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A collection means hard work. It was what I wanted to do and I made it my lifeâs work. I am not an art collector. I am a museum.</p> 395 396<p class="text-signature">Peggy Guggenheim, <em>Peggy Guggenheim and Her Friends</em>, 1970-76</p> 397</blockquote> 398 399<h5><strong>EARLY years</strong></h5> 400 401<p>Peggy Guggenheim was born in New York on August 26, 1898, the daughter of Benjamin Guggenheim and Florette Seligman. Benjamin Guggenheim was one of seven brothers who, with their father Meyer (of Jewish Swiss and German origin), had created a family fortune in the late nineteenth century from the mining and smelting of metals, especially silver, copper, and lead. The Seligmans were a leading banking family. In April 1912, Peggyâs father died heroically on the SS Titanic during its maiden voyage from England to the United States.</p> 402 403<h5>Europe: Paris and London</h5> 404 405<figure><a href="/en/art/works/peggy-guggenheim-3/"><img alt="" src="/site/assets/files/4696/manray_peggy-2011-47-1.jpg" width="800" /></a> 406 407<figcaption>Peggy Guggenheim in a dress by Paul Poiret and a headdress by Vera Stravinsky, photographed by Man Ray, Paris, ca. 1925</figcaption> 408</figure> 409 410<p>After growing up in New York City, Peggy traveled to Europe in 1921. Thanks to her husband <a href="/en/art/artists/laurence-vail/">Laurence Vail </a>(the father of her two children Sindbad and <a href="/en/art/artists/pegeen-vail/">Pegeen</a>, who became an artist), Peggy soon found herself at the heart of Parisian bohème and American expatriate society. Many of her acquaintances of the time, such as Constantin Brancusi, Djuna Barnes, and Marcel Duchamp, were to become lifelong friends.</p> 411 412<p>When in 1938 Peggy opened an art gallery in London, called Guggenheim Jeune, at the age of thirty-nine she was beginning a career which would significantly affect the course of postwar art. Her friend Samuel Beckett urged her to dedicate herself to contemporary art as it was âa living thing,â and Duchamp introduced her to artists and taught her, as she put it, âthe difference between abstract and Surrealist art.â The first show presented works by Jean Cocteau, and the second was the first solo exhibition of works by Vasily Kandinsky in Great Britain, followed by solo shows given to Yves Tanguy and Rita Kernn-Larsen among others.</p> 413 414<p>The first work that Peggy Guggenheim purchased for her collection was a sculpture by Jean Arp, <em><a href="/en/art/works/head-and-shell/">Head and Shell</a> </em>(ca. 1933). In 1939, Peggy conceived âthe idea of opening a modern museum in London,â with the British art historian <a href="/en/art/works/herbert-read-and-peggy-guggenheim/">Herbert Read</a> as its director. The museum was to be formed on historical principles, and a list of artists, drawn up by Read and later revised by Duchamp and Nelly van Doesburg, the widow of Dutch artist Theo van Doesburg, would become the basis of her collection.</p> 415 416<figure><img alt="" src="/site/assets/files/4696/peggy_parigi04.jpg" width="800" /> 417<figcaption>Peggy Guggenheim in Paris, photographed by Rogi André, ca. 1940</figcaption> 418</figure> 419 420<blockquote> 421<p>My motto was <em>Buy a picture a day</em> and I lived up to it.</p> 422 423<p class="text-signature">Peggy Guggenheim, <em>Out of This Century</em> (London: Andre Deutsch, 1979)</p> 424</blockquote> 425 426<p><img alt="" src="/site/assets/files/4696/atc_pho_abstact-gallery_34.jpg" width="800" /></p> 427 428<p>In 1939â40, having abandoned her project for a museum in London, Peggy relocated to Paris and busily acquired works for her collection, resolving to âbuy a picture a day.â She purchased many masterpieces during these turbulent times, including works by Georges Braque, Salvador DalÃ, Robert Delaunay, Piet Mondrian and Francis Picabia, among others. She astonished Fernand Léger when she bought his <em><a href="/en/art/works/men-in-the-city/">Men in the City</a></em> (1919) on the day that Hitler invaded Norway. She acquired Brancusiâs <em><a href="/en/art/works/bird-in-space/">Bird in Space</a></em> (1932â40) as the Germans approached Paris, and only then decided to escape the city to the South of France.</p> 429 430<p>In July 1941, Peggy fled Nazi-occupied France and returned to her native New York, together with her children and Laurence Vail (along with his second wife Kay Boyle and their children), as well as Max Ernst, who was to become her second husband a few months later.</p> 431 432<h5>New York: Art of this Century</h5> 433 434<p>In October 1942, Peggy opened her museum-gallery <a href="/en/art/artists/berenice-abbott/">Art of This Century</a> in Manhattan, at 30 West 57th Street. Designed by the Austrian architect Frederick Kiesler, Art of This Century consisted of innovative and visually compelling exhibition rooms and soon became the most stimulating venue for contemporary art in New York City. Of the opening night, she wrote: âI wore one of my <a href="/en/art/works/earrings-for-peggy-guggenheim-1/">Tanguy earrings</a> and one made by <a href="/en/art/works/earrings-for-peggy-guggenheim/">
434Calder </a>in order to show my impartiality between Surrealist and Abstract Art.â She produced a catalogue edited with André Breton, with a cover design by Ernst. Peggy exhibited her collection of Cubist, abstract, and Surrealist art and held temporary exhibitions of leading European artists. She also showed the work of many young Americans that were unknown at the time, such as William Baziotes, David Hare, Robert Motherwell, Robert de Niro Sr, Jackson Pollock, Richard Pousette-Dart, Mark Rothko, and Clyfford Still.</p> 435 436<blockquote> 437<p>Opening this gallery and its collection to the public during a time when people are fighting for their lives and freedom is a responsibility of which I am fully conscious. This undertaking will serve its purpose only if it succeeds in serving the future instead of recording the past.</p> 438 439<p class="text-signature">Press release on the opening of Art of This Century, New York, 1942</p> 440</blockquote> 441 442<p><img alt="" src="/site/assets/files/4696/atc_pho_abstact-gallery_34.jpg" width="800" /></p> 443 444<figure> 445<figcaption>Abstract Gallery, Art of This Century, New York 1942</figcaption> 446</figure> 447 448<p>In 1943, Peggy gave Pollock the first of four solo exhibitions and a stipend. She actively promoted and sold his paintings, and commissioned his largest, <em>Mural </em>(1943), which she later gave to the University of Iowa. Peggy also organized two important exhibitions dedicated to women artists, as well as solo exhibitions of female artists including <a href="/en/art/works/reflection/">Irene Rice Pereira</a> and Janet Sobel.</p> 449 450<p>Pollock and his fellow artists were among the pioneers of Abstract Expressionism. One of the sources of this movement was Surrealism, which the artists encountered at Art of This Century. More important, however, were the encouragement and support that Peggy, together with her friend and assistant Howard Putzel, gave to the members of the nascent New York avant-garde. Peggy and her collection thus played a vital intermediary role in the development of Americaâs first art movement of international importance.</p> 451 452<blockquote> 453<p>Art of This Century soon became a center for all avant-garde activities. The young American artists ... started an entirely ânewâ school of painting ... named Abstract Expressionism.</p> 454 455<p class="text-signature">Peggy Guggenheim, <em>Out of this Century</em> (London: Andre Deutsch, 1979)</p> 456</blockquote> 457 458<figure><img alt="" src="/site/assets/files/4696/peggy_pollock-murale.jpg" width="800" /> 459<figcaption> 460<p>Peggy Guggenheim at home with Jackson Pollock in front of his <em>Mural </em>(1943), New York, ca. 1946</p> 461</figcaption> 462</figure> 463 464<blockquote> 465<p>... I loved Europe more than America, and when the war ended I couldnât wait to go back. ... On my way there, I decided Venice would be my future home. I had always loved it more than any place on earth and felt I would be happy alone there.</p> 466 467<p class="text-signature">Peggy Guggenheim, Out of this Century (London: Andre Deutsch, 1979)</p> 468</blockquote> 469 470<h5>back to Europe: Venice</h5> 471 472<p>In 1947, Peggy decided to return to Europe, where she exhibited her collection for the first time at the 1948 Venice Biennale, in the Greek pavilion as the country was at civil war. Thus, the works of artists such as Arshile Gorky, Pollock, and Rothko were exhibited for the first time in Europe. The presence of Cubist, abstract, and Surrealist art made the pavilion the most coherent survey of Modernism yet to be shown in Italy.</p> 473 474<figure><img alt="" src="/site/assets/files/4696/peggy_einaudi.jpg" width="800" /> 475<figcaption> 476<p>Peggy Guggenheim welcomes Luigi Einaudi, President of Italy, at the opening of her exhibition at the Venice Biennale, 1948</p> 477</figcaption> 478</figure> 479 480<p>Peggy acquired <a href="/en/the-museum/palazzo-venier-dei-leoni/">Palazzo Venier dei Leoni</a>, an unfinished mid-eighteenth-century building on the Grand Canal, where she spent the rest of her life. In 1949, she organized an exhibition of contemporary sculpture. In 1950, she organized the first European exhibition of works by Pollock in the Ala Napoleonica of the Museo Correr in Venice. Subsequently, her collection traveled to Florence and Milan, and later Amsterdam, Brussels, and Zurich. From 1951, Peggy opened her house and her collection several afternoons a week to the public in the spring, summer and early autumn months. During her Venetian years, she continued to collect works of art and to support artists, such as the Italians Edmondo Bacci, Piero Dorazio, Tancredi Parmeggiani, and Emilio Vedova, as well as works by Marina Apollonio, Karel Appel, Francis Bacon, Kenzo Okada, Graham Sutherland among others. Peggy gave Tancredi a monthly stipend and a studio space in the basement of her palazzo, and organized a solo show in her home in 1954. In 1962, her adopted city nominated her an Honorary Citizen of Venice.</p> 481 482<figure><img alt="" src="/site/assets/files/4696/peggy_biblio.jpg" width="800" /> 483<figcaption>Peggy Guggenheim in the library of Palazzo Venier dei Leoni, Venice, 1960s</figcaption> 484</figure> 485 486<p>In 1969, the Solomon R. Guggenheim Museum in New York invited Peggy to show her
486collection there. In 1970 she donated her palazzo and in 1976 her collection to the Solomon R. Guggenheim Foundation. <a href="/en/the-museum/foundation/">The Foundation</a> was created in 1937 by Peggy Guggenheimâs uncle Solomon, in order to promote the understanding of art and establish and operate âa museum or museums,â beginning with the Solomon R. Guggenheim Museum which holds his collection and, since 1959, has been housed in Frank Lloyd Wrightâs spiral structure on upper Fifth Avenue in New York.</p> 487 488<figure><img alt="" src="/site/assets/files/4696/peggy_ny_fva17.jpg" width="800" /> 489<figcaption>Peggy Guggenheim at the opening of the exhibition of her collection at the Solomon R. Guggenheim Museum, New York, 1969</figcaption> 490</figure> 491 492<p>Peggy died aged eighty-one on December 23, 1979. Her ashes are placed in a corner of the garden of her museum. Since then, under the oversight of the Solomon R. Guggenheim Foundation, the Peggy Guggenheim Collection has become one of the finest museums of modern art in the world.</p> 493 </div> 494</div> 495 </div> 496 </div> 497 498 <hr> 499 500 <section class="Section"> 501 <header class="SectionHeader Reveal js-reveal"> 502 <h2 class="SectionHeader-title">Related Contents</h2> 503 </header> 504 505 <div class="CardList CardList--2ColSm CardList--3ColMd CardList--4ColLg"> 506 <div class="row"> 507 <div class="CardList-item Reveal js-reveal" id="onVenice"> 508 <article class="Card"> 509 <div class="Card-media"> 510 <a href="/en/art/in-depth/peggy-guggenheim/venice/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 511 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/5642/peggy-gondola-rb129.640x0.jpg 640w, /site/assets/files/5642/peggy-gondola-rb129.jpg 800w" style="background-position: 50% 50%;"> 512 <noscript><img src="/site/assets/files/5642/peggy-gondola-rb129.640x0.jpg" alt=""></noscript> 513 </figure> 514 </a> 515 </div> 516 517 <div class="Card-content"> 518 <h6 class="Card-label">Peggy Guggenheim</h6> 519 520 <h1 class="Card-title"> 521 <a href="/en/art/in-depth/peggy-guggenheim/venice/" class="js-parentHover" data-parent-selector=".Card">On Venice</a> 522 </h1> 523 524 <div class="Card-description Prose">"To live in Venice or even to visit it means that you fall in love with the city itself. There is nothing left over in your heart for anyone else." (Peggy Guggenheim)</div> 525 526 </div> 527 </article> 528</div> 529 <div class="CardList-item Reveal js-reveal" id="artOfThisCentury"> 530 <article class="Card"> 531 <div class="Card-media"> 532 <a href="/en/art/in-depth/peggy-guggenheim/art-of-this-century/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 533 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/5616/ppb00031-1.640x0.jpg 640w, /site/assets/files/5616/ppb00031-1.1024x0.jpg 1024w, /site/assets/files/5616/ppb00031-1.jpg 1200w" style="background-position: 50% 50%;"> 534 <noscript><img src="/site/assets/files/5616/ppb00031-1.640x0.jpg" alt=""></noscript> 535 </figure> 536 </a> 537 </div> 538 539 <div class="Card-content"> 540 <h6 class="Card-label">Peggy Guggenheim</h6> 541 542 <h1 class="Card-title"> 543 <a href="/en/art/in-depth/peggy-guggenheim/art-of-this-century/" class="js-parentHover" data-parent-selector=".Card">Art of This Century</a> 544 </h1> 545 546 <div class="Card-description Prose">Art of This Century is inseparable from Peggy Guggenheimâs claim to a place in the history of twentieth century art.</div> 547 548 </div> 549 </article> 550</div> 551 <div class="CardList-item Reveal js-reveal" id="pollock039SMural"> 552 <article class="Card"> 553 <div class="Card-media"> 554 <a href="/en/art/in-depth/peggy-guggenheim/pollock-mural/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 555 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/5628/peggy_pollock-murale-1.640x0.jpg 640w, /site/assets/files/5628/peggy_pollock-murale-1.jpg 800w" style="background-position: 50% 50%;"> 556 <noscript><img src="/site/assets/files/5628/peggy_pollock-murale-1.640x0.jpg" alt=""></noscript> 557 </figure> 558 </a> 559 </div> 560 561 <div class="Card-content"> 562 <h6 class="Card-label">Peggy Guggenheim</h6> 563 564 <h1 class="Card-title"> 565 <a href="/en/art/in-depth/peggy-guggenheim/pollock-mural/" class="js-parentHover" data-parent-selector=".Card">Pollock's Mural</a> 566 </h1> 567 568 <div class="Card-description Prose">In 1943 Peggy Guggenheim commissioned Jackson Pollock a painting, which was to be the largest Pollock ever made.</div> 569 570 </div> 571 </article> 572</div> 573 <div class="CardList-item Reveal js-reveal" id="VeniceBiennale"> 574 <article class="Card"> 575 <div class="Card-media"> 576 <a href="/en/art/in-depth/peggy-guggenheim/venice-biennale-1948/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 577 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/5635/peggy_padiglione_1948-pegeen-2.640x0.jpg 640w, /site/assets/files/5635/peggy_padiglione_1948-pegeen-2.jpg 800w" style="background-position: 50% 50%;"> 578 <noscript><img src="/site/assets/files/5635/peggy_padiglione_1948-pegeen-2.640x0.jpg" alt=""></noscript> 579 </figure> 580 </a> 581 </div> 582 583 <div class="Card-content"> 584 <h6 class="Card-label">Peggy Guggenheim</h6> 585 586 <h1 class="Card-title"> 587 <a href="/en/art/in-depth/peggy-guggenheim/venice-biennale-1948/" class="js-parentHover" data-parent-selector=".Card">1948 Venice Biennale</a> 588 </h1> 589 590 <div class="Card-description Prose">In 1948 Peggy Guggenheim exhibited her collection in the Greek Pavilion, then ravaged by the civil war.</div> 591 592 </div> 593 </article> 594</div> 595 <div class="CardList-item Reveal js-reveal" id="djunaBarnes"> 596 <article class="Card"> 597 <div class="Card-media"> 598 <a href="/en/art/in-depth/peggys-friends/djuna-barnes/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 599 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12531/djuna-barnes.jpg 600w" style="background-position: 50% 50%;"> 600 <noscript><img src="/site/assets/files/12531/djuna-barnes.jpg" alt=""></noscript> 601 </figure> 602 </a> 603 </div> 604 605 <div class="Card-content"> 606 <h6 class="Card-label">Peggy's Circle of Friends</h6> 607 608 <h1 class="Card-title"> 609 <a href="/en/art/in-depth/peggys-friends/djuna-barnes/" class="js-parentHover" data-parent-selector=".Card">Djuna Barnes</a> 610 </h1> 611 612 <div class="Card-description Prose">One of Peggy Guggenheimâs close friends was Djuna Barnes. They met in the early 1920s through Laurence Vail and their friendship lasted a lifetime.</div> 613 614 </div> 615 </article> 616</div> 617 <div class="CardList-item Reveal js-reveal" id="samuelBeckett"> 618 <article class="Card"> 619 <div class="Card-media"> 620 <a href="/en/art/in-depth/peggys-friends/samuel-beckett/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 621 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12538/samuel_beckett_1938.640x0.jpg 640w, /site/assets/files/12538/samuel_beckett_1938.jpg 900w" style="background-position: 50% 50%;"> 622 <noscript><img src="/site/assets/files/12538/samuel_beckett_1938.640x0.jpg" alt="Samuel Beckett, Petersfield, 1938"></noscript> 623 </figure> 624 </a> 625 </div> 626 627 <div class="Card-content"> 628 <h6 class="Card-label">Peggy's Circle of Friends</h6> 629 630 <h1 class="Card-title"> 631 <a href="/en/art/in-depth/peggys-friends/samuel-beckett/" class="js-parentHover" data-parent-selector=".Card">Samuel Beckett</a> 632 </h1> 633 634 <div class="Card-description Prose">Peggy Guggenheim met Samuel Beckett in Paris during Christmas in 1937. He would make a mark in the history of twentieth-century literature and be awarded the Nobel Prize for Literature in 1969.</div> 635 636 </div> 637 </article> 638</div> 639 <div class="CardList-item Reveal js-reveal" id="bernardBerenson"> 640 <article class="Card"> 641 <div class="Card-media"> 642 <a href="/en/art/in-depth/peggys-friends/bernard-berenson/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 643 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12545/bernard_berenson_1923.640x0.jpg 640w, /site/assets/files/12545/bernard_berenson_1923.jpg 900w" style="background-position: 50% 50%;"> 644 <noscript><img src="/site/assets/files/12545/bernard_berenson_1923.640x0.jpg" alt=""></noscript> 645 </figure> 646 </a> 647 </div> 648 649 <div class="Card-content"> 650 <h6 class="Card-label">Peggy's Circle of Friends</h6> 651 652 <h1 class="Card-title"> 653 <a href="/en/art/in-depth/peggys-friends/bernard-berenson/" class="js-parentHover" data-parent-selector=".Card">Bernard Berenson</a> 654 </h1> 655 656 <div class="Card-description Prose">A thin, red thread connects the life and passions of two of the most eccentric U.S. collectors of the modern era, Isabella Stewart Gardner and Peggy Guggenheim. Both women were determined to make art the cornerstone of their lives, were in love with Venice, and followed the teachings of famous art historian Bernard Berenson.</div> 657 658 </div> 659 </article> 660</div> 661 <div class="CardList-item Reveal js-reveal" id="johnCage"> 662 <article class="Card"> 663 <div class="Card-media"> 664 <a href="/en/art/in-depth/peggys-friends/john-cage/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 665 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12574/peggy-cage-02.640x0.jpg 640w, /site/assets/files/12574/peggy-cage-02.jpg 900w" style="background-position: 50% 50%;"> 666 <noscript><img src="/site/assets/files/12574/peggy-cage-02.640x0.jpg" alt=""></noscript> 667 </figure> 668 </a> 669 </div> 670 671 <div class="Card-content"> 672 <h6 class="Card-label">Peggy's Circle of Friends</h6> 673 674 <h1 class="Card-title"> 675 <a href="/en/art/in-depth/peggys-friends/john-cage/" class="js-parentHover" data-parent-selector=".Card">John Cage</a> 676 </h1> 677 678 <div class="Card-description Prose">In 1942 Peggy Guggenheim and Max Ernst welcomed John Cage and his wife Xenia Andreyevna Kashevaroff to their New York home. The time they shared together was intense, though short-lived, and filled with art, music, and parties.</div> 679 680 </div> 681 </article> 682</div> 683 <div class="CardList-item Reveal js-reveal" id="trumanCapote"> 684 <article class="Card"> 685 <div class="Card-media"> 686 <a href="/en/art/in-depth/peggys-friends/truman-capote/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 687 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12609/truman-capote.640x0.jpg 640w, /site/assets/files/12609/truman-capote.jpg 900w" style="background-position: 50% 50%;"> 688 <noscript><img src="/site/assets/files/12609/truman-capote.640x0.jpg" alt=""></noscript> 689 </figure> 690 </a> 691 </div> 692 693 <div class="Card-content"> 694 <h6 class="Card-label">Peggy's Circle of Friends</h6> 695 696 <h1 class="Card-title"> 697 <a href="/en/art/in-depth/peggys-friends/truman-capote/" class="js-parentHover" data-parent-selector=".Card">Truman Capote</a> 698 </h1> 699 700 <div class="Card-description Prose">Truman Capote was a frequent visitor to Palazzo Venier dei Leoni. He visited Peggy Guggenheim for the first time in September 1950, returned in September two years later, and again in the summer of 1953. He then stayed in her home for six weeks in the spring of 1956 and for the last time in the spring of 1961.</div> 701 702 </div> 703 </article> 704</div> 705 <div class="CardList-item Reveal js-reveal" id="emmaGoldman"> 706 <article class="Card"> 707 <div class="Card-media"> 708 <a href="/en/art/in-depth/peggys-friends/emma-goldman/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 709 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12616/emma-goldman-02.640x0.jpg 640w, /site/assets/files/12616/emma-goldman-02.jpg 900w" style="background-position: 50% 50%;"> 710 <noscript><img src="/site/assets/files/12616/emma-goldman-02.640x0.jpg" alt=""></noscript> 711 </figure> 712 </a> 713 </div> 714 715 <div class="Card-content"> 716 <h6 class="Card-label">Peggy's Circle of Friends</h6> 717 718 <h1 class="Card-title"> 719 <a href="/en/art/in-depth/peggys-friends/emma-goldman/" class="js-parentHover" data-parent-selector=".Card">Emma Goldman</a> 720 </h1> 721 722 <div class="Card-description Prose">During the winter of 1927, in the French coastal city of Saint-Tropez, the anarchist Emma Goldman began writing her autobiography, "Living My Life"
722 (1931). The cottage she stayed in was provided by Peggy Guggenheim.</div> 723 724 </div> 725 </article> 726</div> 727 <div class="CardList-item Reveal js-reveal" id="jamesJoyce"> 728 <article class="Card"> 729 <div class="Card-media"> 730 <a href="/en/art/in-depth/peggys-friends/james-joyce/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 731 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12623/joyce.jpg 570w" style="background-position: 50% 50%;"> 732 <noscript><img src="/site/assets/files/12623/joyce.jpg" alt=""></noscript> 733 </figure> 734 </a> 735 </div> 736 737 <div class="Card-content"> 738 <h6 class="Card-label">Peggy's Circle of Friends</h6> 739 740 <h1 class="Card-title"> 741 <a href="/en/art/in-depth/peggys-friends/james-joyce/" class="js-parentHover" data-parent-selector=".Card">James Joyce</a> 742 </h1> 743 744 <div class="Card-description Prose">Villerville, Normandy in the 1920s: Peggy Guggenheim met James Joyce, one of the greatest writers of the twentieth century, author of an epic two-part linguistically impenetrable landmark work, "Ulysses" (1922) and "Finnegans Wake" (1939).</div> 745 746 </div> 747 </article> 748</div> 749 <div class="CardList-item Reveal js-reveal" id="frederickKiesler"> 750 <article class="Card"> 751 <div class="Card-media"> 752 <a href="/en/art/in-depth/peggys-friends/frederick-kiesler/" class="js-parentHover" data-parent-selector=".Card" target="" tabindex="-1"> 753 <figure class="Card-figure lazyload" data-sizes="auto" data-bgset="/site/assets/files/12630/peggy-kiesler.640x0.jpg 640w, /site/assets/files/12630/peggy-kiesler.jpg 900w" style="background-position: 50% 50%;"> 754 <noscript><img src="/site/assets/files/12630/peggy-kiesler.640x0.jpg" alt=""></noscript> 755 </figure> 756 </a> 757 </div> 758 759 <div class="Card-content"> 760 <h6 class="Card-label">Peggy's Circle of Friends</h6> 761 762 <h1 class="Card-title"> 763 <a href="/en/art/in-depth/peggys-friends/frederick-kiesler/" class="js-parentHover" data-parent-selector=".Card">Frederick Kiesler</a> 764 </h1> 765 766 <div class="Card-description Prose">On October 20, 1942, Peggy Guggenheim inaugurated her New York museum-gallery, Art of This Century, designed by Frederick Kiesler, a multifaceted artist, architect, set designer, and sculptor who was best known for his utopian projects, exhibition installations, and the theory of Correalism.</div> 767 768 </div> 769 </article> 770</div> 771 </div> 772 </div> 773 </section> 774 </div> 775 776 777 </main> 778 </div> 779 780 781<footer class="SiteFooter"> 782 <div class="SiteFooter-container"> 783 <div class="SiteFooter-section"> 784 <div class="SiteFooter-foundation"> 785 <ul> 786 <li> 787 <a href="/en/" title="Peggy Guggenheim Collection"> 788 <svg viewBox="0 0 181.83 36"><path d="M63.04,11.76c0-3.27,2.47-5.78,5.7-5.78,2.18,0,4.24,1.3,5,3.15h-2.54c-.46-.58-1.43-1.06-2.45-1.06-1.96,0-3.31,1.48-3.31,3.69s1.36,3.66,3.35,3.66c1.81,0,3.05-1.06,3.23-2.77h-3.97v-1.91h6.13v1.24c0,3.42-2.18,5.54-5.49,5.54s-5.64-2.4-5.64-5.75ZM88.83,11.76c0-3.27,2.47-5.78,5.7-5.78,2.18,0,4.24,1.3,5,3.15h-2.54c-.46-.58-1.43-1.06-2.45-1.06-1.96,0-3.31,1.48-3.31,3.69s1.36,3.66,3.35,3.66c1.81,0,3.05-1.06,3.23-2.77h-3.97v-1.91h6.13v1.24c0,3.42-2.18,5.54-5.49,5.54s-5.64-2.4-5.64-5.75ZM102.44,11.76c0-3.27,2.47-5.78,5.7-5.78,2.18,0,4.24,1.3,5,3.15h-2.54c-.46-.58-1.43-1.06-2.45-1.06-1.96,0-3.31,1.48-3.31,3.69s1.36,3.66,3.35,3.66c1.81,0,3.05-1.06,3.23-2.77h-3.97v-1.91h6.13v1.24c0,3.42-2.18,5.54-5.49,5.54s-5.64-2.4-5.64-5.75ZM116.71,6.17h7.53v1.95h-5.17v2.62h4.77v1.91h-4.77v2.74h5.18v1.95h-7.54V6.17ZM127.57,6.17h2.07l4.81,7.03h.1v-7.03h2.36v11.17h-2.05l-4.83-7.04h-.1v7.04h-2.36V6.17ZM153.07,6.17h7.53v1.95h-5.17v2.62h4.77v1.91h-4.77v2.74h5.18v1.95h-7.54V6.17ZM163.94,6.17h2.36v11.17h-2.36V6.17ZM169.62,6.17h2.97l3.07,7.71h.11l3.08
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789 </a> 790 </li> 791 <li> 792 <a href="https://www.guggenheim.org/" title="Guggenheim New York" target="_blank"> 793 <svg viewBox="0 0 118.79 36"><path 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/></svg> 794 </a> 795 </li> 796 <li> 797 <a href="https://www.guggenheim-bilbao.eus/" title="Guggenheim Bilbao" target="_blank"> 798 <svg viewBox="0 0 118.79 36"><path 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Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.