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width:24px;" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/search-icon_mobile.svg" alt="Search" /> 136 </div> 137 138 <div class="light-dark-icon header-icon"> 139 <img style="height:24px;width:24px;" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/light-dark-icon.svg" alt="" /> 140 </div> 141 </nav> 142 </div> 143</header> 144<div class="dummy-header"></div> 145<main class="content-wrapper"> 146<article id="articles-post-page" class="page-wrap"> 147 <header class="article-titles-wrap article-post"> 148 <div class="outer-content-wrap"> 149 150 <h1 class="article-title col-10-12_lg col-2-2_sm">Rebecca Ackroyd is living inside the art sheâs making</h1> 151 <h6 class="size-01 article-info"> 152 <time class="date" datetime="2026-09-30T10:43:29+01:00">30/09/26</time> 153 <span class="reading-time">8 min read</span> 154 155 <span class="author">Words: <b><a href="https://plastermagazine.com/contributor/annabel-downes/">Annabel Downes</a></b></span> 156 157 <span class="author">Photography: <b><a href="https://plastermagazine.com/contributor/alma-leandra/">Alma Leandra</a></b></span> 158 </h6> 159 <p class="standfirst size-03 col-7-12_lg col-2-2_sm">Berlin-based artist Rebecca Ackroyd sits down with Annabel Downes to talk art, Berlin, Pink Floyd and the madness of putting on a show, following her recent collaboration with <em>Plaster</em> and ASICS SportStyle</p> 160 </div> 161 </header> 162 163<div class="article-page-section large-image-section article-lead-image"> 164 <div class="outer-content-wrap"> 165 166 <div class="sized-lazyload-wrap landscape"> 167 <div class="padding-element" style="padding-bottom: 80.3%"></div> 168 <img loading="eager" class="full-bleed-image" src="https://plastermagazine.com/wp-content/uploads/2026/09/Asics-x-Plaster-Rebecca-26-1-1.webp" alt="Rebecca Ackroyd in Berlin" /> 169 </div> 170 <div class="image-caption"> 171 <h6 class="size-02">If you’re in Berlin without your Asics, you ain’t in Berlin bruv</h6> 172 </div> 173 </div> 174</div> 175 <div class="article-page-section text-section"> 176 <div class="outer-content-wrap"> 177 178 <section class="share-menu"> 179 <a class="share-menu-item no-line bookmark"> 180 <img class="icon site-icon" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/bookmark-icon.svg" alt="" /> 181 <h5 class="desktop">Bookmark article</h5> 182 <h5 class="mobile">Bookmark</h5> 183 </a>
184 <a class="share-menu-item no-line copy copy-to-clipboard" data-copy-link="https://plastermagazine.com/interviews/rebecca-ackroyd-asics/"> 185 <img class="icon site-icon" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/link-icon.svg" alt="" /> 186 <h6 class="size-01 copy-text">Copy URL</h6> 187 </a> 188 <a class="share-menu-item no-line email" href="/cdn-cgi/l/email-protection#013e7274636b6462753c536463646262602140626a736e7865216872216d6877686f6621686f72686564217569642160737521726964e3819872216c606a686f6627606c713a636e65783c69757571723b2e2e716d60727564736c6066607b686f642f626e6c2e686f75647377686476722e736463646262602c60626a736e78652c60726862722e"> 189 <img class="icon site-icon" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/email-icon.svg" alt="" /> 190 <h6 class="size-01">Email</h6> 191 </a> 192 <a class="share-menu-item no-line whatsapp" href="whatsapp://send?text=https://plastermagazine.com/interviews/rebecca-ackroyd-asics/"> 193 <img class="icon site-icon" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/whatsapp-icon.svg" alt="" /> 194 <h6 class="size-01">WhatsApp</h6> 195 </a> 196 </section> 197 198 199 </div> 200</div> 201 <div class="article-page-section text-section"> 202 <div class="outer-content-wrap"> 203 204 205 206 <div class="text-wrap col-7-12_lg col-2-2_sm"> 207 <p>Rebecca Ackroyd is at home in Berlin when we call. A home which, over the past few months, has very much transformed into a studio slash giant mould, its radiators, washing machine and other surfaces cast in layers of paper and glue, their impressions destined for an upcoming solo at Deborah Schamoni in Munich.</p> 208<p>Ackroyd has been making sculptural works since she was a student at the Royal Academy Schools, although her practice extends into painting, drawing, installation and film. She excavates and reconstructs objects, playing with what remains and what gets lost in the process. Sheâs interested in memory; how stories are inherited and myths can become fact. Sheâs had solo shows at Ginny on Frederick in London and Kestner Gesellschaft in Hannover. And not to forget Plaster HQ, where in 2025 her wax sculpture of a pissing baby took up residence in the shopfront. So while casting the contents of her apartment might be a new development, the ideas around absence and memory are not.</p> 209<p>For the launch of the ASICS GEL-VENTX Everyday, <em>Plaster</em> teamed up with ASICS SportStyle to explore the space where movement and creativity meet. Across a
209series of conversations with artists, the project looks at movement not simply as something physical, but as a catalyst for ideas, experimentation and making. Annabel Downes caught up with Ackroyd to talk about living inside your work, nocturnal Berlin, her first foray into performance, and her understanding of movement as something bound up with the trajectory of both her life and practice.</p> 210 </div> 211 </div> 212</div> 213<div class="article-page-section two-up-image-section"> 214 <div class="outer-content-wrap"> 215 216 217 <div class="left-image col-6-12_lg col-2-2_sm"> 218 <div class="sized-lazyload-wrap"> 219 <div class="padding-element" style="padding-bottom: 149.92503748126%"></div> 220 <img loading="lazy" class="full-bleed-image" src="https://plastermagazine.com/wp-content/uploads/2026/09/Asics-x-Plaster-Rebecca-2.webp" alt="an ice cream artwork by rebecca ackroyds" /> 221 </div> 222 <div class="image-caption"> 223 <h6 class="size-02">Wax has long been a focus of Rebecca's </h6> 224 </div> 225 226 </div> 227 228 229 230 <div class="right-image col-6-12_lg col-2-2_sm"> 231 <div class="sized-lazyload-wrap"> 232 <div class="padding-element" style="padding-bottom: 124.61059190031%"></div> 233 <img loading="lazy" class="full-bleed-image" src="https://plastermagazine.com/wp-content/uploads/2026/09/Asics-x-Plaster-Rebecca-24-1.webp" alt="" /> 234 </div> 235 <div class="image-caption"> 236 <h6 class="size-02">The 'Manneken Pis' statue (left) has been a recent focus of Rebecca's </h6> 237 </div> 238 </div> 239 </div> 240</div> 241 <div class="article-page-section text-section"> 242 <div class="outer-content-wrap"> 243 244 245 246 <div class="text-wrap col-7-12_lg col-2-2_sm"> 247 <p><strong>Rebecca Ackroyd</strong>: Berlin is built on a swamp, and I feel like there is real swamp energy here. It can suck you in if you let it.</p> 248<p><strong>Annabel Downes:</strong> So you have to build your own momentum.</p> 249<p>
249RA: Yes. If youâre here and you have stuff to do, itâs a really productive place to live. Because itâs less of a financial capital, it feels like itâs much more artist-led as a city, which is exciting. Thereâs also a level of solitude and headspace that I get here which I found very hard in London.</p> 250<p>AD: Is that solitude something you seek out?</p> 251<p>RA: I think so. Thereâs something about Berlin in autumn, when the light changes and it gets so dark. You can be walking down a completely isolated road in central Berlin at seven in the evening and feel the history of the city.</p> 252<p>AD: But itâs also quite a nocturnal city.</p> 253<p>RA: Yeah, itâs a much later city, which I love. Bars just stay open until the last person leaves. If thatâs five in the morning, theyâll shut at five in the morning.</p> 254<p>AD: God, they must be patient. By eleven Iâd be sweeping under peopleâs feet.</p> 255<p>RA: Yeah, putting the chairs on the tables. But then the coffee shops wonât open the next morning until ten.</p> 256<p>AD: Do you tend to get out in the mornings?</p> 257<p>RA: Thereâs a park near us that I go to. I quite often just want to be in nature â I find looking at trees or birds really grounding. Especially because Iâve been using my house as a studio for the last few months, I have to get out first thing, otherwise I start to go a bit mad. Even just going for a walk gives me that separation between home and work.</p> 258<p>AD: Howâs it been working at home?</p> 259<p>RA: Absolutely mental, but Iâm almost done. Iâve been working towards a show at Deborah Schamoni in Munich. A lot of the works are relief casts of different parts of the apartment, so the space has infiltrated and seeped into what I was making. Theyâre these weird echoes of the apartment, but they also feel almost planetary â very domestic and very universal at the same time.</p> 260<p>AD: How did they come about?</p> 261<p>RA: Literally just being there on my own and thinking, âMaybe Iâll make a cast of the washing machine.â I was restricted by what I could use â I couldnât work with anything toxic â so I developed these techniques of making direct casts with paper. Itâs good to have limits sometimes; they make you think differently.</p> 262<p>AD: Youâve almost done a lockdown project in 2026.</p> 263<p>RA: I mean, seriously. When Iâm working on a show, thereâs a sort of madness anyway because youâre so in it, but normally I go home at the end of every day. This time I was actually living in it. I kept the bedroom as this very clean, sacred space, but the rest of the apartment was just chaos.</p> 264 </div> 265 </div> 266</div> 267<div class="article-page-section large-image-section additional-padding"> 268 <div class="outer-content-wrap"> 269 270 <div class="sized-lazyload-wrap landscape"> 271 <div class="padding-element" style="padding-bottom: 66.7%"></div> 272 <img loading="lazy" class="full-bleed-image" src="https://plastermagazine.com/wp-content/uploads/2026/09/Asics-x-Plaster-Rebecca-17.webp" alt="wax artwork by rebecca Ackroyd" /> 273 </div> 274 <div class="image-caption"> 275 <h6 class="size-02">Sculptures made by Rebecca Ackroyd</h6> 276 </div> 277 </div> 278</div> 279 <div class="article-page-section quote-section"> 280 <div class="outer-content-wrap"> 281 <div class="text-wrap col-10-12_lg col-2-2_sm"> 282 <h3 class="quote size-01"> 283 <img class="quote-mark site-icon open" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/quote-mark.svg" alt="" /> 284 Itâs a constant battle between doubt and certainty. But as you get older, you care less about what other people think. <img class="quote-mark site-icon close" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/quote-mark.svg" alt="" /> 285 </h3> 286 <h6 class="credit size-01">Rebecca Ackroyd</h6> 287 </div> 288 </div> 289</div> 290 <div class="article-page-section text-section"> 291 <div class="outer-content-wrap"> 292 293 294 295 <div class="text-wrap col-7-12_lg col-2-2_sm"> 296 <p>AD: Are your shows usually affected by, or a response to, the environments in which theyâre made?</p> 297<p>RA: Yes, or a different moment in my life. I canât escape that. What I make is always affected by whatâs happening to me at the time. When I think of movement, I think of it less in a literal sense and more as a kind of trajectory â having an art practice, and the way that practice is constantly shifting and moving.</p> 298<p>AD: And whatâs that like to look back on?</p> 299<p>RA: You notice how your practice is a development of who you are. I look back to the works I was making as a student and think, âOh God, I didnât really know myself then.â I wouldnât say Iâm more confident now, but I know myself better and know more about what I want when Iâm putting on shows. Itâs a constant battle between doubt and certainty. But as you get older, you care less about what other people think.</p> 300<p>AD: And how do you keep things moving, keep ideas developing?</p> 301<p>RA: I feel like it comes quite naturally. I donât endlessly do the same thing over and over again. My work exists within a world; itâs very much like world-building. And that world relates to a specific time. Looking back at different bodies of work, Iâll often remember what I was listening to while making them.</p> 302<p>AD: What have you been listening to for the production of this show?</p> 303<p>RA: Pink Floydâs <em>The Dark Side of the Moon</em>. Iâd also read Doris Lessingâs book <em>The Memoirs of a Survivor</em> (1974), where someone in an apartment finds a world behind the walls. I found that really interesting in relation to confinement in a domestic environment, and then opening that out into a whole world of otherness.</p> 304<p>AD: Is your own home the only place youâve worked like this?</p> 305<p>RA: No, Iâve actually done a lot of work at my parentsâ house in Cheltenham. Whenever Iâm back in the UK, I go and see them. Iâve made films there as well.</p> 306<p>
306AD: How do they feel about you using their house?</p> 307<p>RA: They donât mind. Theyâre quite happy having me poking around, although Iâm going to make some of those reliefs there in the next few months, so weâll see how they feel about everything being covered in paper and glue. Iâm actually working on a performance as well.</p> 308<p>AD: Oh, really?</p> 309<p>RA: Yeah. Iâve been working on these stories â conversations I had with my mum and also with my aunt before she died. Theyâre these threads of family history and myth, stories about different women on the Scottish side of my family. Iâve been thinking about the erasure of womenâs names through marriage, and then I had this idea for a performance and thought, âIâm just going to do it.â</p> 310<p>AD: How do you feel about performing?</p> 311<p>RA: I havenât properly written it yet, but Iâm very much committed to doing it now. I feel excited. It makes me feel alive.</p> 312<p>AD: Have you ever done anything like that before? Did you perform as a kid?</p> 313<p>RA: Not really. I was actually a massive introvert, so I found all that stuff quite intimidating. But one of the conversations I had with my aunt was about how sheâd always wanted to be an actress, but was never allowed to be. So it taps into that. Iâm doing it for her.</p> 314 </div> 315 </div> 316</div> <div class="article-page-section quote-section"> 317 <div class="outer-content-wrap"> 318 <div class="text-wrap col-10-12_lg col-2-2_sm"> 319 <h3 class="quote size-01"> 320 <img class="quote-mark site-icon open" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/quote-mark.svg" alt="" /> 321 When I think of movement, I think of it less in a literal sense and more as a kind of trajectory â having an art practice, and the way that practice is constantly shifting and moving. <img class="quote-mark site-icon close" src="https://plastermagazine.com/wp-content/themes/plaster/assets/svgs/quote-mark.svg" alt="" /> 322 </h3> 323 <h6 class="credit size-01">Rebecca Ackroyd</h6> 324 </div> 325 </div> 326</div> 327 328<div class="article-page-section large-image-section additional-padding"> 329 <div class="outer-content-wrap"> 330 331 <div class="sized-lazyload-wrap landscape"> 332 <div class="padding-element" style="padding-bottom: 80%"></div> 333 <img loading="lazy" class="full-bleed-image" src="https://plastermagazine.com/wp-content/uploads/2026/09/Asics-x-Plaster-Rebecca-10.webp" alt="Asics shoes" /> 334 </div> 335 </div> 336</div> 337 <!-- Display the information section meta content before credits section if it hasn't been displayed --> 338 <section class="article-page-section info-credits-section"> 339 <div class="outer-content-wrap"> 340 <div class="content-wrap col-7-12_lg col-2-2_sm"> 341 <div class="title-banner-with-line"> 342 <h5>Credits</h5> 343 </div> 344 <h6 class="credit size-01"> 345 Words:<b class="name"><a href="https://plastermagazine.com/contributor/annabel-downes/">Annabel Downes</a></b> 346 </h6> 347 <h6 class="credit size-01"> 348 Photography:<b class="name"><a href="https://plastermagazine.com/contributor/alma-leandra/">Alma Leandra</a></b> 349 </h6> 350 </div> 351 </div> 352</section> 353 354 355 <section class="article-tags-wrap"> 356 <div class="outer-content-wrap"> 357 <div class="article-tags col-7-12_lg col-2-2_sm"> 358 359 <a class="article-tag-button no-line" href="https://plastermagazine.com/tag/rebecca-ackroyd/"> 360 <h6 class="size-02">Rebecca Ackroyd</h6> 361 </a> 362 363 <a class="article-tag-button no-line" href="https://plastermagazine.com/contributor/alma-leandra/"> 364 <h6 class="size-02">Alma Leandra</h6> 365 </a> 366 </div> 367 </div> 368 </section> 369 370 <section class="newsletter-banner"> 371 372 <div class="background-image"> 373 <img loading="lazy" class="full-bleed-image" src="https://plastermagazine.com/wp-content/uploads/2026/01/JONS_WOOD_4-1-e1729081033713-jpg.webp" alt="" /> 374 </div> 375 376 <div class="outer-content-wrap"> 377 378 <!--Start Title--> 379 <h2 class="title desktop size-01">Donât miss out. 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