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46<script type="text/json" data-set="ScaffoldingData" >{"id":0,"title":"Three Fold","project_url":0,"set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":0,"index":0,"page_count":30,"pin_position":null,"thumbnail_options":null,"pages":[{"id":38585222,"title":"KJE PREMIERE","project_url":"KJE-PREMIERE","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":0,"index":0,"page_count":0,"pin_position":null,"thumbnail_options":null,"pages":[]},{"id":38585221,"title":"FALL 2026","project_url":"FALL-2026","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":5,"index":1,"page_count":1,"pin_position":null,"thumbnail_options":null,"pages":[{"id":38562867,"title":"CLOCKING TIME","project_url":"CLOCKING-TIME","set_id":38585221,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":6,"index":0,"page_count":0,"pin_position":null,"thumbnail_options":null,"pages":[]}]},{"id":37939165,"title":"THREE FOLD MAILING","project_url":"THREE-FOLD-MAILING","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":14,"index":2,"page_count":0,"pin_position":null,"thumbnail_options":null,"pages":[{"id":37939172,"site_id":903514,"project_url":"mailing-master-header","direct_link":"https:\/\/threefoldpress.org\/mailing-master-header","type":"page","title":"mailing master header","title_no_html":"mailing master header","tags":"","display":false,"pin":true,"pin_options":{"position":"top","overlay":true},"in_nav":false,"is_homepage":false,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"three fold mailing\u2014fall 2025","content":"<br>\n<hr>three fold mailing\u2014fall 2025<br><hr>\n<br>","content_no_html":"\nthree fold mailing\u2014fall 2025\n","content_partial_html":"<br>\n<hr>three fold mailing\u2014fall 2025<br><hr>\n<br>","thumb":"","thumb_meta":null,"thumb_is_visible":false,"sort":16,"index":0,"set_id":37939165,"page_options":{"using_local_css":true,"local_css":"[local-style=\"37939172\"] .container_width {\n\twidth: 100%\/*!variable_defaults*\/;\n}\n\n[local-style=\"37939172\"] body {\n\tbackground-color: initial \/*!variable_defaults*\/;\n}\n\n[local-style=\"37939172\"] .backdrop {\n}\n\n[local-style=\"37939172\"] .page {\n}\n\n[local-style=\"37939172\"] .page_background {\n\tbackground-color: initial \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"37939172\"] .content_padding {\n\tpadding-top: 10rem \/*!main_margin*\/;\n\tpadding-bottom: 10rem \/*!main_margin*\/;\n\tpadding-left: 10rem \/*!main_margin*\/;\n\tpadding-right: 10rem \/*!main_margin*\/;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"37939172\"] bodycopy 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{\n}","local_layout_options":{"split_layout":false,"split_responsive":false,"full_height":false,"advanced_padding_enabled":false,"page_container_bgcolor":"","show_local_thumbs":false,"page_bgcolor":""},"pin_options":{"position":"top","overlay":true}},"set_open":false,"images":[],"backdrop":null}]},{"id":18638414,"site_id":903514,"project_url":"Footer-master","direct_link":"https:\/\/threefoldpress.org\/Footer-master","type":"page","title":"Footer master ","title_no_html":"Footer master ","tags":"","display":false,"pin":true,"pin_options":{"position":"bottom","overlay":true,"accommodate":true},"in_nav":false,"is_homepage":false,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"Index\n\nMailing\nEvents\n\n\n\n\n\tPoetry Archive\n\n\nArtistic Commissions\nContributors\n\n\n\n\t\nAbout\n\n\t\nSubscribe\n\nSupport","content":"<hr>\n<div grid-row=\"\" grid-pad=\"0\" grid-gutter=\"0\" grid-responsive=\"\">\n\t<div grid-col=\"x10\" grid-pad=\"0\"><div style=\"text-align: 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& General pages","project_url":"TOC-General-pages","set_id":0,"is_homepage":false,"pin":false,"is_set":true,"in_nav":false,"stack":false,"sort":93,"index":3,"page_count":6,"pin_position":null,"thumbnail_options":null,"pages":[{"id":38618360,"site_id":903514,"project_url":"index","direct_link":"https:\/\/threefold
46press.org\/index","type":"page","title":"index","title_no_html":"index","tags":"","display":false,"pin":false,"pin_options":{"position":"top"},"in_nav":false,"is_homepage":true,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"three fold\n\n\n\n\n\nChevelle, Kevin Jerome Everson, 7.5 min, 35mm > digital, 2011, \u00a9 Kevin Jerome Everson; courtesy the artist \/ trilobite-arts DAC \/ Picture Palace...","content":"<b>three fold<\/b><br><br><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\" class=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><br>\n\n<a href=\"clockingtime\" rel=\"history\" class=\"image-link\"><img width=\"2408\" height=\"1740\" width_o=\"2408\" height_o=\"1740\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/796ceb6ee507961f246b482731e13807d934560fce3c3afcd66285922f0050b7\/Chevelle--Kevin-Jerome-Everson--courtesy-the-artist--trilobite-arts-DAC--and-Picture-Palace-Pictures-2.png\" data-mid=\"252352967\" border=\"0\" \/><\/a>\n<a href=\"clockingtime\" rel=\"history\" class=\"image-link\"><img width=\"2418\" height=\"1824\" width_o=\"2418\" height_o=\"1824\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/4a9ca402ff30d6471e7884a6840ec23e7728798753c6db7ae47797053d6c7412\/Chevelle--Kevin-Jerome-Everson--courtesy-the-artist--trilobite-arts-DAC--and-Picture-Palace-Pictures-1.png\" data-mid=\"252352966\" border=\"0\" \/><\/a><small><i><\/i><\/small><div style=\"text-align: left\"><small><a href=\"clockingtime\" rel=\"history\"><i>Chevelle<\/i>, Kevin Jerome Everson, 7.5 min, 35mm > digital, 2011, \u00a9 Kevin Jerome Everson; courtesy the artist \/ trilobite-arts DAC \/ Picture Palace Pictures.<\/a><\/small><\/div><br>\n<a href=\"gisescommission\" rel=\"history\">\n<\/a><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><hr><b>issue no. twenty\u2014fall 2026<\/b><br><hr><div style=\"text-align: justify;\"><a href=\"clockingtime\" rel=\"history\"><b>Clocking Time<br>A Dossier on Kevin Jerome Everson by Yasmina Price <\/b><\/a><hr><a href=\"clockingtime\" rel=\"history\">\nRegimes of dominance. Manufactured exclusion. Strategies of control. That is how activist and writer Harsha Walia understands borders, as \u201centangled in the terrors of territorial expansion, Indigenous genocide, anti-Black enslavement, and racialized expulsion.\u201d The North American border between Windsor and Detroit is no different. At once fissure and fusion of the stolen lands of Turtle Island, it is an illegitimate juncture between the illegitimate settler states of Canada and the United States, signifying centuries of domination and rebellion, enslavement and escape. Kevin Jerome Everson\u2019s artistic and cinematic practice are countervailing explorations of space, place and people. [Read more ...]<\/a><br>\n\n<hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"borderlessblackness\" rel=\"history\"><\/a><\/span><\/span><\/div><div style=\"text-align: left\"><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"borderlessblackness\" rel=\"history\">I. Borderless Blackness<b> <\/b>|<b> <\/b>An Introduction<\/a><b>\n <\/b>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"fabrications\" rel=\"history\">II. Fabrications |<b> <\/b>Telling Stories and Practicing Tricks<\/a>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"theblackworker\" rel=\"history\">III. The Black Worker<b> <\/b>| Archival Interlude<\/a>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"blackgeographies\" rel=\"history\">IV. Black Geographies |<b> <\/b>Material in Motion<\/a>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><a href=\"loveontherun\" rel=\"history\">V. Love on the Run<b> <\/b>|<b> <\/b>A Local Production History<\/a><\/span><\/div><hr><br>\n<\/div><\/div><br><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\" class=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><hr><b><a href=\"gisescommission\" rel=\"history\">special section\u2014fall 2026<\/a><\/b><hr><div style=\"text-align: justify;\"><div style=\"text-align: justify;\"><a href=\"gisescommission\" rel=\"history\">Media City Film Festival (MCFF) and Trinosophes Projects are thrilled to host internationally acclaimed African American filmmaker Kevin Jerome Everson in Detroit and East Lansing for three exciting free public events celebrating the filmmaker\u2019s extraordinary body of work. These engagements are the culmination of a two-year collaboration supported by the Knight Arts Foundation, extending MCFF\u2019s unique history of cross-border work in the region, and resulting in the world premiere preview of Everson\u2019s new celestial film <i>Gises<\/i> (2026), created in metro Detroit. [Read more ...]<\/a><br><b><a href=\"gisespremiere\" rel=\"history\"><\/a><\/b><\/div><div style=\"text-align: left;\"><hr><b><a href=\"gisespremiere\" rel=\"history\">GISES (2026) & WHEN THE SUN IS EATEN (2025)<\/a><a href=\"gisespremiere\" rel=\"history\"> <br>Film Screening & Talk with Kevin Jerome Everson<\/a><\/b><hr><a href=\"gisespremiere\" rel=\"history\">Thursday, October 8, 3\u20136 p.m.<br>\nDetroit Public Library | Main Branch<br>\n[Link to full program]<\/a><br>\n<hr><b><a href=\"starshineandclay\" rel=\"history\">STARSHINE & CLAY<br>\nThe Films of Kevin Jerome Everson at Abrams Planetarium<\/a><\/b><hr><a href=\"starshineandclay\" rel=\"history\">Friday, October 9, 5\u20137 p.m.<br>Abrams Planetarium at Michigan State University <\/a><a href=\"starshineandclay\" rel=\"history\"><br>[Link to full program]<\/a><br><hr><b><a href=\"gisesinstallation\" rel=\"history\">GISES <br>\nA New Celestial Film Installation by Kevin Jerome Everson<\/a><\/b><br><hr>\n<a href=\"gisesinstallation\" rel=\"history\">
46Thu. Oct. 15 \u2022 Thu. Oct. 22 \u2022 Sat. Oct. 24 <br>\nThu. Nov. 5 \u2022 Sat. Nov. 7 \u2022 Thu. Nov. 12 \u2022 Sat. Nov. 14 <br>\nDetroit Public Library | Main Branch<br>\n[Link to full program]<\/a>\n<\/div>\n<\/div><a href=\"gisescommission\" rel=\"history\">\n<\/a><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div class=\"image-gallery\" data-gallery=\"%7B%22mode_id%22%3A1%2C%22gallery_instance_id%22%3A1%2C%22name%22%3A%22Grid%22%2C%22path%22%3A%22grid%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A%221.25%22%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\">\n<a rel=\"history\" href=\"gisescommission\" class=\"image-link\"><img width=\"1150\" height=\"1748\" width_o=\"1150\" height_o=\"1748\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/a706e9595197c973361ec6b5372171371ad0bb6b99643b2ca164166e664cc448\/KJE-CARD-IMAGE-FROM-STARGATE-OBSERVATORY-2026-.png\" data-mid=\"252352948\" border=\"0\" \/><\/a>\n<\/div><br>\n\n<br>\n<a href=\"gisescommission\" rel=\"history\">\n<\/a><\/div><\/div><br>\n<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\t<div grid-col=\"x11\" grid-pad=\"2\"><hr><b>events\u2014summer 2026<\/b><br><hr>Join us for a summer reading pairing two distinctive voices in contemporary poetry who work in material and mythical worlds: writer, poet and translator Eleni Sikelianos and poet and prose writer Peter Markus. <br><br>\n<i>Memory Rehearsal<\/i> (City Lights, 2026) by Eleni Sikelianos is a genre-busting encounter between a poet and her ancestral past documenting a startling intersection of queer history, ancient theater, utopian visions, and modern poetry.<br><br>\u201cYou are turning this book in your hands, which is the first piece of good news! I cannot get enough of Eleni Sikelianos, and I could not stop reading these pages once I started! She is the poet who does not hesitate, pulling the dead forward for a closer look and conversation, \u2018Our ancestors have no need of all this instrumentation, yet I am struggling to hear.\u2019 Through her discovery, we question the world we thought we knew, recalibrating our love for the living!\u201d \u2013CAConrad\n <br><br>\nDetroit poet Peter Markus also has a new work, <i>The River at the End of the River<\/i>, soon to be released from Dzanc Books. \u201cContinuing the emotional plumbing begun in his previous collection, <i>When Our Fathers Return to Us as Birds<\/i>, Markus returns to the lower Detroit River and Pointe Mouillee, the geography of his grief, to explore a life remade as the water reshapes the shoreline, forever in motion.<br><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\">\n<div class=\"image-gallery\" data-gallery=\"%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A2%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Afalse%7D%7D\">\n<img width=\"1080\" height=\"1350\" width_o=\"1080\" height_o=\"1350\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/7c60a8992b09e62939848cb05926927a4046c4149e6254b9c46df9bc1b70a1f7\/IMG_9765.png\" data-mid=\"252352954\" border=\"0\" \/>\n<\/div><br>\n<\/div>\n<\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\" class=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\">\n<br>\n\n<div class=\"image-gallery\" data-gallery=\"%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A3%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Afalse%7D%7D\">\n<img width=\"1080\" height=\"1350\" width_o=\"1080\" height_o=\"1350\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/6dd9a5237a7ea9f5a63a161baa601d3156edc5ce0c56bf6f03f8ce5d78f11096\/0-1.png\" data-mid=\"252352943\" border=\"0\" \/>\n<\/div><br><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><br>\n<hr><b>events\u2014summer 2026<\/b><br><hr>\nCranbrook Art Museum\u2019s current exhibition \u201cMonumental Color: Cecily Brown, Sam Gilliam, and Joan Mitchell\u201d brings together significant artworks by three quintessential abstract artists. Through the museum\u2019s performance series, featured artists engage in dialogue with performers whose work resonates with Sam Gilliam\u2019s love for jazz, Joan Mitchell\u2019s lifelong connection to poetry, and the frenetic physicality of Cecily Brown\u2019s paintings.\
46nPlease join us for a Three Fold reading presented in partnership with Cranbrook Art Museum. The event brings together New York\u2013based poet <a href=\"elenarivera\" rel=\"history\">El\u00e9na Rivera, whose work with Three Fold<\/a> has engaged the paintings of Joan Mitchell, and Detroit-based poet and playwright Chris Tysh, our own poetry editor, for a program of readings in dialogue with art and place.<br><br>El\u00e9na Rivera is the author of several poetry collections, including <i>Arrangements<\/i>, with Peter Hughes<i> <\/i>(Aquifer Press, 2022), <i>Epic Series<\/i> (Shearsman Books, 2020), and <i>Scaffolding<\/i> (Princeton University Press, 2017). She currently lives in New York City. <br><br>\nPoet, playwright, and translator, Chris Tysh has been on the faculty of the English department at Wayne State University, Detroit since 1989, where she teaches creative writing and women\u2019s studies. She has authored several poetry collections and completed a full screenplay based on a novel of Georges Bataille.<br>\n \n<br>\n<\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\" class=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><b><\/b>\n<br>\n<hr>\n<a href=\"arthurshenian\" rel=\"history\" class=\"image-link\"><img width=\"2251\" height=\"1336\" width_o=\"2251\" height_o=\"1336\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/a35b9cccddc99aaf4c106e6e8a517234687fa67abc15bf06d02e4cdd2d8ab75c\/Screenshot-2026-03-25-at-1.32.42PM-1.jpeg\" data-mid=\"252352940\" border=\"0\" \/><\/a><div style=\"text-align: left\"><small>Courtesy Arthur Shenian<\/small><\/div><br><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><br><hr>\n<b>three fold\u2014spring 2026<br><\/b><hr><a href=\"arthurshenian\" rel=\"history\"><b>\u0544\u0565\u0576\u0584 \u0565\u0582 \u054d\u0565\u0576\u0565\u0561\u056f\u0568 The Room and Us <br>By Arthur Shenian, translated by Tamar Marie Boyadjian<br><\/b>\n<br>\nBefore she leaves, I feel the urge to say a few heartfelt words to her:<br>\n<i>You are my life. <br>You are my beginning and end. <br>From now on, you are the only woman for me. <br>Your children are my children. <br> \nWill you marry me?<\/i><br><\/a><br>\n<div style=\"text-align: left;\"><a href=\"arthurshenian\" rel=\"history\">Read a new work of short fiction by writer Arthur Shenian, who is based in Naccache, Lebanon. Published March 11, 2026.<\/a><br>\n<br>\n<br>\n<\/div><\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\t<div grid-col=\"x11\" grid-pad=\"2\"><div style=\"text-align: left;\"><hr><b>three fold mailing\u2014fall 2025<\/b><hr>To celebrate five years of Three Fold Press, in winter 2025 we invited nearly 200 of our published artists and poets to contribute to \u201cThree Fold Mailing,\u201d an international mail art project inspired by the influential activities of Ray Johnson\u2019s Correspondence School and Ken and Ann Mikolowski\u2019s Alternative Press (Ann Arbor, Michigan, 1969\u20131999). Three Fold asked its global participants to create an uninstructed artwork on the front of a letterpress postcard, in the modality of their cho
46osing (drawing, painting, collage, poem, proclamation, witticism, etc) and mail it to our U.S. headquarters. <br><br>\nThis exhibition of original works for sale was installed at Trinosophes in Detroit (November 22\u201330, 2025) and Salt & Cedar in Paris (December 5\u201314, 2025).<br>\n\n\n<br><span style=\"color: #121111;\"><small><a href=\"https:\/\/files.cargocollective.com\/c903514\/threefoldmailing2025portfolio.pdf\" target=\"_blank\" class=\"icon-link\">\ue063\ufe0e<\/a> <\/small><b><a href=\"https:\/\/files.cargocollective.com\/c903514\/threefoldmailing2025portfolio.pdf\" target=\"_blank\">Shop the pdf portfolio of works for sale<\/a><br>\n<\/b><a href=\"mailingtoc\" rel=\"history\"><small>\ue063\ufe0e <\/small><b>Browse by artist\u2019s name<\/b><\/a><\/span><br>\n<br> Donations support a forthcoming print edition and amplify our capacity to provide honorariums for Three Fold poets, authors, artists and activists in issues to come.<br><\/div><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\"><div class=\"image-gallery\" data-gallery=\"%7B%22mode_id%22%3A1%2C%22gallery_instance_id%22%3A4%2C%22name%22%3A%22Grid%22%2C%22path%22%3A%22grid%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A%222%22%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\">\n<a target=\"_blank\" href=\"https:\/\/files.cargocollective.com\/c903514\/threefoldmailing2025portfolio.pdf\" class=\"image-link\"><img width=\"1080\" height=\"1350\" width_o=\"1080\" height_o=\"1350\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/47befd9484ba82f61cd245a72124b0f4629fc37d1c4a3fcdfc8fc3cb09b50e6d\/2-up-French-1-2.png\" data-mid=\"252352938\" border=\"0\" \/><\/a>\n<\/div><br><\/div>\n<\/div><br>\n<br>\n<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\" class=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\">\n\n<hr><b>issue no. nineteen\u2014fall 2025<\/b><hr><a href=\"stephengoodfellow\" rel=\"history\">Our Inside-Out Sun by Stephen Goodfellow<\/a><br><hr><a href=\"xeroxmyth\" rel=\"history\">The Xerox Myth: Copy Machine Creation in Destroy All Monsters by Cary Loren<\/a>\n<hr>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<a href=\"northwesternhighschool\" rel=\"history\">A Case Study of Northwestern High School: An ongoing series on civil rights in Detroit in the 1940s by Michael Jackman<\/a>\n<br>\n<hr><a href=\"tonyhope\" rel=\"history\">Three Fold Commissions Tony Hope<\/a>, <a href=\"gordonnewton\" rel=\"history\">Gordon Newton<\/a><hr><a href=\"imaginarydinnerpartyeighteen\" rel=\"history\">Imaginary Dinner Party, Part Eighteen by Lynn Crawford<\/a><hr><a href=\"issuenineteen\" rel=\"history\">Poetry by Juliana Spahr, Jeffrey Joe Nelson, Zan de Parry, Fiona Templeton, Ammiel Alcalay & Kholoud Hammad<\/a><br><\/div><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\">\n<div style=\"text-align: left;\"><div class=\"image-gallery\" data-gallery=\"%7B%22mode_id%22%3A1%2C%22gallery_instance_id%22%3A5%2C%22name%22%3A%22Grid%22%2C%22path%22%3A%22grid%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A%222%22%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D\">\n<img width=\"1920\" height=\"1299\" width_o=\"1920\" height_o=\"1299\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/0ec77d2883a13a5870624f35696801b7d8387ca26c1884a17f25bbe3dfa5fe03\/DAM_mike.png\" data-mid=\"252352936\" border=\"0\" \/>\n<\/div><a href=\"kevinjeromeeverson\" rel=\"history\"><\/a><\/div>\n<div style=\"text-align: left\"><small><a href=\"xeroxmyth\" rel=\"history\">Untitled self-portrait, Mike Kelley, Xerox, 1975. Courtesy Cary Loren and Destroy All Monsters<\/a><\/small><\/div>\n<br>\n<\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><br>\n<div style=\"text-align: left;\"><a href=\"kevinjeromeeverson\" rel=\"history\" class=\"image-link\"><img width=\"3420\" height=\"2054\" width_o=\"3420\" height_o=\"2054\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/a319e8dd62895d86da3dcea779bc0e4455aedb20ccf766593d635b4cc5a23277\/Key-to-the-Cities_film-still-Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures4-2.png\" data-mid=\"252352934\" border=\"0\" \/><\/a><a href=\"kevinjeromeeverson\" rel=\"history\">\n<small><i>Key to the Cities<\/i>, Kevin Jerome Everson, 2 min, 16mm > digital, 2008. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures<\/small><\/a><\/div><br>\n<div style=\"text-align: left;\"><a href=\"kevinjeromeeverson\" rel=\"history\"><img width=\"2700\" height=\"1765\" width_o=\"2700\" height_o=\"1765\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/d603d1b3d252f79a42c77394d7805f96ccfd549cfb75301f4ffaf7fbb6f37193\/Century_film-still-Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures.jpg\" data-mid=\"252352935\" border=\"0\" \/><small><i>Century<\/i>, Kevin Jerome Everson, 6.5 min, 16mm > digital, 2012. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures<\/small><\/a><\/div><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><br>\n<hr><b><a href=\"kevinjeromeeverson\" rel=\"history\">special section\u2014fall 2025<\/a><\/b><hr><a href=\"kevinjeromeeverson\" rel=\"history\">\nMedia City Film Festival (MCFF) and Trinosophes Projects present two free Detroit screenings curated by MCFF Artistic Director, Oona Mosna, showcasing films by Kevin Jerome Everson that span nearly twenty years of the artist\u2019s prolific output (2007\u20132024). Ranging from early enigmatic fragments of 50-year-old foun
46d footage through to studied compositions of celestial bodies, this survey captures elements from both MCFF\u2019s long history of exhibiting Everson\u2019s work and the artist\u2019s polyvalent approach to moving images, rooted in the experience and representational construction of the Midwest Black working class. [Read more ...]<br><br>\n<img width=\"2880\" height=\"2057\" width_o=\"2880\" height_o=\"2057\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/1a9d0a9cb8687e5ad084962e8c4da05fb14d3246be5ea28365adb341f0965c35\/Three-Quarters_Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures_still-01.jpg\" data-mid=\"252352932\" border=\"0\" \/><br><small><i>Three Quarters<\/i>, Kevin Jerome Everson, 4 min, 16mm > digital, 2015. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures<\/small><\/a><\/div><\/div><\/div><br><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\" class=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><br>\n<img width=\"4032\" height=\"3024\" width_o=\"4032\" height_o=\"3024\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/1e88c0a141915c8e997eb6dddda04a88e82892d3a1e4ffa49d068859d737d371\/DC6AEF41-A1AD-4EC3-92FF-4D4AFEFDEA82-1.jpg\" data-mid=\"252352930\" border=\"0\" data-scale=\"100\"\/>\n<small><i>Alma\u2019s Rainbow<\/i>, Ayoka Chenzira, USA, 89 min, 1994<\/small>\n<br>\n<\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><hr><b>issue no. eighteen\u2014spring 2025<\/b><hr><a href=\"williampeck\" rel=\"history\">100 Limericks on Early Music, Occasionally Annotated by William Peck<\/a><br>\n<hr><a href=\"estherkondoheller\" rel=\"history\">Spring by Esther Kondo Heller<\/a><hr><a href=\"elizabethmurray\" rel=\"history\">Three Fold Commissions Elizabeth Murray<\/a><hr><a href=\"marjoleinguldentops\" rel=\"history\">\u2022 in time \u2022 \u2022 \u2022 \u2022 real time \u2022 by Marjolein Guldentops\n<\/a><hr><a href=\"imaginarydinnerpartyseventeen\" rel=\"history\">Imaginary Dinner Party, Part Seventeen by Lynn Crawford\n\n<\/a><hr><a href=\"issueeighteen\" rel=\"history\">Poetry by Marjorie Welish, Sean Thomas Dougherty, Melba Joyce Boyd, Susan Wheeler, Anselm Berrigan<\/a>\n<br>\n<hr><b>related events<\/b><hr><a href=\"events\" rel=\"history\">Wednesday, May 14, 7 p.m.<br>Poetry reading by Norman Fischer, Chris Tysh, Nazifa Islam<br>\nTrinosophes, 1464 Gratiot Avenue, Detroit<\/a><\/div><a href=\"events\" rel=\"history\">Free admission<\/a><br>\n<br>\n<\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\" class=\"\"><div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><b><a href=\"jenniferscappettone\" rel=\"history\"><i> <\/i><\/a><\/b><hr><b>issue no. seventeen\u2014winter 2025<\/b><hr>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<a href=\"menofthecloth\" rel=\"history\">Men of the\nCloth, Men of Capital by Michael Jackman<\/a>: <a href=\"menofthecloth\" rel=\"history\">An ongoing series on civil rights in Detroit in the 1940s<\/a>\n<br>\n<hr><a href=\"norabaroudjian\" rel=\"history\">Answer Me by Nora Baroudjian | translated by Tamar Marie Boyadjian<\/a>\n<hr><a href=\"imaginarydinnerpartysixteen\" rel=\"history\">Imaginary Dinner Party, Part Sixteen by Lynn Crawford<\/a><br>\n<hr><a href=\"issueseventeen\" rel=\"history\">Poetry by Jeanne Heuving, Jennifer\nFirestone, Timothy Yu, Carly Sachs, Dong Li, julie ezelle patton<\/a><br><hr><b><a href=\"mediacity27thanniversary\" rel=\"history\">special section\u2014media city film festival & three fold<\/a><\/b><hr><b>\n<\/b><a href=\"mediacity27thanniversary\" rel=\"history\">In partnership with the 27th virtual edition of Media City Film Festival [MCFF], a trailblazing international festival for film and digital art, Three Fold profiles eight artists whose moving image work is celebrated in the MCFF Spotlight Series: Richard Serra, Ja\u2019Tovia Gary, Narcisa Hirsch, Jocelyne Saab, Mona Hatoum, Madeleine Hunt-Ehrlich, Nour Ouayda, and Christopher Harris [Read more ...]<\/a><br>\n<\/div><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><b><\/b><a href=\"mediacity27thanniversary\" rel=\"history\"><\/a><img width=\"2192\" height=\"1232\" width_o=\"2192\" height_o=\"1232\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/449823b4e368cc09a7115bcb329f62cc159d4285cdc05ccb6b423a6b437f0912\/2.-SMALL-IMAGE-Ja-Tovia-Gary---Giverny.-Document-3.jpg\" data-mid=\"252352927\" border=\"0\" data-scale=\"100\"\/><br>\n<small><div style=\"text-align: left;\"><small><a href=\"mediacity27thanniversary\" rel=\"history\"><i>The Giverny Document<\/i>, Ja\u2019Tovia Gary, USA, 16mm\u202f>\u202fdigital, 41 min, 2019<\/a><br><\/small><br><\/div><\/small>\n<br>\n<\/div><\/div><\/div><br>\n<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\t<div grid-col=\"x11\" grid-pad=\"2\"><div style=\"text-align: left;\"><div style=\"text-align: left;\"><hr><b>issue no. sixteen\u2014fall 2024<\/b><hr><a href=\"caseysayerbrooks\" rel=\"history\">Three Fold Commissions Casey Sayer Brooks<\/a> <br><hr><a href=\"tamarmarieboyadjian\" rel=\"history\">from<i> <\/i>\u056f\u0561\u0569\u056b\u056c \u0574\u0568 \u056f\u056b\u0576\u055d \u0561\u0576\u0561\u0576\u0578\u0582\u0576 \u0561\u0576\u0584\u0565\u0580\u0569\u0578\u0582\u0561\u056e <br>a drop of woman: unnamed unwritten by Tamar Marie Boyadjian<\/a>\n<br>\n<hr><a href=\"patlewisandsamanthalinn\" rel=\"history\">Who Knows What the Future Holds | I\u2019ll Forget You by Pat Lewis & Samantha Linn<\/a><br>\n<span style=\"font-size: 1.8rem;\">\n<hr><\/span><a href=\"imaginarydinnerpartyfifteen\" rel=\"history\">Imaginary Dinner Party, Part Fifteen by Lynn Crawford\n\n<\/a><hr><a href=\"issuesixteenpoetry\" rel=\"history\">Poetry by Daniel Borzutzky, Wanda Phipps, Robin Tremblay-McGaw, Ed Friedman, Jennifer Moxley<\/a><br>\n\n<br>\n<\/div><\/div><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2\"><div style=\"text-align: left;\"><div style=\"text-align: left;\"><hr><div style=\"text-align: justify;\"><div style=\"text-align: justify;\"><b><b><span>issue no. fifteen\u2014summer 2024<\/span><\/b><br><\/b><hr><a href=\"strainreliefchord\" rel=\"history\">The Strain Relief Cord\nby F.F.<\/a><hr><a href=\"paulschwarz\" rel=\"history\"><span>Three Fold Commissions Paul Schwarz<\/span><\/a><hr><span>\n<\/span><a href=\"nabilharbchapterthree\" rel=\"history\"><span>Inheritance, Chapter Three by Nabil Harb<\/span><\/a><span> \n\n<\/span><hr><a href=\"imaginarydinnerpartyfourteen\" rel=\"history\"><span>Imaginary Dinner Party, Part Fourteen by Lynn Crawford<\/span><\/a><hr><a href=\"vincentperrone\" rel=\"history\"><span>St. Augustine Confessing by Vincent Perrone<\/span><\/a><span>\n<\/span><span>\n<\/span><hr><a href=\"issuefifteenpoetry\" rel=\"history\"><span>Poetry by El\u00e9na Rivera, Vanessa Place, Benjamin Paloff, E. Tracy Grinnell, Philip Metres<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n<\/div><br>\n\n\n\n<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: justify;\"><hr><b>issue no. fourteen\u2014spring 2024<\/b><hr>\n<a href=\"wymmdossier\" rel=\"history\">Will You Miss Me? <br>A Dossier on The Hinterlands by Jonathan Flatley<\/a><hr><a href=\"nabilharbchaptertwo\" rel=\"history\">Inheritance, Chapter Two by Nabil Harb <\/a>\n\n<hr><a href=\"imaginarydinnerpartythirteen\" rel=\"history\">Imaginary Dinner Party, Part Thirteen by Lynn Crawford<\/a><hr><a href=\"issuefourteenpoetry\" rel=\"history\">Poetry by Susan Landers, Ann Lauterbach, Ron Silliman, BLUNT RESEARCH GROUP, Martha Ronk<\/a><br><br><img width=\"1800\" height=\"1201\" width_o=\"1800\" height_o=\"1201\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/17257b0b54cc5a999ef778fe4756a7c8154bc615876696738a231b1
46d75da5355\/Harb20.jpg\" data-mid=\"252352925\" border=\"0\" \/>\n<span style=\"font-size: 1.8rem;\"><small><i>Deal<\/i>, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved<\/small><\/span><small><i><\/i><\/small><\/div><\/div>\n\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: justify;\">\n<img width=\"1800\" height=\"1201\" width_o=\"1800\" height_o=\"1201\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/e054b9b4d7f45f9d321f5fa276fbc0cd9c0634484a1cacc13cc574cb0b6ecd23\/Harb14.jpg\" data-mid=\"252352923\" border=\"0\" \/><br><small><i>Taba<\/i>, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved<\/small>\n<br>\n<hr><b>issue no. thirteen\u2014winter 2024<\/b><hr>\n<a href=\"nabilharb\" rel=\"history\">Inheritance, Chapter One by Nabil Harb <\/a><hr><a href=\"tobulldozeacemetery\" rel=\"history\">To Bulldoze a Cemetery by Ayanna Dozier<\/a>\n\n\n<hr><div style=\"text-align: left\"><span><a href=\"imaginarydinnerpartytwelve\" rel=\"history\">Imaginary Dinner Party, Part Twelve by Lynn Crawford<\/a><\/span><\/div><hr><div style=\"text-align: left\"><a href=\"issuethirteenpoetry\" rel=\"history\"><span>Poetry by Nazifa Islam, Michael Leong, Marie Buck <\/span>&<span> Matthew Walker, Laynie Browne, Mark Nowak<\/span><\/a><\/div><\/div><\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: justify;\"><br>\n<hr><b>special section\u2014december 29, 2023<\/b>\n\n<hr>In the wake of <i>Artforum<\/i> editor-in-chief David Velasco\u2019s firing in October over an open letter signed by artists and scholars supporting Palestinian liberation, thirty-two writers retracted their pieces from the December 2023 issue, among them Adriano Pedrosa, Amy Taubin, Brontez Purnell, Catherine Lacey, \u00c7a\u011fla \u0130lk, Cindy Ji Hye Kim, Claire Bishop, David O\u2019Neill, Erin Christovale, Erika Balsom, Gordon Hall, Gray Wielebinski, Hal Foster, Huey Copeland, Jace Clayton, James Quandt, Jason Moran, Jennifer Krasinski, Jensen Leonard, John Kelsey, John Waters, Meg Onli, Michael Fried, Nicole Eisenman, Rachel Kushner, Sarah Nicole Prickett, Sasha Geffen, Tiana Reid, Tiffany Sia, Tim Griffin, Tuan Andrew Nguyen, and Weyes Blood. Three Fold extended an invitation to several of those who pulled their writing, and to punctuate 2023, we are publishing withdrawn <i>Artforum<\/i> contributions from Claire Bishop, Erika Balsom, and Weyes Blood. As genocide continues to unfold in Gaza and epistemicide and McCarthyism proliferate globally, Three Fold Press firmly stands in solidarity with all writers and artists who oppose the atrocities and war in Gaza \u2013Jonathan Rajewski, Editor, Visual Art<\/div>\n<\/div>\n\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\">\n<br><hr><b>top ten, 2023 <br><\/b>\n<hr><a href=\"clairebishoptopten\" rel=\"history\">By Claire Bishop<br>\u201cThis is the Top Ten I pulled from the December issue of <i>Artforum<\/i>, because of David getting fired.\u201d [Read more ...]<\/a><br>\n<hr><a href=\"erikabalsomtopten\" rel=\"history\">By Erika Balsom<br>\u201cThis list was submitted in early October and would certainly be somewhat different if written now. But in the spirit of gesturing to a December issue of <i>Artforum<\/i> that never was, I have left it unchanged. [Read more ...]<\/a><br>\n<hr><a href=\"weyesbloodtopten\" rel=\"history\">By Weyes Blood<br>\u201cOK so Glastonbury is unbearably classic. The UK has managed to do a Woodstock-esque festival every year since 1971 (America sure as hell has not). When I awoke from my slumber, I stumbled out of my bus into a field and immediately heard echoes of the most ethereal Welsh music.\u201d [Read more ...]<\/a><\/div><\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: justify;\"><br>\n<hr><b>issue no. twelve\u2014fall 2023<\/b><hr><a href=\"theeternalreturn\" rel=\"history\">The Eternal Return: <i>Blacula<\/i> and the Thematic Aesthetics of William Crain<\/a> <a href=\"theeternalreturn\" rel=\"history\">by Andr\u00e9 Seewood<br><\/a><hr><a href=\"galdr\" rel=\"history\">Galdr by Paul Elliman<\/a><br>\n<a href=\"fightingagainsterasure\" rel=\"history\">\n<\/a>\n<hr><a href=\"diegoandme\" rel=\"history\">Diego & Me by James D. Fuson<\/a><br>\n<hr><a href=\"lettertomydaughter\" rel=\"history\">Letter to My Daughter by Ethel Kabwato<br><\/a>\n<hr><a href=\"imaginarydinnerpartyeleven\" rel=\"history\">Imaginary Dinner Party, Part Eleven by Lynn Crawford<br><\/a>\n<hr><div style=\"text-align: left\"><a href=\"issuetwelvepoetry\" rel=\"history\">Poetry by CAConrad, Kweku Abimbola, Eileen Myles, Rob Halpern, Nicole Brossard<\/a><\/div><\/div><\/div>\n\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><br>\n<b><span style=\"font-size: 1.8rem;\"><\/span><\/b>\n<hr><b>issue no. eleven\u2014summer 2023\n<\/b><hr><b>\n<\/b><a href=\"fleshandmarble\" rel=\"history\">Flesh and Marble<\/a><a href=\"fleshandmarble\" rel=\"history\"> by Jonathan Rajewski<\/a><hr><a href=\"fightingagainsterasure\" rel=\"history\">Looking Past the Exploitative Lens, Fighting Against Erasure by Michael Jackman<br>An ongoing series on civil rights in Detroit in the 1940s<\/a>\n<br>\n<hr><a href=\"simer\" rel=\"history\">SIM ER by John Bennett<\/a><hr><a href=\"walkingandtalking\" rel=\"history\">Walking and Talking <br>
46Performance by Ben Bennett<\/a>\n<hr><a href=\"imaginarydinnerpartyten\" rel=\"history\">Imaginary Dinner Party, Part Ten by Lynn Crawford<\/a><hr><a href=\"issueelevenpoetry\" rel=\"history\">Poetry by Rae Armantrout, Maged Zaher, Sarah Riggs, kim d. hunter, Michael Lall<\/a>y<br><br>\n<a href=\"issueelevenpoetry\" rel=\"history\"><\/a><\/div><\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><hr><b>issue no. ten\u2014spring 2023<\/b><br><hr>\n<a href=\"ridgewaydossier\" rel=\"history\">Make Room for Dada: A Dossier on the Ridgeway Collective by Cary Loren\n<\/a><hr><a href=\"juliacallis\" rel=\"history\">Three Fold Commissions\n<\/a><br>\n<a href=\"juliacallis\" rel=\"history\">Julia Callis<\/a>, <a href=\"caroleharris\" rel=\"history\">Carole Harris,<\/a> <a href=\"annecarson\" rel=\"history\">Anne Carson<\/a>\n\n \n\n<hr><a href=\"imaginarydinnerpartynine\" rel=\"history\">Imaginary Dinner Party, Part Nine by Lynn Crawford<\/a><br><hr>\n<a href=\"issuetenoetry\" rel=\"history\">Poetry by Lee Ann Brown, Michael Palmer, John Godfrey, Alise Alousi, Bob Holman<\/a><br>\n<hr>\n<a href=\"sortingthepiles\" rel=\"history\">Sorting the Piles by Lolita Hernandez<\/a>\n\n<br>\n<hr><\/div><\/div>\n\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><hr><b>issue no. nine\u2014winter 2023<\/b><br><hr>\n<a href=\"lifeafterprison\" rel=\"history\">Life After Prison: The First Three Months by James D. Fuson<\/a><hr><a href=\"sweetextinction\" rel=\"history\">Sweet Extinction by Francis McKee<\/a><hr><a href=\"imaginarydinnerpartyeight\" rel=\"history\">Imaginary Dinner Party, Part Eight by Lynn Crawford<\/a><hr><a href=\"issueninepoetry\" rel=\"history\">Poetry by Jena Osman, Charles Bernstein, Robert Laidler, Brenda Coultas and Norma Cole<\/a>\n<br><hr>\n<b>related events<\/b><hr>Film screenings by Raven Chacon & Crist\u00f3bal Martinez, <a href=\"https:\/\/mediacityfilmfestival.com\/thousandsuns\/sky-hopinka\/\" target=\"_blank\">Sky Hopinka<\/a>, New Red Order <a href=\"https:\/\/mediacityfilmfestival.com\/thousandsuns\/miguel-hilari\/\" target=\"_blank\">and Miguel Hilari<\/a> | ThousandSuns Cinema through January 30, 2023<br>\n<br><\/div><\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"6\" grid-pad=\"2\" class=\"\"><a href=\"thisiswhatgenrecandoforyou\" rel=\"history\" class=\"image-link\"><img width=\"1471\" height=\"2100\" width_o=\"1471\" height_o=\"2100\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/fd1eb08eb1a0b95b0f56664683033a3b80a9596cfbf402c2f10ee4bc4297b24e\/2_shoe.png\" data-mid=\"252352914\" border=\"0\" \/><\/a><br><div style=\"text-align: left;\"><hr><b>issue no. eight\u2014fall 2022<\/b><\/div><hr><div style=\"text-align: left;\"><a href=\"aaronibnporipitts\" rel=\"history\">In Dedication: Aaron Ibn Pori Pitts<\/a><hr>\n<a href=\"dissidencetoc\" rel=\"history\">Dissidence: A Dossier by Cities of Asylum<\/a> <a href=\"dissidencetoc\" rel=\"history\">featuring Dmitry Bykov, Pedro X. Molina, Pwaangulongii Dauod <\/a><br>\n\n<hr><a href=\"endofalifesentence\" rel=\"history\">End of a Life Sentence: 28 Years, 8 Months, 3 Days, and a Wake-Up by James D. Fuson<\/a><br><hr><a href=\"amnaasghar\" rel=\"history\">Three Fold Commissions: Amna Asghar,<\/a> <a href=\"jockoweyland\" rel=\"history\">Jocko Weyland,<\/a> <a href=\"robertsestok\" rel=\"history\">Robert Sestok<\/a><br>\n<hr><a href=\"thisiswhatgenrecandoforyou\" rel=\"history\">This is What Genre Can Do for You by Molly Zuckerman-Hartung<\/a>\n<br><hr>\n<a href=\"ajaramuparttwo\" rel=\"history\">Out Front and Down Low, Part Two of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977<\/a><br><hr><a href=\"justbrowsing\" rel=\"history\">Just Browsing by Jeff Karolski<\/a><hr><a href=\"imaginarydinnerpartyseven\" rel=\"history\">Imaginary Dinner Party, Part Seven by Lynn Crawford<\/a><hr>\n<a href=\"issueeightpoetry\" rel=\"history\">Poetry by Rosmarie Waldrop, Uche Nduka, Edwin Torres, Bruce Andrews, Johanna Drucker<\/a><br><\/div><hr>\n<small><small><i>shoe<\/i>, Dana DeGiulio. Courtesy the artist<\/small><\/small><br>\n<\/div>\n\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><\/div>\n\n<a href=\"fireblossoms\" rel=\"history\" class=\"image-link\"><img width=\"1920\" height=\"1080\" width_o=\"1920\" height_o=\"1080\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/9d003dd6629e53f9ec354112793e00825a975a857687daa8b981200b647b57db\/7.-sample-content-CONSPIRACY-MHE-SM-1.png\" data-mid=\"252352912\" border=\"0\" \/><\/a><br><img width=\"1804\" height=\"1014\" width_o=\"1804\" height_o=\"1014\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/d0bd3ebc8017a7d4ed5644f1a4acb8cf3e09a6e2c17f50cb670af8c40d815cbf\/conspiracystill1-1.jpg\" data-mid=\"252352915\" border=\"0\" \/><br><img width=\"1920\" height=\"1080\" width_o=\"1920\" height_o=\"1080\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/f7b88632301e01f49e11be8ab828ca022e113f1eb665c18bc7faae36d462bef9\/1.-sample-content-CONSPIRACY-MHE-SM.png\" data-mid=\"252352916\" border=\"0\" \/>\n<br>\n<div style=\"text-align: left;\"><hr><b>issue no. seven\u2014summer 2022<\/b><\/div><hr><div style=\"text-align: left;\"><a href=\"fireblossoms\" rel=\"history\">Fire Blossoms<br>A Dossier by Yasmina Price<\/a>\n<br>\n<hr>\n<a href=\"arellisette\" rel=\"history\">Three Fold Commissions: Arel Lisette<\/a>, <a href=\"alinaperez\" rel=\"history\">Alina Perez<\/a><br><hr>\n<a href=\"ajaramuparttwo\" rel=\"history\">Out Front and Down Low, Part One of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977<\/a><hr><a href=\"cornman\" rel=\"history\">Corn Man and Lemon Bar, Detroit<br>Photography by Garrett MacLean<\/a><hr><a href=\"4seasons\" rel=\"history\">4 Seasons by Matt Conzett and Maia Shikwana<\/a>\n\n<hr>\n<a href=\"imaginarydinnerpartysix\" rel=\"history\">Imaginary Dinner Party, Part Six by Lynn Crawford<\/a><hr>\n<a href=\"issuesevenpoetry\" rel=\"history\">Poetry by Rodrigo Toscano, Anne Waldman, Elizabeth Willis, Isaac Pickell, Anne Tardos, Clark Coolidge<\/a>\n<br><hr><small><i>Conspiracy,<\/i> Simone Leigh and Madeleine Hunt-Ehrlich, 16mm film stills, 2022. Courtesy the artists and Matthew Mar
46ks Gallery<\/small><br><\/div><\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\"><div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><br><a href=\"whenlifewasagaybar\" rel=\"history\" class=\"image-link\"><img width=\"3024\" height=\"4032\" width_o=\"3024\" height_o=\"4032\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/45d687221666f476d18ff3519135585c4f67ec819a591c8887deb4ea7f3f7b43\/Photo_For_Menjos_Ad.jpg\" data-mid=\"252352907\" border=\"0\" \/><\/a><hr><b>issue no. six\u2014spring 2022<\/b><hr><a href=\"garrettmaclean\" rel=\"history\">In Dedication: Rico Africa, Old Miami, Detroit<\/a><hr><a href=\"whenlifewasagaybar\" rel=\"history\">When Life Was a Gay Bar<br>\nA dossier by artist and writer Michael Conboy (Los Angeles) on the 1970s-80s Detroit scene of his youth, featuring paintings and illustrations, memoirs, drag photos, club fliers, and a short story<\/a>\n<br>\n<hr>\n<a href=\"nancymitchnick\" rel=\"history\">Three Fold Commissions: Nancy Mitchnick, Patrick Hill<\/a><br>\n<hr><a href=\"telephones\" rel=\"history\">Telephones by Paul Elliman <br>Excerpts from a pre-history of that moment when the human voice is first cut from its source in the body<\/a>\n<br>\n<hr><a href=\"guesswhereiam\" rel=\"history\">Guess Where I Am by Paul Elliman<\/a>\n<br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"thelasttofigureitout\" rel=\"history\">The Last to Figure It Out by Michael Jackman<\/a><br><hr>\n<a href=\"imaginarydinnerpartyfive\" rel=\"history\">Imaginary Dinner Party, Part Five<br>\nForms of Engagement by Lynn Crawford<\/a><hr>\n<a href=\"issuesixpoetry\" rel=\"history\">Poetry by Aaron Shurin, Stacy Szymaszek, Nathaniel Mackey, Norman Fischer, Jennifer Scappettone<\/a><hr><a href=\"issuesixfiction\" rel=\"history\">Fiction by Evelyn Hampton, Rick London<\/a><br><hr><small>Photo for Menjo\u2019s advertisement, Michael Conboy, c. 1980s <\/small>\n\n<br>\n<\/div><\/div>\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><br>\n<a href=\"whenlifewasagaybar\" rel=\"history\" class=\"image-link\"><img width=\"2560\" height=\"1946\" width_o=\"2560\" height_o=\"1946\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/f6b247abaf3f45579f0fdc1550f30e204c55c403b3dae0c3d5d60ddfe5fa351e\/XIMENA-CUEVAS_Corazon-Sangrante_Still_11.jpg\" data-mid=\"252352905\" border=\"0\" \/><\/a>\n<hr><i><\/i><b>issue no. five\u2014winter 2022<\/b><br><hr><a href=\"mediacity\" rel=\"history\">Our winter 2022 issue was presented in partnership with Media City Film Festival, a trailblazing festival for film and digital art based in Windsor, Ontario and Detroit, Michigan. Since 1994, the festival has engaged such artists as Yoko Ono, Michael Snow, Alvin Lucier, and hundreds others. The 25th Anniversary virtual edition ran February 8 through March 1, 2022, featuring 70+ films from 30+ countries, in full open access globally. In conjunction, Three Fold profiled eight artists whose moving image work was celebrated in a Spotlight Series. [Read more ]<\/a>\n<br><hr>\n<a href=\"meganoconnell\" rel=\"history\">Artist In Residence In Exile, Megan O\u2019Connell, 2021<\/a><br>\n<hr><a href=\"doomandglory\" rel=\"history\">Doom and Glory in the Cass Corridor<\/a><br><a href=\"doomandglory\" rel=\"history\">Part two of a dossier on Detroit visual artist Cay Bahnmiller\u2014dream diaries, Gilbert and Lila Silverman, <i>Der Imker (the beekeeper),<\/i> mail art, communiqu\u00e9s, a secret spy network, Structo-vision, photography, books, and a kaddish for Cay by Cary Loren<\/a><br>\n<hr><a href=\"ruqayyahalzonaalbaari\" rel=\"history\">Three Fold Commissions: Ruqayyah Alzona Al-Baari, Jim Chatelain, Chris Riddell<\/a> <a href=\"meganoconnell\" rel=\"history\"><br><\/a>\n<hr><a href=\"bringingdetroit\" rel=\"history\">Bringing Detroit by Ian John Solomon, Jay Orellana and Crystal Mioner<\/a><hr><a href=\"ruminations\" rel=\"history\">Ruminations on Beauty by Rochelle Marrett<\/a>\n<br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"stephentrimboli\" rel=\"history\">
46My First Stroll Through Eternity by Stephen Paul Trimboli<\/a><hr><a href=\"imaginarydinnerpartyfour\" rel=\"history\">Imaginary Dinner Party, Part Four: Possession by Lynn Crawford<\/a><hr><a href=\"issuefivepoetry\" rel=\"history\">Poetry by Alice Notley, Peter Gizzi, Quincy Troupe, Rachelle Rahm\u00e9, Maureen Owen<\/a><hr><a href=\"issuefivefiction\" rel=\"history\">Fiction by Garrett Caples, Jose Padua, Robert Lope<\/a>z<br><hr>\n<small><i>Coraz\u00f3n Sangrante<\/i>, Ximena Cuevas, M\u00e9xico, digital, 4 min, 1993<\/small><br>\n<\/div><\/div><\/div><div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><b><br>\n<img width=\"1480\" height=\"1079\" width_o=\"1480\" height_o=\"1079\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/d125218954fcc8be5791b722f1aa0a2db4d329c93273594d265f3a8ab4f0498b\/I-MISS-SONJA-HENIE-KARPO-GODINA1.jpg\" data-mid=\"252352904\" border=\"0\" \/><\/b>\n<hr><i><\/i>\n<b>issue no. four\u2014fall 2021<br><\/b><hr><a href=\"doomandglory\" rel=\"history\">Doom and Glory in the Cass Corridor, Part One: A Dossier on Cay Bahnmiller by Cary Loren<\/a><br>\n<hr><a href=\"hangamaamiri\" rel=\"history\">Three Fold Commissions: Hangama Amiri<\/a>, <a href=\"israelaten\" rel=\"history\">Israel Aten,<\/a> <a href=\"davidcraig\" rel=\"history\">David Craig<\/a><br>\n<hr><a href=\"beforeduringandafter\" rel=\"history\">Before, During and After by MGUN<\/a><br>\n<hr><a href=\"ghettotech\" rel=\"history\">Ghetto Tech: The Soundtrack to Black Ruin by Taylor Aldridge<\/a><br>\n<hr><a href=\"patchingthepast\" rel=\"history\">Patching the Past: Reimaging the Buchla by Mark Milanovich<\/a><br>\n<hr><a href=\"imaginarydinnerpartythree\" rel=\"history\">Imaginary Dinner Party: Part Three, Think Like a Detective by Lynn Crawford<\/a><br>\n<hr><a href=\"akinyemisara\" rel=\"history\">Spoken word by Akinyemi Sa Ra<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuefourpoetry\" rel=\"history\">Poetry by Elaine Equi, Harryette Mullen, A.L. Nielsen, Cole Swensen, Dennis Teichman<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuefourfiction\" rel=\"history\">Fiction by Sarah Schulman, Alan Franklin<\/a><br><hr>\n<small><a href=\"fall\" rel=\"history\"><i>I Miss Sonja Henie<\/i>, Karpo Godina, 1971, 35mm frame enlargement courtesy the artist \u00a9 Karpo Godina the Slovenian Cinematheque and Media City Film Festival. Restoration by the Austrian Film Museum<\/a><\/small><\/div><\/div>\n\t<div grid-col=\"6\" grid-pad=\"2\" class=\"\"><div style=\"text-align: left;\"><div style=\"text-align: left;\"><br>\n<hr><b>issue no. three\u2014summer 2021<\/b><br>\n<hr><a href=\"katherineyaochendu\" rel=\"history\">Three Fold Commissions:<\/a> <a href=\"katherineyaochendu\" rel=\"history\">Katherine Yaochen Du,<\/a> <a href=\"msaffellgardner\" rel=\"history\">M. Saffell Gardner,<\/a> <a href=\"africanusokokon\" rel=\"history\">Africanus Okokon<\/a> <hr><a href=\"disfluencies\" rel=\"history\">Disfluencies: A Dossier by Sky Hopinka<\/a>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"plantocracyandcommunism\" rel=\"history\">Plantocracy and Communism by Stefano Harney <small>&<\/small> Fred Moten<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"supernatural\" rel=\"history\">Super Natural by Imani Mixon<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"eugenechadbourne\" rel=\"history\">Catalog of Birds for Banjos: Joel Peterson in Conversation with Eugene Chadbourne<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"imaginarydinnerpartytwo\" rel=\"history\">Imaginary Dinner Party, Part Two: Heal the People? by Lynn Crawford<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuethreepoetry\" rel=\"history\">Poetry by Ron Padgett, Rachel Levitsky, Kit Robinson, Michelle Naka Pierce, Will Alexander<\/a><hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuethreefiction\" rel=\"history\">Fiction by Wang Ping, Barbara Henning, Robert Gl\u00fcck<\/a><br><hr>\n<br>\n<img width=\"4032\" height=\"3024\" width_o=\"4032\" height_o=\"3024\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/241c1c344d1ac6a7fd4822a1e9869d09f61bc4b8407d3d166875eb3c94dc1a70\/image_6483441-2.jpg\" data-mid=\"252352911\" border=\"0\" \/><small><a href=\"summer\" rel=\"history\">Photo of Michael Luchs\u2019 studio by Kathryn Brackett Luchs, June 15, 2021<\/a><\/small><\/div><\/div><\/div>\n<\/div><div style=\"text-align: left;\"><div grid-row=\"\" grid-pad=\"2.5\" grid-gutter=\"5\" grid-responsive=\"\">\n\t<div grid-col=\"x11\" grid-pad=\"2.5\"><div style=\"text-align: left;\"><br>\n<hr><b>issue no. two\u2014spring 2021<\/b>\n<hr><a href=\"spring\" rel=\"history\">On the cover: <i>a minor piece of damage <\/i>(2020),<i> <\/i>Sid Iandovka <br>\n<\/a><hr><a href=\"asyetuntitled\" rel=\"history\">As Yet Untitled: A Dossier on Sid Iandovka <small>&<\/small> Anya Tsyrlina by Herb Shellenberger<\/a><br>\n<hr><a href=\"ekphrasis\" rel=\"history\">Ekphrasis by Rachel Harkai<\/a><br>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\">\n\n<a href=\"aminateaches\" rel=\"history\">Amina Teaches by Luke Stewart<\/a><br>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\">\n\n\n<a href=\"alterdestiny\" rel=\"history\">Alter Destiny: A Survivor\u2019s Guide by Thomas Stanley<\/a>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"myriadofselfportraits\" rel=\"history\">A Myriad of Self-Portraits by Sala Damali White<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"whatremains\" rel=\"history\">What Remains: Reflections on a Decade of Poetry Lessons in Detroit 2008-2018 by Norene Cashen<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"imaginarydinnerparty\" rel=\"history\">Imaginary Dinner Party: Part One, Under Stories by Lynn Crawford<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuetwopoetry\" rel=\"history\">Poetry by Christine Hume & Laura Larson, Ted Pearson, Bill Harris, Eleni Sikelianos, Brandon Brow<\/a>n<br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuetwofiction\" rel=\"history\">Fiction by Lolita Hernandez, Paul Jaussen, Cal Freeman<\/a><br><hr>\n<br>\n<img width=\"1807\" height=\"1366\" width_o=\"1807\" height_o=\"1366\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/2cb6461bd1c8b34708d6b58bd33fa6374e687e6e54ef8800c7ab1390d703dd5f\/damage_9.jpg\" data-mid=\"252352906\" border=\"0\" \/><br><small><i>a minor piece of damage<\/i>, Sid Iandovka<\/small><\/div><\/div>\n\t<div grid-col=\"x11\" grid-pad=\"2.5\" class=\"\"><br>\n<img width=\"6261\" height=\"4237\" width_o=\"6261\" height_o=\"4237\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/aca789cd019250a3e1ad061b522efde5898e64a0b5c1e4a10117483e1517f0e4\/Maureen-Taylor_Hannah-Jones.jpeg\" data-mid=\"252352903\" border=\"0\" \/><br><small><i>Maureen Taylor<\/i>, Hannah Jones, 2020<\/small>\n<br>\n<hr><b>issue no. one\u2014fall 2020<\/b>\n<hr><a href=\"fall2020\" rel=\"history\">On the cover: Say Translation is Art (excerpt), Sawako Nakayasu<\/a><hr><a href=\"hannahjones\" rel=\"history\">In Dedication: Meditation Device by Hannah Jones <small>&<\/small> Rebecca Mazzei<\/a>\n<br>\n\n<hr>\n<small><i><\/i><\/small><a href=\"whatsbeendone\" rel=\"history\">What\u2019s Been Done and What\u2019s Been Won by Bob Ostertag with Maureen Taylor<\/a><br><hr>\n<a href=\"integralwhirls\" rel=\"history\">
46Integral Whirls: A Dossier on Ephraim Asili by Greg de Cuir Jr<\/a><br>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\">\n\n\n<a href=\"makingamaking\" rel=\"history\">Making a Making: Jonathan Rajewski in Conversation with Bill Dilworth<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"blacklivesmatter\" rel=\"history\">Black Lives Matter? by Fred Williams<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"whatisinaname\" rel=\"history\">What is in a Name by Imani Mixon<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"artritualandtheory\" rel=\"history\">Art, Ritual & Theory in Mandenka Historiography by Nubia Kai<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"wildgardening\" rel=\"history\">Wild Gardening & Improvisation by Thollem<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"healourselves\" rel=\"history\">Heal Ourselves by Peter Sparling & Thollem<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"hearthatsnap\" rel=\"history\">Hear That Snap: Joel Peterson in Conversation with Hakim Jami<\/a><br><hr style=\"background-color: #e3e3e3;height: 1.0px;\"> <a href=\"orgasmicspacepoetry\" rel=\"history\">The Orgasmic Space Poetry of Henry R. Lewis by Cary Loren<\/a><br><hr style=\"background-color: #e3e3e3;height: 1.0px;\"> <a href=\"malayeen\" rel=\"history\">Malayeen by Leyya Tawil<\/a><br>\n <hr style=\"background-color: #e3e3e3;height: 1.0px;\"> <a href=\"issueonepoetry\" rel=\"history\">Poetry by Laura Moriarty, John Sinclair, Khaled Mattawa, Sawako Nakayasu, Tyrone Williams<\/a><br>\n <hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"Fiction-1\" rel=\"history\">Fiction by Ow\u00f3labi, Lynn Crawford<\/a><br><hr>\n<br><\/div>\n<\/div><\/div>\n<div style=\"text-align: left;\"><\/div>","content_no_html":"three fold\n\n{image 130}\n{image 129}Chevelle, Kevin Jerome Everson, 7.5 min, 35mm > digital, 2011, \u00a9 Kevin Jerome Everson; courtesy the artist \/ trilobite-arts DAC \/ Picture Palace Pictures.\n\n\n\tissue no. twenty\u2014fall 2026Clocking TimeA Dossier on Kevin Jerome Everson by Yasmina Price \nRegimes of dominance. Manufactured exclusion. Strategies of control. That is how activist and writer Harsha Walia understands borders, as \u201centangled in the terrors of territorial expansion, Indigenous genocide, anti-Black enslavement, and racialized expulsion.\u201d The North American border between Windsor and Detroit is no different. At once fissure and fusion of the stolen lands of Turtle Island, it is an illegitimate juncture between the illegitimate settler states of Canada and the United States, signifying centuries of domination and rebellion, enslavement and escape. Kevin Jerome Everson\u2019s artistic and cinematic practice are countervailing explorations of space, place and people. [Read more ...]\n\nI. Borderless Blackness | An Introduction\n \nII. Fabrications | Telling Stories and Practicing Tricks\nIII. The Black Worker | Archival Interlude\nIV. Black Geographies | Material in Motion\nV. Love on the Run | A Local Production History\nspecial section\u2014fall 2026Media City Film Festival (MCFF) and Trinosophes Projects are thrilled to host internationally acclaimed African American filmmaker Kevin Jerome Everson in Detroit and East Lansing for three exciting free public events celebrating the filmmaker\u2019s extraordinary body of work. These engagements are the culmination of a two-year collaboration supported by the Knight Arts Foundation, extending MCFF\u2019s unique history of cross-border work in the region, and resulting in the world premiere preview of Everson\u2019s new celestial film Gises (2026), created in metro Detroit. [Read more ...]GISES (2026) & WHEN THE SUN IS EATEN (2025) Film Screening & Talk with Kevin Jerome EversonThursday, October 8, 3\u20136 p.m.\nDetroit Public Library | Main Branch\n[Link to full program]\nSTARSHINE & CLAY\nThe Films of Kevin Jerome Everson at Abrams PlanetariumFriday, October 9, 5\u20137 p.m.Abrams Planetarium at Michigan State University [Link to full program]GISES \nA New Celestial Film Installation by Kevin Jerome Everson\nThu. Oct. 15 \u2022 Thu. Oct. 22 \u2022 Sat. Oct. 24 \nThu. Nov. 5 \u2022 Sat. Nov. 7 \u2022 Thu. Nov. 12 \u2022 Sat. Nov. 14 \nDetroit Public Library | Main Branch\n[Link to full program]\n\n\n\n\t\n{image 122}\n\n\n\n\n\n\n\tevents\u2014summer 2026Join us for a summer reading pairing two distinctive voices in contemporary poetry who work in material and mythical worlds: writer, poet and translator Eleni Sikelianos and poet and prose writer Peter Markus. \nMemory Rehearsal (City Lights, 2026) by Eleni Sikelianos is a genre-busting encounter between a poet and her ancestral past documenting a startling intersection of queer history, ancient theater, utopian visions, and modern poetry.\u201cYou are turning this book in your hands, which is the first piece of good news! I cannot get enough of Eleni Sikelianos, and I could not stop reading these pages once I started! She is the poet who does not hesitate, pulling the dead forward for a closer look and conversation, \u2018Our ancestors have no need of all this instrumentation, yet I am struggling to hear.\u2019 Through her discovery, we question the world we thought we knew, recalibrating our love for the living!\u201d \u2013CAConrad\n
46\nDetroit poet Peter Markus also has a new work, The River at the End of the River, soon to be released from Dzanc Books. \u201cContinuing the emotional plumbing begun in his previous collection, When Our Fathers Return to Us as Birds, Markus returns to the lower Detroit River and Pointe Mouillee, the geography of his grief, to explore a life remade as the water reshapes the shoreline, forever in motion.\n\t\n\n{image 127}\n\n\n\n\n\n\n{image 116}\n\n\t\nevents\u2014summer 2026\nCranbrook Art Museum\u2019s current exhibition \u201cMonumental Color: Cecily Brown, Sam Gilliam, and Joan Mitchell\u201d brings together significant artworks by three quintessential abstract artists. Through the museum\u2019s performance series, featured artists engage in dialogue with performers whose work resonates with Sam Gilliam\u2019s love for jazz, Joan Mitchell\u2019s lifelong connection to poetry, and the frenetic physicality of Cecily Brown\u2019s paintings.\nPlease join us for a Three Fold reading presented in partnership with Cranbrook Art Museum. The event brings together New York\u2013based poet El\u00e9na Rivera, whose work with Three Fold has engaged the paintings of Joan Mitchell, and Detroit-based poet and playwright Chris Tysh, our own poetry editor, for a program of readings in dialogue with art and place.El\u00e9na Rivera is the author of several poetry collections, including Arrangements, with Peter Hughes (Aquifer Press, 2022), Epic Series (Shearsman Books, 2020), and Scaffolding (Princeton University Press, 2017). She currently lives in New York City. \nPoet, playwright, and translator, Chris Tysh has been on the faculty of the English department at Wayne State University, Detroit since 1989, where she teaches creative writing and women\u2019s studies. She has authored several poetry collections and completed a full screenplay based on a novel of Georges Bataille.\n \n\n\n\n\n{image 112}Courtesy Arthur Shenian\n\t\nthree fold\u2014spring 2026\u0544\u0565\u0576\u0584 \u0565\u0582 \u054d\u0565\u0576\u0565\u0561\u056f\u0568 The Room and Us By Arthur Shenian, translated by Tamar Marie Boyadjian\n\nBefore she leaves, I feel the urge to say a few heartfelt words to her:\nYou are my life. You are my beginning and end. From now on, you are the only woman for me. Your children are my children. \nWill you marry me?\nRead a new work of short fiction by writer Arthur Shenian, who is based in Naccache, Lebanon. Published March 11, 2026.\n\n\n\n\tthree fold mailing\u2014fall 2025To celebrate five years of Three Fold Press, in winter 2025 we invited nearly 200 of our published artists and poets to contribute to \u201cThree Fold Mailing,\u201d an international mail art project inspired by the influential activities of Ray Johnson\u2019s Correspondence School and Ken and Ann Mikolowski\u2019s Alternative Press (Ann Arbor, Michigan, 1969\u20131999). Three Fold asked its global participants to create an uninstructed artwork on the front of a letterpress postcard, in the modality of their cho
46osing (drawing, painting, collage, poem, proclamation, witticism, etc) and mail it to our U.S. headquarters. \nThis exhibition of original works for sale was installed at Trinosophes in Detroit (November 22\u201330, 2025) and Salt & Cedar in Paris (December 5\u201314, 2025).\n\n\n\ue063\ufe0e Shop the pdf portfolio of works for sale\n\ue063\ufe0e Browse by artist\u2019s name\n Donations support a forthcoming print edition and amplify our capacity to provide honorariums for Three Fold poets, authors, artists and activists in issues to come.\n\t\n{image 107}\n\n\n\n\n\nissue no. nineteen\u2014fall 2025Our Inside-Out Sun by Stephen GoodfellowThe Xerox Myth: Copy Machine Creation in Destroy All Monsters by Cary Loren\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nA Case Study of Northwestern High School: An ongoing series on civil rights in Detroit in the 1940s by Michael Jackman\n\nThree Fold Commissions Tony Hope, Gordon NewtonImaginary Dinner Party, Part Eighteen by Lynn CrawfordPoetry by Juliana Spahr, Jeffrey Joe Nelson, Zan de Parry, Fiona Templeton, Ammiel Alcalay & Kholoud Hammad\n\t\n\n{image 91}\n\nUntitled self-portrait, Mike Kelley, Xerox, 1975. Courtesy Cary Loren and Destroy All Monsters\n\n\n{image 89}\nKey to the Cities, Kevin Jerome Everson, 2 min, 16mm > digital, 2008. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures\n{image 90}Century, Kevin Jerome Everson, 6.5 min, 16mm > digital, 2012. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures\n\t\nspecial section\u2014fall 2025\nMedia City Film Festival (MCFF) and Trinosophes Projects present two free Detroit screenings curated by MCFF Artistic Director, Oona Mosna, showcasing films by Kevin Jerome Everson that span nearly twenty years of the artist\u2019s prolific output (2007\u20132024). Ranging from early enigmatic fragments of 50-year-old found footage through to studied compositions of celestial bodies, this survey captures elements from both MCFF\u2019s long history of exhibiting Everson\u2019s work and the artist\u2019s polyvalent approach to moving images, rooted in the experience and representational construction of the Midwest Black working class. [Read more ...]\n{image 84}Three Quarters, Kevin Jerome Everson, 4 min, 16mm > digital, 2015. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures\n{image 79 scale=\"100\"}\nAlma\u2019s Rainbow, Ayoka Chenzira, USA, 89 min, 1994\n\n\n\tissue no. eighteen\u2014spring 2025100 Limericks on Early Music, Occasionally Annotated by William Peck\nSpring by Esther Kondo HellerThree Fold Commissions Elizabeth Murray\u2022 in time \u2022 \u2022 \u2022 \u2022 real time \u2022 by Marjolein Guldentops\nImaginary Dinner Party, Part Seventeen by Lynn Crawford\n\nPoetry by Marjorie Welish, Sean Thomas Dougherty, Melba Joyce Boyd, Susan Wheeler, Anselm Berrigan\n\nrelated eventsWednesday, May 14, 7 p.m.Poetry reading by Norman Fischer, Chris Tysh, Nazifa Islam\nTrinosophes, 1464 Gratiot Avenue, DetroitFree admission\n\n issue no. seventeen\u2014winter 2025\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMen of the\nCloth, Men of Capital by Michael Jackman: An ongoing series on civil rights in Detroit in the 1940s\n\nAnswer Me by Nora Baroudjian | translated by Tamar Marie Boyadjian\nImaginary Dinner Party, Part Sixteen by Lynn Crawford\nPoetry by Jeanne Heuving, Jennifer\nFirestone, Timothy Yu, Carly Sachs, Dong Li, julie ezelle pattonspecial section\u2014media city film festival & three fold\nIn partnership with the 27th virtual edition of Media City Film Festival [MCFF], a trailblazing international festival for film and digital art, Three Fold profiles eight artists whose moving image work is celebrated in the MCFF Spotlight Series: Richard Serra, Ja\u2019Tovia Gary, Narcisa Hirsch, Jocelyne Saab, Mona Hatoum, Madeleine Hunt-Ehrlich, Nour Ouayda, and Christopher Harris [Read more ...]\n\n\t{image 63 scale=\"100\"}\nThe Giverny Document, Ja\u2019Tovia Gary, USA, 16mm\u202f>\u202fdigital, 41 min, 2019\n\n\n\n\tissue no. sixteen\u2014fall 2024Three Fold Commissions Casey Sayer Brooks from \u
46056f\u0561\u0569\u056b\u056c \u0574\u0568 \u056f\u056b\u0576\u055d \u0561\u0576\u0561\u0576\u0578\u0582\u0576 \u0561\u0576\u0584\u0565\u0580\u0569\u0578\u0582\u0561\u056e a drop of woman: unnamed unwritten by Tamar Marie Boyadjian\n\nWho Knows What the Future Holds | I\u2019ll Forget You by Pat Lewis & Samantha Linn\n\nImaginary Dinner Party, Part Fifteen by Lynn Crawford\n\nPoetry by Daniel Borzutzky, Wanda Phipps, Robin Tremblay-McGaw, Ed Friedman, Jennifer Moxley\n\n\n\n\tissue no. fifteen\u2014summer 2024The Strain Relief Cord\nby F.F.Three Fold Commissions Paul Schwarz\nInheritance, Chapter Three by Nabil Harb \n\nImaginary Dinner Party, Part Fourteen by Lynn CrawfordSt. Augustine Confessing by Vincent Perrone\n\nPoetry by El\u00e9na Rivera, Vanessa Place, Benjamin Paloff, E. Tracy Grinnell, Philip Metres\n\n\n\n\nissue no. fourteen\u2014spring 2024\nWill You Miss Me? A Dossier on The Hinterlands by Jonathan FlatleyInheritance, Chapter Two by Nabil Harb \n\nImaginary Dinner Party, Part Thirteen by Lynn CrawfordPoetry by Susan Landers, Ann Lauterbach, Ron Silliman, BLUNT RESEARCH GROUP, Martha Ronk{image 55}\nDeal, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved\n\n\t\n{image 53}Taba, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved\n\nissue no. thirteen\u2014winter 2024\nInheritance, Chapter One by Nabil Harb To Bulldoze a Cemetery by Ayanna Dozier\n\n\nImaginary Dinner Party, Part Twelve by Lynn CrawfordPoetry by Nazifa Islam, Michael Leong, Marie Buck & Matthew Walker, Laynie Browne, Mark Nowak\nspecial section\u2014december 29, 2023\n\nIn the wake of Artforum editor-in-chief David Velasco\u2019s firing in October over an open letter signed by artists and scholars supporting Palestinian liberation, thirty-two writers retracted their pieces from the December 2023 issue, among them Adriano Pedrosa, Amy Taubin, Brontez Purnell, Catherine Lacey, \u00c7a\u011fla \u0130lk, Cindy Ji Hye Kim, Claire Bishop, David O\u2019Neill, Erin Christovale, Erika Balsom, Gordon Hall, Gray Wielebinski, Hal Foster, Huey Copeland, Jace Clayton, James Quandt, Jason Moran, Jennifer Krasinski, Jensen Leonard, John Kelsey, John Waters, Meg Onli, Michael Fried, Nicole Eisenman, Rachel Kushner, Sarah Nicole Prickett, Sasha Geffen, Tiana Reid, Tiffany Sia, Tim Griffin, Tuan Andrew Nguyen, and Weyes Blood. Three Fold extended an invitation to several of those who pulled their writing, and to punctuate 2023, we are publishing withdrawn Artforum contributions from Claire Bishop, Erika Balsom, and Weyes Blood. As genocide continues to unfold in Gaza and epistemicide and McCarthyism proliferate globally, Three Fold Press firmly stands in solidarity with all writers and artists who oppose the atrocities and war in Gaza \u2013Jonathan Rajewski, Editor, Visual Art\n\n\n\t\ntop ten, 2023 \nBy Claire Bishop\u201cThis is the Top Ten I pulled from the December issue of Artforum, because of David getting fired.\u201d [Read more ...]\nBy Erika Balsom\u201cThis list was submitted in early October and would certainly be somewhat different if written now. But in the spirit of gesturing to a December issue of Artforum that never was, I have left it unchanged. [Read more ...]\nBy Weyes Blood\u201cOK so Glastonbury is unbearably classic. The UK has managed to do a Woodstock-esque festival every year since 1971 (America sure as hell has not). When I awoke from my slumber, I stumbled out of my bus into a field and immediately heard echoes of the most ethereal Welsh music.\u201d [Read more ...]\nissue no. twelve\u2014fall 2023The Eternal Return: Blacula and the Thematic Aesthetics of William Crain by Andr\u00e9 SeewoodGaldr by Paul Elliman\n\n\nDiego & Me by James D. Fuson\nLetter to My Daughter by Ethel Kabwato\nImaginary Dinner Party, Part Eleven by Lynn Crawford\nPoetry by CAConrad, Kweku Abimbola, Eileen Myles, Rob Halpern, Nicole Brossard\n\n\t\n\nissue no. eleven\u2014summer 2023\n\nFlesh and Marble by Jonathan RajewskiLooking Past the Exploitative Lens, Fighting Against Erasure by Michael JackmanAn ongoing series on civil rights in Detroit in the 1940s\n\nSIM ER by John BennettWalking and Talking Performance by Ben Be
46nnett\nImaginary Dinner Party, Part Ten by Lynn CrawfordPoetry by Rae Armantrout, Maged Zaher, Sarah Riggs, kim d. hunter, Michael Lally\nissue no. ten\u2014spring 2023\nMake Room for Dada: A Dossier on the Ridgeway Collective by Cary Loren\nThree Fold Commissions\n\nJulia Callis, Carole Harris, Anne Carson\n\n \n\nImaginary Dinner Party, Part Nine by Lynn Crawford\nPoetry by Lee Ann Brown, Michael Palmer, John Godfrey, Alise Alousi, Bob Holman\n\nSorting the Piles by Lolita Hernandez\n\n\n\n\n\tissue no. nine\u2014winter 2023\nLife After Prison: The First Three Months by James D. FusonSweet Extinction by Francis McKeeImaginary Dinner Party, Part Eight by Lynn CrawfordPoetry by Jena Osman, Charles Bernstein, Robert Laidler, Brenda Coultas and Norma Cole\n\nrelated eventsFilm screenings by Raven Chacon & Crist\u00f3bal Martinez, Sky Hopinka, New Red Order and Miguel Hilari | ThousandSuns Cinema through January 30, 2023\n{image 38}issue no. eight\u2014fall 2022In Dedication: Aaron Ibn Pori Pitts\nDissidence: A Dossier by Cities of Asylum featuring Dmitry Bykov, Pedro X. Molina, Pwaangulongii Dauod \n\nEnd of a Life Sentence: 28 Years, 8 Months, 3 Days, and a Wake-Up by James D. FusonThree Fold Commissions: Amna Asghar, Jocko Weyland, Robert Sestok\nThis is What Genre Can Do for You by Molly Zuckerman-Hartung\n\nOut Front and Down Low, Part Two of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977Just Browsing by Jeff KarolskiImaginary Dinner Party, Part Seven by Lynn Crawford\nPoetry by Rosmarie Waldrop, Uche Nduka, Edwin Torres, Bruce Andrews, Johanna Drucker\nshoe, Dana DeGiulio. Courtesy the artist\n\n\n\t\n\n{image 27}{image 40}{image 41}\n\nissue no. seven\u2014summer 2022Fire BlossomsA Dossier by Yasmina Price\n\n\nThree Fold Commissions: Arel Lisette, Alina Perez\nOut Front and Down Low, Part One of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977Corn Man and Lemon Bar, DetroitPhotography by Garrett MacLean4 Seasons by Matt Conzett and Maia Shikwana\n\n\nImaginary Dinner Party, Part Six by Lynn Crawford\nPoetry by Rodrigo Toscano, Anne Waldman, Elizabeth Willis, Isaac Pickell, Anne Tardos, Clark Coolidge\nConspiracy, Simone Leigh and Madeleine Hunt-Ehrlich, 16mm film stills, 2022. Courtesy the artists and Matthew Marks Gallery{image 19}issue no. six\u2014spring 2022In Dedication: Rico Africa, Old Miami, DetroitWhen Life Was a Gay Bar\nA dossier by artist and writer Michael Conboy (Los Angeles) on the 1970s-80s Detroit scene of his youth, featuring paintings and illustrations, memoirs, drag photos, club fliers, and a short story\n\n\nThree Fold Commissions: Nancy Mitchnick, Patrick Hill\nTelephones by Paul Elliman Excerpts from a pre-history of that moment when the human voice is first cut from its source in the body\n\nGuess Where I Am by Paul Elliman\n\nThe Last to Figure It Out by Michael Jackman\nImaginary Dinner Party, Part Five\nForms of Engagement by Lynn Crawford\nPoetry by Aaron Shurin, Stacy Szymaszek, Nathaniel Mackey, Norman Fischer, Jennifer ScappettoneFiction by Evelyn Hampton, Rick LondonPhoto for Menjo\u2019s advertisement, Michael Conboy, c. 1980s \n\n\n\n\t\n{image 15}\nissue no. five\u2014winter 2022Our winter 2022 issue was presented in partnership with Media City Film Festival, a trailblazing festival for film and digital art based in Windsor, Ontario and Detroit, Michigan. Since 1994, the festival has engaged such artists as Yoko Ono, Michael Snow, Alvin Lucier, and hundreds others. The 25th Anniversary virtual edition ran February 8 through March 1, 2022, featuring 70+ films from 30+ countries, in full open access globally. In conjunction, Three Fold profiled eight artists whose moving image work was celebrated in a Spotlight Series. [Read more ]\n\nArtist In Residence In Exile, Megan O\u2019Connell, 2021\nDoom and Glory in the Cass CorridorPart two of a dossier on Detroit visual artist Cay Bahnmiller\u2014dream diaries, Gilbert and Lila Silverman, Der Imker (the beekeeper), mail art, communiqu\u00e9s, a secret spy network, Structo-vision, photography, books, and a kad
46dish for Cay by Cary Loren\nThree Fold Commissions: Ruqayyah Alzona Al-Baari, Jim Chatelain, Chris Riddell \nBringing Detroit by Ian John Solomon, Jay Orellana and Crystal MionerRuminations on Beauty by Rochelle Marrett\n\nMy First Stroll Through Eternity by Stephen Paul TrimboliImaginary Dinner Party, Part Four: Possession by Lynn CrawfordPoetry by Alice Notley, Peter Gizzi, Quincy Troupe, Rachelle Rahm\u00e9, Maureen OwenFiction by Garrett Caples, Jose Padua, Robert Lopez\nCoraz\u00f3n Sangrante, Ximena Cuevas, M\u00e9xico, digital, 4 min, 1993\n\n\n\t\n{image 13}\n\nissue no. four\u2014fall 2021Doom and Glory in the Cass Corridor, Part One: A Dossier on Cay Bahnmiller by Cary Loren\nThree Fold Commissions: Hangama Amiri, Israel Aten, David Craig\nBefore, During and After by MGUN\nGhetto Tech: The Soundtrack to Black Ruin by Taylor Aldridge\nPatching the Past: Reimaging the Buchla by Mark Milanovich\nImaginary Dinner Party: Part Three, Think Like a Detective by Lynn Crawford\nSpoken word by Akinyemi Sa Ra\nPoetry by Elaine Equi, Harryette Mullen, A.L. Nielsen, Cole Swensen, Dennis Teichman\nFiction by Sarah Schulman, Alan Franklin\nI Miss Sonja Henie, Karpo Godina, 1971, 35mm frame enlargement courtesy the artist \u00a9 Karpo Godina the Slovenian Cinematheque and Media City Film Festival. Restoration by the Austrian Film Museum\n\t\nissue no. three\u2014summer 2021\nThree Fold Commissions: Katherine Yaochen Du, M. Saffell Gardner, Africanus Okokon Disfluencies: A Dossier by Sky Hopinka\n\nPlantocracy and Communism by Stefano Harney & Fred Moten\nSuper Natural by Imani Mixon\nCatalog of Birds for Banjos: Joel Peterson in Conversation with Eugene Chadbourne\nImaginary Dinner Party, Part Two: Heal the People? by Lynn Crawford\nPoetry by Ron Padgett, Rachel Levitsky, Kit Robinson, Michelle Naka Pierce, Will AlexanderFiction by Wang Ping, Barbara Henning, Robert Gl\u00fcck\n\n{image 26}Photo of Michael Luchs\u2019 studio by Kathryn Brackett Luchs, June 15, 2021\n\n\t\nissue no. two\u2014spring 2021\nOn the cover: a minor piece of damage (2020), Sid Iandovka \nAs Yet Untitled: A Dossier on Sid Iandovka & Anya Tsyrlina by Herb Shellenberger\nEkphrasis by Rachel Harkai\n\n\n\nAmina Teaches by Luke Stewart\n\n\n\n\nAlter Destiny: A Survivor\u2019s Guide by Thomas Stanley\n\nA Myriad of Self-Portraits by Sala Damali White\nWhat Remains: Reflections on a Decade of Poetry Lessons in Detroit 2008-2018 by Norene Cashen\nImaginary Dinner Party: Part One, Under Stories by Lynn Crawford\nPoetry by Christine Hume & Laura Larson, Ted Pearson, Bill Harris, Eleni Sikelianos, Brandon Brown\nFiction by Lolita Hernandez, Paul Jaussen, Cal Freeman\n\n{image 18}a minor piece of damage, Sid Iandovka\n\t\n{image 12}Maureen Taylor, Hannah Jones, 2020\n\nissue no. one\u2014fall 2020\nOn the cover: Say Translation is Art (excerpt), Sawako NakayasuIn Dedication: Meditation Device by Hannah Jones & Rebecca Mazzei\n\n\n\nWhat\u2019s Been Done and What\u2019s Been Won by Bob Ostertag with Maureen Taylor\nIntegral Whirls: A Dossier on Ephraim Asili by Greg de Cuir Jr\n\n\n\n\nMaking a Making: Jonathan Rajewski in Conversation with Bill Dilworth\nBlack Lives Matter? by Fred Williams\nWhat is in a Name by Imani Mixon\nArt, Ritual & Theory in Mandenka Historiography by Nubia Kai\nWild Gardening & Improvisation by Thollem\nHeal Ourselves by Peter Sparling & Thollem\nHear That Snap: Joel Peterson in Conversation with Hakim Jami The Orgasmic Space Poetry of Henry R. Lewis by Cary Loren Malayeen by Leyya Tawil\n Poetry by Laura Moriarty, John Sinclair, Khaled Mattawa, Sawako Nakayasu, Tyrone Williams\n Fiction by Ow\u00f3labi, Lynn Crawford\n\n\n","content_partial_html":"<b>three fold<\/b><br><br><br>\n\n<a href=\"clockingtime\" rel=\"history\" class=\"image-link\"><img width=\"2408\" height=\"1740\" width_o=\"2408\" height_o=\"1740\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/796ceb6ee507961f246b482731e13807d934560fce3c3afcd66285922f0050b7\/Chevelle--Kevin-Jerome-Everson--courtesy-the-artist--trilobite-arts-DAC--and-Picture-Palace-Pictures-2.png\" data-mid=\"252352967\" border=\"0\" \/><\/a>\n<a href=\"clockingtime\" rel=\"history\" class=\"image-link\"><img width=\"2418\" height=\"1824\" width_o=\"2418\" height_o=\"1824\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/4a9ca402ff30d6471e7884a6840ec23e7728798753c6db7ae47797053d6c7412\/Chevelle--Kevin-Jerome-Everson--courtesy-the-artist--trilobite-arts-DAC--and-Picture-Palace-Pictures-1.png\" data-mid=\"252352966\" border=\"0\" \/><\/a><i><\/i><a href=\"clockingtime\" rel=\"history\"><i>Chevelle<\/i>, Kevin Jerome Everson, 7.5 min, 35mm > digital, 2011, \u00a9 Kevin Jerome Everson;
46 courtesy the artist \/ trilobite-arts DAC \/ Picture Palace Pictures.<\/a><br>\n<a href=\"gisescommission\" rel=\"history\">\n<\/a>\n\t<hr><b>issue no. twenty\u2014fall 2026<\/b><br><hr><a href=\"clockingtime\" rel=\"history\"><b>Clocking Time<br>A Dossier on Kevin Jerome Everson by Yasmina Price <\/b><\/a><hr><a href=\"clockingtime\" rel=\"history\">\nRegimes of dominance. Manufactured exclusion. Strategies of control. That is how activist and writer Harsha Walia understands borders, as \u201centangled in the terrors of territorial expansion, Indigenous genocide, anti-Black enslavement, and racialized expulsion.\u201d The North American border between Windsor and Detroit is no different. At once fissure and fusion of the stolen lands of Turtle Island, it is an illegitimate juncture between the illegitimate settler states of Canada and the United States, signifying centuries of domination and rebellion, enslavement and escape. Kevin Jerome Everson\u2019s artistic and cinematic practice are countervailing explorations of space, place and people. [Read more ...]<\/a><br>\n\n<hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"borderlessblackness\" rel=\"history\"><\/a><\/span><\/span><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"borderlessblackness\" rel=\"history\">I. Borderless Blackness<b> <\/b>|<b> <\/b>An Introduction<\/a><b>\n <\/b>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"fabrications\" rel=\"history\">II. Fabrications |<b> <\/b>Telling Stories and Practicing Tricks<\/a>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"theblackworker\" rel=\"history\">III. The Black Worker<b> <\/b>| Archival Interlude<\/a>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><span style=\"color: rgb(252, 250, 250);\"><a href=\"blackgeographies\" rel=\"history\">IV. Black Geographies |<b> <\/b>Material in Motion<\/a>\n<\/span><\/span><hr><span style=\"color: rgb(252, 251, 250);\"><a href=\"loveontherun\" rel=\"history\">V. Love on the Run<b> <\/b>|<b> <\/b>A Local Production History<\/a><\/span><hr><br>\n<br><hr><b><a href=\"gisescommission\" rel=\"history\">special section\u2014fall 2026<\/a><\/b><hr><a href=\"gisescommission\" rel=\"history\">Media City Film Festival (MCFF) and Trinosophes Projects are thrilled to host internationally acclaimed African American filmmaker Kevin Jerome Everson in Detroit and East Lansing for three exciting free public events celebrating the filmmaker\u2019s extraordinary body of work. These engagements are the culmination of a two-year collaboration supported by the Knight Arts Foundation, extending MCFF\u2019s unique history of cross-border work in the region, and resulting in the world premiere preview of Everson\u2019s new celestial film <i>Gises<\/i> (2026), created in metro Detroit. [Read more ...]<\/a><br><b><a href=\"gisespremiere\" rel=\"history\"><\/a><\/b><hr><b><a href=\"gisespremiere\" rel=\"history\">GISES (2026) & WHEN THE SUN IS EATEN (2025)<\/a><a href=\"gisespremiere\" rel=\"history\"> <br>Film Screening & Talk with Kevin Jerome Everson<\/a><\/b><hr><a href=\"gisespremiere\" rel=\"history\">Thursday, October 8, 3\u20136 p.m.<br>\nDetroit Public Library | Main Branch<br>\n[Link to full program]<\/a><br>\n<hr><b><a href=\"starshineandclay\" rel=\"history\">STARSHINE & CLAY<br>\nThe Films of Kevin Jerome Everson at Abrams Planetarium<\/a><\/b><hr><a href=\"starshineandclay\" rel=\"history\">Friday, October 9, 5\u20137 p.m.<br>Abrams Planetarium at Michigan State University <\/a><a href=\"starshineandclay\" rel=\"history\"><br>[Link to full program]<\/a><br><hr><b><a href=\"gisesinstallation\" rel=\"history\">GISES <br>\nA New Celestial Film Installation by Kevin Jerome Everson<\/a><\/b><br><hr>\n<a href=\"gisesinstallation\" rel=\"history\">Thu. Oct. 15 \u2022 Thu. Oct. 22 \u2022 Sat. Oct. 24 <br>\nThu. Nov. 5 \u2022 Sat. Nov. 7 \u2022 Thu. Nov. 12 \u2022 Sat. Nov. 14 <br>\nDetroit Public Library | Main Branch<br>\n[Link to full program]<\/a>\n\n<a href=\"gisescommission\" rel=\"history\">\n<\/a>\n\t\n<a rel=\"history\" href=\"gisescommission\" class=\"image-link\"><img width=\"1150\" height=\"1748\" width_o=\"1150\" height_o=\"1748\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/a706e9595197c973361ec6b5372171371ad0bb6b99643b2ca164166e664cc448\/KJE-CARD-IMAGE-FROM-STARGATE-OBSERVATORY-2026-.png\" data-mid=\"252352948\" border=\"0\" \/><\/a>\n<br>\n\n<br>\n<a href=\"gisescommission\" rel=\"history\">\n<\/a><br>\n\n\t<hr><b>events\u2014summer 2026<\/b><br><hr>Join us for a summer reading pairing two distinctive voices in contemporary poetry who work in material and mythical worlds: writer, poet and translator Eleni Sikelianos and poet and prose writer Peter Markus. <br><br>\n<i>Memory Rehearsal<\/i> (City Lights, 2026) by Eleni Sikelianos is a genre-busting encounter between a poet and her ancestral past documenting a startling intersection of queer history, ancient theater, utopian visions, and modern poetry.<br><br>\u201cYou are turning this book in your hands, which is the first piece of good news! I cannot get enough of Eleni Sikelianos, and I could not stop reading these pages once I started! She is the poet who does not hesitate, pulling the dead forward for a closer look and conversation, \u2018Our ancestors have no need of all this instrumentation, yet I am struggling to hear.\u2019 Through her discovery, we question the world we thought we knew, recalibrating our love for the living!\u201d \u2013CAConrad\n <br><br>
46\nDetroit poet Peter Markus also has a new work, <i>The River at the End of the River<\/i>, soon to be released from Dzanc Books. \u201cContinuing the emotional plumbing begun in his previous collection, <i>When Our Fathers Return to Us as Birds<\/i>, Markus returns to the lower Detroit River and Pointe Mouillee, the geography of his grief, to explore a life remade as the water reshapes the shoreline, forever in motion.<br>\n\t\n\n<img width=\"1080\" height=\"1350\" width_o=\"1080\" height_o=\"1350\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/7c60a8992b09e62939848cb05926927a4046c4149e6254b9c46df9bc1b70a1f7\/IMG_9765.png\" data-mid=\"252352954\" border=\"0\" \/>\n<br>\n\n\n<br>\n\n\n<img width=\"1080\" height=\"1350\" width_o=\"1080\" height_o=\"1350\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/6dd9a5237a7ea9f5a63a161baa601d3156edc5ce0c56bf6f03f8ce5d78f11096\/0-1.png\" data-mid=\"252352943\" border=\"0\" \/>\n<br>\n\t<br>\n<hr><b>events\u2014summer 2026<\/b><br><hr>\nCranbrook Art Museum\u2019s current exhibition \u201cMonumental Color: Cecily Brown, Sam Gilliam, and Joan Mitchell\u201d brings together significant artworks by three quintessential abstract artists. Through the museum\u2019s performance series, featured artists engage in dialogue with performers whose work resonates with Sam Gilliam\u2019s love for jazz, Joan Mitchell\u2019s lifelong connection to poetry, and the frenetic physicality of Cecily Brown\u2019s paintings.\nPlease join us for a Three Fold reading presented in partnership with Cranbrook Art Museum. The event brings together New York\u2013based poet <a href=\"elenarivera\" rel=\"history\">El\u00e9na Rivera, whose work with Three Fold<\/a> has engaged the paintings of Joan Mitchell, and Detroit-based poet and playwright Chris Tysh, our own poetry editor, for a program of readings in dialogue with art and place.<br><br>El\u00e9na Rivera is the author of several poetry collections, including <i>Arrangements<\/i>, with Peter Hughes<i> <\/i>(Aquifer Press, 2022), <i>Epic Series<\/i> (Shearsman Books, 2020), and <i>Scaffolding<\/i> (Princeton University Press, 2017). She currently lives in New York City. <br><br>\nPoet, playwright, and translator, Chris Tysh has been on the faculty of the English department at Wayne State University, Detroit since 1989, where she teaches creative writing and women\u2019s studies. She has authored several poetry collections and completed a full screenplay based on a novel of Georges Bataille.<br>\n \n<br>\n<b><\/b>\n<br>\n<hr>\n<a href=\"arthurshenian\" rel=\"history\" class=\"image-link\"><img width=\"2251\" height=\"1336\" width_o=\"2251\" height_o=\"1336\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/a35b9cccddc99aaf4c106e6e8a517234687fa67abc15bf06d02e4cdd2d8ab75c\/Screenshot-2026-03-25-at-1.32.42PM-1.jpeg\" data-mid=\"252352940\" border=\"0\" \/><\/a>Courtesy Arthur Shenian<br>\n\t<br><hr>\n<b>three fold\u2014spring 2026<br><\/b><hr><a href=\"arthurshenian\" rel=\"history\"><b>\u0544\u0565\u0576\u0584 \u0565\u0582 \u054d\u0565\u0576\u0565\u0561\u056f\u0568 The Room and Us <br>By Arthur Shenian, translated by Tamar Marie Boyadjian<br><\/b>\n<br>\nBefore she leaves, I feel the urge to say a few heartfelt words to her:<br>\n<i>You are my life. <br>You are my beginning and end. <br>From now on, you are the only woman for me. <br>Your children are my children. <br> \nWill you marry me?<\/i><br><\/a><br>\n<a href=\"arthurshenian\" rel=\"history\">Read a new work of short fiction by writer Arthur Shenian, who is based in Naccache, Lebanon. Published March 11, 2026.<\/a><br>\n<br>\n<br>\n\n\t<hr><b>three fold mailing\u2014fall 2025<\/b><hr>To celebrate five years of Three Fold Press, in winter 2025 we invited nearly 200 of our published artists and poets to contribute to \u201cThree Fold Mailing,\u201d an international mail art project inspired by the influential activities of Ray Johnson\u2019s Correspondence School and Ken and Ann Mikolowski\u2019s Alternative Press (Ann Arbor, Michigan, 1969\u20131999). Three Fold asked its global participants to create an uninstructed artwork on the front of a letterpress postcard, in the modality of their cho
46osing (drawing, painting, collage, poem, proclamation, witticism, etc) and mail it to our U.S. headquarters. <br><br>\nThis exhibition of original works for sale was installed at Trinosophes in Detroit (November 22\u201330, 2025) and Salt & Cedar in Paris (December 5\u201314, 2025).<br>\n\n\n<br><span style=\"color: #121111;\"><a href=\"https:\/\/files.cargocollective.com\/c903514\/threefoldmailing2025portfolio.pdf\" target=\"_blank\" class=\"icon-link\">\ue063\ufe0e<\/a> <b><a href=\"https:\/\/files.cargocollective.com\/c903514\/threefoldmailing2025portfolio.pdf\" target=\"_blank\">Shop the pdf portfolio of works for sale<\/a><br>\n<\/b><a href=\"mailingtoc\" rel=\"history\">\ue063\ufe0e <b>Browse by artist\u2019s name<\/b><\/a><\/span><br>\n<br> Donations support a forthcoming print edition and amplify our capacity to provide honorariums for Three Fold poets, authors, artists and activists in issues to come.<br>\n\t\n<a target=\"_blank\" href=\"https:\/\/files.cargocollective.com\/c903514\/threefoldmailing2025portfolio.pdf\" class=\"image-link\"><img width=\"1080\" height=\"1350\" width_o=\"1080\" height_o=\"1350\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/47befd9484ba82f61cd245a72124b0f4629fc37d1c4a3fcdfc8fc3cb09b50e6d\/2-up-French-1-2.png\" data-mid=\"252352938\" border=\"0\" \/><\/a>\n<br>\n<br>\n<br>\n\n\n<hr><b>issue no. nineteen\u2014fall 2025<\/b><hr><a href=\"stephengoodfellow\" rel=\"history\">Our Inside-Out Sun by Stephen Goodfellow<\/a><br><hr><a href=\"xeroxmyth\" rel=\"history\">The Xerox Myth: Copy Machine Creation in Destroy All Monsters by Cary Loren<\/a>\n<hr>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<a href=\"northwesternhighschool\" rel=\"history\">A Case Study of Northwestern High School: An ongoing series on civil rights in Detroit in the 1940s by Michael Jackman<\/a>\n<br>\n<hr><a href=\"tonyhope\" rel=\"history\">Three Fold Commissions Tony Hope<\/a>, <a href=\"gordonnewton\" rel=\"history\">Gordon Newton<\/a><hr><a href=\"imaginarydinnerpartyeighteen\" rel=\"history\">Imaginary Dinner Party, Part Eighteen by Lynn Crawford<\/a><hr><a href=\"issuenineteen\" rel=\"history\">Poetry by Juliana Spahr, Jeffrey Joe Nelson, Zan de Parry, Fiona Templeton, Ammiel Alcalay & Kholoud Hammad<\/a><br>\n\t\n\n<img width=\"1920\" height=\"1299\" width_o=\"1920\" height_o=\"1299\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/0ec77d2883a13a5870624f35696801b7d8387ca26c1884a17f25bbe3dfa5fe03\/DAM_mike.png\" data-mid=\"252352936\" border=\"0\" \/>\n<a href=\"kevinjeromeeverson\" rel=\"history\"><\/a>\n<a href=\"xeroxmyth\" rel=\"history\">Untitled self-portrait, Mike Kelley, Xerox, 1975. Courtesy Cary Loren and Destroy All Monsters<\/a>\n<br>\n<br>\n<a href=\"kevinjeromeeverson\" rel=\"history\" class=\"image-link\"><img width=\"3420\" height=\"2054\" width_o=\"3420\" height_o=\"2054\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/a319e8dd62895d86da3dcea779bc0e4455aedb20ccf766593d635b4cc5a23277\/Key-to-the-Cities_film-still-Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures4-2.png\" data-mid=\"252352934\" border=\"0\" \/><\/a><a href=\"kevinjeromeeverson\" rel=\"history\">\n<i>Key to the Cities<\/i>, Kevin Jerome Everson, 2 min, 16mm > digital, 2008. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures<\/a><br>\n<a href=\"kevinjeromeeverson\" rel=\"history\"><img width=\"2700\" height=\"1765\" width_o=\"2700\" height_o=\"1765\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/d603d1b3d252f79a42c77394d7805f96ccfd549cfb75301f4ffaf7fbb6f37193\/Century_film-still-Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures.jpg\" data-mid=\"252352935\" border=\"0\" \/><i>Century<\/i>, Kevin Jerome Everson, 6.5 min, 16mm > digital, 2012. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures<\/a>\n\t<br>\n<hr><b><a href=\"kevinjeromeeverson\" rel=\"history\">special section\u2014fall 2025<\/a><\/b><hr><a href=\"kevinjeromeeverson\" rel=\"history\">\nMedia City Film Festival (MCFF) and Trinosophes Projects present two free Detroit screenings curated by MCFF Artistic Director, Oona Mosna, showcasing films by Kevin Jerome Everson that span nearly twenty years of the artist\u2019s prolific output (2007\u20132024). Ranging from early enigmatic fragments of 50-year-old foun
46d footage through to studied compositions of celestial bodies, this survey captures elements from both MCFF\u2019s long history of exhibiting Everson\u2019s work and the artist\u2019s polyvalent approach to moving images, rooted in the experience and representational construction of the Midwest Black working class. [Read more ...]<br><br>\n<img width=\"2880\" height=\"2057\" width_o=\"2880\" height_o=\"2057\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/1a9d0a9cb8687e5ad084962e8c4da05fb14d3246be5ea28365adb341f0965c35\/Three-Quarters_Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures_still-01.jpg\" data-mid=\"252352932\" border=\"0\" \/><br><i>Three Quarters<\/i>, Kevin Jerome Everson, 4 min, 16mm > digital, 2015. Film still \u00a9 Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures<\/a><br><br>\n<img width=\"4032\" height=\"3024\" width_o=\"4032\" height_o=\"3024\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/1e88c0a141915c8e997eb6dddda04a88e82892d3a1e4ffa49d068859d737d371\/DC6AEF41-A1AD-4EC3-92FF-4D4AFEFDEA82-1.jpg\" data-mid=\"252352930\" border=\"0\" data-scale=\"100\"\/>\n<i>Alma\u2019s Rainbow<\/i>, Ayoka Chenzira, USA, 89 min, 1994\n<br>\n\n\t<hr><b>issue no. eighteen\u2014spring 2025<\/b><hr><a href=\"williampeck\" rel=\"history\">100 Limericks on Early Music, Occasionally Annotated by William Peck<\/a><br>\n<hr><a href=\"estherkondoheller\" rel=\"history\">Spring by Esther Kondo Heller<\/a><hr><a href=\"elizabethmurray\" rel=\"history\">Three Fold Commissions Elizabeth Murray<\/a><hr><a href=\"marjoleinguldentops\" rel=\"history\">\u2022 in time \u2022 \u2022 \u2022 \u2022 real time \u2022 by Marjolein Guldentops\n<\/a><hr><a href=\"imaginarydinnerpartyseventeen\" rel=\"history\">Imaginary Dinner Party, Part Seventeen by Lynn Crawford\n\n<\/a><hr><a href=\"issueeighteen\" rel=\"history\">Poetry by Marjorie Welish, Sean Thomas Dougherty, Melba Joyce Boyd, Susan Wheeler, Anselm Berrigan<\/a>\n<br>\n<hr><b>related events<\/b><hr><a href=\"events\" rel=\"history\">Wednesday, May 14, 7 p.m.<br>Poetry reading by Norman Fischer, Chris Tysh, Nazifa Islam<br>\nTrinosophes, 1464 Gratiot Avenue, Detroit<\/a><a href=\"events\" rel=\"history\">Free admission<\/a><br>\n<br>\n<b><a href=\"jenniferscappettone\" rel=\"history\"><i> <\/i><\/a><\/b><hr><b>issue no. seventeen\u2014winter 2025<\/b><hr>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<a href=\"menofthecloth\" rel=\"history\">Men of the\nCloth, Men of Capital by Michael Jackman<\/a>: <a href=\"menofthecloth\" rel=\"history\">An ongoing series on civil rights in Detroit in the 1940s<\/a>\n<br>\n<hr><a href=\"norabaroudjian\" rel=\"history\">Answer Me by Nora Baroudjian | translated by Tamar Marie Boyadjian<\/a>\n<hr><a href=\"imaginarydinnerpartysixteen\" rel=\"history\">Imaginary Dinner Party, Part Sixteen by Lynn Crawford<\/a><br>\n<hr><a href=\"issueseventeen\" rel=\"history\">Poetry by Jeanne Heuving, Jennifer\nFirestone, Timothy Yu, Carly Sachs, Dong Li, julie ezelle patton<\/a><br><hr><b><a href=\"mediacity27thanniversary\" rel=\"history\">special section\u2014media city film festival & three fold<\/a><\/b><hr><b>\n<\/b><a href=\"mediacity27thanniversary\" rel=\"history\">In partnership with the 27th virtual edition of Media City Film Festival [MCFF], a trailblazing international festival for film and digital art, Three Fold profiles eight artists whose moving image work is celebrated in the MCFF Spotlight Series: Richard Serra, Ja\u2019Tovia Gary, Narcisa Hirsch, Jocelyne Saab, Mona Hatoum, Madeleine Hunt-Ehrlich, Nour Ouayda, and Christopher Harris [Read more ...]<\/a><br>\n\n\t<b><\/b><a href=\"mediacity27thanniversary\" rel=\"history\"><\/a><img width=\"2192\" height=\"1232\" width_o=\"2192\" height_o=\"1232\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/449823b4e368cc09a7115bcb329f62cc159d4285cdc05ccb6b423a6b437f0912\/2.-SMALL-IMAGE-Ja-Tovia-Gary---Giverny.-Document-3.jpg\" data-mid=\"252352927\" border=\"0\" data-scale=\"100\"\/><br>\n<a href=\"mediacity27thanniversary\" rel=\"history\"><i>The Giverny Document<\/i>, Ja\u2019Tovia Gary, USA, 16mm\u202f>\u202fdigital, 41 min, 2019<\/a><br><br>\n<br>\n<br>\n\n\t<hr><b>issue no. sixteen\u2014fall 2024<\/b><hr><a href=\"caseysayerbrooks\" rel=\"history\">Three Fold Commissions Casey Sayer Brooks<\/a> <br><hr><a href=\"tamarmarieboyadjian\" rel=\"history\">from<i> <\/i>\u056f\u0561\u0569\u056b\u056c \u0574\u0568 \u056f\u056b\u0576\u055d \u0561\u0576\u0561\u0576\u0578\u0582\u0576 \u0561\u0576\u0584\u0565\u0580\u0569\u0578\u0582\u0561\u056e <br>a drop of woman: unnamed unwritten by Tamar Marie Boyadjian<\/a>\n<br>\n<hr><a href=\"patlewisandsamanthalinn\" rel=\"history\">Who Knows What the Future Holds | I\u2019ll Forget You by Pat Lewis & Samantha Linn<\/a><br>\n<span style=\"font-size: 1.8rem;\">\n<hr><\/span><a href=\"imaginarydinnerpartyfifteen\" rel=\"history\">Imaginary Dinner Party, Part Fifteen by Lynn Crawford\n\n<\/a><hr><a href=\"issuesixteenpoetry\" rel=\"history\">Poetry by Daniel Borzutzky, Wanda Phipps, Robin Tremblay-McGaw, Ed Friedman, Jennifer Moxley<\/a><br>\n\n<br>\n\n\t<hr><b><b><span>issue no. fifteen\u2014summer 2024<\/span><\/b><br><\/b><hr><a href=\"strainreliefchord\" rel=\"history\">The Strain Relief Cord\nby F.F.<\/a><hr><a href=\"paulschwarz\" rel=\"history\"><span>Three Fold Commissions Paul Schwarz<\/span><\/a><hr><span>\n<\/span><a href=\"nabilharbchapterthree\" rel=\"history\"><span>Inheritance, Chapter Three by Nabil Harb<\/span><\/a><span> \n\n<\/span><hr><a href=\"imaginarydinnerpartyfourteen\" rel=\"history\"><span>Imaginary Dinner Party, Part Fourteen by Lynn Crawford<\/span><\/a><hr><a href=\"vincentperrone\" rel=\"history\"><span>St. Augustine Confessing by Vincent Perrone<\/span><\/a><span>\n<\/span><span>\n<\/span><hr><a href=\"issuefifteenpoetry\" rel=\"history\"><span>Poetry by El\u00e9na Rivera, Vanessa Place, Benjamin Paloff, E. Tracy Grinnell, Philip Metres<\/span><\/a>\n<br>\n\n\n\n<hr><b>issue no. fourteen\u2014spring 2024<\/b><hr>\n<a href=\"wymmdossier\" rel=\"history\">Will You Miss Me? <br>A Dossier on The Hinterlands by Jonathan Flatley<\/a><hr><a href=\"nabilharbchaptertwo\" rel=\"history\">Inheritance, Chapter Two by Nabil Harb <\/a>\n\n<hr><a href=\"imaginarydinnerpartythirteen\" rel=\"history\">Imaginary Dinner Party, Part Thirteen by Lynn Crawford<\/a><hr><a href=\"issuefourteenpoetry\" rel=\"history\">Poetry by Susan Landers, Ann Lauterbach, Ron Silliman, BLUNT RESEARCH GROUP, Martha Ronk<\/a><br><br><img width=\"1800\" height=\"1201\" width_o=\"1800\" height_o=\"1201\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/17257b0b54cc5a999ef778fe4756a7c8154bc615876696738a231b1
46d75da5355\/Harb20.jpg\" data-mid=\"252352925\" border=\"0\" \/>\n<span style=\"font-size: 1.8rem;\"><i>Deal<\/i>, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved<\/span><i><\/i>\n\n\t\n<img width=\"1800\" height=\"1201\" width_o=\"1800\" height_o=\"1201\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/e054b9b4d7f45f9d321f5fa276fbc0cd9c0634484a1cacc13cc574cb0b6ecd23\/Harb14.jpg\" data-mid=\"252352923\" border=\"0\" \/><br><i>Taba<\/i>, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved\n<br>\n<hr><b>issue no. thirteen\u2014winter 2024<\/b><hr>\n<a href=\"nabilharb\" rel=\"history\">Inheritance, Chapter One by Nabil Harb <\/a><hr><a href=\"tobulldozeacemetery\" rel=\"history\">To Bulldoze a Cemetery by Ayanna Dozier<\/a>\n\n\n<hr><span><a href=\"imaginarydinnerpartytwelve\" rel=\"history\">Imaginary Dinner Party, Part Twelve by Lynn Crawford<\/a><\/span><hr><a href=\"issuethirteenpoetry\" rel=\"history\"><span>Poetry by Nazifa Islam, Michael Leong, Marie Buck <\/span>&<span> Matthew Walker, Laynie Browne, Mark Nowak<\/span><\/a><br>\n<hr><b>special section\u2014december 29, 2023<\/b>\n\n<hr>In the wake of <i>Artforum<\/i> editor-in-chief David Velasco\u2019s firing in October over an open letter signed by artists and scholars supporting Palestinian liberation, thirty-two writers retracted their pieces from the December 2023 issue, among them Adriano Pedrosa, Amy Taubin, Brontez Purnell, Catherine Lacey, \u00c7a\u011fla \u0130lk, Cindy Ji Hye Kim, Claire Bishop, David O\u2019Neill, Erin Christovale, Erika Balsom, Gordon Hall, Gray Wielebinski, Hal Foster, Huey Copeland, Jace Clayton, James Quandt, Jason Moran, Jennifer Krasinski, Jensen Leonard, John Kelsey, John Waters, Meg Onli, Michael Fried, Nicole Eisenman, Rachel Kushner, Sarah Nicole Prickett, Sasha Geffen, Tiana Reid, Tiffany Sia, Tim Griffin, Tuan Andrew Nguyen, and Weyes Blood. Three Fold extended an invitation to several of those who pulled their writing, and to punctuate 2023, we are publishing withdrawn <i>Artforum<\/i> contributions from Claire Bishop, Erika Balsom, and Weyes Blood. As genocide continues to unfold in Gaza and epistemicide and McCarthyism proliferate globally, Three Fold Press firmly stands in solidarity with all writers and artists who oppose the atrocities and war in Gaza \u2013Jonathan Rajewski, Editor, Visual Art\n\n\n\t\n<br><hr><b>top ten, 2023 <br><\/b>\n<hr><a href=\"clairebishoptopten\" rel=\"history\">By Claire Bishop<br>\u201cThis is the Top Ten I pulled from the December issue of <i>Artforum<\/i>, because of David getting fired.\u201d [Read more ...]<\/a><br>\n<hr><a href=\"erikabalsomtopten\" rel=\"history\">By Erika Balsom<br>\u201cThis list was submitted in early October and would certainly be somewhat different if written now. But in the spirit of gesturing to a December issue of <i>Artforum<\/i> that never was, I have left it unchanged. [Read more ...]<\/a><br>\n<hr><a href=\"weyesbloodtopten\" rel=\"history\">By Weyes Blood<br>\u201cOK so Glastonbury is unbearably classic. The UK has managed to do a Woodstock-esque festival every year since 1971 (America sure as hell has not). When I awoke from my slumber, I stumbled out of my bus into a field and immediately heard echoes of the most ethereal Welsh music.\u201d [Read more ...]<\/a><br>\n<hr><b>issue no. twelve\u2014fall 2023<\/b><hr><a href=\"theeternalreturn\" rel=\"history\">The Eternal Return: <i>Blacula<\/i> and the Thematic Aesthetics of William Crain<\/a> <a href=\"theeternalreturn\" rel=\"history\">by Andr\u00e9 Seewood<br><\/a><hr><a href=\"galdr\" rel=\"history\">Galdr by Paul Elliman<\/a><br>\n<a href=\"fightingagainsterasure\" rel=\"history\">\n<\/a>\n<hr><a href=\"diegoandme\" rel=\"history\">Diego & Me by James D. Fuson<\/a><br>\n<hr><a href=\"lettertomydaughter\" rel=\"history\">Letter to My Daughter by Ethel Kabwato<br><\/a>\n<hr><a href=\"imaginarydinnerpartyeleven\" rel=\"history\">Imaginary Dinner Party, Part Eleven by Lynn Crawford<br><\/a>\n<hr><a href=\"issuetwelvepoetry\" rel=\"history\">Poetry by CAConrad, Kweku Abimbola, Eileen Myles, Rob Halpern, Nicole Brossard<\/a>\n\n\t<br>\n<b><span style=\"font-size: 1.8rem;\"><\/span><\/b>\n<hr><b>issue no. eleven\u2014summer 2023\n<\/b><hr><b>\n<\/b><a href=\"fleshandmarble\" rel=\"history\">Flesh and Marble<\/a><a href=\"fleshandmarble\" rel=\"history\"> by Jonathan Rajewski<\/a><hr><a href=\"fightingagainsterasure\" rel=\"history\">Looking Past the Exploitative Lens, Fighting Against Erasure by Michael Jackman<br>An ongoing series on civil rights in Detroit in the 1940s<\/a>\n<br>\n<hr><a href=\"simer\" rel=\"history\">SIM ER by John Bennett<\/a><hr><a href=\"walkingandtalking\" rel=\"history\">Walking and Talking <br>
46Performance by Ben Bennett<\/a>\n<hr><a href=\"imaginarydinnerpartyten\" rel=\"history\">Imaginary Dinner Party, Part Ten by Lynn Crawford<\/a><hr><a href=\"issueelevenpoetry\" rel=\"history\">Poetry by Rae Armantrout, Maged Zaher, Sarah Riggs, kim d. hunter, Michael Lall<\/a>y<br><br>\n<a href=\"issueelevenpoetry\" rel=\"history\"><\/a><hr><b>issue no. ten\u2014spring 2023<\/b><br><hr>\n<a href=\"ridgewaydossier\" rel=\"history\">Make Room for Dada: A Dossier on the Ridgeway Collective by Cary Loren\n<\/a><hr><a href=\"juliacallis\" rel=\"history\">Three Fold Commissions\n<\/a><br>\n<a href=\"juliacallis\" rel=\"history\">Julia Callis<\/a>, <a href=\"caroleharris\" rel=\"history\">Carole Harris,<\/a> <a href=\"annecarson\" rel=\"history\">Anne Carson<\/a>\n\n \n\n<hr><a href=\"imaginarydinnerpartynine\" rel=\"history\">Imaginary Dinner Party, Part Nine by Lynn Crawford<\/a><br><hr>\n<a href=\"issuetenoetry\" rel=\"history\">Poetry by Lee Ann Brown, Michael Palmer, John Godfrey, Alise Alousi, Bob Holman<\/a><br>\n<hr>\n<a href=\"sortingthepiles\" rel=\"history\">Sorting the Piles by Lolita Hernandez<\/a>\n\n<br>\n<hr>\n\n\t<hr><b>issue no. nine\u2014winter 2023<\/b><br><hr>\n<a href=\"lifeafterprison\" rel=\"history\">Life After Prison: The First Three Months by James D. Fuson<\/a><hr><a href=\"sweetextinction\" rel=\"history\">Sweet Extinction by Francis McKee<\/a><hr><a href=\"imaginarydinnerpartyeight\" rel=\"history\">Imaginary Dinner Party, Part Eight by Lynn Crawford<\/a><hr><a href=\"issueninepoetry\" rel=\"history\">Poetry by Jena Osman, Charles Bernstein, Robert Laidler, Brenda Coultas and Norma Cole<\/a>\n<br><hr>\n<b>related events<\/b><hr>Film screenings by Raven Chacon & Crist\u00f3bal Martinez, <a href=\"https:\/\/mediacityfilmfestival.com\/thousandsuns\/sky-hopinka\/\" target=\"_blank\">Sky Hopinka<\/a>, New Red Order <a href=\"https:\/\/mediacityfilmfestival.com\/thousandsuns\/miguel-hilari\/\" target=\"_blank\">and Miguel Hilari<\/a> | ThousandSuns Cinema through January 30, 2023<br>\n<br><a href=\"thisiswhatgenrecandoforyou\" rel=\"history\" class=\"image-link\"><img width=\"1471\" height=\"2100\" width_o=\"1471\" height_o=\"2100\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/fd1eb08eb1a0b95b0f56664683033a3b80a9596cfbf402c2f10ee4bc4297b24e\/2_shoe.png\" data-mid=\"252352914\" border=\"0\" \/><\/a><br><hr><b>issue no. eight\u2014fall 2022<\/b><hr><a href=\"aaronibnporipitts\" rel=\"history\">In Dedication: Aaron Ibn Pori Pitts<\/a><hr>\n<a href=\"dissidencetoc\" rel=\"history\">Dissidence: A Dossier by Cities of Asylum<\/a> <a href=\"dissidencetoc\" rel=\"history\">featuring Dmitry Bykov, Pedro X. Molina, Pwaangulongii Dauod <\/a><br>\n\n<hr><a href=\"endofalifesentence\" rel=\"history\">End of a Life Sentence: 28 Years, 8 Months, 3 Days, and a Wake-Up by James D. Fuson<\/a><br><hr><a href=\"amnaasghar\" rel=\"history\">Three Fold Commissions: Amna Asghar,<\/a> <a href=\"jockoweyland\" rel=\"history\">Jocko Weyland,<\/a> <a href=\"robertsestok\" rel=\"history\">Robert Sestok<\/a><br>\n<hr><a href=\"thisiswhatgenrecandoforyou\" rel=\"history\">This is What Genre Can Do for You by Molly Zuckerman-Hartung<\/a>\n<br><hr>\n<a href=\"ajaramuparttwo\" rel=\"history\">Out Front and Down Low, Part Two of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977<\/a><br><hr><a href=\"justbrowsing\" rel=\"history\">Just Browsing by Jeff Karolski<\/a><hr><a href=\"imaginarydinnerpartyseven\" rel=\"history\">Imaginary Dinner Party, Part Seven by Lynn Crawford<\/a><hr>\n<a href=\"issueeightpoetry\" rel=\"history\">Poetry by Rosmarie Waldrop, Uche Nduka, Edwin Torres, Bruce Andrews, Johanna Drucker<\/a><br><hr>\n<i>shoe<\/i>, Dana DeGiulio. Courtesy the artist<br>\n\n\n\t\n\n<a href=\"fireblossoms\" rel=\"history\" class=\"image-link\"><img width=\"1920\" height=\"1080\" width_o=\"1920\" height_o=\"1080\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/9d003dd6629e53f9ec354112793e00825a975a857687daa8b981200b647b57db\/7.-sample-content-CONSPIRACY-MHE-SM-1.png\" data-mid=\"252352912\" border=\"0\" \/><\/a><br><img width=\"1804\" height=\"1014\" width_o=\"1804\" height_o=\"1014\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/d0bd3ebc8017a7d4ed5644f1a4acb8cf3e09a6e2c17f50cb670af8c40d815cbf\/conspiracystill1-1.jpg\" data-mid=\"252352915\" border=\"0\" \/><br><img width=\"1920\" height=\"1080\" width_o=\"1920\" height_o=\"1080\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/f7b88632301e01f49e11be8ab828ca022e113f1eb665c18bc7faae36d462bef9\/1.-sample-content-CONSPIRACY-MHE-SM.png\" data-mid=\"252352916\" border=\"0\" \/>\n<br>\n<hr><b>issue no. seven\u2014summer 2022<\/b><hr><a href=\"fireblossoms\" rel=\"history\">Fire Blossoms<br>A Dossier by Yasmina Price<\/a>\n<br>\n<hr>\n<a href=\"arellisette\" rel=\"history\">Three Fold Commissions: Arel Lisette<\/a>, <a href=\"alinaperez\" rel=\"history\">Alina Perez<\/a><br><hr>\n<a href=\"ajaramuparttwo\" rel=\"history\">Out Front and Down Low, Part One of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977<\/a><hr><a href=\"cornman\" rel=\"history\">Corn Man and Lemon Bar, Detroit<br>Photography by Garrett MacLean<\/a><hr><a href=\"4seasons\" rel=\"history\">4 Seasons by Matt Conzett and Maia Shikwana<\/a>\n\n<hr>\n<a href=\"imaginarydinnerpartysix\" rel=\"history\">Imaginary Dinner Party, Part Six by Lynn Crawford<\/a><hr>\n<a href=\"issuesevenpoetry\" rel=\"history\">Poetry by Rodrigo Toscano, Anne Waldman, Elizabeth Willis, Isaac Pickell, Anne Tardos, Clark Coolidge<\/a>\n<br><hr><i>Conspiracy,<\/i> Simone Leigh and Madeleine Hunt-Ehrlich, 16mm film stills, 2022. Courtesy the artists and Matthew Mar
46ks Gallery<br><br><a href=\"whenlifewasagaybar\" rel=\"history\" class=\"image-link\"><img width=\"3024\" height=\"4032\" width_o=\"3024\" height_o=\"4032\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/45d687221666f476d18ff3519135585c4f67ec819a591c8887deb4ea7f3f7b43\/Photo_For_Menjos_Ad.jpg\" data-mid=\"252352907\" border=\"0\" \/><\/a><hr><b>issue no. six\u2014spring 2022<\/b><hr><a href=\"garrettmaclean\" rel=\"history\">In Dedication: Rico Africa, Old Miami, Detroit<\/a><hr><a href=\"whenlifewasagaybar\" rel=\"history\">When Life Was a Gay Bar<br>\nA dossier by artist and writer Michael Conboy (Los Angeles) on the 1970s-80s Detroit scene of his youth, featuring paintings and illustrations, memoirs, drag photos, club fliers, and a short story<\/a>\n<br>\n<hr>\n<a href=\"nancymitchnick\" rel=\"history\">Three Fold Commissions: Nancy Mitchnick, Patrick Hill<\/a><br>\n<hr><a href=\"telephones\" rel=\"history\">Telephones by Paul Elliman <br>Excerpts from a pre-history of that moment when the human voice is first cut from its source in the body<\/a>\n<br>\n<hr><a href=\"guesswhereiam\" rel=\"history\">Guess Where I Am by Paul Elliman<\/a>\n<br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"thelasttofigureitout\" rel=\"history\">The Last to Figure It Out by Michael Jackman<\/a><br><hr>\n<a href=\"imaginarydinnerpartyfive\" rel=\"history\">Imaginary Dinner Party, Part Five<br>\nForms of Engagement by Lynn Crawford<\/a><hr>\n<a href=\"issuesixpoetry\" rel=\"history\">Poetry by Aaron Shurin, Stacy Szymaszek, Nathaniel Mackey, Norman Fischer, Jennifer Scappettone<\/a><hr><a href=\"issuesixfiction\" rel=\"history\">Fiction by Evelyn Hampton, Rick London<\/a><br><hr>Photo for Menjo\u2019s advertisement, Michael Conboy, c. 1980s \n\n<br>\n\n\t<br>\n<a href=\"whenlifewasagaybar\" rel=\"history\" class=\"image-link\"><img width=\"2560\" height=\"1946\" width_o=\"2560\" height_o=\"1946\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/f6b247abaf3f45579f0fdc1550f30e204c55c403b3dae0c3d5d60ddfe5fa351e\/XIMENA-CUEVAS_Corazon-Sangrante_Still_11.jpg\" data-mid=\"252352905\" border=\"0\" \/><\/a>\n<hr><i><\/i><b>issue no. five\u2014winter 2022<\/b><br><hr><a href=\"mediacity\" rel=\"history\">Our winter 2022 issue was presented in partnership with Media City Film Festival, a trailblazing festival for film and digital art based in Windsor, Ontario and Detroit, Michigan. Since 1994, the festival has engaged such artists as Yoko Ono, Michael Snow, Alvin Lucier, and hundreds others. The 25th Anniversary virtual edition ran February 8 through March 1, 2022, featuring 70+ films from 30+ countries, in full open access globally. In conjunction, Three Fold profiled eight artists whose moving image work was celebrated in a Spotlight Series. [Read more ]<\/a>\n<br><hr>\n<a href=\"meganoconnell\" rel=\"history\">Artist In Residence In Exile, Megan O\u2019Connell, 2021<\/a><br>\n<hr><a href=\"doomandglory\" rel=\"history\">Doom and Glory in the Cass Corridor<\/a><br><a href=\"doomandglory\" rel=\"history\">Part two of a dossier on Detroit visual artist Cay Bahnmiller\u2014dream diaries, Gilbert and Lila Silverman, <i>Der Imker (the beekeeper),<\/i> mail art, communiqu\u00e9s, a secret spy network, Structo-vision, photography, books, and a kaddish for Cay by Cary Loren<\/a><br>\n<hr><a href=\"ruqayyahalzonaalbaari\" rel=\"history\">Three Fold Commissions: Ruqayyah Alzona Al-Baari, Jim Chatelain, Chris Riddell<\/a> <a href=\"meganoconnell\" rel=\"history\"><br><\/a>\n<hr><a href=\"bringingdetroit\" rel=\"history\">Bringing Detroit by Ian John Solomon, Jay Orellana and Crystal Mioner<\/a><hr><a href=\"ruminations\" rel=\"history\">Ruminations on Beauty by Rochelle Marrett<\/a>\n<br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"stephentrimboli\" rel=\"history\">My First Stroll Through Eternity by Stephen Paul Trimboli<\/a><hr><a href=\"imaginarydinnerpartyfour\" rel=\"history\">Imaginary Dinner Party, Part Four: Possession by Lynn Crawford<\/a><hr><a href=\"issuefivepoetry\" rel=\"history\">Poetry by Alice Notley, Peter Gizzi, Quincy Troupe, Rachelle Rahm\u00e9, Maureen Owen<\/a><hr><a href=\"issuefivefiction\" rel=\"history\">Fiction by Garrett Caples, Jose Padua, Robert Lope<\/a>z<br><hr>\n<i>Coraz\u00f3n Sangrante<\/i>, Ximena Cuevas, M\u00e9xico, digital, 4 min, 1993<br>\n\n\n\t<b><br>\n<img width=\"1480\" height=\"1079\" width_o=\"1480\" height_o=\"1079\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/d125218954fcc8be5791b722f1a
46a0a2db4d329c93273594d265f3a8ab4f0498b\/I-MISS-SONJA-HENIE-KARPO-GODINA1.jpg\" data-mid=\"252352904\" border=\"0\" \/><\/b>\n<hr><i><\/i>\n<b>issue no. four\u2014fall 2021<br><\/b><hr><a href=\"doomandglory\" rel=\"history\">Doom and Glory in the Cass Corridor, Part One: A Dossier on Cay Bahnmiller by Cary Loren<\/a><br>\n<hr><a href=\"hangamaamiri\" rel=\"history\">Three Fold Commissions: Hangama Amiri<\/a>, <a href=\"israelaten\" rel=\"history\">Israel Aten,<\/a> <a href=\"davidcraig\" rel=\"history\">David Craig<\/a><br>\n<hr><a href=\"beforeduringandafter\" rel=\"history\">Before, During and After by MGUN<\/a><br>\n<hr><a href=\"ghettotech\" rel=\"history\">Ghetto Tech: The Soundtrack to Black Ruin by Taylor Aldridge<\/a><br>\n<hr><a href=\"patchingthepast\" rel=\"history\">Patching the Past: Reimaging the Buchla by Mark Milanovich<\/a><br>\n<hr><a href=\"imaginarydinnerpartythree\" rel=\"history\">Imaginary Dinner Party: Part Three, Think Like a Detective by Lynn Crawford<\/a><br>\n<hr><a href=\"akinyemisara\" rel=\"history\">Spoken word by Akinyemi Sa Ra<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuefourpoetry\" rel=\"history\">Poetry by Elaine Equi, Harryette Mullen, A.L. Nielsen, Cole Swensen, Dennis Teichman<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuefourfiction\" rel=\"history\">Fiction by Sarah Schulman, Alan Franklin<\/a><br><hr>\n<a href=\"fall\" rel=\"history\"><i>I Miss Sonja Henie<\/i>, Karpo Godina, 1971, 35mm frame enlargement courtesy the artist \u00a9 Karpo Godina the Slovenian Cinematheque and Media City Film Festival. Restoration by the Austrian Film Museum<\/a>\n\t<br>\n<hr><b>issue no. three\u2014summer 2021<\/b><br>\n<hr><a href=\"katherineyaochendu\" rel=\"history\">Three Fold Commissions:<\/a> <a href=\"katherineyaochendu\" rel=\"history\">Katherine Yaochen Du,<\/a> <a href=\"msaffellgardner\" rel=\"history\">M. Saffell Gardner,<\/a> <a href=\"africanusokokon\" rel=\"history\">Africanus Okokon<\/a> <hr><a href=\"disfluencies\" rel=\"history\">Disfluencies: A Dossier by Sky Hopinka<\/a>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"plantocracyandcommunism\" rel=\"history\">Plantocracy and Communism by Stefano Harney & Fred Moten<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"supernatural\" rel=\"history\">Super Natural by Imani Mixon<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"eugenechadbourne\" rel=\"history\">Catalog of Birds for Banjos: Joel Peterson in Conversation with Eugene Chadbourne<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"imaginarydinnerpartytwo\" rel=\"history\">Imaginary Dinner Party, Part Two: Heal the People? by Lynn Crawford<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuethreepoetry\" rel=\"history\">Poetry by Ron Padgett, Rachel Levitsky, Kit Robinson, Michelle Naka Pierce, Will Alexander<\/a><hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuethreefiction\" rel=\"history\">Fiction by Wang Ping, Barbara Henning, Robert Gl\u00fcck<\/a><br><hr>\n<br>\n<img width=\"4032\" height=\"3024\" width_o=\"4032\" height_o=\"3024\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/241c1c344d1ac6a7fd4822a1e9869d09f61bc4b8407d3d166875eb3c94dc1a70\/image_6483441-2.jpg\" data-mid=\"252352911\" border=\"0\" \/><a href=\"summer\" rel=\"history\">Photo of Michael Luchs\u2019 studio by Kathryn Brackett Luchs, June 15, 2021<\/a>\n\n\t<br>\n<hr><b>issue no. two\u2014spring 2021<\/b>\n<hr><a href=\"spring\" rel=\"history\">On the cover: <i>a minor piece of damage <\/i>(2020),<i> <\/i>Sid Iandovka <br>\n<\/a><hr><a href=\"asyetuntitled\" rel=\"history\">As Yet Untitled: A Dossier on Sid Iandovka & Anya Tsyrlina by Herb Shellenberger<\/a><br>\n<hr><a href=\"ekphrasis\" rel=\"history\">Ekphrasis by Rachel Harkai<\/a><br>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\">\n\n<a href=\"aminateaches\" rel=\"history\">Amina Teaches by Luke Stewart<\/a><br>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\">\n\n\n<a href=\"alterdestiny\" rel=\"history\">Alter Destiny: A Survivor\u2019s Guide by Thomas Stanley<\/a>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"myriadofselfportraits\" rel=\"history\">A Myriad of Self-Portraits by Sala Damali White<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"whatremains\" rel=\"history\">What Remains: Reflections on a Decade of Poetry Lessons in Detroit 2008-2018 by Norene Cashen<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"imaginarydinnerparty\" rel=\"history\">Imaginary Dinner Party: Part One, Under Stories by Lynn Crawford<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuetwopoetry\" rel=\"history\">Poetry by Christine Hume & Laura Larson, Ted Pearson, Bill Harris, Eleni Sikelianos, Brandon Brow<\/a>n<br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"issuetwofiction\" rel=\"history\">Fiction by Lolita Hernandez, Paul Jaussen, Cal Freeman<\/a><br><hr>\n<br>\n<img width=\"1807\" height=\"1366\" width_o=\"1807\" height_o=\"1366\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/2cb6461bd1c8b34708d6b58bd33fa6374e687e6e54ef8800c7ab1390d703dd5f\/damage_9.jpg\" data-mid=\"252352906\" border=\"0\" \/><br><i>a minor piece of damage<\/i>, Sid Iandovka\n\t<br>\n<img width=\"6261\" height=\"4237\" width_o=\"6261\" height_o=\"4237\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/aca789cd019250a3e1ad061b522efde5898e64a0b5c1e4a10117483e1517f0e4\/Maureen-Taylor_Hannah-Jones.jpeg\" data-mid=\"252352903\" border=\"0\" \/><br><i>Maureen Taylor<\/i>, Hannah Jones, 2020\n<br>\n<hr><b>issue no. one\u2014fall 2020<\/b>\n<hr><a href=\"fall2020\" rel=\"history\">On the cover: Say Translation is Art (excerpt), Sawako Nakayasu<\/a><hr><a href=\"hannahjones\" rel=\"history\">In Dedication: Meditation Device by Hannah Jones & Rebecca Mazzei<\/a>\n<br>\n\n<hr>\n<i><\/i><a href=\"whatsbeendone\" rel=\"history\">What\u2019s Been Done and What\u2019s Been Won by Bob Ostertag with Maureen Taylor<\/a><br><hr>\n<a href=\"integralwhirls\" rel=\"history\">
46Integral Whirls: A Dossier on Ephraim Asili by Greg de Cuir Jr<\/a><br>\n\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\">\n\n\n<a href=\"makingamaking\" rel=\"history\">Making a Making: Jonathan Rajewski in Conversation with Bill Dilworth<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"blacklivesmatter\" rel=\"history\">Black Lives Matter? by Fred Williams<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"whatisinaname\" rel=\"history\">What is in a Name by Imani Mixon<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"artritualandtheory\" rel=\"history\">Art, Ritual & Theory in Mandenka Historiography by Nubia Kai<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"wildgardening\" rel=\"history\">Wild Gardening & Improvisation by Thollem<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"healourselves\" rel=\"history\">Heal Ourselves by Peter Sparling & Thollem<\/a><br>\n<hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"hearthatsnap\" rel=\"history\">Hear That Snap: Joel Peterson in Conversation with Hakim Jami<\/a><br><hr style=\"background-color: #e3e3e3;height: 1.0px;\"> <a href=\"orgasmicspacepoetry\" rel=\"history\">The Orgasmic Space Poetry of Henry R. Lewis by Cary Loren<\/a><br><hr style=\"background-color: #e3e3e3;height: 1.0px;\"> <a href=\"malayeen\" rel=\"history\">Malayeen by Leyya Tawil<\/a><br>\n <hr style=\"background-color: #e3e3e3;height: 1.0px;\"> <a href=\"issueonepoetry\" rel=\"history\">Poetry by Laura Moriarty, John Sinclair, Khaled Mattawa, Sawako Nakayasu, Tyrone Williams<\/a><br>\n <hr style=\"background-color: #e3e3e3;height: 1.0px;\"><a href=\"Fiction-1\" rel=\"history\">Fiction by Ow\u00f3labi, Lynn Crawford<\/a><br><hr>\n<br>\n\n","thumb":252352903,"thumb_meta":{"thumbnail_crop":{"percentWidth":"100","marginLeft":0,"marginTop":0,"imageModel":{"id":252352903,"project_id":38618360,"image_ref":"{image 12}","name":"Maureen-Taylor_Hannah-Jones.jpeg","hash":"aca789cd019250a3e1ad061b522efde5898e64a0b5c1e4a10117483e1517f0e4","width":6261,"height":4237,"sort":0,"exclude_from_backdrop":false,"date_added":"1789942980"},"stored":{"ratio":67.672895703562,"crop_ratio":"1x1"},"cropManuallySet":false}},"thumb_is_visible":false,"sort":95,"index":0,"set_id":18634053,"page_options":{"using_local_css":true,"local_css":"[local-style=\"38618360\"] .container_width {\n\twidth: 100% \/*!variable_defaults*\/;\n}\n\n[local-style=\"38618360\"] body {\n\tbackground-color: initial \/*!variable_defaults*\/;\n}\n\n[local-style=\"38618360\"] .backdrop {\n\twidth: 100% \/*!background_cover*\/;\n}\n\n[local-style=\"38618360\"] .page {\n\tmin-height: 100vh \/*!page_height_100vh*\/;\n}\n\n[local-style=\"38618360\"] .page_background {\n\tbackground-color: transparent \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"38618360\"] .content_padding {\n\tpadding-top: 3rem \/*!main_margin*\/;\n\tpadding-bottom: 10rem \/*!main_margin*\/;\n\tpadding-left: 10rem \/*!main_margin*\/;\n\tpadding-right: 10rem \/*!main_margin*\/;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] bodycopy {\n\tline-height: 1.5;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] h1 {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] h1 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] h2 {\n\tfont-size: 1rem;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] small {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"38618360\"] small a:hover {\n}\n\n[local-style=\"38618360\"] .container {\n\talign-items: flex-start \/*!vertical_top*\/;
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51,"set_id":23211009,"version":"Cargo2","tags_with_links":"<a href=\"\/\" rel=\"history\"><\/a>"},{"id":23206548,"url":"taniadinis","project_url":"taniadinis","title":"t\u00e2niadinis","title_no_html":"t\u00e2niadinis","tags":"","excerpt":"T\u00e2nia Dinis\n\n\nT\u00e2nia Dinis (b. 1983, Vila Nova de Famalic\u00e3o, Portugal) is an artist and filmmaker whose work in photography, performance, film,...","thumb":"128575853","thumb_meta":{"thumbnail_crop":{"percentWidth":"100","marginLeft":0,"marginTop":0,"imageModel":{"id":128575853,"project_id":23206548,"image_ref":"{image 1}","name":"CROP-OUT-BLACK-BARS-NEED-TO-BE-JPGS-TANIA-DINIS-Teresa-Tnia-Dinis.jpeg","hash":"8e62d6cb2b30af8196d6d37868f7fc41c244fc7f586a98526f4ec1bb96b23e01","width":1920,"height":1080,"sort":0,"exclude_from_backdrop":false,"date_added":"1640888643"},"stored":{"ratio":56.25,"crop_ratio":"1x1"},"cropManuallySet":false}},"set_id":23211009,"version":"Cargo2","tags_with_links":"<a href=\"\/\" 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Manufactured exclusion. Strategies of control. That is how activist and writer Harsha Walia understands borders, as âentangled in the terrors of territorial expansion, Indigenous genocide, anti-Black enslavement, and racialized expulsion.â The North American border between Windsor and Detroit is no different. At once fissure and fusion of the stolen lands of Turtle Island, it is an illegitimate juncture between the illegitimate settler states of Canada and the United States, signifying centuries of domination and rebellion, enslavement and escape. Kevin Jerome Eversonâs artistic and cinematic practice are countervailing explorations of space, place and people. [Read more ...]</a><br> 135 136<hr><span style="color: rgb(252, 251, 250);"><span style="color: rgb(252, 250, 250);"><a href="borderlessblackness" rel="history"></a></span></span></div><div style="text-align: left"><span style="color: rgb(252, 251, 250);"><span style="color: rgb(252, 250, 250);"><a href="borderlessblackness" rel="history">I. Borderless Blackness<b> </b>|<b> </b>An Introduction</a><b> 137 </b> 138</span></span><hr><span style="color: rgb(252, 251, 250);"><span style="color: rgb(252, 250, 250);"><a href="fabrications" rel="history">II. Fabrications |<b> </b>Telling Stories and Practicing Tricks</a> 139</span></span><hr><span style="color: rgb(252, 251, 250);"><span style="color: rgb(252, 250, 250);"><a href="theblackworker" rel="history">III. The Black Worker<b> </b>| Archival Interlude</a> 140</span></span><hr><span style="color: rgb(252, 251, 250);"><span style="color: rgb(252, 250, 250);"><a href="blackgeographies" rel="history">IV. Black Geographies |<b> </b>Material in Motion</a> 141</span></span><hr><span style="color: rgb(252, 251, 250);"><a href="loveontherun" rel="history">V. Love on the Run<b> </b>|<b> </b>A Local Production History</a></span></div><hr><br> 142</div></div><br><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive="" class=""><div grid-col="x11" grid-pad="2" class=""><hr><b><a href="gisescommission" rel="history">special sectionâfall 2026</a></b><hr><div style="text-align: justify;"><div style="text-align: justify;"><a href="gisescommission" rel="history">Media City Film Festival (MCFF) and Trinosophes Projects are thrilled to host internationally acclaimed African American filmmaker Kevin Jerome Everson in Detroit and East Lansing for three exciting free public events celebrating the filmmakerâs extraordinary body of work. These engagements are the culmination of a two-year collaboration supported by the Knight Arts Foundation, extending MCFFâs unique history of cross-border work in the region, and resulting in the world premiere preview of Eversonâs new celestial film <i>Gises</i> (2026), created in metro Detroit. [Read more ...]</a><br><b><a href="gisespremiere" rel="history"></a></b></div><div style="text-align: left;"><hr><b><a href="gisespremiere" rel="history">GISES (2026) & WHEN THE SUN IS EATEN (2025)</a><a href="gisespremiere" rel="history"> <br>Film Screening & Talk with Kevin Jerome Everson</a></b><hr><a href="gisespremiere" rel="history">Thursday, October 8, 3â6 p.m.<br> 143Detroit Public Library | Main Branch<br> 144[Link to full program]</a><br> 145<hr><b><a href="starshineandclay" rel="history">STARSHINE & CLAY<br> 146The Films of Kevin Jerome Everson at Abrams Planetarium</a></b><hr><a href="starshineandclay" rel="history">Friday, October 9, 5â7 p.m.<br>Abrams Planetarium at Michigan State University </a><a href="starshineandclay" rel="history"><br>[Link to full program]</a><br><hr><b><a href="gisesinstallation" rel="history">GISES <br> 147A New Celestial Film Installation by Kevin Jerome Everson</a></b><br><hr> 148<a href="gisesinstallation" rel="history">
148Thu. Oct. 15 ⢠Thu. Oct. 22 ⢠Sat. Oct. 24 <br> 149Thu. Nov. 5 ⢠Sat. Nov. 7 ⢠Thu. Nov. 12 ⢠Sat. Nov. 14 <br> 150Detroit Public Library | Main Branch<br> 151[Link to full program]</a> 152</div> 153</div><a href="gisescommission" rel="history"> 154</a></div> 155 <div grid-col="x11" grid-pad="2" class=""><div class="image-gallery" data-gallery="%7B%22mode_id%22%3A1%2C%22gallery_instance_id%22%3A1%2C%22name%22%3A%22Grid%22%2C%22path%22%3A%22grid%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A%221.25%22%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D"> 156<a rel="history" href="gisescommission" class="image-link"><img width="1150" height="1748" width_o="1150" height_o="1748" data-src="https://freight.cargo.site/t/original/i/a706e9595197c973361ec6b5372171371ad0bb6b99643b2ca164166e664cc448/KJE-CARD-IMAGE-FROM-STARGATE-OBSERVATORY-2026-.png" data-mid="252352948" border="0" /></a> 157</div><br> 158 159<br> 160<a href="gisescommission" rel="history"> 161</a></div></div><br> 162<div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""> 163 <div grid-col="x11" grid-pad="2"><hr><b>eventsâsummer 2026</b><br><hr>Join us for a summer reading pairing two distinctive voices in contemporary poetry who work in material and mythical worlds: writer, poet and translator Eleni Sikelianos and poet and prose writer Peter Markus. <br><br> 164<i>Memory Rehearsal</i> (City Lights, 2026) by Eleni Sikelianos is a genre-busting encounter between a poet and her ancestral past documenting a startling intersection of queer history, ancient theater, utopian visions, and modern poetry.<br><br>âYou are turning this book in your hands, which is the first piece of good news! I cannot get enough of Eleni Sikelianos, and I could not stop reading these pages once I started! She is the poet who does not hesitate, pulling the dead forward for a closer look and conversation, âOur ancestors have no need of all this instrumentation, yet I am struggling to hear.â Through her discovery, we question the world we thought we knew, recalibrating our love for the living!â âCAConrad 165 <br><br> 166Detroit poet Peter Markus also has a new work, <i>The River at the End of the River</i>, soon to be released from Dzanc Books. âContinuing the emotional plumbing begun in his previous collection, <i>When Our Fathers Return to Us as Birds</i>, Markus returns to the lower Detroit River and Pointe Mouillee, the geography of his grief, to explore a life remade as the water reshapes the shoreline, forever in motion.<br></div> 167 <div grid-col="x11" grid-pad="2"> 168<div class="image-gallery" data-gallery="%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A2%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Afalse%7D%7D"> 169<img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/7c60a8992b09e62939848cb05926927a4046c4149e6254b9c46df9bc1b70a1f7/IMG_9765.png" data-mid="252352954" border="0" /> 170</div><br> 171</div> 172</div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive="" class=""><div grid-col="x11" grid-pad="2" class=""> 173<br> 174 175<div class="image-gallery" data-gallery="%7B%22mode_id%22%3A2%2C%22gallery_instance_id%22%3A3%2C%22name%22%3A%22Columns%22%2C%22path%22%3A%22columns%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A2%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Afalse%7D%7D"> 176<img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/6dd9a5237a7ea9f5a63a161baa601d3156edc5ce0c56bf6f03f8ce5d78f11096/0-1.png" data-mid="252352943" border="0" /> 177</div><br></div> 178 <div grid-col="x11" grid-pad="2" class=""><br> 179<hr><b>eventsâsummer 2026</b><br><hr> 180Cranbrook Art Museumâs current exhibition âMonumental Color: Cecily Brown, Sam Gilliam, and Joan Mitchellâ brings together significant artworks by three quintessential abstract artists. Through the museumâs performance series, featured artists engage in dialogue with performers whose work resonates with Sam Gilliamâs love for jazz, Joan Mitchellâs lifelong connection to poetry, and the frenetic physicality of Cecily Brownâs paintings. 181Please join us for a Three Fold reading presented in partnership with Cranbrook Art Museum. The event brings together New Yorkâbased poet <a href="elenarivera" rel="history">Eléna Rivera, whose work with Three Fold</a> has engaged the paintings of Joan Mitchell, and Detroit-based poet and playwright Chris Tysh, our own poetry editor, for a program of readings in dialogue with art and place.<br><br>Eléna Rivera is the author of several poetry collections, including <i>Arrangements</i>, with Peter Hughes<i> </i>(Aquifer Press, 2022), <i>Epic Series</i> (Shearsman Books, 2020), and <i>Scaffolding</i> (Princeton University Press, 2017). She currently lives in New York City. <br><br> 182Poet, playwright, and translator, Chris Tysh has been on the faculty of the English department at Wayne State University, Detroit since 1989, where she teaches creative writing and womenâs studies. She has authored several poetry collections and completed a full screenplay based on a novel of Georges Bataille.<br> 183 184<br> 185</div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive="" class=""><div grid-col="x11" grid-pad="2" class=""><b></b> 186<br> 187<hr> 188<a href="arthurshenian" rel="history" class="image-link"><img width="2251" height="1336" width_o="2251" height_o="1336" data-src="https://freight.cargo.site/t/original/i/a35b9cccddc99aaf4c106e6e8a517234687fa67abc15bf06d02e4cdd2d8ab75c/Screenshot-2026-03-25-at-1.32.42PM-1.jpeg" data-mid="252352940" border="0" /></a><div style="text-align: left"><small>Courtesy Arthur Shenian</small></div><br></div> 189 <div grid-col="x11" grid-pad="2" class=""><br><hr> 190<b>three foldâspring 2026<br></b><hr><a href="arthurshenian" rel="history"><b>ÕÕ¥Õ¶Ö Õ¥Ö ÕÕ¥Õ¶Õ¥Õ¡Õ¯Õ¨ The Room and Us <br>By Arthur Shenian, translated by Tamar Marie Boyadjian<br></b> 191<br> 192Before she leaves, I feel the urge to say a few heartfelt words to her:<br> 193<i>You are my life. <br>You are my beginning and end. <br>From now on, you are the only woman for me. <br>Your children are my children. <br> 194Will you marry me?</i><br></a><br> 195<div style="text-align: left;"><a href="arthurshenian" rel="history">Read a new work of short fiction by writer Arthur Shenian, who is based in Naccache, Lebanon. Published March 11, 2026.</a><br> 196<br> 197<br> 198</div></div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""> 199 <div grid-col="x11" grid-pad="2"><div style="text-align: left;"><hr><b>three fold mailingâfall 2025</b><hr>To celebrate five years of Three Fold Press, in winter 2025 we invited nearly 200 of our published artists and poets to contribute to âThree Fold Mailing,â an international mail art project inspired by the influential activities of Ray Johnsonâs Correspondence School and Ken and Ann Mikolowskiâs Alternative Press (Ann Arbor, Michigan, 1969â1999). Three Fold asked its global participants to create an uninstructed artwork on the front of a letterpress postcard, in the modality of their cho
199osing (drawing, painting, collage, poem, proclamation, witticism, etc) and mail it to our U.S. headquarters. <br><br> 200This exhibition of original works for sale was installed at Trinosophes in Detroit (November 22â30, 2025) and Salt & Cedar in Paris (December 5â14, 2025).<br> 201 202 203<br><span style="color: #121111;"><small><a href="https://files.cargocollective.com/c903514/threefoldmailing2025portfolio.pdf" target="_blank" class="icon-link">î£ï¸</a> </small><b><a href="https://files.cargocollective.com/c903514/threefoldmailing2025portfolio.pdf" target="_blank">Shop the pdf portfolio of works for sale</a><br> 204</b><a href="mailingtoc" rel="history"><small>î£ï¸ </small><b>Browse by artistâs name</b></a></span><br> 205<br> Donations support a forthcoming print edition and amplify our capacity to provide honorariums for Three Fold poets, authors, artists and activists in issues to come.<br></div></div> 206 <div grid-col="x11" grid-pad="2"><div class="image-gallery" data-gallery="%7B%22mode_id%22%3A1%2C%22gallery_instance_id%22%3A4%2C%22name%22%3A%22Grid%22%2C%22path%22%3A%22grid%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A%222%22%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D"> 207<a target="_blank" href="https://files.cargocollective.com/c903514/threefoldmailing2025portfolio.pdf" class="image-link"><img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/47befd9484ba82f61cd245a72124b0f4629fc37d1c4a3fcdfc8fc3cb09b50e6d/2-up-French-1-2.png" data-mid="252352938" border="0" /></a> 208</div><br></div> 209</div><br> 210<br> 211<div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive="" class=""><div grid-col="x11" grid-pad="2" class=""><div style="text-align: left;"> 212 213<hr><b>issue no. nineteenâfall 2025</b><hr><a href="stephengoodfellow" rel="history">Our Inside-Out Sun by Stephen Goodfellow</a><br><hr><a href="xeroxmyth" rel="history">The Xerox Myth: Copy Machine Creation in Destroy All Monsters by Cary Loren</a> 214<hr> 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233<a href="northwesternhighschool" rel="history">A Case Study of Northwestern High School: An ongoing series on civil rights in Detroit in the 1940s by Michael Jackman</a> 234<br> 235<hr><a href="tonyhope" rel="history">Three Fold Commissions Tony Hope</a>, <a href="gordonnewton" rel="history">Gordon Newton</a><hr><a href="imaginarydinnerpartyeighteen" rel="history">Imaginary Dinner Party, Part Eighteen by Lynn Crawford</a><hr><a href="issuenineteen" rel="history">Poetry by Juliana Spahr, Jeffrey Joe Nelson, Zan de Parry, Fiona Templeton, Ammiel Alcalay & Kholoud Hammad</a><br></div></div> 236 <div grid-col="x11" grid-pad="2" class=""> 237<div style="text-align: left;"><div class="image-gallery" data-gallery="%7B%22mode_id%22%3A1%2C%22gallery_instance_id%22%3A5%2C%22name%22%3A%22Grid%22%2C%22path%22%3A%22grid%22%2C%22data%22%3A%7B%22column_size%22%3A12%2C%22columns%22%3A%221%22%2C%22image_padding%22%3A%222%22%2C%22responsive%22%3Afalse%2C%22mobile_data%22%3A%7B%22columns%22%3A2%2C%22column_size%22%3A11%2C%22image_padding%22%3A1%2C%22separate_mobile_view%22%3Afalse%7D%2C%22meta_data%22%3A%7B%7D%2C%22captions%22%3Atrue%7D%7D"> 238<img width="1920" height="1299" width_o="1920" height_o="1299" data-src="https://freight.cargo.site/t/original/i/0ec77d2883a13a5870624f35696801b7d8387ca26c1884a17f25bbe3dfa5fe03/DAM_mike.png" data-mid="252352936" border="0" /> 239</div><a href="kevinjeromeeverson" rel="history"></a></div> 240<div style="text-align: left"><small><a href="xeroxmyth" rel="history">Untitled self-portrait, Mike Kelley, Xerox, 1975. Courtesy Cary Loren and Destroy All Monsters</a></small></div> 241<br> 242</div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="x11" grid-pad="2" class=""><br> 243<div style="text-align: left;"><a href="kevinjeromeeverson" rel="history" class="image-link"><img width="3420" height="2054" width_o="3420" height_o="2054" data-src="https://freight.cargo.site/t/original/i/a319e8dd62895d86da3dcea779bc0e4455aedb20ccf766593d635b4cc5a23277/Key-to-the-Cities_film-still-Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures4-2.png" data-mid="252352934" border="0" /></a><a href="kevinjeromeeverson" rel="history"> 244<small><i>Key to the Cities</i>, Kevin Jerome Everson, 2 min, 16mm > digital, 2008. Film still © Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures</small></a></div><br> 245<div style="text-align: left;"><a href="kevinjeromeeverson" rel="history"><img width="2700" height="1765" width_o="2700" height_o="1765" data-src="https://freight.cargo.site/t/original/i/d603d1b3d252f79a42c77394d7805f96ccfd549cfb75301f4ffaf7fbb6f37193/Century_film-still-Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures.jpg" data-mid="252352935" border="0" /><small><i>Century</i>, Kevin Jerome Everson, 6.5 min, 16mm > digital, 2012. Film still © Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures</small></a></div></div> 246 <div grid-col="x11" grid-pad="2" class=""><div style="text-align: left;"><br> 247<hr><b><a href="kevinjeromeeverson" rel="history">special sectionâfall 2025</a></b><hr><a href="kevinjeromeeverson" rel="history"> 248Media City Film Festival (MCFF) and Trinosophes Projects present two free Detroit screenings curated by MCFF Artistic Director, Oona Mosna, showcasing films by Kevin Jerome Everson that span nearly twenty years of the artistâs prolific output (2007â2024). Ranging from early enigmatic fragments of 50-year-old foun
248d footage through to studied compositions of celestial bodies, this survey captures elements from both MCFFâs long history of exhibiting Eversonâs work and the artistâs polyvalent approach to moving images, rooted in the experience and representational construction of the Midwest Black working class. [Read more ...]<br><br> 249<img width="2880" height="2057" width_o="2880" height_o="2057" data-src="https://freight.cargo.site/t/original/i/1a9d0a9cb8687e5ad084962e8c4da05fb14d3246be5ea28365adb341f0965c35/Three-Quarters_Kevin-Jerome-Everson_courtesy-the-artist--trilobite-arts-DAC--Picture-Palace-Pictures_still-01.jpg" data-mid="252352932" border="0" /><br><small><i>Three Quarters</i>, Kevin Jerome Everson, 4 min, 16mm > digital, 2015. Film still © Kevin Jerome Everson courtesy the artist; trilobite-arts DAC and Picture Palace Pictures</small></a></div></div></div><br><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive="" class=""><div grid-col="x11" grid-pad="2" class=""><br> 250<img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1e88c0a141915c8e997eb6dddda04a88e82892d3a1e4ffa49d068859d737d371/DC6AEF41-A1AD-4EC3-92FF-4D4AFEFDEA82-1.jpg" data-mid="252352930" border="0" data-scale="100"/> 251<small><i>Almaâs Rainbow</i>, Ayoka Chenzira, USA, 89 min, 1994</small> 252<br> 253</div> 254 <div grid-col="x11" grid-pad="2" class=""><div style="text-align: left;"><hr><b>issue no. eighteenâspring 2025</b><hr><a href="williampeck" rel="history">100 Limericks on Early Music, Occasionally Annotated by William Peck</a><br> 255<hr><a href="estherkondoheller" rel="history">Spring by Esther Kondo Heller</a><hr><a href="elizabethmurray" rel="history">Three Fold Commissions Elizabeth Murray</a><hr><a href="marjoleinguldentops" rel="history">⢠in time ⢠⢠⢠⢠real time ⢠by Marjolein Guldentops 256</a><hr><a href="imaginarydinnerpartyseventeen" rel="history">Imaginary Dinner Party, Part Seventeen by Lynn Crawford 257 258</a><hr><a href="issueeighteen" rel="history">Poetry by Marjorie Welish, Sean Thomas Dougherty, Melba Joyce Boyd, Susan Wheeler, Anselm Berrigan</a> 259<br> 260<hr><b>related events</b><hr><a href="events" rel="history">Wednesday, May 14, 7 p.m.<br>Poetry reading by Norman Fischer, Chris Tysh, Nazifa Islam<br> 261Trinosophes, 1464 Gratiot Avenue, Detroit</a></div><a href="events" rel="history">Free admission</a><br> 262<br> 263</div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive="" class=""><div grid-col="x11" grid-pad="2" class=""><div style="text-align: left;"><b><a href="jenniferscappettone" rel="history"><i> </i></a></b><hr><b>issue no. seventeenâwinter 2025</b><hr> 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283<a href="menofthecloth" rel="history">Men of the 284Cloth, Men of Capital by Michael Jackman</a>: <a href="menofthecloth" rel="history">An ongoing series on civil rights in Detroit in the 1940s</a> 285<br> 286<hr><a href="norabaroudjian" rel="history">Answer Me by Nora Baroudjian | translated by Tamar Marie Boyadjian</a> 287<hr><a href="imaginarydinnerpartysixteen" rel="history">Imaginary Dinner Party, Part Sixteen by Lynn Crawford</a><br> 288<hr><a href="issueseventeen" rel="history">Poetry by Jeanne Heuving, Jennifer 289Firestone, Timothy Yu, Carly Sachs, Dong Li, julie ezelle patton</a><br><hr><b><a href="mediacity27thanniversary" rel="history">special sectionâmedia city film festival & three fold</a></b><hr><b> 290</b><a href="mediacity27thanniversary" rel="history">In partnership with the 27th virtual edition of Media City Film Festival [MCFF], a trailblazing international festival for film and digital art, Three Fold profiles eight artists whose moving image work is celebrated in the MCFF Spotlight Series: Richard Serra, JaâTovia Gary, Narcisa Hirsch, Jocelyne Saab, Mona Hatoum, Madeleine Hunt-Ehrlich, Nour Ouayda, and Christopher Harris [Read more ...]</a><br> 291</div></div> 292 <div grid-col="x11" grid-pad="2" class=""><div style="text-align: left;"><b></b><a href="mediacity27thanniversary" rel="history"></a><img width="2192" height="1232" width_o="2192" height_o="1232" data-src="https://freight.cargo.site/t/original/i/449823b4e368cc09a7115bcb329f62cc159d4285cdc05ccb6b423a6b437f0912/2.-SMALL-IMAGE-Ja-Tovia-Gary---Giverny.-Document-3.jpg" data-mid="252352927" border="0" data-scale="100"/><br> 293<small><div style="text-align: left;"><small><a href="mediacity27thanniversary" rel="history"><i>The Giverny Document</i>, JaâTovia Gary, USA, 16mmâ¯>â¯digital, 41 min, 2019</a><br></small><br></div></small> 294<br> 295</div></div></div><br> 296<div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""> 297 <div grid-col="x11" grid-pad="2"><div style="text-align: left;"><div style="text-align: left;"><hr><b>issue no. sixteenâfall 2024</b><hr><a href="caseysayerbrooks" rel="history">Three Fold Commissions Casey Sayer Brooks</a> <br><hr><a href="tamarmarieboyadjian" rel="history">from<i> </i>Õ¯Õ¡Õ©Õ«Õ¬ Õ´Õ¨ Õ¯Õ«Õ¶Õ Õ¡Õ¶Õ¡Õ¶Õ¸ÖÕ¶ Õ¡Õ¶ÖÕ¥ÖÕ©Õ¸ÖÕ¡Õ® <br>a drop of woman: unnamed unwritten by Tamar Marie Boyadjian</a> 298<br> 299<hr><a href="patlewisandsamanthalinn" rel="history">Who Knows What the Future Holds | Iâll Forget You by Pat Lewis & Samantha Linn</a><br> 300<span style="font-size: 1.8rem;"> 301<hr></span><a href="imaginarydinnerpartyfifteen" rel="history">Imaginary Dinner Party, Part Fifteen by Lynn Crawford 302 303</a><hr><a href="issuesixteenpoetry" rel="history">Poetry by Daniel Borzutzky, Wanda Phipps, Robin Tremblay-McGaw, Ed Friedman, Jennifer Moxley</a><br> 304 305<br> 306</div></div></div> 307 <div grid-col="x11" grid-pad="2"><div style="text-align: left;"><div style="text-align: left;"><hr><div style="text-align: justify;"><div style="text-align: justify;"><b><b><span>issue no. fifteenâsummer 2024</span></b><br></b><hr><a href="strainreliefchord" rel="history">The Strain Relief Cord 308by F.F.</a><hr><a href="paulschwarz" rel="history"><span>Three Fold Commissions Paul Schwarz</span></a><hr><span> 309</span><a href="nabilharbchapterthree" rel="history"><span>Inheritance, Chapter Three by Nabil Harb</span></a><span> 310 311</span><hr><a href="imaginarydinnerpartyfourteen" rel="history"><span>Imaginary Dinner Party, Part Fourteen by Lynn Crawford</span></a><hr><a href="vincentperrone" rel="history"><span>St. Augustine Confessing by Vincent Perrone</span></a><span> 312</span><span> 313</span><hr><a href="issuefifteenpoetry" rel="history"><span>Poetry by Eléna Rivera, Vanessa Place, Benjamin Paloff, E. Tracy Grinnell, Philip Metres</span></a></div></div></div></div></div> 314</div><br> 315 316 317 318<div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="6" grid-pad="2" class=""><div style="text-align: justify;"><hr><b>issue no. fourteenâspring 2024</b><hr> 319<a href="wymmdossier" rel="history">Will You Miss Me? <br>A Dossier on The Hinterlands by Jonathan Flatley</a><hr><a href="nabilharbchaptertwo" rel="history">Inheritance, Chapter Two by Nabil Harb </a> 320 321<hr><a href="imaginarydinnerpartythirteen" rel="history">Imaginary Dinner Party, Part Thirteen by Lynn Crawford</a><hr><a href="issuefourteenpoetry" rel="history">Poetry by Susan Landers, Ann Lauterbach, Ron Silliman, BLUNT RESEARCH GROUP, Martha Ronk</a><br><br><img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/17257b0b54cc5a999ef778fe4756a7c8154bc615876696738a231b1
321d75da5355/Harb20.jpg" data-mid="252352925" border="0" /> 322<span style="font-size: 1.8rem;"><small><i>Deal</i>, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved</small></span><small><i></i></small></div></div> 323 324 <div grid-col="6" grid-pad="2" class=""><div style="text-align: justify;"> 325<img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/e054b9b4d7f45f9d321f5fa276fbc0cd9c0634484a1cacc13cc574cb0b6ecd23/Harb14.jpg" data-mid="252352923" border="0" /><br><small><i>Taba</i>, Nabil Harb, 2018. Photo courtesy the artist. All Rights Reserved</small> 326<br> 327<hr><b>issue no. thirteenâwinter 2024</b><hr> 328<a href="nabilharb" rel="history">Inheritance, Chapter One by Nabil Harb </a><hr><a href="tobulldozeacemetery" rel="history">To Bulldoze a Cemetery by Ayanna Dozier</a> 329 330 331<hr><div style="text-align: left"><span><a href="imaginarydinnerpartytwelve" rel="history">Imaginary Dinner Party, Part Twelve by Lynn Crawford</a></span></div><hr><div style="text-align: left"><a href="issuethirteenpoetry" rel="history"><span>Poetry by Nazifa Islam, Michael Leong, Marie Buck </span>&<span> Matthew Walker, Laynie Browne, Mark Nowak</span></a></div></div></div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="6" grid-pad="2" class=""><div style="text-align: justify;"><br> 332<hr><b>special sectionâdecember 29, 2023</b> 333 334<hr>In the wake of <i>Artforum</i> editor-in-chief David Velascoâs firing in October over an open letter signed by artists and scholars supporting Palestinian liberation, thirty-two writers retracted their pieces from the December 2023 issue, among them Adriano Pedrosa, Amy Taubin, Brontez Purnell, Catherine Lacey, ÃaÄla İlk, Cindy Ji Hye Kim, Claire Bishop, David OâNeill, Erin Christovale, Erika Balsom, Gordon Hall, Gray Wielebinski, Hal Foster, Huey Copeland, Jace Clayton, James Quandt, Jason Moran, Jennifer Krasinski, Jensen Leonard, John Kelsey, John Waters, Meg Onli, Michael Fried, Nicole Eisenman, Rachel Kushner, Sarah Nicole Prickett, Sasha Geffen, Tiana Reid, Tiffany Sia, Tim Griffin, Tuan Andrew Nguyen, and Weyes Blood. Three Fold extended an invitation to several of those who pulled their writing, and to punctuate 2023, we are publishing withdrawn <i>Artforum</i> contributions from Claire Bishop, Erika Balsom, and Weyes Blood. As genocide continues to unfold in Gaza and epistemicide and McCarthyism proliferate globally, Three Fold Press firmly stands in solidarity with all writers and artists who oppose the atrocities and war in Gaza âJonathan Rajewski, Editor, Visual Art</div> 335</div> 336 337 <div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"> 338<br><hr><b>top ten, 2023 <br></b> 339<hr><a href="clairebishoptopten" rel="history">By Claire Bishop<br>âThis is the Top Ten I pulled from the December issue of <i>Artforum</i>, because of David getting fired.â [Read more ...]</a><br> 340<hr><a href="erikabalsomtopten" rel="history">By Erika Balsom<br>âThis list was submitted in early October and would certainly be somewhat different if written now. But in the spirit of gesturing to a December issue of <i>Artforum</i> that never was, I have left it unchanged. [Read more ...]</a><br> 341<hr><a href="weyesbloodtopten" rel="history">By Weyes Blood<br>âOK so Glastonbury is unbearably classic. The UK has managed to do a Woodstock-esque festival every year since 1971 (America sure as hell has not). When I awoke from my slumber, I stumbled out of my bus into a field and immediately heard echoes of the most ethereal Welsh music.â [Read more ...]</a></div></div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="6" grid-pad="2" class=""><div style="text-align: justify;"><br> 342<hr><b>issue no. twelveâfall 2023</b><hr><a href="theeternalreturn" rel="history">The Eternal Return: <i>Blacula</i> and the Thematic Aesthetics of William Crain</a> <a href="theeternalreturn" rel="history">by André Seewood<br></a><hr><a href="galdr" rel="history">Galdr by Paul Elliman</a><br> 343<a href="fightingagainsterasure" rel="history"> 344</a> 345<hr><a href="diegoandme" rel="history">Diego & Me by James D. Fuson</a><br> 346<hr><a href="lettertomydaughter" rel="history">Letter to My Daughter by Ethel Kabwato<br></a> 347<hr><a href="imaginarydinnerpartyeleven" rel="history">Imaginary Dinner Party, Part Eleven by Lynn Crawford<br></a> 348<hr><div style="text-align: left"><a href="issuetwelvepoetry" rel="history">Poetry by CAConrad, Kweku Abimbola, Eileen Myles, Rob Halpern, Nicole Brossard</a></div></div></div> 349 350 <div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"><br> 351<b><span style="font-size: 1.8rem;"></span></b> 352<hr><b>issue no. elevenâsummer 2023 353</b><hr><b> 354</b><a href="fleshandmarble" rel="history">Flesh and Marble</a><a href="fleshandmarble" rel="history"> by Jonathan Rajewski</a><hr><a href="fightingagainsterasure" rel="history">Looking Past the Exploitative Lens, Fighting Against Erasure by Michael Jackman<br>An ongoing series on civil rights in Detroit in the 1940s</a> 355<br> 356<hr><a href="simer" rel="history">SIM ER by John Bennett</a><hr><a href="walkingandtalking" rel="history">Walking and Talking <br>
356Performance by Ben Bennett</a> 357<hr><a href="imaginarydinnerpartyten" rel="history">Imaginary Dinner Party, Part Ten by Lynn Crawford</a><hr><a href="issueelevenpoetry" rel="history">Poetry by Rae Armantrout, Maged Zaher, Sarah Riggs, kim d. hunter, Michael Lall</a>y<br><br> 358<a href="issueelevenpoetry" rel="history"></a></div></div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"><hr><b>issue no. tenâspring 2023</b><br><hr> 359<a href="ridgewaydossier" rel="history">Make Room for Dada: A Dossier on the Ridgeway Collective by Cary Loren 360</a><hr><a href="juliacallis" rel="history">Three Fold Commissions 361</a><br> 362<a href="juliacallis" rel="history">Julia Callis</a>, <a href="caroleharris" rel="history">Carole Harris,</a> <a href="annecarson" rel="history">Anne Carson</a> 363 364 365 366<hr><a href="imaginarydinnerpartynine" rel="history">Imaginary Dinner Party, Part Nine by Lynn Crawford</a><br><hr> 367<a href="issuetenoetry" rel="history">Poetry by Lee Ann Brown, Michael Palmer, John Godfrey, Alise Alousi, Bob Holman</a><br> 368<hr> 369<a href="sortingthepiles" rel="history">Sorting the Piles by Lolita Hernandez</a> 370 371<br> 372<hr></div></div> 373 374 <div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"><hr><b>issue no. nineâwinter 2023</b><br><hr> 375<a href="lifeafterprison" rel="history">Life After Prison: The First Three Months by James D. Fuson</a><hr><a href="sweetextinction" rel="history">Sweet Extinction by Francis McKee</a><hr><a href="imaginarydinnerpartyeight" rel="history">Imaginary Dinner Party, Part Eight by Lynn Crawford</a><hr><a href="issueninepoetry" rel="history">Poetry by Jena Osman, Charles Bernstein, Robert Laidler, Brenda Coultas and Norma Cole</a> 376<br><hr> 377<b>related events</b><hr>Film screenings by Raven Chacon & Cristóbal Martinez, <a href="https://mediacityfilmfestival.com/thousandsuns/sky-hopinka/" target="_blank">Sky Hopinka</a>, New Red Order <a href="https://mediacityfilmfestival.com/thousandsuns/miguel-hilari/" target="_blank">and Miguel Hilari</a> | ThousandSuns Cinema through January 30, 2023<br> 378<br></div></div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="6" grid-pad="2" class=""><a href="thisiswhatgenrecandoforyou" rel="history" class="image-link"><img width="1471" height="2100" width_o="1471" height_o="2100" data-src="https://freight.cargo.site/t/original/i/fd1eb08eb1a0b95b0f56664683033a3b80a9596cfbf402c2f10ee4bc4297b24e/2_shoe.png" data-mid="252352914" border="0" /></a><br><div style="text-align: left;"><hr><b>issue no. eightâfall 2022</b></div><hr><div style="text-align: left;"><a href="aaronibnporipitts" rel="history">In Dedication: Aaron Ibn Pori Pitts</a><hr> 379<a href="dissidencetoc" rel="history">Dissidence: A Dossier by Cities of Asylum</a> <a href="dissidencetoc" rel="history">featuring Dmitry Bykov, Pedro X. Molina, Pwaangulongii Dauod </a><br> 380 381<hr><a href="endofalifesentence" rel="history">End of a Life Sentence: 28 Years, 8 Months, 3 Days, and a Wake-Up by James D. Fuson</a><br><hr><a href="amnaasghar" rel="history">Three Fold Commissions: Amna Asghar,</a> <a href="jockoweyland" rel="history">Jocko Weyland,</a> <a href="robertsestok" rel="history">Robert Sestok</a><br> 382<hr><a href="thisiswhatgenrecandoforyou" rel="history">This is What Genre Can Do for You by Molly Zuckerman-Hartung</a> 383<br><hr> 384<a href="ajaramuparttwo" rel="history">Out Front and Down Low, Part Two of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977</a><br><hr><a href="justbrowsing" rel="history">Just Browsing by Jeff Karolski</a><hr><a href="imaginarydinnerpartyseven" rel="history">Imaginary Dinner Party, Part Seven by Lynn Crawford</a><hr> 385<a href="issueeightpoetry" rel="history">Poetry by Rosmarie Waldrop, Uche Nduka, Edwin Torres, Bruce Andrews, Johanna Drucker</a><br></div><hr> 386<small><small><i>shoe</i>, Dana DeGiulio. Courtesy the artist</small></small><br> 387</div> 388 389 <div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"></div> 390 391<a href="fireblossoms" rel="history" class="image-link"><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9d003dd6629e53f9ec354112793e00825a975a857687daa8b981200b647b57db/7.-sample-content-CONSPIRACY-MHE-SM-1.png" data-mid="252352912" border="0" /></a><br><img width="1804" height="1014" width_o="1804" height_o="1014" data-src="https://freight.cargo.site/t/original/i/d0bd3ebc8017a7d4ed5644f1a4acb8cf3e09a6e2c17f50cb670af8c40d815cbf/conspiracystill1-1.jpg" data-mid="252352915" border="0" /><br><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f7b88632301e01f49e11be8ab828ca022e113f1eb665c18bc7faae36d462bef9/1.-sample-content-CONSPIRACY-MHE-SM.png" data-mid="252352916" border="0" /> 392<br> 393<div style="text-align: left;"><hr><b>issue no. sevenâsummer 2022</b></div><hr><div style="text-align: left;"><a href="fireblossoms" rel="history">Fire Blossoms<br>A Dossier by Yasmina Price</a> 394<br> 395<hr> 396<a href="arellisette" rel="history">Three Fold Commissions: Arel Lisette</a>, <a href="alinaperez" rel="history">Alina Perez</a><br><hr> 397<a href="ajaramuparttwo" rel="history">Out Front and Down Low, Part One of an Interview with AACM Drummer and Composer Ajaramu by Ted Panken, 1977</a><hr><a href="cornman" rel="history">Corn Man and Lemon Bar, Detroit<br>Photography by Garrett MacLean</a><hr><a href="4seasons" rel="history">4 Seasons by Matt Conzett and Maia Shikwana</a> 398 399<hr> 400<a href="imaginarydinnerpartysix" rel="history">Imaginary Dinner Party, Part Six by Lynn Crawford</a><hr> 401<a href="issuesevenpoetry" rel="history">Poetry by Rodrigo Toscano, Anne Waldman, Elizabeth Willis, Isaac Pickell, Anne Tardos, Clark Coolidge</a> 402<br><hr><small><i>Conspiracy,</i> Simone Leigh and Madeleine Hunt-Ehrlich, 16mm film stills, 2022. Courtesy the artists and Matthew Mar
402ks Gallery</small><br></div></div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""><div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"><br><a href="whenlifewasagaybar" rel="history" class="image-link"><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/45d687221666f476d18ff3519135585c4f67ec819a591c8887deb4ea7f3f7b43/Photo_For_Menjos_Ad.jpg" data-mid="252352907" border="0" /></a><hr><b>issue no. sixâspring 2022</b><hr><a href="garrettmaclean" rel="history">In Dedication: Rico Africa, Old Miami, Detroit</a><hr><a href="whenlifewasagaybar" rel="history">When Life Was a Gay Bar<br> 403A dossier by artist and writer Michael Conboy (Los Angeles) on the 1970s-80s Detroit scene of his youth, featuring paintings and illustrations, memoirs, drag photos, club fliers, and a short story</a> 404<br> 405<hr> 406<a href="nancymitchnick" rel="history">Three Fold Commissions: Nancy Mitchnick, Patrick Hill</a><br> 407<hr><a href="telephones" rel="history">Telephones by Paul Elliman <br>Excerpts from a pre-history of that moment when the human voice is first cut from its source in the body</a> 408<br> 409<hr><a href="guesswhereiam" rel="history">Guess Where I Am by Paul Elliman</a> 410<br> 411<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="thelasttofigureitout" rel="history">The Last to Figure It Out by Michael Jackman</a><br><hr> 412<a href="imaginarydinnerpartyfive" rel="history">Imaginary Dinner Party, Part Five<br> 413Forms of Engagement by Lynn Crawford</a><hr> 414<a href="issuesixpoetry" rel="history">Poetry by Aaron Shurin, Stacy Szymaszek, Nathaniel Mackey, Norman Fischer, Jennifer Scappettone</a><hr><a href="issuesixfiction" rel="history">Fiction by Evelyn Hampton, Rick London</a><br><hr><small>Photo for Menjoâs advertisement, Michael Conboy, c. 1980s </small> 415 416<br> 417</div></div> 418 <div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"><br> 419<a href="whenlifewasagaybar" rel="history" class="image-link"><img width="2560" height="1946" width_o="2560" height_o="1946" data-src="https://freight.cargo.site/t/original/i/f6b247abaf3f45579f0fdc1550f30e204c55c403b3dae0c3d5d60ddfe5fa351e/XIMENA-CUEVAS_Corazon-Sangrante_Still_11.jpg" data-mid="252352905" border="0" /></a> 420<hr><i></i><b>issue no. fiveâwinter 2022</b><br><hr><a href="mediacity" rel="history">Our winter 2022 issue was presented in partnership with Media City Film Festival, a trailblazing festival for film and digital art based in Windsor, Ontario and Detroit, Michigan. Since 1994, the festival has engaged such artists as Yoko Ono, Michael Snow, Alvin Lucier, and hundreds others. The 25th Anniversary virtual edition ran February 8 through March 1, 2022, featuring 70+ films from 30+ countries, in full open access globally. In conjunction, Three Fold profiled eight artists whose moving image work was celebrated in a Spotlight Series. [Read more ]</a> 421<br><hr> 422<a href="meganoconnell" rel="history">Artist In Residence In Exile, Megan OâConnell, 2021</a><br> 423<hr><a href="doomandglory" rel="history">Doom and Glory in the Cass Corridor</a><br><a href="doomandglory" rel="history">Part two of a dossier on Detroit visual artist Cay Bahnmillerâdream diaries, Gilbert and Lila Silverman, <i>Der Imker (the beekeeper),</i> mail art, communiqués, a secret spy network, Structo-vision, photography, books, and a kaddish for Cay by Cary Loren</a><br> 424<hr><a href="ruqayyahalzonaalbaari" rel="history">Three Fold Commissions: Ruqayyah Alzona Al-Baari, Jim Chatelain, Chris Riddell</a> <a href="meganoconnell" rel="history"><br></a> 425<hr><a href="bringingdetroit" rel="history">Bringing Detroit by Ian John Solomon, Jay Orellana and Crystal Mioner</a><hr><a href="ruminations" rel="history">Ruminations on Beauty by Rochelle Marrett</a> 426<br> 427<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="stephentrimboli" rel="history">My First Stroll Through Eternity by Stephen Paul Trimboli</a><hr><a href="imaginarydinnerpartyfour" rel="history">Imaginary Dinner Party, Part Four: Possession by Lynn Crawford</a><hr><a href="issuefivepoetry" rel="history">Poetry by Alice Notley, Peter Gizzi, Quincy Troupe, Rachelle Rahmé, Maureen Owen</a><hr><a href="issuefivefiction" rel="history">Fiction by Garrett Caples, Jose Padua, Robert Lope</a>
427z<br><hr> 428<small><i>Corazón Sangrante</i>, Ximena Cuevas, México, digital, 4 min, 1993</small><br> 429</div></div></div><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""> 430 431 <div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"><b><br> 432<img width="1480" height="1079" width_o="1480" height_o="1079" data-src="https://freight.cargo.site/t/original/i/d125218954fcc8be5791b722f1aa0a2db4d329c93273594d265f3a8ab4f0498b/I-MISS-SONJA-HENIE-KARPO-GODINA1.jpg" data-mid="252352904" border="0" /></b> 433<hr><i></i> 434<b>issue no. fourâfall 2021<br></b><hr><a href="doomandglory" rel="history">Doom and Glory in the Cass Corridor, Part One: A Dossier on Cay Bahnmiller by Cary Loren</a><br> 435<hr><a href="hangamaamiri" rel="history">Three Fold Commissions: Hangama Amiri</a>, <a href="israelaten" rel="history">Israel Aten,</a> <a href="davidcraig" rel="history">David Craig</a><br> 436<hr><a href="beforeduringandafter" rel="history">Before, During and After by MGUN</a><br> 437<hr><a href="ghettotech" rel="history">Ghetto Tech: The Soundtrack to Black Ruin by Taylor Aldridge</a><br> 438<hr><a href="patchingthepast" rel="history">Patching the Past: Reimaging the Buchla by Mark Milanovich</a><br> 439<hr><a href="imaginarydinnerpartythree" rel="history">Imaginary Dinner Party: Part Three, Think Like a Detective by Lynn Crawford</a><br> 440<hr><a href="akinyemisara" rel="history">Spoken word by Akinyemi Sa Ra</a><br> 441<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="issuefourpoetry" rel="history">Poetry by Elaine Equi, Harryette Mullen, A.L. Nielsen, Cole Swensen, Dennis Teichman</a><br> 442<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="issuefourfiction" rel="history">Fiction by Sarah Schulman, Alan Franklin</a><br><hr> 443<small><a href="fall" rel="history"><i>I Miss Sonja Henie</i>, Karpo Godina, 1971, 35mm frame enlargement courtesy the artist © Karpo Godina the Slovenian Cinematheque and Media City Film Festival. Restoration by the Austrian Film Museum</a></small></div></div> 444 <div grid-col="6" grid-pad="2" class=""><div style="text-align: left;"><div style="text-align: left;"><br> 445<hr><b>issue no. threeâsummer 2021</b><br> 446<hr><a href="katherineyaochendu" rel="history">Three Fold Commissions:</a> <a href="katherineyaochendu" rel="history">Katherine Yaochen Du,</a> <a href="msaffellgardner" rel="history">M. Saffell Gardner,</a> <a href="africanusokokon" rel="history">Africanus Okokon</a> <hr><a href="disfluencies" rel="history">Disfluencies: A Dossier by Sky Hopinka</a> 447 448<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="plantocracyandcommunism" rel="history">Plantocracy and Communism by Stefano Harney <small>&</small> Fred Moten</a><br> 449<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="supernatural" rel="history">Super Natural by Imani Mixon</a><br> 450<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="eugenechadbourne" rel="history">Catalog of Birds for Banjos: Joel Peterson in Conversation with Eugene Chadbourne</a><br> 451<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="imaginarydinnerpartytwo" rel="history">Imaginary Dinner Party, Part Two: Heal the People? by Lynn Crawford</a><br> 452<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="issuethreepoetry" rel="history">Poetry by Ron Padgett, Rachel Levitsky, Kit Robinson, Michelle Naka Pierce, Will Alexander</a><hr style="background-color: #e3e3e3;height: 1.0px;"><a href="issuethreefiction" rel="history">Fiction by Wang Ping, Barbara Henning, Robert Glück</a><br><hr> 453<br> 454<img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/241c1c344d1ac6a7fd4822a1e9869d09f61bc4b8407d3d166875eb3c94dc1a70/image_6483441-2.jpg" data-mid="252352911" border="0" /><small><a href="summer" rel="history">Photo of Michael Luchsâ studio by Kathryn Brackett Luchs, June 15, 2021</a></small></div></div></div> 455</div><div style="text-align: left;"><div grid-row="" grid-pad="2.5" grid-gutter="5" grid-responsive=""> 456 <div grid-col="x11" grid-pad="2.5"><div style="text-align: left;"><br> 457<hr><b>issue no. twoâspring 2021</b> 458<hr><a href="spring" rel="history">On the cover: <i>a minor piece of damage </i>(2020),<i> </i>Sid Iandovka <br> 459</a><hr><a href="asyetuntitled" rel="history">As Yet Untitled: A Dossier on Sid Iandovka <small>&</small> Anya Tsyrlina by Herb Shellenberger</a><br> 460<hr><a href="ekphrasis" rel="history">Ekphrasis by Rachel Harkai</a><br> 461 462<hr style="background-color: #e3e3e3;height: 1.0px;"> 463 464<a href="aminateaches" rel="history">Amina Teaches by Luke Stewart</a><br> 465 466<hr style="background-color: #e3e3e3;height: 1.0px;"> 467 468 469<a href="alterdestiny" rel="history">Alter Destiny: A Survivorâs Guide by Thomas Stanley</a> 470 471<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="myriadofselfportraits" rel="history">A Myriad of Self-Portraits by Sala Damali White</a><br> 472<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="whatremains" rel="history">What Remains: Reflections on a Decade of Poetry Lessons in Detroit 2008-2018 by Norene Cashen</a><br> 473<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="imaginarydinnerparty" rel="history">Imaginary Dinner Party: Part One, Under Stories by Lynn Crawford</a><br> 474<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="issuetwopoetry" rel="history">Poetry by Christine Hume & Laura Larson, Ted Pearson, Bill Harris, Eleni Sikelianos, Brandon Brow</a>n<br> 475<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="issuetwofiction" rel="history">Fiction by Lolita Hernandez, Paul Jaussen, Cal Freeman</a><br><hr> 476<br> 477<img width="1807" height="1366" width_o="1807" height_o="1366" data-src="https://freight.cargo.site/t/original/i/2cb6461bd1c8b34708d6b58bd33fa6374e687e6e54ef8800c7ab1390d703dd5f/damage_9.jpg" data-mid="252352906" border="0" /><br><small><i>a minor piece of damage</i>, Sid Iandovka</small></div></div> 478 <div grid-col="x11" grid-pad="2.5" class=""><br> 479<img width="6261" height="4237" width_o="6261" height_o="4237" data-src="https://freight.cargo.site/t/original/i/aca789cd019250a3e1ad061b522efde5898e64a0b5c1e4a10117483e1517f0e4/Maureen-Taylor_Hannah-Jones.jpeg" data-mid="252352903" border="0" /><br><small><i>Maureen Taylor</i>, Hannah Jones, 2020</small> 480<br> 481<hr><b>issue no. oneâfall 2020</b> 482<hr><a href="fall2020" rel="history">On the cover: Say Translation is Art (excerpt), Sawako Nakayasu</a><hr><a href="hannahjones" rel="history">In Dedication: Meditation Device by Hannah Jones <small>&</small> Rebecca Mazzei</a> 483<br> 484 485<hr> 486<small><i></i></small><a href="whatsbeendone" rel="history">Whatâs Been Done and Whatâs Been Won by Bob Ostertag with Maureen Taylor</a><br><hr> 487<a href="integralwhirls" rel="history">
487Integral Whirls: A Dossier on Ephraim Asili by Greg de Cuir Jr</a><br> 488 489<hr style="background-color: #e3e3e3;height: 1.0px;"> 490 491 492<a href="makingamaking" rel="history">Making a Making: Jonathan Rajewski in Conversation with Bill Dilworth</a><br> 493<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="blacklivesmatter" rel="history">Black Lives Matter? by Fred Williams</a><br> 494<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="whatisinaname" rel="history">What is in a Name by Imani Mixon</a><br> 495<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="artritualandtheory" rel="history">Art, Ritual & Theory in Mandenka Historiography by Nubia Kai</a><br> 496<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="wildgardening" rel="history">Wild Gardening & Improvisation by Thollem</a><br> 497<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="healourselves" rel="history">Heal Ourselves by Peter Sparling & Thollem</a><br> 498<hr style="background-color: #e3e3e3;height: 1.0px;"><a href="hearthatsnap" rel="history">Hear That Snap: Joel Peterson in Conversation with Hakim Jami</a><br><hr style="background-color: #e3e3e3;height: 1.0px;"> <a href="orgasmicspacepoetry" rel="history">The Orgasmic Space Poetry of Henry R. Lewis by Cary Loren</a><br><hr style="background-color: #e3e3e3;height: 1.0px;"> <a href="malayeen" rel="history">Malayeen by Leyya Tawil</a><br> 499 <hr style="background-color: #e3e3e3;height: 1.0px;"> <a href="issueonepoetry" rel="history">Poetry by Laura Moriarty, John Sinclair, Khaled Mattawa, Sawako Nakayasu, Tyrone Williams</a><br> 500 <hr style="background-color: #e3e3e3;height: 1.0px;"><a href="Fiction-1" rel="history">Fiction by Owólabi, Lynn Crawford</a><br><hr> 501<br></div> 502</div></div> 503<div style="text-align: left;"></div></projectcontent> 504 </div> 505 506 <svg width="1" height="1" xmlns="http://www.w3.org/2000/svg" xmlns:svg="http://www.w3.org/2000/svg" class="marker-overlay"> 507 <!-- Created with SVG-edit - https://github.com/SVG-Edit/svgedit--> 508 <g class="layer"> 509 <title></title> 510 </g> 511</svg> 512 </bodycopy> 513 </div> 514 515 <div class="page_background"></div> 516 517 <style class="local-css" data-target="38618360"> 518 [local-style="38618360"] .container_width { 519 width: 100% /*!variable_defaults*/; 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