https://thiagovibesp.com/assets/CameraModelLanding-fW_tRT0r.js

1import{j as e,n as v,s as T,N as k,B as c,L as o,a as L,S as N,C as $}from"./index-Gd3ICOax.js";import{u as P}from"./useQuery-BRiRVS38.js";import{S as U}from"./SEOHead-C7dcErS8.js";import{F as S}from"./Footer-wwnpDw4k.js";import{G as C,S as A}from"./SmartInternalLinks-CZIE29o_.js";import{B as d}from"./badge-BxQqsyK2.js";import{g as R,H as F}from"./highEndCameras-B5Ckac24.js";import{A as g}from"./arrow-right-_jmurFjZ.js";import{C as I}from"./check-YLpScurZ.js";import{F as D}from"./film-B5oYH1tT.js";import"./seoContent-CPG_hkKM.js";import"./palette-_VaXV4nf.js";const q=({cam:t})=>{const s=t.bestFor.join(", ");return e.jsxs("section",{className:"mb-12 prose prose-invert max-w-none prose-headings:font-display prose-headings:tracking-tight prose-p:text-muted-foreground prose-li:text-muted-foreground prose-strong:text-foreground",children:[e.jsxs("h2",{children:["The complete color grading guide for the ",t.name]}),e.jsxs("p",{children:["The ",e.jsx("strong",{children:t.name})," is one of the most requested cameras in professional color grading — and for good reason. Its ",t.sensor.toLowerCase()," paired with"," ",t.brand,"'s ",e.jsx("strong",{children:t.logProfile})," gamma and"," ",e.jsx("strong",{children:t.colorScience}),' color science delivers a truly cinematic starting point, but only when the LUT you drop on it is engineered for that exact pipeline. Generic "cinematic" LUTs designed on Rec.709 or a foreign log curve will crush the highlights, shift skin tones magenta, and flatten the deep dynamic range this sensor was built to capture. Our ',t.brand," cinema pack solves that problem by rebuilding the tone-map from scratch around the ",t.name,"'s native response, so every preset lands on a clean, theatrical Rec.709 image the first time you drop it on a node."]}),e.jsxs("h2",{children:["Why ",t.logProfile," needs a dedicated LUT"]}),e.jsxs("p",{children:[t.logProfile," is a logarithmic gamma designed to preserve as much of the sensor's latitude as possible — commonly 14 to 17 stops on high-end ",t.brand," bodies. Straight out of the camera, the footage looks intentionally desaturated and flat. That flatness is not a bug; it is a canvas. A generic S-curve or a Rec.709 LUT built for a different sensor will over-compress the highlights (blowing out skies and skin), and push ",t.colorScience," ","primaries into wrong hues. Our LUTs are built directly on top of ",t.logProfile," in a"," ",t.bitDepth," pipeline, so highlight rolloff stays film-like and skin tones remain natural even at extreme exposure. If you shoot ",t.codec,", the pack takes full advantage of the color depth without any banding, even after aggressive contrast pushes."]}),e.jsxs("h2",{children:["Perfect for ",s]}),e.jsxs("p",{children:["The ",t.name," shows up on set for a reason. Its combination of"," ",e.jsx("strong",{children:t.resolution}),", native ISO performance, and ",t.codec," recording makes it the go-to for ",s,". Our LUT pack was tested across every one of those scenarios — wedding candlelight, music-video hard light, documentary mixed sources, commercial studio keys, cinema HMI — to make sure the tone curve holds together under real-world conditions. You do not have to babysit the grade shot by shot; the LUTs behave predictably from interior tungsten to exterior daylight, which is exactly why post supervisors keep asking for them on ",t.brand," shows."]}),e.jsxs("h2",{children:["Node structure that actually works on ",t.name," footage"]}),e.jsxs("p",{children:["The single biggest mistake we see with ",t.logProfile," footage is dropping a LUT on the raw clip and calling it a day. A LUT is a look, not a corrector. The professional workflow we recommend for the ",t.name," in DaVinci Resolve is four nodes deep:"]}),e.jsxs("ol",{children:[e.jsxs("li",{children:[e.jsx("strong",{children:"Node 1 — Balance:"})," Correct exposure and white balance on the raw"," ",t.logProfile," image using primary wheels. Get middle gray to sit roughly at IRE 40–45 on the parade."]}),e.jsxs("li",{children:[e.jsx("strong",{children:"Node 2 — Contrast pre-shape:"})," Add a gentle contrast curve so the LUT receives a properly weighted signal."]}

1),e.jsxs("li",{children:[e.jsx("strong",{children:"Node 3 — Creative LUT:"})," Drop the ThiagoVibesp ",t.brand," preset. Trim Key Output gain to 70–85% for a subtler look."]}),e.jsxs("li",{children:[e.jsx("strong",{children:"Node 4 — Skin qualifier:"})," HSL-qualify skin, pull saturation back 5–10%, nudge hue toward warm to keep faces cinematic."]})]}),e.jsxs("p",{children:["The same order works in Premiere Pro's Lumetri (as stacked layers) and in Final Cut Pro via effects order. If you shoot the ",t.name," in ",t.codec,", this pipeline preserves every stop the sensor captured."]}),e.jsxs("h2",{children:[t.name," vs the rest of the ",t.brand," lineup"]}),e.jsxs("p",{children:["Within the ",t.brand," ecosystem, the ",t.name," sits at a unique intersection of price, performance, and color response. Even bodies that share ",t.logProfile," — such as sibling"," ",t.brand," cameras — do not always render highlights or magentas the same way, which is why we ship camera-specific tuning inside the pack. If you switch bodies on set (A-cam",t.name,", B-cam a lighter ",t.brand," model), the LUTs match neatly with a small trim in Node 1, cutting your post-match time from hours to minutes."]}),e.jsx("h2",{children:"Delivery formats and compatibility"}),e.jsxs("p",{children:["All LUTs are shipped as universal ",e.jsx("code",{children:".cube"})," 33-point 3D LUTs (some 65-point Pro variants included). They load natively in DaVinci Resolve 17/18/19, Adobe Premiere Pro, After Effects, Final Cut Pro, Filmora, CapCut Pro, Photoshop, Affinity Photo, and any NLE with LUT support. On the ",t.name," specifically, we also include ACES IDT-safe variants for teams working in an ACEScct timeline, so nothing shifts when you round-trip to a VFX vendor."]}),e.jsxs("h2",{children:["What buyers say about the ",t.brand," pack"]}),e.jsxs("p",{children:["The ",t.brand," pack is our top-rated collection — currently sitting at"," ",e.jsx("strong",{children:"4.9/5 across 1,783 reviews"}),". Working colorists praise the neutral skin science, indie filmmakers love how fast it gets a first-cut look on ",t.name," dailies, and wedding shooters cite the pack as the reason they can turn 12-hour ceremonies around in a weekend. Every purchase is instant download, includes free lifetime updates as we expand support for new ",t.brand," firmware, and ships with a commercial license so you can use the LUTs on paid client work without extra fees."]})]})},h="https://thiagovibesp.com",E=t=>[{q:`What is the best LUT pack for the ${t.name}?`,a:`Our ${t.brand} cinema LUT collection is built specifically for the ${t.logProfile} workflow used by the ${t.name}. Each .cube preset converts ${t.logProfile} (${t.colorScience}) footage into a film-ready Rec.709 image while preserving the camera's native dynamic range and skin tones.`},{q:`Will these LUTs work with ${t.name} ${t.codec}

1 files in DaVinci Resolve and Premiere Pro?`,a:`Yes. The LUTs are universal .cube files compatible with DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro, and any NLE that supports 3D LUTs. They were tested with ${t.codec} clips from the ${t.name} at ${t.resolution} (${t.bitDepth}).`},{q:`Do I need to convert ${t.logProfile} to Rec.709 before applying the LUT?`,a:`No. The LUTs are designed to be the first conversion step — apply directly on top of unprocessed ${t.logProfile} footage. Just balance exposure and white balance first, then drop the LUT on a dedicated node (Resolve) or Lumetri layer (Premiere).`},{q:`What look do these LUTs give to ${t.name} footage?`,a:`Cinematic Rec.709 looks: teal-and-orange, vintage film emulation, moody shadow rolloff, warm skin tones, and modern neutral. The pack is ideal for ${t.bestFor.join(", ")}.`},{q:"Is the download instant?",a:`Yes — instant digital download after checkout. Files are delivered as .zip with .cube LUTs ready to drop into your ${t.brand} workflow.`},{q:`Are these LUTs compatible with ACES workflows on the ${t.name}?`,a:`Yes. We include ACES IDT-safe variants that work inside an ACEScct timeline, so round-tripping ${t.name} footage to VFX vendors keeps the grade intact end-to-end.`},{q:`Can I use these ${t.brand} LUTs on paid client and commercial work?`,a:"Absolutely. Every pack ships with a commercial license covering unlimited client, commercial, broadcast, streaming and YouTube deliveries — no per-project fees, no attribution required."},{q:`How do the LUTs handle high ISO / low-light footage from the ${t.name}?`,a:`The tone curve was tested at every native and dual-base ISO the ${t.name} supports. Noise is not amplified into color blotches because the pack preserves the ${t.colorScience} chroma response before applying creative contrast.`},{q:`Do you offer free updates for new ${t.brand} firmware or new LUTs?`,a:`Yes — every purchase includes free lifetime updates. As ${t.brand} releases new firmware or picture profiles for the ${t.name}, we re-tune and re-ship the pack at no extra cost.`}],X=()=>{const{slug:t}=v(),s=t?R(t):void 0,{data:i=[]}=P({queryKey:["camera-products",s==null?void 0:s.categorySlug],enabled:!!(s!=null&&s.categorySlug),queryFn:async()=>{const{data:r}=await T.from("digital_products").select("slug, name, description, price, image_url").eq("category",s.categorySlug).eq("is_active",!0).order("created_at",{ascending:!1}).limit(12);return r||[]}});if(!s)return e.jsx(k,{to:"/luts-for",replace:!0});const u=`/luts-for/${s.slug}`,f=`Best LUTs for ${s.name} | ${s.logProfile} → Rec.709 Cinema Pack`,m=`Professional cinema LUTs built for the ${s.name} (${s.logProfile}, ${s.colorScience}). Convert ${s.codec} footage to Rec.709 with film-ready color in DaVinci Resolve, Premiere Pro & Final Cut. Instant download.`,x=`${s.name} LUTs, best LUTs for ${s.name}, ${s.name} ${s.logProfile} LUTs, ${s.brand} cinema LUTs, ${s.logProfile} to Rec.709, ${s.name} color grading`,n=`/shop?category=${s.categorySlug}`,p=E(s),y={"@context":"https://schema.org","@type":"ItemList",name:`Best LUTs for ${s.name}`,itemListElement:i.map((r,a)=>({"@type":"ListItem",position:a+1,url:`${h}/product/${r.slug}`,name:r.name}))},b={"@context":"https://schema.org","@type":"Product",name:`Cinema LUTs for ${s.name}`,description:m,brand:{"@type":"Brand",name:"ThiagoVibesp Creative"},category:`${s.brand} ${s.logProfile} LUTs`,image:`${h}/og-image.jpg`,aggregateRating:{"@type":"AggregateRating",ratingValue:"4.9",reviewCount:"1783"},offers:{"@type":"AggregateOffer",priceCurrency:"USD",lowPrice:"15",highPrice:"49",offerCount:i.length||30,availability:"https://schema.org/InStock",url:`${h}${n}`}},w={"@context":"https://schema.org","@type":"FAQPage",mainEntity:p.map(r=>({"@type":"Question",name:r.q,acceptedAnswer:{"@type":"Answer",text:r.a}}))},j={"@context":"https://schema.org","@type":"HowTo",name:`How to apply LUTs to ${s.name} footage`,totalTime:"PT5M",step:[{"@type":"HowToStep",name:"Import footage",text:`Import your ${s.name} ${s.codec} clips into DaVinci Resolve, Premiere Pro or Final Cut.`},{"@type":"HowToStep",name:"Set color space",text:`Tag the timeline as ${s.logProfile} / ${s.colorScience}.`},{"@type":"HowToStep",name:"Balance exposure",text:"Lift the shadows and set midtones with curves before grading."},{"@type":"HowToStep",name:"Apply the LUT",text:"Drop the .cube on a new node (Resolve) or Lumetri layer (Premiere). Adjust intensity to taste."},{"@type":"HowToStep",name:"Fine-tune skin tones",text:"Use a vector scope and qualifier to refine skin tones if needed."}]};return e.jsxs("div",{className:"min-h-screen bg-background",children:[e.jsxs(U,{title:f,description:m,path:u,keywords:x,ogType:"product",breadcrumbs:[{name:"Home",path:"/"},{name:"LUTs by Camera",path:"/luts-for"},{name:s.name}],children:[e.jsx("script",{type:"application/ld+json",children:JSON.stringify(y)}),e.jsx("script",{type:"application/ld+json",children:JSON.stringify(b)}),e.jsx("script",{type:"application/ld+json",children:JSON.stringify(w)}),e.jsx("script",{type:"application/ld+json",children:JSON.stringify(j)})]}),e.jsxs("main",{className:"container mx-auto px-4 py-12 max-w-5xl",children:[e.jsxs("header",{className:"mb-10 space-y-4",children:[e.jsxs("div",{className:"flex flex-wrap gap-2",children:[e.jsx(d,{variant:"secondary",children:s.brand}),e.jsx(d,{variant:"outline",children:s.logProfile}),e.jsx(d,{variant:"outline",children:s.colorScience})]}),e.jsxs("h1",{className:"font-display text-4xl md:text-6xl tracking-tight",children:["Best LUTs for ",s.name]}),e.jsxs("p",{className:"text-lg text-muted-foreground max-w-3xl",children:["Professional cinema LUTs engineered for the ",e.jsx("strong",{children:s.name})," — convert"," ",e.jsx("strong",{children:s.logProfile})," footage to film-ready Rec.709 in seconds. Compatible with DaVinci Resolve, Premiere Pro and Final Cut Pro. Instant download, unlimited commercial use."]}),e.jsxs("div",{className:"flex flex-wrap items-center gap-3 pt-2",children:[e.jsx(c,{asChild:!0,size:"lg",className:"font-display tracking-wider",children:e.jsxs(o,{to:n,children:["Shop ",s.brand," LUTs ",e.jsx(g,{className:"ml-2 h-4 w-4"})]})}),e.jsxs("div",{className:"flex items-center gap-1 text-sm text-muted-foreground",children:[e.jsx(L,{className:"h-4 w-4 fill-primary text-primary"}),e.jsxs("span",{children:[e.jsx("strong",{className:"text-foreground",children:"4.9/5"})," · 1,783 customers"]})]})]})]}),e.jsxs("section",{className:"grid grid-cols-2 md:grid-cols-4 gap-3 mb-12 p-5 bg-card border rounded-xl",children:[e.jsx(l,{label:"Sensor",value:s.sensor}),e.jsx(l,{label:"Resolution",value:s.resolution}),e.jsx(l,{label:"Bit depth",value:s.bitDepth}),e.jsx(l,{label:"Codec",value:s.codec})]}),e.jsxs("section",{className:"mb-12",children:[e.jsxs("h2",{className:"font-display text-2xl md:text-3xl mb-4 flex items-center 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lg:grid-cols-3 gap-4",children:i.slice(0,6).map(r=>e.jsxs(o,{to:`/product/${r.slug}`,className:"group block bg-card border rounded-xl overflow-hidden hover:border-primary/50 transition-colors",children:[r.image_url&&e.jsx("div",{className:"aspect-video overflow-hidden bg-muted",children:e.jsx("img",{src:r.image_url,alt:`${r.name} LUT pack for ${s.name}`,loading:"lazy",className:"w-full h-full object-cover group-hover:scale-105 transition-transform duration-500"})}),e.jsxs("div",{className:"p-4",children:[e.jsx("h3",{className:"font-semibold line-clamp-2 mb-2",children:r.name}),e.jsxs("div",{className:"flex items-center justify-between text-sm",children:[e.jsxs("span",{className:"text-primary font-bold",children:["$",r.price]}),e.jsx("span",{className:"text-muted-foreground",children:"View →"})]})]})]},r.slug))}),e.jsx("div",{className:"mt-6 text-center",children:e.jsx(c,{asChild:!0,variant:"outline",size:"lg",children:e.jsxs(o,{to:n,children:["See all ",s.brand," LUT packs 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max-w-xl mx-auto",children:"Join 1,783+ filmmakers using ThiagoVibesp cinema LUTs. Instant download · Lifetime access · Commercial license."}),e.jsx(c,{asChild:!0,size:"lg",className:"font-display tracking-wider",children:e.jsxs(o,{to:n,children:["Shop ",s.brand," LUTs now ",e.jsx(g,{className:"ml-2 h-4 w-4"})]})})]})]}),e.jsx(S,{})]})},l=({label:t,value:s})=>e.jsxs("div",{children:[e.jsx("div",{className:"text-xs uppercase tracking-wider text-muted-foreground mb-1",children:t}),e.jsx("div",{className:"font-medium text-sm",children:s})]});

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