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52 53 </head> 54 55 <body class="not-front not-logged-in page-objet-sonore one-sidebar sidebar-left with-navigation page-objet_sonore-all-2026 section-objet_sonore"> 56 <div id="skip"> 57 <a href="#content">Skip to Content</a> 58 <a href="#navigation">Skip to Navigation</a></div> 59 <div id="page"> 60 61 <!-- ______________________ HEADER _______________________ --> 62 63 <div id="header"> 64 65 <div id="logo-title"> 66 67 <a href="/" title="Accueil" rel="home" id="logo"> 68 <img src="/sites/default/files/logo.jpg" alt="Accueil"/> 69 </a> 70 </div> 71 <div id="anim_flash_header"> 72 73 <object type="application/x-shockwave-flash" data="/themes/basic/images/flash/anim.swf" width="734" height="111"> 74 <param name="allowScriptAccess" value="sameDomain"/> 75 <param name="movie" value="/themes/basic/images/flash/anim.swf"/> 76 77 <param name="loop" value="false"/> 78 <param name="menu" value="false"/> 79 <param name="quality" value="high"/> 80 81 82 <img src="/themes/basic/images/anim-flash.jpg" /> 83 </object> 84 </div> 85 </div> <!-- /header --> 86 <div class="spacer"> </div> 87 <!-- ______________________ MAIN _______________________ --> 88 89 <div id="main" > 90 <div id="colonne_gauche"> 91 <div id="block-menu-primary-links" class="block block-menu block-left block-id-9 clearfix odd"> 92 <div class="block-inner"> 93 94 <h3 class="title block-title">Liens primaires</h3> 95 96 <div class="content"> 97 <ul class="menu"><li class="expanded first chroniques"><a href="/chroniques/all/2026" title="">chroniques</a><ul class="menu"><li class="leaf first op-ra"><a href="/chroniques/1/2026" title="">opéra</a></li> 98<li class="leaf concert"><a href="/chroniques/2/2026" title="">concert</a></li> 99<li class="leaf da_camera"><a href="/chroniques/3/2026" title="">da camera</a></li> 100<li class="leaf last en_marge"><a href="/chroniques/4/2026" title="">en marge</a></li> 101</ul></li> 102<li class="expanded active-trail l-039-objet_sonore"><a href="/objet_sonore/all/2026" title="" class="active">l'objet sonore</a><ul class="menu"><li class="leaf first tomb-_du_nid_d-039-euterpe"><a href="/tombe-du-nid-d-euterpe/musique_d_aujourdhui" title="">tombé du nid d'euterpe</a></li> 103<li class="leaf pages_de_chevet"><a href="/objet_sonore/6/2026" title="">pages de chevet</a></li> 104<li class="leaf dvd"><a href="/objet_sonore/7/2026" title="">DVD</a></li> 105<li class="leaf last cd"><a href="/objet_sonore/8/2026" title="">CD</a></li> 106</ul></li> 107<li class="leaf last dossiers"><a href="/dossiers/all/2026" title="">dossiers</a></li> 108</ul> </div> 109 110 111 </div> <!-- /block-inner --> 112</div> <!-- /block --><div id="block-search-0" class="block block-search block-left block-id-12 clearfix even"> 113 <div class="block-inner"> 114 115 <h3 class="title block-title">Recherche</h3> 116 117 <div class="content"> 118 <form action="/objet_sonore/all/2026" accept-charset="UTF-8" method="post" id="search-block-form" target="_self" class="search-form"> 119<div><div class="container-inline"> 120 <div class="form-item" id="edit-search-block-form-1-wrapper"> 121 <label for="edit-search-block-form-1">Chercher dans ce site : </label> 122 <input type="text" maxlength="128" name="search_block_form" id="edit-search-block-form-1" size="15" value="" title="Saisissez les termes que vous voulez rechercher." class="form-text custom-search-default-value custom-search-box" /> 123</div> 124<input type="submit" name="op" id="edit-submit" value="Recherche" class="form-submit" /> 125<input type="hidden" name="form_build_id" id="form-48078e201ba6ddaaa7b24cbde240ef5b" value="form-48078e201ba6ddaaa7b24cbde240ef5b" /> 126<input type="hidden" name="form_id" id="edit-search-block-form" value="search_block_form" /> 127<input type="hidden" name="default_text" id="edit-default-text" value="" class="default-text" /> 128</div> 129 130</div></form> 131 </div> 132 133 134 </div> <!-- /block-inner --> 135</div> <!-- /block --><div id="block-block-2" class="block block-block block-left block-id-37 clearfix odd">
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283 <span class="field-content"><a href="/content/wilson-hermanto-et-sinfonia-varsovia">voir</a><div class='spacer'> </div></span> 284 </div> 285 </div> 286 <div class="views-row views-row-2 views-row-even"> 287 288 <div class="views-field-field-titre-accueil-value"> 289 <span class="field-content"><a href="/content/r%C3%A9cital-iris-daverio-avec-ses-amis">Les amoureux en bleu : Iris Daverio et ses amis</a></span> 290 </div> 291 292 <div class="views-field-field-ligne-1-cd-dvd-value"> 293 <span class="field-content">1 CD Oktav Records (2026)</span> 294 </div> 295 296 <div class="views-field-field-ref-commerciale-value"> 297 <span class="field-content">- â</span> 298 </div> 299 300 <div class="views-field-name"> 301 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 302 </div> 303 304 <div class="views-field-body"> 305 <div class="field-content"><p> Le bleu de Marc Chagall donne son titre à cet album et, plus profondément, son principe. Iris Daverio, première flûte supersoliste de l’Orchestre de l’Opéra national de Paris depuis 2023, emprunte <em>Les Amoureux en bleu</em> à un tableau de...</p></div> 306 </div> 307 308 <div class="views-field-view-node"> 309 <span class="field-content"><a href="/content/r%C3%A9cital-iris-daverio-avec-ses-amis">voir</a><div class='spacer'> </div></span> 310 </div> 311 </div> 312 <div class="views-row views-row-3 views-row-odd"> 313 314 <div class="views-field-field-titre-accueil-value"> 315 <span class="field-content"><a href="/content/barbara-strozzi">Barbara Strozzi, Opus 5, Virtuosissima Cantatrice</a></span> 316 </div> 317 318 <div class="views-field-field-ligne-1-cd-dvd-value"> 319 <span class="field-content">1 CD Klarthe (2025)</span> 320 </div> 321 322 <div class="views-field-field-ref-commerciale-value"> 323 <span class="field-content">- KLA195</span> 324 </div> 325 326 <div class="views-field-name"> 327 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 328 </div> 329 330 <div class="views-field-body"> 331 <div class="field-content"><p> Barbara Strozzi libertine ?... Assurément, si l’on entend par là la Venise des Incogniti, des académies et de l’opéra où grandit celle que ses contemporains nommèrent <em>virtuosissima cantatrice</em>. Et pourtant, Barbara Strozzi dévote,...</p></div> 332 </div> 333 334 <div class="views-field-view-node"> 335 <span class="field-content"><a href="/content/barbara-strozzi">voir</a><div class='spacer'> </div></span> 336 </div> 337 </div> 338 <div class="views-row views-row-4 views-row-even"> 339 340 <div class="views-field-field-titre-accueil-value"> 341 <span class="field-content"><a href="/content/r%C3%A9cital-%C3%A9tienne-bazola-et-thomas-costille">Ãtienne Bazola chante Brahms et Schumann</a></span> 342 </div> 343 344 <div class="views-field-field-ligne-1-cd-dvd-value"> 345 <span class="field-content">1 CD Oktav Records (2026)</span> 346 </div> 347 348 <div class="views-field-name"> 349 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 350 </div> 351 352 <div class="views-field-body"> 353 <div class="field-content"><p> Principalement dévoué au répertoire baroque français, Ãtienne Bazola, que nous avions apprécié en Grand Prêtre dans <em>Issé </em>de Destouches [lire <a href="https://www.anaclase.com/content/andr%C3%A9-cardinal-dit-destouches" target="_blank">notre...</a></p></div> 354 </div> 355 356 <div class="views-field-view-node"> 357 <span class="field-content"><a href="/content/r%C3%A9cital-%C3%A9tienne-bazola-et-thomas-costille">voir</a><div class='spacer'> </div></span> 358 </div> 359 </div> 360 <div class="views-row views-row-5 views-row-odd"> 361 362 <div class="views-field-field-titre-accueil-value"> 363 <span class="field-content"><a href="/content/anton%C3%ADn-dvo%C5%99%C3%A1k-6">AntonÃn DvoÅák par Raphaël Jouan et David Reiland</a></span> 364 </div> 365 366 <div class="views-field-field-ligne-1-cd-dvd-value">
367 <span class="field-content">1 CD La Dolce Volta (2025)</span> 368 </div> 369 370 <div class="views-field-field-ref-commerciale-value"> 371 <span class="field-content">- LDV152</span> 372 </div> 373 374 <div class="views-field-name"> 375 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 376 </div> 377 378 <div class="views-field-body"> 379 <div class="field-content"><p> Trois Åuvres, un même destinataire : HanuÅ¡ Wihan (1855-1920), grand violoncelliste de Bohême auquel AntonÃn DvoÅák dédia le <em>Rondo Op.94</em>, <em>Klid Op.68 n°5</em> et son fameux <em>Concerto en si mineur Op.104</em>. Le soliste ne devait...</p></div> 380 </div> 381 382 <div class="views-field-view-node"> 383 <span class="field-content"><a href="/content/anton%C3%ADn-dvo%C5%99%C3%A1k-6">voir</a><div class='spacer'> </div></span> 384 </div> 385 </div> 386 <div class="views-row views-row-6 views-row-even"> 387 388 <div class="views-field-field-titre-accueil-value"> 389 <span class="field-content"><a href="/content/joseph-kosma-0">Florilège Joseph Kosma</a></span> 390 </div> 391 392 <div class="views-field-field-ligne-1-cd-dvd-value"> 393 <span class="field-content">1 CD Hortus (2025)</span> 394 </div> 395 396 <div class="views-field-field-ref-commerciale-value"> 397 <span class="field-content">- 835</span> 398 </div> 399 400 <div class="views-field-name"> 401 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 402 </div> 403 404 <div class="views-field-body"> 405 <div class="field-content"><p> Troisième volume de la collection <em>Voix Ãtouffées</em>, consacrée aux musiciens frappés par les persécutions nazies [lire nos critiques des volumes <a href="https://www.anaclase.com/content/arnold-sch%C3%B6nberg-15" target="_blank">Schönberg</a> et...</p></div> 406 </div> 407 408 <div class="views-field-view-node"> 409 <span class="field-content"><a href="/content/joseph-kosma-0">voir</a><div class='spacer'> </div></span> 410 </div> 411 </div> 412 <div class="views-row views-row-7 views-row-odd"> 413 414 <div class="views-field-field-titre-accueil-value"> 415 <span class="field-content"><a href="/content/isang-yun-2">LâÅuvre pour violon dâIsang Yun</a></span> 416 </div> 417 418 <div class="views-field-field-ligne-1-cd-dvd-value"> 419 <span class="field-content">1 CD Kairos (2024)</span> 420 </div> 421 422 <div class="views-field-field-ref-commerciale-value"> 423 <span class="field-content">- 0022045 KAI</span> 424 </div> 425 426 <div class="views-field-name"> 427 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 428 </div> 429 430 <div class="views-field-body"> 431 <div class="field-content"><p> Réunir l’intégrale des Åuvres pour violon seul et pour violon et piano d’Isang Yun (1917-1995) permet de parcourir près de trois décennies (1963-1991) d’une création où Orient et Occident cessent progressivement de constituer deux pôles...</p></div> 432 </div> 433 434 <div class="views-field-view-node"> 435 <span class="field-content"><a href="/content/isang-yun-2">voir</a><div class='spacer'> </div></span> 436 </div> 437 </div> 438 <div class="views-row views-row-8 views-row-even"> 439 440 <div class="views-field-field-titre-accueil-value"> 441 <span class="field-content"><a href="/content/johann-michel">Interpréter, câest jouer, de Johann Michel</a></span> 442 </div> 443 444 <div class="views-field-field-ligne-1-cd-dvd-value"> 445 <span class="field-content">Les Ãditions de Minuit (2026) 224 pages</span> 446 </div> 447 448 <div class="views-field-field-ref-commerciale-value"> 449 <span class="field-content">- ISBN 978-2-7073-5805-9</span> 450 </div> 451 452 <div class="views-field-name"> 453 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 454 </div> 455 456 <div class="views-field-body"> 457 <div class="field-content"><p> Que faisons-nous lorsque nous interprétons une musique ? Nous la déchiffrons, nous la jouons, nous l’écoutons. De cette évidence, Johann Michel tire l’architecture, aussi rigoureuse que limpide, d’<em>Interpréter, c’est jouer...</em></p></div> 458 </div> 459 460 <div class="views-field-view-node">
461 <span class="field-content"><a href="/content/johann-michel">voir</a><div class='spacer'> </div></span> 462 </div> 463 </div> 464 <div class="views-row views-row-9 views-row-odd"> 465 466 <div class="views-field-field-titre-accueil-value"> 467 <span class="field-content"><a href="/content/antonio-hern%C3%A1ndez-moreno">Trente castagnettes pour Londres</a></span> 468 </div> 469 470 <div class="views-field-field-ligne-1-cd-dvd-value"> 471 <span class="field-content">Antonio Hernández Moreno (2018) 328 pages</span> 472 </div> 473 474 <div class="views-field-field-ref-commerciale-value"> 475 <span class="field-content">- ISBN 978-84-09-12956-0</span> 476 </div> 477 478 <div class="views-field-name"> 479 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 480 </div> 481 482 <div class="views-field-body"> 483 <div class="field-content"><p> En 1917, les Ballets Russes se produisent en Espagne. C’est là que la troupe intègre le jeune Felix Fernández Gonzalez (1903-1941), rebaptisé Félix GarcÃa par Serge Diaghilev, dont Antonio Hernández Moreno a souhaité raconter la véritable histoire...</p></div> 484 </div> 485 486 <div class="views-field-view-node"> 487 <span class="field-content"><a href="/content/antonio-hern%C3%A1ndez-moreno">voir</a><div class='spacer'> </div></span> 488 </div> 489 </div> 490 <div class="views-row views-row-10 views-row-even"> 491 492 <div class="views-field-field-titre-accueil-value"> 493 <span class="field-content"><a href="/content/isabelle-peretz">Soigner avec la musique</a></span> 494 </div> 495 496 <div class="views-field-field-ligne-1-cd-dvd-value"> 497 <span class="field-content">Odile Jacob (2026) 174 pages</span> 498 </div> 499 500 <div class="views-field-field-ref-commerciale-value"> 501 <span class="field-content">- ISBN 978-2-4150-1489-6</span> 502 </div> 503 504 <div class="views-field-name"> 505 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 506 </div> 507 508 <div class="views-field-body"> 509 <div class="field-content"><p> Avec <em>Soigner avec la musique</em>, Isabelle Peretz, figure reconnue des neurosciences en matière de musique, entend montrer combien les recherches récentes éclairent les effets de la pratique et de l’écoute musicales sur notre organisme. Aussi...</p></div> 510 </div> 511 512 <div class="views-field-view-node"> 513 <span class="field-content"><a href="/content/isabelle-peretz">voir</a><div class='spacer'> </div></span> 514 </div> 515 </div> 516 <div class="views-row views-row-11 views-row-odd"> 517 518 <div class="views-field-field-titre-accueil-value"> 519 <span class="field-content"><a href="/content/andr%C3%A9-suar%C3%A8s">Debussy</a></span> 520 </div> 521 522 <div class="views-field-field-ligne-1-cd-dvd-value"> 523 <span class="field-content">Le Condottière (2026) 198 pages</span> 524 </div> 525 526 <div class="views-field-field-ref-commerciale-value"> 527 <span class="field-content">- ISBN 978-2-48746-857-3</span> 528 </div> 529 530 <div class="views-field-name"> 531 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 532 </div> 533 534 <div class="views-field-body"> 535 <div class="field-content"><p> Musicienne, musicologue et chercheuse ayant signé une thèse intitulée <em>Ãmergence de la figure historique de Claude Debussy dans la presse et la littérature de son temps</em>, Ãmilie de Fautereau Vassel se révèle une plume idéale pour préfacer l’...</p></div> 536 </div> 537 538 <div class="views-field-view-node"> 539 <span class="field-content"><a href="/content/andr%C3%A9-suar%C3%A8s">voir</a><div class='spacer'> </div></span> 540 </div> 541 </div> 542 <div class="views-row views-row-12 views-row-even"> 543 544 <div class="views-field-field-titre-accueil-value"> 545 <span class="field-content"><a href="/content/r%C3%A9cital-quatuor-herm%C3%A8s">récital Quatuor Hermès</a></span> 546 </div> 547 548 <div class="views-field-field-ligne-1-cd-dvd-value">
549 <span class="field-content">1 CD La Dolce Volta (2026)</span> 550 </div> 551 552 <div class="views-field-field-ref-commerciale-value"> 553 <span class="field-content">- LDV 134</span> 554 </div> 555 556 <div class="views-field-name"> 557 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 558 </div> 559 560 <div class="views-field-body"> 561 <div class="field-content"><p> Née en 2008, entre les murs du CNSMD de Lyon, la formation initiale du Quatuor Hermès étudie avec les membres du Quatuor Ravel, puis avec les Ysaÿe, les Artemis, etc. Au disque, chez La Dolce Volta, on a pu l’entendre jouer les compositeurs...</p></div> 562 </div> 563 564 <div class="views-field-view-node"> 565 <span class="field-content"><a href="/content/r%C3%A9cital-quatuor-herm%C3%A8s">voir</a><div class='spacer'> </div></span> 566 </div> 567 </div> 568 <div class="views-row views-row-13 views-row-odd"> 569 570 <div class="views-field-field-titre-accueil-value"> 571 <span class="field-content"><a href="/content/r%C3%A9cital-trio-pantoum">récital Trio Pantoum</a></span> 572 </div> 573 574 <div class="views-field-field-ligne-1-cd-dvd-value"> 575 <span class="field-content">1 CD La Dolce Volta (2025)</span> 576 </div> 577 578 <div class="views-field-field-ref-commerciale-value"> 579 <span class="field-content">- LDV 145</span> 580 </div> 581 582 <div class="views-field-name"> 583 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 584 </div> 585 586 <div class="views-field-body"> 587 <div class="field-content"><p> Fondé en 2016 au CNSMD de Paris, le Trio Pantoum a construit son identité en s’imprégnant de la tradition viennoise (Haydn, Mozart et Beethoven) sans renoncer à explorer des univers plus récents, comme en témoigne leur premier enregistrement qui...</p></div> 588 </div> 589 590 <div class="views-field-view-node"> 591 <span class="field-content"><a href="/content/r%C3%A9cital-trio-pantoum">voir</a><div class='spacer'> </div></span> 592 </div> 593 </div> 594 <div class="views-row views-row-14 views-row-even"> 595 596 <div class="views-field-field-titre-accueil-value"> 597 <span class="field-content"><a href="/content/christian-wasselin-1">Alban Berg, une biographie fantastique</a></span> 598 </div> 599 600 <div class="views-field-field-ligne-1-cd-dvd-value"> 601 <span class="field-content">Le Condottiere (2025) 450 pages</span> 602 </div> 603 604 <div class="views-field-field-ref-commerciale-value"> 605 <span class="field-content">- ISBN 978-2-48746-853-5</span> 606 </div> 607 608 <div class="views-field-name"> 609 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 610 </div> 611 612 <div class="views-field-body"> 613 <div class="field-content"><p> On le sait, Christian Wasselin affectionne les compositeurs nés au XIXe siècle : Berlioz – son préféré –, mais aussi Mahler, Satie [lire <a href="https://www.anaclase.com/content/christian-wasselin-0" target="_blank">notre critique</a> de l...</p></div> 614 </div> 615 616 <div class="views-field-view-node"> 617 <span class="field-content"><a href="/content/christian-wasselin-1">voir</a><div class='spacer'> </div></span> 618 </div> 619 </div> 620 <div class="views-row views-row-15 views-row-odd"> 621 622 <div class="views-field-field-titre-accueil-value"> 623 <span class="field-content"><a href="/content/ouvrage-collectif-39">musique | images | instruments : le vin et la musique</a></span> 624 </div> 625 626 <div class="views-field-field-ligne-1-cd-dvd-value"> 627 <span class="field-content">Revue française dâorganologie et dâiconographie musicale, CNRS Ãditions (2024) 294 pages</span> 628 </div> 629 630 <div class="views-field-field-ref-commerciale-value"> 631 <span class="field-content">- ISBN 978-2-271-14987-9</span> 632 </div> 633 634 <div class="views-field-name">
635 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 636 </div> 637 638 <div class="views-field-body"> 639 <div class="field-content"><p> Dans le sillage des livraisons thématiques qui, depuis plusieurs années, font de la <em>Revue française d’organologie et d’iconographie musicale</em>, éditée par le CNRS, un lieu d’exploration à la fois rigoureux et ouvert, ce numéro 19...</p></div> 640 </div> 641 642 <div class="views-field-view-node"> 643 <span class="field-content"><a href="/content/ouvrage-collectif-39">voir</a><div class='spacer'> </div></span> 644 </div> 645 </div> 646 <div class="views-row views-row-16 views-row-even"> 647 648 <div class="views-field-field-titre-accueil-value"> 649 <span class="field-content"><a href="/content/r%C3%A9cital-l%E2%80%99escadron-volant-de-la-reine">récital LâEscadron volant de la Reine</a></span> 650 </div> 651 652 <div class="views-field-field-ligne-1-cd-dvd-value"> 653 <span class="field-content">1 CD Mirare (2026)</span> 654 </div> 655 656 <div class="views-field-field-ref-commerciale-value"> 657 <span class="field-content">- MIR 802</span> 658 </div> 659 660 <div class="views-field-name"> 661 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 662 </div> 663 664 <div class="views-field-body"> 665 <div class="field-content"><p> L’aventure discographique a parfois d’heureuses audaces. Tel est le cas de ce nouvel enregistrement, qu’accompagne admirablement un essai de Patrick Barbier, de L’Escadron volant de la Reine : y sont imaginées les funérailles de...</p></div> 666 </div> 667 668 <div class="views-field-view-node"> 669 <span class="field-content"><a href="/content/r%C3%A9cital-l%E2%80%99escadron-volant-de-la-reine">voir</a><div class='spacer'> </div></span> 670 </div> 671 </div> 672 <div class="views-row views-row-17 views-row-odd"> 673 674 <div class="views-field-field-titre-accueil-value"> 675 <span class="field-content"><a href="/content/ouvrage-collectif-38">Théâtre musical [â¦] dans lâÅuvre de Péter Eötvös</a></span> 676 </div> 677 678 <div class="views-field-field-ligne-1-cd-dvd-value"> 679 <span class="field-content">LâHarmattan (2025) 360 pages</span> 680 </div> 681 682 <div class="views-field-field-ref-commerciale-value"> 683 <span class="field-content">- ISBN 978-2-336-55493-8</span> 684 </div> 685 686 <div class="views-field-name"> 687 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 688 </div> 689 690 <div class="views-field-body"> 691 <div class="field-content"><p> Les 12 et 13 janvier 2024, à l’occasion des quatre-vingts ans de Péter Eötvös (1944-2024), un colloque s’est tenu sur son Åuvre dans notre capitale – et plus précisément à l’IRCAM, puisque l’Institut Liszt (Centre culturel...</p></div> 692 </div> 693 694 <div class="views-field-view-node"> 695 <span class="field-content"><a href="/content/ouvrage-collectif-38">voir</a><div class='spacer'> </div></span> 696 </div> 697 </div> 698 <div class="views-row views-row-18 views-row-even"> 699 700 <div class="views-field-field-titre-accueil-value"> 701 <span class="field-content"><a href="/content/julien-gominet-brun">LâHarmonie universelle de Marin Mersenne</a></span> 702 </div> 703 704 <div class="views-field-field-ligne-1-cd-dvd-value"> 705 <span class="field-content">Honoré Champion Ãditeur (2025) 524 pages</span> 706 </div> 707 708 <div class="views-field-field-ref-commerciale-value"> 709 <span class="field-content">- ISBN 978-2-7453-6457-9</span> 710 </div> 711 712 <div class="views-field-name"> 713 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 714 </div> 715 716 <div class="views-field-body"> 717 <div class="field-content"><p> Dans <em>L’Harmonie universelle de Marin Mersenne. Musique et littérature au XVIIe siècle</em>, Julien Gominet-Brun propose une lecture dense et éclairante d’un monument intellectuel de l’âge baroque. Agrégé de lettres modernes et...</p></div> 718 </div> 719 720 <div class="views-field-view-node">
721 <span class="field-content"><a href="/content/julien-gominet-brun">voir</a><div class='spacer'> </div></span> 722 </div> 723 </div> 724 <div class="views-row views-row-19 views-row-odd"> 725 726 <div class="views-field-field-titre-accueil-value"> 727 <span class="field-content"><a href="/content/elsa-barraine">Elsa Barraine | Åuvres avec orgue</a></span> 728 </div> 729 730 <div class="views-field-field-ligne-1-cd-dvd-value"> 731 <span class="field-content">1 CD Tempéraments/Radio France (2025)</span> 732 </div> 733 734 <div class="views-field-field-ref-commerciale-value"> 735 <span class="field-content">- TEM 316076/DDD</span> 736 </div> 737 738 <div class="views-field-name"> 739 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 740 </div> 741 742 <div class="views-field-body"> 743 <div class="field-content"><p> Improprement appelé <em>Livre des morts tibétain</em>, le <em>Bardo Thödol</em> n’est pas un traité décrivant l’au-delà . Il constitue d’abord une expérience d’écoute. Pendant les quarante-neuf jours qui suivent la mort, un moine...</p></div> 744 </div> 745 746 <div class="views-field-view-node"> 747 <span class="field-content"><a href="/content/elsa-barraine">voir</a><div class='spacer'> </div></span> 748 </div> 749 </div> 750 <div class="views-row views-row-20 views-row-even"> 751 752 <div class="views-field-field-titre-accueil-value"> 753 <span class="field-content"><a href="/content/henri%C3%ABtte-bosmans-0">Henriëtte Bosmans | musique de chambre</a></span> 754 </div> 755 756 <div class="views-field-field-ligne-1-cd-dvd-value"> 757 <span class="field-content">1 CD Hortus (2025)</span> 758 </div> 759 760 <div class="views-field-field-ref-commerciale-value"> 761 <span class="field-content">- 834</span> 762 </div> 763 764 <div class="views-field-name"> 765 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 766 </div> 767 768 <div class="views-field-body"> 769 <div class="field-content"><p> La redécouverte des compositrices du premier XXe siècle ne saurait relever d’un simple réflexe réparateur ; encore faut-il que les Åuvres retrouvent, par elles-mêmes, le chemin de l’écoute. Deuxième volume de la collection <em>Voix étouffées...</em></p></div> 770 </div> 771 772 <div class="views-field-view-node"> 773 <span class="field-content"><a href="/content/henri%C3%ABtte-bosmans-0">voir</a><div class='spacer'> </div></span> 774 </div> 775 </div> 776 <div class="views-row views-row-21 views-row-odd"> 777 778 <div class="views-field-field-titre-accueil-value"> 779 <span class="field-content"><a href="/content/thomas-mann">Souffrances et grandeur de Richard Wagner</a></span> 780 </div> 781 782 <div class="views-field-field-ligne-1-cd-dvd-value"> 783 <span class="field-content">Omnia Poche / Ãditions Bartillat (2026) 120 pages</span> 784 </div> 785 786 <div class="views-field-field-ref-commerciale-value"> 787 <span class="field-content">- ISBN 978-2-84100-801-8</span> 788 </div> 789 790 <div class="views-field-name"> 791 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 792 </div> 793 794 <div class="views-field-body"> 795 <div class="field-content"><p> La réédition de <em>Souffrances et grandeur de Richard Wagner</em> de Thomas Mann, accompagnée d’une préface très éclairante de Stéphane Pesnel (germaniste et normalien), offre l’occasion de redécouvrir un texte aussi fascinant par son propos...</p></div> 796 </div> 797 798 <div class="views-field-view-node"> 799 <span class="field-content"><a href="/content/thomas-mann">voir</a><div class='spacer'> </div></span> 800 </div> 801 </div> 802 <div class="views-row views-row-22 views-row-even"> 803 804 <div class="views-field-field-titre-accueil-value"> 805 <span class="field-content"><a href="/content/bernard-de-vienne">Bernard de Vienne | Le principe dâincertitude</a></span> 806 </div> 807 808 <div class="views-field-field-ligne-1-cd-dvd-value">
809 <span class="field-content">Ãditions Delatour (2023) 306 pages</span> 810 </div> 811 812 <div class="views-field-field-ref-commerciale-value"> 813 <span class="field-content">- ISBN 978-2-7521-0-462-5</span> 814 </div> 815 816 <div class="views-field-name"> 817 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 818 </div> 819 820 <div class="views-field-body"> 821 <div class="field-content"><p> Avec <em>Le principe d’incertitude – Ãcrits sur l’art</em>, le compositeur Bernard de Vienne rassemble un ensemble de textes consacrés à la musique, mais aussi à la peinture et aux conditions de la création artistique. Rédigés entre...</p></div> 822 </div> 823 824 <div class="views-field-view-node"> 825 <span class="field-content"><a href="/content/bernard-de-vienne">voir</a><div class='spacer'> </div></span> 826 </div> 827 </div> 828 <div class="views-row views-row-23 views-row-odd"> 829 830 <div class="views-field-field-titre-accueil-value"> 831 <span class="field-content"><a href="/content/pascal-decroupet-0">John Cage â Sonates et Interludes</a></span> 832 </div> 833 834 <div class="views-field-field-ligne-1-cd-dvd-value"> 835 <span class="field-content">Ãditions Contrechamps (2025) 398 pages</span> 836 </div> 837 838 <div class="views-field-field-ref-commerciale-value"> 839 <span class="field-content">- ISBN 978-2-940068-78-4</span> 840 </div> 841 842 <div class="views-field-name"> 843 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 844 </div> 845 846 <div class="views-field-body"> 847 <div class="field-content"><p> Au début des années trente, John Cage (1912-1992) étude avec Arnold Schönberg, Adolph Weiss et Henry Cowell – respectivement le contrepoint, l’harmonie et le rythme –, partagé entre la tradition européenne et celle de son pays. Le choix...</p></div> 848 </div> 849 850 <div class="views-field-view-node"> 851 <span class="field-content"><a href="/content/pascal-decroupet-0">voir</a><div class='spacer'> </div></span> 852 </div> 853 </div> 854 <div class="views-row views-row-24 views-row-even"> 855 856 <div class="views-field-field-titre-accueil-value"> 857 <span class="field-content"><a href="/content/jean-luc-nancy">à la musique</a></span> 858 </div> 859 860 <div class="views-field-field-ligne-1-cd-dvd-value"> 861 <span class="field-content">Ãditions Philharmonie de Paris (2025) 272 pages</span> 862 </div> 863 864 <div class="views-field-field-ref-commerciale-value"> 865 <span class="field-content">- ISBN 979-10-94642-86-3</span> 866 </div> 867 868 <div class="views-field-name"> 869 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 870 </div> 871 872 <div class="views-field-body"> 873 <div class="field-content"><p> Publié par les Ãditions de la Philharmonie, <em>à la musique</em> rassemble un ensemble de textes par lesquels Jean-Luc Nancy n’a cessé, pendant près de trente années, de s’exposer à cet art et à ce qu’à la pensée il fait. L’...</p></div> 874 </div> 875 876 <div class="views-field-view-node"> 877 <span class="field-content"><a href="/content/jean-luc-nancy">voir</a><div class='spacer'> </div></span> 878 </div> 879 </div> 880 <div class="views-row views-row-25 views-row-odd"> 881 882 <div class="views-field-field-titre-accueil-value"> 883 <span class="field-content"><a href="/content/arnold-sch%C3%B6nberg-15">Arnold Schönberg | réductions chambristes</a></span> 884 </div> 885 886 <div class="views-field-field-ligne-1-cd-dvd-value"> 887 <span class="field-content">1 CD Hortus (2024)</span> 888 </div> 889 890 <div class="views-field-field-ref-commerciale-value"> 891 <span class="field-content">- 833</span> 892 </div> 893 894 <div class="views-field-name"> 895 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 896 </div> 897 898 <div class="views-field-body"> 899 <div class="field-content"><p> Il est peu de compositeurs qui aient autant souffert des caricatures qu’Arnold Schönberg. Pour beaucoup, son nom demeure associé à l&r
899squo;atonalité mal comprise, à la série dodécaphonique, encore bien mystérieuse pour certains esprits, et à une...</p></div> 900 </div> 901 902 <div class="views-field-view-node"> 903 <span class="field-content"><a href="/content/arnold-sch%C3%B6nberg-15">voir</a><div class='spacer'> </div></span> 904 </div> 905 </div> 906 <div class="views-row views-row-26 views-row-even"> 907 908 <div class="views-field-field-titre-accueil-value"> 909 <span class="field-content"><a href="/content/r%C3%A9cital-kirill-zvegintsov-0">récital Kirill Zvegintsov (piano)</a></span> 910 </div> 911 912 <div class="views-field-field-ligne-1-cd-dvd-value"> 913 <span class="field-content">1 CD WERGO (2025)</span> 914 </div> 915 916 <div class="views-field-field-ref-commerciale-value"> 917 <span class="field-content">- WER 7413 2</span> 918 </div> 919 920 <div class="views-field-name"> 921 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 922 </div> 923 924 <div class="views-field-body"> 925 <div class="field-content"><p> Il est des disques qui ressemblent à des programmes de concert soigneusement construits ; d’autres s’apparentent davantage à de secrètes cartes de relations humaines : <em>Lebenslinien</em> appartient assurément à cette seconde catégorie. Né...</p></div> 926 </div> 927 928 <div class="views-field-view-node"> 929 <span class="field-content"><a href="/content/r%C3%A9cital-kirill-zvegintsov-0">voir</a><div class='spacer'> </div></span> 930 </div> 931 </div> 932 <div class="views-row views-row-27 views-row-odd"> 933 934 <div class="views-field-field-titre-accueil-value"> 935 <span class="field-content"><a href="/content/ornella-volta">Erik Satie en notes et en mots</a></span> 936 </div> 937 938 <div class="views-field-field-ligne-1-cd-dvd-value"> 939 <span class="field-content">Les presses du réel (2025) 624 pages</span> 940 </div> 941 942 <div class="views-field-field-ref-commerciale-value"> 943 <span class="field-content">- ISBN 978-2-84066-753-7</span> 944 </div> 945 946 <div class="views-field-name"> 947 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 948 </div> 949 950 <div class="views-field-body"> 951 <div class="field-content"><p> Dans les années soixante, loin de l’Italie provinciale et petite-bourgeoise de l’
951après-guerre, Ornella Volta (1927-2020) mène des entretiens d’artistes à Paris, tandis que son mari Pablo prend des photos de ces rencontres. Outre Le...</p></div> 952 </div> 953 954 <div class="views-field-view-node"> 955 <span class="field-content"><a href="/content/ornella-volta">voir</a><div class='spacer'> </div></span> 956 </div> 957 </div> 958 <div class="views-row views-row-28 views-row-even"> 959 960 <div class="views-field-field-titre-accueil-value"> 961 <span class="field-content"><a href="/content/alain-galliari-4">Catalogue de lâÅuvre de Pierre Boulez</a></span> 962 </div> 963 964 <div class="views-field-field-ligne-1-cd-dvd-value"> 965 <span class="field-content">Ãditions Philharmonie de Paris (2025) 396 pages</span> 966 </div> 967 968 <div class="views-field-field-ref-commerciale-value"> 969 <span class="field-content">- ISBN 979-10-94642-80-1</span> 970 </div> 971 972 <div class="views-field-name"> 973 <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span> 974 </div> 975 976 <div class="views-field-body"> 977 <div class="field-content"><p> Une année – toute une année, rien qu’une année pour fêter celui qui marqua tant son temps, et dont le parcours plus qu’aucun autre a ponctué notre propre chemin dans l’abord du rivage contemporain de la musique… Il y a près...</p></div> 978 </div> 979 980 <div class="views-field-view-node"> 981 <span class="field-content"><a href="/content/alain-galliari-4">voir</a><div class='spacer'> </div></span> 982 </div> 983 </div> 984 <div class="views-row views-row-29 views-row-odd"> 985 986 <div class="views-field-field-titre-accueil-value"> 987 <span class="field-content"><a href="/content/jean-paul-dessy-0">Jean-Paul Dessy | pièces pour cordes</a></span> 988 </div> 989 990 <div class="views-field-field-ligne-1-cd-dvd-value"> 991 <span class="field-content">1 CD Cypres (2025)</span> 992 </div> 993 994 <div class="views-field-field-ref-commerciale-value"> 995 <span class="field-content">- CYP 4669</span> 996 </div> 997 998 <div class="views-field-name"> 999 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 1000 </div> 1001 1002 <div class="views-field-body"> 1003 <div class="field-content"><p> Le Quatuor Tana poursuit son compagnonnage avec Jean-Paul Dessy (né en 1963) dans ce CD enregistré à Mons à la fin de l’année 2024. S’y trouvent réunies trois Åuvres écrites sur près d’un quart de siècle. Cette fidélité artistique,...</p></div> 1004 </div> 1005 1006 <div class="views-field-view-node"> 1007 <span class="field-content"><a href="/content/jean-paul-dessy-0">voir</a><div class='spacer'> </div></span> 1008 </div> 1009 </div> 1010 <div class="views-row views-row-30 views-row-even views-row-last"> 1011 1012 <div class="views-field-field-titre-accueil-value"> 1013 <span class="field-content"><a href="/content/john-cage-5">John Cage | pièces variées</a></span> 1014 </div> 1015 1016 <div class="views-field-field-ligne-1-cd-dvd-value"> 1017 <span class="field-content">1 CD Métier (2025)</span> 1018 </div> 1019 1020 <div class="views-field-field-ref-commerciale-value"> 1021 <span class="field-content">- mex 77124</span> 1022 </div> 1023 1024 <div class="views-field-name"> 1025 <span class="field-content"><a href="/objet_sonore/8">CD</a></span> 1026 </div> 1027 1028 <div class="views-field-body"> 1029 <div class="field-content"><p> Avec près de trois cents pièces à son catalogue – écrites de 1932 à 1992, année de sa disparition –, John Cage offre plus d’une possibilité à ses aficionados pour construire un programme musical original. C’est le cas de celui que...</p></div> 1030 </div> 1031 1032 <div class="views-field-view-node"> 1033 <span class="field-content"><a href="/content/john-cage-5">voir</a><div class='spacer'> </div></span> 1034 </div> 1035 </div> 1036 </div> 1037 1038 1039 1040 1041 1042 1043</div> </div> 1044 </div> 1045 <!-- /content-inner /content --> 1046 <!-- /sidebar-second --> 1047 1048 </div> <!-- /main --> 1049 <div class="spacer"> </div> 1050 <!-- ______________________ FOOTER _______________________ --> 1051 1052 1053 1054 </div> <!-- /page --> 1055 1056 <div id="footer_block"> 1057 <div id="footer"> 1058 <div id="block-menu-menu-footer" class="block block-menu block-footer_block block-id-35 clearfix odd">
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