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45          <li><a class="nav-link scrollto" href="/">Home</a></li>
46          <li class="dropdown"><a href="#"><span>Masterpieces by Henri Matisse</span> <i class="bi bi-chevron-down"></i></a>
47            <ul>
48              <li><a href="/the-dance.jsp">The Dance</a></li>
49              <li><a href="/bathers-by-a-river.jsp">Bathers by a River</a></li>
50              <li><a href="/carmelina.jsp">Carmelina, 1903</a></li>
51              <li><a href="/luxe-calme-et-volupte.jsp">Luxe, Calme et Volupté, 1904</a></li>
52              <li><a href="/joy-of-life.jsp">Joy of Life (Bonheur de Vivre), 1905</a></li>
53              <li><a href="/the-open-window.jsp">Open Window, Collioure, 1905</a></li>
54              <li><a href="/woman-with-a-hat.jsp">Woman with a Hat (Femme au chapeau), 1905</a></li>
55              <li><a href="/green-stripe.jsp">Green Stripe, 1905</a></li>
56              <li><a href="/young-sailor.jsp">Young Sailor, 1906</a></li>
57              <li><a href="/blue-nude.jsp">The Blue Nude, 1907</a></li>
58              <li><a href="/le-luxe.jsp">Le Luxe I, 1907</a></li>
59              <li><a href="/the-dessert-harmony-in-red.jsp">The Dessert: Harmony in Red, 1908</a></li>
60              <li><a href="/the-conversation.jsp">The Conversation, 1908-1912</a></li>
61              <li><a href="/music.jsp">Music, 1910</a></li>
62              <li><a href="/the-pink-studio.jsp">The Pink Studio, 1911</a></li>
63              <li><a href="/the-red-studio.jsp">L'Atelier Rouge, 1911</a></li>
64              <li><a href="/goldfish.jsp">The Goldfish, 1912</a></li>
65              <li><a href="/goldfish-and-palette.jsp">Goldfish and Palette, 1915 </a></li>
66              <li><a href="/portrait-of-madame-matisse.jsp">Portrait of Madame Matisse, 1913</a></li>
67              <li><a href="/sleeping-nude.jsp">Sleeping Nude, 1916</a></li>
68              <li><a href="/interior-at-nice.jsp">Interior at Nice, 1921</a></li>
69              <li><a href="/pink-nude.jsp">Pink Nude, 1935</a></li>
70              <li><a href="/woman-in-a-purple-coat.jsp">Woman in a Purple Coat, 1937</a></li>
71              <li><a href="/lady-in-blue.jsp">Lady in Blue, 1938</a></li>
72              <li><a href="/the-music.jsp">The Music (La Musique), 1939</a></li>
73              <li><a href="/portrait-of-lydia-delectorskaya.jsp">Portrait of Lydia Delectorskaya, 1947</a></li>
74              <li><a href="/sorrow-of-the-king.jsp">Sorrow of the King, 1952</a></li>
75              <li><a href="/nu-bleu.jsp">Nu bleu IV, 1952</a></li>
76              <li><a href="/the-snail.jsp">The Snail, 1953</a></li>
77              <li><a href="/the-sheaf.jsp">The Sheaf, 1953</a></li>
78            </ul>
79          </li>
80          <li><a class="nav-link scrollto" href="/paintings.jsp">Selected Henri Matisse Paintings</a></li>
81          <li><a class="nav-link scrollto" href="/cutouts.jsp">Henri Matisse Cutcouts</a></li>
82          <li><a class="nav-link scrollto" href="/henri-matisse-quotes.jsp">Henri Matisse Quoets</a></li>
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94	<p class="top">Creativity takes courage.</p>
95	<p class="second"> - Henri Matisse</p>
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105          <div class='section-title'>
106            <h1>Henri Matisse Biography</h1>
107          </div>
108
109          <div class='row'>
110            <div class='col-md-12 info-box'>
111                <img loading="lazy" src="assets/img/henri-matisse.jpg" class="img-rounded float-start" alt="Henri Matisse Photo" style="width: 350px; margin: 0px 10px 10px 10px; border:1px solid grey">                  
112
113                <p><b>Henri Matisse</b> (31 December 1869 - 3 November 1954), one of the undisputed masters of 20th century art, was a French artist, known for his use of colour and his fluid and original draughtsmans
113hip. 
114                He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Picasso and Marcel Duchamp, as one of the three artists 
115                who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. 
116                Although he was initially labeled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive 
117                language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.
118                </p>
119
120                <h2>Early life and education</h2>
121
122                <p>Henri Matisse was born in Le Cateau-Cambresis, Nord, France. He grew up in Bohain-en-Vermandois, Picardy, France, where his parents owned a flower business; he was their first son. In 1887 
123                he went to Paris to study law, working as a court administrator in Le Cateau-Cambrésis after gaining his qualification. He first started to paint in 1889, after his mother brought him art 
124                supplies during a period of convalescence following an attack of appendicitis. He discovered "a kind of paradise" as he later described it, and decided to become an artist, deeply disappointing 
125                his father. In 1891, he returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau and Gustave Moreau. Initially he painted still-lifes and 
126                landscapes in a traditional style, at which he achieved reasonable proficiency. Matisse was influenced by the works of earlier masters such as Jean-Baptiste-Siméon Chardin, Nicolas Poussin, 
127                and Antoine Watteau, as well as by modern artists such as <a href="https://www.manet.org">Edouard Manet</a>, and by Japanese art. Chardin was one of Matisse's most admired painters; as an art 
128                student he made copies of four Chardin paintings in the Louvre.
129                </p>
130                <p>
131                With the model Caroline Joblau, he had a daughter, Marguerite, born in 1894. In 1898 he married Amélie Noellie Parayre; the two raised Marguerite together and had two sons, Jean (born 1899) and 
132                Pierre (born 1900). Marguerite and Amélie often served as models for Matisse.
133                </p>
134                <p>
135                In 1896, Matisse, an unknown art student at the time, visited the Australian painter John Russell on the island Belle Ile off the coast of Brittany. Russell introduced him to Impressionism and to  
136                <a href="https://www.vincentvangogh.org/van-gogh-paintings.jsp">paintings of Vincent van Gogh</a> - who had been a friend of Russell - and gave him one of 
137                <a href="https://www.vincentvangogh.org/van-gogh-drawings.jsp">Vincent van Gogh's drawings</a>. Matisse's style changed completely; abandoning his earth-coloured palette for bright colours. He later said 
138                "Russell was my teacher, and Russell explained colour theory to me."
139                </p>
140                <p>
141                In 1898, on the advice of <a href="http://www.camillepissarro.org">Camille Pissarro</a>, he went to London to study the paintings of J. M. W. Turner and then went on a trip to Corsica. Upon his return to 
142                Paris in February 1899 he worked beside Albert Marquet and met André Derain, Jean Puy, and Jules Flandrin. Matisse immersed himself in the work of others and went into debt from buying work from 
143                painters he admired. The work he hung and displayed in his home included a plaster bust by Rodin, a painting by <a href="http://www.gauguin.org">Gauguin</a>, a drawing by 
144                <a href="https://www.vincentvangogh.org">Van Gogh</a>, and <a href="http://www.paulcezanne.org">Paul Cézanne</a>'s <a href="http://www.paulcezanne.org/three-bathers.jsp">Three Bathers</a>. 
145                In Cézanne's sense of pictorial structure and colour Matisse found his main inspiration.
146                </p>
147                <p>
148                Many of Matisse's paintings from 1898 to 1901 make use of a Divisionist technique he adopted after reading Paul Signac's essay, "<a href="http://www.eugene-delacroix.com">Eugene Delacroix</a> and 
149                Néo-impressionisme". His paintings of 1902-04, a period of material hardship for the artist, are comparatively somber and reveal a preoccupation with the form of Neo-Impressionism, a movement founded by 
150                <a href="https://en.wikipedia.org/wiki/Paul_Signac">Paul Signac</a> and <a href="https://www.georgesseurat.net">Georges Seurat</a>.
151                </p>
152                
153                <h2>Fauvism</h2>
154                
155                <p>
156                His first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 
157                painting in St. Tropez with the neo-Impressionists Signac and Henri Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. 
158                In 1905 he traveled southwards again to work with André Derain at Collioure. His paintings of this period are characterized by flat shapes and controlled lines, and use pointillism in a less rigorous 
159                way than before.
160                </p>
161                <p>
162                In 1905, Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne. The paintings expressed emotion with wild, often dissonant colours, without regard 
163                for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello au milieu des fauves!" (Donatello 
164                among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. 
165                The exhibition garnered harsh criticism "A pot of paint has been flung in the face of the public", said the critic Camille Mauclair but also some favorable attention. When the painting that was singled 
166                out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably.<br><br>
167                Matisse was recognized as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy and Maurice de Vlaminck. 
168                The Symbolist painter Gustave Moreau (1826 - 1898) was the movement's inspirational teacher; as a professor at the École des Beaux-Arts in Paris, he pushed his 
168students to think outside of the lines of 
169                formality and to follow their visions.
170                </p>
171
172                <p class="blockquote">
173                What I dream of is an art of balance, purity, and serenity devoid of troubling or depressing subject matter... a soothing, calming influence on the mind, something like a good armchair which provides 
174                relaxation from physical fatigue.  &#8221; <br />- Henri Matisse
175                </p>
176                
177                <p>In 1907 Apollinaire, commenting about Matisse in an article published in La Falange, said, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." 
178                But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His controversial 1907 painting Nu bleu was burned in effigy at the Armory Show in 
179                Chicago in 1913.
180                </p>
181                <p>
182                The decline of the Fauvist movement after 1906 did nothing to affect the rise of Matisse; many of his finest works were created between 1906 and 1917, when he was an active part of the great gathering of artistic 
183                talent in Montparnasse, even though he did not quite fit in, with his conservative appearance and strict bourgeois work habits. He continued to absorb new influences: after viewing a large exhibition of Islamic 
184                art in Munich in 1910, he spent two months in Spain studying Moorish art. The effect on Matisse's art was a new boldness in the use of intense, unmodulated colour, as in <a href="/the-red-studio.jsp">L'Atelier Rouge</a> (1911).
185                </p>
186                <p>
187                Matisse had a long association with the Russian art collector Sergei Shchukin. He created one of his major works La Danse specially for Shchukin as part of a two painting commission, the other painting being 
188                Music, 1910. An earlier version of <a href="/the-dance.jsp">La Danse</a> (1909) is in the collection of <a href="https://www.moma.org/">The Museum of Modern Art</a> in New York City.
189                </p>
190
191                <div class="ratio ratio-16x9" style="width: 95%; margin: 0px auto; margin-bottom: 20px;">
192                    <iframe loading="lazy" src="https://www.youtube.com/embed/6svhH4mhBv8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>												
193                </div>
194                
195                <h2>Gertrude Stein, Académie Matisse, and the Cone sisters</h2>
196                
197                <p>
198                Around 1904 he met <a href="http://www.pablopicasso.org">Pablo Picasso</a>, who was 12 years younger than Matisse. The two became life-long friends as well as rivals and are often compared; one key difference between them is that Matisse drew and painted 
199                from nature, while Picasso was much more inclined to work from imagination. The subjects painted most frequently by both artists were women and still life, with Matisse more likely to place his figures in fully 
200                realized interiors. Matisse and Picasso were first brought together at the Paris salon of Gertrude Stein and her companion Alice B. Toklas. During the first decade of the 20th century, Americans in Paris, Gertrude 
201                Stein, her brothers Leo Stein, Michael Stein and Michael's wife Sarah were important collectors and supporters of Matisse's paintings. In addition Gertrude Stein's two American friends from Baltimore, the Cone sisters 
202                Clarabel and Etta, became major patrons of Matisse and Picasso, collecting hundreds of their paintings. The Cone collection is now exhibited in the Baltimore Museum of Art.<br><br>
203                While numerous artists visited the Stein salon, many of these artists were not represented among the paintings on the walls at 27 Rue de Fleurus. Where <a href="https://www.claude-monet.com">Monet</a>, <a href="http://www.paulcezanne.org">Cézanne</a>, 
204                Matisse, and <a href="http://www.pablopicasso.org">Picasso</a>'s works dominated Leo and Gertrude Stein's collection, Sarah Stein's collection emphasized Matisse.
205                </p>
206                <p>
207                Among Pablo Picasso's acquaintances who also frequented the Saturday evenings were: Fernande Olivier (Picasso's mistress), Georges Braque, André Derain, the poets Max Jacob and Guillaume Apollinaire, Marie Laurencin 
208                (Apollinaire's mistress and an artist in her own right), and <a href="http://www.henrirou
208sseau.net/">Henri Rousseau</a>.<br><br>
209                His friends organized and financed the Académie Matisse in Paris, a private and non-commercial school in which Matisse instructed young artists. It operated from 1907 until 1911. Hans Purrmann and Sarah Stein were 
210                amongst several of his most loyal students.
211                </p>
212                
213                <h2>After Paris</h2>
214                
215                <p>
216                In 1917 Matisse relocated to Cimiez on the French Riviera, a suburb of the city of Nice. His work of the decade or so following this relocation shows a relaxation and a softening of his approach. This "return to order" 
217                is characteristic of much art of the post-World War I period, and can be compared with the neoclassicism of Picasso and Stravinsky, and the return to traditionalism of Derain. His orientalist odalisque paintings are 
218                characteristic of the period; while popular, some contemporary critics found this work shallow and decorative.<br><br>
219                In the late 1920s Matisse notably once again engaged in active collaborations with other artists. He worked with not only Frenchmen, Dutch, Germans, and Spanish, but also a few Americans and recent American immigrants.<br><br>
220                After 1930 a new vigor and bolder simplification appeared in his work. American art collector Albert C. Barnes convinced him to produce a large mural for the Barnes Foundation, The Dance II, which was completed in 1932. 
221                The Foundation owns several dozen other Matisse paintings.
222                </p>
223                <p>
224                He and his wife of 41 years separated in 1939. In 1941, he underwent surgery in which a colostomy was performed. Afterward he started using a wheelchair, and until his death he was cared for by a Russian woman, Lydia 
225                Delektorskaya, formerly one of his models. With the aid of assistants he set about creating cut paper collages, often on a large scale, called gouaches découpés. His Blue Nudes series feature prime examples of this 
226                technique he called "painting with scissors"; they demonstrate the ability to bring his eye for colour and geometry to a new medium of utter simplicity, but with playful and delightful power.<br><br>
227                In 1947 he published Jazz, a limited-edition book containing prints of colorful paper cut collages, accompanied by his written thoughts. In the 1940s he also worked as a graphic artist and produced black-and-white 
228                illustrations for several books and over one hundred original lithographs at the Mourlot Studios in Paris.<br><br>
229                Matisse, thoroughly unpolitical, was shocked when he heard that his daughter Marguerite, who had been active in the Résistance during the war, was tortured (almost to death) in a Rennes prison and sentenced to the 
230                Ravensbrück concentration camp.
231                </p>
232                <p>
233                According to David Rockefeller, Matisse's final work was the design for a stained-glass window installed at the Union Church of Pocantico Hills near the Rockefeller estate north of New York City. "It was his final 
234                artistic creation; the maquette was on the wall of his bedroom when he died in November of 1954", Rockefeller writes. Installation was completed in 1956.
235                </p>
236
237                <p class="blockquote">
238                If my story were ever to be written truthfully from start to finish, it would amaze everyone. &#8221;<br />- Henri Matisse
239                </p>
240                
241                <h2>Legacy</h2>
242                
243                <p>
244                In 1951 Matisse finished a four-year project of designing the interior, the glass windows and the decorations of the Chapelle du Rosaire de Vence, often referred to as the Matisse Chapel. This project was the result of 
245                the close friendship between Matisse and Sister Jacques-Marie. He had hired her as a nurse and model in 1941 before she became a Dominican nun and they met again in Vence and started the collaboration, a story related 
246                in her 1992 book Henri Matisse: La Chapelle de Vence and in the 2003 documentary "A Model for Matisse".
247                </p>
248                <p>
249                He established a museum dedicated to his work in 1952, in his birthplace city, and this museum is now the third-largest collection of Matisse works in France.
250                </p>
251
252                <div class="ratio ratio-16x9" style="width: 95%; margin: 0px auto; margin-bottom: 20px;">
253                    <iframe loading="lazy" src="https://www.youtube.com/embed/X34V15
253oAD9o" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>												
254                </div>
255                
256                <p>Matisse died of a heart attack at the age of 84 in 1954. He is interred in the cemetery of the Monastère Notre Dame de Cimiez, near Nice. Just like <a href="https://www.williamshakespeare.net">William Shakespeare</a> 
257                on literature, and <a href="https://www.sigmundfreud.net">Sigmund Freud</a> on psychology, Henri Matisse's impact on Fauvism movement is tremendous. Thanks to the influence he had on painting following the Second World War, 
258                Henri Matisse's reputation is higher than it has ever been before. Following the principle discussed by Hans Hofmann, that color was responsible for structural configurations behind the picture, was showcased in American 
259                abstract art. Works of <a href="https://www.jackson-pollock.org">Jackson Pollock</a>, <a href="https://www.mark-rothko.org/">Mark Rothko</a>, and other color field painters, showcased this style in their pieces. 
260                Following this concept, Matisse is an influential figure of the 20th century, and a decisive figure of the time. By defining a clearly pictorial language, of colors and arabesque lines, rather than looking at painting as 
261                a means to an end, Matisse had a great impact on future movements, and works, produced by artists in the 20th century.
262                </p>                   
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356                    <a href='/luxe-calme-et-volupte.jsp'>
357                      <h6 class='card-title'>Luxe, Calme et Volupté</h6>
358                    </a>
359                  </div>
360                </div>
361              </div>
362            </div>
363    
364          </div>
365    
366          <div class='carousel-item'>
367            <div class='row gy-3'>
368              <div class='col-lg-3 d-flex justify-content-center'>
369                <div class='card'>
370                  <a href='/nu-bleu.jsp'>
371                    <img loading="lazy"
372                      src='/assets/img/paintingthumbs/nu-bleu.jpg'
373                      class='card-img-top'
374                      alt='Nu Bleu IV by Henri Matisse'
375                    />
376                  </a>
377                  <div class='card-body'>
378                    <a href='/nu-bleu.jsp'>
379                      <h6 class='card-title'>Nu Bleu IV</h6>
380                    </a>
381                  </div>
382                </div>
383              </div>
384    
385              <div class='col-lg-3 d-flex justify-content-center'>
386                <div class='card'>
387                  <a href='/the-dessert-harmony-in-red.jsp'>
388                    <img loading="lazy"
389                      src='/assets/img/paintingthumbs/the-dessert-harmony-in-red.jpg'
390                      class='card-img-top'
391                      alt='The Dessert: Harmony in Red by Henri Matisse'
392                    />
393                  </a>
394                  <div class='card-body'>
395                    <a href='/the-dessert-harmony-in-red.jsp'>
396                      <h6 class='card-title'>The Dessert: Harmony in Red</h6>
397                    </a>
398                  </div>
399                </div>
400              </div>
401    
402              <div class='col-lg-3 d-flex justify-content-center'>
403                <div class='card'>
404                  <a href='/the-open-window.jsp'>
405                    <img loading="lazy"
406                      src='/assets/img/paintingthumbs/the-open-window.jpg'
407                      class='card-img-top'
408                      alt='The Open Window by Henri Matisse'
409                    />
410                  </a>
411                  <div class='card-body'>
412                    <a href='/the-open-window.jsp'>
413                      <h6 class='card-title'>The Open Window</h6>
414                    </a>
415                  </div>
416                </div>
417              </div>
418    
419              <div class='col-lg-3 d-flex justify-content-center'>
420                <div class='card'>
421                  <a href='/the-red-studio.jsp'>
422                    <img loading="lazy"
423                      src='/assets/img/paintingthumbs/the-red-studio.jpg'
424                      class='card-img-top'
425                      alt='L'Atelier Rouge by Henri Matisse'
426                    />
427                  </a>
428                  <div class='card-body'>
429                    <a href='/the-red-studio.jsp'>
430                      <h6 class='card-title'>L'Atelier Rouge</h6>
431                    </a>
432                  </div>
433                </div>
434              </div>
435            </div>
436    
437          </div>
438    
439          <div class='carousel-item'>
440            <div class='row gy-3'>
441              <div class='col-lg-3 d-flex justify-content-center'>
442                <div class='card'>
443                  <a href='/goldfish.jsp'>
444                    <img loading="lazy"
445                      src='/assets/img/paintingthumbs/goldfish.jpg'
446                      class='card-img-top'
447                      alt='The Goldfish by Henri Matisse'
448                    />
449                  </a>
450                  <div class='card-body'>
451                    <a href='/goldfish.jsp'>
452                      <h6 class='card-title'>The Goldfish</h6>
453                    </a>
454                  </div>
455                </div>
456              </div>
457    
458              <div class='col-lg-3 d-flex justify-content-center'>
459                <div class='card'>
460                  <a href='/bathers-by-a-river.jsp'>
461                    <img loading="lazy"
462                      src='/assets/img/paintingthumbs/bathers-by-a-river.jpg'
463                      class='card-img-top'
464                      alt='Bathers by a River by Henri Matisse'
465                    />
466                  </a>
467                  <div class='card-body'>
468                    <a href='/bathers-by-a-river.jsp'>
469                      <h6 class='card-title'>Bathers by a River</h6>
470                    </a>
471                  </div>
472                </div>
473              </div>
474    
475              <div class='col-lg-3 d-flex justify-content-center'>
476                <div class='card'>
477                  <a href='/the-snail.jsp'>
478                    <img loading="lazy"
479                      src='/assets/img/paintingthumbs/the-snail.jpg'
480                      class='card-img-top'
481                      alt='The Snail by Henri Matisse'
482                    />
483                  </a>
484                  <div class='card-body'>
485                    <a href='/the-snail.jsp'>
486                      <h6 class='card-title'>The Snail</h6>
487                    </a>
488                  </div>
489                </div>
490              </div>
491    
492              <div class='col-lg-3 d-flex justify-content-center'>
493                <div class='card'>
494                  <a href='/sorrow-of-the-king.jsp'>
495                    <img loading="lazy"
496                      src='/assets/img/paintingthumbs/sorrow-of-the-king.jpg'
497                      class='card-img-top'
498                      alt='Sorrow of the King by Henri Matisse'
499                    />
500                  </a>
501                  <div class='card-body'>
502                    <a href='/sorrow-of-the-king.jsp'>
503                      <h6 class='card-title'>Sorrow of the King</h6>
504                    </a>
505                  </div>
506                </div>
507              </div>
508            </div>
509    
510          </div>
511    
512          <div class='carousel-item'>
513            <div class='row gy-3'>
514              <div class='col-lg-3 d-flex justify-content-center'>
515                <div class='card'>
516                  <a href='/woman-in-a-purple-coat.jsp'>
517                    <img loading="lazy"
518                      src='/assets/img/paintingthumbs/woman-in-a-purple-coat.jpg'
519                      class='card-img-top'
520                      alt='Woman in a Purple Coat by Henri Matisse'
521                    />
522                  </a>
523                  <div class='card-body'>
524                    <a href='/woman-in-a-purple-coat.jsp'>
525                      <h6 class='card-title'>Woman in a Purple Coat</h6>
526                    </a>
527                  </div>
528                </div>
529              </div>
530    
531              <div class='col-lg-3 d-flex justify-content-center'>
532                <div class='card'>
533                  <a href='/the-moroccans.jsp'>
534                    <img loading="lazy"
535                      src='/assets/img/paintingthumbs/the-moroccans.jpg'
536                      class='card-img-top'
537                      alt='The Moroccans by Henri Matisse'
538                    />
539                  </a>
540                  <div class='card-body'>
541                    <a href='/the-moroccans.jsp'>
542                      <h6 class='card-title'>The Moroccans</h6>
543                    </a>
544                  </div>
545                </div>
546              </div>
547    
548              <div class='col-lg-3 d-flex justify-content-center'>
549                <div class='card'>
550                  <a href='/window-in-tahiti.jsp'>
551                    <img loading="lazy"
552                      src='/assets/img/paintingthumbs/window-in-tahiti.jpg'
553                      class='card-img-top'
554                      alt='Window in Tahiti by Henri Matisse'
555                    />
556                  </a>
557                  <div class='card-body'>
558                    <a href='/window-in-tahiti.jsp'>
559                      <h6 class='card-title'>Window in Tahiti</h6>
560                    </a>
561                  </div>
562                </div>
563              </div>
564    
565              <div class='col-lg-3 d-flex justify-content-center'>
566                <div class='card'>
567                  <a href='/the-music.jsp'>
568                    <img loading="lazy"
569                      src='/assets/img/paintingthumbs/the-music.jpg'
570                      class='card-img-top'
571                      alt='The Music by Henri Matisse'
572                    />
573                  </a>
574                  <div class='card-body'>
575                    <a href='/the-music.jsp'>
576                      <h6 class='card-title'>The Music</h6>
577                    </a>
578                  </div>
579                </div>
580              </div>
581            </div>
582    
583          </div>
584    
585          <div class='carousel-item'>
586            <div class='row gy-3'>
587              <div class='col-lg-3 d-flex justify-content-center'>
588                <div class='card'>
589                  <a href='/goldfish.jsp'>
590                    <img loading="lazy"
591                      src='/assets/img/paintingthumbs/goldfish.jpg'
592                      class='card-img-top'
593                      alt='The Goldfish by Henri Matisse'
594                    />
595                  </a>
596                  <div class='card-body'>
597                    <a href='/goldfish.jsp'>
598                      <h6 class='card-title'>The Goldfish</h6>
599                    </a>
600                  </div>
601                </div>
602              </div>
603    
604              <div class='col-lg-3 d-flex justify-content-center'>
605                <div class='card'>
606                  <a href='/portrait-of-lydia-delectorskaya.jsp'>
607                    <img loading="lazy"
608                      src='/assets/img/paintingthumbs/portrait-of-lydia-delectorskaya.jpg'
609                      class='card-img-top'
610                      alt='Portrait of Lydia Delectorskaya by Henri Matisse'
611                    />
612                  </a>
613                  <div class='card-body'>
614                    <a href='/portrait-of-lydia-delectorskaya.jsp'>
615                      <h6 class='card-title'>Portrait of Lydia Delectorskaya</h6>
616                    </a>
617                  </div>
618                </div>
619              </div>
620    
621              <div class='col-lg-3 d-flex justify-content-center'>
622                <div class='card'>
623                  <a href='/the-pink-studio.jsp'>
624                    <img loading="lazy"
625                      src='/assets/img/paintingthumbs/the-pink-studio.jpg'
626                      class='card-img-top'
627                      alt='The Pink Studio by Henri Matisse'
628                    />
629                  </a>
630                  <div class='card-body'>
631                    <a href='/the-pink-studio.jsp'>
632                      <h6 class='card-title'>The Pink Studio</h6>
633                    </a>
634                  </div>
635                </div>
636              </div>
637    
638              <div class='col-lg-3 d-flex justify-content-center'>
639                <div class='card'>
640                  <a href='/the-conversation.jsp'>
641                    <img loading="lazy"
642                      src='/assets/img/paintingthumbs/the-conversation.jpg'
643                      class='card-img-top'
644                      alt='The Conversation by Henri Matisse'
645                    />
646                  </a>
647                  <div class='card-body'>
648                    <a href='/the-conversation.jsp'>
649                      <h6 class='card-title'>The Conversation</h6>
650                    </a>
651                  </div>
652                </div>
653              </div>
654            </div>
655    
656          </div>
657    
658        </div>
659        <button
660          class='carousel-control-prev'
661          type='button'
662          data-bs-target='#carouselControls'
663          data-bs-slide='prev'
664        >
665          <span class='carousel-control-prev-icon' aria-hidden='true'></span>
666          <span class='visually-hidden'>Previous</span>
667        </button>
668        <button
669          class='carousel-control-next'
670          type='button'
671          data-bs-target='#carouselControls'
672          data-bs-slide='next'
673        >
674          <span class='carousel-control-next-icon' aria-hidden='true'></span>
675          <span class='visually-hidden'>Next</span>
676        </button>
677      </div>
678    
679    </div>
680    <!-- =======end carousel ======= -->
681  
682  <!-- ======= Footer ======= -->
683  <footer id='footer'>
684    <div class='container'>
685      <div class='copyright'>
686      <p>
687        <a href="/matisse-and-manet.jsp">Henri Matisse & Édouard Manet</a>&nbsp; | &nbsp;<a href="/matisse-and-cezanne.jsp">Henri Matisse & Paul Cezanne</a>&nbsp; | &nbsp;<a href="/link.jsp">Links</a>&nbsp; | &nbsp;
688			  <a href="/fauvism.jsp">Henri Matisse & Fauvism</a>&nbsp; | &nbsp;<a href="/matisse-and-monet.jsp">Henri Matisse & Claude Monet</a>
689      </p>
690      </div>
691      <div class='credits'>
692        Please note that www.HenriMatisse.org is a private website, unaffiliated with Henri Matisse or his representatives.
693      </div>
694    </div>
695  </footer><!-- End Footer -->
696
697  <div id='preloader'></div>
698  <a href='#' class='back-to-top d-flex align-items-center justify-content-center'><i class='bi bi-arrow-up-short'></i></a>
699
700  <!-- Vendor JS Files -->
701  
701<script src="https://cdn.jsdelivr.net/npm/[email protected]/dist/js/bootstrap.bundle.min.js"></script>
701
702
703  <!-- Template Main JS File -->
704  
704<script src='assets/js/main.js'></script>
704
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705<script src='assets/js/simple-lightbox.js'></script>
705
706  
706<script>
707      (function() {
708          var $gallery = new SimpleLightbox('.gallery a', {overlayOpacity: 0.9});
709      })();
710  </script>
710 
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