At the same time, if he starts to feel too comfortable with a painting or finds himself getting nervous about making a mistake, he will &ldquo;throw some paint at it&rdquo; to break the spell and make for a more dynamic image.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/2015/03/MBHHIssue134-TollefRunquist.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jonathan Laurence Exhibition'
556                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/21ac138b95e0d43e279e983efed3a67b.jpeg'
557                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/21ac138b95e0d43e279e983efed3a67b.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/21ac138b95e0d43e279e983efed3a67b.jpeg 2x" ></div><div class='info'><h1>
558                                                Jonathan Laurence Exhibition
559                                              </h1><h2>Selected Memories</h2><h3>April 24 – May 23, 2015</h3><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='April Sale'
560                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/29a6005c800eaa3c1a068f89ce1fda60.jpeg'
561                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/29a6005c800eaa3c1a068f89ce1fda60.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/29a6005c800eaa3c1a068f89ce1fda60.jpeg 2x" ></div><div class='info'><h1>
562                                                April Sale
563                                              </h1><h3>April 1, 2015 – April 30, 2015</h3><div class='summary paragraph-styling'><p>Dowling Walsh Gallery will be hosting a sale of artwork from a private collection offered at a significant value&nbsp;for the month of April.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/artist-workshops'><img itemprop="image" alt='Artist Workshops'
564                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2852945cb8c4fc1e26f0b4d54a8b4a27.jpeg'
565                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/2852945cb8c4fc1e26f0b4d54a8b4a27.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2852945cb8c4fc1e26f0b4d54a8b4a27.jpeg 2x" ></a></div><div class='info'><h1>
565<a href='/news/artist-workshops'>
566                                                Artist Workshops
567                        </a></h1><h2>Connie Hayes, Tollef Runquist, Susan Van Campen and more</h2><h3>2015</h3><div class='summary paragraph-styling'><p>Many of the artists we represent are teaching workshops this summer. Treat yourself to a class.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett Interview and Video'
568                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/6f9708101a8e4fd92749217c9b7b0cfe.jpeg'
569                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/6f9708101a8e4fd92749217c9b7b0cfe.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/6f9708101a8e4fd92749217c9b7b0cfe.jpeg 2x" ></div><div class='info'><h1>
570                                                Bo Bartlett Interview and Video
571                                              </h1><h3>January 3, 2015</h3><div class='summary paragraph-styling'><p>Bo Bartlett was interviewed in the Columbus Ledger Inquirer with an online video accompanying the article.</p><p>&lsquo;If I don&rsquo;t have one big painting going, I feel like I am not sure why I am alive.&rsquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.ledger-enquirer.com/news/local/article29380507.html' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Colin Page'
572                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f4b530da5e95ebe00bf6c970b4cabfc7.jpeg'
573                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/f4b530da5e95ebe00bf6c970b4cabfc7.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f4b530da5e95ebe00bf6c970b4cabfc7.jpeg 2x" ></div><div class='info'><h1>
574                                                Colin Page
575                                              </h1><h2>Artists on Art, “Change of Perspective”</h2><h3>January 2015</h3><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595fd6bbfea8377f60f8dfaa' target="_blank">Download PDF</a><a href='https://www.artists-on-art.com' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/fotomentor-award'><img itemprop="image" alt='FOTOmentor Award'
576                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d2760080aae36c9c1823a040832b462c.jpeg'
577                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/d2760080aae36c9c1823a040832b462c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d2760080aae36c9c1823a040832b462c.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/fotomentor-award'>
578                                                FOTOmentor Award
579                        </a></h1><h2>Palm Beach Photographic Center</h2><h3>2015</h3><div class='summary paragraph-styling'><p>Each year, the Palm Beach Photographic Centre (PBPC) Awards Committee selects a photographer to receive the FOTOmentor Award in honor of his/her lifetime achievements in the world of photography. The award is presented along with other prestigious awards at the Annual FOTOFusion Awards Dinner.&nbsp;Internationally lauded as one of the leading photographers of her generation, Joyce Tenneson is the&nbsp;2015 FOTOmentor. Her work has been published in books and major magazines, and exhibited in museums and galleries worldwide.&nbsp;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Vickery Cover'
580                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/15b0d2d42cb994f08dcdcbb232818bef.jpeg'
581                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/15b0d2d42cb994f08dcdcbb232818bef.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/15b0d2d42cb994f08dcdcbb232818bef.jpeg 2x" ></div><div class='info'><h1>
581
582                                                David Vickery Cover
583                                              </h1><h2>The Gettysburg Review</h2><h3>Winter 2014</h3><div class='summary paragraph-styling'><p>David Vickery&rsquo;s painting, Monhegan Mowers, is on the cover of the Winter 2014&nbsp;issue of The Gettysburg Review. An interior feature includes five other paintings:&nbsp;<em>Island Line,&nbsp;Dormer,&nbsp;Wheelbarrow, Monhegan,&nbsp;Staircase</em>,&nbsp;and&nbsp;<em>January First.</em></p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595fd8b5a63311492bd6fda2' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eric Hopkins Artist Talk'
584                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/d7a93d2bc2c201462fdef97d70ad0f3f.jpeg'
585                                  ></div><div class='info'><h1>
586                                                Eric Hopkins Artist Talk
587                                              </h1><h2>Eric Hopkins Talking Art in Maine with Jane Dahmen</h2><h3>November 6, 2014</h3><div class='summary paragraph-styling'><p>A visual presentation and conversation reflecting on Eric&rsquo;s vision of Nature, Art, Science, Philosophy, Matter and Spirit.</p><p>Lincoln Theater, 2 Theater Street, Damariscotta &ndash;&nbsp;<a href="http://www.lcct.org/talking-art-in-maine-intimate-conversations-eric-hopkins-maine-theater-ev709.aspx">
587www.atthelincoln.org</a>&nbsp;or 207-563-3424&nbsp;</p><p>&nbsp;</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey Cover'
588                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/2c0d7eea9690662c2b604e9fe517df10.jpeg'
589                                  ></div><div class='info'><h1>
590                                                Cig Harvey Cover
591                                              </h1><h2>PRO Photographer magazine</h2><h3>November 2014</h3><div class='summary paragraph-styling'><p>Cig Harvey&rsquo;s photograph is on the cover of PRO Photographer magazine, with a full feature article inside.</p><p>&ldquo;Cig Harvey&rsquo;s deceptively simple photographs tap into the universal elements of the human experience: love, loss, longing and belonging. She&rsquo;s in demand for editorial and commercial work&mdash;as well as her for her fine art prints and books.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/2014/10/Cig-Harvey-in-Pro-Photographer-Magazine.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey'
592                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/692db496e41a84df6f0a8c6b224a40df.jpeg'
593                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/692db496e41a84df6f0a8c6b224a40df.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/692db496e41a84df6f0a8c6b224a40df.jpeg 2x" ></div><div class='info'><h1>
594                                                Cig Harvey
595                                              </h1><h2>Speaking at PhotoPlus Expo in NYC</h2><h3>October 31, 2014</h3><div class='summary paragraph-styling'><p>
595Cig Harvey will be speaking at PhotoPlus Expo in NYC this Friday, 31st Oct at 10:15am. Come by to hear her seminar, &ldquo;Turning Ideas Into Pictures: A Personal Story.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.photoplusexpo.com' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eric Green in the Penbay Pilot'
596                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/f609409773470ea0d37db939a13f51cc.jpeg'
597                                  ></div><div class='info'><h1>
598                                                Eric Green in the Penbay Pilot
599                                              </h1><h2>Time Diptychs</h2><h3>September 22, 2014</h3><div class='summary paragraph-styling'><p>Eric Green&rsquo;s current show of Time Diptychs was reviewed in the Penobscot Bay Pilot.</p><p>&ldquo;The concept of a diptych of two images joined to make one is a very old concept,&rdquo; said Green. &ldquo;The way I balance the two images is to show changes from one panel to the other, because when you really begin to understand life, everything changes completely all the time. Nothing is ever the same again.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.penbaypilot.com/article/sad-beauty-time-passing-reflects-artist-eric-green-s-latest-drawings/40844#.VCCMSdly_rY.facebook' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Sarah Mcrae Morton Reviewed'
600                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/dc290bea8062472567d0323d094737f7.jpeg'
601                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/dc290bea8062472567d0323d094737f7.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/dc290bea8062472567d0323d094737f7.jpeg 2x" ></div><div class='info'><h1>
602                                                Sarah Mcrae Morton Reviewed
603                                              </h1><h2>“The Impossible Sight of a Ship”</h2><h3>September 21, 2014</h3><div class='summary paragraph-styling'><p>Sarah McRae Morton&rsquo;s current show at Dowling Walsh, &ldquo;The Impossible Sight of a Ship&rdquo;, was well reviewed in the Portland Press Herald today.</p><p>&ldquo;It is every bit as compelling as it is alarming.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.pressherald.com/2014/09/21/sarah-mcrae-mortons-painterly-dreamscapes/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes Workshop in Italy'
604                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/402bdf2af19b105dc45cd1d21cfa163f.jpeg'
605                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/402bdf2af19b105dc45cd1d21cfa163f.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/402bdf2af19b105dc45cd1d21cfa163f.jpeg 2x" ></div><div class='info'><h1>
606                                                Connie Hayes Workshop in Italy
607                                              </h1><h2>“Borrowed Views”</h2><h3>July 14 - August 4, 2014</h3><div class='summary paragraph-styling'><p>Connie Hayes has been named to the Faculty of the JSS in Civita Summer Art School &amp; Residency in Italy.&nbsp;She will teach an intense, three-week course, titled &ldquo;Borrowed Views,&rdquo; for artists who have tried painting on location, and seriously want to improve their process, skill and, results.&nbsp;Civita Castellana is an ancient and picturesque city with about sixteen thousand inhabitants located forty miles north of Rome, in the district of Northern Lazio.&nbsp; The region, with its many attractions, has provided subjects for many painters, including Corot, Ingres, and Turner.</p></div><div class='links in-text'><div class='file'><a href='https://jssincivita.com/connie-hayes/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Tour With Scott Kelley at the Portland Museum'
608                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/416145f80527b37f7747533ceaafb74d.jpeg'
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609
610                                                Tour With Scott Kelley at the Portland Museum
611                                              </h1><h3>July 11, 2014</h3><div class='summary paragraph-styling'><p>Scott Kelley will lead a gallery tour as part of the Portland Museum of Art&rsquo;s Artist Intervention Series on Friday, July 11th, from 5:00 &ndash; 7:00 PM. The artist will focus upon some of the lesser-known works in the museums collection, including paintings by early American portraitist John Brewster, Jr., Hudson River School painter Frederick Church, Winslow Homer, Marsden Hartley and others. Admission is free, and you can find more information by visiting the museum website at&nbsp;<a href="http://www.portlandmuseum.org">portlandmuseum.org</a>, or visit the artists Facebook page at&nbsp;<a href="https://www.facebook.com/Scott-Kelley-Studio-96682848316/">https://www.facebook.com/pages/Scott-Kelley-Studio/96682848316.</a></p></div><div class='links in-text'><div class='file'><a href='http://www.portlandmuseum.org/exhibitions/whales-paint' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eric Hopkins'
612                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/03043a5667f514a1a78f014822fa6903.jpeg'
613                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/03043a5667f514a1a78f014822fa6903.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/03043a5667f514a1a78f014822fa6903.jpeg 2x" ></div><div class='info'><h1>
614                                                Eric Hopkins
615                                              </h1><h2>Maine Boats, Homes &amp; Harbors</h2><h3>July 2014</h3><div class='summary paragraph-styling'><p>Eric Hopkins has written an article for Maine Boats, Homes &amp; Harbors Magazine,&nbsp;July 2014 edition, &ldquo;Illusions of Grandeur,&nbsp;Adventures in a Boston Whaler shaped n artist&rsquo;s world vision.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://maineboats.com/print/issue-130/myboat-myharbor' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jacob Hessler Workshop, Maine Media'
616                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e22cf254c63caeb48fc3cbdf6fced1e0.jpeg'
617                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e22cf254c63caeb48fc3cbdf6fced1e0.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e22cf254c63caeb48fc3cbdf6fced1e0.jpeg 2x" ></div><div class='info'><h1>
618                                                Jacob Hessler Workshop, Maine Media
619                                              </h1><h2>The Quiet Landscape: Beyond the Picture Postcard</h2><h3>June 15 - June 21, 2014</h3><div class='summary paragraph-styling'><p>Challenge yourself to see Maine with a fresh perspective.</p><p>Maine has long been a photographer&rsquo;s paradise. From season to season, the landscapes change dramatically and offer many visual delights. This workshop will challenge photographers to see their environment through fresh eyes, using Maine as the backdrop. We will look beyond clich&eacute;s, extract the tranquility and discover exciting new ways to photograph the world around us.</p></div><div class='links in-text'><div class='file'><a href='http://www.mainemedia.edu/workshops/photography/quiet-landscape-beyond-picture-postcard' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes Artist Talk Now Online'
620                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a7325e1fd1d418986a80a53d613b3581.jpeg'
621                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/a7325e1fd1d418986a80a53d613b3581.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/a7325e1fd1d418986a80a53d613b3581.jpeg 2x" ></div><div class='info'><h1>
621
622                                                Connie Hayes Artist Talk Now Online
623                                              </h1><h2>What is Teachable and Learnable about Painting?</h2><h3>June 7, 2014</h3><div class='summary paragraph-styling'><p>We are now able to share Connie&rsquo;s artist talk at the Rockland Strand on June 7, 2014. Her topic springs from people asking why she has not taught for a long time and why she decided to teach this summer in Italy. Connie shows images of her own art from childhood, student days and current work in conjunction with her exhibit at the Dowling Walsh Gallery. She talks about various ways to learn and teach that exist in schools, colleges, museums, workshops, copying masters, self taught artists, apprenticeships, etc.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='An interview with Alexandra Tyng'
624                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/932bf1acfd9c38f3d047455bc65f7b6f.jpeg'
625                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/932bf1acfd9c38f3d047455bc65f7b6f.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/932bf1acfd9c38f3d047455bc65f7b6f.jpeg 2x" ></div><div class='info'><h1>
626                                                An interview with Alexandra Tyng
627                                              </h1><h2>Legacy and Self-Determination: An Interview with Alexandra Tyng by Elana Hagler</h2><h3>June 2, 2014</h3><div class='summary paragraph-styling'><p>An excerpt: &ldquo;My figurative work is the most personal of all my work. It&rsquo;s where I allow myself to explore ideas that interest me and really get deeply into them. The scenes come out of my imagination and, because they did not actually happen, the events and people are not bound by time. Sometimes in a single painting I&rsquo;ll put two figures that are really one person at two different ages, or several figures that lived a hundred years apart. I like it to look as if it were actually happening, or could have happened, so it&rsquo;s important to me to get the perspective and lighting and viewpoint consistent. It&rsquo;s all in the service of the concept.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://paintingperceptions.com/legacy-and-self-determination-an-interview-with-alexandra-tyng/' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/greta-van-campen'><img itemprop="image" alt='Greta Van Campen'
628                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/462dd8be01e10abe027bc829afcbcde1.jpeg'
629                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/462dd8be01e10abe027bc829afcbcde1.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/462dd8be01e10abe027bc829afcbcde1.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/greta-van-campen'>
630                                                Greta Van Campen
631                        </a></h1><h2>The Free Press</h2><h3>May 22, 2014</h3><div class='summary paragraph-styling'><p>When confronted with the beauty of Maine&rsquo;s coast, most painters, whether working plein-air or in the studio, respond with loaded brushes and an impressionistic style that well captures atmospheric conditions and light reflections. Not so Greta Van Campen. The young midcoast native has developed a style of her own that is all flat, angular planes and smoothly applied paint. At least at first glance.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/power-of-the-image'><img itemprop="image" alt='Power of the Image'
632                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/3dc8e0a4325da9427618ec364e030e15.jpeg'
633                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/3dc8e0a4325da9427618ec364e030e15.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/3dc8e0a4325da9427618ec364e030e15.jpeg 2x" ></a></div><div class='info'><h1>
633<a href='/news/power-of-the-image'>
634                                                Power of the Image
635                        </a></h1><h2>Joyce Tenneson Exhibition in Beijing’s Temple of Heaven</h2><h3>April 25, 2014</h3><div class='summary paragraph-styling'><p>On April 25th, Beijing&rsquo;s Temple of Heaven will become the site of one of the most memorable exhibitions of its kind &ndash; The Power of the Image. The exhibition will feature more than 200 works by 20 internationally-renowned professional photographers, including&nbsp;Pep Bonet,&nbsp;Michael Crouser,&nbsp;Lauren Greenfield,&nbsp;Peter Guttman,&nbsp;Jocelyn Bain Hogg,&nbsp;Nadav Kander,&nbsp;Frederic LaGrange,&nbsp;Yann Layma,&nbsp;Roman Loranc,&nbsp;Gerd Ludwig,&nbsp;Steve McCurry,&nbsp;Eric Meola,&nbsp;Sylvia Plachy,&nbsp;John Sexton,&nbsp;Matthew Jordan Smith,&nbsp;Eddie Soloway,&nbsp;Art Streiber,&nbsp;Joyce Tenneson,&nbsp;Art Wolfe&nbsp;and&nbsp;Qin Yuhai.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/greta-van-campen2'><img itemprop="image" alt='Greta Van Campen'
636                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/fa65399c21a5e48be6aa09d5141355ef.jpeg'
637                                  ></a></div><div class='info'><h1><a href='/news/greta-van-campen2'>
638                                                Greta Van Campen
639                        </a></h1><h2>Penobscot Bay Pilot’s Behind the Slides</h2><h3>April 18, 2014</h3><div class='summary paragraph-styling'><p>In the fall of 2010, I left my teaching job in Chicago and moved back to Maine. I wanted to focus more on my art, but wasn&rsquo;t really sure how to do that. A friend of mine told me about people raising money through Kickstarter. I decided to try it and called my project &ldquo;Greta Paints America.&rdquo; I wanted to visit all 50 states and paint along the way.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Graeme Baker on Cornell&#039;s Epoch'
640                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/cbdd4d75b4ac30a8492dfae593a4e4f1.jpeg'
641                                  ></div><div class='info'><h1>
642                                                David Graeme Baker on Cornell&#039;s Epoch
643                                              </h1><div class='summary paragraph-styling'><p>David Graeme Baker&lsquo;s painting,&nbsp;Vacationland,&nbsp;graces the cover of Cornell University&rsquo;s Literary magazine, EPOCH, in the current issue.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595fe590a63311602ed6fda1' target="_blank">Download PDF</a><a href='http://english.cornell.edu' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Guy Taplin in Wall Street International Magazine'
644                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5fab22b237c4a295315e1f377eab10f2.jpeg'
645                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5fab22b237c4a295315e1f377eab10f2.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5fab22b237c4a295315e1f377eab10f2.jpeg 2x" ></div><div class='info'><h1>
646                                                Guy Taplin in Wall Street International Magazine
647                                              </h1><h2>Review of Messum’s exhibition</h2><h3>November 5, 2013</h3><div class='summary paragraph-styling'><p>&ldquo;Guy Taplin&rsquo;s work is now instantly recognisable. Evolving from a combination of nature&rsquo;s accidents and his own eye for the comic grace of his subject matter, each of his &lsquo;birds&rsquo; is a rare creature. Scouring the shoreline near his home, Guy gathers washed-up driftwoo
647d, boat parts and other flotsam, which most of us would overlook (or even avoid), but to Guy, spell pure inspiration.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://wsimag.com/art/5896-robina-jack-guy-taplin-and-nancy-taplin#.UnlRMSRTAbA' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Joyce Tenneson'
648                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c906aee167648e6b78ddfd0e925950c2.png'
649                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/c906aee167648e6b78ddfd0e925950c2.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/c906aee167648e6b78ddfd0e925950c2.png 2x" ></div><div class='info'><h1>
650                                                Joyce Tenneson
651                                              </h1><h2>Maine Home + Design</h2><h3>November 2013</h3><div class='summary paragraph-styling'><p>As with my people portraits, I seek to reveal, in a single frame, the complex lives of trees&mdash;including their hardships and tragedies.&rdquo; Floating against a background of hand-applied gold leaf, individual trees or groups of them are portrayed in an often hazy atmosphere of uncertain depth. Some of the trees spread their crowns protectively, some are misshapen by natural or human force, while others seem to exude an aura of kindly authority, and still others appear bent by sadness. Referencing the ancient use of gold in sacred imagery, Tenneson&rsquo;s photographs possess the aura of icons and project an undeniable mystery.</p></div><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/2013/11/MHD_Nov2013_Tenneson.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett: SEE'
652                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/596dd3d0d0da27bc60a6a276861e71f3.jpeg'
653                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/596dd3d0d0da27bc60a6a276861e71f3.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/596dd3d0d0da27bc60a6a276861e71f3.jpeg 2x" ></div><div class='info'><h1>
654                                                Bo Bartlett: SEE
655                                              </h1><h2>Camden Film Festival</h2><h3>September 2013</h3><div class='summary paragraph-styling'><p>Artists Bo Bartlett and Betsy Eby set off to make a film about seeing. They travel the country stumbling upon art sites, characters and luminaries. But then the unexpected happens sending their adventure into unforeseen territory. And the clear becomes unclear. The visible world, a strain to see. A moving meditation, SEE, delivers the beauty of America through the eyes of two artists determined to see art in the everyday. The movie invites us to open our eyes anew and see the beauty and wonder in the world around us.</p></div><div class='links in-text'><div class='file'><a href='http://camdenfilmfest.festivalgenius.com/2013/films/see_bobartlett_camdenfilmfest2013' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett in The Huffington Post'
656                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/2847bccabe1e6d87fec88ce6fc116850.jpeg'
657                                  ></div><div class='info'><h1>
658                                                Bo Bartlett in The Huffington Post
659                                              </h1><h2>“Love and Other Sacraments” Review + Interview</h2><h3>July 2013</h3><div class='summary paragraph-styling'><p>&ldquo;You have said that: &ldquo;True artists seek the truth at all costs.&rdquo; What kinds of truths are you seeking in your most recent works?</p><p>I want to make paintings like I&rsquo;ve never seen before. The current show in Maine has two distinct bodies of work. Both represent fields that I feel are somewhat unex
659plored. The figure paintings, many of my wife, painter Betsy Eby, posing with her friends, are intimate portraits. I know what I&rsquo;m doing. And I&rsquo;m well aware that they are dancing on an edge. They could easily be considered decadent, lewd and immoral from the right side of the aisle and patriarchal, misogynistic and sexist from the left.</p></div><div class='links in-text'><div class='file'><a href='http://www.huffingtonpost.com/john-seed/bo-bartlett_b_3595973.html' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Susan Van Campen'
660                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ed73cefa1a83403ca6eca1aef9c5876c.jpeg'
661                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/ed73cefa1a83403ca6eca1aef9c5876c.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/ed73cefa1a83403ca6eca1aef9c5876c.jpeg 2x" ></div><div class='info'><h1>
662                                                Susan Van Campen
663                                              </h1><h2>Wall Street International</h2><h3>June 2013</h3><div class='summary paragraph-styling'><p>Susan Headley Van Campen&rsquo;s June 2013 show of watercolors at Hirschl &amp; Adler was reviewed by Wall Street International.</p><p>Both artist and naturalist, Susan Van Campen draws her inspiration from the world out of doors &ndash; from the sloping fields unfolding outside her window and from the shapes and shades of the flowers that she herself has tended. Nature is her subject and she is keenly aware that it is fleeting and ever-changing.&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/2014/01/WSI-Susan-Van-Campen.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes Selected for Vermont Fellowship'
664                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/fd891e8d8b396ca1ca991472c01ee2aa.jpeg'
665                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/fd891e8d8b396ca1ca991472c01ee2aa.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/fd891e8d8b396ca1ca991472c01ee2aa.jpeg 2x" ></div><div class='info'><h1>
666                                                Connie Hayes Selected for Vermont Fellowship
667                                              </h1><div class='summary paragraph-styling'><p>Connie Hayes&nbsp;was named a Fellow at the Vermont Studio Center, where she will join a select group of artists and writers in the month of April for intensive exploration within a dynamic culture of creativity across several disciplines.&nbsp;The&nbsp;Vermont Studio Center&nbsp;was founded nearly three decades ago&nbsp;in the town of Johnson&nbsp;to offer stimulation and opportunity among peers established in their careers. &nbsp;In addition to the Fellows, several students also attend the residency program at the Center. &nbsp;
667Connie will be joining an illustrious list of many celebrated writers and painters among Fellows who have participated over the years.</p></div><div class='links in-text'><div class='file'><a href='http://vermontstudiocenter.org' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Greta Van Campen'
668                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5125c53a578b25c2e7b2f02682868b60.jpeg'
669                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5125c53a578b25c2e7b2f02682868b60.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5125c53a578b25c2e7b2f02682868b60.jpeg 2x" ></div><div class='info'><h1>
670                                                Greta Van Campen
671                                              </h1><h2>Western Art &amp; Architecture</h2><h3>April - May 2013</h3><div class='summary paragraph-styling'><p>The work of Maine-based artist Greta Van Campen provides an interesting counterpoint to that of Stinson and Kitchel. Although Van Campen&rsquo;s work also draws on the great Western tradition of exploration, she approaches the subject as both a young painter and as a non-Westerner. Where Stinson and Kitchel know the region intimately, Van Campen is viewing it with fresh eyes &mdash; and usually from behind the wheel of a car. Over the course of two years encompassing six trips to each of the 50 states, Van Campen traveled by plane, train and automobile, logging 50,000 miles on her car, sending sketches to her 86 sponsors, bartering art- work for mechanical repairs and adopting a puppy along the way.&nbsp;</p></div><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/Seeing-All-Sides-AprilMay13-.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Maine Home + Design Art issue'
672                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/fc9677aed98354bf60eb19d2d926edc8.png'
673                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/fc9677aed98354bf60eb19d2d926edc8.png 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/fc9677aed98354bf60eb19d2d926edc8.png 2x" ></div><div class='info'><h1>
674                                                Maine Home + Design Art issue
675                                              </h1><h2>featuring gallery artists Scott Kelley, Alan Magee and Joyce Tenneson</h2><h3>April 2013</h3><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/MH+D_April2013-Art-Issue.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Vickery'
676                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f5512b815109977768a4de01cef98e71.jpeg'
677                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/f5512b815109977768a4de01cef98e71.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/f5512b815109977768a4de01cef98e71.jpeg 2x" ></div><div class='info'><h1>
678                                                David Vickery
679                                              </h1><h2>Maine Home + Design</h2><h3>April 2013</h3><div class='summary paragraph-styling'><p>David Vickery was featured in Carl Little&rsquo;s article, &ldquo;Painter &amp; Place: No Getting Over Monhegan&rdquo;, in the April 2013 Maine Home + Design. In the article, Carl remarks that David has &ldquo;embraced a style that he has come to call &lsquo;precise realism&rsquo;: a close reading of motifs, including architectural subjects that often have a psychological edge.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='https://mainehomedesign.com/the-canvas/2069-painter-a-place-katahdin-stonington-and-mon
679hegan/' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/shiloh-s-collection-by-tollef-runquist'><img itemprop="image" alt='Shiloh&#039;s Collection by Tollef Runquist'
680                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2da73a41e5aee98127b7f4011111487a.jpeg'
681                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/2da73a41e5aee98127b7f4011111487a.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/2da73a41e5aee98127b7f4011111487a.jpeg 2x" ></a></div><div class='info'><h1><a href='/news/shiloh-s-collection-by-tollef-runquist'>
682                                                Shiloh&#039;s Collection by Tollef Runquist
683                        </a></h1><h2>Ok Harris Gallery in New York</h2><h3>March 2013</h3><div class='summary paragraph-styling'><p>Tollef Runquist&nbsp;will be exhibiting his new painting series, &ldquo;Shiloh&rsquo;s Collection&rdquo; at OK Harris Gallery in New York this March 2013.&nbsp;OK Harris Gallery was established by Ivan C. Karp in 1969. Early in his career, Karp was a pioneer of the pop art scene, instrumental in launching the careers of Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, and Claes Oldenburg. OK Harris Gallery was the first gallery on West Broadway in SoHo, and was at the forefront of contemporary art and photo realism. OK Harris remains dedicated to exhibiting the most significant artwork of today.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Graeme Baker and Scott Kelley'
684                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b9c859eebe8a318edae2d6fd1bc2b9c7.jpeg'
685                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/b9c859eebe8a318edae2d6fd1bc2b9c7.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b9c859eebe8a318edae2d6fd1bc2b9c7.jpeg 2x" ></div><div class='info'><h1>
686                                                David Graeme Baker and Scott Kelley
687                                              </h1><h2>Maine Home + Design, &quot;The Canvas&quot;</h2><h3>March 2013</h3><div class='links in-text'><div class='file'><a href='http://www.dowlingwalsh.com/wp-content/uploads/March20132.pdf' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey Chicago Exhibition'
688                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/cc3130f24bd25291003b81576ba84876.jpeg'
689                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/cc3130f24bd25291003b81576ba84876.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/cc3130f24bd25291003b81576ba84876.jpeg 2x" ></div><div class='info'><h1>
690                                                Cig Harvey Chicago Exhibition
691                                              </h1><h2>Firecat studio</h2><h3>February 22 – March 23, 2013</h3><div class='summary paragraph-styling'><p>Cig Harvey&nbsp;will be exhibiting her work at&nbsp;Firecat&nbsp;studio in Chicago from February 22 &ndash; March 23, 2013. Join us there on Friday, February 22 for a book signing at 5pm and the opening reception from 7 to 10pm.</p><p>&nbsp;</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595ff426fea8379a66f8dfaa' target="_blank">Download PDF</a><a href='https://www.firecatprojects.org' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bo-bartlett-center-announcement'><img itemprop="image" alt='Bo Bartlett Center Announcement'
692                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8f4f962f21ef570a31afef0930c54268.jpeg'
693                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/8f4f962f21ef570a31afef0930c54268.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/8f4f962f21ef570a31afef0930c54268.jpeg 2x" ></a></div><div class='info'><h1>
693<a href='/news/bo-bartlett-center-announcement'>
694                                                Bo Bartlett Center Announcement
695                        </a></h1><h2>David Houston, first Director of Bo Bartlett Center</h2><h3>February 1, 2013</h3><div class='summary paragraph-styling'><p>David Houston, director of curatorial at Crystal Bridges Museum of American Art in Bentonville, Arkansas, will be moving to Georgia to spearhead the opening of The Bo Bartlett Center at Columbus State University&rsquo;s College of the Arts in downtown Columbus.&nbsp;University officials have been planning for this day since 2004, when&nbsp;Bo Bartlett, a PEW fellow and one of today&rsquo;s foremost American painters, agreed to help Columbus State University establish, in his hometown, a permanent gallery and learning center with a focus on contemporary art. The Bo Bartlett Center will house the largest single holding of Bartlett&rsquo;s paintings, including several grand scale works such as the iconic &ldquo;Leviathan.&rdquo;</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Designing Benches Exhibition'
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697                                  ></div><div class='info'><h1>
698                                                Designing Benches Exhibition
699                                              </h1><h3>January 25 – April 17, 2013</h3><div class='summary paragraph-styling'><p>Designing Benches: Farnsworth Competition Finalists&nbsp;opens at the Messler Gallery of the&nbsp;Center for Furniture Craftsmanship&nbsp;on Friday, January 25, 2013. Join us there for the opening reception from 5-7pm.</p><p>Designing Benches&nbsp;showcases the top fifteen entries in a design competition co-sponsored by the&nbsp;Farnsworth Museum&nbsp;and the Center for Furniture Craftsmanship. The challenge was to design new gallery benches for the Farnsworth. In all, 44 entrants submitted 73 designs.</p><p>Visitors to the Messler Gallery may &ldquo;test drive&rdquo; the benches, while viewing a concurrent exhibition of seating themed Maine paintings. Participating arts include Dowling Walsh Gallery artists Stephen Hodecker, Anna B. McCoy, John W. McCoy, Connie Hayes, David Vickery, and Tollef Runquist. Preview their work here:&nbsp;/private-viewing/bench-exhibit.</p><p>The Messler Gallery is located on the campus of the Center for Furniture Craftsmanship, at the corner of Route 90 and Mill Street in Rockport, Maine. Gallery hours are 9am-5pm, Monday through Friday and 10am-4pm Saturday. Exhibit runs January 25 &ndash; April 17, 2013.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Graeme Baker Article'
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702                                                David Graeme Baker Article
703                                              </h1><h2>Artists on Art, “Beyond Observation”</h2><div class='summary paragraph-styling'><p>David Graeme Baker&nbsp;has written an article for&nbsp;Artists on Art&nbsp;magazine, which is featured in this quarter&rsquo;s issue.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595ff291a633114e31d6fda1' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Introducing Eric Hopkins'
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705                                  ></div><div class='info'><h1>
705
706                                                Introducing Eric Hopkins
707                                              </h1><div class='summary paragraph-styling'><p>We are pleased to announce, Dowling Walsh Gallery is now formally representing the work of Eric Hopkins. Eric will have a solo exhibition at the gallery, summer of 2014.</p><p>Eric is a graduate of Rhode Island School of Design and has taught at Haystack Mountain School of Crafts and Pilchuck Glass School. He has exhibited at the Farnsworth Art Museum, Portland Museum of Art, Center for Maine Contemporary Art, Waterfall Arts Center, University of Maine Museum of Art, and a number of galleries nationally.&nbsp;Eric&rsquo;s paintings and glass are held in many private and public collections, including the Farnsworth Art Museum, Portland Museum of Art, Bates College Museum of Art, University of Southern Maine, Corning Museum of Glass, Wustum Museum of Fine Arts, and the U.S. Department of State Art in Embassies: Bahamas, Pakistan, Philippines, and the West Indies.&nbsp;Eric will be dedicating more of his time to traveling and painting America&rsquo;s national parks and western landscape.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Introducing Eric Green'
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710                                                Introducing Eric Green
711                                              </h1><div class='summary paragraph-styling'><p>We are pleased to announce, Eric Green of Belfast, Maine is now represented by Dowling Walsh Gallery. Eric will have a solo show at the gallery in 2014.&nbsp;Eric Green received a full scholarship from RISD at the age of sixteen. After attending the school for a week, he left to ride freights across the country, spending four years on the road. In the years since, he has become accomplished author and artist.</p><p>&ldquo;My intent with the birds is to portray them formally, as if they were 19th century portraits and the birds wanted to look their best. I also pay attention to the expression to bring out a personality. As I learned from human portraits, if the eyes are drawn a bit larger than life, it gives a more meaningful look. The birds can be seen as guardians of an unspoiled world; I invent the backgrounds, which all interconnect through their horizons, and exclude anything man-made.&rdquo;</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey in the British Sunday Times'
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714                                                Cig Harvey in the British Sunday Times
715                                              </h1><h3>November 25, 2012</h3><div class='summary paragraph-styling'><p>Cig Harvey was featured in the British Sunday Times for her honor as a top ten candidate for the international photography prize for women, the Prix Virginia.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595ff6d0a633110e32d6fda1' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Camden Library Benefit Show'
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717
718                                                Camden Library Benefit Show
719                                              </h1><h2>Tollef Runquist</h2><h3>November 10, 2012</h3><div class='summary paragraph-styling'><p>Tollef Runquist will be exhibiting his new work in a benefit show for the Camden Public Library. The proceeds from this show will directly benefit creative programs at the library.</p><p>Please join us for an opening reception with the artist on Saturday, November 10th at 2pm in the Jean Picker Room at the Camden Public Library, 55 Main Street, Camden, ME 04843.</p><p>The exhibit will be open during regular library hours through November.</p></div><div class='links in-text'><div class='file'><a href='http://www.camden.lib.me.us' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey in PDN Magazine'
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722                                                Cig Harvey in PDN Magazine
723                                              </h1><h3>November 2012</h3><div class='summary paragraph-styling'><p>Cig Harvey&rsquo;s&nbsp;You Look at Me Like An Emergency, is the subject of an in-depth review in PDN magazine&rsquo;s November 2012 issue, and her photograph,&nbsp;White Witch Moth,&nbsp;is the striking cover image.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595ff975a63311c632d6fda1' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Greta Van Campen in the Camden Herald'
724                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/d68ee5ce36923cf188993cbc0d096eb8.jpeg'
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726                                                Greta Van Campen in the Camden Herald
727                                              </h1><h3>October 10, 2012</h3><div class='summary paragraph-styling'><p>October 10, 2012 &ndash;&nbsp;Greta Van Campen&nbsp;was interviewed by The Courier-Gazette and The Camden Herald in conjunction with her show &ldquo;Painting America,&rdquo; on view at Dowling Walsh Gallery until November 12.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jacobus Baas in Maine Home + Design'
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730                                                Jacobus Baas in Maine Home + Design
731                                              </h1><h3>October 2012</h3><div class='summary paragraph-styling'><p>Jacobus Baas is feature in Maine Home + Design magazine&rsquo;s October 2012 issue. In the article, &ldquo;Basic Landscape, Exquisitely Refined&rdquo; by Britta Konau, Baas is highlighted along with Lois Dodd and Martha Burkert.</p><p>&ldquo;Baas is always searching for what he considers &lsquo;natural beauty that people might miss in their rush through everyday life,&rsquo; playing particular attention to how light strikes surfaces. His compositions are condensed into just a few elements, imbuing the images with a sense of serenity&hellip; Baas&rsquo;s brushwork too seems to abbreviate nature into feathery forms.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595ffa39a63311e532d6fda1' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Alexandra Tyng in American Arts Quarterly'
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733
734                                                Alexandra Tyng in American Arts Quarterly
735                                              </h1><h2>&quot;The Thoughtful Art of Alexandra Tyng&quot;</h2><h3>Fall 2012</h3><div class='summary paragraph-styling'><p>Words that come to mind when thinking about the art of Alexandra Tyng: intelligence, knowledge and talent; or perhaps independence, perception and determination. Tyng, 58, stands out among contemporary representational painters for her comprehensive grasp of art history, and for the inquiring mind that infuses her compositions. A mature artist at the top of her game, she knows what she wants&mdash;and how to achieve it in paint. Tyng reached her current confident, accomplished style by unconventional means, shunning art school and bucking the tide of Abstract Expressionism in the 1970s by becoming a realist painter.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Graeme Baker'
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738                                                David Graeme Baker
739                                              </h1><h2>Review in the Free Press</h2><h3>September 20, 2012</h3><div class='summary paragraph-styling'><p>David Graeme Baker&rsquo;s sold out exhibition at Dowling Walsh Gallery received high praise in The Free Press review by Britta Konau.</p><p>An excerpt: &ldquo;Baker is practicing a masterful economy of painterly attention. Faces can be precisely detailed, but other areas thinly painted and only loosely descriptive, just articulated enough to be believable. The viewer thus receives just what is needed to complete the image in our eyes and the story in our mind&hellip; His intensely staged and choreographed scenarios project stillness and suspension of time when change is exactly their theme, evoking archetypes of emotional development. Composition, lighting, colors, placement of the figures &ndash; all seems very controlled, in keeping with the careful execution of the work.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://freepressonline.com/Content/Login/-9?ReturnUrl=%2fContent%2fDownload-the-current-issue-as-a-pdf%2fColumnists-strange%2fArticle%2fart-current-David-Graeme-Baker-at-Dowling-Walsh-Gallery%2f93%2f72%2f21798' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='David Vickery interview in Maine Art Scene'
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742                                                David Vickery interview in Maine Art Scene
743                                              </h1><h3>September 17, 2012</h3><div class='summary paragraph-styling'><p>An excerpt:&nbsp;</p><p><em>Tell us something about your work.</em><br />
744It&rsquo;s precise realism, or naturalism, of local scenes and interiors with an eye to contemporary relevance and a connection between the natural and man-made.</p><p><em>What&rsquo;s the best part of being a full time, working artist?</em><br />
745Being able to do what I want, keep my own hours, pursue personal, eccentric ideas and have the resulting work appreciated.</p></div><div class='links in-text'><div class='file'><a href='http://www.maineartscene.com' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='James Dodd&#039;s Book Signing'
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747
748                                                James Dodd&#039;s Book Signing
749                                              </h1><div class='summary paragraph-styling'><p><em>Paintings and linocuts of boats, boatmaking and shipyards</em><br />
750September 7 &ndash; September 29, 2012</p><p><em>Join us for a series of special events for James Dodds from England:</em></p><p><em>Artist talk and book signing</em><br />
751Tonight, Saturday, September 8, 4pm</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Scott Kelley Featured in American Art Collector'
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754                                                Scott Kelley Featured in American Art Collector
755                                              </h1><h3>August 2012</h3><div class='summary paragraph-styling'><p>Scott Kelley&lsquo;s show, WHALE, currently on exhibit at Dowling Walsh Gallery, was featured in the American Art Collector&rsquo;s August 2012 issue.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/595ffda9a63311d333d6fda1' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey in Aesthetica Magazine'
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758                                                Cig Harvey in Aesthetica Magazine
759                                              </h1><h3>August/September 2012</h3><div class='summary paragraph-styling'><p>Cig Harvey&nbsp;was featured in a wonderful 12 page spread in Aesthetica, the cutting edge European art and culture magazine, for their August/September 2012 issue.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes Video Available Online'
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762                                                Connie Hayes Video Available Online
763                                              </h1><h2>“Photography as Sketchbook: Exploring Gesture”</h2><h3>July 6 – July 29, 2012</h3><div class='summary paragraph-styling'><p>Connie Hayes&lsquo;s artist talk is now available online! The illustrated talk, &ldquo;Photography as Sketchbook: Exploring Gesture&rdquo;, was given Tuesday, July 17, 2012 at The Strand Theater in Rockland, Maine.</p><p>Painting and photography have long been richly intertwined. In her talk, Connie describes how and why she uses photography in her process; photography&rsquo;s relation to her paintings; and the power and limitation of the camera and other optical devices.</p><p>In conjunction with Connie Hayes exhibition, &ldquo;Abandon, Absorption, and Entrancement,&rdquo; at Dowling Walsh Gallery from July 6 &ndash; July 29, 2012.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Rob Pollen&#039;s Show Reviewed by the Free Press'
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765
766                                                Rob Pollen&#039;s Show Reviewed by the Free Press
767                                              </h1><h3>July 20, 2012</h3><div class='summary paragraph-styling'><p>Rob Pollien&rsquo;s current exhibit at Dowling Walsh received high praise in The Free Press&rsquo;s review by Britta Konau.</p><p>An excerpt: &ldquo;Pollien&rsquo;s work has an edge to it that is in keeping with the raw forces of nature his paintings capture. They are full of inner drama. None of the paintings seem to have come easily to Pollien, which I consider the hallmark of a deeply self-reflective and utterly serious artist. These paintings introduce us to a kind of beauty that goes far beyond what is visible to the eye.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.freepressonline.com/Content/Login/-9?ReturnUrl=%2fContent%2fDownload-the-current-issue-as-a-pdf%2fColumnists-strange%2fArticle%2fart-current-Robert-Pollien-at-Dowling-Walsh-Gallery%2f93%2f72%2f20046' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Special Exhibition Preview with Marpeau'
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770                                                Special Exhibition Preview with Marpeau
771                                              </h1><h3>July 20</h3><div class='summary paragraph-styling'><p>Join us&nbsp;JULY 20th, 5 &ndash; 8 PM&nbsp;for a special preview of the exhibition and an evening with the artist, Anne Emmanuelle Marpeau from France&rsquo;s Breton coast.</p><p>Anne-Emmanuelle Marpeau calls her artworks ex-votos. Literally translated as &ldquo;from the vow made,&rdquo; ex-votos were traditionally placed in churches to seek grace or give thanks. Marpeau&rsquo;s pieces are offerings, story boxes, telling tales of events gone past, and of events imagined. Look into these boxes closely. You will see people working and celebrating life. They show life on the coast in the days before gasoline and electricity. They show that the way of the sea was hazardous&mdash;and still is. You will see models being sailed, dories and peapods being rowed, boat builders, fishermen, lighthouse keepers, lifesaving crews, and families.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes Artist Talk'
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774                                                Connie Hayes Artist Talk
775                                              </h1><h2>“Photography as Sketchbook: Exploring Gesture”</h2><h3>July 17</h3><div class='summary paragraph-styling'><p>Connie Hayes&nbsp;will give an illustrated talk, &ldquo;Photography as Sketchbook: Exploring Gesture&rdquo;, at 4pm, Tuesday, July 17 at The Strand Theater, 345 Main Street, Rockland, ME, one block from the Gallery. Painting and photography have long been richly intertwined. Connie will describe how and why she uses photography in her process; photography&rsquo;s relation to her paintings; and the power and limitation of the camera and other optical devices.</p><p>The talk is free and open to the public. Connie Hayes will be at the gallery after the talk to answer any additional questions. The gallery will be open until 6pm after the talk.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Hayes and Tenneson Opening'
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777
778                                                Hayes and Tenneson Opening
779                                              </h1><h3>July 6</h3><div class='summary paragraph-styling'><p>Hayes&rsquo;s new work examines portraits, people and interactions with continued emphasis on color and gesture.</p><p>Tenneson&rsquo;s new work fuses photographs with gold, combining film from the high-tech present with the ancient craft of gold leaf. The exhibition of mixed media tree images transports the viewer to new realms, inspiring them to see the natural world in new and surprising ways.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Connie Hayes Show Reviewed'
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781                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/e0bb9cc86d6e64aeea88206b64c97c35.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/e0bb9cc86d6e64aeea88206b64c97c35.jpeg 2x" ></div><div class='info'><h1>
782                                                Connie Hayes Show Reviewed
783                                              </h1><h3>July 2012</h3><div class='summary paragraph-styling'><p>Connie Hayes&lsquo;s show, &ldquo;Abandon, Absorption, and Entrancement,&rdquo; was reviewed in&nbsp;Fine Art Connoisseur&nbsp;magazine and&nbsp;American Art Collector&nbsp;magazine this month.</p><p>An excerpt from Fine Art Connoisseur magazine&rsquo;s August 2012 article,&nbsp;&ldquo;Hayes has indeed been watching closely as the children around her interact with each other and with adults. Occasionally unnerving but always compellingly composed and expertly crafted, these canvases evoke Porter in a darker mood, the pulsing energy of Eric Fischl&rsquo;s adult scenes, and the not-always-flattering insights delivered by Jack Beal and Alice Neel. Though these were clearly made by the same hand that has given us so many years of landscapes and interiors, there is a different energy here. It will be fascinating to see what Maine&rsquo;s children, and collectors, make of them this summer.&rdquo;&nbsp;To download a full copy of the article, click here:&nbsp;Connie Hayes Fine Art Connoisseur.</p><p>An excerpt from American Art Collector magazine&rsquo;s July 2012 article,&nbsp;&ldquo;What Hayes saw when observing these children was an ability to become completely absorbed in a moment &ndash; whether it be while eating, playing or reading&hellip;&rdquo;&nbsp;To download a full copy of the article, click here:&nbsp;Connie Hayes American Art Collector.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/59401639dca837907fd444a7/News/596000ffa633113e34d6fda1' target="_blank">Download PDF</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey&#039;s Book Review by Photo-eye'
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785                                  ></div><div class='info'><h1>
786                                                Cig Harvey&#039;s Book Review by Photo-eye
787                                              </h1><h3>June 18, 2012</h3><div class='summary paragraph-styling'><p>An excerpt: &ldquo;The roles enacted throughout&nbsp;Emergency&nbsp;are quotidian meditations, common and remarkably graceful in their introspection&hellip;&nbsp;Through words and pictures Harvey has recorded an imaginative epic of unknowing, discovery, and deepening.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://blog.photoeye.com/2012/06/photo-eye-book-reviews-you-look-at-me.html' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey Interview with Lenscratch'
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789
790                                                Cig Harvey Interview with Lenscratch
791                                              </h1><h3>June 15, 2012</h3><div class='summary paragraph-styling'><p>LENSCRATCH&rsquo;s interview&nbsp;with&nbsp;Cig Harvey&nbsp;came out today! The blogzine delves into Cig&rsquo;s inspirations, creative process, her new book and upcoming projects.</p><p>Story telling has always been the primary inspiration for my pictures. I&nbsp;am big into the discipline of art and try to always make work even when I&nbsp;don&rsquo;t feel like it. I put my secrets, hopes and concerns in my work. The&nbsp;subject matter and formal concerns of color, light and frame has always&nbsp;been the device to get to the story itself. I want my photographs to be a&nbsp;jolt. &nbsp;They explore a magic in the world while having one foot very much&nbsp;placed in reality.</p></div><div class='links in-text'><div class='file'><a href='http://lenscratch.com/2012/06/interview-with-cig-harvey-you-look-at/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey&#039;s Book Release'
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794                                                Cig Harvey&#039;s Book Release
795                                              </h1><h3>June 1, 2012</h3><div class='summary paragraph-styling'><p>Cig Harvey&rsquo;s YOU LOOK AT ME LIKE AN EMERGENCY is a visual autobiography exploring the photographer&rsquo;s central relationships over the course of more than a decade. Through rich, vibrant photographs and startlingly revealing writing, Cig transforms quotidian experiences that reference time and place, creating totems that mark key moments in her life.&nbsp;As much a map of one woman&rsquo;s emotional life as it is a catalog of psychological archetypes, YOU&nbsp;LOOK&nbsp;AT&nbsp;ME&nbsp;LIKE&nbsp;AN&nbsp;EMERGENCY takes the viewer on a literal and metaphorical journey that deals with rejection, hope, indecision, strength, loss, and love to finally find a place called home. In seventy-four gorgeously colored photographs and seventeen personally written vignettes, EMERGENCY&nbsp;conveys the universal quest for personal identity and place in the world.</p></div><div class='links in-text'><div class='file'><a href='https://vimeo.com/40190947?utm_source=Jim+Dow%3A+Book+signing+and+artist+talk&amp;utm_campaign=Dow+Book+Signing%2FGallery+Talk&amp;utm_medium=email' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey Book Signing'
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797                                  ></div><div class='info'><h1>
798                                                Cig Harvey Book Signing
799                                              </h1><h3>June 1, 2012</h3><div class='summary paragraph-styling'><p>Join us tonight for our art openings and book release party!</p><p>Cig Harvey&nbsp;will be signing books for the official release of&nbsp;<em>You Look At Me Like An Emergency</em>&nbsp;from 5-7pm, Friday, June 1.&nbsp;<em>You Look At Me Like An Emergency</em>&nbsp;is a visual autobiography through seventy-four luminous photographs and startlingly honest writing. As much a map of one woman&rsquo;s emotional life as it is a catalog of psychological archetypes,&nbsp;<em>You Look At Me Like An Emergency</em>&nbsp;takes the viewer on a literal and metaphorical journey that deals with rejection, hope, strength, loss and love to finally find a place called home.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='James Dodds in Coast Magazine'
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801                                  ></div><div class='info'><h1>
801
802                                                James Dodds in Coast Magazine
803                                              </h1><h3>June 2012</h3><div class='summary paragraph-styling'><p>James Dodds was featured in the June 2012 issue of the UK&rsquo;s select&nbsp;Coast&nbsp;magazine.</p><p>In the article, Dodds talks about the inception of the boat paintings he has become famous for. &ldquo;The boats came about because about ten years ago I was offered a big show &hellip; and had the lovely opportunity of a big space to fill. I had this problematic painting that was full of all the troubles of my life, and I painted a big boat over the top of it. I let go of all the justifications of my earlier paintings, and it was so enjoyable. It said all the things I wanted to say. and it brought the two sides of my life &ndash; boat builder and painter &ndash; together. It felt like coming home.&rdquo;</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Rodney Hunt Artist Talk'
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806                                                Rodney Hunt Artist Talk
807                                              </h1><h3>May 25, 2012</h3><div class='summary paragraph-styling'><p>Rodney Hunt is a master of antique chairs. He has crafted a range of miniature replicas using sustainably sourced wood, selected for its fine grain and high quality to allow for intricate detailing. These delightful chairs are brought to life with such woods as English Walnut, Yew, Box, Cherry, Laburnum and fruit wood. Hunt uses traditional finishing methods and authentic stains, oils, polish and waxes. These time-tested methods give the wood a rich, lustrous appearance that improves over time.&nbsp;The chairs are made to a scale of 1:4, sized to enjoy as a personal collection and to accommodate the detail necessary to make exact miniature copies. Rodney Hunt hand carves each chair personally to exacting standards. Each miniature is stamped with type and edition numbers and constructed in a wood to suit the design.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey in the Independent'
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809                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5947740f00938825f33416d9289db931.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5947740f00938825f33416d9289db931.jpeg 2x" ></div><div class='info'><h1>
810                                                Cig Harvey in the Independent
811                                              </h1><h3>May 12, 2012</h3><div class='summary paragraph-styling'><p>Cig Harvey&lsquo;s new book,&nbsp;<em>You Look at Me Like an Emergency</em>, received high praise in the UK&rsquo;s top newspaper, The Independent, in Sunday&rsquo;s edition.&nbsp;</p><p>&ldquo;A girl clutching a birdhouse on an evening lit by fireflies; another with a rhubarb leaf on her head; a woman clinging to a buoy in a flat blue sea: welcome to the weird, almost Ren&eacute; Magritte-like inner world of the US-based photographer Cig Harvey.&nbsp;You Look at Me Like an Emergency is a visual autobiography in which her brightly coloured, appealingly composed but slightly off-kilter photographs are accompanied by snatches of journal jottings. She regularly poses in her own work, but her subjects are often photographed from behind, or with their faces obscured.&nbsp;The effect is that her work is somehow both intimate and unknowable.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.independent.co.uk/arts-entertainment/books/reviews/photography-you-look-at-me-like-an-emergency-by-cig-harvey-7742070.html' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Rodney Hunt Opening'
812                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/9d38001a586c60faa418fbb260ed4b7d.jpeg'
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813
814                                                Rodney Hunt Opening
815                                              </h1><h2>Miniature Chairs</h2><h3>May 4, 2012</h3><div class='summary paragraph-styling'><p>Rodney Hunt is a master of antique chairs. He has crafted a range of miniature replicas using sustainably sourced wood, selected for its fine grain and high quality to allow for intricate detailing. These delightful chairs are brought to life with such woods as English Walnut, Yew, Box, Cherry, Laburnum and fruit wood. Hunt uses traditional finishing methods and authentic stains, oils, polish and waxes. These time-tested methods give the wood a rich, lustrous appearance that improves over time.&nbsp;The chairs are made to a scale of 1:4, sized to enjoy as a personal collection and to accommodate the detail necessary to make exact miniature copies. Rodney Hunt hand carves each chair personally to exacting standards. Each miniature is stamped with type and edition numbers and constructed in a wood to suit the design.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='The Bo Bartlett Center'
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818                                                The Bo Bartlett Center
819                                              </h1><h2>The College of the Arts at Columbus State University in Columbus, Georgia</h2><h3>April 2012</h3><div class='summary paragraph-styling'><p>The College of the Arts at Columbus State University is uniquely positioned to create a learning opportunity like none other in the country. American artist and Columbus native Bo Bartlett is donating his archives, artwork and many major iconic paintings to the University. These works, along with additional donated artwork from personal and private collections, constitute the core holdings of &nbsp;<a href="https://coa.columbusstate.edu/thebobartlettcenter/">The Bo Bartlett Center</a>.</p></div><div class='links in-text'><div class='file'><a href='http://www.ledger-enquirer.com/latest-news/article29228578.html' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Camden Show Bowl Benefit Show'
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822                                                Camden Show Bowl Benefit Show
823                                              </h1><h3>April 28th, 2012</h3><div class='summary paragraph-styling'><p>The Camden Snow Bowl is currently raising funds for the redevelopment of the Ragged Mountain Recreation Area. The money raised will go towards creating a new ski lodge, improving the road and trail access, parking, and utility infrastructure. &nbsp;New lifts, an expanded beginner area and additional snowmaking are also part of the plan. &nbsp;The Town of Camden has conditionally agreed to a $2 million bond to cover the final 30% of the project after the initial funds are secured. As of New Years 2012, over half of the fundraising goal has been met.&nbsp;Dowling Walsh Gallery will donate 20% of the proceeds from this show to benefit the Camden Snow Bowl and Ragged Mountain Recreation Foundation redevelopment project.&nbsp;Artwork has been priced to encourage buying for maximum benefit to the Camden Snow Bowl. A selection of this work is on display at the gallery now through April 28th, 2012.</p></div><div class='links in-text'><div class='file'><a href='http://www.camdensnowbowl.com/redevelopment-news/' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/thomas-paquette-art-in-embassies'><img itemprop="image" alt='Thomas Paquette - Art in Embassies'
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825<a href='/news/thomas-paquette-art-in-embassies'>
826                                                Thomas Paquette - Art in Embassies
827                        </a></h1><div class='summary paragraph-styling'><p>Thomas Paquette&rsquo;s&nbsp;painting, Sky Ascending, was chosen by the US State Department Art in Embassies program to be exhibited for the duration of the ambassador&rsquo;s tenure&nbsp;at the US Embassy in Georgetown, Guyana. The exhibition launch will be held at the embassy in Georgetown in late April 2012. See an excerpt from the catalog here:&nbsp;Paquette &ndash; US Embassy Georgetown.</p></div><div class='links in-text'></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Maine Home + Design'
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829                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/b390390a33d476dc205ce3ef8b4fc4c4.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/b390390a33d476dc205ce3ef8b4fc4c4.jpeg 2x" ></div><div class='info'><h1>
830                                                Maine Home + Design
831                                              </h1><h3>April 2012</h3><div class='summary paragraph-styling'><p>Maine Home + Design magazine is highlighting five of our artists,&nbsp;David Graeme Baker,&nbsp;Colin Page,&nbsp;Jacob Bond Hessler,&nbsp;Connie Hayes&nbsp;and&nbsp;David Vickery&nbsp;in their April 2012 art issue. The article presents 2012&rsquo;s upcoming exhibitions for the latest work by Maine artists:&nbsp;Show Stoppers, April 2012.</p><p>&nbsp;</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey in the Portland Press Herald'
832                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5b79e3241740038fca01d0ea815b0598.jpeg'
833                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5b79e3241740038fca01d0ea815b0598.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/5b79e3241740038fca01d0ea815b0598.jpeg 2x" ></div><div class='info'><h1>
834                                                Cig Harvey in the Portland Press Herald
835                                              </h1><h2>USM: Female photographers examine gender myths</h2><h3>March 11, 2012</h3><div class='summary paragraph-styling'><p>Cig Harvey&rsquo;s photographs were featured on the front page of the Portland Press Herald&rsquo;s &ldquo;Audience&rdquo; section in March 12th&rsquo;s Maine Sunday Telegram. Her photographs are currently on display in a group photography exhibit at the University of Southern Maine, entitled&nbsp;&ldquo;The Myths&rdquo;&nbsp;from March 2 &ndash; April 14, 2012. Her work in the show was praised in&nbsp;The Portland Press Herald&rsquo;s article&nbsp;as &ldquo;evocative.&rdquo;</p></div><div class='links in-text'><div class='file'><a href='http://www.pressherald.com/2012/03/11/usm-female-artists-examine-gender-myths_2012-03-11/' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Bo Bartlett’s Magic World: David Anderson&#039;s short film'
836                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/12dd3afb1ffef6367f5deb4bd0bacbe9.png'
837                                  ></div><div class='info'><h1>
838                                                Bo Bartlett’s Magic World: David Anderson&#039;s short film
839                                              </h1><h2>The Oxford American’s SoLost series</h2><h3>March 2012</h3><div class='summary paragraph-styling'><p>Bo Bartlett is an American original. A realist painter with a deliciously surreal touch, the Columbus, Georgia-born artist was a prot&eacute;g&eacute; and life-long friend of Andrew Wyeth. His haunting and epic tableaus evoke a Hopper-like sense of longing and mystery combined with a Lynchian-cocktail of menace, beauty and stranger-then-fiction reality.&nbsp;A natural traveler with an entire planet of subject matter to pick from, it might surprise some to learn that Bartlett chooses to 
839spend several months each year painting in the modest Columbus, Georgia, home he grew up in -- in fact to paint in the very bedroom that was his as a child.</p></div><div class='links in-text'><div class='file'><a href='https://www.youtube.com/watch?v=v-OHqtyDgqI&amp;feature=youtu.be' target="_blank">View More</a></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Cig Harvey, Top 10 Selected for Prix (Virginia)'
840                                 src='https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/21058c4ea0e09aa741fcb26365e08185.jpeg'
841                                 srcset="https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/21058c4ea0e09aa741fcb26365e08185.jpeg 1x, https://static-assets.artlogic.net/w_600,h_460,c_limit/exhibit-e/59401639dca837907fd444a7/21058c4ea0e09aa741fcb26365e08185.jpeg 2x" ></div><div class='info'><h1>
842                                                Cig Harvey, Top 10 Selected for Prix (Virginia)
843                                              </h1><h3>2012</h3><div class='summary paragraph-styling'><p>Cig Harvey&nbsp;was recently short-listed for the 2012 Prix {Virginia}, the international photography prize for women. The jury selected Cig Harvey as one of the top ten candidates among 434 candidates from 45 countries.&nbsp;The jury was comprised of Monica Allende,&nbsp;Picture Editor, The Sunday Times Magazine; Sylvia Schildge, photographer, visual artist; Lucy Conticello, director of Photography, M &ndash; Le magazine du Monde; Jacques Audiard, filmmaker; Benjamin Klintoe, 2012 graduate of The Ecole nationale sup&eacute;rieure des Arts D&eacute;coratifs; Christian Caujolle, teacher, independent curator; Agn&egrave;s Sire, director of the Fondation Cartier- Bresson; Xavier Barral, &eacute;diteur.&nbsp;The top ten candidates&rsquo; work will be presented on the&nbsp;Prix {Virginia} page, with new postings every other month from January 2013 to the next edition of the Prix {Virginia} in 2014.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry  not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Camden Public Library Benefit Show'
844                                 src='https://static-assets.artlogic.net/w_300,h_230,c_limit/exhibit-e/59401639dca837907fd444a7/5e1a116e8200b7e3254e0ae78b773de6.jpeg'
845                                  ></div><div class='info'><h1>
846                                                Camden Public Library Benefit Show
847                                              </h1><div class='summary paragraph-styling'><p>A classic selection of paintings by well known contemporary Maine inspired artists is now on view at the Camden Public Library. &nbsp;This show of beautiful Maine landscapes are available at a signifiant value and the proceeds will directly benefit creative programs at the Camden Public Library. &nbsp;The exhibit will be open during regular library hours through February in the Picker Room</p></div><div class='links in-text'><div class='file'><a href='http://www.librarycamden.org' target="_blank">View More</a></div></div></div></div></div></div></div></div>
848
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Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.