1<!DOCTYPE HTML> 2<!--[if IEMobile 7 ]><html class="no-js iem7" manifest="default.appcache?v=1"><![endif]--> 3<!--[if lt IE 7 ]><html class="no-js ie6" lang="en"><![endif]--> 4<!--[if IE 7 ]><html class="no-js ie7" lang="en"><![endif]--> 5<!--[if IE 8 ]><html class="no-js ie8" lang="en"><![endif]--> 6<!--[if (gte IE 9)|(gt IEMobile 7)|!(IEMobile)|!(IE)]><!--><html class="no-js" lang="en"><!--<![endif]--> 7 <head> 8 9 <meta charset="UTF-8" /> 10 <meta http-equiv="X-UA-Compatible" content="IE=edge,chrome=1"> 11 <meta name="viewport" content="width=device-width, initial-scale=1.0"><!-- Remove if you're not building a responsive site. (But then why would you do such a thing?) --> 12 <link rel="pingback" href="https://www.theatrevoice.com/wp/xmlrpc.php" /> 13 <link rel="shortcut icon" href="https://www.theatrevoice.com/content/themes/a7/img/favicon.ico"/> 14 <meta name='robots' content='index, follow, max-image-preview:large, max-snippet:-1, max-video-preview:-1' /> 15 16 <!-- This site is optimized with the Yoast SEO plugin v19.2 - https://yoast.com/wordpress/plugins/seo/ --> 17 <title>Audio Archive | TheatreVoice</title> 18 <link rel="canonical" href="https://www.theatrevoice.com/audio/" /> 19 <link rel="next" href="https://www.theatrevoice.com/audio/page/2/" /> 20 <meta property="og:locale" content="en_GB" /> 21 <meta property="og:type" content="website" /> 22 <meta property="og:title" content="Audio Archive | TheatreVoice" /> 23 <meta property="og:url" content="https://www.theatrevoice.com/audio/" /> 24 <meta property="og:site_name" content="TheatreVoice" /> 25 <meta property="og:image" content="http://www.theatrevoice.com/a7-assets/themes/a7/library/images/tv_logo_fb.png" /> 26 <meta name="twitter:card" content="summary_large_image" /> 27 <meta name="twitter:site" content="@theatrevoices" /> 28
28<script type="application/ld+json" class="yoast-schema-graph">{"@context":"https://schema.org","@graph":[{"@type":"Organization","@id":"https://www.theatrevoice.com/#organization","name":"Theatre Voice","url":"https://www.theatrevoice.com/","sameAs":["https://www.facebook.com/theatrevoice","https://twitter.com/theatrevoices"],"logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https://www.theatrevoice.com/#/schema/logo/image/","url":"https://assets.theatrevoice.com/uploads/2017/09/theatrevoice_itunes.png","contentUrl":"https://assets.theatrevoice.com/uploads/2017/09/theatrevoice_itunes.png","width":1400,"height":1400,"caption":"Theatre Voice"},"image":{"@id":"https://www.theatrevoice.com/#/schema/logo/image/"}},{"@type":"WebSite","@id":"https://www.theatrevoice.com/#website","url":"https://www.theatrevoice.com/","name":"TheatreVoice","description":"the web's leading resource for audio about British theatre","publisher":{"@id":"https://www.theatrevoice.com/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https://www.theatrevoice.com/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-GB"},{"@type":"CollectionPage","@id":"https://www.theatrevoice.com/audio/#webpage","url":"https://www.theatrevoice.com/audio/","name":"Audio Archive | TheatreVoice","isPartOf":{"@id":"https://www.theatrevoice.com/#website"},"breadcrumb":{"@id":"https://www.theatrevoice.com/audio/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https://www.theatrevoice.com/audio/"]}]},{"@type":"BreadcrumbList","@id":"https://www.theatrevoice.com/audio/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https://www.theatrevoice.com/"},{"@type":"ListItem","position":2,"name":"Audio"}]}]}</script>
28 29 <!-- / Yoast SEO plugin. --> 30 31 32<link rel='dns-prefetch' href='//fast.fonts.net' /> 33<link rel='dns-prefetch' href='//s.w.org' /> 34<link rel='dns-prefetch' href='//assets.theatrevoice.com' /> 35<link rel="alternate" type="application/rss+xml" title="TheatreVoice » Audio Feed" href="https://www.theatrevoice.com/audio/feed/" />
36<script type="text/javascript"> 37window._wpemojiSettings = {"baseUrl":"https:\/\/s.w.org\/images\/core\/emoji\/13.1.0\/72x72\/","ext":".png","svgUrl":"https:\/\/s.w.org\/images\/core\/emoji\/13.1.0\/svg\/","svgExt":".svg","source":{"concatemoji":"https:\/\/www.theatrevoice.com\/wp\/wp-includes\/js\/wp-emoji-release.min.js?ver=5.9.3"}}; 38/*! This file is auto-generated */ 39!function(e,a,t){var n,r,o,i=a.createElement("canvas"),p=i.getContext&&i.getContext("2d");function s(e,t){var a=String.fromCharCode;p.clearRect(0,0,i.width,i.height),p.fillText(a.apply(this,e),0,0);e=i.toDataURL();return p.clearRect(0,0,i.width,i.height),p.fillText(a.apply(this,t),0,0),e===i.toDataURL()}function c(e){var t=a.createElement("script");t.src=e,t.defer=t.type="text/javascript",a.getElementsByTagName("head")[0].appendChild(t)}for(o=Array("flag","emoji"),t.supports={everything:!0,everythingExceptFlag:!0},r=0;r<o.length;r++)t.supports[o[r]]=function(e){if(!p||!p.fillText)return!1;switch(p.textBaseline="top",p.font="600 32px Arial",e){case"flag":return s([127987,65039,8205,9895,65039],[127987,65039,8203,9895,65039])?!1:!s([55356,56826,55356,56819],[55356,56826,8203,55356,56819])&&!s([55356,57332,56128,56423,56128,56418,56128,56421,56128,56430,56128,56423,56128,56447],[55356,57332,8203,56128,56423,8203,56128,56418,8203,56128,56421,8203,56128,56430,8203,56128,56423,8203,56128,56447]);case"emoji":return!s([10084,65039,8205,55357,56613],[10084,65039,8203,55357,56613])}return!1}(o[r]),t.supports.everything=t.supports.everything&&t.supports[o[r]],"flag"!==o[r]&&(t.supports.everythingExceptFlag=t.supports.everythingExceptFlag&&t.supports[o[r]]);t.supports.everythingExceptFlag=t.supports.everythingExceptFlag&&!t.supports.flag,t.DOMReady=!1,t.readyCallback=function(){t.DOMReady=!0},t.supports.everything||(n=function(){t.readyCallback()},a.addEventListener?(a.addEventListener("DOMContentLoaded",n,!1),e.addEventListener("load",n,!1)):(e.attachEvent("onload",n),a.attachEvent("onreadystatechange",function(){"complete"===a.readyState&&t.readyCallback()})),(n=t.source||{}).concatemoji?c(n.concatemoji):n.wpemoji&&n.twemoji&&(c(n.twemoji),c(n.wpemoji)))}(window,document,window._wpemojiSettings); 40</script>
40 41<style type="text/css"> 42img.wp-smiley, 43img.emoji { 44 display: inline !important; 45 border: none !important; 46 box-shadow: none !important; 47 height: 1em !important; 48 width: 1em !important; 49 margin: 0 0.07em !important; 50 vertical-align: -0.1em !important; 51 background: none !important; 52 padding: 0 !important; 53} 54</style> 55 <link rel='stylesheet' id='wp-block-library-css' href='https://www.theatrevoice.com/wp/wp-includes/css/dist/block-library/style.min.css?ver=5.9.3' type='text/css' media='all' /> 56<style id='global-styles-inline-css' type='text/css'> 57body{--wp--preset--color--black: #000000;--wp--preset--color--cyan-bluish-gray: #abb8c3;--wp--preset--color--white: #ffffff;--wp--preset--color--pale-pink: #f78da7;--wp--preset--color--vivid-red: #cf2e2e;--wp--preset--color--luminous-vivid-orange: #ff6900;--wp--preset--color--luminous-vivid-amber: #fcb900;--wp--preset--color--light-green-cyan: #7bdcb5;--wp--preset--color--vivid-green-cyan: #00d084;--wp--preset--color--pale-cyan-blue: #8ed1fc;--wp--preset--color--vivid-cyan-blue: #0693e3;--wp--preset--color--vivid-purple: #9b51e0;--wp--preset--gradient--vivid-cyan-blue-to-vivid-purple: linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%);--wp--preset--gradient--light-green-cyan-to-vivid-green-cyan: linear-gradient(135deg,rgb(122,220,180) 0%,rgb(0,208,130) 100%);--wp--preset--gradient--luminous-vivid-amber-to-luminous-vivid-orange: linear-gradient(135deg,rgba(252,185,0,1) 0%,rgba(255,105,0,1) 100%);--wp--preset--gradient--luminous-vivid-orange-to-vivid-red: linear-gradient(135deg,rgba(255,105,0,1) 0%,rgb(207,46,46) 100%);--wp--preset--gradient--very-light-gray-to-cyan-bluish-gray: linear-gradient(135deg,rgb(238,238,238) 0%,rgb(169,184,195) 100%);
57--wp--preset--gradient--cool-to-warm-spectrum: linear-gradient(135deg,rgb(74,234,220) 0%,rgb(151,120,209) 20%,rgb(207,42,186) 40%,rgb(238,44,130) 60%,rgb(251,105,98) 80%,rgb(254,248,76) 100%);--wp--preset--gradient--blush-light-purple: linear-gradient(135deg,rgb(255,206,236) 0%,rgb(152,150,240) 100%);--wp--preset--gradient--blush-bordeaux: linear-gradient(135deg,rgb(254,205,165) 0%,rgb(254,45,45) 50%,rgb(107,0,62) 100%);--wp--preset--gradient--luminous-dusk: linear-gradient(135deg,rgb(255,203,112) 0%,rgb(199,81,192) 50%,rgb(65,88,208) 100%);--wp--preset--gradient--pale-ocean: linear-gradient(135deg,rgb(255,245,203) 0%,rgb(182,227,212) 50%,rgb(51,167,181) 100%);--wp--preset--gradient--electric-grass: linear-gradient(135deg,rgb(202,248,128) 0%,rgb(113,206,126) 100%);--wp--preset--gradient--midnight: linear-gradient(135deg,rgb(2,3,129) 0%,rgb(40,116,252) 100%);--wp--preset--duotone--dark-grayscale: url('#wp-duotone-dark-grayscale');--wp--preset--duotone--grayscale: url('#wp-duotone-grayscale');--wp--preset--duotone--purple-yellow: url('#wp-duotone-purple-yellow');--wp--preset--duotone--blue-red: url('#wp-duotone-blue-red');--wp--preset--duotone--midnight: url('#wp-duotone-midnight');--wp--preset--duotone--magenta-yellow: url('#wp-duotone-magenta-yellow');--wp--preset--duotone--purple-green: url('#wp-duotone-purple-green');--wp--preset--duotone--blue-orange: url('#wp-duotone-blue-orange');--wp--preset--font-size--small: 13px;--wp--preset--font-size--medium: 20px;--wp--preset--font-size--large: 36px;--wp--preset--font-size--x-large: 42px;}.has-black-color{color: var(--wp--preset--color--black) !important;}.has-cyan-bluish-gray-color{color: var(--wp--preset--color--cyan-bluish-gray) !important;}.has-white-color{color: var(--wp--preset--color--white) !important;}.has-pale-pink-color{color: var(--wp--preset--color--pale-pink) !important;}.has-vivid-red-color{color: var(--wp--preset--color--vivid-red) !important;}.has-luminous-vivid-orange-color{color: var(--wp--preset--color--luminous-vivid-orange) !important;}.has-luminous-vivid-amber-color{color: var(--wp--preset--color--luminous-vivid-amber) !important;}.has-light-green-cyan-color{color: var(--wp--preset--color--light-green-cyan) !important;}.has-vivid-green-cyan-color{color: var(--wp--preset--color--vivid-green-cyan) !important;}.has-pale-cyan-blue-color{color: var(--wp--preset--color--pale-cyan-blue) !important;}.has-vivid-cyan-blue-color{color: var(--wp--preset--color--vivid-cyan-blue) !important;}.has-vivid-purple-color{color: var(--wp--preset--color--vivid-purple) !important;}.has-black-background-color{background-color: var(--wp--preset--color--black) !important;}.has-cyan-bluish-gray-background-color{background-color: var(--wp--preset--color--cyan-bluish-gray) !important;}.has-white-background-color{background-color: var(--wp--preset--color--white) !important;}.has-pale-pink-background-color{background-color: var(--wp--preset--color--pale-pink) !important;}.has-vivid-red-background-color{background-color: var(--wp--preset--color--vivid-red) !important;}.has-luminous-vivid-orange-background-color{background-color: var(--wp--preset--color--luminous-vivid-orange) !important;}.has-luminous-vivid-amber-background-color{background-color: var(--wp--preset--color--luminous-vivid-amber) !important;}.has-light-green-cyan-background-color{background-color: var(--wp--preset--color--light-green-cyan) !important;}.has-vivid-green-cyan-background-color{background-color: var(--wp--preset--color--vivid-green-cyan) !important;}.has-pale-cyan-blue-background-color{background-color: var(--wp--preset--color--pale-cyan-blue) !important;}.has-vivid-cyan-blue-background-color{background-color: var(--wp--preset--color--vivid-cyan-blue) !important;}.has-vivid-purple-background-color{background-color: var(--wp--preset--color--vivid-purple) !important;}.has-black-border-color{border-color: var(--wp--preset--color--black) !important;}.has-cyan-bluish-gray-border-color{border-color: var(--wp--preset--color--cyan-bluish-gray) !important;}.has-white-border-color{border-color: var(--wp--preset--color--white) !important;}.has-pale-pink-border-color{border-color: var(--wp--preset--color--pale-pink) !important;}.has-vivid-red-border-color{border-color: var(--wp--preset--color--vivid-red) !important;}.has-luminous-vivid-orange-border-color{border-color: var(--wp--preset--color--luminous-vivid-orange) !important;}.has-luminous-vivid-amber-border-color{border-color: var(--wp--preset--color--luminous-vivid-amber) !important;}.has-light-green-cyan-border-color{border-color: var(--wp--preset--color--light-green-cyan) !important;}.has-vivid-green-cyan-border-color{border-color: var(--wp--preset--color--vivid-green-cyan) !important;}.has-pale-cyan-blue-border-color{border-color: var(--wp--preset--color--pale-cyan-blue) !important;}.has-vivid-cyan-blue-border-color{border-color: var(--wp--preset--color--vivid-cyan-blue) !important;}.has-vivid-purple-border-color{border-color: var(--wp--preset--color--vivid-purple) !important;}.has-vivid-cyan-blue-to-vivid-purple-gradient-background{background: var(--wp--preset--gradient--vivid-cyan-blue-to-vivid-purple) !important;}.has-light-green-cyan-to-vivid-green-cyan-gradient-background{background: var(--wp--preset--gradient--light-green-cyan-to-vivid-green-cyan) !important;}.has-luminous-vivid-amber-to-luminous-vivid-orange-gradient-background{background: var(--wp--preset--gradient--luminous-vivid-amber-to-luminous-vivid-orange) !important;}.has-luminous-vivid-orange-to-vivid-red-gradient-background{background: var(--wp--preset--gradient--luminous-vivid-orange-to-vivid-red) !important;}
57.has-very-light-gray-to-cyan-bluish-gray-gradient-background{background: var(--wp--preset--gradient--very-light-gray-to-cyan-bluish-gray) !important;}.has-cool-to-warm-spectrum-gradient-background{background: var(--wp--preset--gradient--cool-to-warm-spectrum) !important;}.has-blush-light-purple-gradient-background{background: var(--wp--preset--gradient--blush-light-purple) !important;}.has-blush-bordeaux-gradient-background{background: var(--wp--preset--gradient--blush-bordeaux) !important;}.has-luminous-dusk-gradient-background{background: var(--wp--preset--gradient--luminous-dusk) !important;}.has-pale-ocean-gradient-background{background: var(--wp--preset--gradient--pale-ocean) !important;}.has-electric-grass-gradient-background{background: var(--wp--preset--gradient--electric-grass) !important;}.has-midnight-gradient-background{background: var(--wp--preset--gradient--midnight) !important;}.has-small-font-size{font-size: var(--wp--preset--font-size--small) !important;}.has-medium-font-size{font-size: var(--wp--preset--font-size--medium) !important;}.has-large-font-size{font-size: var(--wp--preset--font-size--large) !important;}.has-x-large-font-size{font-size: var(--wp--preset--font-size--x-large) !important;} 58</style> 59<link rel='stylesheet' id='font-awesome-four-css' href='https://www.theatrevoice.com/content/plugins/font-awesome-4-menus/css/font-awesome.min.css?ver=4.7.0' type='text/css' media='all' /> 60<link rel='stylesheet' id='wptf-style-css' href='https://www.theatrevoice.com/content/plugins/wp-twitter-feed-pro/wptf.css?ver=5.9.3' type='text/css' media='all' /> 61<link rel='stylesheet' id='chosen.min-css' href='https://www.theatrevoice.com/content/themes/a7/library/js/chosen_v1/chosen.min.css?ver=5.9.3' type='text/css' media='all' /> 62<link rel='stylesheet' id='screen-css' href='https://www.theatrevoice.com/content/themes/a7/library/css/style.css?ver=5.9.3' type='text/css' media='screen,print' /> 63<link rel='stylesheet' id='print-css' href='https://www.theatrevoice.com/content/themes/a7/library/css/print.css?ver=5.9.3' type='text/css' media='print' /> 64<link rel='stylesheet' id='webFonts-css' href='http://fast.fonts.net/cssapi/478f2a7b-585a-4e98-a1ac-c8f7f8dfcd28.css?ver=5.9.3' type='text/css' media='all' />
65<script type='text/javascript' src='https://www.theatrevoice.com/wp/wp-includes/js/jquery/jquery.min.js?ver=3.6.0' id='jquery-core-js'></script>
vendor: 1 bytes, line 65
65
66<script type='text/javascript' src='https://www.theatrevoice.com/wp/wp-includes/js/jquery/jquery-migrate.min.js?ver=3.3.2' id='jquery-migrate-js'></script>
vendor: 1 bytes, line 66
66
67<script type='text/javascript' src='https://www.theatrevoice.com/content/plugins/jquery-lightbox-balupton-edition/scripts/jquery.lightbox.min.js?ver=1.4.9' id='jquery-lightbox-js'></script>
vendor: 1 bytes, line 67
67
68<script type='text/javascript' src='https://www.theatrevoice.com/content/plugins/jquery-lightbox-balupton-edition/scripts/jquery.lightbox.plugin.min.js?ver=1.0' id='jquery-lightbox-plugin-js'></script>
vendor: 1 bytes, line 68
68
69<script type='text/javascript' src='https://www.theatrevoice.com/content/themes/a7/library/js/chosen_v1/chosen.jquery.min.js?ver=5.9.3' id='chosen.jquery.min-js'></script>
69 70<link rel="https://api.w.org/" href="https://www.theatrevoice.com/wp-json/" /><link rel="EditURI" type="application/rsd+xml" title="RSD" href="https://www.theatrevoice.com/wp/xmlrpc.php?rsd" /> 71<link rel="wlwmanifest" type="application/wlwmanifest+xml" href="https://www.theatrevoice.com/wp/wp-includes/wlwmanifest.xml" /> 72<meta name="generator" content="WordPress 5.9.3" /> 73
74<script type="text/javascript">jQuery(function($) { 75 $.Lightbox.construct({ 76 "show_linkback": false 77, "show_helper_text": false, "show_info": true, "show_extended_info": true, "download_link": false, "opacity": "0.5", "padding": "0" }); 78});</script>
78 79
79<script type="text/javascript"> 80 function nxsPostToFav(obj){ obj.preventDefault; 81 var k = obj.target.split("-"); var nt = k[0]; var ii = k[1]; var pid = k[2]; 82 var data = { action:'nxs_snap_aj', nxsact: 'manPost', nt:nt, id: pid, nid: ii, et_load_builder_modules:1, _wpnonce: 'ad3515a19a'}; 83 jQuery('#nxsFavNoticeCnt').html('<p> Posting... </p>'); jQuery('#nxsFavNotice').modal({ fadeDuration: 50 }); 84 jQuery.post('https://www.theatrevoice.com/wp/wp-admin/admin-ajax.php', data, function(response) { if (response=='') response = 'Message Posted'; 85 jQuery('#nxsFavNoticeCnt').html('<p> ' + response + '</p>' +'<input type="button" onclick="jQuery.modal.close();" class="bClose" value="Close" />'); 86 }); 87 } 88 </script>
vendor: 2 bytes, line 88
88
89<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src="//platform.twitter.com/widgets.js";fjs.parentNode.insertBefore(js,fjs);}}(document,"script","twitter-wjs");</script>
89 90 91 92 <!-- Begin Google Analytics --> 93 94 <!-- Google tag (gtag.js) -->
vendor: 66 bytes, lines 94-95
94 95 <script async src="https://www.googletagmanager.com/gtag/js?id=
95G-Y434ZCD7GL
vendor: 14 bytes, lines 95-96
95"></script> 96
96<script> 97
vendor: 140 bytes, lines 97-101
97window.dataLayer = window.dataLayer || []; 98 function gtag(){dataLayer.push(arguments);} 99 gtag('js', new Date()); 100 101 gtag('config', '
101G-Y434ZCD7GL
vendor: 6 bytes, lines 101-102
101'); 102
102</script>
102 103 104 <!--
104<script>
vendor: 349 bytes, lines 104-110
104 105 (function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ 106 (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), 107 m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) 108 })(window,document,'script','//www.google-analytics.com/analytics.js','ga'); 109 110 ga('create', '
110UA-53157314-1
vendor: 43 bytes, lines 110-113
110', 'auto'); 111 ga('send', 'pageview'); 112 113
113</script>
113 --> 114 115 116 117 118 <!-- End Google Analytics --> </head> 119 <body class="archive post-type-archive post-type-archive-audio"> 120 <div id="a7-container"> 121 122 123 124<!-- Begin Header --> 125<div id="header"> 126 127 <div id="logo"> 128 <a href="/" title="TheatreVoice" > 129 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/logo-theatrevoice.svg" width="160" height="120" alt="TheatreVoice | the web's leading resource for audio about British theatre" /> 130 </a> 131 <div class="strapline">the web's leading audio resource for British Theatre</div> 132 </div> 133 134 <div id="primary-navigation-wrapper"> 135 <ul id="primary-navigation" class="menu"><li id="menu-item-11159" class="home menu-item menu-item-type-post_type menu-item-object-page menu-item-home menu-item-11159 menu-item-www.theatrevoice.com"><a href="https://www.theatrevoice.com/"><i class="fa fa-home"></i><span class="fontawesome-text"> Home</span></a></li> 136<li id="menu-item-11154" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-11154 menu-item-about-us"><a href="https://www.theatrevoice.com/about-us/">About Us</a></li> 137<li id="menu-item-11152" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-11152 menu-item-links"><a href="https://www.theatrevoice.com/links/">Links</a></li> 138</ul> </div> 139 <div class="clear"></div> 140 141 <select id="menu-responsive-navigation"><option>Menu</option><option value ="https://www.theatrevoice.com/">Home</option><option value ="https://www.theatrevoice.com/audio/" selected='selected'>Audio</option><option value ="https://www.theatrevoice.com/video/">Video</option><option value ="https://www.theatrevoice.com/audio-categories/transcripts/">Transcripts</option><option value ="https://www.theatrevoice.com/about-us/">About Us</option><option value ="http://listings.theatrevoice.com/">UK Theatre Tickets</option><option value ="https://www.theatrevoice.com/links/">Links</option></select> 142 <div id="quick-links-wrapper"> 143 <ul id="quick-links" class="menu"><li id="menu-item-11166" class="audio current-menu-item menu-item menu-item-type-audio menu-item-object-cpt-archive menu-item-11166 menu-item-ita-obrien-2"><a href="https://www.theatrevoice.com/audio/"><i class="fa fa-volume-up"></i><span class="fontawesome-text"> Audio</span></a></li> 144<li id="menu-item-11168" class="video menu-item menu-item-type-video menu-item-object-cpt-archive menu-item-11168 menu-item-ita-obrien-2"><a href="https://www.theatrevoice.com/video/"><i class="fa fa-video-camera"></i><span class="fontawesome-text"> Video</span></a></li> 145<li id="menu-item-11162" class="transcripts menu-item menu-item-type-taxonomy menu-item-object-audio_category menu-item-11162 menu-item-comedy-robin-sebastian-the-actor-who-plays-kenneth-williams"><a href="https://www.theatrevoice.com/audio-categories/transcripts/"><i class="fa fa-edit"></i><span class="fontawesome-text"> Transcripts</span></a></li> 146<li id="menu-item-11489" class="reviews menu-item menu-item-type-review menu-item-object-cpt-archive menu-item-11489 menu-item-ita-obrien-2"><a href="https://www.theatrevoice.com/review/"><i class="fa-book fa"></i><span class="fontawesome-text"> Reviews</span></a></li> 147</ul> <form action="/" method="get" id="search-form" class="search-form"> 148 <input type="text" class="text" name="s" id="search" value="Search our site" /> 149 <input type="hidden" name="post_type[]" value="video" /> 150 <input type="hidden" name="post_type[]" value="post" /> 151 <input type="hidden" name="post_type[]" value="audio" /> 152 <input type="hidden" name="post_type[]" value="review" /> 153 <button type="submit" class="search" ><i class="fa fa-search fa-lg"></i></button> 154</form> <div class="clear"></div> 155 </div> 156 157 158 <ul class="sponsors"> 159<!-- <li class="v_and_a"><a href="http://www.vam.ac.uk/page/t/theatre-and-performance/" title="V&A"><img src="https://www.theatrevoice.com/content/themes/a7/library/images/logo_v_and_a.png" alt="V&A" /></a></li> 160 --> 161 <li class="urban_scrawl"><a href="http://www.urbanscrawl.org.uk/"title="Urban Scrawl"><img src="https://www.theatrevoice.com/content/themes/a7/library/images/logo_urban_crawl.png" alt="Urban Scrawl" /></a></li> 162 </ul> 163 164 165 <div class="clear"></div> 166 167</div> 168 169<!-- End Header --> 170 171
172<div id="content" class="home"> 173 174 <p id="breadcrumbs"> You are here: 175<span><span><a href="https://www.theatrevoice.com/">Home</a> » <span class="breadcrumb_last" aria-current="page">Audio</span></span></span></p> 176 <h1> 177 Audio 178 </h1> 179 180 181 182 <div id="advanced-search-filter"> 183 184 <div class="filter-block"> 185 <div class="a7-widget-title">Search Audio</div> 186 187 <form action="/" method="get" id="advanced-search-form" class="advanced-search-form"> 188 <input type="text" class="text" name="s" id="search" value="" /> 189 <input type="hidden" name="post_type" value="audio" /> 190 <button type="submit" class="search" ><i class="fa fa-search fa-lg"></i></button> 191 </form> 192 </div> 193 194 <div class="filter-block"> 195 <div class="a7-widget-title">Browse by Category</div> 196 197 198 <select name="audio-category-filter" id="audio-category-filter" class="audio-search-filter"> 199 <option></option> 200 <option value="/audio-categories/18th-century-drama/">18th-Century Drama - 3</option> 201 <option></option> 202 <option value="/audio-categories/1920s-drama/">1920s Drama - 1</option> 203 <option></option> 204 <option value="/audio-categories/1930s-drama/">1930s Drama - 4</option> 205 <option></option> 206 <option value="/audio-categories/1950s-drama/">1950s Drama - 23</option> 207 <option></option> 208 <option value="/audio-categories/1960s-drama/">1960s Drama - 16</option> 209 <option></option> 210 <option value="/audio-categories/1970s-drama/">1970s Drama - 15</option> 211 <option></option> 212 <option value="/audio-categories/1980s-drama/">1980s Drama - 1</option> 213 <option></option> 214 <option value="/audio-categories/19th-century-drama/">19th-Century Drama - 15</option> 215 <option></option> 216 <option value="/audio-categories/20th-century-drama/">20th-Century Drama - 80</option> 217 <option></option> 218 <option value="/audio-categories/21st-century-drama/">21st-Century Drama - 9</option> 219 <option></option> 220 <option value="/audio-categories/accessibility/">Accessibility - 1</option> 221 <option></option> 222 <option value="/audio-categories/actors-and-performers/">Actors and Performers - 264</option> 223 <option></option> 224 <option value="/audio-categories/adaptation-2/">Adaptation - 38</option> 225 <option></option> 226 <option value="/audio-categories/american-drama/">American Drama - 87</option> 227 <option></option> 228 <option value="/audio-categories/architecture/">Architecture - 1</option> 229 <option></option> 230 <option value="/audio-categories/artificial-intelligence/">Artificial Intelligence - 1</option> 231 <option></option> 232 <option value="/audio-categories/artistic-director/">Artistic Director - 6</option> 233 <option></option> 234 <option value="/audio-categories/asian-voices/">Asian Voices - 85</option> 235 <option></option> 236 <option value="/audio-categories/audiences/">Audiences - 1</option> 237 <option></option> 238 <option value="/audio-categories/awards-audio/">Awards - 15</option> 239 <option></option> 240 <option value="/audio-categories/backstage-2/">Backstage - 7</option> 241 <option></option> 242 <option value="/audio-categories/ballet/">Ballet - 1</option> 243 <option></option> 244 <option value="/audio-categories/black-voices/">Black Voices - 67</option> 245 <option></option> 246 <option value="/audio-categories/books/">Books - 76</option> 247 <option></option> 248 <option value="/audio-categories/bridge-theatre/">Bridge Theatre - 2</option> 249 <option></option> 250 <option value="/audio-categories/childrens-theatre/">Children's Theatre - 26</option> 251 <option></option> 252 <option value="/audio-categories/choreography/">Choreography - 2</option> 253 <option></option> 254 <option value="/audio-categories/climate-crisis/">Climate Crisis - 2</option> 255 <option></option> 256 <option value="/audio-categories/collaboration/">Collaboration - 3</option> 257 <option></option> 258 <option value="/audio-categories/comedy-audio/">Comedy - 42</option> 259 <option></option> 260 <option value="/audio-categories/community-theatre-2/">Community Theatre - 13</option> 261 <option></option> 262 <option value="/audio-categories/composers/">Composers - 2</option> 263 <option></option> 264 <option value="/audio-categories/composing/">Composing - 2</option> 265 <option></option> 266 <option value="/audio-categories/consent/">Consent - 1</option> 267 <option></option> 268 <option value="/audio-categories/conservation/">Conservation - 1</option> 269 <option></option> 270 <option value="/audio-categories/costume-design/">Costume design - 1</option> 271 <option></option> 272 <option value="/audio-categories/costumes/">Costumes - 11</option> 273 <option></option> 274 <option value="/audio-categories/criticism-audio/">Criticism - 48</option> 275 <option></option> 276 <option value="/audio-categories/cultural-heritage/">Cultural heritage - 1</option> 277 <option></option> 278 <option value="/audio-categories/dance-2/">Dance - 16</option> 279 <option></option> 280 <option value="/audio-categories/data/">Data - 1</option> 281 <option></option> 282 <option value="/audio-categories/design-audio/">Design - 49</option> 283 <option></option> 284 <option value="/audio-categories/design-development/">Design development - 1</option> 285 <option></option> 286 <option value="/audio-categories/devised-theatre-2/">Devised Theatre - 10</option> 287 <option></option> 288 <option value="/audio-categories/digital-theatre-audio/">Digital Theatre - 10</option> 289 <option></option> 290 <option value="/audio-categories/directors/">Directors - 479</option> 291 <option></option> 292 <option value="/audio-categories/disability/">Disability - 1</option> 293 <option></option> 294 <option value="/audio-categories/disability-arts/">Disability Arts - 7</option> 295 <option></option> 296 <option value="/audio-categories/discrimination/">Discrimination - 1</option> 297 <option></option> 298 <option value="/audio-categories/disney/">Disney - 1</option> 299 <option></option> 300 <option value="/audio-categories/diversity/">Diversity - 2</option> 301 <option></option> 302 <option value="/audio-categories/donmar-warehouse/">Donmar Warehouse - 1</option> 303 <option></option> 304 <option value="/audio-categories/dramaturgy/">Dramaturgy - 2</option> 305 <option></option> 306 <option value="/audio-categories/edinburgh-festival-fringe/">Edinburgh Festival and Fringe - 90</option> 307 <option></option> 308 <option value="/audio-categories/education-2/">Education - 6</option> 309 <option></option> 310 <option value="/audio-categories/egot/">EGOT - 1</option> 311 <option></option> 312 <option value="/audio-categories/elvis/">Elvis - 1</option> 313 <option></option>
314 <option value="/audio-categories/european-theatre/">European Theatre - 28</option> 315 <option></option> 316 <option value="/audio-categories/experimental/">Experimental - 1</option> 317 <option></option> 318 <option value="/audio-categories/experimental-theatre/">Experimental Theatre - 6</option> 319 <option></option> 320 <option value="/audio-categories/family-entertainmnent/">Family entertainmnent - 1</option> 321 <option></option> 322 <option value="/audio-categories/farce-2/">Farce - 3</option> 323 <option></option> 324 <option value="/audio-categories/feminism-audio/">Feminism - 42</option> 325 <option></option> 326 <option value="/audio-categories/festivals/">Festivals - 5</option> 327 <option></option> 328 <option value="/audio-categories/film-production/">Film production - 1</option> 329 <option></option> 330 <option value="/audio-categories/frank-matcham/">Frank Matcham - 1</option> 331 <option></option> 332 <option value="/audio-categories/freelance/">Freelance - 1</option> 333 <option></option> 334 <option value="/audio-categories/funding-2/">Funding - 14</option> 335 <option></option> 336 <option value="/audio-categories/gay-drama/">Gay Drama - 8</option> 337 <option></option> 338 <option value="/audio-categories/graeae-theatre-company/">Graeae Theatre Company - 1</option> 339 <option></option> 340 <option value="/audio-categories/greek-drama/">Greek Drama - 14</option> 341 <option></option> 342 <option value="/audio-categories/historical-drama/">Historical Drama - 12</option> 343 <option></option> 344 <option value="/audio-categories/immersive-theatre/">Immersive Theatre - 5</option> 345 <option></option> 346 <option value="/audio-categories/international-audio/">International - 162</option> 347 <option></option> 348 <option value="/audio-categories/intimacy/">Intimacy - 1</option> 349 <option></option> 350 <option value="/audio-categories/intimacy-coordinator/">Intimacy coordinator - 1</option> 351 <option></option> 352 <option value="/audio-categories/irish-drama/">Irish Drama - 31</option> 353 <option></option> 354 <option value="/audio-categories/kiln-theatre/">Kiln Theatre - 1</option> 355 <option></option> 356 <option value="/audio-categories/lighting/">Lighting - 1</option> 357 <option></option> 358 <option value="/audio-categories/lighting-design/">Lighting Design - 2</option> 359 <option></option> 360 <option value="/audio-categories/live-art-audio/">Live Art - 52</option> 361 <option></option> 362 <option value="/audio-categories/london-fringe-audio/">London Fringe - 84</option> 363 <option></option> 364 <option value="/audio-categories/lyrics/">Lyrics - 1</option> 365 <option></option> 366 <option value="/audio-categories/management/">Management - 3</option> 367 <option></option> 368 <option value="/audio-categories/musicals-audio/">Musicals - 120</option> 369 <option></option> 370 <option value="/audio-categories/national-theatre/">National Theatre - 2</option> 371 <option></option> 372 <option value="/audio-categories/neurodivergence/">Neurodivergence - 1</option> 373 <option></option> 374 <option value="/audio-categories/new-talent/">New talent - 1</option> 375 <option></option> 376 <option value="/audio-categories/new-writing-audio/">New Writing - 354</option> 377 <option></option> 378 <option value="/audio-categories/new-york-and-broadway/">New York and Broadway - 6</option> 379 <option></option> 380 <option value="/audio-categories/nostalgia/">Nostalgia - 1</option> 381 <option></option> 382 <option value="/audio-categories/nurturing-talent/">Nurturing talent - 1</option> 383 <option></option> 384 <option value="/audio-categories/oliver/">Oliver! - 1</option> 385 <option></option> 386 <option value="/audio-categories/olivier-awards/">Olivier Awards - 2</option> 387 <option></option> 388 <option value="/audio-categories/out-of-joint/">Out of Joint - 1</option> 389 <option></option> 390 <option value="/audio-categories/outdoors/">Outdoors - 7</option> 391 <option></option> 392 <option value="/audio-categories/pandemic/">Pandemic - 3</option> 393 <option></option> 394 <option value="/audio-categories/pantomime/">Pantomime - 1</option> 395 <option></option> 396 <option value="/audio-categories/participatory-interactive/">Participatory and Interactive - 28</option> 397 <option></option> 398 <option value="/audio-categories/performance-audio/">Performance - 21</option> 399 <option></option> 400 <option value="/audio-categories/performance-photography/">Performance Photography - 1</option> 401 <option></option> 402 <option value="/audio-categories/physical-visual-theatre/">Physical and Visual Theatre - 99</option> 403 <option></option> 404 <option value="/audio-categories/playwrights-audio/">Playwrights - 462</option> 405 <option></option> 406 <option value="/audio-categories/political-theatre-audio/">Political Theatre - 69</option> 407 <option></option> 408 <option value="/audio-categories/producers-audio/">Producers - 76</option> 409 <option></option> 410 <option value="/audio-categories/programming/">Programming - 6</option> 411 <option></option> 412 <option value="/audio-categories/puppetry-2/">Puppetry - 3</option> 413 <option></option> 414 <option value="/audio-categories/redevelopment/">Redevelopment - 2</option> 415 <option></option> 416 <option value="/audio-categories/regional-theatre/">Regional Theatre - 90</option> 417 <option></option> 418 <option value="/audio-categories/rehearsals/">Rehearsals - 1</option> 419 <option></option> 420 <option value="/audio-categories/review-of-the-year/">Review of the Year - 16</option> 421 <option></option> 422 <option value="/audio-categories/reviews-and-roundtables/">Reviews and Roundtables - 300</option> 423 <option></option> 424 <option value="/audio-categories/riverside-studios/">Riverside Studios - 1</option> 425 <option></option> 426 <option value="/audio-categories/royal-court/">Royal Court - 1</option> 427 <option></option> 428 <option value="/audio-categories/russian-drama/">Russian Drama - 18</option> 429 <option></option> 430 <option value="/audio-categories/scottish-theatre-2/">Scottish Theatre - 14</option> 431 <option></option> 432 <option value="/audio-categories/set-design/">Set design - 1</option> 433 <option></option> 434 <option value="/audio-categories/shakespeare-and-renaissance-drama/">Shakespeare and Renaissance Drama - 206</option> 435 <option></option> 436 <option value="/audio-categories/site-specific-audio/">Site Specific - 36</option> 437 <option></option> 438 <option value="/audio-categories/songwriting/">Songwriting - 1</option> 439 <option></option> 440 <option value="/audio-categories/sound-design/">Sound design - 1</option> 441 <option></option> 442 <option value="/audio-categories/south-african-theatre/">South African Theatre - 17</option> 443 <option></option> 444 <option value="/audio-categories/spoken-word-audio/">Spoken Word - 7</option> 445 <option></option> 446 <option value="/audio-categories/sponsorship/">Sponsorship - 1</option> 447 <option></option> 448 <option value="/audio-categories/streaming/">Streaming - 1</option> 449 <option></option> 450 <option value="/audio-categories/student-drama/">Student drama - 2</option> 451 <option></option> 452 <option value="/audio-categories/sustainability/">Sustainability - 2</option> 453 <option></option> 454 <option value="/audio-categories/technology/">Technology - 1</option> 455 <option></option> 456 <option value="/audio-categories/the-curious-incident-of-the-dog-in-the-night-time/">The Curious Incident of the Dog in the Night-time - 1</option> 457 <option></option> 458 <option value="/audio-categories/theatre-buildings/">Theatre Buildings - 84</option> 459 <option></option> 460 <option value="/audio-categories/theatre-companies/">Theatre Companies - 5</option> 461 <option></option> 462 <option value="/audio-categories/theatre-history/">Theatre History - 4</option> 463 <option></option> 464 <option value="/audio-categories/theatre-management/">Theatre Management - 3</option> 465 <option></option> 466 <option value="/audio-categories/theatre-people/">Theatre People - 108</option> 467 <option></option> 468 <option value="/audio-categories/theatre-reopenings/">Theatre reopenings - 2</option> 469 <option></option> 470 <option value="/audio-categories/theatres-at-risk-register/">Theatres at Risk Register - 1</option> 471 <option></option> 472 <option value="/audio-categories/theatres-trust/">Theatres Trust - 1</option> 473 <option></option> 474 <option value="/audio-categories/ticketing/">Ticketing - 2</option> 475 <option></option> 476 <option value="/audio-categories/touring-theatre/">Touring theatre - 1</option> 477 <option></option> 478 <option value="/audio-categories/transcripts/">Transcripts - 41</option> 479 <option></option> 480 <option value="/audio-categories/tv-production/">TV production - 1</option> 481 <option></option> 482 <option value="/audio-categories/urban-scrawl-podcast-series/">Urban Scrawl podcast series - 54</option> 483 <option></option> 484 <option value="/audio-categories/verbatim-drama-audio/">Verbatim Drama - 21</option> 485 <option></option> 486 <option value="/audio-categories/voluntary-sector-2/">Voluntary Sector - 4</option> 487 <option></option> 488 <option value="/audio-categories/warhorse/">Warhorse - 1</option> 489 <option></option> 490 <option value="/audio-categories/welsh-theatre/">Welsh theatre - 1</option> 491 <option></option> 492 <option value="/audio-categories/west-end-theatre/">West End Theatre - 1</option> 493 <option></option> 494 <option value="/audio-categories/youth-theatre/">Youth Theatre - 21</option> 495 </select> 496 </div> 497 498 <div class="filter-block"> 499 <div class="a7-widget-title">Browse by Year</div> 500 501 <select name="audio-archive-year" id="audio-archive-year" class="audio-search-filter"> 502 <option></option> 503 <option value='https://www.theatrevoice.com/2026/audio/'> 2026 (4)</option> 504 <option value='https://www.theatrevoice.com/2025/audio/'> 2025 (11)</option> 505 <option value='https://www.theatrevoice.com/2024/audio/'> 2024 (8)</option> 506 <option value='https://www.theatrevoice.com/2023/audio/'> 2023 (5)</option> 507 <option value='https://www.theatrevoice.com/2022/audio/'> 2022 (10)</option> 508 <option value='https://www.theatrevoice.com/2020/audio/'> 2020 (4)</option> 509 <option value='https://www.theatrevoice.com/2019/audio/'> 2019 (25)</option> 510 <option value='https://www.theatrevoice.com/2018/audio/'> 2018 (23)</option> 511 <option value='https://www.theatrevoice.com/2017/audio/'> 2017 (39)</option> 512 <option value='https://www.theatrevoice.com/2016/audio/'> 2016 (58)</option> 513 <option value='https://www.theatrevoice.com/2015/audio/'> 2015 (47)</option> 514 <option value='https://www.theatrevoice.com/2014/audio/'> 2014 (72)</option> 515 <option value='https://www.theatrevoice.com/2013/audio/'> 2013 (120)</option> 516 <option value='https://www.theatrevoice.com/2012/audio/'> 2012 (141)</option> 517 <option value='https://www.theatrevoice.com/2011/audio/'> 2011 (150)</option> 518 <option value='https://www.theatrevoice.com/2010/audio/'> 2010 (136)</option> 519 <option value='https://www.theatrevoice.com/2009/audio/'> 2009 (144)</option> 520 <option value='https://www.theatrevoice.com/2008/audio/'> 2008 (108)</option> 521 <option value='https://www.theatrevoice.com/2007/audio/'> 2007 (73)</option> 522 <option value='https://www.theatrevoice.com/2006/audio/'> 2006 (70)</option> 523 <option value='https://www.theatrevoice.com/2005/audio/'> 2005 (96)</option> 524 <option value='https://www.theatrevoice.com/2004/audio/'> 2004 (151)</option> 525 <option value='https://www.theatrevoice.com/2003/audio/'> 2003 (58)</option> 526 </select> 527 </div> 528 529 <div class="filter-block"> 530 <div class="a7-widget-title">Browse by Month</div> 531 532 <select name="audio-archive-month" id="audio-archive-month" class="audio-search-filter"> 533 <option></option> 534 <option value='https://www.theatrevoice.com/2026/03/audio/'> March 2026 (3)</option> 535 <option value='https://www.theatrevoice.com/2026/01/audio/'> January 2026 (1)</option> 536 <option value='https://www.theatrevoice.com/2025/11/audio/'> November 2025 (1)</option> 537 <option value='https://www.theatrevoice.com/2025/10/audio/'> October 2025 (1)</option> 538 <option value='https://www.theatrevoice.com/2025/08/audio/'> August 2025 (3)</option> 539 <option value='https://www.theatrevoice.com/2025/03/audio/'> March 2025 (6)</option> 540 <option value='https://www.theatrevoice.com/2024/11/audio/'> November 2024 (2)</option> 541 <option value='https://www.theatrevoice.com/2024/03/audio/'> March 2024 (1)</option> 542 <option value='https://www.theatrevoice.com/2024/02/audio/'> February 2024 (3)</option> 543 <option value='https://www.theatrevoice.com/2024/01/audio/'> January 2024 (2)</option> 544 <option value='https://www.theatrevoice.com/2023/11/audio/'> November 2023 (2)</option> 545 <option value='https://www.theatrevoice.com/2023/10/audio/'> October 2023 (2)</option> 546 <option value='https://www.theatrevoice.com/2023/09/audio/'> September 2023 (1)</option> 547 <option value='https://www.theatrevoice.com/2022/04/audio/'> April 2022 (3)</option> 548 <option value='https://www.theatrevoice.com/2022/03/audio/'> March 2022 (3)</option> 549 <option value='https://www.theatrevoice.com/2022/02/audio/'> February 2022 (3)</option> 550 <option value='https://www.theatrevoice.com/2022/01/audio/'> January 2022 (1)</option> 551 <option value='https://www.theatrevoice.com/2020/04/audio/'> April 2020 (3)</option> 552 <option value='https://www.theatrevoice.com/2020/03/audio/'> March 2020 (1)</option> 553 <option value='https://www.theatrevoice.com/2019/12/audio/'> December 2019 (3)</option> 554 <option value='https://www.theatrevoice.com/2019/11/audio/'> November 2019 (4)</option> 555 <option value='https://www.theatrevoice.com/2019/10/audio/'> October 2019 (5)</option> 556 <option value='https://www.theatrevoice.com/2019/07/audio/'> July 2019 (1)</option> 557 <option value='https://www.theatrevoice.com/2019/06/audio/'> June 2019 (3)</option>
558 <option value='https://www.theatrevoice.com/2019/05/audio/'> May 2019 (5)</option> 559 <option value='https://www.theatrevoice.com/2019/04/audio/'> April 2019 (4)</option> 560 <option value='https://www.theatrevoice.com/2018/12/audio/'> December 2018 (3)</option> 561 <option value='https://www.theatrevoice.com/2018/11/audio/'> November 2018 (5)</option> 562 <option value='https://www.theatrevoice.com/2018/10/audio/'> October 2018 (3)</option> 563 <option value='https://www.theatrevoice.com/2018/06/audio/'> June 2018 (3)</option> 564 <option value='https://www.theatrevoice.com/2018/05/audio/'> May 2018 (4)</option> 565 <option value='https://www.theatrevoice.com/2018/04/audio/'> April 2018 (4)</option> 566 <option value='https://www.theatrevoice.com/2018/03/audio/'> March 2018 (1)</option> 567 <option value='https://www.theatrevoice.com/2017/12/audio/'> December 2017 (3)</option> 568 <option value='https://www.theatrevoice.com/2017/11/audio/'> November 2017 (5)</option> 569 <option value='https://www.theatrevoice.com/2017/10/audio/'> October 2017 (4)</option> 570 <option value='https://www.theatrevoice.com/2017/09/audio/'> September 2017 (4)</option> 571 <option value='https://www.theatrevoice.com/2017/08/audio/'> August 2017 (3)</option> 572 <option value='https://www.theatrevoice.com/2017/07/audio/'> July 2017 (2)</option> 573 <option value='https://www.theatrevoice.com/2017/06/audio/'> June 2017 (5)</option> 574 <option value='https://www.theatrevoice.com/2017/05/audio/'> May 2017 (4)</option> 575 <option value='https://www.theatrevoice.com/2017/04/audio/'> April 2017 (3)</option> 576 <option value='https://www.theatrevoice.com/2017/03/audio/'> March 2017 (3)</option> 577 <option value='https://www.theatrevoice.com/2017/02/audio/'> February 2017 (1)</option> 578 <option value='https://www.theatrevoice.com/2017/01/audio/'> January 2017 (2)</option> 579 <option value='https://www.theatrevoice.com/2016/12/audio/'> December 2016 (2)</option> 580 <option value='https://www.theatrevoice.com/2016/11/audio/'> November 2016 (4)</option> 581 <option value='https://www.theatrevoice.com/2016/10/audio/'> October 2016 (6)</option> 582 <option value='https://www.theatrevoice.com/2016/09/audio/'> September 2016 (6)</option> 583 <option value='https://www.theatrevoice.com/2016/08/audio/'> August 2016 (8)</option> 584 <option value='https://www.theatrevoice.com/2016/07/audio/'> July 2016 (2)</option> 585 <option value='https://www.theatrevoice.com/2016/06/audio/'> June 2016 (5)</option> 586 <option value='https://www.theatrevoice.com/2016/05/audio/'> May 2016 (6)</option> 587 <option value='https://www.theatrevoice.com/2016/04/audio/'> April 2016 (5)</option> 588 <option value='https://www.theatrevoice.com/2016/03/audio/'> March 2016 (6)</option> 589 <option value='https://www.theatrevoice.com/2016/02/audio/'> February 2016 (2)</option> 590 <option value='https://www.theatrevoice.com/2016/01/audio/'> January 2016 (6)</option> 591 <option value='https://www.theatrevoice.com/2015/11/audio/'> November 2015 (5)</option> 592 <option value='https://www.theatrevoice.com/2015/10/audio/'> October 2015 (3)</option> 593 <option value='https://www.theatrevoice.com/2015/09/audio/'> September 2015 (5)</option> 594 <option value='https://www.theatrevoice.com/2015/08/audio/'> August 2015 (4)</option> 595 <option value='https://www.theatrevoice.com/2015/07/audio/'> July 2015 (3)</option> 596 <option value='https://www.theatrevoice.com/2015/06/audio/'> June 2015 (2)</option> 597 <option value='https://www.theatrevoice.com/2015/05/audio/'> May 2015 (7)</option> 598 <option value='https://www.theatrevoice.com/2015/04/audio/'> April 2015 (3)</option> 599 <option value='https://www.theatrevoice.com/2015/03/audio/'> March 2015 (4)</option> 600 <option value='https://www.theatrevoice.com/2015/02/audio/'> February 2015 (7)</option> 601 <option value='https://www.theatrevoice.com/2015/01/audio/'> January 2015 (4)</option> 602 <option value='https://www.theatrevoice.com/2014/12/audio/'> December 2014 (5)</option> 603 <option value='https://www.theatrevoice.com/2014/11/audio/'> November 2014 (7)</option> 604 <option value='https://www.theatrevoice.com/2014/10/audio/'> October 2014 (4)</option> 605 <option value='https://www.theatrevoice.com/2014/08/audio/'> August 2014 (8)</option> 606 <option value='https://www.theatrevoice.com/2014/07/audio/'> July 2014 (8)</option> 607 <option value='https://www.theatrevoice.com/2014/06/audio/'> June 2014 (13)</option> 608 <option value='https://www.theatrevoice.com/2014/05/audio/'> May 2014 (4)</option> 609 <option value='https://www.theatrevoice.com/2014/04/audio/'> April 2014 (4)</option> 610 <option value='https://www.theatrevoice.com/2014/03/audio/'> March 2014 (5)</option> 611 <option value='https://www.theatrevoice.com/2014/02/audio/'> February 2014 (6)</option> 612 <option value='https://www.theatrevoice.com/2014/01/audio/'> January 2014 (8)</option> 613 <option value='https://www.theatrevoice.com/2013/12/audio/'> December 2013 (7)</option> 614 <option value='https://www.theatrevoice.com/2013/11/audio/'> November 2013 (12)</option> 615 <option value='https://www.theatrevoice.com/2013/10/audio/'> October 2013 (14)</option> 616 <option value='https://www.theatrevoice.com/2013/09/audio/'> September 2013 (4)</option> 617 <option value='https://www.theatrevoice.com/2013/08/audio/'> August 2013 (9)</option> 618 <option value='https://www.theatrevoice.com/2013/07/audio/'> July 2013 (5)</option> 619 <option value='https://www.theatrevoice.com/2013/06/audio/'> June 2013 (7)</option> 620 <option value='https://www.theatrevoice.com/2013/05/audio/'> May 2013 (9)</option> 621 <option value='https://www.theatrevoice.com/2013/04/audio/'> April 2013 (19)</option> 622 <option value='https://www.theatrevoice.com/2013/03/audio/'> March 2013 (8)</option> 623 <option value='https://www.theatrevoice.com/2013/02/audio/'> February 2013 (15)</option> 624 <option value='https://www.theatrevoice.com/2013/01/audio/'> January 2013 (11)</option> 625 <option value='https://www.theatrevoice.com/2012/12/audio/'> December 2012 (12)</option> 626 <option value='https://www.theatrevoice.com/2012/11/audio/'> November 2012 (14)</option> 627 <option value='https://www.theatrevoice.com/2012/10/audio/'> October 2012 (6)</option> 628 <option value='https://www.theatrevoice.com/2012/09/audio/'> September 2012 (12)</option> 629 <option value='https://www.theatrevoice.com/2012/08/audio/'> August 2012 (13)</option> 630 <option value='https://www.theatrevoice.com/2012/07/audio/'> July 2012 (14)</option> 631 <option value='https://www.theatrevoice.com/2012/06/audio/'> June 2012 (14)</option> 632 <option value='https://www.theatrevoice.com/2012/05/audio/'> May 2012 (12)</option> 633 <option value='https://www.theatrevoice.com/2012/04/audio/'> April 2012 (14)</option> 634 <option value='https://www.theatrevoice.com/2012/03/audio/'> March 2012 (7)</option> 635 <option value='https://www.theatrevoice.com/2012/02/audio/'> February 2012 (14)</option> 636 <option value='https://www.theatrevoice.com/2012/01/audio/'> January 2012 (9)</option> 637 <option value='https://www.theatrevoice.com/2011/12/audio/'> December 2011 (8)</option> 638 <option value='https://www.theatrevoice.com/2011/11/audio/'> November 2011 (8)</option> 639 <option value='https://www.theatrevoice.com/2011/10/audio/'> October 2011 (13)</option> 640 <option value='https://www.theatrevoice.com/2011/09/audio/'> September 2011 (5)</option> 641 <option value='https://www.theatrevoice.com/2011/08/audio/'> August 2011 (14)</option> 642 <option value='https://www.theatrevoice.com/2011/07/audio/'> July 2011 (19)</option> 643 <option value='https://www.theatrevoice.com/2011/06/audio/'> June 2011 (11)</option> 644 <option value='https://www.theatrevoice.com/2011/05/audio/'> May 2011 (12)</option> 645 <option value='https://www.theatrevoice.com/2011/04/audio/'> April 2011 (10)</option> 646 <option value='https://www.theatrevoice.com/2011/03/audio/'> March 2011 (17)</option> 647 <option value='https://www.theatrevoice.com/2011/02/audio/'> February 2011 (12)</option> 648 <option value='https://www.theatrevoice.com/2011/01/audio/'> January 2011 (21)</option> 649 <option value='https://www.theatrevoice.com/2010/12/audio/'> December 2010 (6)</option> 650 <option value='https://www.theatrevoice.com/2010/11/audio/'> November 2010 (15)</option> 651 <option value='https://www.theatrevoice.com/2010/10/audio/'> October 2010 (18)</option> 652 <option value='https://www.theatrevoice.com/2010/09/audio/'> September 2010 (7)</option> 653 <option value='https://www.theatrevoice.com/2010/08/audio/'> August 2010 (16)</option> 654 <option value='https://www.theatrevoice.com/2010/07/audio/'> July 2010 (10)</option> 655 <option value='https://www.theatrevoice.com/2010/06/audio/'> June 2010 (9)</option> 656 <option value='https://www.theatrevoice.com/2010/05/audio/'> May 2010 (14)</option> 657 <option value='https://www.theatrevoice.com/2010/04/audio/'> April 2010 (6)</option> 658 <option value='https://www.theatrevoice.com/2010/03/audio/'> March 2010 (8)</option> 659 <option value='https://www.theatrevoice.com/2010/02/audio/'> February 2010 (6)</option> 660 <option value='https://www.theatrevoice.com/2010/01/audio/'> January 2010 (21)</option> 661 <option value='https://www.theatrevoice.com/2009/12/audio/'> December 2009 (11)</option> 662 <option value='https://www.theatrevoice.com/2009/11/audio/'> November 2009 (11)</option> 663 <option value='https://www.theatrevoice.com/2009/10/audio/'> October 2009 (23)</option> 664 <option value='https://www.theatrevoice.com/2009/09/audio/'> September 2009 (14)</option> 665 <option value='https://www.theatrevoice.com/2009/08/audio/'> August 2009 (14)</option> 666 <option value='https://www.theatrevoice.com/2009/07/audio/'> July 2009 (13)</option> 667 <option value='https://www.theatrevoice.com/2009/06/audio/'> June 2009 (8)</option>
668 <option value='https://www.theatrevoice.com/2009/05/audio/'> May 2009 (17)</option> 669 <option value='https://www.theatrevoice.com/2009/04/audio/'> April 2009 (5)</option> 670 <option value='https://www.theatrevoice.com/2009/03/audio/'> March 2009 (9)</option> 671 <option value='https://www.theatrevoice.com/2009/02/audio/'> February 2009 (10)</option> 672 <option value='https://www.theatrevoice.com/2009/01/audio/'> January 2009 (9)</option> 673 <option value='https://www.theatrevoice.com/2008/12/audio/'> December 2008 (6)</option> 674 <option value='https://www.theatrevoice.com/2008/11/audio/'> November 2008 (10)</option> 675 <option value='https://www.theatrevoice.com/2008/10/audio/'> October 2008 (9)</option> 676 <option value='https://www.theatrevoice.com/2008/09/audio/'> September 2008 (8)</option> 677 <option value='https://www.theatrevoice.com/2008/08/audio/'> August 2008 (10)</option> 678 <option value='https://www.theatrevoice.com/2008/07/audio/'> July 2008 (14)</option> 679 <option value='https://www.theatrevoice.com/2008/06/audio/'> June 2008 (9)</option> 680 <option value='https://www.theatrevoice.com/2008/05/audio/'> May 2008 (11)</option> 681 <option value='https://www.theatrevoice.com/2008/04/audio/'> April 2008 (4)</option> 682 <option value='https://www.theatrevoice.com/2008/03/audio/'> March 2008 (8)</option> 683 <option value='https://www.theatrevoice.com/2008/02/audio/'> February 2008 (11)</option> 684 <option value='https://www.theatrevoice.com/2008/01/audio/'> January 2008 (8)</option> 685 <option value='https://www.theatrevoice.com/2007/12/audio/'> December 2007 (3)</option> 686 <option value='https://www.theatrevoice.com/2007/11/audio/'> November 2007 (11)</option> 687 <option value='https://www.theatrevoice.com/2007/10/audio/'> October 2007 (8)</option> 688 <option value='https://www.theatrevoice.com/2007/09/audio/'> September 2007 (5)</option> 689 <option value='https://www.theatrevoice.com/2007/08/audio/'> August 2007 (2)</option> 690 <option value='https://www.theatrevoice.com/2007/07/audio/'> July 2007 (5)</option> 691 <option value='https://www.theatrevoice.com/2007/06/audio/'> June 2007 (4)</option> 692 <option value='https://www.theatrevoice.com/2007/05/audio/'> May 2007 (8)</option> 693 <option value='https://www.theatrevoice.com/2007/04/audio/'> April 2007 (9)</option> 694 <option value='https://www.theatrevoice.com/2007/03/audio/'> March 2007 (6)</option> 695 <option value='https://www.theatrevoice.com/2007/02/audio/'> February 2007 (8)</option> 696 <option value='https://www.theatrevoice.com/2007/01/audio/'> January 2007 (4)</option> 697 <option value='https://www.theatrevoice.com/2006/12/audio/'> December 2006 (6)</option> 698 <option value='https://www.theatrevoice.com/2006/11/audio/'> November 2006 (6)</option> 699 <option value='https://www.theatrevoice.com/2006/10/audio/'> October 2006 (6)</option> 700 <option value='https://www.theatrevoice.com/2006/09/audio/'> September 2006 (9)</option> 701 <option value='https://www.theatrevoice.com/2006/08/audio/'> August 2006 (4)</option> 702 <option value='https://www.theatrevoice.com/2006/07/audio/'> July 2006 (4)</option> 703 <option value='https://www.theatrevoice.com/2006/06/audio/'> June 2006 (12)</option> 704 <option value='https://www.theatrevoice.com/2006/05/audio/'> May 2006 (6)</option> 705 <option value='https://www.theatrevoice.com/2006/04/audio/'> April 2006 (4)</option> 706 <option value='https://www.theatrevoice.com/2006/03/audio/'> March 2006 (3)</option> 707 <option value='https://www.theatrevoice.com/2006/02/audio/'> February 2006 (6)</option> 708 <option value='https://www.theatrevoice.com/2006/01/audio/'> January 2006 (4)</option> 709 <option value='https://www.theatrevoice.com/2005/12/audio/'> December 2005 (7)</option> 710 <option value='https://www.theatrevoice.com/2005/11/audio/'> November 2005 (9)</option> 711 <option value='https://www.theatrevoice.com/2005/10/audio/'> October 2005 (8)</option> 712 <option value='https://www.theatrevoice.com/2005/09/audio/'> September 2005 (6)</option> 713 <option value='https://www.theatrevoice.com/2005/08/audio/'> August 2005 (1)</option> 714 <option value='https://www.theatrevoice.com/2005/07/audio/'> July 2005 (4)</option> 715 <option value='https://www.theatrevoice.com/2005/06/audio/'> June 2005 (5)</option> 716 <option value='https://www.theatrevoice.com/2005/05/audio/'> May 2005 (16)</option> 717 <option value='https://www.theatrevoice.com/2005/04/audio/'> April 2005 (11)</option> 718 <option value='https://www.theatrevoice.com/2005/03/audio/'> March 2005 (9)</option> 719 <option value='https://www.theatrevoice.com/2005/02/audio/'> February 2005 (11)</option> 720 <option value='https://www.theatrevoice.com/2005/01/audio/'> January 2005 (9)</option> 721 <option value='https://www.theatrevoice.com/2004/12/audio/'> December 2004 (12)</option> 722 <option value='https://www.theatrevoice.com/2004/11/audio/'> November 2004 (15)</option> 723 <option value='https://www.theatrevoice.com/2004/10/audio/'> October 2004 (13)</option> 724 <option value='https://www.theatrevoice.com/2004/09/audio/'> September 2004 (10)</option> 725 <option value='https://www.theatrevoice.com/2004/08/audio/'> August 2004 (10)</option> 726 <option value='https://www.theatrevoice.com/2004/07/audio/'> July 2004 (10)</option> 727 <option value='https://www.theatrevoice.com/2004/06/audio/'> June 2004 (9)</option> 728 <option value='https://www.theatrevoice.com/2004/05/audio/'> May 2004 (22)</option> 729 <option value='https://www.theatrevoice.com/2004/04/audio/'> April 2004 (9)</option> 730 <option value='https://www.theatrevoice.com/2004/03/audio/'> March 2004 (11)</option> 731 <option value='https://www.theatrevoice.com/2004/02/audio/'> February 2004 (13)</option> 732 <option value='https://www.theatrevoice.com/2004/01/audio/'> January 2004 (17)</option> 733 <option value='https://www.theatrevoice.com/2003/12/audio/'> December 2003 (15)</option> 734 <option value='https://www.theatrevoice.com/2003/11/audio/'> November 2003 (14)</option> 735 <option value='https://www.theatrevoice.com/2003/10/audio/'> October 2003 (14)</option> 736 <option value='https://www.theatrevoice.com/2003/09/audio/'> September 2003 (7)</option> 737 <option value='https://www.theatrevoice.com/2003/06/audio/'> June 2003 (1)</option> 738 <option value='https://www.theatrevoice.com/2003/05/audio/'> May 2003 (4)</option> 739 <option value='https://www.theatrevoice.com/2003/04/audio/'> April 2003 (3)</option> 740 </select> 741 </div> 742 <div class="clear"></div> 743 744</div> 745 746 <div class="a7-archive-selection"> 747 <div class="a7-widget-title">Featured Audio</div> 748 <div id="a7-slider"> 749 <ul> 750 <li> 751 <a href="https://www.theatrevoice.com/audio/the-critics-circle-centenary-conference-the-future-of-criticism/" class="image-link"> 752 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 753 </a> 754 <div class="audio-meta"> 755 <h2> 756 <a href="https://www.theatrevoice.com/audio/the-critics-circle-centenary-conference-the-future-of-criticism/"> 757 The Criticsâ Circle Centenary Conference: The Future of Criticism </a> 758 </h2> 759 <p class="pub-date">28th September 2013</p> 760 <div class="excerpt"><p>THE CRITICSâ CIRCLE CENTENARY CONFERENCE: 100 YEARS OF CRITICISM Lyn Gardner (Guardian) hosts a discu
760ssion on the subject of What Next? with Michael Coveney (Whatsonstage.com), Kerry Michael (artistic director, Theatre Royal Stratford East) and Mat...</p> 761</div> 762 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/the-critics-circle-centenary-conference-the-future-of-criticism/"> 763 <i class="fa fa-volume-up"></i> 764 <span>Listen now</span> 765 </a> 766 <a class="button audio-button archive-button alt series" href="/audio/"> 767 <i class="fa fa-volume-up"></i> 768 <span>Browse the archive</span> 769 </a> 770 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/criticism-audio/" rel="tag">Criticism</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a></p> 771 </div> 772 <div class="clear"></div> 773 774 </li> 775 <li> 776 <a href="https://www.theatrevoice.com/audio/simon-russell-beale-talks-about-his-star-performance-as-timon/" class="image-link"> 777 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 778 </a> 779 <div class="audio-meta"> 780 <h2> 781 <a href="https://www.theatrevoice.com/audio/simon-russell-beale-talks-about-his-star-performance-as-timon/"> 782 Simon Russell Beale talks about his star performance as Timon </a> 783 </h2> 784 <p class="pub-date">31st August 2012</p> 785 <div class="excerpt"><p>SHAKESPEARE: TIMON OF ATHENS Simon Russell Beale, who plays the lead role in Nicholas Hytner's current production at the National Theatre, part of the World Shakespeare Festival, talks to Heather Neill about the play and the production. </p> 786</div> 787 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/simon-russell-beale-talks-about-his-star-performance-as-timon/"> 788 <i class="fa fa-volume-up"></i> 789 <span>Listen now</span> 790 </a> 791 <a class="button audio-button archive-button alt series" href="/audio/"> 792 <i class="fa fa-volume-up"></i> 793 <span>Browse the archive</span> 794 </a> 795 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/" rel="tag">Actors and Performers</a>, <a href="https://www.theatrevoice.com/audio-categories/shakespeare-and-renaissance-drama/" rel="tag">Shakespeare and Renaissance Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-people/" rel="tag">Theatre People</a></p> 796 </div> 797 <div class="clear"></div> 798 799 </li> 800 <li> 801 <a href="https://www.theatrevoice.com/audio/nicholas-hytner-shares-a-few-of-his-favourite-songs-part-1/" class="image-link"> 802 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 803 </a> 804 <div class="audio-meta"> 805 <h2> 806 <a href="https://www.theatrevoice.com/audio/nicholas-hytner-shares-a-few-of-his-favourite-songs-part-1/"> 807 Nick Hytner shares a few of his favourite songs (1/2) </a> 808 </h2> 809 <p class="pub-date">6th July 2011</p> 810 <div class="excerpt"><p>THESE ARE A FEW OF MY FAVOURITE SONGS: NICHOLAS HYTNER (1/2) The artistic director of the National Theatre talks to Mark Shenton about some of the songs that have meant the most to him during his career. Part of a special series at Jermyn Street Thea...</p> 811</div> 812 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/nicholas-hytner-shares-a-few-of-his-favourite-songs-part-1/"> 813 <i class="fa fa-volume-up"></i> 814 <span>Listen now</span> 815 </a> 816 <a class="button audio-button archive-button alt series" href="/audio/"> 817 <i class="fa fa-volume-up"></i> 818 <span>Browse the archive</span> 819 </a> 820 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a></p> 821 </div> 822 <div class="clear"></div> 823 824 </li> 825 <li> 826 <a href="https://www.theatrevoice.com/audio/sir-nicholas-hytner-shares-a-few-more-of-his-favourite-songs-part-2/" class="image-link"> 827 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 828 </a> 829 <div class="audio-meta"> 830 <h2> 831 <a href="https://www.theatrevoice.com/audio/sir-nicholas-hytner-shares-a-few-more-of-his-favourite-songs-part-2/"> 832 Nick Hytner shares a few of his favourite songs (2/2) </a> 833 </h2> 834 <p class="pub-date">6th July 2011</p> 835 <div class="excerpt"><p>THESE ARE A FEW OF MY FAVOURITE SONGS: NICHOLAS HYTNER (2/2) The artistic director of the National Theatre talks to Mark Shenton about some of the songs that have meant the most to him during his career. Part of a special series at Jermyn Street Thea...</p> 836</div> 837 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/sir-nicholas-hytner-shares-a-few-more-of-his-favourite-songs-part-2/"> 838 <i class="fa fa-volume-up"></i> 839 <span>Listen now</span> 840 </a> 841 <a class="button audio-button archive-button alt series" href="/audio/"> 842 <i class="fa fa-volume-up"></i> 843 <span>Browse the archive</span> 844 </a> 845 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a></p> 846 </div> 847 <div class="clear"></div> 848 849 </li> 850 <li> 851 <a href="https://www.theatrevoice.com/audio/new-writing-in-british-theatre-today/" class="image-link"> 852 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 853 </a> 854 <div class="audio-meta"> 855 <h2> 856 <a href="https://www.theatrevoice.com/audio/new-writing-in-british-theatre-today/"> 857 New writing in British theatre today </a> 858 </h2> 859 <p class="pub-date">16th February 2010</p> 860 <div class="excerpt"><p>NEW WRITING SPECIAL Lecture entitled Blasted and After: New Writing in British Theatre Today, about in-yer-face theatre in 1990s and its aftermath, given by Aleks Sierz (Visiting Research Fellow, Rose Bruford College) at a meeting of the Society for ...</p> 861</div> 862 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/new-writing-in-british-theatre-today/"> 863 <i class="fa fa-volume-up"></i> 864 <span>Listen now</span> 865 </a> 866 <a class="button audio-button archive-button alt series" href="/audio/"> 867 <i class="fa fa-volume-up"></i> 868 <span>Browse the archive</span> 869 </a> 870 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p> 871 </div> 872 <div class="clear"></div> 873 874 </li> 875 <li> 876 <a href="https://www.theatrevoice.com/audio/academic-graham-saunders-assesses-sarah-kane/" class="image-link"> 877 <img src="https://assets.theatrevoice.com/uploads/2009/08/kane-380x285.jpg" alt="Academic Graham Saunders assesses Sarah Kane" /> 878 </a> 879 <div class="audio-meta"> 880 <h2> 881 <a href="https://www.theatrevoice.com/audio/academic-graham-saunders-assesses-sarah-kane/"> 882 Academic Graham Saunders assesses Sarah Kane </a> 883 </h2> 884 <p class="pub-date">27th August 2009</p> 885 <div class="excerpt"><p>FOCUS ON KANE Graham Saunders of Reading University talks to Aleks Sierz about his latest book, About Kane: The Playwright and the Work (Faber), which examines the output of Sarah Kane in the context of 1990s British theatre, and of her growing reput...</p> 886</div> 887 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/academic-graham-saunders-assesses-sarah-kane/"> 888 <i class="fa fa-volume-up"></i> 889 <span>Listen now</span> 890 </a> 891 <a class="button audio-button archive-button alt series" href="/audio/"> 892 <i class="fa fa-volume-up"></i> 893 <span>Browse the archive</span> 894 </a> 895 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/books/" rel="tag">Books</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p> 896 </div> 897 <div class="clear"></div> 898 899 </li> 900 <li> 901 <a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-small-change/" class="image-link"> 902 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 903 </a> 904 <div class="audio-meta"> 905 <h2> 906 <a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-small-change/"> 907 Interview: Peter Gill (1/2) </a> 908 </h2> 909 <p class="pub-date">23rd April 2008</p> 910 <div class="excerpt"><p>INTERVIEW: PETER GILL (1/2) The veteran director and playwright speaks to Aleks Sierz about his own production of his 1976 play, Small Change (currently revived at the Donmar), and about his early career at the Royal Court in the late 1950s and 1960s...</p> 911</div> 912 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-small-change/"> 913 <i class="fa fa-volume-up"></i> 914 <span>Listen now</span> 915 </a> 916 <a class="button audio-button archive-button alt series" href="/audio/"> 917 <i class="fa fa-volume-up"></i> 918 <span>Browse the archive</span> 919 </a> 920 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/1970s-drama/" rel="tag">1970s Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p> 921 </div> 922 <div class="clear"></div> 923 924 </li> 925 <li> 926 <a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-career/" class="image-link"> 927 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 928 </a> 929 <div class="audio-meta"> 930 <h2> 931 <a href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-career/"> 932 Interview: Peter Gill (2/2) </a> 933 </h2> 934 <p class="pub-date">23rd April 2008</p> 935 <div class="excerpt"><p>INTERVIEW: PETER GILL (2/2) The veteran director and playwright speaks some more to Aleks Sierz about his own production of his 1976 play, Small Change (currently revived at the Donmar), and about his early career at the Royal Court in the late 1950s...</p> 936</div> 937 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/peter-gill-talks-about-his-career/"> 938 <i class="fa fa-volume-up"></i> 939 <span>Listen now</span> 940 </a> 941 <a class="button audio-button archive-button alt series" href="/audio/"> 942 <i class="fa fa-volume-up"></i> 943 <span>Browse the archive</span> 944 </a> 945 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/1950s-drama/" rel="tag">1950s Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/transcripts/" rel="tag">Transcripts</a></p> 946 </div> 947 <div class="clear"></div> 948 949 </li> 950 <li> 951 <a href="https://www.theatrevoice.com/audio/interview-howard-brenton-on-the-eve-of-a-major-revival-of-r/" class="image-link"> 952 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 953 </a> 954 <div class="audio-meta"> 955 <h2> 956 <a href="https://www.theatrevoice.com/audio/interview-howard-brenton-on-the-eve-of-a-major-revival-of-r/"> 957 Howard Brentonâs The Romans in Britain revived </a> 958 </h2> 959 <p class="pub-date">19th January 2006</p> 960 <div class="excerpt"><p>INTERVIEW: HOWARD BRENTON On the eve of a major revival of The Romans in Britain at Sheffield Crucible, Aleks Sierz talks to the playwright about his most notorious work.</p> 961</div> 962 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/interview-howard-brenton-on-the-eve-of-a-major-revival-of-r/"> 963 <i class="fa fa-volume-up"></i> 964 <span>Listen now</span> 965 </a> 966 <a class="button audio-button archive-button alt series" href="/audio/"> 967 <i class="fa fa-volume-up"></i> 968 <span>Browse the archive</span> 969 </a> 970 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/regional-theatre/" rel="tag">Regional Theatre</a></p> 971 </div> 972 <div class="clear"></div> 973 974 </li> 975 <li> 976 <a href="https://www.theatrevoice.com/audio/interview-nicholas-hytner-the-national-theatres-artistic-d/" class="image-link"> 977 <img src="https://www.theatrevoice.com/content/themes/a7/library/images/photo_placeholder_380_285.png" /> 978 </a> 979 <div class="audio-meta"> 980 <h2> 981 <a href="https://www.theatrevoice.com/audio/interview-nicholas-hytner-the-national-theatres-artistic-d/"> 982 National Theatre supremo Nick Hytner looks back and plans ahead </a> 983 </h2> 984 <p class="pub-date">15th December 2004</p> 985 <div class="excerpt"><p>INTERVIEW: NICHOLAS HYTNER The National Theatre's artistic director talks to David Benedict about the job, his success so far and plans for the future. </p> 986</div> 987 <a class="button audio-button series" href="https://www.theatrevoice.com/audio/interview-nicholas-hytner-the-national-theatres-artistic-d/"> 988 <i class="fa fa-volume-up"></i> 989 <span>Listen now</span> 990 </a> 991 <a class="button audio-button archive-button alt series" href="/audio/"> 992 <i class="fa fa-volume-up"></i> 993 <span>Browse the archive</span> 994 </a> 995 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/producers-audio/" rel="tag">Producers</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a></p> 996 </div> 997 <div class="clear"></div> 998 999 </li> 1000 </ul> 1001 <i class="fa fa-arrow-circle-left fa-5x cycle-prev slider-nav"></i> 1002 <i class="fa fa-arrow-circle-right fa-5x cycle-next slider-nav"></i> 1003 <div class="clear"></div> 1004 </div> 1005 </div> 1006 1007 1008 1009 1010 1011 1012 <div class="a7-archive-audio audio-3"> 1013 <div class="a7-widget-title">Browse the Archive</div>
1014 <div class='wp-pagenavi' role='navigation'> 1015<span class='pages'>Page 1 of 173</span><span aria-current='page' class='current'>1</span><a class="page larger" title="Page 2" href="https://www.theatrevoice.com/audio/page/2/">2</a><a class="page larger" title="Page 3" href="https://www.theatrevoice.com/audio/page/3/">3</a><a class="page larger" title="Page 4" href="https://www.theatrevoice.com/audio/page/4/">4</a><a class="page larger" title="Page 5" href="https://www.theatrevoice.com/audio/page/5/">5</a><span class='extend'>...</span><a class="larger page" title="Page 10" href="https://www.theatrevoice.com/audio/page/10/">10</a><a class="larger page" title="Page 20" href="https://www.theatrevoice.com/audio/page/20/">20</a><a class="larger page" title="Page 30" href="https://www.theatrevoice.com/audio/page/30/">30</a><span class='extend'>...</span><a class="nextpostslink" rel="next" aria-label="Next Page" href="https://www.theatrevoice.com/audio/page/2/">»</a><a class="last" aria-label="Last Page" href="https://www.theatrevoice.com/audio/page/173/">Last »</a> 1016</div> 1017 1018 <ul> 1019 <li class="audio-post audio-post-1 row-start"> 1020 <div class="audio-image"> 1021 <a href="https://www.theatrevoice.com/audio/ita-obrien-2/"> 1022 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" srcset="https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/03/ita-obrien_feb24-191ret-2-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" /> </a> 1023 <a class="button audio-button" href="https://www.theatrevoice.com/audio/ita-obrien-2/"> 1024 <i class="fa-volume-up fa"></i> 1025 <span></span> 1026 </a> 1027 </div> 1028 <h2> 1029 <a href="https://www.theatrevoice.com/audio/ita-obrien-2/"> 1030 Ita O’Brien </a> 1031 </h2> 1032 <p class="pub-date">24th March 2026</p> 1033 <p>INTERVIEW: ITA O’BRIEN Ita OâBrien has fundamentally reshaped the way we approach intimacy, consent, and storytelling on stage and screen. Bri...</p> 1034 <a class="button audio-button" href="https://www.theatrevoice.com/audio/ita-obrien-2/"> 1035 <i class="fa-volume-up fa"></i> 1036 <span>Listen now</span> 1037 </a> 1038 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/" rel="tag">Actors and Performers</a>, <a href="https://www.theatrevoice.com/audio-categories/backstage-2/" rel="tag">Backstage</a>, <a href="https://www.theatrevoice.com/audio-categories/ballet/" rel="tag">Ballet</a>, <a href="https://www.theatrevoice.com/audio-categories/choreography/" rel="tag">Choreography</a>, <a href="https://www.theatrevoice.com/audio-categories/consent/" rel="tag">Consent</a>, <a href="https://www.theatrevoice.com/audio-categories/intimacy/" rel="tag">Intimacy</a>, <a href="https://www.theatrevoice.com/audio-categories/intimacy-coordinator/" rel="tag">Intimacy coordinator</a>, <a href="https://www.theatrevoice.com/audio-categories/performance-audio/" rel="tag">Performance</a>, <a href="https://www.theatrevoice.com/audio-categories/rehearsals/" rel="tag">Rehearsals</a></p> 1039 1040 1041 </li> 1042 <li class="audio-post audio-post-2 "> 1043 <div class="audio-image"> 1044 <a href="https://www.theatrevoice.com/audio/tony-lankester/"> 1045 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/03/Tony-Lankester-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" /> </a> 1046 <a class="button audio-button" href="https://www.theatrevoice.com/audio/tony-lankester/"> 1047 <i class="fa-volume-up fa"></i> 1048 <span></span> 1049 </a> 1050 </div> 1051 <h2> 1052 <a href="https://www.theatrevoice.com/audio/tony-lankester/"> 1053 Tony Lankester </a> 1054 </h2> 1055 <p class="pub-date">13th March 2026</p> 1056 <p>
1056INTERVIEW: TONY LANKESTER Tony Lankester took on the role of Chief Executive of the Edinburgh Festival Fringe Society in 2025, stepping into one of th...</p> 1057 <a class="button audio-button" href="https://www.theatrevoice.com/audio/tony-lankester/"> 1058 <i class="fa-volume-up fa"></i> 1059 <span>Listen now</span> 1060 </a> 1061 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/artificial-intelligence/" rel="tag">Artificial Intelligence</a>, <a href="https://www.theatrevoice.com/audio-categories/audiences/" rel="tag">Audiences</a>, <a href="https://www.theatrevoice.com/audio-categories/data/" rel="tag">Data</a>, <a href="https://www.theatrevoice.com/audio-categories/edinburgh-festival-fringe/" rel="tag">Edinburgh Festival and Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/experimental-theatre/" rel="tag">Experimental Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/festivals/" rel="tag">Festivals</a>, <a href="https://www.theatrevoice.com/audio-categories/funding-2/" rel="tag">Funding</a>, <a href="https://www.theatrevoice.com/audio-categories/performance-audio/" rel="tag">Performance</a>, <a href="https://www.theatrevoice.com/audio-categories/programming/" rel="tag">Programming</a>, <a href="https://www.theatrevoice.com/audio-categories/riverside-studios/" rel="tag">Riverside Studios</a>, <a href="https://www.theatrevoice.com/audio-categories/sponsorship/" rel="tag">Sponsorship</a>, <a href="https://www.theatrevoice.com/audio-categories/ticketing/" rel="tag">Ticketing</a></p> 1062 1063 1064 </li> 1065 <li class="audio-post audio-post-3 row-end"> 1066 <div class="audio-image"> 1067 <a href="https://www.theatrevoice.com/audio/paule-constable/"> 1068 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/03/Paule-Constable-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" /> </a> 1069 <a class="button audio-button" href="https://www.theatrevoice.com/audio/paule-constable/"> 1070 <i class="fa-volume-up fa"></i> 1071 <span></span> 1072 </a> 1073 </div> 1074 <h2> 1075 <a href="https://www.theatrevoice.com/audio/paule-constable/"> 1076 Paule Constable </a> 1077 </h2> 1078 <p class="pub-date">12th March 2026</p> 1079 <p>INTERVIEW: PAULE CONSTABLE Paule Constable is one of the most successful and influential lighting designers in the UK if not the world. She has shaped...</p> 1080 <a class="button audio-button" href="https://www.theatrevoice.com/audio/paule-constable/"> 1081 <i class="fa-volume-up fa"></i> 1082 <span>Listen now</span> 1083 </a> 1084 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/backstage-2/" rel="tag">Backstage</a>, <a href="https://www.theatrevoice.com/audio-categories/collaboration/" rel="tag">Collaboration</a>, <a href="https://www.theatrevoice.com/audio-categories/design-audio/" rel="tag">Design</a>, <a href="https://www.theatrevoice.com/audio-categories/design-development/" rel="tag">Design development</a>, <a href="https://www.theatrevoice.com/audio-categories/discrimination/" rel="tag">Discrimination</a>, <a href="https://www.theatrevoice.com/audio-categories/diversity/" rel="tag">Diversity</a>, <a href="https://www.theatrevoice.com/audio-categories/freelance/" rel="tag">Freelance</a>, <a href="https://www.theatrevoice.com/audio-categories/lighting/" rel="tag">Lighting</a>, <a href="https://www.theatrevoice.com/audio-categories/lighting-design/" rel="tag">Lighting Design</a>, <a href="https://www.theatrevoice.com/audio-categories/new-talent/" rel="tag">New talent</a>, <a href="https://www.theatrevoice.com/audio-categories/nostalgia/" rel="tag">Nostalgia</a>, <a href="https://www.theatrevoice.com/audio-categories/nurturing-talent/" rel="tag">Nurturing talent</a>, <a href="https://www.theatrevoice.com/audio-categories/oliver/" rel="tag">Oliver!</a>, <a href="https://www.theatrevoice.com/audio-categories/pandemic/" rel="tag">Pandemic</a>, <a href="https://www.theatrevoice.com/audio-categories/sustainability/" rel="tag">Sustainability</a>, <a href="https://www.theatrevoice.com/audio-categories/the-curious-incident-of-the-dog-in-the-night-time/" rel="tag">The Curious Incident of the Dog in the Night-time</a>, <a href="https://www.theatrevoice.com/audio-categories/warhorse/" rel="tag">Warhorse</a></p> 1085 1086 1087 </li> 1088 <li class="audio-post audio-post-4 row-start"> 1089 <div class="audio-image"> 1090 <a href="https://www.theatrevoice.com/audio/sir-tim-rice/"> 1091 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2026/01/TIM0054-min-crop-220x16
10915.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" /> </a> 1092 <a class="button audio-button" href="https://www.theatrevoice.com/audio/sir-tim-rice/"> 1093 <i class="fa-volume-up fa"></i> 1094 <span></span> 1095 </a> 1096 </div> 1097 <h2> 1098 <a href="https://www.theatrevoice.com/audio/sir-tim-rice/"> 1099 Sir Tim Rice </a> 1100 </h2> 1101 <p class="pub-date">12th January 2026</p> 1102 <p>INTERVIEW: SIR TIM RICE Sir Tim Rice is one of the most celebrated lyricists in theatre and film. He has won Oscars, Grammys, Emmys and Tonys, written...</p> 1103 <a class="button audio-button" href="https://www.theatrevoice.com/audio/sir-tim-rice/"> 1104 <i class="fa-volume-up fa"></i> 1105 <span>Listen now</span> 1106 </a> 1107 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/composing/" rel="tag">Composing</a>, <a href="https://www.theatrevoice.com/audio-categories/disney/" rel="tag">Disney</a>, <a href="https://www.theatrevoice.com/audio-categories/egot/" rel="tag">EGOT</a>, <a href="https://www.theatrevoice.com/audio-categories/elvis/" rel="tag">Elvis</a>, <a href="https://www.theatrevoice.com/audio-categories/lyrics/" rel="tag">Lyrics</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a>, <a href="https://www.theatrevoice.com/audio-categories/songwriting/" rel="tag">Songwriting</a>, <a href="https://www.theatrevoice.com/audio-categories/west-end-theatre/" rel="tag">West End Theatre</a></p> 1108 1109 1110 </li> 1111 <li class="audio-post audio-post-5 "> 1112 <div class="audio-image"> 1113 <a href="https://www.theatrevoice.com/audio/amit-sharma/"> 1114 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/11/Amit-Sharma-Photo-by-Mark-Senior-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" /> </a> 1115 <a class="button audio-button" href="https://www.theatrevoice.com/audio/amit-sharma/"> 1116 <i class="fa-volume-up fa"></i> 1117 <span></span> 1118 </a> 1119 </div> 1120 <h2> 1121 <a href="https://www.theatrevoice.com/audio/amit-sharma/"> 1122 Amit Sharma </a> 1123 </h2> 1124 <p class="pub-date">13th November 2025</p> 1125 <p>INTERVIEW: AMIT SHARMA Amit Sharma became artistic director of London’s Kiln Theatre in 2023. He has already made his mark there with hits inclu...</p> 1126 <a class="button audio-button" href="https://www.theatrevoice.com/audio/amit-sharma/"> 1127 <i class="fa-volume-up fa"></i> 1128 <span>Listen now</span> 1129 </a> 1130 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/accessibility/" rel="tag">Accessibility</a>, <a href="https://www.theatrevoice.com/audio-categories/artistic-director/" rel="tag">Artistic Director</a>, <a href="https://www.theatrevoice.com/audio-categories/community-theatre-2/" rel="tag">Community Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/disability/" rel="tag">Disability</a>, <a href="https://www.theatrevoice.com/audio-categories/diversity/" rel="tag">Diversity</a>, <a href="https://www.theatrevoice.com/audio-categories/edinburgh-festival-fringe/" rel="tag">Edinburgh Festival and Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/funding-2/" rel="tag">Funding</a>, <a href="https://www.theatrevoice.com/audio-categories/graeae-theatre-company/" rel="tag">Graeae Theatre Company</a>, <a href="https://www.theatrevoice.com/audio-categories/kiln-theatre/" rel="tag">Kiln Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/london-fringe-audio/" rel="tag">London Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/pandemic/" rel="tag">Pandemic</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/programming/" rel="tag">Programming</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a></p> 1131 1132 1133 </li> 1134 <li class="audio-post audio-post-6 row-end"> 1135 <div class="audio-image"> 1136 <a href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/"> 1137 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/09/Ed-Fest-logo-220x165.jpg 220w" sizes="(max-width: 300px) 100v
1137w, 300px" /> </a> 1138 <a class="button audio-button" href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/"> 1139 <i class="fa-volume-up fa"></i> 1140 <span></span> 1141 </a> 1142 </div> 1143 <h2> 1144 <a href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/"> 1145 Edinburgh Fringe 2025: Critical Roundup </a> 1146 </h2> 1147 <p class="pub-date">9th October 2025</p> 1148 <p>TheatreVoice editor Tim Bano talks to Theatre Critics Arifa Akbar and Fergus Morgan to discuss the Edinburgh Fringe Festival 2025. This is an annual T...</p> 1149 <a class="button audio-button" href="https://www.theatrevoice.com/audio/edinburgh-fringe-2025-critical-roundup/"> 1150 <i class="fa-volume-up fa"></i> 1151 <span>Listen now</span> 1152 </a> 1153 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/21st-century-drama/" rel="tag">21st-Century Drama</a>, <a href="https://www.theatrevoice.com/audio-categories/climate-crisis/" rel="tag">
1153Climate Crisis</a>, <a href="https://www.theatrevoice.com/audio-categories/criticism-audio/" rel="tag">Criticism</a>, <a href="https://www.theatrevoice.com/audio-categories/edinburgh-festival-fringe/" rel="tag">Edinburgh Festival and Fringe</a>, <a href="https://www.theatrevoice.com/audio-categories/experimental-theatre/" rel="tag">Experimental Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/festivals/" rel="tag">Festivals</a>, <a href="https://www.theatrevoice.com/audio-categories/international-audio/" rel="tag">International</a>, <a href="https://www.theatrevoice.com/audio-categories/musicals-audio/" rel="tag">Musicals</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/playwrights-audio/" rel="tag">Playwrights</a>, <a href="https://www.theatrevoice.com/audio-categories/political-theatre-audio/" rel="tag">Political Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/scottish-theatre-2/" rel="tag">Scottish Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/student-drama/" rel="tag">Student drama</a></p> 1154 1155 1156 </li> 1157 <li class="audio-post audio-post-7 row-start"> 1158 <div class="audio-image"> 1159 <a href="https://www.theatrevoice.com/audio/soutra-gilmour/"> 1160 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/08/Soutra-smallest-pic-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" /> </a> 1161 <a class="button audio-button" href="https://www.theatrevoice.com/audio/soutra-gilmour/"> 1162 <i class="fa-volume-up fa"></i> 1163 <span></span> 1164 </a> 1165 </div> 1166 <h2> 1167 <a href="https://www.theatrevoice.com/audio/soutra-gilmour/"> 1168 Soutra Gilmour </a> 1169 </h2> 1170 <p class="pub-date">8th August 2025</p> 1171 <p>INTERVIEW: SOUTRA GILMOUR Soutra Gilmour is one of the greatest theatre designers of our time, with five Olivier Awards and credits that cover all the...</p> 1172 <a class="button audio-button" href="https://www.theatrevoice.com/audio/soutra-gilmour/"> 1173 <i class="fa-volume-up fa"></i> 1174 <span>Listen now</span> 1175 </a> 1176 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/adaptation-2/" rel="tag">Adaptation</a>, <a href="https://www.theatrevoice.com/audio-categories/collaboration/" rel="tag">Collaboration</a>, <a href="https://www.theatrevoice.com/audio-categories/costume-design/" rel="tag">Costume design</a>, <a href="https://www.theatrevoice.com/audio-categories/costumes/" rel="tag">Costumes</a>, <a href="https://www.theatrevoice.com/audio-categories/design-audio/" rel="tag">Design</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/neurodivergence/" rel="tag">Neurodivergence</a>, <a href="https://www.theatrevoice.com/audio-categories/set-design/" rel="tag">Set design</a></p> 1177 1178 1179 </li> 1180 <li class="audio-post audio-post-8 "> 1181 <div class="audio-image"> 1182 <a href="https://www.theatrevoice.com/audio/kate-wasserberg/"> 1183 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-300x225.webp" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-300x225.webp 300w, https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-380x285.webp 380w, https://assets.theatrevoice.com/uploads/2025/08/Kate-Wasserberg-Photo-by-The-Other-Richard-1-Landscape-1920x1080-1-220x165.webp 220w" sizes="(max-width: 300px) 100v
1183w, 300px" /> </a> 1184 <a class="button audio-button" href="https://www.theatrevoice.com/audio/kate-wasserberg/"> 1185 <i class="fa-volume-up fa"></i> 1186 <span></span> 1187 </a> 1188 </div> 1189 <h2> 1190 <a href="https://www.theatrevoice.com/audio/kate-wasserberg/"> 1191 Kate Wasserberg </a> 1192 </h2> 1193 <p class="pub-date">8th August 2025</p> 1194 <p>INTERVIEW: KATE WASSERBERG After a £50 million redevelopment, Theatr Clwyd has reopened its doors under new artistic director Kate Wasserberg. She ta...</p> 1195 <a class="button audio-button" href="https://www.theatrevoice.com/audio/kate-wasserberg/"> 1196 <i class="fa-volume-up fa"></i> 1197 <span>Listen now</span> 1198 </a> 1199 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/artistic-director/" rel="tag">Artistic Director</a>, <a href="https://www.theatrevoice.com/audio-categories/community-theatre-2/" rel="tag">Community Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/directors/" rel="tag">Directors</a>, <a href="https://www.theatrevoice.com/audio-categories/education-2/" rel="tag">Education</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/out-of-joint/" rel="tag">Out of Joint</a>, <a href="https://www.theatrevoice.com/audio-categories/redevelopment/" rel="tag">Redevelopment</a>, <a href="https://www.theatrevoice.com/audio-categories/regional-theatre/" rel="tag">Regional Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-reopenings/" rel="tag">Theatre reopenings</a>, <a href="https://www.theatrevoice.com/audio-categories/welsh-theatre/" rel="tag">Welsh theatre</a></p> 1200 1201 1202 </li> 1203 <li class="audio-post audio-post-9 row-end"> 1204 <div class="audio-image"> 1205 <a href="https://www.theatrevoice.com/audio/dominic-hill/"> 1206 <img width="300" height="225" src="https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-300x225.jpg" class="attachment-audio-thumb size-audio-thumb wp-post-image" alt="" loading="lazy" srcset="https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-300x225.jpg 300w, https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-380x285.jpg 380w, https://assets.theatrevoice.com/uploads/2025/08/dominic-hill-220x165.jpg 220w" sizes="(max-width: 300px) 100vw, 300px" /> </a> 1207 <a class="button audio-button" href="https://www.theatrevoice.com/audio/dominic-hill/"> 1208 <i class="fa-volume-up fa"></i> 1209 <span></span> 1210 </a> 1211 </div> 1212 <h2> 1213 <a href="https://www.theatrevoice.com/audio/dominic-hill/"> 1214 Dominic Hill </a> 1215 </h2> 1216 <p class="pub-date">8th August 2025</p> 1217 <p>INTERVIEW: DOMINIC HILL Dominic Hill became artistic director of Glasgow’s Citizens Theatre in 2011. Seven years ago, the building closed for a ...</p> 1218 <a class="button audio-button" href="https://www.theatrevoice.com/audio/dominic-hill/"> 1219 <i class="fa-volume-up fa"></i> 1220 <span>Listen now</span> 1221 </a> 1222 <p class="category-link">in <a href="https://www.theatrevoice.com/audio-categories/artistic-director/" rel="tag">Artistic Director</a>, <a href="https://www.theatrevoice.com/audio-categories/community-theatre-2/" rel="tag">Community Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/new-writing-audio/" rel="tag">New Writing</a>, <a href="https://www.theatrevoice.com/audio-categories/redevelopment/" rel="tag">Redevelopment</a>, <a href="https://www.theatrevoice.com/audio-categories/scottish-theatre-2/" rel="tag">Scottish Theatre</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-buildings/" rel="tag">Theatre Buildings</a>, <a href="https://www.theatrevoice.com/audio-categories/theatre-reopenings/" rel="tag">Theatre reopenings</a></p> 1223 1224 1225 </li> 1226 </ul> 1227 <div class="clear"></div>
1228 <div class='wp-pagenavi' role='navigation'> 1229<span class='pages'>Page 1 of 173</span><span aria-current='page' class='current'>1</span><a class="page larger" title="Page 2" href="https://www.theatrevoice.com/audio/page/2/">2</a><a class="page larger" title="Page 3" href="https://www.theatrevoice.com/audio/page/3/">3</a><a class="page larger" title="Page 4" href="https://www.theatrevoice.com/audio/page/4/">4</a><a class="page larger" title="Page 5" href="https://www.theatrevoice.com/audio/page/5/">5</a><span class='extend'>...</span><a class="larger page" title="Page 10" href="https://www.theatrevoice.com/audio/page/10/">10</a><a class="larger page" title="Page 20" href="https://www.theatrevoice.com/audio/page/20/">20</a><a class="larger page" title="Page 30" href="https://www.theatrevoice.com/audio/page/30/">30</a><span class='extend'>...</span><a class="nextpostslink" rel="next" aria-label="Next Page" href="https://www.theatrevoice.com/audio/page/2/">»</a><a class="last" aria-label="Last Page" href="https://www.theatrevoice.com/audio/page/173/">Last »</a> 1230</div> </div> 1231 1232 1233 1234</div> 1235 1236<div class="clear"></div> 1237 1238 1239 1240 1241 <div class="featured-audio-categories"> 1242 <div class="a7-widget-title">Featured Categories</div> 1243 <ul> 1244 1245 <li class="audio-category audio-category-1 "> 1246 <a href="https://www.theatrevoice.com/audio-categories/20th-century-drama/" title="Browse all 20th-Century Drama Audio"> 1247 <img src="https://assets.theatrevoice.com/uploads/2014/10/20th-century-drama-220x165.jpg" alt="20th-Century Drama Audio" /> 1248 </a> 1249 <h2> 1250 <a href="https://www.theatrevoice.com/audio-categories/20th-century-drama/">20th-Century Drama</a> 1251 </h2> 1252 </li> 1253 1254 <li class="audio-category audio-category-2 "> 1255 <a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/" title="Browse all Actors and Performers Audio"> 1256 <img src="https://assets.theatrevoice.com/uploads/2014/07/actors-performers.png" alt="Actors and Performers Audio" /> 1257 </a> 1258 <h2> 1259 <a href="https://www.theatrevoice.com/audio-categories/actors-and-performers/">Actors and Performers</a> 1260 </h2> 1261 </li> 1262 1263 <li class="audio-category audio-category-3 "> 1264 <a href="https://www.theatrevoice.com/audio-categories/directors/" title="Browse all Directors Audio"> 1265 <img src="https://assets.theatrevoice.com/uploads/2014/10/directors.png" alt="Directors Audio" /> 1266 </a> 1267 <h2> 1268 <a href="https://www.theatrevoice.com/audio-categories/directors/">Directors</a> 1269 </h2> 1270 </li> 1271 1272 <li class="audio-category audio-category-4 row-end"> 1273 <a href="https://www.theatrevoice.com/audio-categories/feminism-audio/" title="Browse all Feminism Audio"> 1274 <img src="https://assets.theatrevoice.com/uploads/2014/12/feminism-220x165.gif" alt="Feminism Audio" /> 1275 </a> 1276 <h2> 1277 <a href="https://www.theatrevoice.com/audio-categories/feminism-audio/">Feminism</a> 1278 </h2> 1279 </li> 1280 </ul> 1281 <div class="clear"></div> 1282 1283 </div> 1284 1285 1286<!-- Begin Subscribe --> 1287 1288<div id="subscribe"> 1289 <!-- Email List --> 1290<!-- <div id="email-list" class="column column-1">--> 1291<!-- <div class="a7-widget-title">Join our email club</div>--> 1292<!-- <p>We'll let you know by email whenever we add new recordings to the site</p>--> 1293<!-- --><!-- </div>--> 1294 <div id="social-links" class="column column-2"> 1295 <div class="a7-widget-title">Follow us</div> 1296 <ul> 1297 <li class="twitter"><a href="http://twitter.com/theatrevoices" title="Follow TheatreVoice on Twitter" target="_blank"><span>Twitter</span></a></li> 1298 <li class="facebook"><a href="http://www.facebook.com/theatrevoice/" title="Like TheatreVoice on Facebook" target="_blank"><span>Facebook</span></a></li> 1299 <!-- <li class="gplus"><a href="" title="Follow on Google Plus" target="_blank"><span>Google Plus</span></a></li> --> 1300 <li class="youtube"><a href="http://www.youtube.com/" title="Subscribe to TheatreVoice on YouTube" target="_blank"><span>You Tube</span></a></li> 1301 <li class="rss"><a href="https://www.theatrevoice.com/feed/" title="Subscribe to TheatreVoice's News Feed" target="_blank"><span>RSS</span></a></li> 1302 </ul> 1303 <div class="clear"></div> 1304 1305 </div> 1306 <div id="podcasts" class="column column-3"> 1307 <div class="a7-widget-title">Listen to our podcast</div> 1308 <ul> 1309 <li class="subscribe_podcast_itunes"><a class="button podcast-button alt" href="https://itunes.apple.com/gb/podcast/theatrevoice/id1221337499?mt=2"><i class="fa-microphone fa"></i> <span>Subscribe via iTunes</span></a></li> 1310 <li class="subscribe_podcast"><a class="button podcast-button" href="/feed/?post_type=audio"><i class="fa-microphone fa"></i> <span>Subscribe to our Podcast</span></a></li> 1311 </ul> 1312 </div> 1313 <div class="clear"></div> 1314</div> 1315 1316 1317<!-- End Subscribe --> 1318 1319 1320 1321 1322<!-- Begin Extended Footer --> 1323 1324<div id="extended-footer"> 1325 1326 <div class="columns columns-2"> 1327<!-- 1328 <div id="a7-latest-news" class="column column-1"> 1329 <div class="a7-widget-title">Latest News</div> 1330 <ul class="news-stories"> 1331 <li> 1332 <dl> 1333 <dt><h2><a class="title-permalink" href="https://www.theatrevoice.com/news/new-feature-comprehe
1333nsive-theatre-listings/" title="New feature: comprehensive UK theatre listings">New feature: comprehensive UK theatre listings</a></h2></dt> 1334 <dd title="2012-12-24">Monday 24th December 2012</dd> 1335 <dd><p>Search for your favourite shows and buy tickets nationwide with our new listings service. Simply click on the UK Theatre Listings button at the top of this page, just above this text.</p> 1336</dd> 1337 <dd><a class="read-more" href="https://www.theatrevoice.com/news/new-feature-comprehensive-theatre-listings/" title="New feature: comprehensive UK theatre listings" >Tell me more</a></dd> 1338 </dl> 1339 </li> 1340 1341 <li> 1342 <dl> 1343 <dt><h2><a class="title-permalink" href="https://www.theatrevoice.com/news/theatrevoice-archive-list-of-recordings-2011/" title="Theatrevoice archive, list of recordings 2011">Theatrevoice archive, list of recordings 2011</a></h2></dt> 1344 <dd title="2012-05-23">Wednesday 23rd May 2012</dd> 1345 <dd><p>Theatrevoice catalogue of archive recordings, 2011</p> 1346</dd> 1347 <dd><a class="read-more" href="https://www.theatrevoice.com/news/theatrevoice-archive-list-of-recordings-2011/" title="Theatrevoice archive, list of recordings 2011" >Tell me more</a></dd> 1348 </dl> 1349 </li> 1350 1351 </ul> 1352 <a class="button" href="/news/" >Browse earlier news stories</a></p> 1353 <div class="clear"></div> 1354 </div> 1355--> 1356 <div id="a7-latest-tweets" class="column column-2"> 1357 <div class="a7-widget-title"><span>On Twitter</span> <i class="fa fa-twitter"></i></div> 1358 <p>Twitter cannot show tweets right now. Please try again.</p></ul><a href="https://twitter.com/theatrevoices" class="twitter-follow-button" data-size="large">Follow @theatrevoices</a> <div class="clear"></div> 1359 </div> 1360 1361 <div class="clear"></div> 1362 </div> 1363 1364</div> 1365 1366 1367<!-- End Extended Footer --> 1368 1369 1370 <!-- Begin Footer --> 1371 <div id="footer"> 1372 <ul id="footer-navigation" class="menu"><li id="menu-item-11163" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-11163 menu-item-disclaimer"><a href="https://www.theatrevoice.com/disclaimer/"><span>Disclaimer</span></a></li> 1373<li id="menu-item-11164" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-11164 menu-item-copyright"><a href="https://www.theatrevoice.com/copyright/"><span>Copyright</span></a></li> 1374<li id="menu-item-11165" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-11165 menu-item-privacy"><a href="https://www.theatrevoice.com/privacy/"><span>Privacy</span></a></li> 1375<li id="menu-item-11170" class="a7 menu-item menu-item-type-custom menu-item-object-custom menu-item-11170 menu-item-website-by-atticus7"><a href="http://www.atticus7.co.uk"><span>website by atticus7</span></a></li> 1376</ul> 1377 <div class="clear"></div> 1378 </div> 1379 <!-- End Footer --> 1380 </div><!-- End #container --> 1381 <div style="display: none;" id="nxsFavNotice"><div id="nxsFavNoticeCnt">Posting....</div></div><link rel='stylesheet' id='modal-css' href='https://www.theatrevoice.com/content/plugins/social-networks-auto-poster-facebook-twitter-g/js-css/jquery.modal.min.css?ver=4.3.26' type='text/css' media='all' />
1382<script type='text/javascript' src='https://www.theatrevoice.com/content/themes/a7/library/js/jquery.validate.min.js?ver=5.9.3' id='jquery.validate-js'></script>
vendor: 1 bytes, line 1382
1382
1383<script type='text/javascript' src='https://www.theatrevoice.com/content/themes/a7/library/js/jquery.cycle2.min.js?ver=5.9.3' id='jquery.cycle2.min-js'></script>
vendor: 1 bytes, line 1383
1383
1384<script type='text/javascript' src='https://www.theatrevoice.com/content/themes/a7/library/js/jquery.cycle2.carousel.min.js?ver=5.9.3' id='jquery.cycle2.carousel.min-js'></script>
vendor: 1 bytes, line 1384
1384
1385<script type='text/javascript' src='https://www.theatrevoice.com/wp/wp-includes/js/jquery/ui/core.min.js?ver=1.13.1' id='jquery-ui-core-js'></script>
vendor: 1 bytes, line 1385
1385
1386<script type='text/javascript' src='https://www.theatrevoice.com/wp/wp-includes/js/jquery/ui/datepicker.min.js?ver=1.13.1' id='jquery-ui-datepicker-js'></script>
vendor: 1 bytes, line 1386
1386
1387<script type='text/javascript' id='jquery-ui-datepicker-js-after'> 1388jQuery(function(jQuery){jQuery.datepicker.setDefaults({"closeText":"Close","currentText":"Today","monthNames":["January","February","March","April","May","June","July","August","September","October","November","December"],"monthNamesShort":["Jan","Feb","Mar","Apr","May","Jun","Jul","Aug","Sep","Oct","Nov","Dec"],"nextText":"Next","prevText":"Previous","dayNames":["Sunday","Monday","Tuesday","Wednesday","Thursday","Friday","Saturday"],"dayNamesShort":["Sun","Mon","Tue","Wed","Thu","Fri","Sat"],"dayNamesMin":["S","M","T","W","T","F","S"],"dateFormat":"dS MM yy","firstDay":1,"isRTL":false});}); 1389</script>
vendor: 1 bytes, line 1389
1389
1390<script type='text/javascript' src='https://www.theatrevoice.com/content/themes/a7/library/js/global.js?ver=5.9.3' id='global-js'></script>
vendor: 1 bytes, line 1390
1390
1391<script type='text/javascript' src='https://www.theatrevoice.com/content/plugins/social-networks-auto-poster-facebook-twitter-g/js-css/jquery.modal.min.js?ver=4.3.26' id='modal-js'></script>
1391 1392 </body> 1393</html><!-- 1394Performance optimized by Redis Object Cache. Learn more: https://wprediscache.com 1395 1396Retrieved 4664 objects (1 MB) from Redis using Predis (v1.1.10). 1397-->
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.