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31 32 33 </head> 34 35 <body> 36 37 <!-- ======= Header ======= --> 38 <header id="header" class="fixed-top" style="background: rgba(21, 34, 43, 0.85)"> 39 <div class="container d-flex align-items-center justify-content-between"> 40 41 <a href="/" class="logo"><img loading="lazy" src="assets/img/logo.png" alt="Henri Matisse Logo" class="img-fluid"></a> 42 43 <nav id="navbar" class="navbar"> 44 <ul> 45 <li><a class="nav-link scrollto" href="/">Home</a></li> 46 <li class="dropdown"><a href="#"><span>Masterpieces by Henri Matisse</span> <i class="bi bi-chevron-down"></i></a> 47 <ul> 48 <li><a href="/the-dance.jsp">The Dance</a></li> 49 <li><a href="/bathers-by-a-river.jsp">Bathers by a River</a></li> 50 <li><a href="/carmelina.jsp">Carmelina, 1903</a></li> 51 <li><a href="/luxe-calme-et-volupte.jsp">Luxe, Calme et Volupté, 1904</a></li> 52 <li><a href="/joy-of-life.jsp">Joy of Life (Bonheur de Vivre), 1905</a></li> 53 <li><a href="/the-open-window.jsp">Open Window, Collioure, 1905</a></li> 54 <li><a href="/woman-with-a-hat.jsp">Woman with a Hat (Femme au chapeau), 1905</a></li> 55 <li><a href="/green-stripe.jsp">Green Stripe, 1905</a></li> 56 <li><a href="/young-sailor.jsp">Young Sailor, 1906</a></li> 57 <li><a href="/blue-nude.jsp">The Blue Nude, 1907</a></li> 58 <li><a href="/le-luxe.jsp">Le Luxe I, 1907</a></li> 59 <li><a href="/the-dessert-harmony-in-red.jsp">The Dessert: Harmony in Red, 1908</a></li> 60 <li><a href="/the-conversation.jsp">The Conversation, 1908-1912</a></li> 61 <li><a href="/music.jsp">Music, 1910</a></li> 62 <li><a href="/the-pink-studio.jsp">The Pink Studio, 1911</a></li> 63 <li><a href="/the-red-studio.jsp">L'Atelier Rouge, 1911</a></li> 64 <li><a href="/goldfish.jsp">The Goldfish, 1912</a></li> 65 <li><a href="/goldfish-and-palette.jsp">Goldfish and Palette, 1915 </a></li> 66 <li><a href="/portrait-of-madame-matisse.jsp">Portrait of Madame Matisse, 1913</a></li> 67 <li><a href="/sleeping-nude.jsp">Sleeping Nude, 1916</a></li> 68 <li><a href="/interior-at-nice.jsp">Interior at Nice, 1921</a></li> 69 <li><a href="/pink-nude.jsp">Pink Nude, 1935</a></li> 70 <li><a href="/woman-in-a-purple-coat.jsp">Woman in a Purple Coat, 1937</a></li> 71 <li><a href="/lady-in-blue.jsp">Lady in Blue, 1938</a></li> 72 <li><a href="/the-music.jsp">The Music (La Musique), 1939</a></li> 73 <li><a href="/portrait-of-lydia-delectorskaya.jsp">Portrait of Lydia Delectorskaya, 1947</a></li> 74 <li><a href="/sorrow-of-the-king.jsp">Sorrow of the King, 1952</a></li> 75 <li><a href="/nu-bleu.jsp">Nu bleu IV, 1952</a></li> 76 <li><a href="/the-snail.jsp">The Snail, 1953</a></li> 77 <li><a href="/the-sheaf.jsp">The Sheaf, 1953</a></li> 78 </ul> 79 </li> 80 <li><a class="nav-link scrollto" href="/paintings.jsp">Selected Henri Matisse Paintings</a></li> 81 <li><a class="nav-link scrollto" href="/cutouts.jsp">Henri Matisse Cutcouts</a></li> 82 <li><a class="nav-link scrollto" href="/henri-matisse-quotes.jsp">Henri Matisse Quoets</a></li> 83 </ul> 84 <i class="bi bi-list mobile-nav-toggle"></i> 85 </nav><!-- .navbar --> 86 87 </div> 88 </header><!-- End Header --> 89 90 <!-- ======= Hero Section ======= --> 91<section id="hero"> 92<div class="hero-container" data-aos="fade-up" data-aos-delay="150"> 93 <div class="col-lg-8 video-box align-self-baseline" style="margin-left: 30px; margin-right: 30px"> 94 <p class="top">Creativity takes courage.</p> 95 <p class="second"> - Henri Matisse</p> 96 </div> 97</div> 98</section><!-- End Hero --> 99 100<main id='main'> 101 <!-- ======= Content Section ======= --> 102 <section id='content' class='content' style="padding-top: 30px;"> 103 <div class='container' data-aos='fade-up'> 104 105 <div class='section-title'> 106 <h1>Henri Matisse Biography</h1> 107 </div> 108 109 <div class='row'> 110 <div class='col-md-12 info-box'> 111 <img loading="lazy" src="assets/img/henri-matisse.jpg" class="img-rounded float-start" alt="Henri Matisse Photo" style="width: 350px; margin: 0px 10px 10px 10px; border:1px solid grey"> 112 113 <p><b>Henri Matisse</b> (31 December 1869 - 3 November 1954), one of the undisputed masters of 20th century art, was a French artist, known for his use of colour and his fluid and original draughtsmans
113hip. 114 He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Picasso and Marcel Duchamp, as one of the three artists 115 who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. 116 Although he was initially labeled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive 117 language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. 118 </p> 119 120 <h2>Early life and education</h2> 121 122 <p>Henri Matisse was born in Le Cateau-Cambresis, Nord, France. He grew up in Bohain-en-Vermandois, Picardy, France, where his parents owned a flower business; he was their first son. In 1887 123 he went to Paris to study law, working as a court administrator in Le Cateau-Cambrésis after gaining his qualification. He first started to paint in 1889, after his mother brought him art 124 supplies during a period of convalescence following an attack of appendicitis. He discovered "a kind of paradise" as he later described it, and decided to become an artist, deeply disappointing 125 his father. In 1891, he returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau and Gustave Moreau. Initially he painted still-lifes and 126 landscapes in a traditional style, at which he achieved reasonable proficiency. Matisse was influenced by the works of earlier masters such as Jean-Baptiste-Siméon Chardin, Nicolas Poussin, 127 and Antoine Watteau, as well as by modern artists such as <a href="https://www.manet.org">Edouard Manet</a>, and by Japanese art. Chardin was one of Matisse's most admired painters; as an art 128 student he made copies of four Chardin paintings in the Louvre. 129 </p> 130 <p> 131 With the model Caroline Joblau, he had a daughter, Marguerite, born in 1894. In 1898 he married Amélie Noellie Parayre; the two raised Marguerite together and had two sons, Jean (born 1899) and 132 Pierre (born 1900). Marguerite and Amélie often served as models for Matisse. 133 </p> 134 <p> 135 In 1896, Matisse, an unknown art student at the time, visited the Australian painter John Russell on the island Belle Ile off the coast of Brittany. Russell introduced him to Impressionism and to 136 <a href="https://www.vincentvangogh.org/van-gogh-paintings.jsp">paintings of Vincent van Gogh</a> - who had been a friend of Russell - and gave him one of 137 <a href="https://www.vincentvangogh.org/van-gogh-drawings.jsp">Vincent van Gogh's drawings</a>. Matisse's style changed completely; abandoning his earth-coloured palette for bright colours. He later said 138 "Russell was my teacher, and Russell explained colour theory to me." 139 </p> 140 <p> 141 In 1898, on the advice of <a href="http://www.camillepissarro.org">Camille Pissarro</a>, he went to London to study the paintings of J. M. W. Turner and then went on a trip to Corsica. Upon his return to 142 Paris in February 1899 he worked beside Albert Marquet and met André Derain, Jean Puy, and Jules Flandrin. Matisse immersed himself in the work of others and went into debt from buying work from 143 painters he admired. The work he hung and displayed in his home included a plaster bust by Rodin, a painting by <a href="http://www.gauguin.org">Gauguin</a>, a drawing by 144 <a href="https://www.vincentvangogh.org">Van Gogh</a>, and <a href="http://www.paulcezanne.org">Paul Cézanne</a>'s <a href="http://www.paulcezanne.org/three-bathers.jsp">Three Bathers</a>. 145 In Cézanne's sense of pictorial structure and colour Matisse found his main inspiration. 146 </p> 147 <p> 148 Many of Matisse's paintings from 1898 to 1901 make use of a Divisionist technique he adopted after reading Paul Signac's essay, "<a href="http://www.eugene-delacroix.com">Eugene Delacroix</a> and 149 Néo-impressionisme". His paintings of 1902-04, a period of material hardship for the artist, are comparatively somber and reveal a preoccupation with the form of Neo-Impressionism, a movement founded by 150 <a href="https://en.wikipedia.org/wiki/Paul_Signac">Paul Signac</a> and <a href="https://www.georgesseurat.net">Georges Seurat</a>. 151 </p> 152 153 <h2>Fauvism</h2> 154 155 <p> 156 His first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 157 painting in St. Tropez with the neo-Impressionists Signac and Henri Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. 158 In 1905 he traveled southwards again to work with André Derain at Collioure. His paintings of this period are characterized by flat shapes and controlled lines, and use pointillism in a less rigorous 159 way than before. 160 </p> 161 <p> 162 In 1905, Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne. The paintings expressed emotion with wild, often dissonant colours, without regard 163 for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello au milieu des fauves!" (Donatello 164 among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. 165 The exhibition garnered harsh criticism "A pot of paint has been flung in the face of the public", said the critic Camille Mauclair but also some favorable attention. When the painting that was singled 166 out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably.<br><br> 167 Matisse was recognized as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy and Maurice de Vlaminck. 168 The Symbolist painter Gustave Moreau (1826 - 1898) was the movement's inspirational teacher; as a professor at the Ãcole des Beaux-Arts in Paris, he pushed his
168students to think outside of the lines of 169 formality and to follow their visions. 170 </p> 171 172 <p class="blockquote"> 173 What I dream of is an art of balance, purity, and serenity devoid of troubling or depressing subject matter... a soothing, calming influence on the mind, something like a good armchair which provides 174 relaxation from physical fatigue. ” <br />- Henri Matisse 175 </p> 176 177 <p>In 1907 Apollinaire, commenting about Matisse in an article published in La Falange, said, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." 178 But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His controversial 1907 painting Nu bleu was burned in effigy at the Armory Show in 179 Chicago in 1913. 180 </p> 181 <p> 182 The decline of the Fauvist movement after 1906 did nothing to affect the rise of Matisse; many of his finest works were created between 1906 and 1917, when he was an active part of the great gathering of artistic 183 talent in Montparnasse, even though he did not quite fit in, with his conservative appearance and strict bourgeois work habits. He continued to absorb new influences: after viewing a large exhibition of Islamic 184 art in Munich in 1910, he spent two months in Spain studying Moorish art. The effect on Matisse's art was a new boldness in the use of intense, unmodulated colour, as in <a href="/the-red-studio.jsp">L'Atelier Rouge</a> (1911). 185 </p> 186 <p> 187 Matisse had a long association with the Russian art collector Sergei Shchukin. He created one of his major works La Danse specially for Shchukin as part of a two painting commission, the other painting being 188 Music, 1910. An earlier version of <a href="/the-dance.jsp">La Danse</a> (1909) is in the collection of <a href="https://www.moma.org/">The Museum of Modern Art</a> in New York City. 189 </p> 190 191 <div class="ratio ratio-16x9" style="width: 95%; margin: 0px auto; margin-bottom: 20px;"> 192 <iframe loading="lazy" src="https://www.youtube.com/embed/6svhH4mhBv8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> 193 </div> 194 195 <h2>Gertrude Stein, Académie Matisse, and the Cone sisters</h2> 196 197 <p> 198 Around 1904 he met <a href="http://www.pablopicasso.org">Pablo Picasso</a>, who was 12 years younger than Matisse. The two became life-long friends as well as rivals and are often compared; one key difference between them is that Matisse drew and painted 199 from nature, while Picasso was much more inclined to work from imagination. The subjects painted most frequently by both artists were women and still life, with Matisse more likely to place his figures in fully 200 realized interiors. Matisse and Picasso were first brought together at the Paris salon of Gertrude Stein and her companion Alice B. Toklas. During the first decade of the 20th century, Americans in Paris, Gertrude 201 Stein, her brothers Leo Stein, Michael Stein and Michael's wife Sarah were important collectors and supporters of Matisse's paintings. In addition Gertrude Stein's two American friends from Baltimore, the Cone sisters 202 Clarabel and Etta, became major patrons of Matisse and Picasso, collecting hundreds of their paintings. The Cone collection is now exhibited in the Baltimore Museum of Art.<br><br> 203 While numerous artists visited the Stein salon, many of these artists were not represented among the paintings on the walls at 27 Rue de Fleurus. Where <a href="https://www.claude-monet.com">Monet</a>, <a href="http://www.paulcezanne.org">Cézanne</a>, 204 Matisse, and <a href="http://www.pablopicasso.org">Picasso</a>'s works dominated Leo and Gertrude Stein's collection, Sarah Stein's collection emphasized Matisse. 205 </p> 206 <p> 207 Among Pablo Picasso's acquaintances who also frequented the Saturday evenings were: Fernande Olivier (Picasso's mistress), Georges Braque, André Derain, the poets Max Jacob and Guillaume Apollinaire, Marie Laurencin 208 (Apollinaire's mistress and an artist in her own right), and <a href="http://www.henrirou
208sseau.net/">Henri Rousseau</a>.<br><br> 209 His friends organized and financed the Académie Matisse in Paris, a private and non-commercial school in which Matisse instructed young artists. It operated from 1907 until 1911. Hans Purrmann and Sarah Stein were 210 amongst several of his most loyal students. 211 </p> 212 213 <h2>After Paris</h2> 214 215 <p> 216 In 1917 Matisse relocated to Cimiez on the French Riviera, a suburb of the city of Nice. His work of the decade or so following this relocation shows a relaxation and a softening of his approach. This "return to order" 217 is characteristic of much art of the post-World War I period, and can be compared with the neoclassicism of Picasso and Stravinsky, and the return to traditionalism of Derain. His orientalist odalisque paintings are 218 characteristic of the period; while popular, some contemporary critics found this work shallow and decorative.<br><br> 219 In the late 1920s Matisse notably once again engaged in active collaborations with other artists. He worked with not only Frenchmen, Dutch, Germans, and Spanish, but also a few Americans and recent American immigrants.<br><br> 220 After 1930 a new vigor and bolder simplification appeared in his work. American art collector Albert C. Barnes convinced him to produce a large mural for the Barnes Foundation, The Dance II, which was completed in 1932. 221 The Foundation owns several dozen other Matisse paintings. 222 </p> 223 <p> 224 He and his wife of 41 years separated in 1939. In 1941, he underwent surgery in which a colostomy was performed. Afterward he started using a wheelchair, and until his death he was cared for by a Russian woman, Lydia 225 Delektorskaya, formerly one of his models. With the aid of assistants he set about creating cut paper collages, often on a large scale, called gouaches découpés. His Blue Nudes series feature prime examples of this 226 technique he called "painting with scissors"; they demonstrate the ability to bring his eye for colour and geometry to a new medium of utter simplicity, but with playful and delightful power.<br><br> 227 In 1947 he published Jazz, a limited-edition book containing prints of colorful paper cut collages, accompanied by his written thoughts. In the 1940s he also worked as a graphic artist and produced black-and-white 228 illustrations for several books and over one hundred original lithographs at the Mourlot Studios in Paris.<br><br> 229 Matisse, thoroughly unpolitical, was shocked when he heard that his daughter Marguerite, who had been active in the Résistance during the war, was tortured (almost to death) in a Rennes prison and sentenced to the 230 Ravensbrück concentration camp. 231 </p> 232 <p> 233 According to David Rockefeller, Matisse's final work was the design for a stained-glass window installed at the Union Church of Pocantico Hills near the Rockefeller estate north of New York City. "It was his final 234 artistic creation; the maquette was on the wall of his bedroom when he died in November of 1954", Rockefeller writes. Installation was completed in 1956. 235 </p> 236 237 <p class="blockquote"> 238 If my story were ever to be written truthfully from start to finish, it would amaze everyone. ”<br />- Henri Matisse 239 </p> 240 241 <h2>Legacy</h2> 242 243 <p> 244 In 1951 Matisse finished a four-year project of designing the interior, the glass windows and the decorations of the Chapelle du Rosaire de Vence, often referred to as the Matisse Chapel. This project was the result of 245 the close friendship between Matisse and Sister Jacques-Marie. He had hired her as a nurse and model in 1941 before she became a Dominican nun and they met again in Vence and started the collaboration, a story related 246 in her 1992 book Henri Matisse: La Chapelle de Vence and in the 2003 documentary "A Model for Matisse". 247 </p> 248 <p> 249 He established a museum dedicated to his work in 1952, in his birthplace city, and this museum is now the third-largest collection of Matisse works in France. 250 </p> 251 252 <div class="ratio ratio-16x9" style="width: 95%; margin: 0px auto; margin-bottom: 20px;"> 253 <iframe loading="lazy" src="https://www.youtube.com/embed/X34V15
253oAD9o" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> 254 </div> 255 256 <p>Matisse died of a heart attack at the age of 84 in 1954. He is interred in the cemetery of the Monastère Notre Dame de Cimiez, near Nice. Just like <a href="https://www.williamshakespeare.net">William Shakespeare</a> 257 on literature, and <a href="https://www.sigmundfreud.net">Sigmund Freud</a> on psychology, Henri Matisse's impact on Fauvism movement is tremendous. Thanks to the influence he had on painting following the Second World War, 258 Henri Matisse's reputation is higher than it has ever been before. Following the principle discussed by Hans Hofmann, that color was responsible for structural configurations behind the picture, was showcased in American 259 abstract art. Works of <a href="https://www.jackson-pollock.org">Jackson Pollock</a>, <a href="https://www.mark-rothko.org/">Mark Rothko</a>, and other color field painters, showcased this style in their pieces. 260 Following this concept, Matisse is an influential figure of the 20th century, and a decisive figure of the time. By defining a clearly pictorial language, of colors and arabesque lines, rather than looking at painting as 261 a means to an end, Matisse had a great impact on future movements, and works, produced by artists in the 20th century. 262 </p> 263 </div> 264 </div> 265 </section><!-- End Content Section --> 266 267</div> 268
269<script type="application/ld+json"> 270 271{ 272"@context": "http://schema.org", 273"@type": "Person", 274"image": "http://www.henrimatisse.org/images/Henri-Matisse-Portrait.jpg", 275"name": "Henri Matisse", 276"additionalName": "Henri-�mile-Beno�t Matisse", 277"birthPlace": "Le Cateau-Cambr�sis, France", 278"birthDate": "December 31, 1869", 279"nationality": "France", 280"deathDate": "November 3, 1954", 281"url": "http://www.henrimatisse.org", 282"description": "Henri Matisse was a French artist, known for both his use of colour and his fluid and original draughtsmanship. Henri Matisse is widely regarded as the greatest colorist of the twentieth century and as a rival to Pablo Picasso in the importance of his innovations." 283} 284</script>
284 285 <!-- ======= carousel ======= --> 286 <div class='container'> 287 <div 288 id='carouselControls' 289 class='carousel carousel-dark slide' 290 data-bs-ride='carousel' 291 > 292 <div class='carousel-inner'> 293 <div class='carousel-item active'> 294 <div class='row gy-3'> 295 <div class='col-lg-3 d-flex justify-content-center'> 296 <div class='card'> 297 <a href='/joy-of-life.jsp'> 298 <img loading="lazy" 299 src='/assets/img/paintingthumbs/joy-of-life.jpg' 300 class='card-img-top' 301 alt='Joy of Life by Henri Matisse' 302 /> 303 </a> 304 <div class='card-body'> 305 <a href='/joy-of-life.jsp'> 306 <h6 class='card-title'>Joy of Life</h6> 307 </a> 308 </div> 309 </div> 310 </div> 311 312 <div class='col-lg-3 d-flex justify-content-center'> 313 <div class='card'> 314 <a href='/woman-with-a-hat.jsp'> 315 <img loading="lazy" 316 src='/assets/img/paintingthumbs/woman-with-a-hat.jpg' 317 class='card-img-top' 318 alt='Woman with a Hat by Henri Matisse' 319 /> 320 </a> 321 <div class='card-body'> 322 <a href='/woman-with-a-hat.jsp'> 323 <h6 class='card-title'>Woman with a Hat</h6> 324 </a> 325 </div> 326 </div> 327 </div> 328 329 <div class='col-lg-3 d-flex justify-content-center'> 330 <div class='card'> 331 <a href='/green-stripe.jsp'> 332 <img loading="lazy" 333 src='/assets/img/paintingthumbs/green-stripe.jpg' 334 class='card-img-top' 335 alt='Green Stripe by Henri Matisse' 336 /> 337 </a> 338 <div class='card-body'> 339 <a href='/green-stripe.jsp'> 340 <h6 class='card-title'>Green Stripe</h6> 341 </a> 342 </div> 343 </div> 344 </div> 345 346 <div class='col-lg-3 d-flex justify-content-center'> 347 <div class='card'> 348 <a href='/luxe-calme-et-volupte.jsp'> 349 <img loading="lazy" 350 src='/assets/img/paintingthumbs/luxe-calme-et-volupte.jpg' 351 class='card-img-top' 352 alt='Luxe, Calme et Volupté by Henri Matisse' 353 /> 354 </a> 355 <div class='card-body'> 356 <a href='/luxe-calme-et-volupte.jsp'> 357 <h6 class='card-title'>Luxe, Calme et Volupté</h6> 358 </a> 359 </div> 360 </div> 361 </div> 362 </div> 363 364 </div> 365 366 <div class='carousel-item'> 367 <div class='row gy-3'> 368 <div class='col-lg-3 d-flex justify-content-center'> 369 <div class='card'> 370 <a href='/nu-bleu.jsp'> 371 <img loading="lazy" 372 src='/assets/img/paintingthumbs/nu-bleu.jpg' 373 class='card-img-top' 374 alt='Nu Bleu IV by Henri Matisse' 375 /> 376 </a> 377 <div class='card-body'> 378 <a href='/nu-bleu.jsp'> 379 <h6 class='card-title'>Nu Bleu IV</h6> 380 </a> 381 </div> 382 </div> 383 </div> 384 385 <div class='col-lg-3 d-flex justify-content-center'> 386 <div class='card'> 387 <a href='/the-dessert-harmony-in-red.jsp'> 388 <img loading="lazy" 389 src='/assets/img/paintingthumbs/the-dessert-harmony-in-red.jpg' 390 class='card-img-top' 391 alt='The Dessert: Harmony in Red by Henri Matisse' 392 /> 393 </a> 394 <div class='card-body'> 395 <a href='/the-dessert-harmony-in-red.jsp'> 396 <h6 class='card-title'>The Dessert: Harmony in Red</h6> 397 </a> 398 </div> 399 </div> 400 </div> 401 402 <div class='col-lg-3 d-flex justify-content-center'> 403 <div class='card'> 404 <a href='/the-open-window.jsp'> 405 <img loading="lazy" 406 src='/assets/img/paintingthumbs/the-open-window.jpg' 407 class='card-img-top' 408 alt='The Open Window by Henri Matisse' 409 /> 410 </a> 411 <div class='card-body'> 412 <a href='/the-open-window.jsp'> 413 <h6 class='card-title'>The Open Window</h6> 414 </a> 415 </div> 416 </div> 417 </div> 418 419 <div class='col-lg-3 d-flex justify-content-center'> 420 <div class='card'> 421 <a href='/the-red-studio.jsp'> 422 <img loading="lazy" 423 src='/assets/img/paintingthumbs/the-red-studio.jpg' 424 class='card-img-top' 425 alt='L'Atelier Rouge by Henri Matisse' 426 /> 427 </a> 428 <div class='card-body'> 429 <a href='/the-red-studio.jsp'> 430 <h6 class='card-title'>L'Atelier Rouge</h6> 431 </a> 432 </div> 433 </div> 434 </div> 435 </div> 436 437 </div> 438 439 <div class='carousel-item'> 440 <div class='row gy-3'> 441 <div class='col-lg-3 d-flex justify-content-center'> 442 <div class='card'> 443 <a href='/goldfish.jsp'> 444 <img loading="lazy" 445 src='/assets/img/paintingthumbs/goldfish.jpg' 446 class='card-img-top' 447 alt='The Goldfish by Henri Matisse' 448 /> 449 </a> 450 <div class='card-body'> 451 <a href='/goldfish.jsp'> 452 <h6 class='card-title'>The Goldfish</h6> 453 </a> 454 </div> 455 </div> 456 </div> 457 458 <div class='col-lg-3 d-flex justify-content-center'> 459 <div class='card'> 460 <a href='/bathers-by-a-river.jsp'> 461 <img loading="lazy" 462 src='/assets/img/paintingthumbs/bathers-by-a-river.jpg' 463 class='card-img-top' 464 alt='Bathers by a River by Henri Matisse' 465 /> 466 </a> 467 <div class='card-body'> 468 <a href='/bathers-by-a-river.jsp'> 469 <h6 class='card-title'>Bathers by a River</h6> 470 </a> 471 </div> 472 </div> 473 </div> 474 475 <div class='col-lg-3 d-flex justify-content-center'> 476 <div class='card'> 477 <a href='/the-snail.jsp'> 478 <img loading="lazy" 479 src='/assets/img/paintingthumbs/the-snail.jpg' 480 class='card-img-top' 481 alt='The Snail by Henri Matisse' 482 /> 483 </a> 484 <div class='card-body'> 485 <a href='/the-snail.jsp'> 486 <h6 class='card-title'>The Snail</h6> 487 </a> 488 </div> 489 </div> 490 </div> 491 492 <div class='col-lg-3 d-flex justify-content-center'> 493 <div class='card'> 494 <a href='/sorrow-of-the-king.jsp'> 495 <img loading="lazy" 496 src='/assets/img/paintingthumbs/sorrow-of-the-king.jpg' 497 class='card-img-top' 498 alt='Sorrow of the King by Henri Matisse' 499 /> 500 </a> 501 <div class='card-body'> 502 <a href='/sorrow-of-the-king.jsp'> 503 <h6 class='card-title'>Sorrow of the King</h6> 504 </a> 505 </div> 506 </div> 507 </div> 508 </div> 509 510 </div> 511 512 <div class='carousel-item'> 513 <div class='row gy-3'> 514 <div class='col-lg-3 d-flex justify-content-center'> 515 <div class='card'> 516 <a href='/woman-in-a-purple-coat.jsp'> 517 <img loading="lazy" 518 src='/assets/img/paintingthumbs/woman-in-a-purple-coat.jpg' 519 class='card-img-top' 520 alt='Woman in a Purple Coat by Henri Matisse' 521 /> 522 </a> 523 <div class='card-body'> 524 <a href='/woman-in-a-purple-coat.jsp'> 525 <h6 class='card-title'>Woman in a Purple Coat</h6> 526 </a> 527 </div> 528 </div> 529 </div> 530 531 <div class='col-lg-3 d-flex justify-content-center'> 532 <div class='card'> 533 <a href='/the-moroccans.jsp'> 534 <img loading="lazy" 535 src='/assets/img/paintingthumbs/the-moroccans.jpg' 536 class='card-img-top' 537 alt='The Moroccans by Henri Matisse' 538 /> 539 </a> 540 <div class='card-body'> 541 <a href='/the-moroccans.jsp'> 542 <h6 class='card-title'>The Moroccans</h6> 543 </a> 544 </div> 545 </div> 546 </div> 547 548 <div class='col-lg-3 d-flex justify-content-center'> 549 <div class='card'> 550 <a href='/window-in-tahiti.jsp'> 551 <img loading="lazy" 552 src='/assets/img/paintingthumbs/window-in-tahiti.jpg' 553 class='card-img-top' 554 alt='Window in Tahiti by Henri Matisse' 555 /> 556 </a> 557 <div class='card-body'> 558 <a href='/window-in-tahiti.jsp'> 559 <h6 class='card-title'>Window in Tahiti</h6> 560 </a> 561 </div> 562 </div> 563 </div> 564 565 <div class='col-lg-3 d-flex justify-content-center'> 566 <div class='card'> 567 <a href='/the-music.jsp'> 568 <img loading="lazy" 569 src='/assets/img/paintingthumbs/the-music.jpg' 570 class='card-img-top' 571 alt='The Music by Henri Matisse' 572 /> 573 </a> 574 <div class='card-body'> 575 <a href='/the-music.jsp'> 576 <h6 class='card-title'>The Music</h6> 577 </a> 578 </div> 579 </div> 580 </div> 581 </div> 582 583 </div> 584 585 <div class='carousel-item'> 586 <div class='row gy-3'> 587 <div class='col-lg-3 d-flex justify-content-center'> 588 <div class='card'> 589 <a href='/goldfish.jsp'> 590 <img loading="lazy" 591 src='/assets/img/paintingthumbs/goldfish.jpg' 592 class='card-img-top' 593 alt='The Goldfish by Henri Matisse' 594 /> 595 </a> 596 <div class='card-body'> 597 <a href='/goldfish.jsp'> 598 <h6 class='card-title'>The Goldfish</h6> 599 </a> 600 </div> 601 </div> 602 </div> 603 604 <div class='col-lg-3 d-flex justify-content-center'> 605 <div class='card'> 606 <a href='/portrait-of-lydia-delectorskaya.jsp'> 607 <img loading="lazy" 608 src='/assets/img/paintingthumbs/portrait-of-lydia-delectorskaya.jpg' 609 class='card-img-top' 610 alt='Portrait of Lydia Delectorskaya by Henri Matisse' 611 /> 612 </a> 613 <div class='card-body'> 614 <a href='/portrait-of-lydia-delectorskaya.jsp'> 615 <h6 class='card-title'>Portrait of Lydia Delectorskaya</h6> 616 </a> 617 </div> 618 </div> 619 </div> 620 621 <div class='col-lg-3 d-flex justify-content-center'> 622 <div class='card'> 623 <a href='/the-pink-studio.jsp'> 624 <img loading="lazy" 625 src='/assets/img/paintingthumbs/the-pink-studio.jpg' 626 class='card-img-top' 627 alt='The Pink Studio by Henri Matisse' 628 /> 629 </a> 630 <div class='card-body'> 631 <a href='/the-pink-studio.jsp'> 632 <h6 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