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133.section-head .title, .main-color-bg, .image-overlay, .read-more a, .main-pagination .current, .main-pagination a:hover, 
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136.navigation .menu > .current-menu-ancestor > a, ol.styled li:before, .comments-list .post-author, .main-footer.dark .tagcloud a:
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139.section-head.alt, .sc-tabs .active a, .sc-accordion-title.active, .sc-toggle-title.active, .verdict-box, 
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355/* li.woocommerce-MyAccount-navigation-link.woocommerce-MyAccount-navigation-link--dashboard, li.woocommerce-MyAccount-navigation-link.woocommerce-MyAccount-navigation-link--subscriptions, li.woocommerce-MyAccount-navigation-link.woocommerce-MyAccount-navigation-link--edit-account {
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413span.title.video-heading {
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421}*/
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431.video-row.home-blog-posts article {
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433}
434a.callout-btn.video-btn {
435    background: #4cb04f;
436}
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438    max-width: 400px;
439    max-height: 225px;
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446}
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449}
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452    padding: 20px 20px 50px;*/
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456}
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459    margin-top: 25px;
460    float: left;
461    font-size: 16px;
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486    	width:50%;
487	}
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491    width: 286px;
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493.page-id-20510 .post-content figure {
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495}
496.issuem_widget_issue_cover_image img {
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498}
499/* Issue Text After Current Issue Title in Sidebar */
500.sidebar .issuem_title:after {
501    content: "Issue";
502    margin-left: 5px;
503}
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505    font-style: normal;
506}
507/* Related Article Pagination */
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509    padding: 8px 13px;
510    line-height: 37px;
511    border: solid 1px #4166a2;
512}
513
514/* Blog Post Subscribe/More Blog Posts Button */
515.subscribe-container a.subscribe-btn {
516    float: right;
517    background: #4166a2;
518    color: #fff;
519    padding: 10px 15px;
520    margin: 5px 0;
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524    display: none;
525}
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528    margin-left: 0;
529}
530/* Blog Label Showing in Author Archives */
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532    display: none;
533}
534.archive.author .blog-posts-label {
535    display: block;
536}
537/* */
538div.g {
539    overflow: visible;
540}
541/* subscribe button styles */
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544}
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556   color: #4f4f4f !important;
557}
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559background: transparent;
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561/*color: #fff !important;*/
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563/*  */
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565    margin: 0 0 10px;
566}
567.home-blog-posts article {
568    min-height: 420px;
569}
570.home-blog-posts .posts-list .content {
571    float: left;
572}
573.post-content p {
574    font-size: 15px !important;
575    line-height: 28px !important;
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579    margin-left: 10px;
580}
581.issuem_articles_shortcode .issuem_article {
582    margin-bottom: 21px;
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585    /*display: none;*/
586}
587.current-issue-toc .toc-title {
588    color: #4166a2;
589    border-bottom: 1px solid #e6e6e6;
590    border-top: 1px solid #e6e6e6;
591    padding: 3px 0;
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599    line-height: 1.71429;
600}
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603}
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606    padding-top: 0;
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610    border-bottom: 1px solid #e6e6e6;
611    border-top: 1px solid #e6e6e6;
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615    width: 100%;
616    margin-left: 0;
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618.tax-issuem_issue .column.half {
619    width: 100%;
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652    /*display: none;*/
653}
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655    /*max-height: 274px;
656    max-width: 194px;*/
657}
658#product-43369 p.price {
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661.postid-43369 section.author-info.test, .postid-43369 .navigate-posts {
662    display: none;
663}
664/* hide lock */
665.issuem_widget_link_locked img {
666    /*display: none;*/
667    padding-left: 3px;
668}
669/*.single-article .author_posts, .single-post .author_posts {
670    display: none;
671}*/
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678
679h2.issuem_widget_link_locked {
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681    display: inline-block;
682}
683/* */
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686    color: #fff;
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703.post-7037 .post-meta, .postid-7037 section.author-info, .postid-7037 .navigate-posts, .postid-7037 .related-posts, .post-7037 .woocommerce-tabs, .post-7037 section.related.products, .postid-7037 .post-share {
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706
707.top-bar.dark {
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710
711nav.navigation {
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714
715.newsletter-signup {
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719.newsletter-signup p {
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723.newsletter-signup .ctct-form-custom {
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725    padding-top: 20px !important;
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728.page-id-59 .woocommerce-product-gallery, .page-id-59 section.related.products {
729    display: none;
730}
731
732.page-id-59 .summary.entry-summary {
733    width: 100% !important;
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735
736section.related.products {
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739
740.fb-social-plugin.fb-like.fb_iframe_widget {
741    margin-bottom: 0;
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743
744.type-post .featured {
745    display: none;
746}
747
748.pillow-ad img {
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750}
751
752div.post-content h3.section-header {
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755
756div.issuem_article h2 {
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760div.post-content h3 {
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762    margin-bottom: 3px;
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764
765.post-content .post-meta {
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768}
769
770.page h1.main-heading {
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772}
773
774.listing-blog article.post {
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777
778.home-features .vc_btn3-container {
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780}
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782.home-features .vc_gitem-post-data {
783    margin-bottom: 5px;
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785
786div.home-features h4 {
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789
790.listing-blog span.read-more {
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793
794.listing-blog .listing-meta time {
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797
798div.listing-blog .excerpt {
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810
811.ctct-inline-form {
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813}
814
815.ctct-form-defaults {
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819h2.ctct-form-header {
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823.page-id-55 .widget.latest-posts, .page-id-48 .widget.latest-posts {
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826
827div.main {
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829}
830
831.home-reviews .vc_grid-item {
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834
835.home-reviews p {
836    margin-bottom: 0;
837}
838
839.main .sidebar li.widget {
840    margin-bottom: 5px;
841}
842
843.header-ad img {
844    width: 100%;
845    margin: 0 auto 5px;
846    display: block;
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848
849.header-ad {
850    width: 320px;
851}
852
853.header-ad-left {
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855}
856
857.header-ad-right {
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860   position:absolute;*/
861padding-left: 70px;
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863
864.widget .numbered-list li:before {
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866}
867
868.home-blog-posts {
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871
872.home-blog article {
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874    float: left;
875    min-height: 400px;
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1665					<a href="https://glreview.org/drag-race-contestant-arrietty-spills-the-tea/" itemprop="url" class="image-link"><img decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/10/Arrietty-horiz-359x201.jpeg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="" title="Drag Race Contestant Arrietty Spills the Tea" itemprop="image" />				
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1676				
1677								<a href="https://glreview.org/drag-race-contestant-arrietty-spills-the-tea/#respond"><span class="comment-count">0</span></a>
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1681				<div class="content">
1682				
1683					<span class="listing-meta"><time datetime="2026-10-01T19:07:26-04:00" itemprop="datePublished">October 1, 2026</time></span>				
1684					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/drag-race-contestant-arrietty-spills-the-tea/" itemprop="url" class="post-link"><em>Drag Race</em> Contestant Arrietty Spills the Tea</a></h2>
1685					
1686					<div class="excerpt text-font"><p>By Yesica Balderrama<br />
1687“I don’t think I was prepared when it came to stress regulation. I went in there without the tools to control my emotions. It sucks that I did everything on TV.”</p>
1688<span class="read-more"><a href="https://glreview.org/drag-race-contestant-arrietty-spills-the-tea/" title="Read More">More</a></span></div>
1689					
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1696			
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1699				
1700					<a href="https://glreview.org/the-lgbtq-students-no-one-warns/" itemprop="url" class="image-link"><img decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/09/IMG_6723-359x201.jpg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="" title="The LGBTQ+ Students No One Warns" itemprop="image" />				
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1717				
1718					<span class="listing-meta"><time datetime="2026-09-23T15:08:01-04:00" itemprop="datePublished">September 23, 2026</time></span>				
1719					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/the-lgbtq-students-no-one-warns/" itemprop="url" class="post-link">The LGBTQ+ Students No One Warns</a></h2>
1720					
1721					<div class="excerpt text-font"><p>By Dimitrios Aletras Jr.<br />
1722Every September, institutions tell their students that they take sexual violence seriously. For LGBTQ+ students, that promise has always arrived with an asterisk. We can remove it.</p>
1723<span class="read-more"><a href="https://glreview.org/the-lgbtq-students-no-one-warns/" title="Read More">More</a></span></div>
1724					
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1731			
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1734				
1735					<a href="https://glreview.org/remembering-a-pioneer-in-lgbtq-activism/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/09/Hendricks-credit-Rene-359x201.avif" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="A photograph of Michael Hendricks and dozens of other protesters at an ACT UP Montreal rally in the 1990s." title="Remembering a Pioneer in LGBTQ+ Activism" itemprop="image" />				
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1739				<span class="meta">
1740				
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1742				
1743				</span>
1744			</span>
1745							</a>
1746				
1747								<a href="https://glreview.org/remembering-a-pioneer-in-lgbtq-activism/#respond"><span class="comment-count">0</span></a>
1748						</div>				
1749						
1750				
1751				<div class="content">
1752				
1753					<span class="listing-meta"><time datetime="2026-09-22T16:38:15-04:00" itemprop="datePublished">September 22, 2026</time></span>				
1754					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/remembering-a-pioneer-in-lgbtq-activism/" itemprop="url" class="post-link">Remembering a Pioneer in LGBTQ+ Activism</a></h2>
1755					
1756					<div class="excerpt text-font"><p>By Matthew Hays<br />
1757Michael Hendricks was a core member of ACT UP Montreal, which he co-founded in 1989. He went on to help form a crucial bridge between the LGBTQ+ community and Montreal police. </p>
1758<span class="read-more"><a href="https://glreview.org/remembering-a-pioneer-in-lgbtq-activism/" title="Read More">More</a></span></div>
1759					
1760				</div>
1761			
1762			</article>
1763		
1764				
1765			<article class="cf post-68531 post type-post status-publish format-standard has-post-thumbnail category-blog category-featured tag-cruising tag-new-yor
1765k tag-sexuality" itemscope itemtype="http://schema.org/Article">
1766			
1767							
1768				<div class="post-thumb">
1769				
1770					<a href="https://glreview.org/theater-of-desire-cruising-beyond-contact/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-359x201.jpeg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="A clearing in a wooded park at dusk." title="Theater of Desire: Cruising Beyond Contact" itemprop="image" srcset="https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-359x201.jpeg 359w, https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-500x281.jpeg 500w, https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-1024x576.jpeg 1024w, https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-250x141.jpeg 250w, https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-768x432.jpeg 768w, https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-1536x864.jpeg 1536w, https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-2048x1152.jpeg 2048w, https://cdn.glreview.org/wp-content/uploads/2026/09/Arboretum-2-400x225.jpeg 400w" sizes="auto, (max-width: 359px) 100vw, 359px" />				
1771									<span class="image-overlay"></span>
1772			
1773			<span class="meta-overlay">
1774				<span class="meta">
1775				
1776				<span class="post-format "><i class="fa fa-file-text-o"></i></span>
1777				
1778				</span>
1779			</span>
1780							</a>
1781				
1782								<a href="https://glreview.org/theater-of-desire-cruising-beyond-contact/#comments"><span class="comment-count">1</span></a>
1783						</div>				
1784						
1785				
1786				<div class="content">
1787				
1788					<span class="listing-meta"><time datetime="2026-09-18T17:37:40-04:00" itemprop="datePublished">September 18, 2026</time></span>				
1789					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/theater-of-desire-cruising-beyond-contact/" itemprop="url" class="post-link">Theater of Desire: Cruising Beyond Contact</a></h2>
1790					
1791					<div class="excerpt text-font"><p>By Oleg Olizev<br />
1792The gathering was organized around spectatorship more than physical contact. Most of the men never touched. What held them together was a shared silence and a language of glances.</p>
1793<span class="read-more"><a href="https://glreview.org/theater-of-desire-cruising-beyond-contact/" title="Read More">More</a></span></div>
1794					
1795				</div>
1796			
1797			</article>
1798		
1799				
1800			<article class="cf post-68470 post type-post status-publish format-standard has-post-thumbnail category-blog category-featured tag-education tag-lgbtq-rights tag-us-politics" itemscope itemtype="http://schema.org/Article">
1801			
1802							
1803				<div class="post-thumb">
1804				
1805					<a href="https://glreview.org/supporting-lgbtq-students-in-red-states/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/09/taylor-flowe-4nKOEAQaTgA-unsplash-359x201.jpg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="" title="Supporting LGBTQ+ Students in Red States" itemprop="image" />				
1806									<span class="image-overlay"></span>
1807			
1808			<span class="meta-overlay">
1809				<span class="meta">
1810				
1811				<span class="post-format "><i class="fa fa-file-text-o"></i></span>
1812				
1813				</span>
1814			</span>
1815							</a>
1816				
1817								<a href="https://glreview.org/supporting-lgbtq-students-in-red-states/#respond"><span class="comment-count">0</span></a>
1818						</div>				
1819						
1820				
1821				<div class="content">
1822				
1823					<span class="listing-meta"><time datetime="2026-09-01T09:54:31-04:00" itemprop="datePublished">September 1, 2026</time></span>				
1824					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/supporting-lgbtq-students-in-red-states/" itemprop="url" class="post-link">Supporting LGBTQ+ Students in Red States</a></h2>
1825					
1826					<div class="excerpt text-font"><p>By Brad Archer<br />
1827Educators can meet the needs of their LGBTQ+ students while also mitigating the personal and professional risks they face within a rights-regressive legal and political environment.</p>
1828<span class="read-more"><a href="https://glreview.org/supporting-lgbtq-students-in-red-states/" title="Read More">More</a></span></div>
1829					
1830				</div>
1831			
1832			</article>
1833		
1834				
1835			<article class="cf post-68460 post type-post status-publish format-standard has-post-thumbnail category-blog category-featured tag-drag tag-theater" itemscope itemtype="http://schema.org/Article">
1836			
1837							
1838				<div class="post-thumb">
1839				
1840					<a href="https://glreview.org/tyler-anthony-smith-the-theater-of-camp/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/08/Tyler-Anthony-Smith-by-Rick-Aguilar-Studios-horiz-359x201.jpg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="" title="Tyler Anthony Smith &#038; the Theater of Camp" itemprop="image" />				
1841									<span class="image-overlay"></span>
1842			
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1844				<span class="meta">
1845				
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1847				
1848				</span>
1849			</span>
1850							</a>
1851				
1852								<a href="https://glreview.org/tyler-anthony-smith-the-theater-of-camp/#respond"><span class="comment-count">0</span></a>
1853						</div>				
1854						
1855				
1856				<div class="content">
1857				
1858					<span class="listing-meta"><time datetime="2026-08-28T18:57:29-04:00" itemprop="datePublished">August 28, 2026</time></span>				
1859					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/tyler-anthony-smith-the-theater-of-camp/" itemprop="url" class="post-link">Tyler Anthony Smith &#038; the Theater of Camp</a></h2>
1860					
1861					<div class="excerpt text-font"><p>By Domenic DeSocio<br />
1862“I’m against topical plays. I don’t want to see a play about the pandemic. I’m really against plays that have no sense of magic. For me, theater is magic. I don’t want realism.”</p>
1863<span class="read-more"><a href="https://glreview.org/tyler-anthony-smith-the-theater-of-camp/" title="Read More">More</a></span></div>
1864					
1865				</div>
1866			
1867			</article>
1868		
1869				
1870			<article class="cf post-68440 post type-post status-publish format-standard has-post-thumbnail category-blog category-featured tag-opera tag-review tag-transgender" itemscope itemtype="http://schema.org/Article">
1871			
1872							
1873				<div class="post-thumb">
1874				
1875					<a href="https://glreview.org/singing-the-life-of-a-trans-pioneer/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/08/Lili-Elbe-OD2-Bronwen-Sharp-2026-15-copy-359x201.jpg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="A photo of Sylvia D’Eramo as Gerda Wegener touching the face of Lucia Lucas as Lili Elbe in the Santa Fe Opera production of &quot;Lili Elbe.&quot;" title="Singing the Life of a Trans Pioneer" itemprop="image" />				
1876									<span class="image-overlay"></span>
1877			
1878			<span class="meta-overlay">
1879				<span class="meta">
1880				
1881				<span class="post-format "><i class="fa fa-file-text-o"></i></span>
1882				
1883				</span>
1884			</span>
1885							</a>
1886				
1887								<a href="https://glreview.org/singing-the-life-of-a-trans-pioneer/#respond"><span class="comment-count">0</span></a>
1888						</div>				
1889						
1890				
1891				<div class="content">
1892				
1893					<span class="listing-meta"><time datetime="2026-08-26T10:44:58-04:00" itemprop="datePublished">August 26, 2026</time></span>				
1894					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/singing-the-life-of-a-trans-pioneer/" itemprop="url" class="post-link">Singing the Life of a Trans Pioneer</a></h2>
1895					
1896					<div class="excerpt text-font"><p>By Joseph M. Ortiz<br />
1897Tobias Picker’s score for <em>Lili Elbe</em> is often lively and multilayered, and at several moments it especially captures the jazz styles that were popular in Europe in the 1920s.</p>
1898<span class="read-more"><a href="https://glreview.org/singing-the-life-of-a-trans-pioneer/" title="Read More">More</a></span></div>
1899					
1900				</div>
1901			
1902			</article>
1903		
1904				
1905			<article class="cf post-68430 post type-post status-publish format-standard has-post-thumbnail category-blog category-featured tag-art-exhibit tag-art-review tag-catholicism" itemscope itemtype="http://schema.org/Article">
1906			
1907							
1908				<div class="post-thumb">
1909				
1910					<a href="https://glreview.org/saints-and-sinners-in-the-eye-of-fabian-chairez/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/08/La-Venida-del-Senor-horiz-359x201.png" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="" title="Saints &#038; Sinners in the Eye of Fabián Cháirez" itemprop="image" srcset="https://cdn.glreview.org/wp-content/uploads/2026/08/La-Venida-del-Senor-horiz-359x201.png 359w, https://cdn.glreview.org/wp-content/uploads/2026/08/La-Venida-del-Senor-horiz-639x357.png 639w" sizes="auto, (max-width: 359px) 100vw, 359px" />				
1911									<span class="image-overlay"></span>
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1915				
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1917				
1918				</span>
1919			</span>
1920							</a>
1921				
1922								<a href="https://glreview.org/saints-and-sinners-in-the-eye-of-fabian-chairez/#respond"><span class="comment-count">0</span></a>
1923						</div>				
1924						
1925				
1926				<div class="content">
1927				
1928					<span class="listing-meta"><time datetime="2026-08-25T11:35:26-04:00" itemprop="datePublished">August 25, 2026</time></span>				
1929					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/saints-and-sinners-in-the-eye-of-fabian-chairez/" itemprop="url" class="post-link">Saints &#038; Sinners in the Eye of Fabián Cháirez</a></h2>
1930					
1931					<div class="excerpt text-font"><p>By Sergio Interdonato<br />
1932Fabián Cháirez’ series, <em>La Venida del Señor</em> (The Coming of the Lord), recast Catholic iconography as homoerotic devotion and enshrined pleasure, using fetishized æsthetics throughout.</p>
1933<span class="read-more"><a href="https://glreview.org/saints-and-sinners-in-the-eye-of-fabian-chairez/" title="Read More">More</a></span></div>
1934					
1935				</div>
1936			
1937			</article>
1938		
1939				
1940			<article class="cf post-68329 post type-post status-publish format-standard has-post-thumbnail category-blog category-featured tag-movies tag-play tag-theater" itemscope itemtype="http://schema.org/Article">
1941			
1942							
1943				<div class="post-thumb">
1944				
1945					<a href="https://glreview.org/luke-yankee-glimpses-of-marilyn/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/08/Eileen-horiz-359x201.jpg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="" title="Luke Yankee: Glimpses of Marilyn" itemprop="image" />				
1946									<span class="image-overlay"></span>
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1949				<span class="meta">
1950				
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1952				
1953				</span>
1954			</span>
1955							</a>
1956				
1957								<a href="https://glreview.org/luke-yankee-glimpses-of-marilyn/#respond"><span class="comment-count">0</span></a>
1958						</div>				
1959						
1960				
1961				<div class="content">
1962				
1963					<span class="listing-meta"><time datetime="2026-08-19T14:51:02-04:00" itemprop="datePublished">August 19, 2026</time></span>				
1964					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/luke-yankee-glimpses-of-marilyn/" itemprop="url" class="post-link">Luke Yankee: Glimpses of Marilyn</a></h2>
1965					
1966					<div class="excerpt text-font"><p>By Matthew Hays<br />
1967“Marilyn Monroe was different because beneath all that radiance was extraordinary vulnerability. I think many gay men recognize something of themselves in her.”</p>
1968<span class="read-more"><a href="https://glreview.org/luke-yankee-glimpses-of-marilyn/" title="Read More">More</a></span></div>
1969					
1970				</div>
1971			
1972			</article>
1973		
1974				
1975			<article class="cf post-68310 post type-post status-publish format-standard has-post-thumbnail category-blog category-featured tag-art-review tag-book-review tag-interview tag-writing" itemscope itemtype="http://schema.org/Article">
1976			
1977							
1978				<div class="post-thumb">
1979				
1980					<a href="https://glreview.org/on-twenty-years-and-counting/" itemprop="url" class="image-link"><img loading="lazy" decoding="async" width="359" height="201" src="https://cdn.glreview.org/wp-content/uploads/2026/08/Killacky-issues-359x201.jpeg" class="attachment-motive-highlight-block size-motive-highlight-block wp-post-image" alt="Photo of some of the issues of The G&amp;LR in which John Killacky&#039;s writing has appeared." title="On Twenty Years and Counting" itemprop="image" />				
1981									<span class="image-overlay"></span>
1982			
1983			<span class="meta-overlay">
1984				<span class="meta">
1985				
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1987				
1988				</span>
1989			</span>
1990							</a>
1991				
1992								<a href="https://glreview.org/on-twenty-years-and-counting/#respond"><span class="comment-count">0</span></a>
1993						</div>				
1994						
1995				
1996				<div class="content">
1997				
1998					<span class="listing-meta"><time datetime="2026-08-15T11:44:29-04:00" itemprop="datePublished">August 15, 2026</time></span>				
1999					<h2 itemprop="name" class="post-title"><a href="https://glreview.org/on-twenty-years-and-counting/" itemprop="url" class="post-link">On Twenty Years and Counting</a></h2>
2000					
2001					<div class="excerpt text-font"><p>By John R. Killacky<br />
2002One of my most satisfying assignments was writing about the resurgence of interest in Julius Eastman, an outrageous presence in the avant-garde performance scene in ’70s New York.</p>
2003<span class="read-more"><a href="https://glreview.org/on-twenty-years-and-counting/" title="Read More">More</a></span></div>
2004					
2005				</div>
2006			
2007			</article>
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2011	
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2058<img width="350" height="350" src="https://cdn.glreview.org/wp-content/uploads/2026/08/Molly-House-copy-350x350.jpg" class="attachment-issuem-featured-thumb-image size-issuem-featured-thumb-image wp-post-image" alt="" loading="lazy" />
2059<p class="issuem_widget_category">Cultural History</p>
2060<p class="reviews-title"><a class="issuem_widget_link" href="https://glreview.org/article/cottaging-in-old-london/">Cottaging in Old London</a></p>
2061<p class="issuem_widget_teaser">Feature Essay By Kelsey O’Brien: In the early 18th century, in a since-rebuilt alley not far from the modern jewelry district of Hatton Garden, stood Mother Clap’s Molly House, a convivial coffeehouse catering exclusively to gay men. A guarded 
2061secret within the gay community, at least for a time, Mother Clap’s was a place where men could kiss, touch, and dance together openly.</p>
2062</div><div class="article_list">
2063
2064<img width="350" height="350" src="https://cdn.glreview.org/wp-content/uploads/2026/08/Dr_Walter_Bliss_LA_Times_11-4-38-copy-350x350.jpg" class="attachment-issuem-featured-thumb-image size-issuem-featured-thumb-image wp-post-image" alt="" loading="lazy" />
2065<p class="issuem_widget_category">Cultural History</p>
2066<p class="reviews-title"><a class="issuem_widget_link" href="https://glreview.org/article/a-cure-for-public-sex-in-pasadena/">A ‘Cure’ for Public Sex in Pasadena</a></p>
2067<p class="issuem_widget_teaser">            By the end of the month, fifteen men had been corralled. By mid-October, the count stood at 26. All were identified by name in the L.A. newspapers; in some cases even their home addresses were listed. They ranged in age from eighteen to 67. Several local businessmen were snared, as well as members of<span class="read-more"><a href="https://glreview.org/article/a-cure-for-public-sex-in-pasadena/" title="Read More">More</a></span></p>
2068</div><div class="article_list">
2069
2070<img width="350" height="350" src="https://cdn.glreview.org/wp-content/uploads/2026/08/Lesbian-cruising-350x350.png" class="attachment-issuem-featured-thumb-image size-issuem-featured-thumb-image wp-post-image" alt="" loading="lazy" />
2071<p class="issuem_widget_category">Cultural History</p>
2072<p class="reviews-title"><a class="issuem_widget_link" href="https://glreview.org/article/what-some-women-want/">What (Some) Women Want</a></p>
2073<p class="issuem_widget_teaser">Feature Essay By Julia Colborn: [Denise] Bullock named seven ways in which women cruise: Strutter, Home Base, Mingler, Ego Booster, Sojourner, Woman in Waiting, and Game Player.</p>
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2079<p class="issuem_widget_teaser">Sondheim did not seem interested in the hummable tune. He felt that a song should reveal a character and move the plot along and be close to speaking.</p>
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2328		} catch ( err ) {
2329
2330			
2331		var errorName    = '',
2332		    errorMessage = '';
2333
2334		if ( 'undefined' === typeof err || 0 === err.length || ! err ) {
2335			errorName    = 'A script error has occurred.';
2336			errorMessage = 'The script WC_Elavon_Payment_Form_Handler could not be loaded.';
2337		} else {
2338			errorName    = 'undefined' !== typeof err.name    ? err.name    : '';
2339			errorMessage = 'undefined' !== typeof err.message ? err.message : '';
2340		}
2341
2342		
2343		jQuery.post( 'https://glreview.org/wp-admin/admin-ajax.php', {
2344			action:   'wc_elavon_converge_echeck_payment_form_log_script_event',
2345			security: '70dfb72b6b',
2346			name:     errorName,
2347			message:  errorMessage,
2348		} );
2349
2350				}
2351		});</script>
2351<script type="text/html" id="wpb-modifications"> window.wpbCustomElement = 1; </script>
2351	
2351<script type='text/javascript'>
2352		(function () {
2353			var c = document.body.className;
2354			c = c.replace(/woocommerce-no-js/, 'woocommerce-js');
2355			document.body.className = c;
2356		})();
2357	</script>
2357
2358	
2358<script id="aws-script-js-extra">
2359var aws_vars = {"sale":"Sale!","sku":"SKU: ","showmore":"View all results","noresults":"Nothing found"};
2360//# sourceURL=aws-script-js-extra
2361</script>
vendor: 1 bytes, line 2361
2361
2362<script id="aws-script-js" src="https://glreview.org/wp-content/plugins/advanced-woo-search/assets/js/common.min.js?ver=3.71"></script>
vendor: 1 bytes, line 2362
2362
2363<script id="jpms-scripts-js" src="https://glreview.org/wp-content/plugins/jp-menu-shortcodes/assets/js/site.min.js?ver=1.0.0"></script>
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2363
2364<script id="jquery-issuem-flexslider-js" src="https://glreview.org/wp-content/plugins/issuem/js/jquery.flexslider-min.js?ver=2.9.1"></script>
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2364
2365<script id="sourcebuster-js-js" src="https://glreview.org/wp-content/plugins/woocommerce/assets/js/sourcebuster/sourcebuster.min.js?ver=11.1.0"></script>
vendor: 1 bytes, line 2365
2365
2366<script id="wc-order-attribution-js-extra">
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2368//# sourceURL=wc-order-attribution-js-extra
2369</script>
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2369
2370<script id="wc-order-attribution-js" src="https://glreview.org/wp-content/plugins/woocommerce/assets/js/frontend/order-attribution.min.js?ver=11.1.0"></script>
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2370
2371<script defer id="akismet-frontend-js" src="https://glreview.org/wp-content/plugins/akismet/_inc/akismet-frontend.js?ver=1788367173"></script>
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2371
2372<script id="jquery-ui-core-js" src="https://glreview.org/wp-includes/js/jquery/ui/core.min.js?ver=1.13.3"></script>
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2372
2373<script id="wp-hooks-js" src="https://glreview.org/wp-includes/js/dist/hooks.min.js?ver=7496969728ca0f95732d"></script>
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2373
2374<script id="popup-maker-site-js-extra">
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2379
2380<script id="popup-maker-site-js" src="//glreview.org/wp-content/uploads/pum/pum-site-scripts.js?defer&#038;generated=1773407318&#038;ver=1.25.0"></script>
vendor: 1 bytes, line 2380
2380
2381<script id="mobile-detect-js" src="https://glreview.org/wp-content/plugins/popup-maker/dist/assets/vendor/mobile-detect.min.js?ver=1.3.3"></script>
vendor: 1 bytes, line 2381
2381
2382<script id="bunyad-theme-js" src="https://glreview.org/wp-content/themes/motive/js/bunyad-theme.js?ver=7.0.5"></script>
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2382
2383<script id="motive-lightbox-js" src="https://glreview.org/wp-content/themes/motive/js/lightbox.js?ver=7.0.5"></script>
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2383
2384<script id="motive-owl-carousel-js" src="https://glreview.org/wp-content/themes/motive/js/owl.carousel.min.js?ver=7.0.5"></script>
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2384
2385<script id="wpb_composer_front_js-js" src="https://glreview.org/wp-content/plugins/js_composer/assets/js/dist/js_composer_front.min.js?ver=8.7.2"></script>
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2385
2386<script id="wp-emoji-settings" type="application/json">
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2388</script>
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2388
2389<script type="module">
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2393
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