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52                        <li><a href="/hdspe-madi-fx.html"
53                    title="HDSPe MADI FX">HDSPe MADI FX</a></li>
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55                    title="HDSPe MADI">HDSPe MADI</a></li>
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57                    title="HDSPe AES">HDSPe AES</a></li>
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59                    title="HDSPe RayDAT">HDSPe RayDAT</a></li>
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61                    title="HDSPe AIO Pro">HDSPe AIO Pro</a></li>
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70                    title="Interfaces" class="submenu" aria-haspopup="true">Interfaces</a>
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72                        <li><a href="/madiface-xt-2.html"
73                    title="394-channel Triple MADI USB 3.0 Audio Interface">MADIface XT II</a></li>
74                                <li><a href="/madiface-usb.html"
75                    title="MADIface USB">MADIface USB</a></li>
76                                <li><a href="/babyface-pro-fs.html"
77                    title="Babyface Pro FS">Babyface Pro FS</a></li>
78                                <li><a href="/fireface-ucx-ii.html"
79                    title="Fireface UCX II">Fireface UCX II</a></li>
80                                <li><a href="/fireface-802-fs.html"
81                    title="RME Audio Interfaces | Format Converters | Preamps | Network Audio &amp; MADI Solutions">Fireface 802 FS</a></li>
82                                <li><a href="/fireface-802-fs-ae.html"
83                    title="RME Audio Interfaces | Format Converters | Preamps | Network Audio &amp; MADI Solutions">Fireface 802 FS AE</a></li>
84                                <li><a href="/fireface-ufx-ii.html"
85                    title="Fireface UFX II">Fireface UFX II</a></li>
86                                <li><a href="/fireface-ufx-3.html"
87                    title="Fireface UFX III">Fireface UFX III</a></li>
88                                <li><a href="/digiface-usb.html"
89                    title="Digiface USB">Digiface USB</a></li>
90                                <li><a href="/digiface-aes.html"
91                    title="Digiface AES | bus-powernd USB 2 Audio Interface">Digiface AES</a></li>
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93                    title="Digiface AVB">Digiface AVB</a></li>
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95                    title="Digiface Dante">Digiface Dante</a></li>
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105                    title="M-32 / M-16 AD">M-32 / M-16 AD</a></li>
106                                <li><a href="/m-32-m-16-da.html"
107                    title="M-32 / M-16 DA">M-32 / M-16 DA</a></li>
108                                <li><a href="/m-32-pro-2.html"
109                    title="M-32 AD Pro II / M-32 DA Pro II Converter with MADI &amp; AVB">M-32 Pro II</a></li>
110                                <li><a href="/m-32-pro-2-d.html"
111                    title="M-32 AD Pro II-D / M-32 DA Pro II-D Converter with MADI &amp; DANTE">M-32 Pro II-D</a></li>
112                                <li><a href="/m-1620-pro.html"
113                    title="16 channel A/D, 20 channel D/A converter with ADAT, Milan, MADI and separate phones out">M-1620 Pro</a></li>
114                                <li><a href="/m-1620-pro-d.html"
115                    title="16 channel A/D, 20 channel D/A converter with ADAT, Dante, MADI and separate phones out">M-1620 Pro D</a></li>
116                                <li><a href="/ADI-2-FS.html"
117                    title="ADI-2 FS">ADI-2 FS</a></li>
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119                    title="ADI-2-Pro EX">ADI-2-Pro EX</a></li>
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126                        <li><a href="/madiface-xt-2.html"
127                    title="394-channel Triple MADI USB 3.0 Audio Interface">MADIface XT II</a></li>
128                                <li><a href="/madiface-usb.html"
129                    title="MADIface USB">MADIface USB</a></li>
130                                <li><a href="/hdspe-madi-fx.html"
131                    title="HDSPe MADI FX">HDSPe MADI FX</a></li>
132                                <li><a href="/hdspe-madi.html"
133                    title="HDSPe MADI">HDSPe MADI</a></li>
134                                <li><a href="/m-32-m-16-ad.html"
135                    title="M-32 / M-16 AD">M-32 / M-16 AD</a></li>
136                                <li><a href="/m-32-m-16-da.html"
137                    title="M-32 / M-16 DA">M-32 / M-16 DA</a></li>
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145                    title="12Mic">12Mic</a></li>
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147                    title="12Mic-D">12Mic-D</a></li>
148                                <li><a href="/dmc-842.html"
149                    title="DMC-842">DMC-842</a></li>
150                                <li><a href="/octamic-ii.html"
151                    title="OctaMic II">OctaMic II</a></li>
152            </ul>
153
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156                    title="Accessories" class="submenu" aria-haspopup="true">Accessories</a>
157<ul class="level_3">
158                        <li><a href="/dps-2.html"
159                    title="Linear Super Low Noise Dual Audio Power Supply with µFilter and Sensor Technology">DPS-2</a></li>
160                                <li><a href="/lni-2-dc.html"
161                    title="Low Noise Isolating DC Filter, 12 Volt 2 Ampere, DC Input and Output">LNI-2 DC</a></li>
162                                <li><a href="/arc-usb.html"
163                    title="ARC USB">ARC USB</a></li>
164                                <li><a href="/mrc.html"
165                    title="RME MRC (Multi-Remote-Control) for ADI-2 Series">MRC Remote</a></li>
166                                <li><a href="/sfp-module.html"
167                    title="RME SFP Module for 12MIc, AVB Tool &amp; M-1610 Pro">SFP Module</a></li>
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169                    title="Time Code Option">Time Code Option</a></li>
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171                    title="Expansion Boards">Expansion Boards</a></li>
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177                    title="Cables &amp; Adapters">Cables & Adapters</a></li>
178                                <li><a href="/analog-cables.html"
179                    title="Cables &amp; Adapters | RME Audio Interfaces">Analog Cables</a></li>
180                                <li><a href="/aes-ebu-cables.html"
181                    title="Cables &amp; Adapters | RME Audio Interfaces">AES/EBU Cables</a></li>
182                                <li><a href="/madi-cables.html"
183                    title="Cables &amp; Adapters | RME Audio Interfaces">MADI/ADAT Cables</a></li>
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185                    title="Rackmounts">Rackmounts</a></li>
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194                    title="Support">Support</a></li>
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313                    title="HDSPe MADI FX">HDSPe MADI FX</a></li>
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315                    title="HDSPe MADI">HDSPe MADI</a></li>
316                                <li><a href="/hdspe-aes.html"
317                    title="HDSPe AES">HDSPe AES</a></li>
318                                <li><a href="/hdspe-raydat.html"
319                    title="HDSPe RayDAT">HDSPe RayDAT</a></li>
320                                <li><a href="/hdspe-aio-pro.html"
321                    title="HDSPe AIO Pro">HDSPe AIO Pro</a></li>
322                                <li><a href="/hdspe-aox.html"
323                    title="HDSPe AoX-M">HDSPe AoX-M</a></li>
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329                                <li class="submenu"><a href="/external-cards.html"
330                    title="Interfaces" class="submenu" aria-haspopup="true">Interfaces</a>
331<ul class="level_3">
332                        <li><a href="/madiface-xt-2.html"
333                    title="394-channel Triple MADI USB 3.0 Audio Interface">MADIface XT II</a></li>
334                                <li><a href="/madiface-usb.html"
335                    title="MADIface USB">MADIface USB</a></li>
336                                <li><a href="/babyface-pro-fs.html"
337                    title="Babyface Pro FS">Babyface Pro FS</a></li>
338                                <li><a href="/fireface-ucx-ii.html"
339                    title="Fireface UCX II">Fireface UCX II</a></li>
340                                <li><a href="/fireface-802-fs.html"
341                    title="RME Audio Interfaces | Format Converters | Preamps | Network Audio &amp; MADI Solutions">Fireface 802 FS</a></li>
342                                <li><a href="/fireface-802-fs-ae.html"
343                    title="RME Audio Interfaces | Format Converters | Preamps | Network Audio &amp; MADI Solutions">Fireface 802 FS AE</a></li>
344                                <li><a href="/fireface-ufx-ii.html"
345                    title="Fireface UFX II">Fireface UFX II</a></li>
346                                <li><a href="/fireface-ufx-3.html"
347                    title="Fireface UFX III">Fireface UFX III</a></li>
348                                <li><a href="/digiface-usb.html"
349                    title="Digiface USB">Digiface USB</a></li>
350                                <li><a href="/digiface-aes.html"
351                    title="Digiface AES | bus-powernd USB 2 Audio Interface">Digiface AES</a></li>
352                                <li><a href="/digiface-avb.html"
353                    title="Digiface AVB">Digiface AVB</a></li>
354                                <li><a href="/digiface-dante.html"
355                    title="Digiface Dante">Digiface Dante</a></li>
356                                <li><a href="/digiface-ravenna.html"
357                    title="Digiface Ravenna | Portable RAVENNA via USB">Digiface Ravenna</a></li>
358            </ul>
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361                                <li class="submenu"><a href="/converter.html"
362                    title="Converters" class="submenu" aria-haspopup="true">Converters</a>
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365                    title="M-32 / M-16 AD">M-32 / M-16 AD</a></li>
366                                <li><a href="/m-32-m-16-da.html"
367                    title="M-32 / M-16 DA">M-32 / M-16 DA</a></li>
368                                <li><a href="/m-32-pro-2.html"
369                    title="M-32 AD Pro II / M-32 DA Pro II Converter with MADI &amp; AVB">M-32 Pro II</a></li>
370                                <li><a href="/m-32-pro-2-d.html"
371                    title="M-32 AD Pro II-D / M-32 DA Pro II-D Converter with MADI &amp; DANTE">M-32 Pro II-D</a></li>
372                                <li><a href="/m-1620-pro.html"
373                    title="16 channel A/D, 20 channel D/A converter with ADAT, Milan, MADI and separate phones out">M-1620 Pro</a></li>
374                                <li><a href="/m-1620-pro-d.html"
375                    title="16 channel A/D, 20 channel D/A converter with ADAT, Dante, MADI and separate phones out">M-1620 Pro D</a></li>
376                                <li><a href="/ADI-2-FS.html"
377                    title="ADI-2 FS">ADI-2 FS</a></li>
378                                <li><a href="/converter/adi-2-pro-ex.html"
379                    title="ADI-2-Pro EX">ADI-2-Pro EX</a></li>
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386                        <li><a href="/madiface-xt-2.html"
387                    title="394-channel Triple MADI USB 3.0 Audio Interface">MADIface XT II</a></li>
388                                <li><a href="/madiface-usb.html"
389                    title="MADIface USB">MADIface USB</a></li>
390                                <li><a href="/hdspe-madi-fx.html"
391                    title="HDSPe MADI FX">HDSPe MADI FX</a></li>
392                                <li><a href="/hdspe-madi.html"
393                    title="HDSPe MADI">HDSPe MADI</a></li>
394                                <li><a href="/m-32-m-16-ad.html"
395                    title="M-32 / M-16 AD">M-32 / M-16 AD</a></li>
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397                    title="M-32 / M-16 DA">M-32 / M-16 DA</a></li>
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404                        <li><a href="/12mic.html"
405                    title="12Mic">12Mic</a></li>
406                                <li><a href="/12mic-dante.html"
407                    title="12Mic-D">12Mic-D</a></li>
408                                <li><a href="/dmc-842.html"
409                    title="DMC-842">DMC-842</a></li>
410                                <li><a href="/octamic-ii.html"
411                    title="OctaMic II">OctaMic II</a></li>
412            </ul>
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415                                <li class="submenu"><a href="/accessories.html"
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417<ul class="level_3">
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419                    title="Linear Super Low Noise Dual Audio Power Supply with µFilter and Sensor Technology">DPS-2</a></li>
420                                <li><a href="/lni-2-dc.html"
421                    title="Low Noise Isolating DC Filter, 12 Volt 2 Ampere, DC Input and Output">LNI-2 DC</a></li>
422                                <li><a href="/arc-usb.html"
423                    title="ARC USB">ARC USB</a></li>
424                                <li><a href="/mrc.html"
425                    title="RME MRC (Multi-Remote-Control) for ADI-2 Series">MRC Remote</a></li>
426                                <li><a href="/sfp-module.html"
427                    title="RME SFP Module for 12MIc, AVB Tool &amp; M-1610 Pro">SFP Module</a></li>
428                                <li><a href="/time-code-option.html"
429                    title="Time Code Option">Time Code Option</a></li>
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431                    title="Expansion Boards">Expansion Boards</a></li>
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433                    title="DTOX-16">DTOX-16</a></li>
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486                    <img src="https://www.rme-usa.com/files/uploads/Artists/Andres-Forero-1.jpg" alt="Andres Forero - The Busiest Drummer on Broadway" title="Andres Forero - The Busiest Drummer on Broadway" />
487        
488        <h1>Andres Forero - The Busiest Drummer on Broadway</h1>
489
490                    <p>Grammy, Emmy, and Tony award-winning Andres Forero’s credits include drummer for Broadway hits (Hamilton; Book of Mormon), television (The Tonight Show With Jimmy Fallon), and performances with Dizzy Gillespie &amp; Alicia Keys (among others). When asked about what the experience was like playing for a show like “Hamiliton”, Andres replies “I’m a little bit tired... It’s a long show,” he concedes.</p>
491<p>“It’s three-hours long, and my body is starting to tell me that I need to slow down a little bit. I’ve been going for three years without any vacation.” Broadway’s “Hamilton” is a long show, and Andres is committed to doing eight of them a week, equating to a whopping 24 hours of vigorous drum time (or an entire day and night of drumming, So how on earth does he stick to his other commitments, like teaching and recording with the band Fish, with that kind of schedule? “Well, one of the great things about doing a Broadway show is that most of the shows are at night, so it leaves a lot of your day open.</p>
492<p>Although some people think I’m just working three hours a night; but those three hours are so demanding, so physically brutal, that I would say they more equate to seven hours,” he says, with a smile. “So the next day, it is important to rest a little bit, but it also gives us an opportunity to teach and work on other projects. That is the gift of working in theatre.”</p>
493<p>Among the things Forero feels tries to impress upon younger players is to monetarily value their work and use available resources:<em><br></em></p>
494<blockquote>
495<p><em>
495“A lot of what they teach young folks in college is just how to be a legit player, or how to be a great player, which is wonderful,” he says. “But it’s important to know as a musician you can buy a home, have a family, not just get by on 50 dollar gigs here and there. I think it’s important for folks to know there is another platform out there. Locate your musician union. Get a hold of them, and sign up for all of the opportunities that are out there. Be a part of that, rather than being a starving musician.”<br></em></p>
496</blockquote>
497<p> </p>
498<h1>Technologically Speaking</h1>
499<p>When it comes to the technology side of matters, Forero is not after a shallow relationship with the companies who supply his equipment; and in audio engineers, RME, he has formed a bond that is anything but.</p>
500<blockquote>
501<p><em><span style="font-weight: 400;">“One day, my close friend Karl said to me, ‘there’s this company called RME, you’ve gotta meet the people’”, Forero recalls. “He didn’t say anything about the product! [laughs] Karl and I had both been with the same drum company for 16 years, so for us, what’s important isn’t just the product, it’s the people that you interact with. I believe that if the people are good, and they treat you like family, the product will stand behind the person.  </span></em></p>
502<p><em><span style="font-weight: 400;">“Richard DeClemente (of RME) is one of the finest human beings I’ve ever met. His approach – how he dealt with me, how he treated me; I was sold before I heard anything about the gear. Then I started researching the equipment,” Forero says. “I have the RME Fireface UFX, and I also have the Babyface Pro for when I travel. I do a lot of traveling and remote drum clinics, so I need the Babyface’s portable capabilities quite often. The Fireface UFX stays in my studio at home; and on Hamilton, we have two Fireface units at front of the house, and then in the pit we have four separate RME interfaces.”</span></em></p>
503</blockquote>
504<p> </p>
505<p><span style="font-weight: 400;">Forero also finds RME gear very user-friendly, and loves the lack of latency:</span></p>
506<blockquote>
507<p><em><span style="font-weight: 400;">“If you’re someone like me who doesn’t live in audio geek land, it’s so great to have these products which you just plug in and they work. The RME gear is very accessible, and the lack of latency is a huge deal for people like me!”</span></em></p>
508<p> </p>
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