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652 <figcaption class="hero__name"><span class="js-slide-channel-name-hover">Fashion Week SS27</span> 653 </figcaption> 654 <figcaption class="hero__name-alt">CHANNEL GUIDE</figcaption> 655 </figure> 656 </div> 657 <!-- /.hero__content-logo --> 658 <div class="hero__content-actions"> 659 <ul data-active="36840"> 660 <li class="is-active"> 661 <a data-href="/channel-guide/fashion-week-ss27" data-channelname="Fashion Week SS27" 662 data-channelid="36840">1</a> 663 </li> 664 <li class=""> 665 <a data-href="/channel-guide/movement-issue-autumn-2026" data-channelname="Movement Issue, Autumn 2026" 666 data-channelid="36039">2</a> 667 </li> 668 <li class=""> 669 <a data-href="/channel-guide/art-and-ideas" data-channelname="Art and Ideas" 670 data-channelid="27527">3</a> 671 </li> 672 <li class=""> 673 <a data-href="/channel-guide/paris-couture-aw27" data-channelname="Paris Couture AW27" 674 data-channelid="32594">4</a> 675 </li> 676 <li class=""> 677 <a data-href="/channel-guide/chantal-akerman-season" data-channelname="Chantal Akerman Season" 678 data-channelid="31258">5</a> 679 </li> 680 <li class=""> 681 <a data-href="/channel-guide/music" data-channelname="Music" 682 data-channelid="27548">6</a> 683 </li> 684 </ul> 685 <div class="hero__content-single-btn"> 686 <a href="/channel-guide" class="js-hero-guide"> 687 <svg width="23" height="23" viewBox="0 0 23 23" fill="none" xmlns="http://www.w3.org/2000/svg"> 688 <rect x="1" y="1" width="8" height="8" fill="currentcolor" stroke="currentcolor" 689 stroke-width="2"></rect> 690 <rect x="1" y="14" width="8" height="8" fill="currentcolor" stroke="currentcolor" 691 stroke-width="2"></rect> 692 <rect x="14" y="1" width="8" height="8" fill="currentcolor" stroke="currentcolor" 693 stroke-width="2"></rect> 694 <rect x="14" y="14" width="8" height="8" fill="currentcolor" stroke="currentcolor" 695 stroke-width="2"></rect> 696 </svg> 697 </a> 698 </div><!-- /.hero-single-btn --> 699 </div> 700 <!-- /.hero__content-actions --> 701 <div class="hero__content-slides"> 702<div class="hero__content-slide" data-contentid="38175"> 703 <h1>So far, so fabulous</h1> 704 <h2>Highlights from London + Milan fashion week | 36 min</h2> 705 <div class="hero__description shortened"> 706 <p>Caroline Issa and the team are now in Paris for the the ready-to-wear collections, here are the highlights of Spring/Summer '27 from So far: Saint Laurent painted Paris gold and Dior presented a futuristic Jane Austen on a set that dreams are made of. In Milan Prada was all about the skirt, Bottega Veneta was a celebration of craft, and we loved everything from Erdem's dark romanticism to Roksanda's drama and feminine silhouettes. Emilia Wickstead celebrated the art of being the perfect host, featuring TANK's (and much of London's) favourite host, Jeremy King. Welcome to flavour country.</p> 707 </div> 708 <a class="btn--read-more js-read-more">Read more</a> 709</div><div class="hero__content-slide" data-contentid="38199"> 710 <h1>40 years of Hogan</h1> 711 <h2>The Interactive | 0 min</h2> 712 <div class="hero__description shortened"> 713 <p>For its fortieth anniversary, Italian footwear brand Hogan divided its history into four decades and entrusted each decade, and its defining shoe, to four young Italian directors from the Centro Sperimentale school of film to tell a story of their cho
713osing. Here Sarah Narducci, responsible for the second decade, the 1990s, sets her film on its final night, when the world was supposed to end.</p> 714 </div> 715 <a class="btn--read-more js-read-more">Read more</a> 716</div><div class="hero__content-slide" data-contentid="36047"> 717 <h1>The Movement Issue Trailer</h1> 718 <h2> | 1 min</h2> 719 <div class="hero__description shortened"> 720 <p>For some time now, artists, politicians, writers, thinkers and economists have been preoccupied with flux and motion: the flow states peddled by psychologists, the churn of the art market, the vast networks that carry global trade. Welcome to the Movement Issue.</p> 721 </div> 722 <a class="btn--read-more js-read-more">Read more</a> 723</div><div class="hero__content-slide" data-contentid="36043"> 724 <h1>The Fall</h1> 725 <h2> | 2 min</h2> 726 <div class="hero__description shortened"> 727 <p>A video accompaniment to an autumn <a href="/magazine/issue-108/fashion/the-fall">editorial</a> by Elliot James Kennedy and Eve Bailey. Art direction by Valentina De Zanche, movement direction by Alexandra Green, set design by Darcy Norgan, hair by Maki Tanaka, make-up by Jinny Kim using Chanel Coco Mademoiselle and No.1 de Chanel Body Serum-in-Mist, production by Lucio Martus, casting by Lucy Rogers, photography assistants Myles Bailey and Sam Court, styling assistant Olivia Fortmuller and Lucy McNeil, production coordinator Luana Viegas, models Sam Dilkes at Chapter Management, Nicole Nevitt and Ronan Cardoza. </p> 728 </div> 729 <a class="btn--read-more js-read-more">Read more</a> 730</div><div class="hero__content-slide" data-contentid="36040"> 731 <h1>Bold Tendencies</h1> 732 <h2>Cutting shapes with Pangaia | 1 min</h2> 733 <div class="hero__description shortened"> 734 <p class="p1">A video accompaniment to an autumn <a href="/magazine/issue-108/fashion/pangaia">editorial</a> by Guy Bolongaro. Video by Sohrab Golsorkhi-Ainslie, styling by Noemie Schelbert, hair by Masashi Konno, make-up by Anastasia Borovik, casting by Michiel Van Maaren, production by Ericka Prince at The Production Factory, photography assistants Will Edgecombe and Jamie Iain Genovese, styling assistant Alima Lisa Koné, production assistant Jago Clark at The Production Factory, model Sophie Patrece Embleton at Next Management. </p> 735 </div> 736 <a class="btn--read-more js-read-more">Read more</a> 737</div><div class="hero__content-slide" data-contentid="36042"> 738 <h1>Carlo Rovelli</h1> 739 <h2>On quantum philosophy | 40 min</h2> 740 <div class="hero__description shortened"> 741 <p class="p1">Carlo Rovelli is a distinguished theoretical physicist and the author of best-selling books that describe the latest scientific research for a general public. In his latest book <em>On the Equality of All Things</em> (2026) he turns to philosophy to consider the deeper implications of quantum physics and the nature of reality and the universe.</p> 742 </div> 743 <a class="btn--read-more js-read-more">Read more</a> 744</div><div class="hero__content-slide" data-contentid="36041"> 745 <h1>Balance of Prowess</h1> 746 <h2>Making moves with Fendi by Maria Grazia Chiuri | 1 min</h2> 747 <div class="hero__description shortened"> 748 <p>A video accompaniment to an autumn <a href="/magazine/issue-108/fashion/fendi">editorial</a> by Melissa Schriek. Video by Sohrab Golsorkhi-Ainslie, styling by Maria Teresa Strippoli, set design by Michael Price, hair by Sundia Wen, make-up by Miki Matsunaga, executive producer Theo Guillemot, production by Constantin Jopeck, casting by Eve Bailey, photography assistant Nathan Zaoui, styling assistant Maxwell Simons, models Henri Vander Maren at Premium and Evgeniia Nirka at Girl Mgmt.</p> 749 </div> 750 <a class="btn--read-more js-read-more">Read more</a> 751</div><div class="hero__content-slide" data-contentid="36045"> 752 <h1>James Meadway</h1> 753 <h2>On agriculture, the NHS and Britain as a reluctant middle power | 68 min</h2> 754 <div class="hero__description shortened"> 755 <p class="p1">James Meadway is an economist and former Labour Party advisor who recently co-founded Verdant, a Green Party-aligned think tank. Meadway spoke to the TANK team about the future of green politics, AI insurgency and navigating our era of permacrisis. Video by Ali Golsorkhi-Ainslie.</p> 756 </div> 757 <a class="btn--read-more js-read-more">Read more</a> 758</div><div class="hero__content-slide" data-contentid="36044"> 759 <h1>Oh so moving!</h1> 760 <h2>Six actors shed a tear | 2 min</h2> 761 <div class="hero__description shortened"> 762 <p class="p1">The crying shot is one of the most recognisable images in visual culture, a single frame that can hold an entire emotional arc. For this shoot, we asked six young actors to test that claim. Video by Kat Hanratty, styling by Eve Bailey, hair by Motoharu Iwaizumi using Hair by Sam McKnight, make-up by Maho Moriyama, casting b
762y Lucy Rogers, styling assistants Imogen Hipkin Holland and Rory Fainaru, make-up assistant Yeseul, cast James Copestake, Ayaz Khezrzadeh, Rukaiyah, Juliet Papamarkou and Damsel. </p> 763 </div> 764 <a class="btn--read-more js-read-more">Read more</a> 765</div><div class="hero__content-slide" data-contentid="36046"> 766 <h1>An interview with Sine Plambech</h1> 767 <h2> | 37 min</h2> 768 <div class="hero__description shortened"> 769 <p class="p1">Vicky, Lom, Becky and Sommai crossed the world to sell sex, to support their loved ones, and chase dreams of their own. Anthropologist Sine Plambech spent two decades alongside them; <em>Global Sex: What Sex Workers Know About Love and Capitalism</em> (2026) is a book made from her years of fieldnotes. For the Movement Issue, she sat down with TANK's Edie Musker to discuss her work. </p> 770 </div> 771 <a class="btn--read-more js-read-more">Read more</a> 772</div><div class="hero__content-slide" data-contentid="36049"> 773 <h1>Building Momentum</h1> 774 <h2>Clash de Cartier | 1 min</h2> 775 <div class="hero__description shortened"> 776 <p>A video accompaniment to an autumn <a href="/magazine/issue-108/things/cartier-bags">editorial</a>. Video by Ali Golsorkhi Ainslie, hair by Alyce Shodai, make-up by Natsu Tomonaga, casting by Eve Bailey, photography assistant Josh Rea, model Kawanny Garcia at Elite Model Management.</p> 777 </div> 778 <a class="btn--read-more js-read-more">Read more</a> 779</div><div class="hero__content-slide" data-contentid="36048"> 780 <h1>Suzy Hansen on From Life Itself</h1> 781 <h2>Interview by Thomas Roueché | 39 min</h2> 782 <div class="hero__description shortened"> 783 <p>Suzy Hansen's latest book, From <em>Life Itself: Turkey and Istanbul in the Age of ErdoÄan </em>(2026), delves into currents of geopolitics from the vantage point of a single community. Here, she speaks to TANK's Thomas Roueché. </p> 784 </div> 785 <a class="btn--read-more js-read-more">Read more</a> 786</div><div class="hero__content-slide" data-contentid="33030"> 787 <h1>Vijay Prashad </h1> 788 <h2>on Caliban, sovereignty and the intellectual in revolutionary Cuba | 60 min</h2> 789 <div class="hero__description shortened"> 790 <p>Vijay Prashad is a historian, journalist and the director of the Tricontinental Institute for Social Research, as well as the author of several books, including <em>The Darker Nations</em> (2007) and <em>Washington Bullets</em> (2020). Vijay joins us to discuss the history surrounding Roberto Fernández Retamar's landmark essay <em>Caliban</em> (1971), a piece situated in a rich history of debate surrounding the emergence of sovereignty in the colonised world.</p> 791 </div> 792 <a class="btn--read-more js-read-more">Read more</a> 793</div><div class="hero__content-slide" data-contentid="32413"> 794 <h1>85 Seconds to Midnight</h1> 795 <h2>A warning from Carlo Rovelli | 4 min</h2> 796 <div class="hero__description shortened"> 797 <p>One of the greatest physicists of his generation, Carlo Rovelli's new book <em>85 Seconds to Midnight: A Physicistâs Argument against Rearmament</em> is a searing indictment of the short-sighted political logic driving the world toward nuclear catastrophe. Taking its title from the Doomsday Clock, currently set to 85 seconds to midnight, the book looks to the history and potential future of nuclear weaponry, while grappling with what he deems the guilty collective conscience of his profession: the scientists who invented the deadliest weapon ever known. TANK visited Rovelli in his home in Madrid to discuss the book.</p> 798 </div> 799 <a class="btn--read-more js-read-more">Read more</a> 800</div><div class="hero__content-slide" data-contentid="32618"> 801 <h1>Global Sex</h1> 802 <h2>Sine Plambech reads from her searching new book | 6 min</h2> 803 <div class="hero__description shortened"> 804 <p>Vicky, Lom, Becky and Sommai left home to sell sex in Europe, to support the families they love and chase dreams of their own. Anthropologist Sine Plambech spent two decades alongside them. Here, she reads from <em>Global Sex: What Sex Workers Know About Love and Capitalism, </em>the book she made from those years of field notes.</p> 805 </div> 806 <a class="btn--read-more js-read-more">Read more</a> 807</div><div class="hero__content-slide" data-contentid="32412"> 808 <h1>From Life Itself</h1> 809 <h2>Suzy Hansen | 6 min</h2> 810 <div class="hero__description shortened"> 811 <p>Following the success of her first book, <em>Notes on a Foreign Country</em>, Suzy Hansen's <em>
811From Life Itself </em>chronicles life under rising authoritarianism in Turkey. In the small neighbourhood of Karagümrük, local concerns over national identity and immigration serve as a metonym for the country, and indeed the world, at large. Here, she reads an excerpt from the new book. </p> 812 </div> 813 <a class="btn--read-more js-read-more">Read more</a> 814</div><div class="hero__content-slide" data-contentid="32152"> 815 <h1>Hyperpolitics</h1> 816 <h2>In conversation with Anton Jäger | 42 min</h2> 817 <div class="hero__description shortened"> 818 <p>For TANK, writer Anton Jäger discussed his book <em>Hyperpolitics</em>, a theory of how political action in the modern age has been hollowed out without reinstitutionalisation. From mass movements like Black Lives Matter to the growing power of the British far-right, Jäger outlines how avenues for collective action are increasingly closed off â a world in which people are more politically activated than ever, yet less capable of producing durable change.</p> 819 </div> 820 <a class="btn--read-more js-read-more">Read more</a> 821</div><div class="hero__content-slide" data-contentid="32344"> 822 <h1>The Max!</h1> 823 <h2>75 years of Max Mara, unboxed in Shanghai | 3 min</h2> 824 <div class="hero__description shortened"> 825 <p>From a sewing school in Reggio Emilia to a museum floor in Shanghai â Max Mara opens its archive for its 75th anniversary.</p> 826 </div> 827 <a class="btn--read-more js-read-more">Read more</a> 828</div><div class="hero__content-slide" data-contentid="32523"> 829 <h1>One to chypre</h1> 830 <h2>The flower power of Hermès' Barénia Pleine Fleur | 3 min</h2> 831 <div class="hero__description shortened"> 832 <p>The chypre is one of perfume's most seductive and distinctive styles, and Hermès's new launch, Barénia Pleine Fleur, is a radical reinvention of the form. Christine Nagel, Hermès's in-house perfumer, has made a sometimes hard-to-love form into something warm and inviting, softening a potent white lily with orange blossom and inventing a fruity note that nature wouldn't provide, all in service of a fragrance built to welcome newcomers in rather than keep them guessing.</p> 833 </div> 834 <a class="btn--read-more js-read-more">Read more</a> 835</div><div class="hero__content-slide" data-contentid="32322"> 836 <h1>Asta Fanney Sigurðardóttir</h1> 837 <h2>I've got a universe in my pocket | 5 min</h2> 838 <div class="hero__description shortened"> 839 <p>Representing Iceland at this year's Venice Biennale, Asta Fanney Sigurðardóttir's <em>Pocket Universe</em> considers hope as something inexhaustible and portable. The artist reimagines Pandora's box as a vessel of optimism rather than misfortune, filling a former Venetian shipyard with glowing orbs, talismans, and buoy-like forms that blur performance, sound, and sculpture into a single dreamlike installation. Nell Whittaker spoke to the artist ahead of the Biennale's opening. </p> 840 </div> 841 <a class="btn--read-more js-read-more">Read more</a> 842</div><div class="hero__content-slide" data-contentid="31436"> 843 <h1>Genuine Fake Premium Economy</h1> 844 <h2>Don't crash | 24 min</h2> 845 <div class="hero__description shortened"> 846 <p>The morning after <em>Genuine Fake Premium Economy</em> opened at the ICA, TANK's assistant editor Matteo Pini sat down with artists Jenna Bliss, Jasmine Gregory, and Buck Ellison to explore how the long shadow of the 2008 financial crisis haunts their work. From Ellison's material catalogues of imagined finance bros to Gregory's doctored Patek Philippe advertisements, the artists discuss how the aesthetics of wealth management and economic precarity have become embedded in contemporary visual practice.</p> 847 </div> 848 <a class="btn--read-more js-read-more">Read more</a> 849</div><div class="hero__content-slide" data-contentid="31086"> 850 <h1>Ahmad Al-Bazz: The Erasure of Palestine</h1> 851 <h2> | 5 min</h2> 852 <div class="hero__description shortened"> 853 <p>In 1948, the Nakba â meaning, "catastrophe" â saw the forced displacement and death of hundreds of thousands of Palestinians, one of the most destructive moments in the history of Zionist colonialism and the creation of the state of Israel. The Nakba was foundational to the 1967 Naksa, the second forced displacement resultant of the Six-Day War, and is still in effect today. Ahmad Al-Bazz is a Palestinian photographer whose new photobook <em>The Erasure of Palestine</em> documents hundreds of sites between 2021 and 2023. In it, fragments of pre-1948 Palestinian life stand stark against the washes of settler development. Here, he reads three entr
853ies from the book.</p> 854 </div> 855 <a class="btn--read-more js-read-more">Read more</a> 856</div><div class="hero__content-slide" data-contentid="31311"> 857 <h1>Cruise Control</h1> 858 <h2>Chanel's glimmering 2026 Cruise Collection | 3 min</h2> 859 <div class="hero__description shortened"> 860 <p>In Biarritz, France, Matthieu Blazy presents Chanel's 2026 Resort Collection, a summery ode to freeing the mind and body. </p> 861 </div> 862 <a class="btn--read-more js-read-more">Read more</a> 863</div><div class="hero__content-slide" data-contentid="31154"> 864 <h1>The forever wars</h1> 865 <h2>News of The World with Faisal Devji | 15 min</h2> 866 <div class="hero__description shortened"> 867 <p>The historian Faisal Devji traces the root causes of the endless wars in Western Asia. From Palestine to Tehran, borders crumble and a deficit of sovereignty in the Arab world is destabilising the world economy and reshaping its map. Faisal Devji is the Beit Professor of Global and Imperial History at the University of Oxford.</p> 868 </div> 869 <a class="btn--read-more js-read-more">Read more</a> 870</div><div class="hero__content-slide" data-contentid="32444"> 871 <h1>Empire</h1> 872 <h2>Simon Tyszko | 98 min</h2> 873 <div class="hero__description shortened"> 874 <p>In his film EMPIRE, Artist Simon Tyszko takes FIFA's footage of the 1966 World Cup Final â England's only football world championship, won on home soil against West Germany â and runs it in reverse. Goals are unscored, the trophy returns from Bobby Moore's hands to the Queen's, and joy is methodically unmade. Tyszko's film is a meditation on national myth, imperial legacy, and the cost of a glory that perhaps should never have been, streaming exclusively on tank.tv.</p> 875<div id="pu168" class="clearfix grpelem"> 876<div id="u190-4" class="clearfix grpelem"></div> 877</div> 878<div id="u95-63" class="clearfix grpelem"> 879<p id="u95-2"></p> 880<p id="u95-4"><strong>Text by Gareth Evans: Whitechapel Gallery Adjunct Moving Image Curator.</strong></p> 881<p id="u95-7">As the 'United' Kingdom (specifically England) slips further into the sea, into both the rising salty brine of its founding climate alterations and the mire of its own increasing irrelevance and ineptitude, Simon Tyszko's Empire revealsà itself as perhaps the definitive explanatory - and surprisingly redemptive - text, hiding in plain sight, we could hope for at such a time.</p> 882<p id="u95-8"></p> 883<p id="u95-11">Yes, it rewinds, using FIFA's own footage, the 1966 World Cup Final, locus of England's only win at such a level, one achieved on home ground, against a visiting team unmatched in terms of symbolic resonance.</p> 884<p id="u95-12"></p> 885<p id="u95-15">Yes, it captures moments of epiphanic melancholy, as balls retreat from the goal nets, from their dream, their very reason, returning to the foot like errant children home; as the Queen takes back the Jules Rimet Trophy from captain Bobby Moore, wiping the smile from his face and returning his features to the numbed neutrality of joylessness.</p> 886<p id="u95-16"></p> 887<p id="u95-19">Yes, for these and similar moments alone, Tyszko has crafted something singular, something seen, out of material so overseen it is almost invisible.</p> 888<p id="u95-20"></p> 889<p id="u95-22">But why call it Empire? Because in his strategy of reversal, Tyszko is teasing at something far larger, far more important than the witty unravelling of a sporting win. Indeed, why stop at that rewinding? Why not continue back - all the way back - to the world before England's global footprint had been impressed on the face of the beaten planet.</p> 890<p id="u95-24">Empire is a song to its own absence, its erasure, a praise song back in time and place for a country that accepted its size, that did not make claims, that did not enslave, extract, despoil and desecrate; for a country that could be ambitious but which remained humble: a country, in short, that did not exist.</p> 891<p id="u95-25"></p> 892<p id="u95-27">Think then of Empire as Tyszko's radical remake of Sliding Doors, where the focus is not on the future/s that might be, but on the past that never should have been. O
892nwards! Or rather, Backwards!</p> 893<p id="u95-28"></p> 894<p id="u95-30"><strong>Gareth Evans 2019</strong></p> 895</div> 896 </div> 897 <a class="btn--read-more js-read-more">Read more</a> 898</div><div class="hero__content-slide" data-contentid="32600"> 899 <h1>A constellation of her own</h1> 900 <h2>Matthieu Blazy's Chanel women | 15 min</h2> 901 <div class="hero__description shortened"> 902 <p>At Matthieu Blazy's second couture show for Chanel, the audience is as revealing as the collection. </p> 903 </div> 904 <a class="btn--read-more js-read-more">Read more</a> 905</div><div class="hero__content-slide" data-contentid="32521"> 906 <h1>Christian Dior Couture AW27</h1> 907 <h2> | 24 min</h2> 908 <div class="hero__description shortened"> 909 <p>Live from the Musée Rodin, Jonathan Anderson's sophomore couture collection for Christian Dior is a journey into a plush, tropical wilderness. </p> 910 </div> 911 <a class="btn--read-more js-read-more">Read more</a> 912</div><div class="hero__content-slide" data-contentid="32623"> 913 <h1>Schiaparelli Haute Couture AW27</h1> 914 <h2> | 7 min</h2> 915 <div class="hero__description shortened"> 916 <p>At Schiaparelli Couture AW27, Daniel Roseberry redefines what it means to do haute couture. From underlit breastplates to sprawling latex wings, Roseberry's display of intergalactic artifice pushes the envelope of what we think we know about the French tradition.</p> 917 </div> 918 <a class="btn--read-more js-read-more">Read more</a> 919</div><div class="hero__content-slide" data-contentid="32640"> 920 <h1>Armani Privé </h1> 921 <h2> | 13 min</h2> 922 <div class="hero__description shortened"> 923 <p>At Armani Privé Couture AW27, tension is everything. Tension between night and day, between rigour and gentleness, between masculine and feminine. The result is a collection which feels markedly intimate, without straying from the elegance prized by the Italian house. </p> 924 </div> 925 <a class="btn--read-more js-read-more">Read more</a> 926</div><div class="hero__content-slide" data-contentid="31261"> 927 <h1>Afterthoughts: Je Tu Il Elle (1974)</h1> 928 <h2>With Andrea Zimmerman | 19 min</h2> 929 <div class="hero__description shortened"> 930 <p>Andrea Zimmerman is an artist, film maker and activist; their upcoming <a href="https://www.tickettailor.com/events/palestinehouse/2155785">book</a>, <em>Long Grass in the Wind</em> is a rich collection of essays by writers from West Bank and beyond. Here, they discuss <em>Je tu il elle</em>, Akerman's debut feature, which she made aged 24. <em>Je tu il elle</em> is a radical and restrained film, profoundly solipsistic and experimental. Topics of conversations include lesbian sexuality and one's role within their own narrative â what it means to step away from your own story. Watch the rest of the season <a href="/now-showing/season-16-chantal-akerman-season">here</a>. </p> 931 </div> 932 <a class="btn--read-more js-read-more">Read more</a> 933</div><div class="hero__content-slide" data-contentid="31259"> 934 <h1>Afterthoughts: Sud (1999) </h1> 935 <h2>With Ajay Hothi | 36 min</h2> 936 <div class="hero__description shortened"> 937 <p>Ajay Hothi is a writer, documentary maker and senior lecturer at Kingston University, as well as former director of TANK.tv. Here, he discusses Akerman's <em>Sud</em> (1999) â a meditative and psychological investigation into the murder of a Southern American black man, James Byrd, Jr., at the hands of white supremacists. Hothi, plucking from his own experience as a filmmaker, elaborates on the moral and aesthetic obligations of the documentary, and the success at which Akerman is able to balance the serene beauty of the Texan hinterlands without romanticising or otherwise compromising the harrowing testimonies of the interviewees. Watch the rest of the season <a href="/now-showing/season-16-chantal-akerman-season">here</a>. </p> 938 </div> 939 <a class="btn--read-more js-read-more">Read more</a> 940</div><div class="hero__content-slide" data-contentid="31260"> 941 <h1>Afterthoughts: No Home Movie (2015)</h1> 942 <h2>With Kiefer Nyron Taylor | 23 min</h2> 943 <div class="hero__description shortened"> 944 <p>Kiefer Nyron Taylor is a documentarian and photographer based in London. Here, he discusses No Home Movie, Akerman's final work, which is a documentary of simplistic but compelling video call footage between her and her elderly mother, interspersed with ethereal and deliberate shots of isolated landscapes â amongst them Mamanâs sleepy Brussels flat. Akermanâs mother died shortly after filming ended, and the director herself by suicide the following year. This depiction of maternity is complicated, however, by the fact that one of the landscapes depicted was the Negev-Naqab desert in Israel-Palestine, the site of Israelâs foun
944ding myth (âLet the desert bloomâ) and justification for the destruction of the Palestinians. Watch the rest of the season <a href="/now-showing/season-16-chantal-akerman-season">here</a>. </p> 945 </div> 946 <a class="btn--read-more js-read-more">Read more</a> 947</div><div class="hero__content-slide" data-contentid="32053"> 948 <h1>Visible Cloaks</h1> 949 <h2>Perfect illusion | 57 min</h2> 950 <div class="hero__description shortened"> 951 <p>The ambient pioneers discuss their excellent, unsettling new album <em>Paradessence</em>.</p> 952 </div> 953 <a class="btn--read-more js-read-more">Read more</a> 954</div><div class="hero__content-slide" data-contentid="31080"> 955 <h1>Sassy 009</h1> 956 <h2>Faith in nature | 57 min</h2> 957 <div class="hero__description shortened"> 958 <p>The alt-pop innovator on dreaming, Eurovision and the solitude of Oslo.</p> 959 </div> 960 <a class="btn--read-more js-read-more">Read more</a> 961</div><div class="hero__content-slide" data-contentid="28296"> 962 <h1>COBRAH</h1> 963 <h2>Pull apart, come together | 2 min</h2> 964 <div class="hero__description shortened"> 965 <p>The Swedish synth-pop star on TikTok, tearing up and trusting your instincts.</p> 966 </div> 967 <a class="btn--read-more js-read-more">Read more</a> 968</div><div class="hero__content-slide" data-contentid="27908"> 969 <h1>Chino Amobi</h1> 970 <h2>Houston, Texas baby | 75 min</h2> 971 <div class="hero__description shortened"> 972 <p>The electronic experimentalist on Christianity, Houston, and his sprawling new album <em>Eroica 2: Christian Nihilism</em>.</p> 973 </div> 974 <a class="btn--read-more js-read-more">Read more</a> 975</div> </div> 976 <!-- /.hero__content-slides --> 977 </div> 978 <!-- /.hero__content --> 979</div> 980<!-- /.hero --> 981</div> 982 983 984 985 </div> 986 987
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