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8		 Everything Is A Matter Of Distance
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16<meta name="DC.Creator.PersonalName" content="Magdalena Tyżlik-Carver"/>
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22<meta name="DC.Description" xml:lang="en" content="In physics, distance is measured as the product of speed and time; in mathematics, it is defined as the total path travelled by an object from one point to another. Both definitions share an operational clarity but capture only a single dimension of the relationship between objects. The lived reality of distance—and its counterpart, proximity—resists such simplifications. One recurring question in the contributions of this journal issue is how space itself is produced, shaped, and manipulated in contemporary techno-culture. Proximity today is engineered through techniques of approximation—statistical modes of patterning identities, collectivities, and affective bonds to corporate infrastructures. Critical vocabularies have long privileged distance—critical distance, aesthetic distance—but we are already immersed in these approximations as we are addressed, enrolled, and captured through platforms and other interfaces of affective persuasion. The challenge, then, is to ask: how might critical digital culture research manoeuvre in this terrain?"/>
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266					Vol. 14 No. 1 (2025):  Everything Is A Matter Of Distance
267				</a>
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278		  	 <article class="obj_article_details">
279
280		
281	<h1 class="page_title">
282		 Everything Is A Matter Of Distance
283	</h1>
284
285	
286	<div class="row">
287		<div class="main_entry">
288
289							<section class="item authors">
290					<h2 class="pkp_screen_reader">Authors</h2>
291					<ul class="authors">
292											<li>
293							<span class="name">
294								Magdalena Tyżlik-Carver
295							</span>
296															<span class="affiliation">
297									Aarhus University
298																	</span>
299																				</li>
300											<li>
301							<span class="name">
302								Pablo Velasco
303							</span>
304															<span class="affiliation">
305									Aarhus University
306																	</span>
307																				</li>
308										</ul>
309				</section>
310			
311																												<section class="item doi">
312						<h2 class="label">
313														DOI:
314						</h2>
315						<span class="value">
316							<a href="https://doi.org/10.7146/aprja.v14i1.160268">
317								https://doi.org/10.7146/aprja.v14i1.160268
318							</a>
319						</span>
320					</section>
321							
322						
323										<section class="item abstract">
324					<h2 class="label">Abstract</h2>
325					<p>In physics, distance is measured as the product of speed and time; in mathematics, it is defined as the total path travelled by an object from one point to another. Both definitions share an operational clarity but capture only a single dimension of the relationship between objects. The lived reality of distance—and its counterpart, proximity—resists such simplifications. One recurring question in the contributions of this journal issue is how space itself is produced, shaped, and manipulated in contemporary techno-culture. Proximity today is engineered through techniques of approximation—statistical modes of patterning identities, collectivities, and affective bonds to corporate infrastructures. Critical vocabularies have long privileged distance—critical distance, aesthetic distance—but we are already immersed in these approximations as we are addressed, enrolled, and captured through platforms and other interfaces of affective persuasion. The challenge, then, is to ask: how might critical digital culture research manoeuvre in this terrain?</p>
326				</section>
327			
328			
329
330																																																<section class="item author_bios">
331					<h2 class="label">
332													Author Biographies
333											</h2>
334																		<section class="sub_item">
335								<h3 class="label">
336																																							Magdalena Tyżlik-Carver, <span class="affiliation">Aarhus University</span>
337																	</h3>
338								<div class="value">
339									<p>Magdalena Tyżlik-Carver is associate professor at the Department of Digital Design &amp; Information Studies, Aarhus University.</p>
340								</div>
341							</section>
342																								<section class="sub_item">
343								<h3 class="label">
344																																							Pablo Velasco, <span class="affiliation">Aarhus University</span>
345																	</h3>
346								<div class="value">
347									<p>Pablo Velasco is associate professor in Critical Data Studies and Digital Methods, at Department of Digital Design &amp; Information Studies, Aarhus University.</p>
348								</div>
349							</section>
350															</section>
351			
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385						<div class="item published">
386				<section class="sub_item">
387					<h2 class="label">
388						Published
389					</h2>
390					<div class="value">
391																			<span>2025-10-09</span>
392																	</div>
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395			
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398
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400							<h2 class="label">
401								Issue
402							</h2>
403							<div class="value">
404								<a class="title" href="https://aprja.net//issue/view/12524">
405									Vol. 14 No. 1 (2025):  Everything Is A Matter Of Distance
406								</a>
407							</div>
408						</section>
409					
410											<section class="sub_item">
411							<h2 class="label">
412								Section
413							</h2>
414							<div class="value">
415								Editorial
416							</div>
417						</section>
418					
419									</div>
420			
421															
422										<div class="item copyright">
423					<h2 class="label">
424						License
425					</h2>
426																										<p>Copyright (c) 2025 Magdalena Tyżlik-Carver, Pablo Velasco</p>
427														<a rel="license" href="https://creativecommons.org/licenses/by-nc-sa/4.0/">
427<img alt="Creative Commons License" src="//i.creativecommons.org/l/by-nc-sa/4.0/88x31.png" /></a><p>This work is licensed under a <a rel="license" href="https://creativecommons.org/licenses/by-nc-sa/4.0/">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License</a>.</p>
428																<p>Copyrights are held by the individual authors of articles.</p>
429<p>Unless stated otherwise, all articles are published under the CC license: ‘Attribution-NonCommercial-ShareAlike’. </p>
430<p>The journal is free of charge for readers.</p>
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