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94          <h3 class="title block-title">Liens primaires</h3>
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97      <ul class="menu"><li class="expanded first chroniques"><a href="/chroniques/all/2026" title="">chroniques</a><ul class="menu"><li class="leaf first op-ra"><a href="/chroniques/1/2026" title="">opéra</a></li>
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102<li class="expanded active-trail l-039-objet_sonore"><a href="/objet_sonore/all/2026" title="" class="active">l&#039;objet sonore</a><ul class="menu"><li class="leaf first tomb-_du_nid_d-039-euterpe"><a href="/tombe-du-nid-d-euterpe/musique_d_aujourdhui" title="">tombé du nid d&#039;euterpe</a></li>
103<li class="leaf pages_de_chevet"><a href="/objet_sonore/6/2026" title="">pages de chevet</a></li>
104<li class="leaf dvd"><a href="/objet_sonore/7/2026" title="">DVD</a></li>
105<li class="leaf last cd"><a href="/objet_sonore/8/2026" title="">CD</a></li>
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151                                                        <div id="content-area">
152                            <h2 id="en_tete_view_objet_sonore">objet sonore</h2>
153<div id="tri_par_date">
154    <h3>Archives annuelles</h3>
155        <ul>
156     <li>
157       <a href="https://anaclase.com/objet_sonore/all/2026">
158       2026       </a>
159   </li>
160      <li>
161       <a href="https://anaclase.com/objet_sonore/all/2025">
162       2025       </a>
163   </li>
164      <li>
165       <a href="https://anaclase.com/objet_sonore/all/2024">
166       2024       </a>
167   </li>
168      <li>
169       <a href="https://anaclase.com/objet_sonore/all/2023">
170       2023       </a>
171   </li>
172      <li>
173       <a href="https://anaclase.com/objet_sonore/all/2022">
174       2022       </a>
175   </li>
176      <li>
177       <a href="https://anaclase.com/objet_sonore/all/2021">
178       2021       </a>
179   </li>
180      <li>
181       <a href="https://anaclase.com/objet_sonore/all/2020">
182       2020       </a>
183   </li>
184      <li>
185       <a href="https://anaclase.com/objet_sonore/all/2019">
186       2019       </a>
187   </li>
188      <li>
189       <a href="https://anaclase.com/objet_sonore/all/2018">
190       2018       </a>
191   </li>
192      <li>
193       <a href="https://anaclase.com/objet_sonore/all/2017">
194       2017       </a>
195   </li>
196      <li>
197       <a href="https://anaclase.com/objet_sonore/all/2016">
198       2016       </a>
199   </li>
200      <li>
201       <a href="https://anaclase.com/objet_sonore/all/2015">
202       2015       </a>
203   </li>
204      <li>
205       <a href="https://anaclase.com/objet_sonore/all/2014">
206       2014       </a>
207   </li>
208      <li>
209       <a href="https://anaclase.com/objet_sonore/all/2013">
210       2013       </a>
211   </li>
212      <li>
213       <a href="https://anaclase.com/objet_sonore/all/2012">
214       2012       </a>
215   </li>
216      <li>
217       <a href="https://anaclase.com/objet_sonore/all/2011">
218       2011       </a>
219   </li>
220      <li>
221       <a href="https://anaclase.com/objet_sonore/all/2010">
222       2010       </a>
223   </li>
224      <li>
225       <a href="https://anaclase.com/objet_sonore/all/2009">
226       2009       </a>
227   </li>
228      <li>
229       <a href="https://anaclase.com/objet_sonore/all/2008">
230       2008       </a>
231   </li>
232      <li>
233       <a href="https://anaclase.com/objet_sonore/all/2007">
234       2007       </a>
235   </li>
236      <li>
237       <a href="https://anaclase.com/objet_sonore/all/2006">
238       2006       </a>
239   </li>
240      <li>
241       <a href="https://anaclase.com/objet_sonore/all/2005">
242       2005       </a>
243   </li>
244      <li>
245       <a href="https://anaclase.com/objet_sonore/all/2004">
246       2004       </a>
247   </li>
248      <li>
249       <a href="https://anaclase.com/objet_sonore/all/2003">
250       2003       </a>
251   </li>
252   
253</ul>
254</div>
255<h3 id='h3_chronique_objet'>2026</h3><div class="view view-objet-sonore view-id-objet_sonore view-display-id-page_2 view-dom-id-1">
256    
257  
258  
259      <div class="view-content">
260        <div class="views-row views-row-1 views-row-odd views-row-first">
261      
262  <div class="views-field-field-titre-accueil-value">
263                <span class="field-content"><a href="/content/wilson-hermanto-et-sinfonia-varsovia">Wilson Hermanto joue Eötvös, Gruber et Zimmermann</a></span>
264  </div>
265  
266  <div class="views-field-field-ligne-1-cd-dvd-value">
267                <span class="field-content">1 CD Claves (2026)</span>
268  </div>
269  
270  <div class="views-field-field-ref-commerciale-value">
271                <span class="field-content">-&nbsp;50-3137</span>
272  </div>
273  
274  <div class="views-field-name">
275                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
276  </div>
277  
278  <div class="views-field-body">
279                <div class="field-content"><p>            Stimulé par la tradition du jazz nord-américain, le concerto pour trompette a pris un essor sans précédent au lendemain de la Seconde Guerre mondiale. C&rsquo;est ce genre que Sinfonia Varsovia a souhaité saluer, au premier quart du siècle suivant. L...</p></div>
280  </div>
281  
282  <div class="views-field-view-node">
283                <span class="field-content"><a href="/content/wilson-hermanto-et-sinfonia-varsovia">voir</a><div class='spacer'>&nbsp;</div></span>
284  </div>
285  </div>
286  <div class="views-row views-row-2 views-row-even">
287      
288  <div class="views-field-field-titre-accueil-value">
289                <span class="field-content"><a href="/content/r%C3%A9cital-iris-daverio-avec-ses-amis">Les amoureux en bleu : Iris Daverio et ses amis</a></span>
290  </div>
291  
292  <div class="views-field-field-ligne-1-cd-dvd-value">
293                <span class="field-content">1 CD Oktav Records (2026)</span>
294  </div>
295  
296  <div class="views-field-field-ref-commerciale-value">
297                <span class="field-content">-&nbsp;–</span>
298  </div>
299  
300  <div class="views-field-name">
301                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
302  </div>
303  
304  <div class="views-field-body">
305                <div class="field-content"><p>            Le bleu de Marc Chagall donne son titre à cet album et, plus profondément, son principe. Iris Daverio, première flûte supersoliste de l&rsquo;Orchestre de l&rsquo;Opéra national de Paris depuis 2023, emprunte <em>Les Amoureux en bleu</em> à un tableau de...</p></div>
306  </div>
307  
308  <div class="views-field-view-node">
309                <span class="field-content"><a href="/content/r%C3%A9cital-iris-daverio-avec-ses-amis">voir</a><div class='spacer'>&nbsp;</div></span>
310  </div>
311  </div>
312  <div class="views-row views-row-3 views-row-odd">
313      
314  <div class="views-field-field-titre-accueil-value">
315                <span class="field-content"><a href="/content/barbara-strozzi">Barbara Strozzi, Opus 5, Virtuosissima Cantatrice</a></span>
316  </div>
317  
318  <div class="views-field-field-ligne-1-cd-dvd-value">
319                <span class="field-content">1 CD Klarthe (2025)</span>
320  </div>
321  
322  <div class="views-field-field-ref-commerciale-value">
323                <span class="field-content">-&nbsp;KLA195</span>
324  </div>
325  
326  <div class="views-field-name">
327                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
328  </div>
329  
330  <div class="views-field-body">
331                <div class="field-content"><p>            Barbara Strozzi libertine ?... Assurément, si l&rsquo;on entend par là la Venise des Incogniti, des académies et de l&rsquo;opéra où grandit celle que ses contemporains nommèrent <em>virtuosissima cantatrice</em>. Et pourtant, Barbara Strozzi dévote,...</p></div>
332  </div>
333  
334  <div class="views-field-view-node">
335                <span class="field-content"><a href="/content/barbara-strozzi">voir</a><div class='spacer'>&nbsp;</div></span>
336  </div>
337  </div>
338  <div class="views-row views-row-4 views-row-even">
339      
340  <div class="views-field-field-titre-accueil-value">
341                <span class="field-content"><a href="/content/r%C3%A9cital-%C3%A9tienne-bazola-et-thomas-costille">Étienne Bazola chante Brahms et Schumann</a></span>
342  </div>
343  
344  <div class="views-field-field-ligne-1-cd-dvd-value">
345                <span class="field-content">1 CD Oktav Records (2026)</span>
346  </div>
347  
348  <div class="views-field-name">
349                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
350  </div>
351  
352  <div class="views-field-body">
353                <div class="field-content"><p>            Principalement dévoué au répertoire baroque français, Étienne Bazola, que nous avions apprécié en Grand Prêtre dans <em>Issé </em>de Destouches [lire <a href="https://www.anaclase.com/content/andr%C3%A9-cardinal-dit-destouches" target="_blank">notre...</a></p></div>
354  </div>
355  
356  <div class="views-field-view-node">
357                <span class="field-content"><a href="/content/r%C3%A9cital-%C3%A9tienne-bazola-et-thomas-costille">voir</a><div class='spacer'>&nbsp;</div></span>
358  </div>
359  </div>
360  <div class="views-row views-row-5 views-row-odd">
361      
362  <div class="views-field-field-titre-accueil-value">
363                <span class="field-content"><a href="/content/anton%C3%ADn-dvo%C5%99%C3%A1k-6">Antonín Dvořák par Raphaël Jouan et David Reiland</a></span>
364  </div>
365  
366  <div class="views-field-field-ligne-1-cd-dvd-value">
367                <span class="field-content">1 CD La Dolce Volta (2025)</span>
368  </div>
369  
370  <div class="views-field-field-ref-commerciale-value">
371                <span class="field-content">-&nbsp;LDV152</span>
372  </div>
373  
374  <div class="views-field-name">
375                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
376  </div>
377  
378  <div class="views-field-body">
379                <div class="field-content"><p>            Trois œuvres, un même destinataire : Hanuš Wihan (1855-1920), grand violoncelliste de Bohême auquel Antonín Dvořák dédia le <em>Rondo Op.94</em>, <em>Klid Op.68 n&deg;5</em> et son fameux <em>Concerto en si mineur Op.104</em>. Le soliste ne devait...</p></div>
380  </div>
381  
382  <div class="views-field-view-node">
383                <span class="field-content"><a href="/content/anton%C3%ADn-dvo%C5%99%C3%A1k-6">voir</a><div class='spacer'>&nbsp;</div></span>
384  </div>
385  </div>
386  <div class="views-row views-row-6 views-row-even">
387      
388  <div class="views-field-field-titre-accueil-value">
389                <span class="field-content"><a href="/content/joseph-kosma-0">Florilège Joseph Kosma</a></span>
390  </div>
391  
392  <div class="views-field-field-ligne-1-cd-dvd-value">
393                <span class="field-content">1 CD Hortus (2025)</span>
394  </div>
395  
396  <div class="views-field-field-ref-commerciale-value">
397                <span class="field-content">-&nbsp;835</span>
398  </div>
399  
400  <div class="views-field-name">
401                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
402  </div>
403  
404  <div class="views-field-body">
405                <div class="field-content"><p>            Troisième volume de la collection <em>Voix Étouffées</em>, consacrée aux musiciens frappés par les persécutions nazies [lire nos critiques des volumes <a href="https://www.anaclase.com/content/arnold-sch%C3%B6nberg-15" target="_blank">Schönberg</a> et...</p></div>
406  </div>
407  
408  <div class="views-field-view-node">
409                <span class="field-content"><a href="/content/joseph-kosma-0">voir</a><div class='spacer'>&nbsp;</div></span>
410  </div>
411  </div>
412  <div class="views-row views-row-7 views-row-odd">
413      
414  <div class="views-field-field-titre-accueil-value">
415                <span class="field-content"><a href="/content/isang-yun-2">L’œuvre pour violon d’Isang Yun</a></span>
416  </div>
417  
418  <div class="views-field-field-ligne-1-cd-dvd-value">
419                <span class="field-content">1 CD Kairos (2024)</span>
420  </div>
421  
422  <div class="views-field-field-ref-commerciale-value">
423                <span class="field-content">-&nbsp;0022045 KAI</span>
424  </div>
425  
426  <div class="views-field-name">
427                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
428  </div>
429  
430  <div class="views-field-body">
431                <div class="field-content"><p>            Réunir l&rsquo;intégrale des œuvres pour violon seul et pour violon et piano d&rsquo;Isang Yun (1917-1995) permet de parcourir près de trois décennies (1963-1991) d&rsquo;une création où Orient et Occident cessent progressivement de constituer deux pôles...</p></div>
432  </div>
433  
434  <div class="views-field-view-node">
435                <span class="field-content"><a href="/content/isang-yun-2">voir</a><div class='spacer'>&nbsp;</div></span>
436  </div>
437  </div>
438  <div class="views-row views-row-8 views-row-even">
439      
440  <div class="views-field-field-titre-accueil-value">
441                <span class="field-content"><a href="/content/johann-michel">Interpréter, c’est jouer, de Johann Michel</a></span>
442  </div>
443  
444  <div class="views-field-field-ligne-1-cd-dvd-value">
445                <span class="field-content">Les Éditions de Minuit (2026) 224 pages</span>
446  </div>
447  
448  <div class="views-field-field-ref-commerciale-value">
449                <span class="field-content">-&nbsp;ISBN 978-2-7073-5805-9</span>
450  </div>
451  
452  <div class="views-field-name">
453                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
454  </div>
455  
456  <div class="views-field-body">
457                <div class="field-content"><p>            Que faisons-nous lorsque nous interprétons une musique ? Nous la déchiffrons, nous la jouons, nous l&rsquo;écoutons. De cette évidence, Johann Michel tire l&rsquo;architecture, aussi rigoureuse que limpide, d&rsquo;<em>Interpréter, c&rsquo;est jouer...</em></p></div>
458  </div>
459  
460  <div class="views-field-view-node">
461                <span class="field-content"><a href="/content/johann-michel">voir</a><div class='spacer'>&nbsp;</div></span>
462  </div>
463  </div>
464  <div class="views-row views-row-9 views-row-odd">
465      
466  <div class="views-field-field-titre-accueil-value">
467                <span class="field-content"><a href="/content/antonio-hern%C3%A1ndez-moreno">Trente castagnettes pour Londres</a></span>
468  </div>
469  
470  <div class="views-field-field-ligne-1-cd-dvd-value">
471                <span class="field-content">Antonio Hernández Moreno (2018) 328 pages</span>
472  </div>
473  
474  <div class="views-field-field-ref-commerciale-value">
475                <span class="field-content">-&nbsp;ISBN 978-84-09-12956-0</span>
476  </div>
477  
478  <div class="views-field-name">
479                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
480  </div>
481  
482  <div class="views-field-body">
483                <div class="field-content"><p>            En 1917, les Ballets Russes se produisent en Espagne. C&rsquo;est là que la troupe intègre le jeune Felix Fernández Gonzalez (1903-1941), rebaptisé Félix García par Serge Diaghilev, dont Antonio Hernández Moreno a souhaité raconter la véritable histoire...</p></div>
484  </div>
485  
486  <div class="views-field-view-node">
487                <span class="field-content"><a href="/content/antonio-hern%C3%A1ndez-moreno">voir</a><div class='spacer'>&nbsp;</div></span>
488  </div>
489  </div>
490  <div class="views-row views-row-10 views-row-even">
491      
492  <div class="views-field-field-titre-accueil-value">
493                <span class="field-content"><a href="/content/isabelle-peretz">Soigner avec la musique</a></span>
494  </div>
495  
496  <div class="views-field-field-ligne-1-cd-dvd-value">
497                <span class="field-content">Odile Jacob (2026) 174 pages</span>
498  </div>
499  
500  <div class="views-field-field-ref-commerciale-value">
501                <span class="field-content">-&nbsp;ISBN 978-2-4150-1489-6</span>
502  </div>
503  
504  <div class="views-field-name">
505                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
506  </div>
507  
508  <div class="views-field-body">
509                <div class="field-content"><p>            Avec <em>Soigner avec la musique</em>, Isabelle Peretz, figure reconnue des neurosciences en matière de musique, entend montrer combien les recherches récentes éclairent les effets de la pratique et de l&rsquo;écoute musicales sur notre organisme. Aussi...</p></div>
510  </div>
511  
512  <div class="views-field-view-node">
513                <span class="field-content"><a href="/content/isabelle-peretz">voir</a><div class='spacer'>&nbsp;</div></span>
514  </div>
515  </div>
516  <div class="views-row views-row-11 views-row-odd">
517      
518  <div class="views-field-field-titre-accueil-value">
519                <span class="field-content"><a href="/content/andr%C3%A9-suar%C3%A8s">Debussy</a></span>
520  </div>
521  
522  <div class="views-field-field-ligne-1-cd-dvd-value">
523                <span class="field-content">Le Condottière (2026) 198 pages</span>
524  </div>
525  
526  <div class="views-field-field-ref-commerciale-value">
527                <span class="field-content">-&nbsp;ISBN 978-2-48746-857-3</span>
528  </div>
529  
530  <div class="views-field-name">
531                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
532  </div>
533  
534  <div class="views-field-body">
535                <div class="field-content"><p>            Musicienne, musicologue et chercheuse ayant signé une thèse intitulée <em>Émergence de la figure historique de Claude Debussy dans la presse et la littérature de son temps</em>, Émilie de Fautereau Vassel se révèle une plume idéale pour préfacer l&rsquo;...</p></div>
536  </div>
537  
538  <div class="views-field-view-node">
539                <span class="field-content"><a href="/content/andr%C3%A9-suar%C3%A8s">voir</a><div class='spacer'>&nbsp;</div></span>
540  </div>
541  </div>
542  <div class="views-row views-row-12 views-row-even">
543      
544  <div class="views-field-field-titre-accueil-value">
545                <span class="field-content"><a href="/content/r%C3%A9cital-quatuor-herm%C3%A8s">récital Quatuor Hermès</a></span>
546  </div>
547  
548  <div class="views-field-field-ligne-1-cd-dvd-value">
549                <span class="field-content">1 CD La Dolce Volta (2026)</span>
550  </div>
551  
552  <div class="views-field-field-ref-commerciale-value">
553                <span class="field-content">-&nbsp;LDV 134</span>
554  </div>
555  
556  <div class="views-field-name">
557                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
558  </div>
559  
560  <div class="views-field-body">
561                <div class="field-content"><p>            Née en 2008, entre les murs du CNSMD de Lyon, la formation initiale du Quatuor Hermès étudie avec les membres du Quatuor Ravel, puis avec les Ysaÿe, les Artemis, etc. Au disque, chez La Dolce Volta, on a pu l&rsquo;entendre jouer les compositeurs...</p></div>
562  </div>
563  
564  <div class="views-field-view-node">
565                <span class="field-content"><a href="/content/r%C3%A9cital-quatuor-herm%C3%A8s">voir</a><div class='spacer'>&nbsp;</div></span>
566  </div>
567  </div>
568  <div class="views-row views-row-13 views-row-odd">
569      
570  <div class="views-field-field-titre-accueil-value">
571                <span class="field-content"><a href="/content/r%C3%A9cital-trio-pantoum">récital Trio Pantoum</a></span>
572  </div>
573  
574  <div class="views-field-field-ligne-1-cd-dvd-value">
575                <span class="field-content">1 CD La Dolce Volta (2025)</span>
576  </div>
577  
578  <div class="views-field-field-ref-commerciale-value">
579                <span class="field-content">-&nbsp;LDV 145</span>
580  </div>
581  
582  <div class="views-field-name">
583                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
584  </div>
585  
586  <div class="views-field-body">
587                <div class="field-content"><p>            Fondé en 2016 au CNSMD de Paris, le Trio Pantoum a construit son identité en s&rsquo;imprégnant de la tradition viennoise (Haydn, Mozart et Beethoven) sans renoncer à explorer des univers plus récents, comme en témoigne leur premier enregistrement qui...</p></div>
588  </div>
589  
590  <div class="views-field-view-node">
591                <span class="field-content"><a href="/content/r%C3%A9cital-trio-pantoum">voir</a><div class='spacer'>&nbsp;</div></span>
592  </div>
593  </div>
594  <div class="views-row views-row-14 views-row-even">
595      
596  <div class="views-field-field-titre-accueil-value">
597                <span class="field-content"><a href="/content/christian-wasselin-1">Alban Berg, une biographie fantastique</a></span>
598  </div>
599  
600  <div class="views-field-field-ligne-1-cd-dvd-value">
601                <span class="field-content">Le Condottiere (2025) 450 pages</span>
602  </div>
603  
604  <div class="views-field-field-ref-commerciale-value">
605                <span class="field-content">-&nbsp;ISBN 978-2-48746-853-5</span>
606  </div>
607  
608  <div class="views-field-name">
609                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
610  </div>
611  
612  <div class="views-field-body">
613                <div class="field-content"><p>            On le sait, Christian Wasselin affectionne les compositeurs nés au XIXe siècle : Berlioz &ndash; son préféré &ndash;, mais aussi Mahler, Satie [lire <a href="https://www.anaclase.com/content/christian-wasselin-0" target="_blank">notre critique</a> de l...</p></div>
614  </div>
615  
616  <div class="views-field-view-node">
617                <span class="field-content"><a href="/content/christian-wasselin-1">voir</a><div class='spacer'>&nbsp;</div></span>
618  </div>
619  </div>
620  <div class="views-row views-row-15 views-row-odd">
621      
622  <div class="views-field-field-titre-accueil-value">
623                <span class="field-content"><a href="/content/ouvrage-collectif-39">musique |  images | instruments : le vin et la musique</a></span>
624  </div>
625  
626  <div class="views-field-field-ligne-1-cd-dvd-value">
627                <span class="field-content">Revue française d’organologie et d’iconographie musicale, CNRS Éditions (2024) 294 pages</span>
628  </div>
629  
630  <div class="views-field-field-ref-commerciale-value">
631                <span class="field-content">-&nbsp;ISBN 978-2-271-14987-9</span>
632  </div>
633  
634  <div class="views-field-name">
635                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
636  </div>
637  
638  <div class="views-field-body">
639                <div class="field-content"><p>            Dans le sillage des livraisons thématiques qui, depuis plusieurs années, font de la <em>Revue française d&rsquo;organologie et d&rsquo;iconographie musicale</em>, éditée par le CNRS, un lieu d&rsquo;exploration à la fois rigoureux et ouvert, ce numéro 19...</p></div>
640  </div>
641  
642  <div class="views-field-view-node">
643                <span class="field-content"><a href="/content/ouvrage-collectif-39">voir</a><div class='spacer'>&nbsp;</div></span>
644  </div>
645  </div>
646  <div class="views-row views-row-16 views-row-even">
647      
648  <div class="views-field-field-titre-accueil-value">
649                <span class="field-content"><a href="/content/r%C3%A9cital-l%E2%80%99escadron-volant-de-la-reine">récital L’Escadron volant de la Reine</a></span>
650  </div>
651  
652  <div class="views-field-field-ligne-1-cd-dvd-value">
653                <span class="field-content">1 CD Mirare (2026)</span>
654  </div>
655  
656  <div class="views-field-field-ref-commerciale-value">
657                <span class="field-content">-&nbsp;MIR 802</span>
658  </div>
659  
660  <div class="views-field-name">
661                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
662  </div>
663  
664  <div class="views-field-body">
665                <div class="field-content"><p>            L&rsquo;aventure discographique a parfois d&rsquo;heureuses audaces. Tel est le cas de ce nouvel enregistrement, qu&rsquo;accompagne admirablement un essai de Patrick Barbier, de L&rsquo;Escadron volant de la Reine : y sont imaginées les funérailles de...</p></div>
666  </div>
667  
668  <div class="views-field-view-node">
669                <span class="field-content"><a href="/content/r%C3%A9cital-l%E2%80%99escadron-volant-de-la-reine">voir</a><div class='spacer'>&nbsp;</div></span>
670  </div>
671  </div>
672  <div class="views-row views-row-17 views-row-odd">
673      
674  <div class="views-field-field-titre-accueil-value">
675                <span class="field-content"><a href="/content/ouvrage-collectif-38">Théâtre musical […] dans l’œuvre de Péter Eötvös</a></span>
676  </div>
677  
678  <div class="views-field-field-ligne-1-cd-dvd-value">
679                <span class="field-content">L’Harmattan (2025) 360 pages</span>
680  </div>
681  
682  <div class="views-field-field-ref-commerciale-value">
683                <span class="field-content">-&nbsp;ISBN 978-2-336-55493-8</span>
684  </div>
685  
686  <div class="views-field-name">
687                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
688  </div>
689  
690  <div class="views-field-body">
691                <div class="field-content"><p>            Les 12 et 13 janvier 2024, à l&rsquo;occasion des quatre-vingts ans de Péter Eötvös (1944-2024), un colloque s&rsquo;est tenu sur son œuvre dans notre capitale &ndash; et plus précisément à l&rsquo;IRCAM, puisque l&rsquo;Institut Liszt (Centre culturel...</p></div>
692  </div>
693  
694  <div class="views-field-view-node">
695                <span class="field-content"><a href="/content/ouvrage-collectif-38">voir</a><div class='spacer'>&nbsp;</div></span>
696  </div>
697  </div>
698  <div class="views-row views-row-18 views-row-even">
699      
700  <div class="views-field-field-titre-accueil-value">
701                <span class="field-content"><a href="/content/julien-gominet-brun">L’Harmonie universelle de Marin Mersenne</a></span>
702  </div>
703  
704  <div class="views-field-field-ligne-1-cd-dvd-value">
705                <span class="field-content">Honoré Champion Éditeur (2025) 524 pages</span>
706  </div>
707  
708  <div class="views-field-field-ref-commerciale-value">
709                <span class="field-content">-&nbsp;ISBN 978-2-7453-6457-9</span>
710  </div>
711  
712  <div class="views-field-name">
713                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
714  </div>
715  
716  <div class="views-field-body">
717                <div class="field-content"><p>            Dans <em>L&rsquo;Harmonie universelle de Marin Mersenne. Musique et littérature au XVIIe siècle</em>, Julien Gominet-Brun propose une lecture dense et éclairante d&rsquo;un monument intellectuel de l&rsquo;âge baroque. Agrégé de lettres modernes et...</p></div>
718  </div>
719  
720  <div class="views-field-view-node">
721                <span class="field-content"><a href="/content/julien-gominet-brun">voir</a><div class='spacer'>&nbsp;</div></span>
722  </div>
723  </div>
724  <div class="views-row views-row-19 views-row-odd">
725      
726  <div class="views-field-field-titre-accueil-value">
727                <span class="field-content"><a href="/content/elsa-barraine">Elsa Barraine | œuvres avec orgue</a></span>
728  </div>
729  
730  <div class="views-field-field-ligne-1-cd-dvd-value">
731                <span class="field-content">1 CD Tempéraments/Radio France (2025)</span>
732  </div>
733  
734  <div class="views-field-field-ref-commerciale-value">
735                <span class="field-content">-&nbsp;TEM 316076/DDD</span>
736  </div>
737  
738  <div class="views-field-name">
739                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
740  </div>
741  
742  <div class="views-field-body">
743                <div class="field-content"><p>            Improprement appelé <em>Livre des morts tibétain</em>, le <em>Bardo Thödol</em> n&rsquo;est pas un traité décrivant l&rsquo;au-delà. Il constitue d&rsquo;abord une expérience d&rsquo;écoute. Pendant les quarante-neuf jours qui suivent la mort, un moine...</p></div>
744  </div>
745  
746  <div class="views-field-view-node">
747                <span class="field-content"><a href="/content/elsa-barraine">voir</a><div class='spacer'>&nbsp;</div></span>
748  </div>
749  </div>
750  <div class="views-row views-row-20 views-row-even">
751      
752  <div class="views-field-field-titre-accueil-value">
753                <span class="field-content"><a href="/content/henri%C3%ABtte-bosmans-0">Henriëtte Bosmans | musique de chambre</a></span>
754  </div>
755  
756  <div class="views-field-field-ligne-1-cd-dvd-value">
757                <span class="field-content">1 CD Hortus (2025)</span>
758  </div>
759  
760  <div class="views-field-field-ref-commerciale-value">
761                <span class="field-content">-&nbsp;834</span>
762  </div>
763  
764  <div class="views-field-name">
765                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
766  </div>
767  
768  <div class="views-field-body">
769                <div class="field-content"><p>            La redécouverte des compositrices du premier XXe siècle ne saurait relever d&rsquo;un simple réflexe réparateur ; encore faut-il que les œuvres retrouvent, par elles-mêmes, le chemin de l&rsquo;écoute. Deuxième volume de la collection <em>Voix étouffées...</em></p></div>
770  </div>
771  
772  <div class="views-field-view-node">
773                <span class="field-content"><a href="/content/henri%C3%ABtte-bosmans-0">voir</a><div class='spacer'>&nbsp;</div></span>
774  </div>
775  </div>
776  <div class="views-row views-row-21 views-row-odd">
777      
778  <div class="views-field-field-titre-accueil-value">
779                <span class="field-content"><a href="/content/thomas-mann">Souffrances et grandeur de Richard Wagner</a></span>
780  </div>
781  
782  <div class="views-field-field-ligne-1-cd-dvd-value">
783                <span class="field-content">Omnia Poche / Éditions Bartillat (2026) 120 pages</span>
784  </div>
785  
786  <div class="views-field-field-ref-commerciale-value">
787                <span class="field-content">-&nbsp;ISBN 978-2-84100-801-8</span>
788  </div>
789  
790  <div class="views-field-name">
791                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
792  </div>
793  
794  <div class="views-field-body">
795                <div class="field-content"><p>            La réédition de <em>Souffrances et grandeur de Richard Wagner</em> de Thomas Mann, accompagnée d&rsquo;une préface très éclairante de Stéphane Pesnel (germaniste et normalien), offre l&rsquo;occasion de redécouvrir un texte aussi fascinant par son propos...</p></div>
796  </div>
797  
798  <div class="views-field-view-node">
799                <span class="field-content"><a href="/content/thomas-mann">voir</a><div class='spacer'>&nbsp;</div></span>
800  </div>
801  </div>
802  <div class="views-row views-row-22 views-row-even">
803      
804  <div class="views-field-field-titre-accueil-value">
805                <span class="field-content"><a href="/content/bernard-de-vienne">Bernard de Vienne | Le principe d’incertitude</a></span>
806  </div>
807  
808  <div class="views-field-field-ligne-1-cd-dvd-value">
809                <span class="field-content">Éditions Delatour (2023) 306 pages</span>
810  </div>
811  
812  <div class="views-field-field-ref-commerciale-value">
813                <span class="field-content">-&nbsp;ISBN 978-2-7521-0-462-5</span>
814  </div>
815  
816  <div class="views-field-name">
817                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
818  </div>
819  
820  <div class="views-field-body">
821                <div class="field-content"><p>            Avec <em>Le principe d&rsquo;incertitude &ndash; Écrits sur l&rsquo;art</em>, le compositeur Bernard de Vienne rassemble un ensemble de textes consacrés à la musique, mais aussi à la peinture et aux conditions de la création artistique. Rédigés entre...</p></div>
822  </div>
823  
824  <div class="views-field-view-node">
825                <span class="field-content"><a href="/content/bernard-de-vienne">voir</a><div class='spacer'>&nbsp;</div></span>
826  </div>
827  </div>
828  <div class="views-row views-row-23 views-row-odd">
829      
830  <div class="views-field-field-titre-accueil-value">
831                <span class="field-content"><a href="/content/pascal-decroupet-0">John Cage – Sonates et Interludes</a></span>
832  </div>
833  
834  <div class="views-field-field-ligne-1-cd-dvd-value">
835                <span class="field-content">Éditions Contrechamps (2025) 398 pages</span>
836  </div>
837  
838  <div class="views-field-field-ref-commerciale-value">
839                <span class="field-content">-&nbsp;ISBN 978-2-940068-78-4</span>
840  </div>
841  
842  <div class="views-field-name">
843                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
844  </div>
845  
846  <div class="views-field-body">
847                <div class="field-content"><p>            Au début des années trente, John Cage (1912-1992) étude avec Arnold Schönberg, Adolph Weiss et Henry Cowell &ndash; respectivement le contrepoint, l&rsquo;harmonie et le rythme &ndash;, partagé entre la tradition européenne et celle de son pays. Le choix...</p></div>
848  </div>
849  
850  <div class="views-field-view-node">
851                <span class="field-content"><a href="/content/pascal-decroupet-0">voir</a><div class='spacer'>&nbsp;</div></span>
852  </div>
853  </div>
854  <div class="views-row views-row-24 views-row-even">
855      
856  <div class="views-field-field-titre-accueil-value">
857                <span class="field-content"><a href="/content/jean-luc-nancy">À la musique</a></span>
858  </div>
859  
860  <div class="views-field-field-ligne-1-cd-dvd-value">
861                <span class="field-content">Éditions Philharmonie de Paris (2025) 272 pages</span>
862  </div>
863  
864  <div class="views-field-field-ref-commerciale-value">
865                <span class="field-content">-&nbsp;ISBN 979-10-94642-86-3</span>
866  </div>
867  
868  <div class="views-field-name">
869                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
870  </div>
871  
872  <div class="views-field-body">
873                <div class="field-content"><p>            Publié par les Éditions de la Philharmonie, <em>À la musique</em> rassemble un ensemble de textes par lesquels Jean-Luc Nancy n&rsquo;a cessé, pendant près de trente années, de s&rsquo;exposer à cet art et à ce qu&rsquo;à la pensée il fait. L&rsquo;...</p></div>
874  </div>
875  
876  <div class="views-field-view-node">
877                <span class="field-content"><a href="/content/jean-luc-nancy">voir</a><div class='spacer'>&nbsp;</div></span>
878  </div>
879  </div>
880  <div class="views-row views-row-25 views-row-odd">
881      
882  <div class="views-field-field-titre-accueil-value">
883                <span class="field-content"><a href="/content/arnold-sch%C3%B6nberg-15">Arnold Schönberg | réductions chambristes</a></span>
884  </div>
885  
886  <div class="views-field-field-ligne-1-cd-dvd-value">
887                <span class="field-content">1 CD Hortus (2024)</span>
888  </div>
889  
890  <div class="views-field-field-ref-commerciale-value">
891                <span class="field-content">-&nbsp;833</span>
892  </div>
893  
894  <div class="views-field-name">
895                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
896  </div>
897  
898  <div class="views-field-body">
899                <div class="field-content"><p>            Il est peu de compositeurs qui aient autant souffert des caricatures qu&rsquo;Arnold Schönberg. Pour beaucoup, son nom demeure associé à l&r
899squo;atonalité mal comprise, à la série dodécaphonique, encore bien mystérieuse pour certains esprits, et à une...</p></div>
900  </div>
901  
902  <div class="views-field-view-node">
903                <span class="field-content"><a href="/content/arnold-sch%C3%B6nberg-15">voir</a><div class='spacer'>&nbsp;</div></span>
904  </div>
905  </div>
906  <div class="views-row views-row-26 views-row-even">
907      
908  <div class="views-field-field-titre-accueil-value">
909                <span class="field-content"><a href="/content/r%C3%A9cital-kirill-zvegintsov-0">récital Kirill Zvegintsov (piano)</a></span>
910  </div>
911  
912  <div class="views-field-field-ligne-1-cd-dvd-value">
913                <span class="field-content">1 CD WERGO (2025)</span>
914  </div>
915  
916  <div class="views-field-field-ref-commerciale-value">
917                <span class="field-content">-&nbsp;WER 7413 2</span>
918  </div>
919  
920  <div class="views-field-name">
921                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
922  </div>
923  
924  <div class="views-field-body">
925                <div class="field-content"><p>            Il est des disques qui ressemblent à des programmes de concert soigneusement construits ; d&rsquo;autres s&rsquo;apparentent davantage à de secrètes cartes de relations humaines : <em>Lebenslinien</em> appartient assurément à cette seconde catégorie. Né...</p></div>
926  </div>
927  
928  <div class="views-field-view-node">
929                <span class="field-content"><a href="/content/r%C3%A9cital-kirill-zvegintsov-0">voir</a><div class='spacer'>&nbsp;</div></span>
930  </div>
931  </div>
932  <div class="views-row views-row-27 views-row-odd">
933      
934  <div class="views-field-field-titre-accueil-value">
935                <span class="field-content"><a href="/content/ornella-volta">Erik Satie en notes et en mots</a></span>
936  </div>
937  
938  <div class="views-field-field-ligne-1-cd-dvd-value">
939                <span class="field-content">Les presses du réel (2025) 624 pages</span>
940  </div>
941  
942  <div class="views-field-field-ref-commerciale-value">
943                <span class="field-content">-&nbsp;ISBN 978-2-84066-753-7</span>
944  </div>
945  
946  <div class="views-field-name">
947                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
948  </div>
949  
950  <div class="views-field-body">
951                <div class="field-content"><p>            Dans les années soixante, loin de l&rsquo;Italie provinciale et petite-bourgeoise de l&rsquo;
951après-guerre, Ornella Volta (1927-2020) mène des entretiens d&rsquo;artistes à Paris, tandis que son mari Pablo prend des photos de ces rencontres. Outre Le...</p></div>
952  </div>
953  
954  <div class="views-field-view-node">
955                <span class="field-content"><a href="/content/ornella-volta">voir</a><div class='spacer'>&nbsp;</div></span>
956  </div>
957  </div>
958  <div class="views-row views-row-28 views-row-even">
959      
960  <div class="views-field-field-titre-accueil-value">
961                <span class="field-content"><a href="/content/alain-galliari-4">Catalogue de l’œuvre de Pierre Boulez</a></span>
962  </div>
963  
964  <div class="views-field-field-ligne-1-cd-dvd-value">
965                <span class="field-content">Éditions Philharmonie de Paris (2025) 396 pages</span>
966  </div>
967  
968  <div class="views-field-field-ref-commerciale-value">
969                <span class="field-content">-&nbsp;ISBN 979-10-94642-80-1</span>
970  </div>
971  
972  <div class="views-field-name">
973                <span class="field-content"><a href="/objet_sonore/6">pages de chevet</a></span>
974  </div>
975  
976  <div class="views-field-body">
977                <div class="field-content"><p>            Une année &ndash; toute une année, rien qu&rsquo;une année pour fêter celui qui marqua tant son temps, et dont le parcours plus qu&rsquo;aucun autre a ponctué notre propre chemin dans l&rsquo;abord du rivage contemporain de la musique&hellip; Il y a près...</p></div>
978  </div>
979  
980  <div class="views-field-view-node">
981                <span class="field-content"><a href="/content/alain-galliari-4">voir</a><div class='spacer'>&nbsp;</div></span>
982  </div>
983  </div>
984  <div class="views-row views-row-29 views-row-odd">
985      
986  <div class="views-field-field-titre-accueil-value">
987                <span class="field-content"><a href="/content/jean-paul-dessy-0">Jean-Paul Dessy | pièces pour cordes</a></span>
988  </div>
989  
990  <div class="views-field-field-ligne-1-cd-dvd-value">
991                <span class="field-content">1 CD Cypres (2025)</span>
992  </div>
993  
994  <div class="views-field-field-ref-commerciale-value">
995                <span class="field-content">-&nbsp;CYP 4669</span>
996  </div>
997  
998  <div class="views-field-name">
999                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
1000  </div>
1001  
1002  <div class="views-field-body">
1003                <div class="field-content"><p>            Le Quatuor Tana poursuit son compagnonnage avec Jean-Paul Dessy (né en 1963) dans ce CD enregistré à Mons à la fin de l&rsquo;année 2024. S&rsquo;y trouvent réunies trois œuvres écrites sur près d&rsquo;un quart de siècle. Cette fidélité artistique,...</p></div>
1004  </div>
1005  
1006  <div class="views-field-view-node">
1007                <span class="field-content"><a href="/content/jean-paul-dessy-0">voir</a><div class='spacer'>&nbsp;</div></span>
1008  </div>
1009  </div>
1010  <div class="views-row views-row-30 views-row-even views-row-last">
1011      
1012  <div class="views-field-field-titre-accueil-value">
1013                <span class="field-content"><a href="/content/john-cage-5">John Cage | pièces variées</a></span>
1014  </div>
1015  
1016  <div class="views-field-field-ligne-1-cd-dvd-value">
1017                <span class="field-content">1 CD Métier (2025)</span>
1018  </div>
1019  
1020  <div class="views-field-field-ref-commerciale-value">
1021                <span class="field-content">-&nbsp;mex 77124</span>
1022  </div>
1023  
1024  <div class="views-field-name">
1025                <span class="field-content"><a href="/objet_sonore/8">CD</a></span>
1026  </div>
1027  
1028  <div class="views-field-body">
1029                <div class="field-content"><p>            Avec près de trois cents pièces à son catalogue &ndash; écrites de 1932 à 1992, année de sa disparition &ndash;, John Cage offre plus d&rsquo;une possibilité à ses aficionados pour construire un programme musical original. C&rsquo;est le cas de celui que...</p></div>
1030  </div>
1031  
1032  <div class="views-field-view-node">
1033                <span class="field-content"><a href="/content/john-cage-5">voir</a><div class='spacer'>&nbsp;</div></span>
1034  </div>
1035  </div>
1036    </div>
1037  
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1041  
1042  
1043</div>                             </div>
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