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https://www.rightclicksave.com/article/on-collecting-by-100-collec…uys-interview-interfaces-around-digital-art

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3<script nonce="3s+dtOMHeBlhE8ffwgOTkQ==">self.__next_f.push([1,"6f:T40f,\u003cp\u003e\u003cstrong\u003ePauline Foessel \u003c/strong\u003eis a curator and entrepreneur based in Dubai, and the Founder \u0026amp; CEO of 100 collectors, the global network for digital art collectors. Through curated experiences, exclusive content, and a trusted network, she is shaping a new approach to collecting—bridging the worlds of traditional and digital art. She also serves as Head Curator at Cultural Affairs in Lisbon, where she has helped redefine how urban art is experienced in the city’s public spaces and elevated Lisbon’s standing as a global hub for contemporary urban art. Previously, Pauline founded Artpool, a private social network for professional curators, and held leadership roles including Director of Development at the Hong Kong Contemporary Art Foundation, Studio Director for artist Vhils, Co-Director and Co-Founder of Underdogs Gallery, and Gallery Manager at Magda Danysz Gallery in Shanghai. Across all her projects, she works to connect communities, challenge conventions, and expand how art is shared and valued today.\u003c/p\u003e6a:[\"$\",\"div\",null,{\"className\":\"mb-12 space-y-4\",\"children\":[[\"$\",\"div\",\"bio-0\",{\"className\":\"max-w-none text-foreground text-[16px] leading-relaxed [\u0026\u003ep]:mb-4 [\u0026\u003ep]:break-inside-avoid [\u0026_a]:font-semibold [\u0026_a]:italic [\u0026_a]:no-underline [\u0026_a]:hover:underline [\u0026_a]:hover:decoration-foreground/50 [\u0026_a]:hover:underline-offset-2 [\u0026_a]:hover:decoration-[1px]\",\"dangerouslySetInnerHTML\":{\"__html\":\"\u003cp\u003e\u003cstrong\u003ethefunnyguys\u003c/strong\u003e is co-founder and CEO of Le Random and Raster.\u003c/p\u003e\"}}],[\"$\",\"div\",\"bio-1\",{\"className\":\"max-w-none text-foreground text-[16px] leading-relaxed [\u0026\u003ep]:mb-4 [\u0026\u003ep]:break-inside-avoid [\u0026_a]:font-semibold [\u0026_a]:italic [\u0026_a]:no-underline [\u0026_a]:hover:underline [\u0026_a]:hover:decoration-foreground/50 [\u0026_a]:hover:underline-offset-2 [\u0026_a]:hover:decoration-[1px]\",\"dangerouslySetInnerHTML\":{\"__html\":\"$6f\"}}]]}]\n"])</script>
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3<script nonce="3s+dtOMHeBlhE8ffwgOTkQ==">self.__next_f.push([1,"\u003cp\u003eDigital art promised collectors unprecedented access. Yet abundance has not necessarily made discovery easier.\u003c/p\u003e\u003cp\u003eArtists work across chains, platforms and marketplaces. Their works circulate through wallets and social media while information about their practice, provenance and market exists somewhere else entirely. For experienced collectors, navigating this landscape can become almost instinctive: one artist leads to another, one collection opens on to the next. For someone arriving today, knowing where to start remains surprisingly difficult.\u003c/p\u003e\u003cp\u003eJan, better known as thefunnyguys, has experienced this evolution as both collector and builder. Since he began collecting in 2020, he estimates that he has acquired works by more than 1,000 artists. He went on to co-found Le Random, dedicated to collecting and contextualizing generative art, and more recently Raster, an aggregator and marketplace bringing together artworks and information otherwise dispersed across the digital art ecosystem.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003ethefunnyguys’ trajectory raises a question: if interfaces determine what we see, how much do they also determine how we collect?\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003ePauline Foessel, founder of 100 collectors, speaks to thefunnyguys about discovery, the uneasy relationship between art and data, and what better infrastructure for digital collecting might look like. \u003c/p\u003e\u003cfigure class=\"my-4\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1600\u0026amp;f=auto\u0026amp;sig=2a69a61e6de785f63eb030950640dfc3\" srcset=\"https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=640\u0026amp;f=auto\u0026amp;sig=2b8b4e792a30816dd90f029c4d3828af 640w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=768\u0026amp;f=auto\u0026amp;sig=c76d5d73731d87457fc1f422978ad911 768w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1024\u0026amp;f=auto\u0026amp;sig=b54106c0a628129c12b57ae09517f681 1024w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1280\u0026amp;f=auto\u0026amp;sig=3d0783a75edd9114242e9e9393cd2b57 1280w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1600\u0026amp;f=auto\u0026amp;sig=2a69a61e6de785f63eb030950640dfc3 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"1600\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003ethefunnyguys, profile picture portrait. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/figure\u003e\u003cp\u003e\u003cstrong\u003ePauline Foessel:\u003c/strong\u003e You’ve collected works by more than 1,000 artists. When you discover someone today, what happens? Is collecting still instinctive for you, or do you need to understand the wider practice first?\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ethefunnyguys:\u003c/strong\u003e For my personal collection, it’s quite spontaneous. I make a lot of smaller acquisitions. If I come across something interesting, I might simply collect it. I’m not going to spend a day researching an artist beforehand. But if I want to collect more from that artist, or spend more, then I go deeper. I try to understand what they’re doing, what their practice is about and what else they have created. I’ve probably collected more than 1,000 artists since 2020, but there are maybe only 10, 20 or 30 whom I really follow and continue collecting over time. For those artists, I read interviews, visit their websites, look at their other work and their references. If all of that continues to connect with me, I keep supp
3orting them.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eI also really value having a direct relationship with artists. When I travel, I like meeting them and visiting their studios when possible. I find it frustrating when there is friction around that, when, for example, a gallery doesn’t want a collector speaking directly to the artist. For me, that personal relationship matters.\u003c/p\u003e\u003c/blockquote\u003e\u003cfigure class=\"my-4\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1600\u0026amp;f=auto\u0026amp;sig=6b21c97d719187cb31d344297170e2ae\" srcset=\"https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=640\u0026amp;f=auto\u0026amp;sig=56964f55dc32a71f79779d018d730315 640w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=768\u0026amp;f=auto\u0026amp;sig=437a58c1b28e2d3840d02a7f7e37306c 768w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1024\u0026amp;f=auto\u0026amp;sig=65e2d6072b72271a8dc35a6cfa941785 1024w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1280\u0026amp;f=auto\u0026amp;sig=f6b1e3403b9ea25b6a504e004dc7c13a 1280w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1600\u0026amp;f=auto\u0026amp;sig=6b21c97d719187cb31d344297170e2ae 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"1841\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eKim Asendorf, \u003cem\u003eAefkl Ior A\u003c/em\u003e, 2022. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/figure\u003e\u003cp\u003e\u003cstrong\u003ePF:\u003c/strong\u003e For experienced collectors, discovery becomes almost a network. You follow an artist, then another collector, then what that collector is looking at. But I speak to many people who are genuinely interested in collecting and simply don’t know where to start. We have this incredible abundance of art and yet discovery still feels strangely difficult. Has the way you discover artists changed?\u003c/p\u003e\u003cp\u003e\u003cstrong\u003etfg:\u003c/strong\u003e It used to be much more platform-centric for me. I spent a lot of time on Art Blocks and fxhash and discovered many artists that way. Platforms don’t play quite the same role anymore. Galleries have become more important to me: which galleries are participating in fairs, which artists they bring, who they include in group exhibitions and which artists they place alongside one another. Then there is browsing other collectors’ collections. I might go to someone’s profile on Raster, see what they recently collected, look at the other artists in their collection and use that as a jumping-off point. But I think we can do much better.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eIt’s surprising that we don’t have better recommendation systems for digital art. There isn’t really somewhere you can connect your wallet and be recommended other artists you might like, areas you might want to explore or collectors you should follow. Discovery is still a problem to solve.\u003c/p\u003e\u003c/blockquote\u003e\u003cdiv class=\"rcs-carousel my-4\" data-carousel role=\"group\" aria-roledescription=\"carousel\" aria-label=\"Image carousel\"\u003e\u003cdiv class=\"rcs-carousel__track\" data-carousel-track tabindex=\"0\"\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"0\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"Slide 1 of 3\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=2000\u0026amp;f=auto\u0026amp;sig=31878ac38a82dc65e7b51add6db92ad5\" srcset=\"https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=640\u0026amp;f=auto\u0026amp;sig=7709dd8161eef81e3ed24119d696835c 640w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=768\u0026amp;f=auto\u0026amp;sig=0dd572a8aca3ead85bb56bbd65d86985 768w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=1024\u0026amp;f=auto\u0026amp;sig=ce2747e92da4866b428795d43f2f36ca 1024w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=1280\u0026amp;f=auto\u0026amp;sig=07840af991792f3808c25b5cfc93df50 1280w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=1600\u0026amp;f=auto\u0026amp;sig=c42eba2b26727f2cfee6b4072aca0634 1600w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=2000\u0026amp;f=auto\u0026amp;sig=31878ac38a82dc65e7b51add6db92ad5 2000w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"2000\" height=\"2000\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eTravess Smalley, \u003cem\u003e11_05_22_Pixel_Rug_01_TFG_100\u003c/em\u003e, 2022. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"1\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"
3Slide 2 of 3\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1600\u0026amp;f=auto\u0026amp;sig=09d3037b069b0248a3b6fab17e565b91\" srcset=\"https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=640\u0026amp;f=auto\u0026amp;sig=749e76a96d8b209e70b28c1f59e1a779 640w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=768\u0026amp;f=auto\u0026amp;sig=3ad13c088eb06632ddb5a4c6f9099ed9 768w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1024\u0026amp;f=auto\u0026amp;sig=c39a120df11ec5f1bdd197d9478ec379 1024w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1280\u0026amp;f=auto\u0026amp;sig=38b23614a2a8b54647fe6a39ae56f64d 1280w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1600\u0026amp;f=auto\u0026amp;sig=09d3037b069b0248a3b6fab17e565b91 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"1600\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eManolo Gamboa Naon, \u003cem\u003ebababa\u003c/em\u003e, 2021. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"2\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"Slide 3 of 3\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1600\u0026amp;f=auto\u0026amp;sig=73cfe379dbd649bc843ea2716100a410\" srcset=\"https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=640\u0026amp;f=auto\u0026amp;sig=a16fcb084809f26e95f6f32ee89c1be5 640w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=768\u0026amp;f=auto\u0026amp;sig=90b15e9bf65822d91aefc409a8282291 768w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1024\u0026amp;f=auto\u0026amp;sig=31249307771d0ee364d170e51ef1e901 1024w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1280\u0026amp;f=auto\u0026amp;sig=ffe6a0340bfefff0d3ddda326ad44d0a 1280w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1600\u0026amp;f=auto\u0026amp;sig=73cfe379dbd649bc843ea2716100a410 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"1600\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eIskra Velitchkova, \u003cem\u003eCASTAWAY\u003c/em\u003e, 2025. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003c/div\u003e\u003cdiv class=\"rcs-carousel__dots\" data-carousel-dots aria-hidden=\"true\"\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"0\" data-active=\"true\"\u003e\u003c/span\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"1\"\u003e\u003c/span\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"2\"\u003e\u003c/span\u003e\u003c/div\u003e\u003c/div\u003e\u003cp\u003e\u003cstrong\u003ePF:\u003c/strong\u003e And maybe that’s the paradox. You can arrive on a marketplace and have everything in front of you, but without context it can feel like nothing. Raster brings together the ecosystem, but you also put a lot of effort into contextualizing it. Then there is the data. Digital art gives us access to provenance and market information in a way that traditional art often doesn’t. How do you put all those numbers next to something we still want to experience emotionally?\u003c/p\u003e\u003cdiv class=\"my-4\"\u003e\u003ca href=\"/article/thefunnyguys-and-artnome-on-le-random\" target=\"_blank\" rel=\"noopener\" class=\"group flex gap-4 roun
3ded-lg bg-muted p-3 !no-underline !not-italic transition-colors hover:bg-accent\"\u003e\u003cdiv class=\"relative w-[110px] shrink-0 self-stretch overflow-hidden rounded-md bg-background\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/51cdde49-188a-4a27-ac88-495a6a9be306/25bc4521d39445f3?w=640\u0026amp;f=auto\u0026amp;sig=b67b175b64fac505cb21f1f06daa5872\" srcset=\"https://assets.rcs-cdn.com/img/51cdde49-188a-4a27-ac88-495a6a9be306/25bc4521d39445f3?w=320\u0026amp;f=auto\u0026amp;sig=d743ffcf5cac4babf6d7856e0db66de8 320w, https://assets.rcs-cdn.com/img/51cdde49-188a-4a27-ac88-495a6a9be306/25bc4521d39445f3?w=640\u0026amp;f=auto\u0026amp;sig=b67b175b64fac505cb21f1f06daa5872 640w\" sizes=\"110px\" alt=\"\" aria-hidden=\"true\" class=\"!m-0 h-full w-full object-cover\" loading=\"lazy\" /\u003e\u003c/div\u003e\u003cdiv class=\"flex min-w-0 flex-col justify-center gap-1.5 py-0.5\"\u003e\u003cspan class=\"!m-0 !font-[family-name:var(--font-inter)] shrink-0 !text-[0.7rem] uppercase tracking-wide !font-semibold text-muted-foreground\"\u003eArticle\u003c/span\u003e\u003cp class=\"!m-0 !font-[family-name:var(--font-inter)] !text-base !font-medium leading-tight text-foreground line-clamp-2 transition-colors group-hover:text-brand\"\u003ethefunnyguys and Artnome on Le Random\u003c/p\u003e\u003cp class=\"!m-0 !font-[family-name:var(--font-inter)] !text-sm font-normal leading-normal text-muted-foreground line-clamp-2\"\u003eThe renowned collector of generative art discusses his new digital institution with Jason Bailey\u003c/p\u003e\u003cp class=\"!m-0 !font-[family-name:var(--font-inter)] !text-xs font-normal text-muted-foreground/80\"\u003eJason Bailey\u003c/p\u003e\u003c/div\u003e\u003cspan class=\"sr-only\"\u003e (opens in a new tab)\u003c/span\u003e\u003c/a\u003e\u003c/div\u003e\u003cp\u003e\u003cstrong\u003etfg:\u003c/strong\u003e It’s a balance. We want to offer a beautiful experience for looking at art and discovering artists, but we also want to be pragmatic. If you want to be a functioning marketplace, collectors need provenance, active offers, listings and sales information.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eIf the market doesn’t function efficiently, I don’t think it can grow very much. Ultimately that means less art and fewer artists able to make a living from it.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eWhat we try to do differently is not lead with the data. We don’t put all the information on screen first and then give the art whatever space is left. We start with the art and sculpt the information around it.\u003c/p\u003e\u003cdiv class=\"rcs-carousel my-4\" data-carousel role=\"group\" aria-roledescription=\"carousel\" aria-label=\"Image carousel\"\u003e\u003cdiv class=\"rcs-carousel__track\" data-carousel-track tabindex=\"0\"\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"0\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"Slide 1 of 3\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1600\u0026amp;f=auto\u0026amp;sig=5b05d245efd6d520cd16a628cd7af13c\" srcset=\"https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=640\u0026amp;f=auto\u0026amp;sig=525a83820604f75ef1b4716c2293b02d 640w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=768\u0026amp;f=auto\u0026amp;sig=e194e494e21ac625396c75189cdf86ee 768w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1024\u0026amp;f=auto\u0026amp;sig=56d5070329c03129f218f931f7402f91 1024w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1280\u0026amp;f=auto\u0026amp;sig=4919e809650ac78ea433519638aed055 1280w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1600\u0026amp;f=auto\u0026amp;sig=5b05d245efd6d520cd16a628cd7af13c 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"2261\" 
3class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eWilliam Mapan, \u003cem\u003eAnticyclone #303\u003c/em\u003e, 2022. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"1\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"Slide 2 of 3\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1600\u0026amp;f=auto\u0026amp;sig=d10b1d206e9e9954aea8fdacc88c5fea\" srcset=\"https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=640\u0026amp;f=auto\u0026amp;sig=5b14ae922c4b966f845e45f25576e560 640w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=768\u0026amp;f=auto\u0026amp;sig=af79370986b9d3c15f17059d4bc0b4d3 768w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1024\u0026amp;f=auto\u0026amp;sig=7b3d2c131cd271356d5faf34bbdae290 1024w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1280\u0026amp;f=auto\u0026amp;sig=6948dbe399fd83c79a1828d33b3ce902 1280w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1600\u0026amp;f=auto\u0026amp;sig=d10b1d206e9e9954aea8fdacc88c5fea 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"2555\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eYuri jjjj, \u003cem\u003eThoreau in the forest throwing his mushrooms away\u003c/em\u003e, 2025. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"2\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"Slide 3 of 3\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1600\u0026amp;f=auto\u0026amp;sig=938759859f14f5d3a7b8cad86455d7fe\" srcset=\"https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=640\u0026amp;f=auto\u0026amp;sig=8ba3388dd2c35d28907cdce6e12276a0 640w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=768\u0026amp;f=auto\u0026amp;sig=8881756f05cd0e8ddf4b67790b2ff187 768w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1024\u0026amp;f=auto\u0026amp;sig=85a9441477348604165f5ea46fcb02ca 1024w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1280\u0026amp;f=auto\u0026amp;sig=0b51a9712ab8da7d478ab8b024f1770f 1280w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1600\u0026amp;f=auto\u0026amp;sig=938759859f14f5d3a7b8cad86455d7fe 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"1600\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eAndreas Gysin, \u003cem\u003eTowers #163\u003c/em\u003e, 2022. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003c/div\u003e\u003cdiv class=\"rcs-carousel__dots\" data-carousel-dots aria-hidden=\"true\"\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"0\" data-active=\"true\"\u003e\u003c/span\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"1\"\u003e\u003c/span\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"2\"\u003e\u003c/span\u003e\u003c/div\u003e\u003c/div\u003e\u003cp\u003e\u003cstrong\u003ePF:\u003c/strong\u003e Because interfaces aren’t neutral. The information you foreground can change how somebody looks at an artwork. What data genuinely helps us collect, and when does it become noise?\u003c/p\u003e\u003cp\u003e\u003cstrong\u003etfg:\u003c/strong\u003e Ownership history is always interesting. Offers, listings and recent sales can help you understand what something might be worth, so that you neither overpay nor make an offer completely disconnected from the market. But there are other metrics I’m less convinced by. Volume is one example. A collection might have enormous historical volume because of what happened in 2021, but that doesn’t necessarily tell you much in 2026. Rarity is another.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eSome marketplaces calculate the rarity of individual tokens based on particular traits. I’m not sure how useful that is for art collectors today. And these systems don’t only influence collectors. They can influence the way artists make work.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eIf artists know marketplaces will use certain traits to calculate rarity, they might stop defining those traits, even when they would otherwise help collectors understand the work. Artists can also start thinking about edition sizes according to what they believe will perform better on a marketplace. So we need to get this right. Interfaces influence the way people value art and potentially the way artists produce it.\u003c/p\u003e\u003cfigure class=\"my-4\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1600\u0026amp;f=auto\u0026amp;sig=a1ec818c77180946cbc9a4a2a1a163d1\" srcset=\"https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=640\u0026amp;f=auto\u0026amp;sig=b47de2d4ee34a9eb5b49a529d323157d 640w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=768\u0026amp;f=auto\u0026amp;sig=5cb22b95383867b7128880644a14dbd6 768w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1024\u0026amp;f=auto\u0026amp;sig=466c57e0a093bd824e3d333005b8bb14 1024w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1280\u0026amp;f=auto\u0026amp;sig=83a028c55206b4d1f5fa467e523f4e78 1280w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1600\u0026amp;f=auto\u0026amp;sig=a1ec818c77180946cbc9a4a2a1a163d1 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"2000\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eLinda Dounia, \u003cem\u003eF4 GNS05 Fourth Generation\u003c/em\u003e, 2024. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/figure\u003e\u003cp\u003e\u003cstrong\u003ePF:\u003c/strong\u003e That’s where I think digital art be
3comes particularly interesting. It can be owned, but it can also be streamed, circulated and experienced almost infinitely. Yet we often continue to present it through models inherited from physical art: scarcity, uniqueness, keeping the valuable object protected somewhere. Maybe what we actually need isn’t one perfect interface, but many different ones: for buying, discovering, researching or simply experiencing art.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003etfg:\u003c/strong\u003e That’s something I find really exciting. One of the amazing things about digital art and blockchain is that the data is publicly accessible. I would love a future where there aren’t one or two interfaces through which we experience digital art, but hundreds or thousands. Some might be optimized for collecting, buying and selling. Others could be purely viewing experiences. Raster will never be the perfect viewing experience because we’re also building a marketplace. Someone will always be able to make something more beautiful by removing certain information. That’s fine. There is so much left to build. This is also why we make our data available through an API.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eWe’ve spent a huge amount of time building this aggregated database. Other people shouldn’t have to repeat that work. They can use the data and focus on a new interface, experience or business model.\u003c/p\u003e\u003c/blockquote\u003e\u003cfigure class=\"my-4\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1600\u0026amp;f=auto\u0026amp;sig=a064ffb378b6972841cb4fe36026fcec\" srcset=\"https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=640\u0026amp;f=auto\u0026amp;sig=98e61a90e64849fdb0305a780bfed16c 640w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=768\u0026amp;f=auto\u0026amp;sig=11237dba2e3465fdca39ffa5a4106705 768w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1024\u0026amp;f=auto\u0026amp;sig=47b0bb6c8b1349dcffc2cf8c3d5e27ce 1024w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1280\u0026amp;f=auto\u0026amp;sig=fbc447ee2e1d527e34304dea608f1a70 1280w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1600\u0026amp;f=auto\u0026amp;sig=a064ffb378b6972841cb4fe36026fcec 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"2044\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eFrances Skomra, \u003cem\u003eskomra comes undone\u003c/em\u003e, 2026. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/figure\u003e\u003cp\u003e\u003cstrong\u003ePF:\u003c/strong\u003e There’s also something interesting about who is building this infrastructure. You didn’t enter the space thinking, “I’m going to build a marketplace.” You entered as a collector. At what point did collecting turn into building?\u003c/p\u003e\u003cp\u003e\u003cstrong\u003etfg:\u003c/strong\u003e In a funny way, becoming a full-time collector was actually the unexpected part. I always knew I wanted to go into business and be an entrepreneur. What surprised me was becoming a full-time collector when I was around 23.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eI had always imagined that being a full-time collector was something you did when you retired at 65 or 70. I basically rolled into it by accident. But I knew I would eventually build a company and a product. I love art, technology and business, and a digital art marketplace sits at the intersection of those things.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eMore importantly, there was a real problem to solve. For a long time Raster almost felt \u003cem\u003etoo obvious\u003c/em\u003e as an idea. I kept thinking: someone else must be building this. Surely they’re going to release it soon. Then it was 2024 and nobody had. So we thought: we’ll do it ourselves.\u003c/p\u003e\u003cfigure class=\"my-4\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1600\u0026amp;f=auto\u0026amp;sig=657f6020f8b8e58501bcc674c5033ae1\" srcset=\"https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=640\u0026amp;f=auto\u0026amp;sig=b59ae611d4e4b8f913fe20ad5cbf7b08 640w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=768\u0026amp;f=auto\u0026amp;sig=3f491902b350d3b4951a84fb01c4b255 768w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1024\u0026amp;f=auto\u0026amp;sig=df52844d946c0b859439af1c7bba294f 1024w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1280\u0026amp;f=auto\u0026amp;sig=16c48b3ee6e70f4fd6fabe1f06ba0900 1280w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1600\u0026amp;f=auto\u0026amp;sig=657f6020f8b8e58501bcc674c5033ae1 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"2238\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eEmily Xie, \u003cem\u003eMemories of Qilin #595\u003c/em\u003e, 2022. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/figure\u003e\u003cp\u003e\u003cstrong\u003ePF:\u003c/strong\u003e I keep coming back to discovery because I think this is where technology meets something much harder to scale. I can look inside another collector’s wallet and discover an artist. But it’s different if that collector tells me: \u003cem\u003ethese are five artists I’m looking at, and this is why. \u003c/em\u003eThe “why” gives you a way in.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003etfg:\u003c/strong\u003e Definitely. The question for us is how you make something like that work at scale. How difficult is it for people to contribute? How do you keep it updated? But there is clearly much more we can do there. And I think the collector base itself needs to grow. Raster was initially built for people who already understood digital art. We assumed they knew what crypto was and already had a wallet. That has to change.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eWe want people to be able to sign up with an email address and pay without first having to buy ETH. Growing the collector base is teamwork. There are many different actors who have a role to play.\u003c/p\u003e\u003c/blockquote\u003e\u003cdiv class=\"rcs-carousel my-4\" data-carousel role=\"group\" aria-roledescription=\"carousel\" aria-label=\"Image carousel\"\u003e\u003cdiv class=\"rcs-carousel__track\" data-carousel-track tabindex=\"0\"\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"0\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"
3Slide 1 of 2\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=2000\u0026amp;f=auto\u0026amp;sig=29664491c9f1f0f7f14ac4f48ea2dfbb\" srcset=\"https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=640\u0026amp;f=auto\u0026amp;sig=42038f4f9598cb8e71c1c750d984a6ac 640w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=768\u0026amp;f=auto\u0026amp;sig=aa84ca2c40d0d40ed1d22356775ab905 768w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=1024\u0026amp;f=auto\u0026amp;sig=a4732a0c3a12fa122445cbb3c007f300 1024w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=1280\u0026amp;f=auto\u0026amp;sig=f4f1f8e0ab5fe6c38cd6c6b7481125bc 1280w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=1600\u0026amp;f=auto\u0026amp;sig=a0250a86dbea5eaf28dd6a9eb0dc872d 1600w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=2000\u0026amp;f=auto\u0026amp;sig=29664491c9f1f0f7f14ac4f48ea2dfbb 2000w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"2000\" height=\"2252\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eSofia Crespo, soft_colonies_1898, 2022. Courtesy of the artist. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003cfigure class=\"rcs-carousel__slide\" data-carousel-slide=\"1\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"Slide 2 of 2\"\u003e\u003cdiv class=\"rcs-carousel__slide-inner\"\u003e\u003cimg src=\"https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1600\u0026amp;f=auto\u0026amp;sig=7d5a42c2cfd0c92846efcf771d1a781d\" srcset=\"https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=640\u0026amp;f=auto\u0026amp;sig=2ff2849afd9b67481c9089327878dc32 640w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=768\u0026amp;f=auto\u0026amp;sig=d1cdf054be97f5b027f4bdf56bbe31a1 768w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1024\u0026amp;f=auto\u0026amp;sig=2589c1b0cd55f1fb9e365f72eb12e866 1024w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1280\u0026amp;f=auto\u0026amp;sig=c8d23e5182e6134802dce4ef6c87ce63 1280w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1600\u0026amp;f=auto\u0026amp;sig=7d5a42c2cfd0c92846efcf771d1a781d 1600w\" sizes=\"(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)\" alt=\"\" width=\"1600\" height=\"1067\" class=\"rounded-lg max-w-full\" loading=\"lazy\" /\u003e\u003cfigcaption class=\"mt-2 text-sm text-center text-muted-foreground [\u0026_a]:underline [\u0026_a]:underline-offset-2 [\u0026_p]:m-0\"\u003e\u003cp\u003eJohn Provencher, \u003cem\u003eRASTER LOGO #449\u003c/em\u003e, 2026. Courtesy of the artist. Private collection of thefunnyguys\u003c/p\u003e\u003c/figcaption\u003e\u003c/div\u003e\u003c/figure\u003e\u003c/div\u003e\u003cdiv class=\"rcs-carousel__dots\" data-carousel-dots aria-hidden=\"true\"\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"0\" data-active=\"true\"\u003e\u003c/span\u003e\u003cspan class=\"rcs-carousel__dot\" data-carousel-dot=\"1\"\u003e\u003c/span\u003e\u003c/div\u003e\u003c/div\u003e\u003cp\u003e\u003cstrong\u003ePF:\u003c/strong\u003e I’m not sure collecting itself can ever fully scale. Technology can make access, information and transactions infinitely more efficient. But collecting is still about relationships: with an artist, with an artwork, with other collectors, and with a particular moment in your own life. Maybe the infrastru
3cture needs to scale without losing that.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003etfg:\u003c/strong\u003e I agree. And that’s also why I’m optimistic about art more broadly. With AI changing knowledge work so quickly, it’s difficult to know what many jobs will look like in the future.\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eWhat I find hard to imagine is a world in which art disappears, because art is ultimately about human relationships. If automation means we eventually spend less of our lives doing purely productive work, perhaps there is actually more room for art.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eI think more people will find meaning in culture, and the digital and global nature of this medium gives it the possibility of reaching many more of them. How long that takes, I don’t know. But I’m going to try to stick around for it.\u003c/p\u003e"])</script>
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3<script type="application/ld+json" nonce="3s+dtOMHeBlhE8ffwgOTkQ==">{"@context":"https://schema.org","@type":"NewsArticle","mainEntityOfPage":{"@type":"WebPage","@id":"https://www.rightclicksave.com/article/on-collecting-by-100-collectors-thefunnyguys-interview-interfaces-around-digital-art"},"headline":"On Collecting | thefunnyguys on How Interfaces Shape Digital Art","isAccessibleForFree":true,"publisher":{"@type":"Organization","@id":"https://www.rightclicksave.com/#organization","name":"Right Click Save","url":"https://www.rightclicksave.com","logo":{"@type":"ImageObject","url":"https://www.rightclicksave.com/logo.svg"}},"description":"Pauline Foessel, founder of 100 collectors, speaks with Jan, aka thefunnyguys, the collector and co-founder of the digital art marketplace Raster, about discovery, data, and how the infrastructure surrounding digital art affects the way we collect","image":["https://assets.rcs-cdn.com/img/6d1bc12d-f32a-4cc8-af7f-7dd1bf2c873a/283b0ff822246715?w=1280\u0026f=jpeg\u0026sig=51d15e27bcb9bc875964dc582587ac47"],"datePublished":"2026-10-01T16:51:00.000Z","author":[{"@type":"Person","name":"Pauline Foessel"}]}</script>
3<div aria-hidden="true" class="pointer-events-none fixed inset-x-0 z-[60] h-0.5 transition-[top] duration-300 ease-out" style="top:0"><div class="h-full origin-left bg-[var(--rcs-pink)] opacity-0 transition-opacity duration-150" style="transform:scaleX(0)"></div></div><div class="-mx-6 lg:mx-0 lg:mb-[-5rem] lg:pb-20"><article class="pb-3"><div class="pb-12"><header><div class="mb-6"><figure><div class="relative overflow-hidden bg-muted max-h-[600px]"><img src="https://assets.rcs-cdn.com/img/6d1bc12d-f32a-4cc8-af7f-7dd1bf2c873a/283b0ff822246715?w=2000&amp;f=auto&amp;sig=77605daff8f0eef4ea7b8dc19a3fdfa2" srcSet="https://assets.rcs-cdn.com/img/6d1bc12d-f32a-4cc8-af7f-7dd1bf2c873a/283b0ff822246715?w=768&amp;f=auto&amp;sig=2c4d582111a19dc8e87814153744ab04 768w, https://assets.rcs-cdn.com/img/6d1bc12d-f32a-4cc8-af7f-7dd1bf2c873a/283b0ff822246715?w=1280&amp;f=auto&amp;sig=3fdb89aee57c7dae06704b3652bc4eb1 1280w, https://assets.rcs-cdn.com/img/6d1bc12d-f32a-4cc8-af7f-7dd1bf2c873a/283b0ff822246715?w=1600&amp;f=auto&amp;sig=a8ba9531b449f8bf3d1b8d15ee92f658 1600w, https://assets.rcs-cdn.com/img/6d1bc12d-f32a-4cc8-af7f-7dd1bf2c873a/283b0ff822246715?w=2000&amp;f=auto&amp;sig=77605daff8f0eef4ea7b8dc19a3fdfa2 2000w" sizes="(max-width: 768px) 100vw, (max-width: 1200px) 80vw, 1048px" width="1048" height="700" alt="On Collecting | thefunnyguys on How Interfaces Shape Digital Art" loading="eager" fetchPriority="high" decoding="async" class="w-full h-auto max-h-[600px] object-cover"/></div><figcaption class="mt-3 px-4 md:px-10 lg:px-32 text-[14px] leading-[1.2] text-foreground opacity-50"><p>qubibi, <em>Water Studies #15</em>, 2025. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></figure></div><div class="px-4 md:px-10 lg:px-32 pt-10"><div class="mb-5 flex flex-wrap items-center gap-2 text-[16px] font-medium"><time dateTime="2026-10-01T16:51:00+00:00" class="text-foreground">October 1, 2026</time><span class="text-foreground/30">·</span><a class="text-foreground/50 transition-colors hover:text-brand" href="/magazine?category=interviews">Interviews</a></div><h1 class="text-[32px] md:text-[40px] font-normal leading-[1.15] text-foreground font-[family-name:var(--font-lora)] mb-5 uppercase">On Collecting | thefunnyguys on How Interfaces Shape Digital Art</h1><p class="mb-5 text-[20px] leading-[1.4] text-foreground font-[family-name:var(--font-sentient)] font-normal">Pauline Foessel, founder of 100 collectors, speaks with Jan, aka thefunnyguys, the collector and co-founder of the digital art marketplace Raster, about discovery, data, and how the infrastructure surrounding digital art affects the way we collect</p><div class="mb-8"><span class="text-[16px] font-medium text-foreground"><span>Pauline Foessel</span></span></div></div><div class="pt-0 pb-8 px-4 md:px-10 lg:px-32"><div class="flex flex-wrap items-center gap-3"><span class="text-[12px] uppercase tracking-[0.14em] text-muted-foreground">In partnership with</span><img src="https://assets.rcs-cdn.com/admin/articles/on-collecting-by-100-collectors-thefunnyguys-on-how-interfaces-shape-collecting/collab-logo/1790848595455-100_Collectors.webp" width="160" height="36" alt="Partner logo" loading="lazy" fetchPriority="auto" decoding="async" class="h-auto max-h-8 w-auto object-contain dark:hidden"/><img src="https://assets.rcs-cdn.com/admin/articles/on-collecting-by-100-collectors-thefunnyguys-on-how-interfaces-shape-collecting/collab-logo-dark/1790848990984-100_collectors_logo_horizontal_white_002_png.webp" width="160" height="36" alt="Partner logo" loading="lazy" fetchPriority="auto" decoding="async" class="hidden h-auto max-h-8 w-auto object-contain dark:block"/></div></div></header><hr class="mx-4 md:mx-10 lg:mx-32 border-border"/><section class="px-4 md:px-10 lg:px-32 pt-6 pb-2"><div class="mb-4 text-[20px] leading-[1.4] text-foreground font-[family-name:var(--font-inter)] font-normal [&amp;_a]:font-semibold [&amp;_a]:italic [&amp;_a]:no-underline [&amp;_a]:text-inherit hover:[&amp;_a]:underline hover:[&amp;_a]:decoration-foreground/50 hover:[&amp;_a]:underline-offset-2 [&amp;_a]:[text-decoration-thickness:1px] [&amp;_p]:m-0 [&amp;_p+_p]:mt-3"><p>This article is produced by <em>
3Right Click Save</em> in partnership with 100 collectors. It is one of a series in which 100 collectors, <a target="_blank" rel="noopener noreferrer" class="underline underline-offset-2" href="https://www.100collectors.art"><u>the global network for digital art collectors</u></a>, contributes collector-focused perspectives, conversations, and editorial formats to the magazine.</p></div></section><hr class="mx-4 md:mx-10 lg:mx-32 border-border"/><!--$?--><template id="B:5"></template><section aria-hidden="true" class="px-4 py-4 md:px-10 lg:px-32"><div class="space-y-2"><div data-slot="skeleton" class="rcs-skeleton h-3 w-44 rounded-sm"></div><div class="flex flex-wrap gap-2"><div data-slot="skeleton" class="rcs-skeleton h-4 w-24 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-4 w-36 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-4 w-28 rounded-sm"></div></div></div></section><hr class="mx-4 border-border md:mx-10 lg:mx-32"/><!--/$--><section class="px-4 md:px-10 lg:px-32 pt-10"><!--$?--><template 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3<div hidden id="S:6"><div class="relative" data-article-read-container=""><div class="prose prose-article max-w-none"><p>Digital art promised collectors unprecedented access. Yet abundance has not necessarily made discovery easier.</p><p>Artists work across chains, platforms and marketplaces. Their works circulate through wallets and social media while information about their practice, provenance and market exists somewhere else entirely. For experienced collectors, navigating this landscape can become almost instinctive: one artist leads to another, one collection opens on to the next. For someone arriving today, knowing where to start remains surprisingly difficult.</p><p>Jan, better known as thefunnyguys, has experienced this evolution as both collector and builder. Since he began collecting in 2020, he estimates that he has acquired works by more than 1,000 artists. He went on to co-found Le Random, dedicated to collecting and contextualizing generative art, and more recently Raster, an aggregator and marketplace bringing together artworks and information otherwise dispersed across the digital art ecosystem.</p><blockquote><p>thefunnyguys’ trajectory raises a question: if interfaces determine what we see, how much do they also determine how we collect?</p></blockquote><p>Pauline Foessel, founder of 100 collectors, speaks to thefunnyguys about discovery, the uneasy relationship between art and data, and what better infrastructure for digital collecting might look like. </p><figure class="my-4"><img src="https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1600&amp;f=auto&amp;sig=2a69a61e6de785f63eb030950640dfc3" srcset="https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=640&amp;f=auto&amp;sig=2b8b4e792a30816dd90f029c4d3828af 640w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=768&amp;f=auto&amp;sig=c76d5d73731d87457fc1f422978ad911 768w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1024&amp;f=auto&amp;sig=b54106c0a628129c12b57ae09517f681 1024w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1280&amp;f=auto&amp;sig=3d0783a75edd9114242e9e9393cd2b57 1280w, https://assets.rcs-cdn.com/img/d1a7fd8b-74cb-4a55-bece-41ac723d6fcb/aa28ceddbd6e4b80?w=1600&amp;f=auto&amp;sig=2a69a61e6de785f63eb030950640dfc3 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="1600" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>thefunnyguys, profile picture portrait. Private collection of thefunnyguys</p></figcaption></figure><p><strong>Pauline Foessel:</strong> You’ve collected works by more than 1,000 artists. When you discover someone today, what happens? Is collecting still instinctive for you, or do you need to understand the wider practice first?</p><p><strong>thefunnyguys:</strong> For my personal collection, it’s quite spontaneous. I make a lot of smaller acquisitions. If I come across something interesting, I might simply collect it. I’m not going to spend a day researching an artist beforehand. But if I want to collect more from that artist, or spend more, then I go deeper. I try to understand what they’re doing, what their practice is about and what else they have created. I’ve probably collected more than 1,000 artists since 2020, but there are maybe only 10, 20 or 30 whom I really follow and continue collecting over time. For those artists, I read interviews, visit their websites, look at their other work and their references. If all of that continues to connect with me, I keep supporting them.</p><blockquote><p>I also really value having a direct relationship with artists. When I travel, I like meeting them and visiting their studios when possible. I find it frustrating when there is friction around that, when, for example, a gallery doesn’t want a collector speaking directly to the artist. For me, that personal relationship matters.</p></blockquote><figure class="my-4"><img src="https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1600&amp;f=auto&amp;sig=6b21c97d719187cb31d344297170e2ae" srcset="https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=640&amp;f=auto&amp;sig=56964f55dc32a71f79779d018d730315 640w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=768&amp;f=auto&amp;sig=437a58c1b28e2d3840d02a7f7e37306c 768w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1024&amp;f=auto&amp;sig=65e2d6072b72271a8dc35a6cfa941785 1024w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1280&amp;f=auto&amp;sig=f6b1e3403b9ea25b6a504e004dc7c13a 1280w, https://assets.rcs-cdn.com/img/37fa1c89-ca66-4f6a-86f1-8cf3244c67ca/170697ee09feb4bc?w=1600&amp;f=auto&amp;sig=6b21c97d719187cb31d344297170e2ae 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="1841" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Kim Asendorf, <em>Aefkl Ior A</em>, 2022. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></figure><p><strong>PF:</strong> For experienced collectors, discovery becomes almost a network. You follow an artist, then another collector, then what that collector is looking at. But I speak to many people who are genuinely interested in collecting and simply don’t know where to start. We have this incredible abundance of art and yet discovery still feels strangely difficult. Has the way you discover artists changed?</p><p><strong>tfg:</strong> It used to be much more platform-centric for me. I spent a lot of time on Art Blocks and fxhash and discovered many artists that way. Platforms don’t play quite the same role anymore. Galleries have become more important to me: which galleries are participating in fairs, which artists they bring, who they include in group exhibitions and which artists they place alongside one another. Then there is browsing other collectors’ collections. I might go to someone’s profile on Raster, see what they recently collected, look at the other artists in their collection and use that as a jumping-off point. But I think we can do much better.</p><blockquote><p>It’s surprising that we don’t have better recommendation systems for digital art. There isn’t really somewhere you can connect your wallet and be recommended other artists you might like, areas you might want to explore or collectors you should follow. Discovery is still a problem to solve.</p></blockquote><div class="rcs-carousel my-4" data-carousel role="group" aria-roledescription="carousel" aria-label="Image carousel"><div class="rcs-carousel__track" data-carousel-track tabindex="0"><figure class="rcs-carousel__slide" data-carousel-slide="0" role="group" aria-roledescription="slide" aria-label="Slide 1 of 3"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=2000&amp;f=auto&amp;sig=31878ac38a82dc65e7b51add6db92ad5" srcset="https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=640&amp;f=auto&amp;sig=7709dd8161eef81e3ed24119d696835c 640w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=768&amp;f=auto&amp;sig=0dd572a8aca3ead85bb56bbd65d86985 768w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=1024&amp;f=auto&amp;sig=ce2747e92da4866b428795d43f2f36ca 1024w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=1280&amp;f=auto&amp;sig=07840af991792f3808c25b5cfc93df50 1280w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=1600&amp;f=auto&amp;sig=c42eba2b26727f2cfee6b4072aca0634 1600w, https://assets.rcs-cdn.com/img/d0643cce-91b1-4830-b520-3e5a360969ac/0c6ffcb2342400e0?w=2000&amp;f=auto&amp;sig=31878ac38a82dc65e7b51add6db92ad5 2000w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="2000" height="2000" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Travess Smalley, <em>11_05_22_Pixel_Rug_01_TFG_100</em>, 2022. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure><figure class="rcs-carousel__slide" data-carousel-slide="1" role="group" aria-roledescription="slide" aria-label="Slide 2 of 3"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1600&amp;f=auto&amp;sig=09d3037b069b0248a3b6fab17e565b91" srcset="https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=640&amp;f=auto&amp;sig=749e76a96d8b209e70b28c1f59e1a779 640w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=768&amp;f=auto&amp;sig=3ad13c088eb06632ddb5a4c6f9099ed9 768w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1024&amp;f=auto&amp;sig=c39a120df11ec5f1bdd197d9478ec379 1024w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1280&amp;f=auto&amp;sig=38b23614a2a8b54647fe6a39ae56f64d 1280w, https://assets.rcs-cdn.com/img/907e6e5e-ed5a-48ce-9917-29461cbf1d89/9ae3ef10e71ce498?w=1600&amp;f=auto&amp;sig=09d3037b069b0248a3b6fab17e565b91 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="1600" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Manolo Gamboa Naon, <em>bababa</em>, 2021. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure><figure class="rcs-carousel__slide" data-carousel-slide="2" role="group" aria-roledescription="slide" aria-label="Slide 3 of 3"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1600&amp;f=auto&amp;sig=73cfe379dbd649bc843ea2716100a410" srcset="https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=640&amp;f=auto&amp;sig=a16fcb084809f26e95f6f32ee89c1be5 640w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=768&amp;f=auto&amp;sig=90b15e9bf65822d91aefc409a8282291 768w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1024&amp;f=auto&amp;sig=31249307771d0ee364d170e51ef1e901 1024w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1280&amp;f=auto&amp;sig=ffe6a0340bfefff0d3ddda326ad44d0a 1280w, https://assets.rcs-cdn.com/img/490f1986-abee-4f6d-9c10-38d0ef3d731b/dd6e8787df246cb0?w=1600&amp;f=auto&amp;sig=73cfe379dbd649bc843ea2716100a410 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="1600" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Iskra Velitchkova, <em>CASTAWAY</em>, 2025. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure></div><div class="rcs-carousel__dots" data-carousel-dots aria-hidden="true"><span class="rcs-carousel__dot" data-carousel-dot="0" data-active="true"></span><span class="rcs-carousel__dot" data-carousel-dot="1"></span><span class="rcs-carousel__dot" data-carousel-dot="2"></span></div></div><p><strong>PF:</strong> And maybe that’s the paradox. You can arrive on a marketplace and have everything in front of you, but without context it can feel like nothing. Raster brings together the ecosystem, but you also put a lot of effort into contextualizing it. Then there is the data. Digital art gives us access to provenance and market information in a way that traditional art often doesn’t. How do you put all those numbers next to something we still want to experience emotionally?</p><div class="my-4"><a href="/article/thefunnyguys-and-artnome-on-le-random" target="_blank" rel="noopener" class="group flex gap-4 roun
3ded-lg bg-muted p-3 !no-underline !not-italic transition-colors hover:bg-accent"><div class="relative w-[110px] shrink-0 self-stretch overflow-hidden rounded-md bg-background"><img src="https://assets.rcs-cdn.com/img/51cdde49-188a-4a27-ac88-495a6a9be306/25bc4521d39445f3?w=640&amp;f=auto&amp;sig=b67b175b64fac505cb21f1f06daa5872" srcset="https://assets.rcs-cdn.com/img/51cdde49-188a-4a27-ac88-495a6a9be306/25bc4521d39445f3?w=320&amp;f=auto&amp;sig=d743ffcf5cac4babf6d7856e0db66de8 320w, https://assets.rcs-cdn.com/img/51cdde49-188a-4a27-ac88-495a6a9be306/25bc4521d39445f3?w=640&amp;f=auto&amp;sig=b67b175b64fac505cb21f1f06daa5872 640w" sizes="110px" alt="" aria-hidden="true" class="!m-0 h-full w-full object-cover" loading="lazy" /></div><div class="flex min-w-0 flex-col justify-center gap-1.5 py-0.5"><span class="!m-0 !font-[family-name:var(--font-inter)] shrink-0 !text-[0.7rem] uppercase tracking-wide !font-semibold text-muted-foreground">Article</span><p class="!m-0 !font-[family-name:var(--font-inter)] !text-base !font-medium leading-tight text-foreground line-clamp-2 transition-colors group-hover:text-brand">thefunnyguys and Artnome on Le Random</p><p class="!m-0 !font-[family-name:var(--font-inter)] !text-sm font-normal leading-normal text-muted-foreground line-clamp-2">The renowned collector of generative art discusses his new digital institution with Jason Bailey</p><p class="!m-0 !font-[family-name:var(--font-inter)] !text-xs font-normal text-muted-foreground/80">Jason Bailey</p></div><span class="sr-only"> (opens in a new tab)</span></a></div><p><strong>tfg:</strong> It’s a balance. We want to offer a beautiful experience for looking at art and discovering artists, but we also want to be pragmatic. If you want to be a functioning marketplace, collectors need provenance, active offers, listings and sales information.</p><blockquote><p>If the market doesn’t function efficiently, I don’t think it can grow very much. Ultimately that means less art and fewer artists able to make a living from it.</p></blockquote><p>What we try to do differently is not lead with the data. We don’t put all the information on screen first and then give the art whatever space is left. We start with the art and sculpt the information around it.</p><div class="rcs-carousel my-4" data-carousel role="group" aria-roledescription="carousel" aria-label="Image carousel"><div class="rcs-carousel__track" data-carousel-track tabindex="0"><figure class="rcs-carousel__slide" data-carousel-slide="0" role="group" aria-roledescription="slide" aria-label="Slide 1 of 3"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1600&amp;f=auto&amp;sig=5b05d245efd6d520cd16a628cd7af13c" srcset="https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=640&amp;f=auto&amp;sig=525a83820604f75ef1b4716c2293b02d 640w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=768&amp;f=auto&amp;sig=e194e494e21ac625396c75189cdf86ee 768w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1024&amp;f=auto&amp;sig=56d5070329c03129f218f931f7402f91 1024w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1280&amp;f=auto&amp;sig=4919e809650ac78ea433519638aed055 1280w, https://assets.rcs-cdn.com/img/099a3226-060d-4e7d-8a3e-06cc701fc08d/d3c99c2afb7d4279?w=1600&amp;f=auto&amp;sig=5b05d245efd6d520cd16a628cd7af13c 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="2261" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>William Mapan, <em>Anticyclone #303</em>, 2022. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure><figure class="rcs-carousel__slide" data-carousel-slide="1" role="group" aria-roledescription="slide" aria-label="Slide 2 of 3"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1600&amp;f=auto&amp;sig=d10b1d206e9e9954aea8fdacc88c5fea" srcset="https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=640&amp;f=auto&amp;sig=5b14ae922c4b966f845e45f25576e560 640w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=768&amp;f=auto&amp;sig=af79370986b9d3c15f17059d4bc0b4d3 768w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1024&amp;f=auto&amp;sig=7b3d2c131cd271356d5faf34bbdae290 1024w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1280&amp;f=auto&amp;sig=6948dbe399fd83c79a1828d33b3ce902 1280w, https://assets.rcs-cdn.com/img/5ec9e884-102e-4d7a-b55b-44b119aa3427/e549fd0cd2326f87?w=1600&amp;f=auto&amp;sig=d10b1d206e9e9954aea8fdacc88c5fea 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="2555" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Yuri jjjj, <em>Thoreau in the forest throwing his mushrooms away</em>, 2025. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure><figure class="rcs-carousel__slide" data-carousel-slide="2" role="group" aria-roledescription="slide" aria-label="Slide 3 of 3"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1600&amp;f=auto&amp;sig=938759859f14f5d3a7b8cad86455d7fe" srcset="https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=640&amp;f=auto&amp;sig=8ba3388dd2c35d28907cdce6e12276a0 640w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=768&amp;f=auto&amp;sig=8881756f05cd0e8ddf4b67790b2ff187 768w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1024&amp;f=auto&amp;sig=85a9441477348604165f5ea46fcb02ca 1024w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1280&amp;f=auto&amp;sig=0b51a9712ab8da7d478ab8b024f1770f 1280w, https://assets.rcs-cdn.com/img/66ae0072-7fe2-4393-a4b1-695374e632f5/08e9af4c528a825d?w=1600&amp;f=auto&amp;sig=938759859f14f5d3a7b8cad86455d7fe 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="1600" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Andreas Gysin, <em>Towers #163</em>, 2022. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure></div><div class="rcs-carousel__dots" data-carousel-dots aria-hidden="true"><span class="rcs-carousel__dot" data-carousel-dot="0" data-active="true"></span><span class="rcs-carousel__dot" data-carousel-dot="1"></span><span class="rcs-carousel__dot" data-carousel-dot="2"></span></div></div><p><strong>PF:</strong> Because interfaces aren’t neutral. The information you foreground can change how somebody looks at an artwork. What data genuinely helps us collect, and when does it become noise?</p><p><strong>tfg:</strong> Ownership history is always interesting. Offers, listings and recent sales can help you understand what something might be worth, so that you neither overpay nor make an offer completely disconnected from the market. But there are other metrics I’m less convinced by. Volume is one example. A collection might have enormous historical volume because of what happened in 2021, but that doesn’t necessarily tell you much in 2026. Rarity is another.</p><blockquote><p>Some marketplaces calculate the rarity of individual tokens based on particular traits. I’m not sure how useful that is for art collectors today. And these systems don’t only influence collectors. They can influence the way artists make work.</p></blockquote><p>If artists know marketplaces will use certain traits to calculate rarity, they might stop defining those traits, even when they would otherwise help collectors understand the work. Artists can also start thinking about edition sizes according to what they believe will perform better on a marketplace. So we need to get this right. Interfaces influence the way people value art and potentially the way artists produce it.</p><figure class="my-4"><img src="https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1600&amp;f=auto&amp;sig=a1ec818c77180946cbc9a4a2a1a163d1" srcset="https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=640&amp;f=auto&amp;sig=b47de2d4ee34a9eb5b49a529d323157d 640w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=768&amp;f=auto&amp;sig=5cb22b95383867b7128880644a14dbd6 768w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1024&amp;f=auto&amp;sig=466c57e0a093bd824e3d333005b8bb14 1024w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1280&amp;f=auto&amp;sig=83a028c55206b4d1f5fa467e523f4e78 1280w, https://assets.rcs-cdn.com/img/6496367a-059e-4f6c-aa5a-830cd2aa1f8f/8b672730de73de85?w=1600&amp;f=auto&amp;sig=a1ec818c77180946cbc9a4a2a1a163d1 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="2000" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Linda Dounia, <em>F4 GNS05 Fourth Generation</em>, 2024. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></figure><p><strong>PF:</strong>
3 That’s where I think digital art becomes particularly interesting. It can be owned, but it can also be streamed, circulated and experienced almost infinitely. Yet we often continue to present it through models inherited from physical art: scarcity, uniqueness, keeping the valuable object protected somewhere. Maybe what we actually need isn’t one perfect interface, but many different ones: for buying, discovering, researching or simply experiencing art.</p><p><strong>tfg:</strong> That’s something I find really exciting. One of the amazing things about digital art and blockchain is that the data is publicly accessible. I would love a future where there aren’t one or two interfaces through which we experience digital art, but hundreds or thousands. Some might be optimized for collecting, buying and selling. Others could be purely viewing experiences. Raster will never be the perfect viewing experience because we’re also building a marketplace. Someone will always be able to make something more beautiful by removing certain information. That’s fine. There is so much left to build. This is also why we make our data available through an API.</p><blockquote><p>We’ve spent a huge amount of time building this aggregated database. Other people shouldn’t have to repeat that work. They can use the data and focus on a new interface, experience or business model.</p></blockquote><figure class="my-4"><img src="https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1600&amp;f=auto&amp;sig=a064ffb378b6972841cb4fe36026fcec" srcset="https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=640&amp;f=auto&amp;sig=98e61a90e64849fdb0305a780bfed16c 640w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=768&amp;f=auto&amp;sig=11237dba2e3465fdca39ffa5a4106705 768w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1024&amp;f=auto&amp;sig=47b0bb6c8b1349dcffc2cf8c3d5e27ce 1024w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1280&amp;f=auto&amp;sig=fbc447ee2e1d527e34304dea608f1a70 1280w, https://assets.rcs-cdn.com/img/fd9cd6fd-03ef-469f-a0f0-90e1ad939b8f/85ea5cbc920dcd33?w=1600&amp;f=auto&amp;sig=a064ffb378b6972841cb4fe36026fcec 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="2044" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Frances Skomra, <em>skomra comes undone</em>, 2026. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></figure><p><strong>PF:</strong> There’s also something interesting about who is building this infrastructure. You didn’t enter the space thinking, “I’m going to build a marketplace.” You entered as a collector. At what point did collecting turn into building?</p><p><strong>tfg:</strong> In a funny way, becoming a full-time collector was actually the unexpected part. I always knew I wanted to go into business and be an entrepreneur. What surprised me was becoming a full-time collector when I was around 23.</p><blockquote><p>I had always imagined that being a full-time collector was something you did when you retired at 65 or 70. I basically rolled into it by accident. But I knew I would eventually build a company and a product. I love art, technology and business, and a digital art marketplace sits at the intersection of those things.</p></blockquote><p>More importantly, there was a real problem to solve. For a long time Raster almost felt <em>too obvious</em> as an idea. I kept thinking: someone else must be building this. Surely they’re going to release it soon. Then it was 2024 and nobody had. So we thought: we’ll do it ourselves.</p><figure class="my-4"><img src="https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1600&amp;f=auto&amp;sig=657f6020f8b8e58501bcc674c5033ae1" srcset="https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=640&amp;f=auto&amp;sig=b59ae611d4e4b8f913fe20ad5cbf7b08 640w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=768&amp;f=auto&amp;sig=3f491902b350d3b4951a84fb01c4b255 768w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1024&amp;f=auto&amp;sig=df52844d946c0b859439af1c7bba294f 1024w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1280&amp;f=auto&amp;sig=16c48b3ee6e70f4fd6fabe1f06ba0900 1280w, https://assets.rcs-cdn.com/img/e06f8e78-11f8-4487-9120-06f3b5fd3402/3c4b1b627cf573ff?w=1600&amp;f=auto&amp;sig=657f6020f8b8e58501bcc674c5033ae1 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="2238" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Emily Xie, <em>Memories of Qilin #595</em>, 2022. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></figure><p><strong>PF:</strong> I keep coming back to discovery because I think this is where technology meets something much harder to scale. I can look inside another collector’s wallet and discover an artist. But it’s different if that collector tells me: <em>these are five artists I’m looking at, and this is why. </em>The “why” gives you a way in.</p><p><strong>tfg:</strong> Definitely. The question for us is how you make something like that work at scale. How difficult is it for people to contribute? How do you keep it updated? But there is clearly much more we can do there. And I think the collector base itself needs to grow. Raster was initially built for people who already understood digital art. We assumed they knew what crypto was and already had a wallet. That has to change.</p><blockquote><p>We want people to be able to sign up with an email address and pay without first having to buy ETH. Growing the collector base is teamwork. There are many different actors who have a role to play.</p></blockquote><div class="rcs-carousel my-4" data-carousel role="group" aria-roledescription="carousel" aria-label="Image carousel"><div class="rcs-carousel__track" data-carousel-track tabindex="0"><figure class="rcs-carousel__slide" data-carousel-slide="0" role="group" aria-roledescription="slide" aria-label="Slide 1 of 2"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=2000&amp;f=auto&amp;sig=29664491c9f1f0f7f14ac4f48ea2dfbb" srcset="https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=640&amp;f=auto&amp;sig=42038f4f9598cb8e71c1c750d984a6ac 640w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=768&amp;f=auto&amp;sig=aa84ca2c40d0d40ed1d22356775ab905 768w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=1024&amp;f=auto&amp;sig=a4732a0c3a12fa122445cbb3c007f300 1024w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=1280&amp;f=auto&amp;sig=f4f1f8e0ab5fe6c38cd6c6b7481125bc 1280w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=1600&amp;f=auto&amp;sig=a0250a86dbea5eaf28dd6a9eb0dc872d 1600w, https://assets.rcs-cdn.com/img/6d807f28-7405-4ec0-b1ec-c5495b8193c2/4c8e02ad39bdffa3?w=2000&amp;f=auto&amp;sig=29664491c9f1f0f7f14ac4f48ea2dfbb 2000w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="2000" height="2252" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>Sofia Crespo, soft_colonies_1898, 2022. Courtesy of the artist. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure><figure class="rcs-carousel__slide" data-carousel-slide="1" role="group" aria-roledescription="slide" aria-label="Slide 2 of 2"><div class="rcs-carousel__slide-inner"><img src="https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1600&amp;f=auto&amp;sig=7d5a42c2cfd0c92846efcf771d1a781d" srcset="https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=640&amp;f=auto&amp;sig=2ff2849afd9b67481c9089327878dc32 640w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=768&amp;f=auto&amp;sig=d1cdf054be97f5b027f4bdf56bbe31a1 768w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1024&amp;f=auto&amp;sig=2589c1b0cd55f1fb9e365f72eb12e866 1024w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1280&amp;f=auto&amp;sig=c8d23e5182e6134802dce4ef6c87ce63 1280w, https://assets.rcs-cdn.com/img/73f467b7-870e-4ff9-905d-3db5933adb52/ea917d8b0caff976?w=1600&amp;f=auto&amp;sig=7d5a42c2cfd0c92846efcf771d1a781d 1600w" sizes="(min-width: 1024px) calc(100vw - 16rem), (min-width: 768px) calc(100vw - 5rem), calc(100vw - 2rem)" alt="" width="1600" height="1067" class="rounded-lg max-w-full" loading="lazy" /><figcaption class="mt-2 text-sm text-center text-muted-foreground [&_a]:underline [&_a]:underline-offset-2 [&_p]:m-0"><p>John Provencher, <em>RASTER LOGO #449</em>, 2026. Courtesy of the artist. Private collection of thefunnyguys</p></figcaption></div></figure></div><div class="rcs-carousel__dots" data-carousel-dots aria-hidden="true"><span class="rcs-carousel__dot" data-carousel-dot="0" data-active="true"></span><span class="rcs-carousel__dot" data-carousel-dot="1"></span></div></div><p><strong>PF:</strong> I’m not sure collecting itself can ever fully scale. Technology can make access, information and transactions infinitely more efficient. But collecting is still about relationships: with an artist, with an artwork, with other collectors, and with a particular moment in your own life. Maybe the infrastru
3cture needs to scale without losing that.</p><p><strong>tfg:</strong> I agree. And that’s also why I’m optimistic about art more broadly. With AI changing knowledge work so quickly, it’s difficult to know what many jobs will look like in the future.</p><blockquote><p>What I find hard to imagine is a world in which art disappears, because art is ultimately about human relationships. If automation means we eventually spend less of our lives doing purely productive work, perhaps there is actually more room for art.</p></blockquote><p>I think more people will find meaning in culture, and the digital and global nature of this medium gives it the possibility of reaching many more of them. How long that takes, I don’t know. But I’m going to try to stick around for it.</p></div><div hidden="" data-article-read-body=""></div></div></div>
3<script nonce="3s+dtOMHeBlhE8ffwgOTkQ==">$RC("B:6","S:6")</script>
3<div hidden id="S:7"><div class="mb-12 space-y-4"><div class="max-w-none text-foreground text-[16px] leading-relaxed [&amp;&gt;p]:mb-4 [&amp;&gt;p]:break-inside-avoid [&amp;_a]:font-semibold [&amp;_a]:italic [&amp;_a]:no-underline [&amp;_a]:hover:underline [&amp;_a]:hover:decoration-foreground/50 [&amp;_a]:hover:underline-offset-2 [&amp;_a]:hover:decoration-[1px]"><p><strong>thefunnyguys</strong> is co-founder and CEO of Le Random and Raster.</p></div><div class="max-w-none text-foreground text-[16px] leading-relaxed [&amp;&gt;p]:mb-4 [&amp;&gt;p]:break-inside-avoid [&amp;_a]:font-semibold [&amp;_a]:italic [&amp;_a]:no-underline [&amp;_a]:hover:underline [&amp;_a]:hover:decoration-foreground/50 [&amp;_a]:hover:underline-offset-2 [&amp;_a]:hover:decoration-[1px]"><p><strong>Pauline Foessel </strong>is a curator and entrepreneur based in Dubai, and the Founder &amp; CEO of 100 collectors, the global network for digital art collectors. Through curated experiences, exclusive content, and a trusted network, she is shaping a new approach to collecting—bridging the worlds of traditional and digital art. She also serves as Head Curator at Cultural Affairs in Lisbon, where she has helped redefine how urban art is experienced in the city’s public spaces and elevated Lisbon’s standing as a global hub for contemporary urban art. Previously, Pauline founded Artpool, a private social network for professional curators, and held leadership roles including Director of Development at the Hong Kong Contemporary Art Foundation, Studio Director for artist Vhils, Co-Director and Co-Founder of Underdogs Gallery, and Gallery Manager at Magda Danysz Gallery in Shanghai. Across all her projects, she works to connect communities, challenge conventions, and expand how art is shared and valued today.</p></div></div></div>
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3<div hidden id="S:8"><div class="mt-12"><!--$?--><template id="B:b"></template><section aria-hidden="true"><div data-slot="skeleton" class="rcs-skeleton mt-4 h-[20px] w-28 rounded-sm"></div><div aria-hidden="true"><div data-slot="skeleton" class="rcs-skeleton mt-6 h-[20px] w-24 rounded-sm"></div><div class="mt-4 border-t border-border"><div class=""><div class="py-4"><article class="grid grid-cols-[2.25rem_1fr] gap-2.5"><div data-slot="skeleton" class="rcs-skeleton h-9 w-9 shrink-0 rounded-full"></div><div class="min-w-0"><div class="flex flex-wrap items-center gap-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-28 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-16 rounded-sm"></div></div><div class="mt-1.5 space-y-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-full rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-[86%] rounded-sm"></div></div><div class="mt-2 flex items-center gap-3"><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-10 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-12 rounded-sm"></div></div></div></article></div></div><div class=""><div class="py-4"><article class="grid grid-cols-[2.25rem_1fr] gap-2.5"><div data-slot="skeleton" class="rcs-skeleton h-9 w-9 shrink-0 rounded-full"></div><div class="min-w-0"><div class="flex flex-wrap items-center gap-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-28 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-16 rounded-sm"></div></div><div class="mt-1.5 space-y-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-full rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-[86%] rounded-sm"></div></div><div class="mt-2 flex items-center gap-3"><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-10 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-12 rounded-sm"></div></div></div></article></div></div><div class="ml-4 pl-3"><div class="py-4"><article class="grid grid-cols-[2.25rem_1fr] gap-2.5"><div data-slot="skeleton" class="rcs-skeleton h-9 w-9 shrink-0 rounded-full"></div><div class="min-w-0"><div class="flex flex-wrap items-center gap-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-28 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-16 rounded-sm"></div></div><div class="mt-1.5 space-y-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-full rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-[86%] rounded-sm"></div></div><div class="mt-2 flex items-center gap-3"><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-10 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-12 rounded-sm"></div></div></div></article></div></div></div></div></section><!--/$--></div></div>
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3<div hidden id="S:b"><section><p id="comment-box" class="mt-4 text-sm text-muted-foreground"><a class="text-foreground hover:underline" href="/login?next=%2Farticle%2Fon-collecting-by-100-collectors-thefunnyguys-interview-interfaces-around-digital-art">Log in to comment</a></p><!--$?--><template id="B:c"></template><div aria-hidden="true"><div data-slot="skeleton" class="rcs-skeleton mt-6 h-[20px] w-24 rounded-sm"></div><div class="mt-4 border-t border-border"><div class=""><div class="py-4"><article class="grid grid-cols-[2.25rem_1fr] gap-2.5"><div data-slot="skeleton" class="rcs-skeleton h-9 w-9 shrink-0 rounded-full"></div><div class="min-w-0"><div class="flex flex-wrap items-center gap-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-28 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-16 rounded-sm"></div></div><div class="mt-1.5 space-y-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-full rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-[86%] rounded-sm"></div></div><div class="mt-2 flex items-center gap-3"><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-10 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-12 rounded-sm"></div></div></div></article></div></div><div class=""><div class="py-4"><article class="grid grid-cols-[2.25rem_1fr] gap-2.5"><div data-slot="skeleton" class="rcs-skeleton h-9 w-9 shrink-0 rounded-full"></div><div class="min-w-0"><div class="flex flex-wrap items-center gap-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-28 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-16 rounded-sm"></div></div><div class="mt-1.5 space-y-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-full rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-[86%] rounded-sm"></div></div><div class="mt-2 flex items-center gap-3"><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-10 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-12 rounded-sm"></div></div></div></article></div></div><div class="ml-4 pl-3"><div class="py-4"><article class="grid grid-cols-[2.25rem_1fr] gap-2.5"><div data-slot="skeleton" class="rcs-skeleton h-9 w-9 shrink-0 rounded-full"></div><div class="min-w-0"><div class="flex flex-wrap items-center gap-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-28 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-16 rounded-sm"></div></div><div class="mt-1.5 space-y-1.5"><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-full rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[17px] w-[86%] rounded-sm"></div></div><div class="mt-2 flex items-center gap-3"><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-10 rounded-sm"></div><div data-slot="skeleton" class="rcs-skeleton h-[16px] w-12 rounded-sm"></div></div></div></article></div></div></div></div><!--/$--></section></div>
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3<h3 class="mb-3 font-[family-name:var(--font-inter)] text-sm font-medium uppercase tracking-wider text-muted-foreground">On the Index</h3><div><article class="group relative py-1.5"><a class="absolute inset-0 z-0 focus:outline-none" aria-label="Larva Labs" href="/index/people/2026/larva-labs"></a><div class="flex items-center gap-2.5 px-1"><div class="inline-flex h-7 w-7 shrink-0 items-center justify-center rounded-full bg-(--rcs-bg-2) text-foreground" aria-hidden="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-circle-user h-3.5 w-3.5" aria-hidden="true"><circle cx="12" cy="12" r="10"></circle><circle cx="12" cy="10" r="3"></circle><path d="M7 20.662V19a2 2 0 0 1 2-2h6a2 2 0 0 1 2 2v1.662"></path></svg></div><div class="min-w-0 flex-1"><h3 class="line-clamp-1 text-[15px] font-medium leading-tight text-foreground transition-colors group-hover:text-brand">Larva Labs<span class="ml-2 text-[12.5px] font-normal text-muted-foreground">— <!-- -->Duo</span></h3></div></div></article><article class="group relative py-1.5"><a class="absolute inset-0 z-0 focus:outline-none" aria-label="Crypto Collectibles, Museum Funding and OpenGLAM: Challenges, Opportunities and the Potential of Non-Fungible Tokens (NFTs)" href="/index/works/3590/crypto-collectibles-museum-funding-and-openglam-challenges-opportunities-and-the"></a><div class="flex items-center gap-2.5 px-1"><div class="inline-flex h-7 w-7 shrink-0 items-center justify-center rounded-full bg-(--rcs-bg-2) text-foreground" aria-hidden="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-image h-3.5 w-3.5" aria-hidden="true"><rect width="18" height="18" x="3" y="3" rx="2" ry="2"></rect><circle cx="9" cy="9" r="2"></circle><path d="m21 15-3.086-3.086a2 2 0 0 0-2.828 0L6 21"></path></svg></div><div class="min-w-0 flex-1"><h3 class="line-clamp-1 text-[15px] font-medium leading-tight text-foreground transition-colors group-hover:text-brand">Crypto Collectibles, Museum Funding and OpenGLAM: Challenges, Opportunities and the Potential of Non-Fungible Tokens (NFTs)<span class="ml-2 text-[12.5px] font-normal text-muted-foreground">— <!-- -->Work</span></h3></div></div></article><article class="group relative py-1.5"><a class="absolute inset-0 z-0 focus:outline-none" aria-label="FEMGEN" href="/index/events/2404/femgen"></a><div class="flex items-center gap-2.5 px-1"><div class="inline-flex h-7 w-7 shrink-0 items-center justify-center rounded-full bg-(--rcs-bg-2) text-foreground" aria-hidden="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-calendar h-3.5 w-3.5" aria-hidden="true"><path d="M8 2v4"></path><path d="M16 2v4"></path><rect width="18" height="18" x="3" y="4" rx="2"></rect><path d="M3 10h18"></path></svg></div><div class="min-w-0 flex-1"><h3 class="line-clamp-1 text-[15px] font-medium leading-tight text-foreground transition-colors group-hover:text-brand">FEMGEN<template id="P:d"></template></h3></div></div></article></div></section></div></div></div></div><div hidden id="S:d"><span class="ml-2 text-[12.5px] font-normal text-muted-foreground">— <!-- -->Exhibition</span></div>
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