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128		<a href="/" title="TheatreVoice" >
129			<img src="https://www.theatrevoice.com/content/themes/a7/library/images/logo-theatrevoice.svg" width="160" height="120" alt="TheatreVoice | the web&#039;s leading resource for audio about British theatre" />
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131        <div class="strapline">the web's leading audio resource for British Theatre</div>
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136<li id="menu-item-11154" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-11154 menu-item-about-us"><a href="https://www.theatrevoice.com/about-us/">About Us</a></li>
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176	<h1>
177		Audio		
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196	
197		 
198		<select name="audio-category-filter" id="audio-category-filter" class="audio-search-filter"> 
199							<option></option>
200				<option  value="/audio-categories/18th-century-drama/">18th-Century Drama - 3</option>
201							<option></option>
202				<option  value="/audio-categories/1920s-drama/">1920s Drama - 1</option>
203							<option></option>
204				<option  value="/audio-categories/1930s-drama/">1930s Drama - 4</option>
205							<option></option>
206				<option  value="/audio-categories/1950s-drama/">1950s Drama - 23</option>
207							<option></option>
208				<option  value="/audio-categories/1960s-drama/">1960s Drama - 16</option>
209							<option></option>
210				<option  value="/audio-categories/1970s-drama/">1970s Drama - 15</option>
211							<option></option>
212				<option  value="/audio-categories/1980s-drama/">1980s Drama - 1</option>
213							<option></option>
214				<option  value="/audio-categories/19th-century-drama/">19th-Century Drama - 15</option>
215							<option></option>
216				<option  value="/audio-categories/20th-century-drama/">20th-Century Drama - 80</option>
217							<option></option>
218				<option  value="/audio-categories/21st-century-drama/">21st-Century Drama - 9</option>
219							<option></option>
220				<option  value="/audio-categories/accessibility/">Accessibility - 1</option>
221							<option></option>
222				<option  value="/audio-categories/actors-and-performers/">Actors and Performers - 264</option>
223							<option></option>
224				<option  value="/audio-categories/adaptation-2/">Adaptation - 38</option>
225							<option></option>
226				<option  value="/audio-categories/american-drama/">American Drama - 87</option>
227							<option></option>
228				<option  value="/audio-categories/architecture/">Architecture - 1</option>
229							<option></option>
230				<option  value="/audio-categories/artificial-intelligence/">Artificial Intelligence - 1</option>
231							<option></option>
232				<option  value="/audio-categories/artistic-director/">Artistic Director - 6</option>
233							<option></option>
234				<option  value="/audio-categories/asian-voices/">Asian Voices - 85</option>
235							<option></option>
236				<option  value="/audio-categories/audiences/">Audiences - 1</option>
237							<option></option>
238				<option  value="/audio-categories/awards-audio/">Awards - 15</option>
239							<option></option>
240				<option  value="/audio-categories/backstage-2/">Backstage - 7</option>
241							<option></option>
242				<option  value="/audio-categories/ballet/">Ballet - 1</option>
243							<option></option>
244				<option  value="/audio-categories/black-voices/">Black Voices - 67</option>
245							<option></option>
246				<option  value="/audio-categories/books/">Books - 76</option>
247							<option></option>
248				<option  value="/audio-categories/bridge-theatre/">Bridge Theatre - 2</option>
249							<option></option>
250				<option  value="/audio-categories/childrens-theatre/">Children's Theatre - 26</option>
251							<option></option>
252				<option  value="/audio-categories/choreography/">Choreography - 2</option>
253							<option></option>
254				<option  value="/audio-categories/climate-crisis/">Climate Crisis - 2</option>
255							<option></option>
256				<option  value="/audio-categories/collaboration/">Collaboration - 3</option>
257							<option></option>
258				<option  value="/audio-categories/comedy-audio/">Comedy - 42</option>
259							<option></option>
260				<option  value="/audio-categories/community-theatre-2/">Community Theatre - 13</option>
261							<option></option>
262				<option  value="/audio-categories/composers/">Composers - 2</option>
263							<option></option>
264				<option  value="/audio-categories/composing/">Composing - 2</option>
265							<option></option>
266				<option  value="/audio-categories/consent/">Consent - 1</option>
267							<option></option>
268				<option  value="/audio-categories/conservation/">Conservation - 1</option>
269							<option></option>
270				<option  value="/audio-categories/costume-design/">Costume design - 1</option>
271							<option></option>
272				<option  value="/audio-categories/costumes/">Costumes - 11</option>
273							<option></option>
274				<option  value="/audio-categories/criticism-audio/">Criticism - 48</option>
275							<option></option>
276				<option  value="/audio-categories/cultural-heritage/">Cultural heritage - 1</option>
277							<option></option>
278				<option  value="/audio-categories/dance-2/">Dance - 16</option>
279							<option></option>
280				<option  value="/audio-categories/data/">Data - 1</option>
281							<option></option>
282				<option  value="/audio-categories/design-audio/">Design - 49</option>
283							<option></option>
284				<option  value="/audio-categories/design-development/">Design development - 1</option>
285							<option></option>
286				<option  value="/audio-categories/devised-theatre-2/">Devised Theatre - 10</option>
287							<option></option>
288				<option  value="/audio-categories/digital-theatre-audio/">Digital Theatre - 10</option>
289							<option></option>
290				<option  value="/audio-categories/directors/">Directors - 479</option>
291							<option></option>
292				<option  value="/audio-categories/disability/">Disability - 1</option>
293							<option></option>
294				<option  value="/audio-categories/disability-arts/">Disability Arts - 7</option>
295							<option></option>
296				<option  value="/audio-categories/discrimination/">Discrimination - 1</option>
297							<option></option>
298				<option  value="/audio-categories/disney/">Disney - 1</option>
299							<option></option>
300				<option  value="/audio-categories/diversity/">Diversity - 2</option>
301							<option></option>
302				<option  value="/audio-categories/donmar-warehouse/">Donmar Warehouse - 1</option>
303							<option></option>
304				<option  value="/audio-categories/dramaturgy/">Dramaturgy - 2</option>
305							<option></option>
306				<option  value="/audio-categories/edinburgh-festival-fringe/">Edinburgh Festival and Fringe - 90</option>
307							<option></option>
308				<option  value="/audio-categories/education-2/">Education - 6</option>
309							<option></option>
310				<option  value="/audio-categories/egot/">EGOT - 1</option>
311							<option></option>
312				<option  value="/audio-categories/elvis/">Elvis - 1</option>
313							<option></option>
314				<option  value="/audio-categories/european-theatre/">European Theatre - 28</option>
315							<option></option>
316				<option  value="/audio-categories/experimental/">Experimental - 1</option>
317							<option></option>
318				<option  value="/audio-categories/experimental-theatre/">Experimental Theatre - 6</option>
319							<option></option>
320				<option  value="/audio-categories/family-entertainmnent/">Family entertainmnent - 1</option>
321							<option></option>
322				<option  value="/audio-categories/farce-2/">Farce - 3</option>
323							<option></option>
324				<option  value="/audio-categories/feminism-audio/">Feminism - 42</option>
325							<option></option>
326				<option  value="/audio-categories/festivals/">Festivals - 5</option>
327							<option></option>
328				<option  value="/audio-categories/film-production/">Film production - 1</option>
329							<option></option>
330				<option  value="/audio-categories/frank-matcham/">Frank Matcham - 1</option>
331							<option></option>
332				<option  value="/audio-categories/freelance/">Freelance - 1</option>
333							<option></option>
334				<option  value="/audio-categories/funding-2/">Funding - 14</option>
335							<option></option>
336				<option  value="/audio-categories/gay-drama/">Gay Drama - 8</option>
337							<option></option>
338				<option  value="/audio-categories/graeae-theatre-company/">Graeae Theatre Company - 1</option>
339							<option></option>
340				<option  value="/audio-categories/greek-drama/">Greek Drama - 14</option>
341							<option></option>
342				<option  value="/audio-categories/historical-drama/">Historical Drama - 12</option>
343							<option></option>
344				<option  value="/audio-categories/immersive-theatre/">Immersive Theatre - 5</option>
345							<option></option>
346				<option  value="/audio-categories/international-audio/">International - 162</option>
347							<option></option>
348				<option  value="/audio-categories/intimacy/">Intimacy - 1</option>
349							<option></option>
350				<option  value="/audio-categories/intimacy-coordinator/">Intimacy coordinator - 1</option>
351							<option></option>
352				<option  value="/audio-categories/irish-drama/">Irish Drama - 31</option>
353							<option></option>
354				<option  value="/audio-categories/kiln-theatre/">Kiln Theatre - 1</option>
355							<option></option>
356				<option  value="/audio-categories/lighting/">Lighting - 1</option>
357							<option></option>
358				<option  value="/audio-categories/lighting-design/">Lighting Design - 2</option>
359							<option></option>
360				<option  value="/audio-categories/live-art-audio/">Live Art - 52</option>
361							<option></option>
362				<option  value="/audio-categories/london-fringe-audio/">London Fringe - 84</option>
363							<option></option>
364				<option  value="/audio-categories/lyrics/">Lyrics - 1</option>
365							<option></option>
366				<option  value="/audio-categories/management/">Management - 3</option>
367							<option></option>
368				<option  value="/audio-categories/musicals-audio/">Musicals - 120</option>
369							<option></option>
370				<option  value="/audio-categories/national-theatre/">National Theatre - 2</option>
371							<option></option>
372				<option  value="/audio-categories/neurodivergence/">Neurodivergence - 1</option>
373							<option></option>
374				<option  value="/audio-categories/new-talent/">New talent - 1</option>
375							<option></option>
376				<option  value="/audio-categories/new-writing-audio/">New Writing - 354</option>
377							<option></option>
378				<option  value="/audio-categories/new-york-and-broadway/">New York and Broadway - 6</option>
379							<option></option>
380				<option  value="/audio-categories/nostalgia/">Nostalgia - 1</option>
381							<option></option>
382				<option  value="/audio-categories/nurturing-talent/">Nurturing talent - 1</option>
383							<option></option>
384				<option  value="/audio-categories/oliver/">Oliver! - 1</option>
385							<option></option>
386				<option  value="/audio-categories/olivier-awards/">Olivier Awards - 2</option>
387							<option></option>
388				<option  value="/audio-categories/out-of-joint/">Out of Joint - 1</option>
389							<option></option>
390				<option  value="/audio-categories/outdoors/">Outdoors - 7</option>
391							<option></option>
392				<option  value="/audio-categories/pandemic/">Pandemic - 3</option>
393							<option></option>
394				<option  value="/audio-categories/pantomime/">Pantomime - 1</option>
395							<option></option>
396				<option  value="/audio-categories/participatory-interactive/">Participatory and Interactive - 28</option>
397							<option></option>
398				<option  value="/audio-categories/performance-audio/">Performance - 21</option>
399							<option></option>
400				<option  value="/audio-categories/performance-photography/">Performance Photography - 1</option>
401							<option></option>
402				<option  value="/audio-categories/physical-visual-theatre/">Physical and Visual Theatre - 99</option>
403							<option></option>
404				<option  value="/audio-categories/playwrights-audio/">Playwrights - 462</option>
405							<option></option>
406				<option  value="/audio-categories/political-theatre-audio/">Political Theatre - 69</option>
407							<option></option>
408				<option  value="/audio-categories/producers-audio/">Producers - 76</option>
409							<option></option>
410				<option  value="/audio-categories/programming/">Programming - 6</option>
411							<option></option>
412				<option  value="/audio-categories/puppetry-2/">Puppetry - 3</option>
413							<option></option>
414				<option  value="/audio-categories/redevelopment/">Redevelopment - 2</option>
415							<option></option>
416				<option  value="/audio-categories/regional-theatre/">Regional Theatre - 90</option>
417							<option></option>
418				<option  value="/audio-categories/rehearsals/">Rehearsals - 1</option>
419							<option></option>
420				<option  value="/audio-categories/review-of-the-year/">Review of the Year - 16</option>
421							<option></option>
422				<option  value="/audio-categories/reviews-and-roundtables/">Reviews and Roundtables - 300</option>
423							<option></option>
424				<option  value="/audio-categories/riverside-studios/">Riverside Studios - 1</option>
425							<option></option>
426				<option  value="/audio-categories/royal-court/">Royal Court - 1</option>
427							<option></option>
428				<option  value="/audio-categories/russian-drama/">Russian Drama - 18</option>
429							<option></option>
430				<option  value="/audio-categories/scottish-theatre-2/">Scottish Theatre - 14</option>
431							<option></option>
432				<option  value="/audio-categories/set-design/">Set design - 1</option>
433							<option></option>
434				<option  value="/audio-categories/shakespeare-and-renaissance-drama/">Shakespeare and Renaissance Drama - 206</option>
435							<option></option>
436				<option  value="/audio-categories/site-specific-audio/">Site Specific - 36</option>
437							<option></option>
438				<option  value="/audio-categories/songwriting/">Songwriting - 1</option>
439							<option></option>
440				<option  value="/audio-categories/sound-design/">Sound design - 1</option>
441							<option></option>
442				<option  value="/audio-categories/south-african-theatre/">South African Theatre - 17</option>
443							<option></option>
444				<option  value="/audio-categories/spoken-word-audio/">Spoken Word - 7</option>
445							<option></option>
446				<option  value="/audio-categories/sponsorship/">Sponsorship - 1</option>
447							<option></option>
448				<option  value="/audio-categories/streaming/">Streaming - 1</option>
449							<option></option>
450				<option  value="/audio-categories/student-drama/">Student drama - 2</option>
451							<option></option>
452				<option  value="/audio-categories/sustainability/">Sustainability - 2</option>
453							<option></option>
454				<option  value="/audio-categories/technology/">Technology - 1</option>
455							<option></option>
456				<option  value="/audio-categories/the-curious-incident-of-the-dog-in-the-night-time/">The Curious Incident of the Dog in the Night-time - 1</option>
457							<option></option>
458				<option  value="/audio-categories/theatre-buildings/">Theatre Buildings - 84</option>
459							<option></option>
460				<option  value="/audio-categories/theatre-companies/">Theatre Companies - 5</option>
461							<option></option>
462				<option  value="/audio-categories/theatre-history/">Theatre History - 4</option>
463							<option></option>
464				<option  value="/audio-categories/theatre-management/">Theatre Management - 3</option>
465							<option></option>
466				<option  value="/audio-categories/theatre-people/">Theatre People - 108</option>
467							<option></option>
468				<option  value="/audio-categories/theatre-reopenings/">Theatre reopenings - 2</option>
469							<option></option>
470				<option  value="/audio-categories/theatres-at-risk-register/">Theatres at Risk Register - 1</option>
471							<option></option>
472				<option  value="/audio-categories/theatres-trust/">Theatres Trust - 1</option>
473							<option></option>
474				<option  value="/audio-categories/ticketing/">Ticketing - 2</option>
475							<option></option>
476				<option  value="/audio-categories/touring-theatre/">Touring theatre - 1</option>
477							<option></option>
478				<option  value="/audio-categories/transcripts/">Transcripts - 41</option>
479							<option></option>
480				<option  value="/audio-categories/tv-production/">TV production - 1</option>
481							<option></option>
482				<option  value="/audio-categories/urban-scrawl-podcast-series/">Urban Scrawl podcast series - 54</option>
483							<option></option>
484				<option  value="/audio-categories/verbatim-drama-audio/">Verbatim Drama - 21</option>
485							<option></option>
486				<option  value="/audio-categories/voluntary-sector-2/">Voluntary Sector - 4</option>
487							<option></option>
488				<option  value="/audio-categories/warhorse/">Warhorse - 1</option>
489							<option></option>
490				<option  value="/audio-categories/welsh-theatre/">Welsh theatre - 1</option>
491							<option></option>
492				<option  value="/audio-categories/west-end-theatre/">West End Theatre - 1</option>
493							<option></option>
494				<option  value="/audio-categories/youth-theatre/">Youth Theatre - 21</option>
495					</select>
496	</div>
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503				<option value='https://www.theatrevoice.com/2026/audio/'> 2026 &nbsp;(4)</option>
504	<option value='https://www.theatrevoice.com/2025/audio/'> 2025 &nbsp;(11)</option>
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507	<option value='https://www.theatrevoice.com/2022/audio/'> 2022 &nbsp;(10)</option>
508	<option value='https://www.theatrevoice.com/2020/audio/'> 2020 &nbsp;(4)</option>
509	<option value='https://www.theatrevoice.com/2019/audio/'> 2019 &nbsp;(25)</option>
510	<option value='https://www.theatrevoice.com/2018/audio/'> 2018 &nbsp;(23)</option>
511	<option value='https://www.theatrevoice.com/2017/audio/'> 2017 &nbsp;(39)</option>
512	<option value='https://www.theatrevoice.com/2016/audio/'> 2016 &nbsp;(58)</option>
513	<option value='https://www.theatrevoice.com/2015/audio/'> 2015 &nbsp;(47)</option>
514	<option value='https://www.theatrevoice.com/2014/audio/'> 2014 &nbsp;(72)</option>
515	<option value='https://www.theatrevoice.com/2013/audio/'> 2013 &nbsp;(120)</option>
516	<option value='https://www.theatrevoice.com/2012/audio/'> 2012 &nbsp;(141)</option>
517	<option value='https://www.theatrevoice.com/2011/audio/'> 2011 &nbsp;(150)</option>
518	<option value='https://www.theatrevoice.com/2010/audio/'> 2010 &nbsp;(136)</option>
519	<option value='https://www.theatrevoice.com/2009/audio/'> 2009 &nbsp;(144)</option>
520	<option value='https://www.theatrevoice.com/2008/audio/'> 2008 &nbsp;(108)</option>
521	<option value='https://www.theatrevoice.com/2007/audio/'> 2007 &nbsp;(73)</option>
522	<option value='https://www.theatrevoice.com/2006/audio/'> 2006 &nbsp;(70)</option>
523	<option value='https://www.theatrevoice.com/2005/audio/'> 2005 &nbsp;(96)</option>
524	<option value='https://www.theatrevoice.com/2004/audio/'> 2004 &nbsp;(151)</option>
525	<option value='https://www.theatrevoice.com/2003/audio/'> 2003 &nbsp;(58)</option>
526		</select>
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530		<div class="a7-widget-title">Browse by Month</div>
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533			<option></option>
534			 	<option value='https://www.theatrevoice.com/2026/03/audio/'> March 2026 &nbsp;(3)</option>
535	<option value='https://www.theatrevoice.com/2026/01/audio/'> January 2026 &nbsp;(1)</option>
536	<option value='https://www.theatrevoice.com/2025/11/audio/'> November 2025 &nbsp;(1)</option>
537	<option value='https://www.theatrevoice.com/2025/10/audio/'> October 2025 &nbsp;(1)</option>
538	<option value='https://www.theatrevoice.com/2025/08/audio/'> August 2025 &nbsp;(3)</option>
539	<option value='https://www.theatrevoice.com/2025/03/audio/'> March 2025 &nbsp;(6)</option>
540	<option value='https://www.theatrevoice.com/2024/11/audio/'> November 2024 &nbsp;(2)</option>
541	<option value='https://www.theatrevoice.com/2024/03/audio/'> March 2024 &nbsp;(1)</option>
542	<option value='https://www.theatrevoice.com/2024/02/audio/'> February 2024 &nbsp;(3)</option>
543	<option value='https://www.theatrevoice.com/2024/01/audio/'> January 2024 &nbsp;(2)</option>
544	<option value='https://www.theatrevoice.com/2023/11/audio/'> November 2023 &nbsp;(2)</option>
545	<option value='https://www.theatrevoice.com/2023/10/audio/'> October 2023 &nbsp;(2)</option>
546	<option value='https://www.theatrevoice.com/2023/09/audio/'> September 2023 &nbsp;(1)</option>
547	<option value='https://www.theatrevoice.com/2022/04/audio/'> April 2022 &nbsp;(3)</option>
548	<option value='https://www.theatrevoice.com/2022/03/audio/'> March 2022 &nbsp;(3)</option>
549	<option value='https://www.theatrevoice.com/2022/02/audio/'> February 2022 &nbsp;(3)</option>
550	<option value='https://www.theatrevoice.com/2022/01/audio/'> January 2022 &nbsp;(1)</option>
551	<option value='https://www.theatrevoice.com/2020/04/audio/'> April 2020 &nbsp;(3)</option>
552	<option value='https://www.theatrevoice.com/2020/03/audio/'> March 2020 &nbsp;(1)</option>
553	<option value='https://www.theatrevoice.com/2019/12/audio/'> December 2019 &nbsp;(3)</option>
554	<option value='https://www.theatrevoice.com/2019/11/audio/'> November 2019 &nbsp;(4)</option>
555	<option value='https://www.theatrevoice.com/2019/10/audio/'> October 2019 &nbsp;(5)</option>
556	<option value='https://www.theatrevoice.com/2019/07/audio/'> July 2019 &nbsp;(1)</option>
557	<option value='https://www.theatrevoice.com/2019/06/audio/'> June 2019 &nbsp;(3)</option>
558	<option value='https://www.theatrevoice.com/2019/05/audio/'> May 2019 &nbsp;(5)</option>
559	<option value='https://www.theatrevoice.com/2019/04/audio/'> April 2019 &nbsp;(4)</option>
560	<option value='https://www.theatrevoice.com/2018/12/audio/'> December 2018 &nbsp;(3)</option>
561	<option value='https://www.theatrevoice.com/2018/11/audio/'> November 2018 &nbsp;(5)</option>
562	<option value='https://www.theatrevoice.com/2018/10/audio/'> October 2018 &nbsp;(3)</option>
563	<option value='https://www.theatrevoice.com/2018/06/audio/'> June 2018 &nbsp;(3)</option>
564	<option value='https://www.theatrevoice.com/2018/05/audio/'> May 2018 &nbsp;(4)</option>
565	<option value='https://www.theatrevoice.com/2018/04/audio/'> April 2018 &nbsp;(4)</option>
566	<option value='https://www.theatrevoice.com/2018/03/audio/'> March 2018 &nbsp;(1)</option>
567	<option value='https://www.theatrevoice.com/2017/12/audio/'> December 2017 &nbsp;(3)</option>
568	<option value='https://www.theatrevoice.com/2017/11/audio/'> November 2017 &nbsp;(5)</option>
569	<option value='https://www.theatrevoice.com/2017/10/audio/'> October 2017 &nbsp;(4)</option>
570	<option value='https://www.theatrevoice.com/2017/09/audio/'> September 2017 &nbsp;(4)</option>
571	<option value='https://www.theatrevoice.com/2017/08/audio/'> August 2017 &nbsp;(3)</option>
572	<option value='https://www.theatrevoice.com/2017/07/audio/'> July 2017 &nbsp;(2)</option>
573	<option value='https://www.theatrevoice.com/2017/06/audio/'> June 2017 &nbsp;(5)</option>
574	<option value='https://www.theatrevoice.com/2017/05/audio/'> May 2017 &nbsp;(4)</option>
575	<option value='https://www.theatrevoice.com/2017/04/audio/'> April 2017 &nbsp;(3)</option>
576	<option value='https://www.theatrevoice.com/2017/03/audio/'> March 2017 &nbsp;(3)</option>
577	<option value='https://www.theatrevoice.com/2017/02/audio/'> February 2017 &nbsp;(1)</option>
578	<option value='https://www.theatrevoice.com/2017/01/audio/'> January 2017 &nbsp;(2)</option>
579	<option value='https://www.theatrevoice.com/2016/12/audio/'> December 2016 &nbsp;(2)</option>
580	<option value='https://www.theatrevoice.com/2016/11/audio/'> November 2016 &nbsp;(4)</option>
581	<option value='https://www.theatrevoice.com/2016/10/audio/'> October 2016 &nbsp;(6)</option>
582	<option value='https://www.theatrevoice.com/2016/09/audio/'> September 2016 &nbsp;(6)</option>
583	<option value='https://www.theatrevoice.com/2016/08/audio/'> August 2016 &nbsp;(8)</option>
584	<option value='https://www.theatrevoice.com/2016/07/audio/'> July 2016 &nbsp;(2)</option>
585	<option value='https://www.theatrevoice.com/2016/06/audio/'> June 2016 &nbsp;(5)</option>
586	<option value='https://www.theatrevoice.com/2016/05/audio/'> May 2016 &nbsp;(6)</option>
587	<option value='https://www.theatrevoice.com/2016/04/audio/'> April 2016 &nbsp;(5)</option>
588	<option value='https://www.theatrevoice.com/2016/03/audio/'> March 2016 &nbsp;(6)</option>
589	<option value='https://www.theatrevoice.com/2016/02/audio/'> February 2016 &nbsp;(2)</option>
590	<option value='https://www.theatrevoice.com/2016/01/audio/'> January 2016 &nbsp;(6)</option>
591	<option value='https://www.theatrevoice.com/2015/11/audio/'> November 2015 &nbsp;(5)</option>
592	<option value='https://www.theatrevoice.com/2015/10/audio/'> October 2015 &nbsp;(3)</option>
593	<option value='https://www.theatrevoice.com/2015/09/audio/'> September 2015 &nbsp;(5)</option>
594	<option value='https://www.theatrevoice.com/2015/08/audio/'> August 2015 &nbsp;(4)</option>
595	<option value='https://www.theatrevoice.com/2015/07/audio/'> July 2015 &nbsp;(3)</option>
596	<option value='https://www.theatrevoice.com/2015/06/audio/'> June 2015 &nbsp;(2)</option>
597	<option value='https://www.theatrevoice.com/2015/05/audio/'> May 2015 &nbsp;(7)</option>
598	<option value='https://www.theatrevoice.com/2015/04/audio/'> April 2015 &nbsp;(3)</option>
599	<option value='https://www.theatrevoice.com/2015/03/audio/'> March 2015 &nbsp;(4)</option>
600	<option value='https://www.theatrevoice.com/2015/02/audio/'> February 2015 &nbsp;(7)</option>
601	<option value='https://www.theatrevoice.com/2015/01/audio/'> January 2015 &nbsp;(4)</option>
602	<option value='https://www.theatrevoice.com/2014/12/audio/'> December 2014 &nbsp;(5)</option>
603	<option value='https://www.theatrevoice.com/2014/11/audio/'> November 2014 &nbsp;(7)</option>
604	<option value='https://www.theatrevoice.com/2014/10/audio/'> October 2014 &nbsp;(4)</option>
605	<option value='https://www.theatrevoice.com/2014/08/audio/'> August 2014 &nbsp;(8)</option>
606	<option value='https://www.theatrevoice.com/2014/07/audio/'> July 2014 &nbsp;(8)</option>
607	<option value='https://www.theatrevoice.com/2014/06/audio/'> June 2014 &nbsp;(13)</option>
608	<option value='https://www.theatrevoice.com/2014/05/audio/'> May 2014 &nbsp;(4)</option>
609	<option value='https://www.theatrevoice.com/2014/04/audio/'> April 2014 &nbsp;(4)</option>
610	<option value='https://www.theatrevoice.com/2014/03/audio/'> March 2014 &nbsp;(5)</option>
611	<option value='https://www.theatrevoice.com/2014/02/audio/'> February 2014 &nbsp;(6)</option>
612	<option value='https://www.theatrevoice.com/2014/01/audio/'> January 2014 &nbsp;(8)</option>
613	<option value='https://www.theatrevoice.com/2013/12/audio/'> December 2013 &nbsp;(7)</option>
614	<option value='https://www.theatrevoice.com/2013/11/audio/'> November 2013 &nbsp;(12)</option>
615	<option value='https://www.theatrevoice.com/2013/10/audio/'> October 2013 &nbsp;(14)</option>
616	<option value='https://www.theatrevoice.com/2013/09/audio/'> September 2013 &nbsp;(4)</option>
617	<option value='https://www.theatrevoice.com/2013/08/audio/'> August 2013 &nbsp;(9)</option>
618	<option value='https://www.theatrevoice.com/2013/07/audio/'> July 2013 &nbsp;(5)</option>
619	<option value='https://www.theatrevoice.com/2013/06/audio/'> June 2013 &nbsp;(7)</option>
620	<option value='https://www.theatrevoice.com/2013/05/audio/'> May 2013 &nbsp;(9)</option>
621	<option value='https://www.theatrevoice.com/2013/04/audio/'> April 2013 &nbsp;(19)</option>
622	<option value='https://www.theatrevoice.com/2013/03/audio/'> March 2013 &nbsp;(8)</option>
623	<option value='https://www.theatrevoice.com/2013/02/audio/'> February 2013 &nbsp;(15)</option>
624	<option value='https://www.theatrevoice.com/2013/01/audio/'> January 2013 &nbsp;(11)</option>
625	<option value='https://www.theatrevoice.com/2012/12/audio/'> December 2012 &nbsp;(12)</option>
626	<option value='https://www.theatrevoice.com/2012/11/audio/'> November 2012 &nbsp;(14)</option>
627	<option value='https://www.theatrevoice.com/2012/10/audio/'> October 2012 &nbsp;(6)</option>
628	<option value='https://www.theatrevoice.com/2012/09/audio/'> September 2012 &nbsp;(12)</option>
629	<option value='https://www.theatrevoice.com/2012/08/audio/'> August 2012 &nbsp;(13)</option>
630	<option value='https://www.theatrevoice.com/2012/07/audio/'> July 2012 &nbsp;(14)</option>
631	<option value='https://www.theatrevoice.com/2012/06/audio/'> June 2012 &nbsp;(14)</option>
632	<option value='https://www.theatrevoice.com/2012/05/audio/'> May 2012 &nbsp;(12)</option>
633	<option value='https://www.theatrevoice.com/2012/04/audio/'> April 2012 &nbsp;(14)</option>
634	<option value='https://www.theatrevoice.com/2012/03/audio/'> March 2012 &nbsp;(7)</option>
635	<option value='https://www.theatrevoice.com/2012/02/audio/'> February 2012 &nbsp;(14)</option>
636	<option value='https://www.theatrevoice.com/2012/01/audio/'> January 2012 &nbsp;(9)</option>
637	<option value='https://www.theatrevoice.com/2011/12/audio/'> December 2011 &nbsp;(8)</option>
638	<option value='https://www.theatrevoice.com/2011/11/audio/'> November 2011 &nbsp;(8)</option>
639	<option value='https://www.theatrevoice.com/2011/10/audio/'> October 2011 &nbsp;(13)</option>
640	<option value='https://www.theatrevoice.com/2011/09/audio/'> September 2011 &nbsp;(5)</option>
641	<option value='https://www.theatrevoice.com/2011/08/audio/'> August 2011 &nbsp;(14)</option>
642	<option value='https://www.theatrevoice.com/2011/07/audio/'> July 2011 &nbsp;(19)</option>
643	<option value='https://www.theatrevoice.com/2011/06/audio/'> June 2011 &nbsp;(11)</option>
644	<option value='https://www.theatrevoice.com/2011/05/audio/'> May 2011 &nbsp;(12)</option>
645	<option value='https://www.theatrevoice.com/2011/04/audio/'> April 2011 &nbsp;(10)</option>
646	<option value='https://www.theatrevoice.com/2011/03/audio/'> March 2011 &nbsp;(17)</option>
647	<option value='https://www.theatrevoice.com/2011/02/audio/'> February 2011 &nbsp;(12)</option>
648	<option value='https://www.theatrevoice.com/2011/01/audio/'> January 2011 &nbsp;(21)</option>
649	<option value='https://www.theatrevoice.com/2010/12/audio/'> December 2010 &nbsp;(6)</option>
650	<option value='https://www.theatrevoice.com/2010/11/audio/'> November 2010 &nbsp;(15)</option>
651	<option value='https://www.theatrevoice.com/2010/10/audio/'> October 2010 &nbsp;(18)</option>
652	<option value='https://www.theatrevoice.com/2010/09/audio/'> September 2010 &nbsp;(7)</option>
653	<option value='https://www.theatrevoice.com/2010/08/audio/'> August 2010 &nbsp;(16)</option>
654	<option value='https://www.theatrevoice.com/2010/07/audio/'> July 2010 &nbsp;(10)</option>
655	<option value='https://www.theatrevoice.com/2010/06/audio/'> June 2010 &nbsp;(9)</option>
656	<option value='https://www.theatrevoice.com/2010/05/audio/'> May 2010 &nbsp;(14)</option>
657	<option value='https://www.theatrevoice.com/2010/04/audio/'> April 2010 &nbsp;(6)</option>
658	<option value='https://www.theatrevoice.com/2010/03/audio/'> March 2010 &nbsp;(8)</option>
659	<option value='https://www.theatrevoice.com/2010/02/audio/'> February 2010 &nbsp;(6)</option>
660	<option value='https://www.theatrevoice.com/2010/01/audio/'> January 2010 &nbsp;(21)</option>
661	<option value='https://www.theatrevoice.com/2009/12/audio/'> December 2009 &nbsp;(11)</option>
662	<option value='https://www.theatrevoice.com/2009/11/audio/'> November 2009 &nbsp;(11)</option>
663	<option value='https://www.theatrevoice.com/2009/10/audio/'> October 2009 &nbsp;(23)</option>
664	<option value='https://www.theatrevoice.com/2009/09/audio/'> September 2009 &nbsp;(14)</option>
665	<option value='https://www.theatrevoice.com/2009/08/audio/'> August 2009 &nbsp;(14)</option>
666	<option value='https://www.theatrevoice.com/2009/07/audio/'> July 2009 &nbsp;(13)</option>
667	<option value='https://www.theatrevoice.com/2009/06/audio/'> June 2009 &nbsp;(8)</option>
668	<option value='https://www.theatrevoice.com/2009/05/audio/'> May 2009 &nbsp;(17)</option>
669	<option value='https://www.theatrevoice.com/2009/04/audio/'> April 2009 &nbsp;(5)</option>
670	<option value='https://www.theatrevoice.com/2009/03/audio/'> March 2009 &nbsp;(9)</option>
671	<option value='https://www.theatrevoice.com/2009/02/audio/'> February 2009 &nbsp;(10)</option>
672	<option value='https://www.theatrevoice.com/2009/01/audio/'> January 2009 &nbsp;(9)</option>
673	<option value='https://www.theatrevoice.com/2008/12/audio/'> December 2008 &nbsp;(6)</option>
674	<option value='https://www.theatrevoice.com/2008/11/audio/'> November 2008 &nbsp;(10)</option>
675	<option value='https://www.theatrevoice.com/2008/10/audio/'> October 2008 &nbsp;(9)</option>
676	<option value='https://www.theatrevoice.com/2008/09/audio/'> September 2008 &nbsp;(8)</option>
677	<option value='https://www.theatrevoice.com/2008/08/audio/'> August 2008 &nbsp;(10)</option>
678	<option value='https://www.theatrevoice.com/2008/07/audio/'> July 2008 &nbsp;(14)</option>
679	<option value='https://www.theatrevoice.com/2008/06/audio/'> June 2008 &nbsp;(9)</option>
680	<option value='https://www.theatrevoice.com/2008/05/audio/'> May 2008 &nbsp;(11)</option>
681	<option value='https://www.theatrevoice.com/2008/04/audio/'> April 2008 &nbsp;(4)</option>
682	<option value='https://www.theatrevoice.com/2008/03/audio/'> March 2008 &nbsp;(8)</option>
683	<option value='https://www.theatrevoice.com/2008/02/audio/'> February 2008 &nbsp;(11)</option>
684	<option value='https://www.theatrevoice.com/2008/01/audio/'> January 2008 &nbsp;(8)</option>
685	<option value='https://www.theatrevoice.com/2007/12/audio/'> December 2007 &nbsp;(3)</option>
686	<option value='https://www.theatrevoice.com/2007/11/audio/'> November 2007 &nbsp;(11)</option>
687	<option value='https://www.theatrevoice.com/2007/10/audio/'> October 2007 &nbsp;(8)</option>
688	<option value='https://www.theatrevoice.com/2007/09/audio/'> September 2007 &nbsp;(5)</option>
689	<option value='https://www.theatrevoice.com/2007/08/audio/'> August 2007 &nbsp;(2)</option>
690	<option value='https://www.theatrevoice.com/2007/07/audio/'> July 2007 &nbsp;(5)</option>
691	<option value='https://www.theatrevoice.com/2007/06/audio/'> June 2007 &nbsp;(4)</option>
692	<option value='https://www.theatrevoice.com/2007/05/audio/'> May 2007 &nbsp;(8)</option>
693	<option value='https://www.theatrevoice.com/2007/04/audio/'> April 2007 &nbsp;(9)</option>
694	<option value='https://www.theatrevoice.com/2007/03/audio/'> March 2007 &nbsp;(6)</option>
695	<option value='https://www.theatrevoice.com/2007/02/audio/'> February 2007 &nbsp;(8)</option>
696	<option value='https://www.theatrevoice.com/2007/01/audio/'> January 2007 &nbsp;(4)</option>
697	<option value='https://www.theatrevoice.com/2006/12/audio/'> December 2006 &nbsp;(6)</option>
698	<option value='https://www.theatrevoice.com/2006/11/audio/'> November 2006 &nbsp;(6)</option>
699	<option value='https://www.theatrevoice.com/2006/10/audio/'> October 2006 &nbsp;(6)</option>
700	<option value='https://www.theatrevoice.com/2006/09/audio/'> September 2006 &nbsp;(9)</option>
701	<option value='https://www.theatrevoice.com/2006/08/audio/'> August 2006 &nbsp;(4)</option>
702	<option value='https://www.theatrevoice.com/2006/07/audio/'> July 2006 &nbsp;(4)</option>
703	<option value='https://www.theatrevoice.com/2006/06/audio/'> June 2006 &nbsp;(12)</option>
704	<option value='https://www.theatrevoice.com/2006/05/audio/'> May 2006 &nbsp;(6)</option>
705	<option value='https://www.theatrevoice.com/2006/04/audio/'> April 2006 &nbsp;(4)</option>
706	<option value='https://www.theatrevoice.com/2006/03/audio/'> March 2006 &nbsp;(3)</option>
707	<option value='https://www.theatrevoice.com/2006/02/audio/'> February 2006 &nbsp;(6)</option>
708	<option value='https://www.theatrevoice.com/2006/01/audio/'> January 2006 &nbsp;(4)</option>
709	<option value='https://www.theatrevoice.com/2005/12/audio/'> December 2005 &nbsp;(7)</option>
710	<option value='https://www.theatrevoice.com/2005/11/audio/'> November 2005 &nbsp;(9)</option>
711	<option value='https://www.theatrevoice.com/2005/10/audio/'> October 2005 &nbsp;(8)</option>
712	<option value='https://www.theatrevoice.com/2005/09/audio/'> September 2005 &nbsp;(6)</option>
713	<option value='https://www.theatrevoice.com/2005/08/audio/'> August 2005 &nbsp;(1)</option>
714	<option value='https://www.theatrevoice.com/2005/07/audio/'> July 2005 &nbsp;(4)</option>
715	<option value='https://www.theatrevoice.com/2005/06/audio/'> June 2005 &nbsp;(5)</option>
716	<option value='https://www.theatrevoice.com/2005/05/audio/'> May 2005 &nbsp;(16)</option>
717	<option value='https://www.theatrevoice.com/2005/04/audio/'> April 2005 &nbsp;(11)</option>
718	<option value='https://www.theatrevoice.com/2005/03/audio/'> March 2005 &nbsp;(9)</option>
719	<option value='https://www.theatrevoice.com/2005/02/audio/'> February 2005 &nbsp;(11)</option>
720	<option value='https://www.theatrevoice.com/2005/01/audio/'> January 2005 &nbsp;(9)</option>
721	<option value='https://www.theatrevoice.com/2004/12/audio/'> December 2004 &nbsp;(12)</option>
722	<option value='https://www.theatrevoice.com/2004/11/audio/'> November 2004 &nbsp;(15)</option>
723	<option value='https://www.theatrevoice.com/2004/10/audio/'> October 2004 &nbsp;(13)</option>
724	<option value='https://www.theatrevoice.com/2004/09/audio/'> September 2004 &nbsp;(10)</option>
725	<option value='https://www.theatrevoice.com/2004/08/audio/'> August 2004 &nbsp;(10)</option>
726	<option value='https://www.theatrevoice.com/2004/07/audio/'> July 2004 &nbsp;(10)</option>
727	<option value='https://www.theatrevoice.com/2004/06/audio/'> June 2004 &nbsp;(9)</option>
728	<option value='https://www.theatrevoice.com/2004/05/audio/'> May 2004 &nbsp;(22)</option>
729	<option value='https://www.theatrevoice.com/2004/04/audio/'> April 2004 &nbsp;(9)</option>
730	<option value='https://www.theatrevoice.com/2004/03/audio/'> March 2004 &nbsp;(11)</option>
731	<option value='https://www.theatrevoice.com/2004/02/audio/'> February 2004 &nbsp;(13)</option>
732	<option value='https://www.theatrevoice.com/2004/01/audio/'> January 2004 &nbsp;(17)</option>
733	<option value='https://www.theatrevoice.com/2003/12/audio/'> December 2003 &nbsp;(15)</option>
734	<option value='https://www.theatrevoice.com/2003/11/audio/'> November 2003 &nbsp;(14)</option>
735	<option value='https://www.theatrevoice.com/2003/10/audio/'> October 2003 &nbsp;(14)</option>
736	<option value='https://www.theatrevoice.com/2003/09/audio/'> September 2003 &nbsp;(7)</option>
737	<option value='https://www.theatrevoice.com/2003/06/audio/'> June 2003 &nbsp;(1)</option>
738	<option value='https://www.theatrevoice.com/2003/05/audio/'> May 2003 &nbsp;(4)</option>
739	<option value='https://www.theatrevoice.com/2003/04/audio/'> April 2003 &nbsp;(3)</option>
740		</select>
741	</div>
742	<div class="clear"></div>
743
744</div>	
745	
746		 		<div class="a7-archive-selection">
747			<div class="a7-widget-title">Featured Audio</div>
748			<div id="a7-slider">
749				<ul>
750										<li>
751						<a href="https://www.theatrevoice.com/audio/the-critics-circle-centenary-conference-the-future-of-criticism/" class="image-link">
752													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
753												</a>
754						<div class="audio-meta">
755							<h2>
756								<a href="https://www.theatrevoice.com/audio/the-critics-circle-centenary-conference-the-future-of-criticism/">
757									The Critics’ Circle Centenary Conference: The Future of Criticism								</a>
758							</h2>
759							<p class="pub-date">28th September 2013</p>
760							<div class="excerpt"><p>THE CRITICS’ CIRCLE CENTENARY CONFERENCE: 100 YEARS OF CRITICISM Lyn Gardner (Guardian) hosts a discu
760ssion on the subject of What Next? with Michael Coveney (Whatsonstage.com), Kerry Michael (artistic director, Theatre Royal Stratford East) and Mat...</p>
761</div>
762							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/the-critics-circle-centenary-conference-the-future-of-criticism/">
763								<i class="fa fa-volume-up"></i>
764								<span>Listen now</span>
765							</a>
766							<a class="button audio-button archive-button alt series" href="/audio/">
767								<i class="fa fa-volume-up"></i>
768								<span>Browse the archive</span>
769							</a>							
770							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/criticism-audio/" rel="tag">Criticism</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a></p>
771						</div>
772						<div class="clear"></div>
773					
774					</li>
775										<li>
776						<a href="https://www.theatrevoice.com/audio/simon-russell-beale-talks-about-his-star-performance-as-timon/" class="image-link">
777													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
778												</a>
779						<div class="audio-meta">
780							<h2>
781								<a href="https://www.theatrevoice.com/audio/simon-russell-beale-talks-about-his-star-performance-as-timon/">
782									Simon Russell Beale talks about his star performance as Timon								</a>
783							</h2>
784							<p class="pub-date">31st August 2012</p>
785							<div class="excerpt"><p>SHAKESPEARE: TIMON OF ATHENS Simon Russell Beale, who plays the lead role in Nicholas Hytner's current production at the National Theatre, part of the World Shakespeare Festival, talks to Heather Neill about the play and the production. </p>
786</div>
787							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/simon-russell-beale-talks-about-his-star-performance-as-timon/">
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790							</a>
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793								<span>Browse the archive</span>
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795							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/" rel="tag">Actors and Performers</a>, <a href="https://www.theatrevoice.com/audio-categories/shakespeare-and-renaissance-drama/" rel="tag">Shakespeare and Renaissance Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-people/" rel="tag">Theatre People</a></p>
796						</div>
797						<div class="clear"></div>
798					
799					</li>
800										<li>
801						<a href="https://www.theatrevoice.com/audio/nicholas-hytner-shares-a-few-of-his-favourite-songs-part-1/" class="image-link">
802													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
803												</a>
804						<div class="audio-meta">
805							<h2>
806								<a href="https://www.theatrevoice.com/audio/nicholas-hytner-shares-a-few-of-his-favourite-songs-part-1/">
807									Nick Hytner shares a few of his favourite songs (1/2)								</a>
808							</h2>
809							<p class="pub-date">6th July 2011</p>
810							<div class="excerpt"><p>THESE ARE A FEW OF MY FAVOURITE SONGS: NICHOLAS HYTNER (1/2) The artistic director of the National Theatre talks to Mark Shenton about some of the songs that have meant the most to him during his career. Part of a special series at Jermyn Street Thea...</p>
811</div>
812							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/nicholas-hytner-shares-a-few-of-his-favourite-songs-part-1/">
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814								<span>Listen now</span>
815							</a>
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818								<span>Browse the archive</span>
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820							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a></p>
821						</div>
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823					
824					</li>
825										<li>
826						<a href="https://www.theatrevoice.com/audio/sir-nicholas-hytner-shares-a-few-more-of-his-favourite-songs-part-2/" class="image-link">
827													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
828												</a>
829						<div class="audio-meta">
830							<h2>
831								<a href="https://www.theatrevoice.com/audio/sir-nicholas-hytner-shares-a-few-more-of-his-favourite-songs-part-2/">
832									Nick Hytner shares a few of his favourite songs (2/2)								</a>
833							</h2>
834							<p class="pub-date">6th July 2011</p>
835							<div class="excerpt"><p>THESE ARE A FEW OF MY FAVOURITE SONGS: NICHOLAS HYTNER (2/2) The artistic director of the National Theatre talks to Mark Shenton about some of the songs that have meant the most to him during his career. Part of a special series at Jermyn Street Thea...</p>
836</div>
837							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/sir-nicholas-hytner-shares-a-few-more-of-his-favourite-songs-part-2/">
838								<i class="fa fa-volume-up"></i>
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840							</a>
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843								<span>Browse the archive</span>
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845							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a></p>
846						</div>
847						<div class="clear"></div>
848					
849					</li>
850										<li>
851						<a href="https://www.theatrevoice.com/audio/new-writing-in-british-theatre-today/" class="image-link">
852													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
853												</a>
854						<div class="audio-meta">
855							<h2>
856								<a href="https://www.theatrevoice.com/audio/new-writing-in-british-theatre-today/">
857									New writing in British theatre today								</a>
858							</h2>
859							<p class="pub-date">16th February 2010</p>
860							<div class="excerpt"><p>NEW WRITING SPECIAL Lecture entitled Blasted and After: New Writing in British Theatre Today, about in-yer-face theatre in 1990s and its aftermath, given by Aleks Sierz (Visiting Research Fellow, Rose Bruford College) at a meeting of the Society for ...</p>
861</div>
862							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/new-writing-in-british-theatre-today/">
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864								<span>Listen now</span>
865							</a>
866							<a class="button audio-button archive-button alt series" href="/audio/">
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868								<span>Browse the archive</span>
869							</a>							
870							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p>
871						</div>
872						<div class="clear"></div>
873					
874					</li>
875										<li>
876						<a href="https://www.theatrevoice.com/audio/academic-graham-saunders-assesses-sarah-kane/" class="image-link">
877													<img src="https://assets.theatrevoice.com/uploads/2009/08/kane-380x285.jpg" alt="Academic Graham Saunders assesses Sarah Kane" />
878													</a>
879						<div class="audio-meta">
880							<h2>
881								<a href="https://www.theatrevoice.com/audio/academic-graham-saunders-assesses-sarah-kane/">
882									Academic Graham Saunders assesses Sarah Kane								</a>
883							</h2>
884							<p class="pub-date">27th August 2009</p>
885							<div class="excerpt"><p>FOCUS ON KANE Graham Saunders of Reading University talks to Aleks Sierz about his latest book, About Kane: The Playwright and the Work (Faber), which examines the output of Sarah Kane in the context of 1990s British theatre, and of her growing reput...</p>
886</div>
887							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/academic-graham-saunders-assesses-sarah-kane/">
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889								<span>Listen now</span>
890							</a>
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893								<span>Browse the archive</span>
894							</a>							
895							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/books/" rel="tag">Books</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p>
896						</div>
897						<div class="clear"></div>
898					
899					</li>
900										<li>
901						<a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-small-change/" class="image-link">
902													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
903												</a>
904						<div class="audio-meta">
905							<h2>
906								<a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-small-change/">
907									Interview: Peter Gill (1/2)								</a>
908							</h2>
909							<p class="pub-date">23rd April 2008</p>
910							<div class="excerpt"><p>INTERVIEW: PETER GILL (1/2) The veteran director and playwright speaks to Aleks Sierz about his own production of his 1976 play, Small Change (currently revived at the Donmar), and about his early career at the Royal Court in the late 1950s and 1960s...</p>
911</div>
912							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-small-change/">
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914								<span>Listen now</span>
915							</a>
916							<a class="button audio-button archive-button alt series" href="/audio/">
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918								<span>Browse the archive</span>
919							</a>							
920							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/1970s-drama/" rel="tag">1970s Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p>
921						</div>
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923					
924					</li>
925										<li>
926						<a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-career/" class="image-link">
927													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
928												</a>
929						<div class="audio-meta">
930							<h2>
931								<a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-career/">
932									Interview: Peter Gill (2/2)								</a>
933							</h2>
934							<p class="pub-date">23rd April 2008</p>
935							<div class="excerpt"><p>INTERVIEW: PETER GILL (2/2) The veteran director and playwright speaks some more to Aleks Sierz about his own production of his 1976 play, Small Change (currently revived at the Donmar), and about his early career at the Royal Court in the late 1950s...</p>
936</div>
937							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-career/">
938								<i class="fa fa-volume-up"></i>
939								<span>Listen now</span>
940							</a>
941							<a class="button audio-button archive-button alt series" href="/audio/">
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943								<span>Browse the archive</span>
944							</a>							
945							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/1950s-drama/" rel="tag">1950s Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p>
946						</div>
947						<div class="clear"></div>
948					
949					</li>
950										<li>
951						<a href="https://www.theatrevoice.com/audio/interview-howard-brenton-on-the-eve-of-a-major-revival-of-r/" class="image-link">
952													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
953												</a>
954						<div class="audio-meta">
955							<h2>
956								<a href="https://www.theatrevoice.com/audio/interview-howard-brenton-on-the-eve-of-a-major-revival-of-r/">
957									Howard Brenton’s The Romans in Britain revived								</a>
958							</h2>
959							<p class="pub-date">19th January 2006</p>
960							<div class="excerpt"><p>INTERVIEW: HOWARD BRENTON On the eve of a major revival of The Romans in Britain at Sheffield Crucible, Aleks Sierz talks to the playwright about his most notorious work.</p>
961</div>
962							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/interview-howard-brenton-on-the-eve-of-a-major-revival-of-r/">
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964								<span>Listen now</span>
965							</a>
966							<a class="button audio-button archive-button alt series" href="/audio/">
967								<i class="fa fa-volume-up"></i>
968								<span>Browse the archive</span>
969							</a>							
970							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/regional-theatre/" rel="tag">Regional Theatre</a></p>
971						</div>
972						<div class="clear"></div>
973					
974					</li>
975										<li>
976						<a href="https://www.theatrevoice.com/audio/interview-nicholas-hytner-the-national-theatres-artistic-d/" class="image-link">
977													<img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" />
978												</a>
979						<div class="audio-meta">
980							<h2>
981								<a href="https://www.theatrevoice.com/audio/interview-nicholas-hytner-the-national-theatres-artistic-d/">
982									National Theatre supremo Nick Hytner looks back and plans ahead								</a>
983							</h2>
984							<p class="pub-date">15th December 2004</p>
985							<div class="excerpt"><p>INTERVIEW: NICHOLAS HYTNER The National Theatre's artistic director talks to David Benedict about the job, his success so far and plans for the future. </p>
986</div>
987							<a class="button audio-button series" href="https://www.theatrevoice.com/audio/interview-nicholas-hytner-the-national-theatres-artistic-d/">
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989								<span>Listen now</span>
990							</a>
991							<a class="button audio-button archive-button alt series" href="/audio/">
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993								<span>Browse the archive</span>
994							</a>							
995							<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/producers-audio/" rel="tag">Producers</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a></p>
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998					
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1016</div>
1017			
1018			<ul>
1019									<li class="audio-post audio-post-1 row-start">
1020						<div class="audio-image">
1021							<a href="https://www.theatrevoice.com/audio/ita-obrien-2/">
1022							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" srcset="https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" />							</a>
1023							<a class="button audio-button" href="https://www.theatrevoice.com/audio/ita-obrien-2/">
1024								<i class="fa-volume-up fa"></i>
1025								<span></span>
1026							</a>
1027						</div>
1028						<h2>
1029							<a href="https://www.theatrevoice.com/audio/ita-obrien-2/">
1030								Ita O&#8217;Brien							</a>
1031						</h2>
1032						<p class="pub-date">24th March 2026</p>
1033						<p>INTERVIEW: ITA O&#8217;BRIEN Ita O’Brien has fundamentally reshaped the way we approach intimacy, consent, and storytelling on stage and screen. Bri...</p>
1034						<a class="button audio-button" href="https://www.theatrevoice.com/audio/ita-obrien-2/">
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1036							<span>Listen now</span>
1037						</a>
1038						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/" rel="tag">Actors and Performers</a>, <a href="https://www.theatrevoice.com/audio-categories/backstage-2/" rel="tag">Backstage</a>, <a href="https://www.theatrevoice.com/audio-categories/ballet/" rel="tag">Ballet</a>, <a href="https://www.theatrevoice.com/audio-categories/choreography/" rel="tag">Choreography</a>, <a href="https://www.theatrevoice.com/audio-categories/consent/" rel="tag">Consent</a>, <a href="https://www.theatrevoice.com/audio-categories/intimacy/" rel="tag">Intimacy</a>, <a href="https://www.theatrevoice.com/audio-categories/intimacy-coordinator/" rel="tag">Intimacy coordinator</a>, <a href="https://www.theatrevoice.com/audio-categories/performance-audio/" rel="tag">Performance</a>, <a href="https://www.theatrevoice.com/audio-categories/rehearsals/" rel="tag">Rehearsals</a></p>
1039					
1040					
1041					</li>
1042									<li class="audio-post audio-post-2 ">
1043						<div class="audio-image">
1044							<a href="https://www.theatrevoice.com/audio/tony-lankester/">
1045							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" />							</a>
1046							<a class="button audio-button" href="https://www.theatrevoice.com/audio/tony-lankester/">
1047								<i class="fa-volume-up fa"></i>
1048								<span></span>
1049							</a>
1050						</div>
1051						<h2>
1052							<a href="https://www.theatrevoice.com/audio/tony-lankester/">
1053								Tony Lankester							</a>
1054						</h2>
1055						<p class="pub-date">13th March 2026</p>
1056						<p>
1056INTERVIEW: TONY LANKESTER Tony Lankester took on the role of Chief Executive of the Edinburgh Festival Fringe Society in 2025, stepping into one of th...</p>
1057						<a class="button audio-button" href="https://www.theatrevoice.com/audio/tony-lankester/">
1058							<i class="fa-volume-up fa"></i>
1059							<span>Listen now</span>
1060						</a>
1061						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/artificial-intelligence/" rel="tag">Artificial Intelligence</a>, <a href="https://www.theatrevoice.com/audio-categories/audiences/" rel="tag">Audiences</a>, <a href="https://www.theatrevoice.com/audio-categories/data/" rel="tag">Data</a>, <a href="https://www.theatrevoice.com/audio-categories/edinburgh-festival-fringe/" rel="tag">Edinburgh Festival and Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/experimental-theatre/" rel="tag">Experimental Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/festivals/" rel="tag">Festivals</a>, <a href="https://www.theatrevoice.com/audio-categories/funding-2/" rel="tag">Funding</a>, <a href="https://www.theatrevoice.com/audio-categories/performance-audio/" rel="tag">Performance</a>, <a href="https://www.theatrevoice.com/audio-categories/programming/" rel="tag">Programming</a>, <a href="https://www.theatrevoice.com/audio-categories/riverside-studios/" rel="tag">Riverside Studios</a>, <a href="https://www.theatrevoice.com/audio-categories/sponsorship/" rel="tag">Sponsorship</a>, <a href="https://www.theatrevoice.com/audio-categories/ticketing/" rel="tag">Ticketing</a></p>
1062					
1063					
1064					</li>
1065									<li class="audio-post audio-post-3 row-end">
1066						<div class="audio-image">
1067							<a href="https://www.theatrevoice.com/audio/paule-constable/">
1068							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" />							</a>
1069							<a class="button audio-button" href="https://www.theatrevoice.com/audio/paule-constable/">
1070								<i class="fa-volume-up fa"></i>
1071								<span></span>
1072							</a>
1073						</div>
1074						<h2>
1075							<a href="https://www.theatrevoice.com/audio/paule-constable/">
1076								Paule Constable							</a>
1077						</h2>
1078						<p class="pub-date">12th March 2026</p>
1079						<p>INTERVIEW: PAULE CONSTABLE Paule Constable is one of the most successful and influential lighting designers in the UK if not the world. She has shaped...</p>
1080						<a class="button audio-button" href="https://www.theatrevoice.com/audio/paule-constable/">
1081							<i class="fa-volume-up fa"></i>
1082							<span>Listen now</span>
1083						</a>
1084						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/backstage-2/" rel="tag">Backstage</a>, <a href="https://www.theatrevoice.com/audio-categories/collaboration/" rel="tag">Collaboration</a>, <a href="https://www.theatrevoice.com/audio-categories/design-audio/" rel="tag">Design</a>, <a href="https://www.theatrevoice.com/audio-categories/design-development/" rel="tag">Design development</a>, <a href="https://www.theatrevoice.com/audio-categories/discrimination/" rel="tag">Discrimination</a>, <a href="https://www.theatrevoice.com/audio-categories/diversity/" rel="tag">Diversity</a>, <a href="https://www.theatrevoice.com/audio-categories/freelance/" rel="tag">Freelance</a>, <a href="https://www.theatrevoice.com/audio-categories/lighting/" rel="tag">Lighting</a>, <a href="https://www.theatrevoice.com/audio-categories/lighting-design/" rel="tag">Lighting Design</a>, <a href="https://www.theatrevoice.com/audio-categories/new-talent/" rel="tag">New talent</a>, <a href="https://www.theatrevoice.com/audio-categories/nostalgia/" rel="tag">Nostalgia</a>, <a href="https://www.theatrevoice.com/audio-categories/nurturing-talent/" rel="tag">Nurturing talent</a>, <a href="https://www.theatrevoice.com/audio-categories/oliver/" rel="tag">Oliver!</a>, <a href="https://www.theatrevoice.com/audio-categories/pandemic/" rel="tag">Pandemic</a>, <a href="https://www.theatrevoice.com/audio-categories/sustainability/" rel="tag">Sustainability</a>, <a href="https://www.theatrevoice.com/audio-categories/the-curious-incident-of-the-dog-in-the-night-time/" rel="tag">The Curious Incident of the Dog in the Night-time</a>, <a href="https://www.theatrevoice.com/audio-categories/warhorse/" rel="tag">Warhorse</a></p>
1085					
1086					
1087					</li>
1088									<li class="audio-post audio-post-4 row-start">
1089						<div class="audio-image">
1090							<a href="https://www.theatrevoice.com/audio/sir-tim-rice/">
1091							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-220x16
10915.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" />							</a>
1092							<a class="button audio-button" href="https://www.theatrevoice.com/audio/sir-tim-rice/">
1093								<i class="fa-volume-up fa"></i>
1094								<span></span>
1095							</a>
1096						</div>
1097						<h2>
1098							<a href="https://www.theatrevoice.com/audio/sir-tim-rice/">
1099								Sir Tim Rice							</a>
1100						</h2>
1101						<p class="pub-date">12th January 2026</p>
1102						<p>INTERVIEW: SIR TIM RICE Sir Tim Rice is one of the most celebrated lyricists in theatre and film. He has won Oscars, Grammys, Emmys and Tonys, written...</p>
1103						<a class="button audio-button" href="https://www.theatrevoice.com/audio/sir-tim-rice/">
1104							<i class="fa-volume-up fa"></i>
1105							<span>Listen now</span>
1106						</a>
1107						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/composing/" rel="tag">Composing</a>, <a href="https://www.theatrevoice.com/audio-categories/disney/" rel="tag">Disney</a>, <a href="https://www.theatrevoice.com/audio-categories/egot/" rel="tag">EGOT</a>, <a href="https://www.theatrevoice.com/audio-categories/elvis/" rel="tag">Elvis</a>, <a href="https://www.theatrevoice.com/audio-categories/lyrics/" rel="tag">Lyrics</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a>, <a href="https://www.theatrevoice.com/audio-categories/songwriting/" rel="tag">Songwriting</a>, <a href="https://www.theatrevoice.com/audio-categories/west-end-theatre/" rel="tag">West End Theatre</a></p>
1108					
1109					
1110					</li>
1111									<li class="audio-post audio-post-5 ">
1112						<div class="audio-image">
1113							<a href="https://www.theatrevoice.com/audio/amit-sharma/">
1114							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" />							</a>
1115							<a class="button audio-button" href="https://www.theatrevoice.com/audio/amit-sharma/">
1116								<i class="fa-volume-up fa"></i>
1117								<span></span>
1118							</a>
1119						</div>
1120						<h2>
1121							<a href="https://www.theatrevoice.com/audio/amit-sharma/">
1122								Amit Sharma							</a>
1123						</h2>
1124						<p class="pub-date">13th November 2025</p>
1125						<p>INTERVIEW: AMIT SHARMA Amit Sharma became artistic director of London&#8217;s Kiln Theatre in 2023. He has already made his mark there with hits inclu...</p>
1126						<a class="button audio-button" href="https://www.theatrevoice.com/audio/amit-sharma/">
1127							<i class="fa-volume-up fa"></i>
1128							<span>Listen now</span>
1129						</a>
1130						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/accessibility/" rel="tag">Accessibility</a>, <a href="https://www.theatrevoice.com/audio-categories/artistic-director/" rel="tag">Artistic Director</a>, <a href="https://www.theatrevoice.com/audio-categories/community-theatre-2/" rel="tag">Community Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/disability/" rel="tag">Disability</a>, <a href="https://www.theatrevoice.com/audio-categories/diversity/" rel="tag">Diversity</a>, <a href="https://www.theatrevoice.com/audio-categories/edinburgh-festival-fringe/" rel="tag">Edinburgh Festival and Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/funding-2/" rel="tag">Funding</a>, <a href="https://www.theatrevoice.com/audio-categories/graeae-theatre-company/" rel="tag">Graeae Theatre Company</a>, <a href="https://www.theatrevoice.com/audio-categories/kiln-theatre/" rel="tag">Kiln Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/london-fringe-audio/" rel="tag">London Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/pandemic/" rel="tag">Pandemic</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/programming/" rel="tag">Programming</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a></p>
1131					
1132					
1133					</li>
1134									<li class="audio-post audio-post-6 row-end">
1135						<div class="audio-image">
1136							<a href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/">
1137							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-220x165.jpg 220w" sizes="(max-width: 300px) 100v
1137w, 300px" />							</a>
1138							<a class="button audio-button" href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/">
1139								<i class="fa-volume-up fa"></i>
1140								<span></span>
1141							</a>
1142						</div>
1143						<h2>
1144							<a href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/">
1145								Edinburgh Fringe 2025: Critical Roundup							</a>
1146						</h2>
1147						<p class="pub-date">9th October 2025</p>
1148						<p>TheatreVoice editor Tim Bano talks to Theatre Critics Arifa Akbar and Fergus Morgan to discuss the Edinburgh Fringe Festival 2025. This is an annual T...</p>
1149						<a class="button audio-button" href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/">
1150							<i class="fa-volume-up fa"></i>
1151							<span>Listen now</span>
1152						</a>
1153						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/21st-century-drama/" rel="tag">21st-Century Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/climate-crisis/" rel="tag">
1153Climate Crisis</a>, <a href="https://www.theatrevoice.com/audio-categories/criticism-audio/" rel="tag">Criticism</a>, <a href="https://www.theatrevoice.com/audio-categories/edinburgh-festival-fringe/" rel="tag">Edinburgh Festival and Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/experimental-theatre/" rel="tag">Experimental Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/festivals/" rel="tag">Festivals</a>, <a href="https://www.theatrevoice.com/audio-categories/international-audio/" rel="tag">International</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/political-theatre-audio/" rel="tag">Political Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/scottish-theatre-2/" rel="tag">Scottish Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/student-drama/" rel="tag">Student drama</a></p>
1154					
1155					
1156					</li>
1157									<li class="audio-post audio-post-7 row-start">
1158						<div class="audio-image">
1159							<a href="https://www.theatrevoice.com/audio/soutra-gilmour/">
1160							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" />							</a>
1161							<a class="button audio-button" href="https://www.theatrevoice.com/audio/soutra-gilmour/">
1162								<i class="fa-volume-up fa"></i>
1163								<span></span>
1164							</a>
1165						</div>
1166						<h2>
1167							<a href="https://www.theatrevoice.com/audio/soutra-gilmour/">
1168								Soutra Gilmour							</a>
1169						</h2>
1170						<p class="pub-date">8th August 2025</p>
1171						<p>INTERVIEW: SOUTRA GILMOUR Soutra Gilmour is one of the greatest theatre designers of our time, with five Olivier Awards and credits that cover all the...</p>
1172						<a class="button audio-button" href="https://www.theatrevoice.com/audio/soutra-gilmour/">
1173							<i class="fa-volume-up fa"></i>
1174							<span>Listen now</span>
1175						</a>
1176						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/adaptation-2/" rel="tag">Adaptation</a>, <a href="https://www.theatrevoice.com/audio-categories/collaboration/" rel="tag">Collaboration</a>, <a href="https://www.theatrevoice.com/audio-categories/costume-design/" rel="tag">Costume design</a>, <a href="https://www.theatrevoice.com/audio-categories/costumes/" rel="tag">Costumes</a>, <a href="https://www.theatrevoice.com/audio-categories/design-audio/" rel="tag">Design</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/neurodivergence/" rel="tag">Neurodivergence</a>, <a href="https://www.theatrevoice.com/audio-categories/set-design/" rel="tag">Set design</a></p>
1177					
1178					
1179					</li>
1180									<li class="audio-post audio-post-8 ">
1181						<div class="audio-image">
1182							<a href="https://www.theatrevoice.com/audio/kate-wasserberg/">
1183							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-300x225.webp" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-300x225.webp 300w, https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-380x285.webp 380w, https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-220x165.webp 220w" sizes="(max-width: 300px) 100v
1183w, 300px" />							</a>
1184							<a class="button audio-button" href="https://www.theatrevoice.com/audio/kate-wasserberg/">
1185								<i class="fa-volume-up fa"></i>
1186								<span></span>
1187							</a>
1188						</div>
1189						<h2>
1190							<a href="https://www.theatrevoice.com/audio/kate-wasserberg/">
1191								Kate Wasserberg							</a>
1192						</h2>
1193						<p class="pub-date">8th August 2025</p>
1194						<p>INTERVIEW: KATE WASSERBERG After a £50 million redevelopment, Theatr Clwyd has reopened its doors under new artistic director Kate Wasserberg. She ta...</p>
1195						<a class="button audio-button" href="https://www.theatrevoice.com/audio/kate-wasserberg/">
1196							<i class="fa-volume-up fa"></i>
1197							<span>Listen now</span>
1198						</a>
1199						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/artistic-director/" rel="tag">Artistic Director</a>, <a href="https://www.theatrevoice.com/audio-categories/community-theatre-2/" rel="tag">Community Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/education-2/" rel="tag">Education</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/out-of-joint/" rel="tag">Out of Joint</a>, <a href="https://www.theatrevoice.com/audio-categories/redevelopment/" rel="tag">Redevelopment</a>, <a href="https://www.theatrevoice.com/audio-categories/regional-theatre/" rel="tag">Regional Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-reopenings/" rel="tag">Theatre reopenings</a>, <a href="https://www.theatrevoice.com/audio-categories/welsh-theatre/" rel="tag">Welsh theatre</a></p>
1200					
1201					
1202					</li>
1203									<li class="audio-post audio-post-9 row-end">
1204						<div class="audio-image">
1205							<a href="https://www.theatrevoice.com/audio/dominic-hill/">
1206							<img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" />							</a>
1207							<a class="button audio-button" href="https://www.theatrevoice.com/audio/dominic-hill/">
1208								<i class="fa-volume-up fa"></i>
1209								<span></span>
1210							</a>
1211						</div>
1212						<h2>
1213							<a href="https://www.theatrevoice.com/audio/dominic-hill/">
1214								Dominic Hill							</a>
1215						</h2>
1216						<p class="pub-date">8th August 2025</p>
1217						<p>INTERVIEW: DOMINIC HILL Dominic Hill became artistic director of Glasgow&#8217;s Citizens Theatre in 2011. Seven years ago, the building closed for a ...</p>
1218						<a class="button audio-button" href="https://www.theatrevoice.com/audio/dominic-hill/">
1219							<i class="fa-volume-up fa"></i>
1220							<span>Listen now</span>
1221						</a>
1222						<p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/artistic-director/" rel="tag">Artistic Director</a>, <a href="https://www.theatrevoice.com/audio-categories/community-theatre-2/" rel="tag">Community Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/redevelopment/" rel="tag">Redevelopment</a>, <a href="https://www.theatrevoice.com/audio-categories/scottish-theatre-2/" rel="tag">Scottish Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-reopenings/" rel="tag">Theatre reopenings</a></p>
1223					
1224					
1225					</li>
1226							</ul>
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1246				<a href="https://www.theatrevoice.com/audio-categories/20th-century-drama/" title="Browse all 20th-Century Drama Audio">
1247												<img src="https://assets.theatrevoice.com/uploads/2014/10/20th-century-drama-220x165.jpg" alt="20th-Century Drama Audio" />
1248										</a>
1249				<h2>
1250					<a href="https://www.theatrevoice.com/audio-categories/20th-century-drama/">20th-Century Drama</a>
1251				</h2>
1252			</li>
1253								
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1255				<a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/" title="Browse all Actors and Performers Audio">
1256												<img src="https://assets.theatrevoice.com/uploads/2014/07/actors-performers.png" alt="Actors and Performers Audio" />
1257										</a>
1258				<h2>
1259					<a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/">Actors and Performers</a>
1260				</h2>
1261			</li>
1262								
1263			<li class="audio-category audio-category-3 "> 
1264				<a href="https://www.theatrevoice.com/audio-categories/directors/" title="Browse all Directors Audio">
1265												<img src="https://assets.theatrevoice.com/uploads/2014/10/directors.png" alt="Directors Audio" />
1266										</a>
1267				<h2>
1268					<a href="https://www.theatrevoice.com/audio-categories/directors/">Directors</a>
1269				</h2>
1270			</li>
1271								
1272			<li class="audio-category audio-category-4 row-end"> 
1273				<a href="https://www.theatrevoice.com/audio-categories/feminism-audio/" title="Browse all Feminism Audio">
1274												<img src="https://assets.theatrevoice.com/uploads/2014/12/feminism-220x165.gif" alt="Feminism Audio" />
1275										</a>
1276				<h2>
1277					<a href="https://www.theatrevoice.com/audio-categories/feminism-audio/">Feminism</a>
1278				</h2>
1279			</li>
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1343					<dt><h2><a class="title-permalink" href="https://www.theatrevoice.com/news/theatrevoice-archive-list-of-recordings-2011/" title="Theatrevoice archive, list of recordings 2011">Theatrevoice archive, list of recordings 2011</a></h2></dt>
1344					<dd title="2012-05-23">Wednesday 23rd May 2012</dd>		
1345					<dd><p>Theatrevoice catalogue of archive recordings, 2011</p>
1346</dd>
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