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383<link rel="icon" href="https://clockshop.org/wp-content/uploads/2024/09/cropped-clockshop_avatar_F-2-150x150.png" sizes="32x32" /> 384<link rel="icon" href="https://clockshop.org/wp-content/uploads/2024/09/cropped-clockshop_avatar_F-2-300x300.png" sizes="192x192" /> 385<link rel="apple-touch-icon" href="https://clockshop.org/wp-content/uploads/2024/09/cropped-clockshop_avatar_F-2-300x300.png" /> 386<meta name="msapplication-TileImage" content="https://clockshop.org/wp-content/uploads/2024/09/cropped-clockshop_avatar_F-2-300x300.png" /> 387<style id="wp-custom-css"> 388.fl-builder-edit .contactfooter {position: relative; 389} 390 391.project-single .project-menu ul li a { 392 padding: 10px 18px !important; 393 color: #fff; 394 text-decoration: none; 395 font-size: 15px; 396 display: block; 397} 398 399footer.followfooter { 400 max-width: 950px; 401 margin: auto; 402 border-top: 4px solid #000; 403 margin-top: 100px; 404} 405 406.grid .grid-bottom { 407 border-bottom: 0px; 408} 409 410@media (min-width: 480px) { 411 img.alignleft.size-medium.wp-image-511742, img.alignleft.wp-image-513189 { 412 float: left; 413 margin-right: 20px; 414 border: 1px solid #f0f0f0; 415} 416} 417 418img.small {max-width: 375px;margin: auto; display: block; width: 100%;} 419 420/* CLOCKSHOP MENU DROPDOWNS CSS and comments */ 421/* get sub-menu class to go onto the submenu items in twig */ 422/* and make socials not show up multiple times */ 423@media (min-width: 1000px) { 424 ul.sub-menu { 425 background-clip: padding-box; 426 background-color: #fff; 427 border-bottom: 0px solid #000; 428 font-size: 14px; 429 float: none; 430 left: -99999px; 431 list-style: none; 432 padding: 0; 433 position: absolute; 434 top: 10px; 435 width: 210px; 436 z-index: 1000; 437 -moz-box-shadow: 0 1px 20px rgba(0,0,0,0.15); 438 -webkit-box-shadow: 0 1px 20px rgba(0,0,0,0.15); 439 box-shadow: 0 1px 20px rgba(0,0,0,0.15); 440 opacity: 0; 441} 442 443/* Add a down caret icon to menu items with sub-menus */ 444li.menu-item-has-children > a:after { 445 content: "\f107"; /* Unicode character for a down caret icon (you may need to adjust this) */ 446 font-family: FontAwesome; 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724} 725 726 img.candid {width: 100px; margin: 70px auto;display: block;} 727 728 729</style> 730 731 732 </head> 733 734 <body> 735 736 <div class="container"> 737 738 <nav class="primarynav"> 739 <div class="wpadminbarspacer"></div> 740 741 <div class="mobiletoggle"> 742 <a class="homelink" href="https://clockshop.org"></a> 743 <div class="opennav toggle"></div> 744 <div class="closenav toggle"></div> 745 </div> 746 747 <div class="logo_container"> 748 <a href="https://clockshop.org" class="logo_horizontal"></a> 749 </div> 750 751 <div class="topnav"> 752 <div> 753 <div class="menu-container"> 754 <ul class=""> 755 <li class=" menu-item menu-item-type-post_type menu-item-object-page current-menu-item page_item page-item-4695 current_page_item menu-item-4710"> 756 <a target="" href="https://clockshop.org/about/">About</a> 757 </li> 758 <li class=" menu-item menu-item-type-post_type menu-item-object-page menu-item-4711 menu-item-has-children"> 759 <a target="" href="https://clockshop.org/projects/">Projects</a> 760 <ul class="sub-menu"> 761 <li class=" menu-item menu-item-type-post_type menu-item-object-page menu-item-1013384"> 762 <a target="" href="https://clockshop.org/projects/">All Projects</a> 763 </li> 764 <li class=" menu-item menu-item-type-custom menu-item-object-custom menu-item-1015829"> 765 <a target="" href="https://clockshop.org/project/clockshops-kite-festival/">Clockshop's Kite Festival</a> 766 </li> 767 <li class=" menu-item menu-item-type-custom menu-item-object-custom menu-item-513179"> 768 <a target="_blank" href="https://takemetoyourriver.org">Cultural Atlas</a> 769 </li> 770 <li class=" menu-item menu-item-type-custom menu-item-object-custom menu-item-8731"> 771 <a target="" href="https://clockshop.org/project/bowtie-about/">The Bowtie</a> 772 </li> 773 <li class=" menu-item menu-item-type-custom menu-item-object-custom menu-item-511420"> 774 <a target="" href="https://clockshop.org/stories/">Stories</a> 775 </li> 776 </ul> 777 </li> 778 <li class=" menu-item menu-item-type-custom menu-item-object-custom menu-item-4745"> 779 <a target="" href="/events">Events</a> 780 </li> 781 <li class=" menu-item menu-item-type-post_type menu-item-object-page menu-item-1016905"> 782 <a target="" href="https://clockshop.org/fundraiser-2026/">Gala</a> 783 </li> 784 <li class=" menu-item menu-item-type-custom menu-item-object-custom menu-item-10912"> 785 <a target="_blank" href="https://shop.clockshop.org/">Shop</a> 786 </li> 787 <li class=" menu-item menu-item-type-post_type menu-item-object-page menu-item-10982"> 788 <a target="" href="https://clockshop.org/subscribe/">Subscribe</a> 789 </li> 790 <li class=" menu-item menu-item-type-custom menu-item-object-custom menu-item-1015352"> 791 <a target="" href="https://clockshop.org/support/">Donate</a> 792 </li> 793 </ul> 794 <ul class="socials"> 795 <li class="social first"><a target="_blank" href="https://www.instagram.com/clockshopla/"><i class="fa fa-instagram" aria-hidden="true"></i></a></li> 796 <li class="social"><a target="_blank" href="https://www.facebook.com/clockshopla/"><i class="fa fa-facebook-square" aria-hidden="true"></i></a></li> 797 <li class="social"><a target="_blank" href="https://vimeo.com/clockshopla"><i class="fa fa-vimeo" aria-hidden="true"></i></a></li> 798 <li class="social"><a target="_blank" href="https://www.linkedin.com/company/clockshopla/"><i class="fa fa-linkedin" aria-hidden="true"></i></a></li> 799 <li class="social"><a target="_blank" href="https://yourriver.substack.com/"><i class="fa fa-twitter" aria-hidden="true"></i></a></li> 800 <li class="social"><a target="_blank" href="https://bsky.app/profile/clockshopla.bsky.social"><i class="fa-brands fa-bluesky" aria-hidden="true"></i></a></li> 801 802 </ul> 803 </div> 804 <form method="get" class="searchform" action="/"> 805 <input type="text" class="s" name="s" id="s" placeholder="Search Clockshop" autofocus="autofocus" /> 806</form> </div> 807 <button class="search"> 808 <div class="closed"></div> 809 </button> 810 </div> 811 812 </nav> 813 814 <div class="layoutspacer"></div> 815 816 <div class="about-hero"> 817 <div style="background-image: url('https://clockshop.org/wp-content/uploads/2017/11/Clockshop-evereachmore-0035-scaled-2880x0-c-default.jpg');"> 818 <div class="content"> 819 <div> 820 <p class="mission"></p> 821 </div> 822 </div> 823 <div class="project-overlay"></div> 824 <p class="photo-credit">Photograph by Gina Clyne</p> 825 </div> 826 </div> 827 828 <div class="content about-content"> 829 <style> 830.about-hero>div .project-overlay {<br /> display: none;<br />}<br /></style> 831<h1>Clockshop works to deepen the connection between artists, communities, and public lands to co-create a culture of care.</h1> 832<p><span style="font-weight: 400;">Clockshop is a nonprofit organization based in the Elysian Valley that works to deepen the connection between artists, communities, and public lands to co-create a culture of care. We do this by building</span><span style="font-weight: 400;"> long-term collaborative relationships with artists, like-minded partners, our neighbors, and public lands throughout our region, such as the Bowtie along the LA River and LA State Historic Park. </span></p> 833<p><span style="font-weight: 400;">We have been in Northeast LA next to the Glendale Narrows section of the river for two decades. Attention to the LA River has brought investment and change, both positive and negative. In 2012, we held a series of discussions with our neighbors to try to understand the impacts of these changes to our local communities, and particularly, the future of public lands along the LA River in the former Taylor Yards. This led us to a partnership in 2014 with California State Parks at the Bowtie, an 18-acre former railyard slated to become a park.</span></p> 834<p><span style="font-weight: 400;">Our work bringing artists and cultural programs to the Bowtie site naturally led us into advocacy for equitable green space and protection of our community. We witnessed that when people came together for arts and culture, their relationship to land deepened.  </span></p> 835<p><span style="font-weight: 400;">
835These experiences formed our values and the way we work, bringing art, environmental advocacy, and community power together to help us imagine a thriving and more resilient future for our city.</span></p> 836<p><b>Our vision: Shared thriving and resilience co-created by lands, artists, and communities throughout the LA River Watershed.</b></p> 837<p><span style="font-weight: 400;"><br /> 838Clockshop was founded by filmmaker Julia Meltzer in 2004 and is a 501(c)3 nonprofit organization. We do not accept unsolicited portfolios or proposals.<br /> 839</span></p> 840 841 </div> 842 843 <div class="content collapsable-sections"> 844 <section> 845 <p class="section-title">People</p> 846 <i class="fa fa-plus" aria-hidden="true"></i> 847 <div class="section-content"> 848 <h3>Team</h3> 849<p><img loading="lazy" decoding="async" class="size-thumbnail wp-image-1013565 alignleft" src="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-158-Edit-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-158-Edit-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-158-Edit-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-158-Edit-copy-1024x1024.jpg 1024w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-158-Edit-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-158-Edit-copy.jpg 1200w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p> 850<h4 style="text-align: left;">Sue Bell Yank, Executive Director</h4> 851<p class="p1">Sue Bell Yank is a writer, curator, educator, and arts administrator, and is formerly the Deputy Director at 18th Street Arts Center. She<b> </b>has worked in arts, entertainment, and public schools for nearly 20 years, including as Associate Director of Academic Programs at the Hammer Museum, where she formed city-wide partnerships triangulating communities, the arts, and schools. She created an online education platform for the Oprah Winfrey Network, and has worked as a teacher and curriculum specialist in and out of public schools. Her expertise lies in art with social impact, public art installations, cultural programming with community partnerships, strategic communications and digital marketing, and organizational strategy. Her interest in urban planning and affordable cities led her to create a six-episode podcast about housing in Los Angeles called Paved Paradise. She teaches at UCLA, frequently writes about socially engaged art practice and pedagogy, and has been a Field Researcher for A Blade of Grass and Asian Arts Initiative. She is the Chair of the City of Glendale Arts & Culture Commission, and has consulted with a wide range of nonprofits on audience development, strategic planning, and visioning in the arts under the auspices of the California Arts Council, the Center for Cultural Innovation, and the City of West Hollywood. Yank received a BA from Harvard University and an MA in Public Art Studies from the University of Southern California.</p> 852<p><a href="mailto:[email protected]">sue [at] clockshop.org</a></p> 853<p> </p> 854<p><img loading="lazy" decoding="async" class="size-thumbnail wp-image-1013567 alignleft" src="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-309-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-309-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-309-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-309-copy-1024x1024.jpg 1024w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-309-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-309-copy.jpg 1200w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p> 855<h4 style="text-align: left;">Julia Meltzer, Founder and <strong>Senior Advisor of Community and Government Partnerships</strong></h4> 856<p>Julia Meltzer comes from a large Los Angeles family who nurtured her belief that art transforms communities. As the Founding Director of Clockshop, she has worked for over two decades creating opportunities for artists and audiences to come together on public land. Thousands of Angelenos have had access to arts and culture through Clockshopâs programs, along the LA River and beyond. Meltzerâs work as an artist and filmmaker has been exhibited at the Metropolitan Museum of Art, Whitney Museum of American Art, Toronto International Film Festival, among many other venues; her two feature documentaries, ‘The Light In Her Eyes and Dalyaâs Other Country,’ were broadcast nationally on PBSâs POV series. She was a John Simon Memorial Guggenheim Foundation Fellow and a Senior Fulbright Fellow in Damascus, Syria.</p> 857<p><a href="mailto:[email protected]" target="_blank" rel="noopener">julia.meltzer [at] clockshop.org<span class="sr-only">(opens in new tab)</span></a> | <a href="https://juliameltzerfilms.com" target="_blank" rel="noopener">juliameltzerfilms.com<span class="sr-only">(opens in new tab)</span></a> | <a href="http://meltzerthorne.com/" target="_blank" rel="noopener">meltzerthorne.com<span class="sr-only">(opens in new tab)</span></a></p> 858<p> </p> 859<p><img loading="lazy" decoding="async" class="size-thumbnail wp-image-1013555 alignleft" src="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-218-Edit-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-218-Edit-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-218-Edit-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-218-Edit-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-218-Edit-copy.jpg 900w" sizes="auto, (max-width: 150px) 100v
859w, 150px" /></p> 860<h4>Cat Yang, Director of Artist Projects</h4> 861<p>Cat Yang lives and works in Los Angeles. She is a curator, cultural worker, and writer. Yang is interested in exploring liminality, inflection points, and interstitial spaces where self-determination is emergent. Yang is on the Steering Committee of GYOPO and received a BA from UCLA in Geography.</p> 862<p><a href="mailto:[email protected]">cat [at] clockshop.org</a></p> 863<p> </p> 864<p style="text-align: left;"><a href="https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-scaled.jpg"><img loading="lazy" decoding="async" class="aligncenter wp-image-1016451 size-thumbnail" src="https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-1024x1024.jpg 1024w, https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-1536x1536.jpg 1536w, https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-scaled.jpg 2048w, https://clockshop.org/wp-content/uploads/2025/10/Annie-headshot-1267x1267.jpg 1267w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a></p> 865<h4>Annie Lascoe Palmer, Director of Development</h4> 866<p>Annie Lascoe Palmer (she/her) is the Director of Development at Clockshop, where she leads fundraising strategy and donor engagement. A fundraising consultant with experience across issue areasâincluding menstrual care, legal rights, housing, water access, and environmental and disability justiceâher work is grounded in a deep commitment to expanding equity and opportunity. Annie has built and grown development programs at both emerging and established organizations, always centering collaboration, strategic growth, and meaningful donor relationships. She sees fundraising as a joyful partnership that connects peopleâs passions with impactful giving. She holds a bachelorâs degree in Women, Gender, and Sexuality Studies and Italian from Washington University in St. Louis and a masterâs degree from Columbia University School of Social Work.</p> 867<p><a href="mailto:[email protected]">annie[at] clockshop.org</a></p> 868<p> </p> 869<p style="text-align: left;"><a href="https://clockshop.org/wp-content/uploads/2025/11/Headshot-scaled.jpg"><img loading="lazy" decoding="async" class="aligncenter wp-image-1016546 size-thumbnail" src="https://clockshop.org/wp-content/uploads/2025/11/Headshot-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2025/11/Headshot-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2025/11/Headshot-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2025/11/Headshot-1024x1024.jpg 1024w, https://clockshop.org/wp-content/uploads/2025/11/Headshot-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2025/11/Headshot-1536x1536.jpg 1536w, https://clockshop.org/wp-content/uploads/2025/11/Headshot-scaled.jpg 2048w, https://clockshop.org/wp-content/uploads/2025/11/Headshot-1267x1267.jpg 1267w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a></p> 870<h4>Mariam M.F. Tabatabaee, Special Events and Development Manager</h4> 871<p>Mariam M.F. Tabatabaee is an educator, cultural programmer, artist, and community builder passionate about creating engaging and inclusive spaces that prompt connection, learning, and mutual support . She has collaborated with institutions including Arts for LA, LACE, the Guggenheim Museum, the International Visual Literacy Association, the Craft Contemporary, and NHM Utah, where she developed tours for visitors who are blind or have low vision. Her approach to work and artistic practice are heavily influenced by her position between multiple identities, as well as by her two cats, and her research centers on the ways that visual symbols, images, and their meanings are transmitted across time and culture to communicate universal human experiences. Mariam holds a BS in Ecology, Behavior, and Evolution from UCLA.</p> 872<p><a href="mailto:[email protected]">mariam[at] clockshop.org</a></p> 873<p> </p> 874<p><img loading="lazy" decoding="async" class="size-thumbnail wp-image-1013557 alignleft" src="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-016-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-016-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-016-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-016-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-016-copy.jpg 900w" sizes="auto, (max-width: 150px) 100v
874w, 150px" /></p> 875<h4>DarÃo Herrera, Community Programs Manager</h4> 876<div>DarÃo Herrera is a multidisciplinary historian and community organizer from Northeast LA. His upbringing and experiences have inspired his intersecting passions in food justice, educational reform, and archival work. Cognizant of the power of history, his work is grounded in a desire to understand, question, and propose new definitions of heritage in marginalized communities. He holds a BA in History and French from Williams College.</div> 877<div></div> 878<div> 879<p><a href="mailto:[email protected]">dario [at] clockshop.org</a></p> 880<p> </p> 881<p><a href="https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy.jpg"><img loading="lazy" decoding="async" class="aligncenter wp-image-1015557 size-thumbnail" src="https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy-1024x1024.jpg 1024w, https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy-1267x1267.jpg 1267w, https://clockshop.org/wp-content/uploads/2024/11/MS-Clockshop-241015-078-copy.jpg 1500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a></p> 882<h4><strong>Caroline Kanner, Education Director</strong></h4> 883<p>Caroline Kanner is an educator from Los Angeles. She has worked as a teacher, museum educator, and curriculum designer in Connecticut, Texas, Alabama, and California. Most recently, she taught second grade with LAUSD in Koreatown. She loves making art and being outdoors with young people, and is passionate about creating learning spaces where kids and teens can build their power. Caroline holds a BA from Yale University and an M.Ed from UCLA.</p> 884<p><a href="mailto:[email protected]">caroline[at] clockshop.org</a></p> 885</div> 886<p> </p> 887<p><img loading="lazy" decoding="async" class="size-thumbnail wp-image-1013561 alignleft" src="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-439-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-439-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-439-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-439-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-439-copy.jpg 900w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p> 888<h4><span tabindex="-1" role="gridcell" translate="no">Rhombie Sandoval</span>, Director of Communications and Storytelling</h4> 889<p data-pm-slice="1 1 []">Rhombie Sandoval is a photographer and storyteller. She studied at ArtCenter College of Design and later founded Anywhere Blvd, a platform for portrait photographers that examines the challenges and realities of sustaining a creative career. Through participation in various artist residencies, Sandoval has continued to develop a practice that explores identity, place, and what it means to see one another as teachers. She works closely with artists to help them bring vulnerability to how they share their work, believing that that is the key to connection.</p> 890<p><a href="mailto:[email protected]">rhombie [at] clockshop.org</a></p> 891<p> </p> 892<p><img loading="lazy" decoding="async" class="size-thumbnail wp-image-1013559 alignleft" src="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-286-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-286-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-286-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-286-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/01/MS-Clockshop-Portraits-230927-286-copy.jpg 900w" sizes="auto, (max-width: 150px) 100v
892w, 150px" /></p> 893<h4><span tabindex="-1" role="gridcell" translate="no">Isabel Yi Jimenez</span>, Artist Projects Manager</h4> 894<p>Isabel Yi Jimenez is an artist and cultural worker based in Los Angeles. Their work mines the site of place and cultural memory in an attempt to disentangle the question of where the individual stands in reference to the collective, and this practice wherein sociality is inherent to art-making guides their commitment to community-based engagement and activism. They work with the editorial team at the Los Angeles Review of Books and received a BFA in Photography and Media at the California Institute of the Arts.</p> 895<p><a href="mailto:[email protected]">Isabel [at] clockshop.org</a></p> 896<p> </p> 897<p><img loading="lazy" decoding="async" class="alignnone wp-image-9830 size-thumbnail" src="https://clockshop.org/wp-content/uploads/2021/03/HugoGarcia2-150x150.png" alt="Hugo Garcia" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2021/03/HugoGarcia2-150x150.png 150w, https://clockshop.org/wp-content/uploads/2021/03/HugoGarcia2.png 300w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p> 898<h4>Hugo Garcia, Director of Community Engagement</h4> 899<p>Hugo Garcia is the Clockshop Director of Community Engagement. Hugo also serves as the Campaign Coordinator for Environmental Justice at Esperanza Community Housing. He brings over 30 years of community organizing and engagement experience across several environmental and social justice campaigns throughout the City of Los Angeles. He specializes in building strategic partnerships and successful organizing strategies. A lifelong resident of East Los Angeles, Hugo also has experience in teaching and employment development, having served as Director of the 2nd largest youth employment development program in the city of Los Angeles.</p> 900<p><a href="mailto:[email protected]">hugo [at] clockshop.org</a></p> 901<p> </p> 902<h4>Collaborators</h4> 903<p>Gina Clyne, Primary Freelance Photographer</p> 904<p>Adrian Garcia, Freelance Sound Engineer</p> 905<p>Naree Kae, Graphic Designer</p> 906<p>Jacqueline Ruvalcaba, Copy Editor</p> 907<p>Mathew Scott, <em>Take Me to Your River</em>, Primary Freelance Photographer</p> 908<p>Chris Votek, Primary Sound Engineer</p> 909<hr /> 910<h3>Board Members</h3> 911<div id="board-members"> 912<p><img loading="lazy" decoding="async" class="wong alignnone size-thumbnail" src="https://clockshop.org/wp-content/uploads/2024/01/AndyWong_Headshot-1-300x300.jpg" alt="" width="150" height="150" /></p> 913<h4>Andy Wong, President</h4> 914<p>Andy Wong has served on the Clockshop Board of Directors since spring of 2021 and has been Board President since spring of 2022. He is a Senior Vice President, Associate General Counsel, at Paramount Global and is counsel for the CBS Television Network, practicing media law shortly after graduating from UCLA School of Law in 2000. Andy is also a graduate of University of California at Berkeley. Born in Hong Kong, Andy immigrated to Los Angeles at a young age and is a proud Angeleno.</p> 915<p> </p> 916<p><img loading="lazy" decoding="async" class="alignnone size-thumbnail" src="https://clockshop.org/wp-content/uploads/2024/01/IgnacioPerezMeruane_Headshot-1-300x300.jpg" alt="" width="150" height="150" /></p> 917<h4>Ignacio Perez Meruane, Secretary</h4> 918<p>Ignacio Perez Meruane is a Chilean artist who lives and works in Los Angeles. His sculptural work focuses on how colonialism, and by extension global capitalism, impresses upon culture and our environment. His work has been shown at Craft Contemporary, Torrance Art Museum, Commonwealth & Council, Los Angeles Contemporary Archive, and Galeria Tajamar in Santiago, Chile. In addition to his practice as an artist, he organizes the Palestinian reading group at the Los Angeles Contemporary Archive. Perez Meruane received a B.F.A. in General Sculptural Studies from the Maryland Institute College of Art, and an M.F.A. from the California Institute of the Arts.</p> 919<h4><a href="https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-scaled.jpg"><img loading="lazy" decoding="async" class="aligncenter wp-image-1014850 size-thumbnail" src="https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-150x150.jpg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-1024x1024.jpg 1024w, https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-1536x1536.jpg 1536w, https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-scaled.jpg 2048w, https://clockshop.org/wp-content/uploads/2024/07/Kevin-Kane-02-copy-1267x1267.jpg 1267w" sizes="auto, (max-width: 150px) 100v
919w, 150px" /></a></h4> 920<h4>Kevin Kane, Treasurer</h4> 921<p style="font-weight: 400;">Kevin Kane is a design focused entrepreneur and a founding partner at Arktura and NOWN, whose passion for design is driven by the desire to create environments that evoke specific emotions through experience, materiality, and interaction. Trained as an architect, he continues to work closely with clients and artists to set new standards for creative problem solving and manufacturing innovation in the installation and architectural worlds.</p> 922<p><!-- <img loading="lazy" decoding="async" class="alignnone size-thumbnail" src="" alt="" width="150" height="150" /> 923 924 925<h4>Julia Meltzer, Secretary</h4> 926 927 928Julia Meltzer believes in the power of art to build and transform communities and has worked to create opportunities for the marriage of art and advocacy for nearly three decades as a filmmaker and the founding director of Clockshop. For nearly 20 years Clockshop has commissioned over 30 artistsâ projects, convened hundreds of programs attended by thousands of people and formed a successful partnership with California State Parks on an 18-acre post-industrial parcel of land along the Los Angeles River called Bowtie. As an artist and filmmaker, Meltzerâs work has been exhibited at the Metropolitan Museum of Art, Whitney Museum of American Art, Los Angeles Film Festival, Toronto International Film Festival, the Sharjah Biennial, and toured with the Sundance Film Forward Program. Her feature documentaries The Light in Her Eyes (2011) and Dalyaâs Other Country (2017) were broadcast on PBSâs POV series. Meltzer is a recipient of a Rockefeller Media Arts Fellowship, John Simon Memorial Guggenheim Foundation Fellowship, and was a Senior Fulbright Fellow in Damascus, Syria in 2005-6. --></p> 929<p><a href="https://clockshop.org/wp-content/uploads/2025/07/MG_1909-1-copy.jpg"><img loading="lazy" decoding="async" class="aligncenter wp-image-1016218 size-thumbnail" src="https://clockshop.org/wp-content/uploads/2025/07/MG_1909-1-copy-150x150.jpg" alt="" width="150" height="150" /></a></p> 930<h4>Katherine Bray-Simons, Board Member</h4> 931<p style="font-weight: 400;"><span class="il">Katherine Bray</span>–<span class="il">Simons</span> is a Los Angeles-based independent consultant working at the intersection of arts, culture, and community development. She spent six years at the National Endowment for the Arts, most recently as Special Assistant for Chair Initiatives, where she led cross-sector programs integrating arts and culture into cross-sector policy areas in communities of all kinds across the country. Previously, she worked on urban park equity policy at the Trust for Public Land. <span class="il">Katherine</span> holds dual masterâs degrees in Public Art Curatorial Practice and Urban Planning from the University of Southern California, where she has also taught.</p> 932<p> </p> 933<p><img loading="lazy" decoding="async" class="alignnone size-thumbnail" src="https://clockshop.org/wp-content/uploads/2024/01/YorkChang_Headshot-150x150.jpg" alt="" width="150" height="150" /></p> 934<h4>York Chang, Board Member</h4> 935<p>York Chang (b. St. Louis, MO, lives and works in Los Angeles) received his J.D. at UCLA, and works as both a union-side labor lawyer and a visual artist. Chang has exhibited his work at various institutions, galleries, and fairs in the U.S. and internationally. He was the recipient of a California Community Foundation Fellowship (2014), the Vincent Price Art Museum’s Thomas Silliman Vanguard Award (2020), and the City of Los Angeles (COLA) Master Artist Fellowship (2022). From 2005-2013, Chang also served on the Los Angeles Cultural Affairs Commission (president from 2009-2013), where he oversaw the public art commissions and public architecture design for the City of Los Angeles, and helped to establish a public-private grants partnership for emerging artists.</p> 936<p><!-- <img loading="lazy" decoding="async" class="alignnone size-thumbnail" src="" alt="" width="150" height="150" /> --></p> 937<p><img loading="lazy" decoding="async" class="alignnone size-thumbnail" src="https://clockshop.org/wp-content/uploads/2024/02/AyashaGuerin_Headshot.jpeg" alt="" width="150" height="150" /></p> 938<h4>Ayasha Guerin, Board Member</h4> 939<p>
939Dr. Ayasha Guerin (they/she) is assistant professor of intersectionality and practice-based research and media making in the department of World Arts & Cultures/ Dance at UCLA. They are an interdisciplinary artist and scholar whose research and creative practices center socio-ecological histories, connecting human and animal experience through questions of relational reciprocity, and are a founding member of the Berlin-based research collective, curating through conflict with care (CCC), which uses conflict and contradiction as a methodology for identifying and revealing the paradoxes of inclusive curating. In 2023 they founded the Liberated Planet Studio, for artists and activists interested in ecological research and somatic experiments to mobilize discourse about the intersections of environmental and social exploitation.</p> 940<p>Kristina Kite, Board Member</p> 941<p>Kristina Kite is a gallery owner, curator, writer, and art historian working in Los Angeles. She has been an active member of the Los Angeles art community for over 20 years. She is also a founding member of the Artists Acquisition Club, a group of artists, writers, and curators who collectively purchase and gift significant artworks by influential âartistsâ artistsâ to major institutions.</p> 942<p> </p> 943<h4><a href="https://clockshop.org/wp-content/uploads/2026/07/74D28BC1-0E41-493F-8188-B39B6EE80B1A.jpeg"><img loading="lazy" decoding="async" class="alignleft wp-image-1017085 size-thumbnail" src="https://clockshop.org/wp-content/uploads/2026/07/74D28BC1-0E41-493F-8188-B39B6EE80B1A-150x150.jpeg" alt="" width="150" height="150" srcset="https://clockshop.org/wp-content/uploads/2026/07/74D28BC1-0E41-493F-8188-B39B6EE80B1A-150x150.jpeg 150w, https://clockshop.org/wp-content/uploads/2026/07/74D28BC1-0E41-493F-8188-B39B6EE80B1A-300x300.jpeg 300w, https://clockshop.org/wp-content/uploads/2026/07/74D28BC1-0E41-493F-8188-B39B6EE80B1A-1024x1024.jpeg 1024w, https://clockshop.org/wp-content/uploads/2026/07/74D28BC1-0E41-493F-8188-B39B6EE80B1A-768x768.jpeg 768w, https://clockshop.org/wp-content/uploads/2026/07/74D28BC1-0E41-493F-8188-B39B6EE80B1A.jpeg 1200w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a><br /> 944Sean Woods, Board Member</h4> 945<p>Sean Woods is the former Chief of Planning for Los Angeles County Department of Parks & Recreation where he was responsible for planning and management issues related to the Departmentâs 32,000 acres of parkland and diverse facilities. Sean also led the Countyâs Natural and Cultural Resource Task Force as part of the fire recovery and restoration efforts in Altadena. Previously, Sean served for 15 years as the Los Angeles Sector Superintendent for California State Parks, where he was responsible for implementing the Departmentâs Urban Strategic Initiative in Los Angeles, working with local partners to address the needs of under-served urban residents by expanding urban green space. Superintendent Woods oversaw the acquisition, planning, and development efforts at Rio de Los Angeles, Baldwin Hills Scenic Overlook and Los Angeles State Park, representing a $150 million investment in the urban core of LA. Central to these urban planning efforts was the focus on Los Angeles River Parks as vital links in greening the LA River and implementing the Los Angeles River Revitalization Master Plan.</p> 946<p> </p> 947<p><img loading="lazy" decoding="async" class="alignnone size-thumbnail" src="https://clockshop.org/wp-content/uploads/2024/01/MeldiaYesayan_Headshot-300x300.jpg" alt="" width="150" height="150" /></p> 948<h4>Meldia Yesayan, Board Member</h4> 949<p>Meldia is the Director of OXY ARTS, the multidisciplinary arts center and program initiative at Occidental College. She was instrumental in the new building renovation, the opening of the center, and shaping the organizational identity and programming strategy for the initiative. Meldia is responsible for all exhibitions and programs at the center, facilitating visiting artist residencies, initiating cross-departmental and interdisciplinary collaborations, and engaging the Occidental community in socially conscious discourse with contemporary arts practices. Additionally, she actively engages with the Los Angeles arts scene, fostering valuable partnerships with local agencies, artists, and institutions.</p> 950<p> </p> 951<h4>Julia Meltzer, Vice President</h4> 952<h4>Sue Bell Yank, Board Member (ex officio)</h4> 953</div> 954 955 </div> 956 </section> 957 <section> 958 <p class="section-title">Core Values</p> 959 <i class="fa fa-plus" aria-hidden="true"></i> 960 <div class="section-content"> 961 <p><b><span style="font-weight: 400;">The culture of care that we strive to co-create is based in these values:<br /> 962</span><br /> 963Artists Initiate Possibility</b><span style="font-weight: 400;"><br /> 964</span><span style="font-weight: 400;">We believe that working with artists provokes curiosity and new ways of thinking to challenge our assumptions and propose new futures.</span></p> 965<p><b>Stand Up for What is Public </b><b><br /> 966</b><span style="font-weight: 400;">We believe that public lands inspire interconnection that resists existing systems of extraction.</span><span style="font-weight: 400;"><br /> 967</span><span style="font-weight: 400;"><br /> 968</span><b>Root in Place</b><b><br /> 969</b><span style="font-weight: 400;">We believe that building ongoing understanding and connection around the ecological, historical, and cultural context of places yields a shared sense of community and identity. </span></p> 970<p><b>Center Inquiry</b><b><br /> 971</b><span style="font-weight: 400;">We believe that an approach grounded in curiosity, experimentation, and openness to unexpected outcomes leads to more meaningful collaborations and richer projects.</span></p> 972<p><b>Honor Lived Experience</b><b><br /> 973</b><span style="font-weight: 400;">We believe in nonhierarchical dialogue that expands notions of expertise. </span><span style="font-weight: 400;"><br /> 974</span><b><br /> 975Cultivate Reciprocity</b><b><br /> 976</b><span style="font-weight: 400;">We believe in the intentional work of fostering equitable relationships grounded in mutual respect and transparency.</span></p> 977<p><b>Take Time</b><b><br /> 978</b><span style="font-weight: 400;">We believe that meaningful change takes time and is actualized through long-term commitments and trust-based partnerships.</span></p> 979<p> </p> 980 981 </div> 982 </section> 983 <section> 984 <p class="section-title">Contact</p> 985 <i class="fa fa-plus" aria-hidden="true"></i> 986 <div class="section-content"> 987 <p>info [at] clockshop.org</p> 988<p>For photo and press related inquiries please contact <a href="mailto:[email protected]">rhombie [at] clockshop.org</a></p> 989 990 </div> 991 </section> 992 <section> 993 <p class="section-title">
993Work Opportunities</p> 994 <i class="fa fa-plus" aria-hidden="true"></i> 995 <div class="section-content"> 996 <h2><b>Job Openings</b></h2> 997<p>There are no open positions at this time.</p> 998 999 </div> 1000 </section> 1001 <section> 1002 <p class="section-title">Location and Land Acknowledgment</p> 1003 <i class="fa fa-plus" aria-hidden="true"></i> 1004 <div class="section-content"> 1005 <p>2806 Clearwater Street<br /> 1006Los Angeles, CA 90039</p> 1007<p>Clockshop is located in a former porcelain mold factory in Frogtown, adjacent to the LA River. We share our space with <a href="http://www.elysianla.com/">elysian</a>, an event venue run by David Thorne and his dedicated staff.</p> 1008<p>Many Clockshop events happen at LA State Historic Park and the Bowtie Parcel (2780 W. Casitas Ave. 90039), a river-adjacent parcel of land owned by California State Parks. Learn more about our partnership <a href="https://clockshop.org/bowtie">here</a>. Clockshop has also executed projects on LA city streets, and at various partner institutions, such as California Institute of the Arts, the Huntington, and Armory Center for the Arts.</p> 1009<p><strong>Land Acknowledgment</strong></p> 1010<p><span style="font-weight: 400;">Clockshopâs mission is to work with artists to deepen the connection between community and public land. We cannot do this without acknowledging that the land we occupy is originally and still inhabited and cared for by the Native First Peoples of this region. We are grateful to be able to live and work on these ancestral lands. Clockshop is dedicated to growing and sustaining relationships with Native peoples and local tribal governments, including (in no particular order) the: Fernandeño Tataviam Band of Mission Indians, Gabrielino Tongva Indians of California Tribal Council, Gabrieleno/Tongva San Gabriel Band of Mission Indians, Gabrieleño Band of Mission Indians – Kizh Nation, San Manuel Band of Mission Indians, and San Fernando Band of Mission Indians, through a commitment to truth, healing, and elevating the stories, culture, and community of these original inhabitants. </span></p> 1011<p><span style="font-weight: 400;">Land acknowledgment is essential and meaningful, but it is important to go beyond that. Kuuyam nahwá’a is a Tongva concept of guest exchange which acknowledges both relationships and reciprocity to the lands and Native Peoples of Los Angeles County. </span><span style="font-weight: 400;">Clockshop is proud to be making a kuuyam nahwá’a, an institutional financial guest offering for guests in Los Angeles/Tovaangar to the </span><a href="https://www.tongva.land/donate"><span style="font-weight: 400;">Tongva Taraxat Paxaavxa Conservancy</span></a><span style="font-weight: 400;"> who just received land back for the first time. We invite individuals and other institutions to go beyond land acknowledgment and join us in making a guest exchange at tongva.land.</span></p> 1012<p>Please visit our additional resources for how to go beyond land acknowledgment <a href="https://clockshop.org/project/dreaming-land-back-into-reality/">here</a>.</p> 1013<p><strong>Values for Clockshopâs Relationships with Native Communities of Tovaangar</strong></p> 1014<p>As a settler organization of Tovaangar, Clockshop strives to be a gracious guest, and to continue our respectful support of members of Indigenous communities who are Native to the LA Basin.</p> 1015<p>Below are our commitments and values when entering into relationships with the Native peoples of Tovaangar. We make these public to serve as the foundational basis for relationships that will hopefully grow over time, but also to hold ourselves accountable to facilitating meaningful change.</p> 1016<p>Download our full values <a href="https://clockshop.org/wp-content/uploads/2024/09/Values-for-Relationships-with-Native-First-Peoples-of-LA.pdf">here</a>.</p> 1017<p><a href="https://clockshop.org/wp-content/uploads/2024/09/Forweb.png"><img loading="lazy" decoding="async" class="rhombies aligncenter wp-image-1015254 size-medium" src="https://clockshop.org/wp-content/uploads/2024/09/Forweb-230x300.png" alt="" width="230" height="300" srcset="https://clockshop.org/wp-content/uploads/2024/09/Forweb-230x300.png 230w, https://clockshop.org/wp-content/uploads/2024/09/Forweb-785x1024.png 785w, https://clockshop.org/wp-content/uploads/2024/09/Forweb-768x1001.png 768w, https://clockshop.org/wp-content/uploads/2024/09/Forweb-1178x1536.png 1178w, https://clockshop.org/wp-content/uploads/2024/09/Forweb.png 1571w, https://clockshop.org/wp-content/uploads/2024/09/Forweb-972x1267.png 972w" sizes="auto, (max-width: 230px) 100v
1017w, 230px" /></a></p> 1018 1019 </div> 1020 </section> 1021 <section> 1022 <p class="section-title">Accessibility</p> 1023 <i class="fa fa-plus" aria-hidden="true"></i> 1024 <div class="section-content"> 1025 <p>Clockshop is committed to ensuring accessibility and removing barriers to our artist projects and programs for individuals with disabilities. From the inception of every project by working with our partners (in this case the Los Angeles State Historic Park and California State Parks) and our collaborations with artists and other contributors, we work towards considering how an audience and specifically people with disabilities can interact, engage, and connect with our artist projects. Central to removing barriers is thinking about how an audience member with disabilities will experience a work of art, especially within a public settingâand the way in which a work of art can be most welcoming for all audiences, including visitors with physical impairments, intellectual disabilities, mental health conditions, or vision or hearing disabilities, with examples such as creating audio guides for visually impaired or blind audiences that provide a visual description tour of an artistâs installation.</p> 1026<p>Los Angeles State Historic Park, where all of our recent and upcoming exhibitions and accompanying programs took / will take place, is fully accessible, including the Welcome Station/Visitor Center and parking lot. Pathways within the park, which are a mixture of pavement, boardwalk, and compacted dirt, are accessible. Accessible parking and restrooms are available. More information about accessibility at the park can be requested at <a class="c-link" tabindex="-1" href="mailto:[email protected]" target="_blank" rel="noopener noreferrer" data-stringify-link="mailto:[email protected]" data-sk="tooltip_parent" aria-haspopup="menu" aria-expanded="false" data-remove-tab-index="true">[email protected]</a> (Phone: <a class="c-link" tabindex="-1" href="tel:9164458949" target="_blank" rel="noopener noreferrer" data-stringify-link="tel:9164458949" data-sk="tooltip_parent" data-remove-tab-index="true">(916) 445-8949</a>). Upon requests for assistance regarding Clockshop programming content, we will make programmatic aspects of our projects available in accessible alternative formats, including but not limited to sign language, amplification, and priority seating. Requests can be made at <a class="c-link" tabindex="-1" href="mailto:[email protected]" target="_blank" rel="noopener noreferrer" data-stringify-link="mailto:[email protected]" data-sk="tooltip_parent" aria-haspopup="menu" aria-expanded="false" data-remove-tab-index="true">[email protected]</a>.</p> 1027 1028 </div> 1029 </section> 1030 <section> 1031 <p class="section-title">Annual Reports</p> 1032 <i class="fa fa-plus" aria-hidden="true"></i> 1033 <div class="section-content"> 1034 <p><a href="https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-scaled.png" data-wp-editing="1"><img loading="lazy" decoding="async" class="aligncenter wp-image-1016687 size-medium" src="https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-300x200.png" alt="" width="300" height="200" srcset="https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-300x200.png 300w, https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-1024x683.png 1024w, https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-768x512.png 768w, https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-1536x1024.png 1536w, https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-scaled.png 2048w, https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-1434x956.png 1434w, https://clockshop.org/wp-content/uploads/2026/02/Annual-Report-2024-25-Thumbnail-1900x1267.png 1900w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a><br /> 1035<a href="https://clockshop.org/wp-content/uploads/2026/01/Clockshop-Annual-Report-2024-25-.pdf" data-wp-editing="1"><strong>2024-2025 Annual Report</strong></a></p> 1036<p><a href="https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-scaled.jpg" data-wp-editing="1"><img loading="lazy" decoding="async" class="aligncenter wp-image-1015789 size-medium" src="https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-300x200.jpg" alt="" width="300" height="200" srcset="https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-300x200.jpg 300w, https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-1024x683.jpg 1024w, https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-768x512.jpg 768w, https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-1536x1024.jpg 1536w, https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-scaled.jpg 2048w, https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-1434x956.jpg 1434w, https://clockshop.org/wp-content/uploads/2025/03/Annual-Report-2023-24-Thumbnail-1900x1267.jpg 1900w" sizes="auto, (max-width: 300px) 100v
1036w, 300px" /></a><a href="https://clockshop.org/wp-content/uploads/2025/03/CLOCKSHOP_2023-24_AnnualReport-DIGITAL_Final.pdf" data-wp-editing="1"><strong><br /> 10372023-2024 Annual Report</strong></a></p> 1038<p><a href="https://clockshop.org/wp-content/uploads/2024/02/Annual-Report.png"><img loading="lazy" decoding="async" class="alignleft wp-image-1013989 size-medium" src="https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-300x200.png" alt="" width="300" height="200" srcset="https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-300x200.png 300w, https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-1024x683.png 1024w, https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-768x512.png 768w, https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-1536x1024.png 1536w, https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-2048x1365.png 2048w, https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-1434x956.png 1434w, https://clockshop.org/wp-content/uploads/2024/02/Annual-Report-1900x1267.png 1900w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a></p> 1039<p><strong><a href="https://clockshop.org/wp-content/uploads/2024/03/AnnualReport2022â2023-1.pdf">2022-2023 Annual Report</a></strong></p> 1040<p><a href="https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail.png"><img loading="lazy" decoding="async" class="alignleft wp-image-511873" src="https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-1024x683.png" alt="" width="295" height="196" srcset="https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-1024x683.png 1024w, https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-300x200.png 300w, https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-768x512.png 768w, https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-1536x1024.png 1536w, https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-2048x1365.png 2048w, https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-1434x956.png 1434w, https://clockshop.org/wp-content/uploads/2023/02/annual-report-thumbnail-1900x1267.png 1900w" sizes="auto, (max-width: 295px) 100vw, 295px" /></a></p> 1041<p><strong><a href="https://clockshop.org/wp-content/uploads/2023/03/Clockshop-AnnualReport2023-0303-32.pdf">2021-2022 Annual Report</a></strong></p> 1042<p><a href="https://clockshop.org/wp-content/uploads/2023/02/2021-AnnualReportPrinted_F-1434x956-c-default.png"><img loading="lazy" decoding="async" class="alignleft wp-image-511841" src="https://clockshop.org/wp-content/uploads/2023/02/2021-AnnualReportPrinted_F-1434x956-c-default-1024x683.png" alt="" width="291" height="194" srcset="https://clockshop.org/wp-content/uploads/2023/02/2021-AnnualReportPrinted_F-1434x956-c-default-1024x683.png 1024w, https://clockshop.org/wp-content/uploads/2023/02/2021-AnnualReportPrinted_F-1434x956-c-default-300x200.png 300w, https://clockshop.org/wp-content/uploads/2023/02/2021-AnnualReportPrinted_F-1434x956-c-default-768x512.png 768w, https://clockshop.org/wp-content/uploads/2023/02/2021-AnnualReportPrinted_F-1434x956-c-default.png 1434w, https://clockshop.org/wp-content/uploads/2023/02/2021-AnnualReportPrinted_F-1434x956-c-default-1900x1267.png 1900w" sizes="auto, (max-width: 291px) 100vw, 291px" /></a></p> 1043<p><a href="https://clockshop.org/wp-content/uploads/2021/12/2021-AnnualReport_WEB.pdf" target="_blank" rel="noopener"><strong>2020-2021 Annual Report</strong></a></p> 1044<p><a href="https://clockshop.org/wp-content/uploads/2022/10/2018-AnnualReport_20190701f.pdf" target="_blank" rel="noopener"><strong>2018-2019 Annual Report</strong></a></p> 1045<p> </p> 1046<p> </p> 1047 1048 </div> 1049 </section> 1050 <section> 1051 <p class="section-title">Select Press</p> 1052 <i class="fa fa-plus" aria-hidden="true"></i> 1053 <div class="section-content"> 1054 <h3>2026</h3> 1055<p><strong><a href="https://laist.com/news/los-angeles-activities/clockshop-la-kite-festival-historic-state-park-chinatown">âIt started as a protest against the Dodgers gondola. LA’s Kite Festival now draws thousands’</a> </strong>Robert Garrova, <em>LAist,</em> 2026<strong><br />
1056â<a href="https://www.latimes.com/lifestyle/story/2026-05-03/build-newspaper-kite-fly-it-at-clockshops-kite-festival-in-la">For Clockshopâs Kite Festival, build a newspaper kite using The Timesâ</a> </strong>Jac Cosgrove, <em>LA Times,</em> 2026<br /> 1057<strong><a href="https://lamaterial.com/p/the-reigning-kite-champion-tells-all">âThe Reigning Kite Champion Tells All’</a> </strong>Antonia Cereijido, <em>LA Material,</em> 2026<strong><br /> 1058â<a href="https://mailchi.mp/contemporaryartreview.la/michael-bala-and-no-prior-art-4763336?e=f8a7abc1bd">TJ Shin in Los Angeles State Historic Park, Presented by Clockshop</a>‘ </strong>Sean Koa Seu, <em>carla Snap Reviews,</em> 2026<strong><br /> 1059â<a href="https://americancommunitymedia.org/environment/clockshop-connecting-communities-with-the-land-they-live-on-through-art/">Connecting Communities With The Land They Live on Through Artâ</a></strong> Carlos Aviles, <em>San Diego Tribune,</em> 2026</p> 1060<h3>2025</h3> 1061<p><a href="https://www.abladeofgrass.pub/contributions/on-bodies-and-copies-seeing-and-being"><strong>âOn Bodies and Copies, Seeing and Beingâ</strong></a> Alex Paik, <em>Landscapes,</em> 2025<br /> 1062<a href="https://momus.ca/go-on-without-me-summer-kim-lee-and-tj-shin-on-absenteeism-endlessness-and-recursion/"><strong>âGo on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursionâ</strong></a> Summer Kim Lee and TJ Shin, <em>MOMUS,</em> 2025<br /> 1063<a href="https://www.nytimes.com/2025/10/16/arts/design/museums-trump-funding-cuts.html"><strong>âFacing Funding Cuts and Censorship Threats, Museums Band Togetherâ</strong></a> Sam Lubell, <em>The</em> <em>New York Times,</em> 2025<br /> 1064<a href="https://www.theguardian.com/us-news/2025/may/25/small-museums-trump-cuts-arts-funding"><strong>âCasualties in Trumpâs war on the arts: the small museums keeping local history aliveâ</strong></a> Renée Reizman, <em>The</em> <em>Guardian,</em> 2025</p> 1065<h3>2024</h3> 1066<p><a href="https://www.kcrw.com/news/shows/press-play-with-madeleine-brand/politics-film-holidays-pst/what-water-wants"><strong>âWhat Water Wants,’ combines meditation, nature, ‘speculative horrorâ</strong></a> Madeleine Brand , <em>KCRW,</em> 2024<br /> 1067<a href="https://spectrumnews1.com/ca/southern-california/human-interest/2024/10/26/on-the-banks-of-the-la-river--an-audio-experience-explores-what-water-wants"><strong>âOn the banks of the LA River, an audio experience explores ‘What Water Wants,â</strong></a> Tara Lynn Wagner, <em>Spectrum News,</em> 2024<br /> 1068<a href="https://www.getty.edu/news/clockshop-pst-art-what-water-wants/"><strong>‘What Water Wants,’ </strong></a>Stacy Suaya, <em>Getty</em>, 2024<strong><br /> 1069<a href="https://www.youtube.com/watch?v=eosW_1PQK34">‘Transforming the Los Angeles River,’</a></strong>Earth Focus, <em>PBS SoCal</em>, 2024<strong><br /> 1070<a href="https://spectrumnews1.com/ca/la-west/arts/2024/01/24/art-installation-housing-greenspace">‘the underpinning’ reflects on home and belonging,’</a></strong>Kristopher Gee, <em>Spectrum News</em>, 2024</p> 1071<h3>2023</h3> 1072<p><strong><a href="https://www.ladowntownnews.com/arts_and_entertainment/the-underpinning-new-sculpture-unveiled-in-la-state-historic-park/article_0a36ec74-9ba5-11ee-adb8-57a0b9f4faa2.html">‘the underpinning’: New Sculpture unveiled at LA State Historic Park,’</a></strong>Luke Netzley, <em>LA Downtown News</em>, 2023<strong><br /> 1073‘<a href="https://hyperallergic.com/861740/artist-rodrigo-valenzuela-futuristic-ruins-unveiled-in-la/">An Artist’s Futuristic Ruins Unveiled in LA</a>,’ </strong>Matt Stromberg, <em>Hyperallergic</em>, 2023<strong><br /> 1074‘<a href="https://www.kcrw.com/news/shows/greater-la/music-environment/la-river-atlas">LA River ‘cutlural atlas’ is preserving a disappearing local history</a>,’</strong> Steve Chiotakis, <em>KCRW Greater LA</em>, 2023<br /> 1075<strong>‘<a href="https://www.audacy.com/knxnews/news/local/l-a-neighborhoods-subject-of-history-preservation-project">LA Neighborhoods subjects in history preservation project</a>,’</strong> Margaret Carrero, <em>KNX News</em>, 2023<br /> 1076<strong>‘<a href="https://brooklynrail.org/2023/07/art-technology/Art-and-the-State-of-Water">Art and the State of Water</a>,’</strong> Charlotte Kent, <em>The Brooklyn Rail</em>, 2023<br /> 1077<strong><a href="https://www.arts.gov/news/press-releases/2023/national-endowment-arts-announces-second-round-grants-fy-2023">‘
1077National Endowments for Arts Announces Second Round of Grants for FY 2023</a>,’</strong> <em>National Endowments for the Arts</em>, 2023<br /> 1078<strong><a href="https://www.cbsnews.com/losangeles/news/inside-socal-lets-go-fly-a-kite-35/">‘Inside SoCal ‘Lets go fly a kite’</a>,</strong> Erica Olsen, <em>KCAL News</em>, 2023<br /> 1079<strong><a href="https://www.latimes.com/entertainment-arts/story/2023-01-14/la-storm-arts-cancellations-wallis-huntington-clockshop">‘As storms postpone or cancel arts events across Los Angeles, organizations remain resilient</a>,’ </strong>Steven Vargas, <em>LA Times</em>, 2023</p> 1080<h3>2022</h3> 1081<p><strong><a href="https://contemporaryartreview.la/issue-29-audio-book/">“Jimena Sarno at LA State Historic</a><a href="https://contemporaryartreview.la/issue-29-audio-book/"> Park”,</a></strong><strong> </strong>Hande Sever, <em>Contemporary Art Review LA Issue</em> 29 (Audio begins at 1:24:09), 2022<br /> 1082<strong><a href="https://www.latimes.com/entertainment-arts/story/2022-05-18/clockshop-kite-festival-los-angeles">“This weekend, look up to the heavens: A Kite ‘gallery in the sky’ will fly over L.A.”</a>, </strong>Deborah Vankin, <em>Los Angeles Times</em>, 2022</p> 1083<h3>2021</h3> 1084<p><a href="https://www.dailynews.com/2021/07/18/photos-kites-take-flight-over-los-angeles-state-historic-park/"><strong>“Kites take flight over Los Angeles State Historic Park”</strong></a>, <em>Daily News, </em>2021</p> 1085<h3>2020</h3> 1086<p><strong><a href="https://www.latimes.com/california/story/2020-11-26/proposed-aerial-tram-for-dodger-fans-ignites-controversy-at-los-angeles-state-historic-park">“Proposed aerial gondola for Dodgers fans ignites controversy at Los Angeles State Historic Park”</a>, </strong>Louis Sahagún, <em>Los Angeles Times</em>,<br /> 1087<a href="https://www.laweekly.com/video-art-pick-carmen-argotes-last-light/"><strong>“VIDEO ART PICK: CARMEN ARGOTEâS </strong></a><strong>LAST LIGHT”</strong>,<span class="cb-author vcard author"><span class="fn">Shana Nys Dambrot, <em>LA Weekly</em>, 2020<br /> 1088</span></span><strong><a href="https://hyperallergic.com/576468/carmen-argote-last-light-clockshop-hammer/">“Walking LAâs Empty Streets During the COVID-19 Pandemic”</a>, </strong>by Elisa Wouk Almino, <em>Hyperallergic</em>, 2020<br /> 1089<strong><a href="https://eastbayyesterday.com/episodes/we-were-being-erased/">âWe were being erasedâ: The woman who saved Californiaâs Black history</a>, </strong>Liam OâDonoghue, <em>East Bay Yesterday, </em>2020<br /> 1090<strong><a href="https://www.x-traonline.org/online/what-preservation-takes">What Preservation Takes</a>, </strong>Ryan S. Jeffery, <em>X-TRA, </em>2020<br /> 1091<a href="https://www.nytimes.com/2020/02/07/us/black-history-month-delilah-beasley.html" target="_blank" rel="noopener">The Pioneering Black Historian Who Was Almost Erased From History</a>, Jill Cowan, The New York Times, California Today, 2020<br /> 1092<a href="https://blog.lareviewofbooks.org/reviews/high-dry-low-wet-thoughts-hatch-bowtie-project/"><strong>High and Dry, Low and Wet: Some Thoughts on <em>Hatch</em> at the Bowtie Project</strong> </a>Rachel Elizabeth Jones, LA Review of Books, 2020<br /> 1093<strong><a href="https://www.kcet.org/shows/artbound/artists-re-imagine-thomas-mores-utopia-at-the-huntington">Artists Re-imagine Thomas More’s <em>Utopia </em>at the Huntington</a> </strong>Janna Zinzi, KCET, 2020</p> 1094<h3>2019</h3> 1095<div class="card-content align-left"><strong><a href="https://www.latimes.com/home/la-he-outdoors-la-walks-bowtie-parcel-20190510-story.html">L.A. Walks: The grittiest L.A. River path youâve never heard of</a></strong> Charles Fleming, Los Angeles Times, 2019</div> 1096<h3>2018</h3> 1097<p><strong><a href="https://www.kcet.org/shows/artbound/the-bowtie-offers-a-rare-refuge-along-the-l-a-river">“The Bowtie Offers a Rare Refuge Along the L.A. River”</a>,</strong> Ruxandra Guidi, Bear Guerra, KCET<br /> 1098<a href="https://www.lamag.com/culturefiles/4th-wall-ar-art/"><strong>“Artists Are Using Augmented Reality to Install Virtual Works in Powerful Places”</strong></a>, Brittany Martin, <em>Los Angeles Magazine</em>, 2018<br /> 1099<strong><a href="https://www.kcet.org/shows/artbound/frogtown-without-frogs-the-changing-ecology-of-the-bowtie-parcel-and-the-la-river">‘Frogtown Without Frogs: The Changing Ecology of the Bowtie Parcel and the L.A. River’</a></strong> Ruxandra Guidi and Bear Guerra, KCET, 2018<br /> 1100<strong><a href="https://bombmagazine.org/articles/simultaneities-beatriz-cortez-interviewed/">‘Simultaneities: Beatriz Cortez Interviewed by Rafa Esparza’</a> </strong>Rafa Esparza, BOMB Magazine, 2018<br /> 1101<strong><a href="http://x-traonline.org/article/adobe-dust-and-water-rafa-esparza-and-rebeca-hernandezs-building-a-simulacrum-of-power/">‘Adobe, Dust, and Water: Rafa Esparza and Rebeca Hernandezâs <em>building: a simulacrum of power’</em></a> </strong>Gwyneth Shanks, X-TRA, 2018</p> 1102<h3>2017</h3> 1103<p><strong><a href="http://www.lamag.com/culturefiles/11-podcasts-l-must-subscribe-asap/">’11 Podcasts About L.A. You Must Subscribe to ASAP’</a> </strong>Thomas Harlander, Los Angeles Magazine, 2017<br /> 1104<a href="http://www.salon.com/2017/01/10/remembering-octavia-butler-this-country-v
1104iews-people-like-butler-and-like-oscar-as-aliens-and-treats-people-like-us-like-we-are-from-another-planet/"><strong>‘Remembering Octavia Butler’</strong></a> Scott Timberg, Salon, 2017</p> 1105<h3>2016</h3> 1106<p><strong><a href="http://archinect.com/news/article/149979836/listen-to-next-up-the-la-river-mini-session-6-julia-meltzer-clockshop-and-elizabeth-timme-la-m-s">‘Listen to ‘Next Up: The LA River’ Mini-Session #6: Julia Meltzer (Clockshop) and Elizabeth Timme (LA-Más)’</a></strong> Amelia Taylor-Hochberg, Archinect, 2016 <strong><br /> 1107<a href="https://laist.com/news/entertainment/inside-the-octavia-butler-archives">‘Inside the Octavia Butler Archives With L.A. Writer Lynell George’</a> </strong>Julia Wick, LAist, 2016 <strong><br /> 1108<a href="http://huntingtonblogs.org/2016/01/celebrating-octavia-butler/">‘Celebrating Octavia Butler’</a> </strong>Kevin Durkin, Verso, 2016 <strong><br /> 1109<a href="http://www.nbcnews.com/news/nbcblk/octavia-butler-s-legacy-impact-afrofuturism-celebrated-n553126">‘Octavia Butler’s Legacy, Impact, and Afrofuturism Celebrated’</a> </strong>Jazelle Hunt, NBC News, 2016 <strong><br /> 1110<a href="http://artforum.com/news/id=59294" target="_blank" rel="noopener">‘Mike Kelley Foundation for the Arts Announces Recipients of Inaugural Grants’</a></strong> Artforum, 2016 <strong><a href="http://www.cnn.com/2016/03/10/living/octavia-butler-radio-imagination-feat/index.html" target="_blank" rel="noopener">‘Celebrating Octavia Butler: A visionary among futurists’</a></strong> Emanuella Grinberg, CNN, 2016 <strong><br /> 1111<a href="http://www.scpr.org/programs/offramp/2016/03/03/46914/remembering-unsung-science-fiction-hero-genius-gra/" target="_blank" rel="noopener">‘Remembering unsung science-fiction hero/Genius Grant winner Octavia Butler’</a> </strong>Tom Carroll, Off-Ramp, KPCC, 2016 <strong><br /> 1112<a href="http://io9.gizmodo.com/la-celebrates-science-fiction-legend-octavia-e-butler-1755565229?utm_campaign=socialflow_io9_facebook&utm_source=io9_facebook&utm_medium=socialflow" target="_blank" rel="noopener">‘LA Celebrates Science Fiction Legend Octavia E. Butler With a Year of Events’</a></strong> Cheryl Eddy, io9, 2016</p> 1113<h3>2015</h3> 1114<p><strong><a href="https://www.lamag.com/culturefiles/4th-wall-ar-art/">“The Bowtie Parcel’s Narrative Landscape”</a>,</strong> Carren Jao, KCET<strong><br /> 1115</strong><strong><a href="http://www.tabletmag.com/scroll/195134/an-authentic-nourishing-persian-jewish-dinner-in-los-angeles" target="_blank" rel="noopener">‘An Authentic, Nourishing Persian-Jewish Dinnerâin Los Angeles’</a> </strong>Merissa Nathan Gerson, Tablet, 2015<br /> 1116<strong><a href="http://www.scpr.org/programs/take-two/2015/10/09/44777/dive-deep-on-the-history-of-the-la-river-via-audio/" target="_blank" rel="noopener">‘Dive deep into the history of the LA river via audio tour’</a></strong> A. Martinez, Take Two, KPCC, 2015 <strong><br /> 1117<a href="http://www.ampersandla.com/currents-chapter-one-banks-bloodmoon/" target="_blank" rel="noopener">‘Currents, Chapter One: On the Banks under the Bloodmoon’</a> </strong>Katie Antonsson, Ampersand, 2015<br /> 1118<strong>‘<a href="http://www.laweekly.com/best-of/2015/arts-and-entertainment/best-new-performance-art-stage-6075325" target="_blank" rel="noopener">Best New Performance Art Stage (2015)</a>‘</strong> Catherine Wagley, LA Weekly BEST OF LA, 2015 <strong><br /> 1119‘The Best Non-Profit Art Spaces in Los Angeles’ </strong>Lauren McQuade, ArtSlant, 2015 <strong><br /> 1120<a href="http://www.scpr.org/programs/the-frame/2015/05/29/43038/evereachmore-brings-dance-to-the-banks-of-the-la-r/?slide=7" target="_blank" rel="noopener">‘Clockshop brings dance to the banks of the LA River’</a> </strong>Robert Garrova, The Frame, KPCC, 2015 <strong><br /> 1121<a href="http://www.artinamericamagazine.com/news-features/previews/the-agenda-this-week-in-los-angeles-34/" target="_blank" rel="noopener">‘The Agenda: This Week in Los Angeles’</a></strong> Art in America, 2015 <strong><br /> 1122<a href="http://www.lamag.com/culturefiles/how-to-enjoy-the-l-a-river-even-before-its-1-2-billion-revamp-is-complete/" target="_blank" rel="noopener">‘How to Enjoy the L.A. River Before Its $1.2 Billion Revamp’</a></strong> Lila Higgins, LA Mag, 2015 <strong><br /> 1123‘taisha paggett and WXPT bring dance to the LA River’ </strong>Delirious, LA, Los Angeles Forum for Architecture and Urban Design, 2015<br /> 1124<strong><a href="https://www.laweekly.com/this-performance-art-space-gives-you-a-cool-new-reason-to-visit-the-l-a-river/" target="_blank" rel="noopener">‘This Performance Art Space Gives You A Cool New Reason To Visit The L.A. River’</a> </strong>Carol Cheh, LA Weekly, 2015<br /> 1125<strong><a href="http://www.thefamilysavvy.com/2015/05/the-bowtie-project-clockshop-and-the-transformation-of-the-la-river/" target="_blank" rel="noopener">‘The bowtie project, clockshop la, and the transformation of the la river’</a> </strong>The Family Savvy, LA Edition, 2015<br /> 1126<strong><a href="https://www.laweekly.com/5-free-art-shows-you-should-see-in-l-a-this-week-23/" target="_blank" rel="noopener">‘5 Free Art Shows You Should See in L.A. This Week’</a></strong> Catherine Wagley, LA Weekly, 2015<strong><br /> 1127<a href="http://www.paris-la.com/consafos-art-in-the-l-a-river/" target="_blank" rel="noopener">‘Con/Safos: Art in the L.A. River’</a> </strong>Evan Moffitt, Paris, LA, 2015 <strong><br /> 1128<a href="http://hyperallergic.com/198711/artrx-la-39/?wt=2" target="_blank" rel="noopener">‘A Dream for the Bowtie Parcel, Intro: What is the Bowtie?’</a></strong> CalPark Voices, 2015 <strong><br /> 1129<a href="https://www.kcet.org/shows/artbound/the-bowtie-parcels-narrative-landscape" target="_blank" rel="noopener">‘The Bowtie Parcel’s Narrative Landscape’</a></strong> Carren Jao, Artbound, 2015 <strong><br /> 1130<a href="http://www.scpr.org/news/2015/02/27/50038/free-weekend-chocolate-and-art-show-bill-murray-pa/" target="_blank" rel="noopener">‘Free weekend? Free chocolate, Bill Murray and Happy Hour Week’</a> </strong>Kristen Lepore, Daniella Segura, and Jennifer Velez, KPCC, 2015</p> 1131<h3>2014</h3> 1132<p><strong>‘Notes on Looking; Rafa Esparza / Elizabeth Sonenberg Interview’</strong> Notes on Looking, 2014 <strong><br /> 1133<a href="http://www.jewishjournal.com/culture/article/sounds_tastes_of_middle_east_north_africa_converge_at_clockshop_in_l.a" target="_blank" rel="noopener">‘Sounds, tastes of Middle East, North Africa converge at Clockshop in L.A.’</a> </strong>Jessica Ritz, Jewish Journal, 2014 <strong><br /> 1134<a href="http://art-nerd.com/losangeles/clockshops-the-bowtie-project/" target="_blank" rel="noopener">‘Clockshop’s The Bowtie Project’</a> </strong>Stacy Conde, Art Nerd Los Angeles, 2014 <strong><br /> 1135<a href="http://blog.sixtyhotels.com/clockshop-presents-my-atlas/" target="_blank" rel="noopener">‘Gender Bending: Clockshop Presents the âMy Atlasâ Series’</a> </strong>Arianna Schioldager, alphasixty blog, 2014 <strong><br /> 1136<a href="http://ladyclever.com/profiles/my-atlas-discovering-the-real-female-traveler/" target="_blank" rel="noopener">‘My Atlas: Discovering the Real Female Traveler’</a> </strong>Dariush Azimi, Lady Clever, LA, 2014 <strong><br /> 1137‘My Atlas’</strong> Rachel Morrison, Paris, LA, 2014 <strong><br /> 1138<a href="http://la.curbed.com/archives/2014/06/the_la_river_hosted_its_f
1138irstever_public_campout_this_weekend.php" target="_blank" rel="noopener">‘LA River Hosted Its First-Ever Public Campout This Weekend’</a>Â </strong>Bianca Barragan, Curbed LA, 2014 <strong><br /> 1139<a href="http://www.kcrw.com/news-culture/shows/design-and-architecture/angelenos-claim-public-space-at-the-beach-and-at-the-river#seg-2" target="_blank" rel="noopener">‘Camping on Concrete at the LA River’</a>Â </strong>DnA on KCRW, 2014 <strong><br /> 1140<a href="https://laist.com/news/entertainment/first-ever-la-river-campout-was-a-s" target="_blank" rel="noopener">‘The First Ever L.A. River Campout’</a>Â </strong>LAist, 2014 <strong><br /> 1141<a href="http://www.theeastsiderla.com/2014/06/camping-out-by-the-l-a-river/" target="_blank" rel="noopener">‘Camping out by the L.A. River’</a>Â </strong>The Eastsider LA, 2014 <strong><br /> 1142<a href="http://www.latimes.com/tn-gnp-me-artist-hopes-public-art-piece-will-help-reenvision-city-nature-20140502-story.html" target="_blank" rel="noopener">‘Artist hopes public art piece will help re-envision city, nature’</a></strong>Â Brittany Levine, LA Times, 2014<br /> 1143<strong><a href="https://www.paris-la.com/archive2008-2020/the-unfinished-a-temporary-public-sculture-by-michael-parker/" target="_blank" rel="noopener">‘The Unfinished: A Temporary Public Sculpture by Michael Parker’</a>Â </strong>Rachael Morrison, Paris, LA, 2014 <strong><br /> 1144‘KCET Artbound; The Unfinished<a href="http://www.kcet.org/arts/artbound/projects/the-unfinished/?page=1" target="_blank" rel="noopener">‘</a></strong>Â 5 Articles, Julia Meltzer, Anne Walsh, Michael Parker, Maggie Geoga, and Allison Carruth, KCET’s Artbound, 2014 <strong><br /> 1145<a href="http://www.theeastsiderla.com/2014/02/viewpoints-is-frogtown-next-in-line-to-be-gentrified/" target="_blank" rel="noopener">‘Viewpoints: What’s next in Frogtown’s Future?’</a></strong>Â Julia Meltzer, The Eastsider LA, Â 2014</p> 1146<h3>2011</h3> 1147<p><strong><a href="http://x-traonline.org/article/war-and-the-sentence-fragment/" target="_blank" rel="noopener">‘War and the Sentence Fragment’</a></strong>Â Anne Shea, X-TRA, 2011</p> 1148<h3>2004</h3> 1149<p><strong><a href="http://www.laweekly.com/news/billboard-oases-2139320" target="_blank" rel="noopener">‘Billboard Oases’</a>Â </strong>Holly Willis, LA Weekly, 2004 <strong><br /> 1150<a href="http://articles.latimes.com/2004/aug/15/entertainment/ca-timberg15" target="_blank" rel="noopener">‘Images with a drive-by impact’</a>Â </strong>Scott Timberg, LA Times, 2004</p> 1151 1152 </div> 1153 </section> 1154 <section> 1155 <p class="section-title">Clockshop's Culture of Care</p> 1156 <i class="fa fa-plus" aria-hidden="true"></i> 1157 <div class="section-content"> 1158 <p><span style="font-weight: 400;">In 2022, Clockshop embarked on our Culture of Care initiative to ensure that staff receive the benefits, compensation, professional development, and agency necessary to feel fully supported and empowered in their creative work. In 2023, the National Council of Nonprofits released a report that confirmed what our initiative means to address: that nonprofits are particularly susceptible to burnout, with as many as 50.2 percent of respondents citing stress and burnout as key barriers to attracting and retaining talented staff. Our Culture of Care is a continuously evolving and ongoing commitment, one that asks that we check in with ourselves and each other to assess our growth toward our short and long-term goals.</span></p> 1159<p><span style="font-weight: 400;">Hereâs some of what weâve achieved so far:</span></p> 1160<ul> 1161<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">Comprehensive health insurance, including dental and vision benefits</span></li> 1162<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">Quarterly office recesses</span></li> 1163<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">Spanish language classes for staff</span></li> 1164<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">Professional development opportunities</span></li> 1165<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">Monthly staff bonding activities, ranging from pool parties to visiting exhibitions to volunteering together</sp
1165an></li> 1166<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">A language justice initiative, producing program and marketing materials in English, Spanish, and Chinese, and providing interpreters for major events</span></li> 1167</ul> 1168 1169 </div> 1170 </section> 1171 <section> 1172 <p class="section-title">Our story and our name</p> 1173 <i class="fa fa-plus" aria-hidden="true"></i> 1174 <div class="section-content"> 1175 <p><span style="font-weight: 400;">Clockshop was founded by artist Julia Meltzer in 2004 in Los Angeles. </span></p> 1176<p><span style="font-weight: 400;">The name has a family history behind it. In Julia’s words:</span></p> 1177<p><span style="font-weight: 400;">“My great-grandfather came to Los Angeles via Eastern Europe in 1898 to escape persecution and pursue opportunity. The family business was watch-making and selling clocks. Eventually, with the partnership of his cousins who also immigrated, they opened a store called the Eastern Clock Company on South Broadway in Downtown Los Angeles â which later became the Eastern Columbia Outfitting Company, now a treasured art deco landmark in Downtown LA. I chose the name Clockshop to honor the history of the business our family built. Over Clockshop’s 20 years, I have come to see deeper significance in our chosen name: Clockshop takes time. We invest in going slowly, building relationships, and going deep with people and place.”</span></p> 1178<p><span style="font-weight: 400;">For more than two decades, Clockshop has shown up in the same places, season after season, building relationships that last longer than any single project. We commission artists to create bold, thought-provoking, and experimental work that shapes our imagination. With our neighbors, we have fought for public land for decades.</span></p> 1179<p><span style="font-weight: 400;">The Bowtie Parcel, an 18-acre former rail yard along the LA River, has been Clockshopâs flagship site since 2014. What began as an underused industrial remnant is becoming a park, shaped by a decade of community engagement, over $20 million in raised funds, and hundreds of free public events. The Bowtie has become a model for whatâs possible when artists, neighbors, and public agencies work together at the speed of trust.</span></p> 1180<p><a href="https://clockshop.org/wp-content/uploads/2024/02/easternclock-2.jpg"><img loading="lazy" decoding="async" class="aligncenter wp-image-1013810 size-medium" src="https://clockshop.org/wp-content/uploads/2024/02/easternclock-2-300x300.jpg" alt="" width="300" height="300" srcset="https://clockshop.org/wp-content/uploads/2024/02/easternclock-2-300x300.jpg 300w, https://clockshop.org/wp-content/uploads/2024/02/easternclock-2-150x150.jpg 150w, https://clockshop.org/wp-content/uploads/2024/02/easternclock-2-768x768.jpg 768w, https://clockshop.org/wp-content/uploads/2024/02/easternclock-2.jpg 1024w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a></p> 1181 1182 </div> 1183 </section> 1184 <section> 1185 <p class="section-title">Support</p> 1186 <i class="fa fa-plus" aria-hidden="true"></i> 1187 <div class="section-content"> 1188 <p>Clockshop is a 501(c)3 nonprofit organization, and relies on the generosity of government, foundation, and corporate support, as well as individual donors. Donations can be made at anytime <a href="https://clockshop.org/donate/" target="_blank" rel="noopener">here</a>. As an arts organization, Clockshop has a strong conviction that producers of culture should be paid for their time and engagement. All Clockshop participantsâartists, writers, performers, activists, chefsâare compensated. Clockshop is a member of and supported by the Los Angeles Visual Arts (<a href="https://lavacoalition.art/">LAVA</a>) Coalition. Clockshopâs programs have been supported by:</p> 1189<p><a href="https://clockshop.org/wp-content/uploads/2025/12/Group-2541-scaled.png"><img loading="lazy" decoding="async" class="aligncenter wp-image-1016580 size-large" src="https://clockshop.org/wp-content/uploads/2025/12/Group-2541-1024x520.png" alt="" width="1024" height="520" srcset="https://clockshop.org/wp-content/uploads/2025/12/Group-2541-1024x520.png 1024w, https://clockshop.org/wp-content/uploads/2025/12/Group-2541-300x152.png 300w, https://clockshop.org/wp-content/uploads/2025/12/Group-2541-768x390.png 768w, https://clockshop.org/wp-content/uploads/2025/12/Group-2541-1536x780.png 1536w, https://clockshop.org/wp-content/uploads/2025/12/Group-2541-scaled.png 2048w, https://clockshop.org/wp-content/uploads/2025/12/Group-2541-1900x965.png 1900w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></a></p> 1190<p>Additional supporters include the Good Works Foundation and numerous other private donors.</p> 1191<p><b>2025 Clockshop Circle</b></p> 1192<p><b>Steward ($25,000+)</b></p> 1193<p><span style="font-weight: 400;">David Meltzer<br /> 1194</span><span style="font-weight: 400;">Metabolic Studio</span></p> 1195<p> </p> 1196<p><b>Weaver ($10,000.00 to $24,999.99)</b></p> 1197<p><span style="font-weight: 400;">Cargo Snack Shack<br /> 1198</span><span style="font-weight: 400;">The Ernest G. Herman Foundation<br /> 1199</span><span style="font-weight: 400;">Goldenvoice<br /> 1200</span><span style="font-weight: 400;">Dan Greaney<br /> 1201</span><span style="font-weight: 400;">Beth Meltzer<br /> 1202</span><span style="font-weight: 400;">Sieroty Company<br /> 1203</span><span style="font-weight: 400;">Aaron Sosnick<br /> 1204</span><span style="font-weight: 400;">WHH Foundation</span></p> 1205<p> </p> 1206<p><b>Sower ($5,000.00 to $9,999.99)</b></p> 1207<p><span style="font-weight: 400;">Yuval Bar-Zemer<br /> 1208</span><span style="font-weight: 400;">Madeline and Louis Bell<br /> 1209</span><span style="font-weight: 400;">California Community Foundation<br /> 1210</span><span style="font-weight: 400;">Barbara Cohn<br /> 1211</span><span style="font-weight: 400;">Cyndi Hubach<br /> 1212</span><span style="font-weight: 400;">Kevin Kane<br /> 1213</span><span style="font-weight: 400;">Liberty Hill Foundation<br /> 1214</span><span style="font-weight: 400;">Mia Locks<br /> 1215</span><span style="font-weight: 400;">San Antonio Winery<br /> 1216</span><span style="font-weight: 400;">Sierra Club<br /> 1217</span><span style="font-weight: 400;">Westmount Partners<br /> 1218</span><span style="font-weight: 400;">Andy Wong</span></p> 1219<p> </p> 1220<p><b>Nurturer ($2,500.00 to $4,999.99)</b></p> 1221<p><span style="font-weight: 400;">American Business Bank<br /> 1222</span><span style="font-weight: 400;">Eric and Jocelyn Blumberg<br /> 1223</span><span style="font-weight: 400;">Vali Chandrasekaran<br /> 1224</span><span style="font-weight: 400;">Kristin Gore and Damian Kulash<br /> 1225</span><span style="font-weight: 400;">Betsy Greenberg<br /> 1226</span><span style="font-weight: 400;">Joseph Meltzer and Michele Asselin<br /> 1227</span><span style="font-weight: 400;">grantLOVE<br /> 1228</span><span style="font-weight: 400;">Rexford Industrial<br /> 1229</span><span style="font-weight: 400;">Silton Family Foundation<br /> 1230</span><span style="font-weight: 400;">Sugerman Communications Group<br /> 1231</span><span style="font-weight: 400;">Jo Szeto and Ryan Wu<br /> 1232</span><span style="font-weight: 400;">Laura Wasser<br /> 1233</span><span style="font-weight: 400;">Susan Watts</span></p> 1234 1235 </div> 1236 </section> 1237 <section> 1238 <p class="section-title">Rent Our Space</p> 1239 <i class="fa fa-plus" aria-hidden="true"></i> 1240 <div class="section-content"> 1241 <p>Clockshop is housed in the Clearwater Studios building, which we share with fellow non-profit <a href="https://www.mas.la/">LA Mas</a>. Clearwater Studios is available for rental for work meetings, retreats, team-building sessions, film shoots, and workshops.</p> 1242<p><span style="font-weight: 400;">If you are interested in utilizing the space or you have questions, </span><span style="font-weight: 400;">please be in touch with </span><span style="font-weight: 400;"><br /> 1243<a href="mailto:[email protected]" rel="noopener">[email protected]</a><br /> 1244</span></p> 1245<p><a href="https://clockshop.org/wp-content/uploads/2024/09/Group-2343-scaled.jpg"><img loading="lazy" decoding="async" class="aligncenter wp-image-1015065 size-full" src="https://clockshop.org/wp-content/uploads/2024/09/Group-2343-scaled.jpg" alt="" width="2560" height="832" srcset="https://clockshop.org/wp-content/uploads/2024/09/Group-2343-scaled.jpg 2048w, https://clockshop.org/wp-content/uploads/2024/09/Group-2343-300x98.jpg 300w, https://clockshop.org/wp-content/uploads/2024/09/Group-2343-1024x333.jpg 1024w, https://clockshop.org/wp-content/uploads/2024/09/Group-2343-768x250.jpg 768w, https://clockshop.org/wp-content/uploads/2024/09/Group-2343-1536x499.jpg 1536w, https://clockshop.org/wp-content/uploads/2024/09/Group-2343-1900x618.jpg 1900w" sizes="auto, (max-width: 2560px) 100v
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1295 1296 1297 </div> 1298 1299 </div> 1300 </footer> 1301<footer class="contactfooter"> 1302 <div class="padding"> 1303 <div class="margin"> 1304 1305 <div class="logo_container"> 1306 <a href="https://clockshop.org" class="logo_footer"></a> 1307 </div> 1308 1309 <p class="contacts"> 1310 <span>(213) 915-4311</span> 1311 <span class="dot">●</span> 1312 <span>[email protected]</span> 1313 <span class="dot">●</span> 1314 <span>2806 Clearwater St, Los Angeles, CA 90039</span> 1315 <img class="candid" alt="Candid Seal of Non Profit Transparency" style="width:100px" src="https://clockshop.org/wp-content/uploads/2026/03/candid-seal-platinum-instagram-2026.png"/> 1316 </p> 1317 1318 <p class="copyright"> 1319 <span>©2026 Clockshop. <span style="white-space: nowrap; display: inline-block;">All Rights Reserved.</span></span> 1320 </p> 1321 1322 <p class="edit-this"> 1323 1324 </p> 1325 1326 </div> 1327 </div>
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1357<script async data-wp-strategy="async" id="givebutter-widget-library-js" src="https://widgets.givebutter.com/latest.umd.cjs?acct=s39j9aq0Xvo8cX8m&p=wordpress"></script>
vendor: 1 bytes, line 1357
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1358<script id="wp-emoji-settings" type="application/json"> 1359{"baseUrl":"https://s.w.org/images/core/emoji/17.0.2/72x72/","ext":".png","svgUrl":"https://s.w.org/images/core/emoji/17.0.2/svg/","svgExt":".svg","source":{"concatemoji":"https://clockshop.org/wp-includes/js/wp-emoji-release.min.js?ver=7.1.2"}} 1360</script>
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1361<script type="module"> 1362/*! This file is auto-generated */ 1363var e="script#wp-emoji-settings",t=document.querySelector(e);if(!(t instanceof HTMLScriptElement))throw new Error("Element missing: "+e);const r=JSON.parse(t.text),s=(window._wpemojiSettings=r,"wpEmojiSettingsSupports"),o=["flag","emoji"];function i(e){try{var t={supportTests:e,timestamp:(new Date).valueOf()};sessionStorage.setItem(s,JSON.stringify(t))}catch(e){}}function c(e,t,n){e.clearRect(0,0,e.canvas.width,e.canvas.height),e.fillText(t,0,0);t=new Uint32Array(e.getImageData(0,0,e.canvas.width,e.canvas.height).data);e.clearRect(0,0,e.canvas.width,e.canvas.height),e.fillText(n,0,0);const r=new Uint32Array(e.getImageData(0,0,e.canvas.width,e.canvas.height).data);return t.every((e,t)=>e===r[t])}function p(e,t){e.clearRect(0,0,e.canvas.width,e.canvas.height),e.fillText(t,0,0);var n=e.getImageData(16,16,1,1);for(let e=0;e<n.data.length;e++)if(0!==n.data[e])return!1;return!0}function u(e,t,n,r){switch(t){case"flag":return n(e,"\ud83c\udff3\ufe0f\u200d\u26a7\ufe0f","\ud83c\udff3\ufe0f\u200b\u26a7\ufe0f")?!1:!n(e,"\ud83c\udde8\ud83c\uddf6","\ud83c\udde8\u200b\ud83c\uddf6")&&!n(e,"\ud83c\udff4\udb40\udc67\udb40\udc62\udb40\udc65\udb40\udc6e\udb40\udc67\udb40\udc7f","\ud83c\udff4\u200b\udb40\udc67\u200b\udb40\udc62\u200b\udb40\udc65\u200b\udb40\udc6e\u200b\udb40\udc67\u200b\udb40\udc7f");case"emoji":return!r(e,"\ud83e\u1fac8")}return!1}function f(e,t,n,r){let a;const s=(a="undefined"!=typeof WorkerGlobalScope&&self instanceof WorkerGlobalScope?new OffscreenCanvas(300,150):document.createElement("canvas")).getContext("2d",{willReadFrequently:!0}),o=(s.textBaseline="top",s.font="600 32px Arial",{});return e.forEach(e=>{o[e]=t(s,e,n,r)}),o}function a(e){var t=document.createElement("script");t.src=e,t.defer=!0,document.head.appendChild(t)}r.supports={everything:!0,everythingExceptFlag:!0},new Promise(t=>{let n=function(){try{var e=JSON.parse(sessionStorage.getItem(s));if("object"==typeof e&&"number"==typeof e.timestamp&&(new Date).valueOf()<e.timestamp+604800&&"object"==typeof e.supportTests)return e.supportTests}catch(e){}return null}();if(!n){if("undefined"!=typeof Worker&&"undefined"!=typeof OffscreenCanvas&&"undefined"!=typeof URL&&URL.createObjectURL&&"undefined"!=typeof Blob)try{var e="postMessage("+f.toString()+"("+[JSON.stringify(o),u.toString(),c.toString(),p.toString()].join(",")+"));",r=new Blob([e],{type:"text/javascript"});const a=new Worker(URL.createObjectURL(r),{name:"wpTestEmojiSupports"});return void(a.onmessage=e=>{i(n=e.data),a.terminate(),t(n)})}catch(e){}i(n=f(o,u,c,p))}t(n)}).then(e=>{for(const n in e)r.supports[n]=e[n],r.supports.everything=r.supports.everything&&r.supports[n],"flag"!==n&&(r.supports.everythingExceptFlag=r.supports.everythingExceptFlag&&r.supports[n]);var t;r.supports.everythingExceptFlag=r.supports.everythingExceptFlag&&!r.supports.flag,r.supports.everything||((t=r.source||{}).concatemoji?a(t.concatemoji):t.wpemoji&&t.twemoji&&(a(t.twemoji),a(t.wpemoji)))}); 1364//# sourceURL=https://clockshop.org/wp-includes/js/wp-emoji-loader.min.js 1365</script>
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1366<script> 1367gform.initializeOnLoaded( function() { jQuery(document).on('gform_post_render', function(event, formId, currentPage){if(formId == 4) {if(typeof Placeholders != 'undefined'){ 1368 Placeholders.enable(); 1369 }} } );jQuery(document).on('gform_post_conditional_logic', function(event, formId, fields, isInit){} ) } ); 1370</script>
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1371<script> 1372gform.initializeOnLoaded( function() {jQuery(document).trigger("gform_pre_post_render", [{ formId: "4", currentPage: "1", abort: function() { this.preventDefault(); } }]); if (event && event.defaultPrevented) { return; } const gformWrapperDiv = document.getElementById( "gform_wrapper_4" ); if ( gformWrapperDiv ) { const visibilitySpan = document.createElement( "span" ); visibilitySpan.id = "gform_visibility_test_4"; gformWrapperDiv.insertAdjacentElement( "afterend", visibilitySpan ); } const visibilityTestDiv = document.getElementById( "gform_visibility_test_4" ); let postRenderFired = false; function triggerPostRender() { if ( postRenderFired ) { return; } postRenderFired = true; gform.core.triggerPostRenderEvents( 4, 1 ); if ( visibilityTestDiv ) { visibilityTestDiv.parentNode.removeChild( visibilityTestDiv ); } } function debounce( func, wait, immediate ) { var timeout; return function() { var context = this, args = arguments; var later = function() { timeout = null; if ( !immediate ) func.apply( context, args ); }; var callNow = immediate && !timeout; clearTimeout( timeout ); timeout = setTimeout( later, wait ); if ( callNow ) func.apply( context, args ); }; } const debouncedTriggerPostRender = debounce( function() { triggerPostRender(); }, 200 ); if ( visibilityTestDiv && visibilityTestDiv.offsetParent === null ) { const observer = new MutationObserver( ( mutations ) => { mutations.forEach( ( mutation ) => { if ( mutation.type === 'attributes' && visibilityTestDiv.offsetParent !== null ) { debouncedTriggerPostRender(); observer.disconnect(); } }); }); observer.observe( document.body, { attributes: true, childList: false, subtree: true, attributeFilter: [ 'style', 'class' ], }); } else { triggerPostRender(); } } ); 1373</script>
1373 1374<div hidden data-wpu-integrity="1650595a259f26526e8e71b3f29880eb"></div> 1375 1376 </footer> 1377 1378 <div class="responsivecue"></div> 1379 1380 </div> 1381 1382 </body> 1383</html>
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.