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Base">Knowledge Base</a></li> 463 </ul> 464 465 466 <span id="skipNavigation1" class="invisible"></span> 467 468</nav> 469<!-- indexer::continue --> 470 471<a id="menuBars" href="#menuMobile" aria-label="open mobile Menu"><i class="fa fa-align-justify fa-2x"></i></a> </div> 472 </header> 473 474 475 <div id="container"> 476 477 <div id="main"> 478 <div class="inside"> 479 480<div class="mod_article block" id="article-45"> 481 <div class="article-inner-wrapper"> 482 483 <div class="mod_jamp_artist_reader block"> 484 485 <div class="artist"> 486 <img src="https://www.rme-usa.com/files/uploads/Artists/Andres-Forero-1.jpg" alt="Andres Forero - The Busiest Drummer on Broadway" title="Andres Forero - The Busiest Drummer on Broadway" /> 487 488 <h1>Andres Forero - The Busiest Drummer on Broadway</h1> 489 490 <p>Grammy, Emmy, and Tony award-winning Andres Foreroâs credits include drummer for Broadway hits (Hamilton; Book of Mormon), television (The Tonight Show With Jimmy Fallon), and performances with Dizzy Gillespie & Alicia Keys (among others). When asked about what the experience was like playing for a show like âHamilitonâ, Andres replies âIâm a little bit tired... Itâs a long show,â he concedes.</p> 491<p>âItâs three-hours long, and my body is starting to tell me that I need to slow down a little bit. Iâve been going for three years without any vacation.â Broadwayâs âHamiltonâ is a long show, and Andres is committed to doing eight of them a week, equating to a whopping 24 hours of vigorous drum time (or an entire day and night of drumming, So how on earth does he stick to his other commitments, like teaching and recording with the band Fish, with that kind of schedule? âWell, one of the great things about doing a Broadway show is that most of the shows are at night, so it leaves a lot of your day open.</p> 492<p>Although some people think Iâm just working three hours a night; but those three hours are so demanding, so physically brutal, that I would say they more equate to seven hours,â he says, with a smile. âSo the next day, it is important to rest a little bit, but it also gives us an opportunity to teach and work on other projects. That is the gift of working in theatre.â</p> 493<p>Among the things Forero feels tries to impress upon younger players is to monetarily value their work and use available resources:<em><br></em></p> 494<blockquote> 495<p><em>
495âA lot of what they teach young folks in college is just how to be a legit player, or how to be a great player, which is wonderful,â he says. âBut itâs important to know as a musician you can buy a home, have a family, not just get by on 50 dollar gigs here and there. I think itâs important for folks to know there is another platform out there. Locate your musician union. Get a hold of them, and sign up for all of the opportunities that are out there. Be a part of that, rather than being a starving musician.â<br></em></p> 496</blockquote> 497<p> </p> 498<h1>Technologically Speaking</h1> 499<p>When it comes to the technology side of matters, Forero is not after a shallow relationship with the companies who supply his equipment; and in audio engineers, RME, he has formed a bond that is anything but.</p> 500<blockquote> 501<p><em><span style="font-weight: 400;">âOne day, my close friend Karl said to me, âthereâs this company called RME, youâve gotta meet the peopleââ, Forero recalls. âHe didnât say anything about the product! [laughs] Karl and I had both been with the same drum company for 16 years, so for us, whatâs important isnât just the product, itâs the people that you interact with. I believe that if the people are good, and they treat you like family, the product will stand behind the person. </span></em></p> 502<p><em><span style="font-weight: 400;">âRichard DeClemente (of RME) is one of the finest human beings Iâve ever met. His approach â how he dealt with me, how he treated me; I was sold before I heard anything about the gear. Then I started researching the equipment,â Forero says. âI have the RME Fireface UFX, and I also have the Babyface Pro for when I travel. I do a lot of traveling and remote drum clinics, so I need the Babyfaceâs portable capabilities quite often. The Fireface UFX stays in my studio at home; and on Hamilton, we have two Fireface units at front of the house, and then in the pit we have four separate RME interfaces.â</span></em></p> 503</blockquote> 504<p> </p> 505<p><span style="font-weight: 400;">Forero also finds RME gear very user-friendly, and loves the lack of latency:</span></p> 506<blockquote> 507<p><em><span style="font-weight: 400;">âIf youâre someone like me who doesnât live in audio geek land, itâs so great to have these products which you just plug in and they work. The RME gear is very accessible, and the lack of latency is a huge deal for people like me!â</span></em></p> 508<p> </p> 509</blockquote> 510<div style="position: relative; height: 0; padding-bottom: 56.25%;"><iframe style="position: absolute; width: 100%; height: 100%; left: 0;" src="https://www.youtube-nocookie.com/embed/A7Z0C_k81QI" width="640" height="360" frameborder="0" allowfullscreen=""></iframe></div> 511<p> </p> 512 <a class="back" title="Back" href="javascript:history.back(-1);">Back</a> 513 </div> 514</div> 515 </div> 516</div> 517 518 519 520 521 522 523 524 525 526<style> 527 .site-switcher { 528 background: #424245; 529 color: rgba(255,255,255,0.92); 530 padding: 20px; 531 display: flex; 532 max-width: 1920px; 533 margin: 0 auto; 534 position: fixed; 535 top: 0px; 536 width: 100%; 537 right: 50%; 538 transform: translateX(50%); 539 z-index: 1000; 540 } 541 .site-switcher > *:nth-child(1) { 542 flex-grow: 1; 543 text-align: center; 544 } 545 .site-switcher > *:nth-child(2) { 546 margin-left: 20px; 547 } 548 .site-switcher a { 549 background: #00569d; 550 color: rgba(255,255,255,0.92); 551 padding: 5px 10px; 552 border-radius: 5px; 553 text-decoration: none; 554 font-weight: bold; 555 } 556 .site-switcher a:hover { 557 background: #207bc7; 558 color: white; 559 } 560 .site-switcher i { 561 color: rgba(255,255,255,0.92); 562 } 563 .mm-menu, .mm-menu > .mm-panel { 564 top: auto; 565 } 566</style>
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