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608-syracuse-ny/">Summer 2026 at the Everson Museum of Art, Syracuse, NY</a> 609 </h3> 610 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/summer-2026-at-the-everson-museum-of-art-syracuse-ny/"><i class="fa fa-clock-o"></i> September 30, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/summer-2026-at-the-everson-museum-of-art-syracuse-ny/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 611 </header> 612 <div class="jeg_postblock_content"> 613 <div class="jeg_thumb"> 614 615 <a href="https://www.ceramicsnow.org/articles/summer-2026-at-the-everson-museum-of-art-syracuse-ny/" aria-label="Read article: Summer 2026 at the Everson Museum of Art, Syracuse, NY"><div class="thumbnail-container animate-lazy size-500 "><img fetchpriority="high" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Renqian Yang ceramics Everson" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/09/0renqian-yang-everson-1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/09/0renqian-yang-everson-1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/09/0renqian-yang-everson-1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/09/0renqian-yang-everson-1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 616 <div class="jeg_post_category"> 617 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 618 </div> 619 </div> 620 <div class="jeg_post_excerpt"> 621 <p>By Cammi Climaco It's not often, if ever, that I go to an art museum and see three ceramics shows happening at the same time, but here I am in August at the Everson Museum in Syracuse, NY. It's been fifteen years since I visited the Everson. They had a basement room filled with glass cases holding hundreds, maybe thousands...</p> 622 </div> 623 <a href="https://www.ceramicsnow.org/articles/summer-2026-at-the-everson-museum-of-art-syracuse-ny/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 624 </div> 625 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 626 <header class="jeg_postblock_heading"> 627 <h3 class="jeg_post_title"> 628 <a href="https://www.ceramicsnow.org/articles/the-call-is-coming-from-beneath-our-feet-review-of-e-saffronia-downings-call-for-clay/">The call is coming from⦠beneath our feet: Review of E. Saffronia Downing’s Call for Clay</a> 629 </h3> 630 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/the-call-is-coming-from-beneath-our-feet-review-of-e-saffronia-downings-call-for-clay/"><i class="fa fa-clock-o"></i> September 21, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/the-call-is-coming-from-beneath-our-feet-review-of-e-saffronia-downings-call-for-clay/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 631 </header> 632 <div class="jeg_postblock_content"> 633 <div class="jeg_thumb"> 634 635 <a href="https://www.ceramicsnow.org/articles/the-call-is-coming-from-beneath-our-feet-review-of-e-saffronia-downings-call-for-clay/" aria-label="Read article: The call is coming from⦠beneath our feet: Review of E. Saffronia Downing’s Call for Clay"><div class="thumbnail-container animate-lazy size-500 "><img width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="E Saffronia Downing call for clay" decoding="async" sizes="(max-width: 750px) 100v
635w, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/09/FIG_2_Downing-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/09/FIG_2_Downing-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/09/FIG_2_Downing-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/09/FIG_2_Downing-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 636 <div class="jeg_post_category"> 637 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 638 </div> 639 </div> 640 <div class="jeg_post_excerpt"> 641 <p>By Graham Feyl Spring 2025 As velvety darkness began to wrap around me, I started my habitual observance of the day's end: lounging in bed, letting the blue light from my phone pierce the darkness and flood my mind with a temporary digital dopamine rush. I listlessly moved from the biting comments on Reddit posts to the clickbait titles across...</p> 642 </div> 643 <a href="https://www.ceramicsnow.org/articles/the-call-is-coming-from-beneath-our-feet-review-of-e-saffronia-downings-call-for-clay/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 644 </div> 645 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 646 <header class="jeg_postblock_heading"> 647 <h3 class="jeg_post_title"> 648 <a href="https://www.ceramicsnow.org/articles/beneath-the-skin-aneta-regel-at-sarah-myerscough-gallery/">Beneath the Skin: Aneta Regel at Sarah Myerscough Gallery</a> 649 </h3> 650 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/beneath-the-skin-aneta-regel-at-sarah-myerscough-gallery/"><i class="fa fa-clock-o"></i> September 7, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/beneath-the-skin-aneta-regel-at-sarah-myerscough-gallery/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 651 </header> 652 <div class="jeg_postblock_content"> 653 <div class="jeg_thumb"> 654 655 <a href="https://www.ceramicsnow.org/articles/beneath-the-skin-aneta-regel-at-sarah-myerscough-gallery/" aria-label="Read article: Beneath the Skin: Aneta Regel at Sarah Myerscough Gallery"><div class="thumbnail-container animate-lazy size-500 "><img width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Aneta Regel ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/09/0aneta-regel-1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/09/0aneta-regel-1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/09/0aneta-regel-1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/09/0aneta-regel-1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 656 <div class="jeg_post_category"> 657 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 658 </div> 659 </div> 660 <div class="jeg_post_excerpt"> 661 <p>By Beth Williamson Aneta Regel was born in Silesia (largely located in southwestern Poland) in 1976, but moved with her family as an infant to Gdynia in northern Poland. The family lived in a modernist concrete tower block on the edge of the city, close to the sea and the forest. Poland was a communist country until 1989 when governmental...</p> 662 </div> 663 <a href="https://www.ceramicsnow.org/articles/beneath-the-skin-aneta-regel-at-sarah-myerscough-gallery/" class="jeg_readmore">Read more<span class="screen-reader-text">
663Details</span></a> 664 </div> 665 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 666 <header class="jeg_postblock_heading"> 667 <h3 class="jeg_post_title"> 668 <a href="https://www.ceramicsnow.org/articles/kneaded-shaped-fired-47th-tendencies-exhibition/">Kneaded. Shaped. Fired. 47th Tendencies Exhibition</a> 669 </h3> 670 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/kneaded-shaped-fired-47th-tendencies-exhibition/"><i class="fa fa-clock-o"></i> August 19, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/kneaded-shaped-fired-47th-tendencies-exhibition/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 671 </header> 672 <div class="jeg_postblock_content"> 673 <div class="jeg_thumb"> 674 675 <a href="https://www.ceramicsnow.org/articles/kneaded-shaped-fired-47th-tendencies-exhibition/" aria-label="Read article: Kneaded. Shaped. Fired. 47th Tendencies Exhibition"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Kneaded. Shaped. Fired. 47th Tendencies Exhibition" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/08/0Tendenser26_Anton-Alvarez_1806261730_2026_Foto_Eivind-Lauritzen_Galleri-F-15_1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/08/0Tendenser26_Anton-Alvarez_1806261730_2026_Foto_Eivind-Lauritzen_Galleri-F-15_1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/08/0Tendenser26_Anton-Alvarez_1806261730_2026_Foto_Eivind-Lauritzen_Galleri-F-15_1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/08/0Tendenser26_Anton-Alvarez_1806261730_2026_Foto_Eivind-Lauritzen_Galleri-F-15_1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 676 <div class="jeg_post_category"> 677 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 678 </div> 679 </div> 680 <div class="jeg_post_excerpt"> 681 <p>By Unu Sohn The 2026 Tendencies exhibition is the 47th edition of a series of annual presentations that began in 1970, when Norwegian artist Erik Pløen proposed a yearly craft exhibition to Galleri F 15âs then-director, Lars Brandstrup. The exhibition is on view June 20th through October 11th at Galleri F 15 in Moss, a quick forty-minute train ride from...</p> 682 </div> 683 <a href="https://www.ceramicsnow.org/articles/kneaded-shaped-fired-47th-tendencies-exhibition/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 684 </div> 685 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 686 <header class="jeg_postblock_heading"> 687 <h3 class="jeg_post_title"> 688 <a href="https://www.ceramicsnow.org/articles/delfts-ceramic-conversations-common-ground-market-days-urban-blue/">Delftâs Ceramic Conversations: Common Ground, Market Days, Urban Blue</a> 689 </h3> 690 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/delfts-ceramic-conversations-common-ground-market-days-urban-blue/"><i class="fa fa-clock-o"></i> August 6, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/delfts-ceramic-conversations-common-ground-market-days-urban-blue/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 691 </header> 692 <div class="jeg_postblock_content"> 693 <div class="jeg_thumb"> 694 695 <a href="https://www.ceramicsnow.org/articles/delfts-ceramic-conversations-common-ground-market-days-urban-blue/" aria-label="Read article: Delftâs Ceramic Conversations: Common Ground, Market Days, Urban Blue"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Delft ceramics" decoding="async" sizes="(max-width: 750px) 100v
695w, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/08/0-20260702_123856-1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/08/0-20260702_123856-1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/08/0-20260702_123856-1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/08/0-20260702_123856-1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 696 <div class="jeg_post_category"> 697 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 698 </div> 699 </div> 700 <div class="jeg_post_excerpt"> 701 <p>By Julia Ellen Lancaster Having travelled to Rotterdam Centraal on the Eurostar, itâs an easy ten-minute hop on the Intercity Sprinter to my destination of Delft. This picturesque Dutch city in South Holland, set between Rotterdam and The Hague, is known as the birthplace of Dutch Golden Age painter Johannes Vermeer and the iconic Delft Blue pottery. With a population...</p> 702 </div> 703 <a href="https://www.ceramicsnow.org/articles/delfts-ceramic-conversations-common-ground-market-days-urban-blue/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 704 </div> 705 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 706 <header class="jeg_postblock_heading"> 707 <h3 class="jeg_post_title"> 708 <a href="https://www.ceramicsnow.org/articles/the-city-that-makes-jingdezhen/">The City That Makes: Jingdezhen</a> 709 </h3> 710 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/the-city-that-makes-jingdezhen/"><i class="fa fa-clock-o"></i> August 5, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/the-city-that-makes-jingdezhen/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 711 </header> 712 <div class="jeg_postblock_content"> 713 <div class="jeg_thumb"> 714 715 <a href="https://www.ceramicsnow.org/articles/the-city-that-makes-jingdezhen/" aria-label="Read article: The City That Makes: Jingdezhen"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Jingdezhen ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/08/Torbjorn-Kvasbo-Fallen-Plates-Laid-Out-1-1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/08/Torbjorn-Kvasbo-Fallen-Plates-Laid-Out-1-1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/08/Torbjorn-Kvasbo-Fallen-Plates-Laid-Out-1-1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/08/Torbjorn-Kvasbo-Fallen-Plates-Laid-Out-1-1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 716 <div class="jeg_post_category"> 717 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 718 </div> 719 </div> 720 <div class="jeg_post_excerpt"> 721 <p>Notes from the 52nd IAC Congress, satellite exhibitions and the 2026 Jingdezhen International Ceramic Art Biennale By Olivia Fero There is a street in Jingdezhen for glaze and a street for bisque, a street for tiles, a street for tools, a street for decals. Whole districts specialise the way organs specialise: underglaze painting here, porcelain flowers there. Passing through it...</p> 722 </div> 723 <a href="https://www.ceramicsnow.org/articles/the-city-that-makes-jingdezhen/" class="jeg_readmore">Read more<span class="screen-reader-text">
723Details</span></a> 724 </div> 725 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 726 <header class="jeg_postblock_heading"> 727 <h3 class="jeg_post_title"> 728 <a href="https://www.ceramicsnow.org/articles/art-of-the-formless-the-ceramics-of-charles-bound/">Art of the âFormlessâ: The Ceramics of Charles Bound</a> 729 </h3> 730 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/art-of-the-formless-the-ceramics-of-charles-bound/"><i class="fa fa-clock-o"></i> July 30, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/art-of-the-formless-the-ceramics-of-charles-bound/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 731 </header> 732 <div class="jeg_postblock_content"> 733 <div class="jeg_thumb"> 734 735 <a href="https://www.ceramicsnow.org/articles/art-of-the-formless-the-ceramics-of-charles-bound/" aria-label="Read article: Art of the âFormlessâ: The Ceramics of Charles Bound"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Charles Bound ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/07/Picture3-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/07/Picture3-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/Picture3-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/Picture3-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 736 <div class="jeg_post_category"> 737 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 738 </div> 739 </div> 740 <div class="jeg_post_excerpt"> 741 <p>By Stephen F. Eisenman Belated discovery of a mature artist I first came across Charles Boundâs work in September 2024, at Contemporary Ceramics on Great Russell Street in London, opposite the British Museum. Iâd visited the gallery from time to time over the years, but after I moved to England in Spring 2024, my attendance was more frequent. Because they...</p> 742 </div> 743 <a href="https://www.ceramicsnow.org/articles/art-of-the-formless-the-ceramics-of-charles-bound/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 744 </div> 745 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 746 <header class="jeg_postblock_heading"> 747 <h3 class="jeg_post_title"> 748 <a href="https://www.ceramicsnow.org/articles/where-form-meets-the-boundless/">Where Form Meets the Boundless</a> 749 </h3> 750 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/where-form-meets-the-boundless/"><i class="fa fa-clock-o"></i> July 27, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/where-form-meets-the-boundless/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 751 </header> 752 <div class="jeg_postblock_content"> 753 <div class="jeg_thumb"> 754 755 <a href="https://www.ceramicsnow.org/articles/where-form-meets-the-boundless/" aria-label="Read article: Where Form Meets the Boundless"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Where Form Meets the Boundless" decoding="async" sizes="(max-width: 750px) 100v
755w, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/07/1_Chen-Long-Lin_Stone-Reborn-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/07/1_Chen-Long-Lin_Stone-Reborn-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/1_Chen-Long-Lin_Stone-Reborn-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/1_Chen-Long-Lin_Stone-Reborn-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 756 <div class="jeg_post_category"> 757 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 758 </div> 759 </div> 760 <div class="jeg_post_excerpt"> 761 <p>By Amy Gogarty In Vancouver, Jig Art has a reputation for presenting art, including ceramics, that builds cultural bridges. While the gallery showcases artists from diverse backgrounds, much of their focus in on ethnically Chinese artists. The Greater Vancouver Region is one of the most multi-cultural in North America, with visible minorities representing over 50% of residents. Approximately 20% of...</p> 762 </div> 763 <a href="https://www.ceramicsnow.org/articles/where-form-meets-the-boundless/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 764 </div> 765 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 766 <header class="jeg_postblock_heading"> 767 <h3 class="jeg_post_title"> 768 <a href="https://www.ceramicsnow.org/articles/phantasms-and-frequencies-liminal-sculptures-by-julia-ellen-lancaster/">Phantasms and Frequencies: liminal sculptures by Julia Ellen Lancaster</a> 769 </h3> 770 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/phantasms-and-frequencies-liminal-sculptures-by-julia-ellen-lancaster/"><i class="fa fa-clock-o"></i> July 24, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/phantasms-and-frequencies-liminal-sculptures-by-julia-ellen-lancaster/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 771 </header> 772 <div class="jeg_postblock_content"> 773 <div class="jeg_thumb"> 774 775 <a href="https://www.ceramicsnow.org/articles/phantasms-and-frequencies-liminal-sculptures-by-julia-ellen-lancaster/" aria-label="Read article: Phantasms and Frequencies: liminal sculptures by Julia Ellen Lancaster"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Julia Ellen Lancaster ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/07/0Flare-Field-Frequency-no.173_01-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/07/0Flare-Field-Frequency-no.173_01-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/0Flare-Field-Frequency-no.173_01-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/0Flare-Field-Frequency-no.173_01-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 776 <div class="jeg_post_category"> 777 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 778 </div> 779 </div> 780 <div class="jeg_post_excerpt"> 781 <p>By Ashley Thorpe Julia Ellen Lancaster has become highly regarded for creating clay sculptures that are as complex as they are intuitive. For Phantasms and Frequencies, a solo exhibition held from 18 June â 5 July 2026 at the Liminal Gallery in Margate, UK, she created a painterly series of free-standing and wall-based sculptures that revel in the material possibilities...</p> 782 </div> 783 <a href="https://www.ceramicsnow.org/articles/phantasms-and-frequencies-liminal-sculptures-by-julia-ellen-lancaster/" class="jeg_readmore">Read more<span class="screen-reader-text">
783Details</span></a> 784 </div> 785 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 786 <header class="jeg_postblock_heading"> 787 <h3 class="jeg_post_title"> 788 <a href="https://www.ceramicsnow.org/articles/gyeonggi-ceramics-biennale-2026-earth-makes/">Gyeonggi Ceramics Biennale 2026: Earth Makes</a> 789 </h3> 790 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/gyeonggi-ceramics-biennale-2026-earth-makes/"><i class="fa fa-clock-o"></i> July 13, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/gyeonggi-ceramics-biennale-2026-earth-makes/#respond" ><i class="fa fa-comment-o"></i> 1 </a></div></div> 791 </header> 792 <div class="jeg_postblock_content"> 793 <div class="jeg_thumb"> 794 795 <a href="https://www.ceramicsnow.org/articles/gyeonggi-ceramics-biennale-2026-earth-makes/" aria-label="Read article: Gyeonggi Ceramics Biennale 2026: Earth Makes"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Gyeonggi Ceramics Biennale" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/07/1-750x375.png" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/07/1-750x375.png 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/1-360x180.png 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/07/1-1140x570.png 1140w" data-sizes="auto" data-expand="700" /></div></a> 796 <div class="jeg_post_category"> 797 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 798 </div> 799 </div> 800 <div class="jeg_post_excerpt"> 801 <p>Clay, land, and planetary imagination in South Koreaâs leading ceramics biennale From September 18 to November 1, 2026, the 13th edition of the Gyeonggi Ceramics Biennale unfolds across Gyeonggi Province, South Koreaâs historic heartland of ceramics. Anchored in Icheon, Gwangju, and Yeojuâthree cities closely tied to clay, kilns, and ceramic productionâthe Biennale has, since its founding in 2001, become one...</p> 802 </div> 803 <a href="https://www.ceramicsnow.org/articles/gyeonggi-ceramics-biennale-2026-earth-makes/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 804 </div> 805 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 806 <header class="jeg_postblock_heading"> 807 <h3 class="jeg_post_title"> 808 <a href="https://www.ceramicsnow.org/articles/exploring-the-dialogue-between-vessel-and-sculpture-the-gefass-skulptur-4-exhibition/">Exploring the dialogue between vessel and sculpture: The GEFÃSS / SKULPTUR 4 Exhibition</a> 809 </h3> 810 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/exploring-the-dialogue-between-vessel-and-sculpture-the-gefass-skulptur-4-exhibition/"><i class="fa fa-clock-o"></i> June 26, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/exploring-the-dialogue-between-vessel-and-sculpture-the-gefass-skulptur-4-exhibition/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 811 </header> 812 <div class="jeg_postblock_content"> 813 <div class="jeg_thumb"> 814 815 <a href="https://www.ceramicsnow.org/articles/exploring-the-dialogue-between-vessel-and-sculpture-the-gefass-skulptur-4-exhibition/" aria-label="Read article: Exploring the dialogue between vessel and sculpture: The GEFÃSS / SKULPTUR 4 Exhibition"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Vessel Sculpture 4 at the GRASSI Museum of Applied Arts" decoding="async" sizes="(max-width: 750px) 100v
815w, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/06/0featured-Ursula-Morley-Price-Blutenformiges-Schalenobjekt1963-Photo-credit-Esther-Hoyer0-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/06/0featured-Ursula-Morley-Price-Blutenformiges-Schalenobjekt1963-Photo-credit-Esther-Hoyer0-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/0featured-Ursula-Morley-Price-Blutenformiges-Schalenobjekt1963-Photo-credit-Esther-Hoyer0-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/0featured-Ursula-Morley-Price-Blutenformiges-Schalenobjekt1963-Photo-credit-Esther-Hoyer0-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 816 <div class="jeg_post_category"> 817 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 818 </div> 819 </div> 820 <div class="jeg_post_excerpt"> 821 <p>By Katherina Perlongo From November 8, 2025, to October 4, 2026, the GRASSI Museum of Applied Arts in Leipzig presents the exhibition GEFÃSS / SKULPTUR 4, presenting a remarkable collection of over 300 ceramic works by dozens of artists from five continents. This exhibition highlights for the forth time the museum's growing focus on contemporary studio ceramics and serves as...</p> 822 </div> 823 <a href="https://www.ceramicsnow.org/articles/exploring-the-dialogue-between-vessel-and-sculpture-the-gefass-skulptur-4-exhibition/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 824 </div> 825 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 826 <header class="jeg_postblock_heading"> 827 <h3 class="jeg_post_title"> 828 <a href="https://www.ceramicsnow.org/articles/beautiful-things-after-empire/">Beautiful Things After Empire</a> 829 </h3> 830 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/beautiful-things-after-empire/"><i class="fa fa-clock-o"></i> June 17, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/beautiful-things-after-empire/#respond" ><i class="fa fa-comment-o"></i> 1 </a></div></div> 831 </header> 832 <div class="jeg_postblock_content"> 833 <div class="jeg_thumb"> 834 835 <a href="https://www.ceramicsnow.org/articles/beautiful-things-after-empire/" aria-label="Read article: Beautiful Things After Empire"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Rich Miller ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/06/1Fired-Legacies-Rich-Miller-exhibition-install.-Photo-by-Libby-Whyte-20-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/06/1Fired-Legacies-Rich-Miller-exhibition-install.-Photo-by-Libby-Whyte-20-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/1Fired-Legacies-Rich-Miller-exhibition-install.-Photo-by-Libby-Whyte-20-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/1Fired-Legacies-Rich-Miller-exhibition-install.-Photo-by-Libby-Whyte-20-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 836 <div class="jeg_post_category"> 837 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 838 </div> 839 </div> 840 <div class="jeg_post_excerpt"> 841 <p>
841By Anisio Veloso From the doorway, the room looked almost too composed. White shelves ran cleanly along the walls. A central plinth held a dark crown with the gravity of a ceremonial object. Bottles stood upright in a disciplined row. Smaller pieces, jewel-like or badge-like, sat in careful relation to one another. Nothing pushed itself forward. Nothing performed urgency. For...</p> 842 </div> 843 <a href="https://www.ceramicsnow.org/articles/beautiful-things-after-empire/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 844 </div> 845 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 846 <header class="jeg_postblock_heading"> 847 <h3 class="jeg_post_title"> 848 <a href="https://www.ceramicsnow.org/articles/refigured-clay-figuration-and-fragmented-bodies/">Refigured: Clay, Figuration, and Fragmented Bodies</a> 849 </h3> 850 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/refigured-clay-figuration-and-fragmented-bodies/"><i class="fa fa-clock-o"></i> June 16, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/refigured-clay-figuration-and-fragmented-bodies/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 851 </header> 852 <div class="jeg_postblock_content"> 853 <div class="jeg_thumb"> 854 855 <a href="https://www.ceramicsnow.org/articles/refigured-clay-figuration-and-fragmented-bodies/" aria-label="Read article: Refigured: Clay, Figuration, and Fragmented Bodies"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Refigured at County Hall Pottery" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/06/1County-Hall-Pottery_Refigured-8_c-Reinis-Lismanis-1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/06/1County-Hall-Pottery_Refigured-8_c-Reinis-Lismanis-1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/1County-Hall-Pottery_Refigured-8_c-Reinis-Lismanis-1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/1County-Hall-Pottery_Refigured-8_c-Reinis-Lismanis-1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 856 <div class="jeg_post_category"> 857 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 858 </div> 859 </div> 860 <div class="jeg_post_excerpt"> 861 <p>By Tana West The latest exhibition at County Hall Pottery draws attention to the figurative turn in contemporary ceramics, not just a return to representational forms but a recognition that ceramic materials and processes themselves generate new figurative possibilities. The works in the exhibition reimagine, reshape, and reuse the language of figuration to destabilise ideas of identity, power, and permanence....</p> 862 </div> 863 <a href="https://www.ceramicsnow.org/articles/refigured-clay-figuration-and-fragmented-bodies/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 864 </div> 865 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 866 <header class="jeg_postblock_heading"> 867 <h3 class="jeg_post_title"> 868 <a href="https://www.ceramicsnow.org/articles/a-studio-visit-about-materials-rules-ceramic-making/">A Studio Visit: About Materials, Rules & Ceramic Making</a> 869 </h3> 870 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/a-studio-visit-about-materials-rules-ceramic-making/"><i class="fa fa-clock-o"></i> June 10, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/a-studio-visit-about-materials-rules-ceramic-making/#respond" ><i class="fa fa-comment-o"></i> 1 </a></div></div> 871 </header> 872 <div class="jeg_postblock_content"> 873 <div class="jeg_thumb"> 874 875 <a href="https://www.ceramicsnow.org/articles/a-studio-visit-about-materials-rules-ceramic-making/" aria-label="Read article: A Studio Visit: About Materials, Rules & Ceramic Making"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Alice Fyles artist" decoding="async" sizes="(max-width: 750px) 100v
875w, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/06/Image-5-White-flake-1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/06/Image-5-White-flake-1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/Image-5-White-flake-1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/Image-5-White-flake-1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 876 <div class="jeg_post_category"> 877 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 878 </div> 879 </div> 880 <div class="jeg_post_excerpt"> 881 <p>By Alice Fyles As you arrive at the door you hope this is finally the right one. The ground up the drive is covered in mud. Your poor white sneakers have seen better days. Is this what an entrance to a pottery studio looks like? It doesnât feel anything like the workshop in Hackney. The large windows, green plants, light...</p> 882 </div> 883 <a href="https://www.ceramicsnow.org/articles/a-studio-visit-about-materials-rules-ceramic-making/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 884 </div> 885 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 886 <header class="jeg_postblock_heading"> 887 <h3 class="jeg_post_title"> 888 <a href="https://www.ceramicsnow.org/exhibitions/the-clay-studio-presents-american-crib-whats-happening-by-roberto-lugo-a-radical-americana-exhibition/">The Clay Studio presents American Crib: What’s Happening? by Roberto Lugo, a Radical Americana exhibition</a> 889 </h3> 890 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/exhibitions/the-clay-studio-presents-american-crib-whats-happening-by-roberto-lugo-a-radical-americana-exhibition/"><i class="fa fa-clock-o"></i> June 3, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/exhibitions/the-clay-studio-presents-american-crib-whats-happening-by-roberto-lugo-a-radical-americana-exhibition/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 891 </header> 892 <div class="jeg_postblock_content"> 893 <div class="jeg_thumb"> 894 895 <a href="https://www.ceramicsnow.org/exhibitions/the-clay-studio-presents-american-crib-whats-happening-by-roberto-lugo-a-radical-americana-exhibition/" aria-label="Read article: The Clay Studio presents American Crib: What’s Happening? by Roberto Lugo, a Radical Americana exhibition"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Roberto Lugo ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/06/1ClayStudio_RobertoLugo_Exhibition_9-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/06/1ClayStudio_RobertoLugo_Exhibition_9-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/1ClayStudio_RobertoLugo_Exhibition_9-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/06/1ClayStudio_RobertoLugo_Exhibition_9-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 896 <div class="jeg_post_category"> 897 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 898 </div> 899 </div> 900 <div class="jeg_post_excerpt"> 901 <p>
901By Jennifer Zwilling Radical Americana was born out of a desire to commemorate the 250th anniversary of the Declaration of Independence, to capitalize on the Semiquincentennial in a way that paralleled the major celebrations that came along with the Centennial, the Sesquicentennial and the Bicentennial here in Philadelphia. As an art historian, the Centennial has long been a focus of...</p> 902 </div> 903 <a href="https://www.ceramicsnow.org/exhibitions/the-clay-studio-presents-american-crib-whats-happening-by-roberto-lugo-a-radical-americana-exhibition/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 904 </div> 905 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 906 <header class="jeg_postblock_heading"> 907 <h3 class="jeg_post_title"> 908 <a href="https://www.ceramicsnow.org/articles/vessel-sculpture-and-other-fictions/">Vessel, Sculpture and Other Fictions</a> 909 </h3> 910 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/vessel-sculpture-and-other-fictions/"><i class="fa fa-clock-o"></i> May 27, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/vessel-sculpture-and-other-fictions/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 911 </header> 912 <div class="jeg_postblock_content"> 913 <div class="jeg_thumb"> 914 915 <a href="https://www.ceramicsnow.org/articles/vessel-sculpture-and-other-fictions/" aria-label="Read article: Vessel, Sculpture and Other Fictions"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Liu Jianhua ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/05/Liu-Jianhua-Square1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/05/Liu-Jianhua-Square1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/Liu-Jianhua-Square1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/Liu-Jianhua-Square1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 916 <div class="jeg_post_category"> 917 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 918 </div> 919 </div> 920 <div class="jeg_post_excerpt"> 921 <p>By Olivia Fero What if the vessel-versus-sculpture debate that has preoccupied contemporary ceramics is not merely unresolved, but unanswerable? Not a genuine question at all, but a category mistake: the philosophical error of treating one kind of thing as if it were another. The British philosopher Gilbert Ryle first deployed the category mistake in The Concept of Mind (1949) to...</p> 922 </div> 923 <a href="https://www.ceramicsnow.org/articles/vessel-sculpture-and-other-fictions/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 924 </div> 925 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 926 <header class="jeg_postblock_heading"> 927 <h3 class="jeg_post_title"> 928 <a href="https://www.ceramicsnow.org/articles/the-forgotten-man-reckoning-the-past-in-the-present/">The Forgotten Man â Reckoning the Past in the Present</a> 929 </h3> 930 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/the-forgotten-man-reckoning-the-past-in-the-present/"><i class="fa fa-clock-o"></i> May 21, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/the-forgotten-man-reckoning-the-past-in-the-present/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 931 </header> 932 <div class="jeg_postblock_content"> 933 <div class="jeg_thumb"> 934 935 <a href="https://www.ceramicsnow.org/articles/the-forgotten-man-reckoning-the-past-in-the-present/" aria-label="Read article: The Forgotten Man â Reckoning the Past in the Present"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Heidi McKenzie ceramic artist" decoding="async" sizes="(max-width: 750px) 100v
935w, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Forgotten-Man-installation-view-1-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Forgotten-Man-installation-view-1-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Forgotten-Man-installation-view-1-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Forgotten-Man-installation-view-1-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 936 <div class="jeg_post_category"> 937 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 938 </div> 939 </div> 940 <div class="jeg_post_excerpt"> 941 <p>By Heidi McKenzie In the spring of 2020, my mother casually mentioned that my father had been involved in the Sir George Williams Affair. At the time, she was living in long-term care. It was COVID, and we were visiting on FaceTime. I had been reading some of my reflections on mine and my late father's lived experience of race....</p> 942 </div> 943 <a href="https://www.ceramicsnow.org/articles/the-forgotten-man-reckoning-the-past-in-the-present/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 944 </div> 945 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 946 <header class="jeg_postblock_heading"> 947 <h3 class="jeg_post_title"> 948 <a href="https://www.ceramicsnow.org/interviews/reflections-on-picasso-x-barcelo-in-conversation-with-miquel-barcelo/">Reflections on Picasso à Barceló. In Conversation with Miquel Barceló</a> 949 </h3> 950 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/interviews/reflections-on-picasso-x-barcelo-in-conversation-with-miquel-barcelo/"><i class="fa fa-clock-o"></i> May 19, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/interviews/reflections-on-picasso-x-barcelo-in-conversation-with-miquel-barcelo/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 951 </header> 952 <div class="jeg_postblock_content"> 953 <div class="jeg_thumb"> 954 955 <a href="https://www.ceramicsnow.org/interviews/reflections-on-picasso-x-barcelo-in-conversation-with-miquel-barcelo/" aria-label="Read article: Reflections on Picasso à Barceló. In Conversation with Miquel Barceló"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Miquel Barcelo" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/05/0Miquel-Barcelo-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/05/0Miquel-Barcelo-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/0Miquel-Barcelo-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/0Miquel-Barcelo-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 956 <div class="jeg_post_category"> 957 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 958 </div> 959 </div> 960 <div class="jeg_post_excerpt"> 961 <p>By BronaÄ Ferran I have come to Andalucia to visit a stunningly visual exhibition, that combines ceramic works by two of Spainâs most eminent modern and contemporary artists â Pablo Picasso and Miquel Barceló â together with a selection of pottery from the archaeological collections of the Museo de AlmerÃa and the Museo de Cádiz. It opened in AlmerÃa, a...</p> 962 </div> 963 <a href="https://www.ceramicsnow.org/interviews/reflections-on-picasso-x-barcelo-in-conversation-with-miquel-barcelo/" class="jeg_readmore">Read more<span class="screen-reader-text">
963Details</span></a> 964 </div> 965 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 966 <header class="jeg_postblock_heading"> 967 <h3 class="jeg_post_title"> 968 <a href="https://www.ceramicsnow.org/articles/rorstrand-j-matt-glasyr-a-story/">Rörstrand J matt glasyr. A story.</a> 969 </h3> 970 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/rorstrand-j-matt-glasyr-a-story/"><i class="fa fa-clock-o"></i> May 18, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/rorstrand-j-matt-glasyr-a-story/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 971 </header> 972 <div class="jeg_postblock_content"> 973 <div class="jeg_thumb"> 974 975 <a href="https://www.ceramicsnow.org/articles/rorstrand-j-matt-glasyr-a-story/" aria-label="Read article: Rörstrand J matt glasyr. A story."><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Anne-Marie Dehon ceramics" decoding="async" sizes="(max-width: 750px) 100vw, 750px" data-src="https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Rorstrand-archive_©Anne-Marie-Dehon-3-750x375.jpg" data-srcset="https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Rorstrand-archive_©Anne-Marie-Dehon-3-750x375.jpg 750w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Rorstrand-archive_©Anne-Marie-Dehon-3-360x180.jpg 360w, https://www.ceramicsnow.org/wp-content/uploads/2026/05/1Rorstrand-archive_©Anne-Marie-Dehon-3-1140x570.jpg 1140w" data-sizes="auto" data-expand="700" /></div></a> 976 <div class="jeg_post_category"> 977 <span><a href="https://www.ceramicsnow.org/articles/" class="category-articles">Articles</a></span> 978 </div> 979 </div> 980 <div class="jeg_post_excerpt"> 981 <p>By Anne-Marie Dehon "The things we want are transformative, and we don't know or only think we know what is on the other side of the transformation".Solnit, Rebecca. A Field Guide To Getting Lost. Royaume-Uni: Canongate Books, 2009, p.7R. Solnit Introduction I am fascinated by stories that melt in the kiln with minerals and metal oxides in the thick viscosity...</p> 982 </div> 983 <a href="https://www.ceramicsnow.org/articles/rorstrand-j-matt-glasyr-a-story/" class="jeg_readmore">Read more<span class="screen-reader-text">Details</span></a> 984 </div> 985 </article><article class="jeg_post jeg_pl_lg_4 format-standard"> 986 <header class="jeg_postblock_heading"> 987 <h3 class="jeg_post_title"> 988 <a href="https://www.ceramicsnow.org/articles/i-make-therefore-i-am/">I Make, Therefore, I Am</a> 989 </h3> 990 <div class="jeg_post_meta"><div class="jeg_meta_date"><a href="https://www.ceramicsnow.org/articles/i-make-therefore-i-am/"><i class="fa fa-clock-o"></i> April 29, 2026</a></div><div class="jeg_meta_comment"><a href="https://www.ceramicsnow.org/articles/i-make-therefore-i-am/#respond" ><i class="fa fa-comment-o"></i> 0 </a></div></div> 991 </header> 992 <div class="jeg_postblock_content"> 993 <div class="jeg_thumb"> 994 995 <a href="https://www.ceramicsnow.org/articles/i-make-therefore-i-am/" aria-label="Read article: I Make, Therefore, I Am"><div class="thumbnail-container animate-lazy size-500 "><img loading="lazy" width="750" height="375" src="https://www.ceramicsnow.org/wp-content/themes/jnews/assets/img/jeg-empty.png" class="attachment-jnews-750x375 size-jnews-750x375 lazyload wp-post-image" alt="Heather Jo Davis ceramics" decoding="async" sizes="(max-width: 750px) 100v
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