1<!DOCTYPE html><html lang="en" class=""><head><meta charset="utf-8"> 2<meta name="viewport" content="width=device-width, initial-scale=1 viewport-fit=cover"> 3<title>Richard Tuttle, âSmall Sculptures of the 1970sâ - Modern Art</title> 4<meta name="msapplication-TileColor" content="#ffffff"> 5<meta name="theme-color" content="#ffffff"> 6<meta name="format-detection" content="telephone=no"> 7<link rel="apple-touch-icon" sizes="180x180" href="/apple-touch-icon.png"> 8<link rel="icon" type="image/png" sizes="32x32" href="/favicon-32x32.png"> 9<link rel="icon" type="image/png" sizes="16x16" href="/favicon-16x16.png"> 10<link rel="manifest" href="/site.webmanifest"> 11<link rel="stylesheet" type="text/css" href="//cloud.typenetwork.com/projects/5804/fontface.css/"> 12<noscript>JavaScript is required</noscript> 13<meta name="robots" content="index, follow, max-image-preview:large, max-snippet:-1, max-video-preview:-1"> 14<meta property="og:locale" content="en"> 15<meta property="og:site_name" content="Modern Art"> 16<meta property="og:url" content="https://modernart.net//en/exhibitions/tuttr-2026"> 17<meta property="og:title" content="Richard Tuttle, âSmall Sculptures of the 1970sâ - Modern Art"> 18<meta name="description" content="Modern Art is delighted to announce a solo exhibition of historical work by Richard Tuttle. This is the artistâs seventh exhibition with the gallery. 19 20 21 22Small Sculptures of the 1970s brings together a substantial body of work that Tuttle made in New York towards the end of a five-year period during which his practice underwent a decisive shift towards greater material and formal reduction. This body of work has remained largely unseen for several decades."> 23<meta property="og:description" content="Modern Art is delighted to announce a solo exhibition of historical work by Richard Tuttle. This is the artistâs seventh exhibition with the gallery. 24 25 26 27Small Sculptures of the 1970s brings together a substantial body of work that Tuttle made in New York towards the end of a five-year period during which his practice underwent a decisive shift towards greater material and formal reduction. 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90</head><body class="theme--default"><div id="__nuxt"><!--[--><!--[--><div><button class="ButtonNavigation hidden-mobile" aria-label="Toggle navigation" data-v-21ad934c><span class="ButtonNavigation__inner" data-v-21ad934c><span class="ButtonNavigation__line ButtonNavigation__line--one" data-v-21ad934c></span><span class="ButtonNavigation__line ButtonNavigation__line--two" data-v-21ad934c></span><span class="ButtonNavigation__line ButtonNavigation__line--three" data-v-21ad934c></span></span></button><button class="ButtonNavigationMobile hidden-desktop" aria-label="Toggle navigation" data-v-f87d0c86><span class="ButtonNavigationMobile__inner" data-v-f87d0c86><span class="ButtonNavigationMobile__line ButtonNavigationMobile__line--one" data-v-f87d0c86></span><span class="ButtonNavigationMobile__line ButtonNavigationMobile__line--two" data-v-f87d0c86></span><span class="ButtonNavigationMobile__line ButtonNavigationMobile__line--three" data-v-f87d0c86></span></span></button><div class="TheNavigationMobile hidden-desktop" data-v-12994d06><div class="TheNavigationMobile__logo-wrap wrap-full ta-c" data-v-12994d06><h1 class="TheLogo TheHeader__logo" data-v-12994d06 data-v-b9295723><a href="/en/" class="TheLogo__link" data-v-b9295723>Modern Art</a></h1></div><div class="TheNavigationMobile__inner wrap-full flex flex-wrap flex-align-center" data-v-12994d06><nav class="BaseNavigation TheNavigationMobile__navigation ta-c fs-l" data-v-12994d06 data-v-e66b7181><ul class="BaseNavigation__list" data-v-e66b7181><span data-v-e66b7181></span><!--[--><li class="first BaseNavigation__list-item BaseNavigation__list-item--language" data-v-e66b7181><button aria-label="Change language to En" class="active BaseNavigation__link cta tt-u" data-v-e66b7181>En</button></li><li class="BaseNavigation__list-item BaseNavigation__list-item--language" data-v-e66b7181><button aria-label="Change language to Fr" class="BaseNavigation__link cta tt-u" data-v-e66b7181>Fr</button></li><li class="last BaseNavigation__list-item BaseNavigation__list-item--language" data-v-e66b7181><button aria-label="Change language to 䏿" class="BaseNavigation__link cta tt-u" data-v-e66b7181>䏿</button></li><!--]--></ul></nav></div></div><header class="TheHeader" data-v-391dcba1><div class="hidden TheHeader__container TheHeader__container--primary wrap-full" data-v-391dcba1><h1 class="TheLogo TheHeader__logo" data-v-391dcba1 data-v-b9295723><a href="/en/" class="TheLogo__link" data-v-b9295723>Modern Art</a></h1><nav class="BaseNavigation TheHeader__navigation TheHeader__navigation--primary hidden-mobile" data-v-391dcba1 data-v-e66b7181><ul class="BaseNavigation__list" data-v-e66b7181><span data-v-e66b7181></span><!--[--><li class="first BaseNavigation__list-item BaseNavigation__list-item--language" data-v-e66b7181><button aria-label="Change language to En" class="active BaseNavigation__link cta tt-u" data-v-e66b7181>En</button></li><li class="BaseNavigation__list-item BaseNavigation__list-item--language" data-v-e66b7181><button aria-label="Change language to Fr" class="BaseNavigation__link cta tt-u" data-v-e66b7181>Fr</button></li><li class="last BaseNavigation__list-item BaseNavigation__list-item--language" data-v-e66b7181><button aria-label="Change language to 䏿" class="BaseNavigation__link cta tt-u" data-v-e66b7181>䏿</button></li><!--]--></ul></nav></div><div class="TheHeader__container TheHeader__container--secondary wrap-full" data-v-391dcba1><h2 class="page-top-title" data-v-391dcba1></h2><span data-v-391dcba1></span></div></header><a href="/en/cart" class="ButtonCart cta" data-v-d61e33b1>Cart (0) </a><div class="TheCookiePrompt" data-v-872e4a36><div class="BaseContent text TheCookiePrompt__body text ma-b" data-v-872e4a36><!--[--><p>We use cookies and other technologies to personalize your experience and collect analytics.</p><!--]--></div><button aria-label="Accept" class="TheCookiePrompt__cta cta" data-v-872e4a36>Accept</button><a href="/en/page/privacy" class="TheCookiePrompt__cta cta" data-v-872e4a36>Privacy policy</a></div><!--[--><div class="nuxt-loading-indicator" style="position:fixed;top:0;right:0;left:0;pointer-events:none;width:auto;height:1px;opacity:0;background:#000000;background-size:Infinity% auto;
90transform:scaleX(0%);transform-origin:left;transition:transform 0.1s, height 0.4s, opacity 0.4s;z-index:999999;"></div><div class="PageExhibitionsEntry"><!----><div class="PageExhibitionsEntry__transition_content"><div class="PageExhibitionsEntry__top page-top wrap-secondary-full"><h2 class="page-top-title"><span class="d-b">Richard Tuttle</span><em>Small Sculptures of the 1970s</em><br><!--[-->3 September â 3 October 2026<!--]--></h2></div><div class="PageExhibitionsEntry__content"><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--right"><!----><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><!----><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--default CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p>Modern Art is delighted to present a solo exhibition of historical work by Richard Tuttle. This is the artistâs seventh exhibition with the gallery.</p><!--]--></div></div></div></div><div class="Modules"><!--[--><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--right Modules__module" _key="633681c6dcbf"><div class="CompositeBlocks__col CompositeBlocks__col--left flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--small CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:0.8008;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,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" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="1498.5014985014986" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Alana and Her Sister, II</em><!--[-->, early 1970s, 1/4" fir plywood, acrylic, gesso and nails<!--]--></div></div><!----></div></div></div></div><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--large CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:1.4997000599880024;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAQGAwj/xAAgEAABBAICAwEAAAAAAAAAAAACAAEDBBESBQYTMUEh/8QAFAEBAAAAAAAAAAAAAAAAAAAAA//EABgRAQADAQAAAAAAAAAAAAAAAAEAAhIh/9oADAMBAAIRAxEAPwDorkLQ1KU1hm28YuWrfVNdd7lHzHJPUapJCTDtl3yypjjGUCCRthJsOz/UrW4mlVm81euEcmMbC2PxHYvoR5Eq0yidjxEOfaFkXtCSHP/Z" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="800.16" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Point to Point</em><!--[-->, early 1970s, wire, wood<!--]--></div></div><!----></div></div></div><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--narrow CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p><em>Small Sculptures of the 1970s </em>brings together a substantial body of work that Tuttle made in New York towards the end of a five-year period during which his practice underwent a decisive shift towards greater material and formal reduction. This body of work has remained largely unseen for several decades.</p><!--]--></div></div></div></div><div class="ModulesImages ModulesImages--inline Modules__module"><div class="BaseSwiper BaseSwiper--inline ModulesImages__swiper ModulesImages__swiper--default"><div class="BaseSwiper__container-wrap"><swiper-container init="false" class="BaseSwiper__container swiper-container"><!--[--><swiper-slide class="BaseSwiper__slide"><!--[--><img srcset="https://cdn.sanity.io/images/xt8jik0o/production/b30a6a3bbe0f5f61f2223a8b1cd3fe8de6affc16-2404x1603.jpg?w=950&fm=webp&fit=max 950w, https://cdn.sanity.io/images/xt8jik0o/production/b30a6a3bbe0f5f61f2223a8b1cd3fe8de6affc16-2404x1603.jpg?w=2500&fm=webp&fit=max 2500w" sizes="(min-width: 992px) 2500px, 100vw" src="https://cdn.sanity.io/images/xt8jik0o/production/b30a6a3bbe0f5f61f2223a8b1cd3fe8de6affc16-2404x1603.jpg?w=2500&fm=webp&fit=max" width="2500" height="1667.0133111480866" alt loading="lazy" class="BaseImage ModulesImages__image"><!--]--></swiper-slide><swiper-slide class="BaseSwiper__slide"><!--[--><img srcset="https://cdn.sanity.io/images/xt8jik0o/production/ba60f2c3e3edb4377af33fcc4b955ea4ba451a62-2500x1667.jpg?w=950&fm=webp&fit=max 950w, https://cdn.sanity.io/images/xt8jik0o/production/ba60f2c3e3edb4377af33fcc4b955ea4ba451a62-2500x1667.jpg?w=2500&fm=webp&fit=max 2500w" sizes="(min-width: 992px) 2500px, 100vw" src="https://cdn.sanity.io/images/xt8jik0o/production/ba60f2c3e3edb4377af33fcc4b955ea4ba451a62-2500x1667.jpg?w=2500&fm=webp&fit=max" width="2500" height="1667" alt loading="lazy" class="BaseImage ModulesImages__image"><!--]--></swiper-slide><!--]--></swiper-container><div class="BaseSwiper__button--previous-12bc4fc4abda BaseSwiper__button BaseSwiper__button--previous swiper-button swiper-button--previous"><svg width="9" height="12" viewbox="0 0 9 12" fill="none" xmlns="http://www.w3.org/2000/svg" class="IconArrowLeft BaseSwiper__button-icon swiper-button-icon"><path d="M8 1L2 6L8 11"></path></svg></div><div class="BaseSwiper__button--next-12bc4fc4abda BaseSwiper__button BaseSwiper__button--next swiper-button swiper-button--next"><svg width="9" height="12" viewbox="0 0 9 12" fill="none" xmlns="http://www.w3.org/2000/svg" class="IconArrowRight BaseSwiper__button-icon swiper-button-icon"><path d="M1 1L7 6L1 11"></path></svg></div></div><div class="BaseSwiper__caption-container"><!--[--><div class="active BaseSwiper__caption wrap-full"><!--[--><div class="ModulesImages__caption--black ModulesImages__caption ff-secondary flex flex-wrap flex-align-en
90d ma-b"><div class=""><div class="cta"><em></em><!----></div></div><!----></div><!--]--></div><div class="BaseSwiper__caption wrap-full"><!--[--><div class="ModulesImages__caption--black ModulesImages__caption ff-secondary flex flex-wrap flex-align-end ma-b"><div class=""><div class="cta"><em></em><!----></div></div><!----></div><!--]--></div><!--]--></div><!----></div></div><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--left Modules__module" _key="e54b05c50b79"><div class="CompositeBlocks__col CompositeBlocks__col--left flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--small CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:0.7996;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAZABQDASIAAhEBAxEB/8QAGgAAAgIDAAAAAAAAAAAAAAAAAAQBBgIFCP/EACAQAAICAgICAwAAAAAAAAAAAAECAAMEEQVBITEGEmH/xAAVAQEBAAAAAAAAAAAAAAAAAAAAAf/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AOkLXWutnc6VRsmIYfL42Veaq2Ibrfcy5uxU424v6I1Kz8fqFnJ1negvmQXbcJEJQvnYqZmM1NngN2OolxfD14Nhf7l29D8m0hAmEBCB/9k=" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="1500.7503751875938" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Infinity</em><!--[-->, early 1970s, aluminium screening<!--]--></div></div><!----></div></div></div></div><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--large CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:1.4997000599880024;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAIDAQj/xAAhEAACAgECBwAAAAAAAAAAAAABAgADBBESITFRUmFxof/EABQBAQAAAAAAAAAAAAAAAAAAAAH/xAAVEQEBAAAAAAAAAAAAAAAAAAAAIf/aAAwDAQACEQMRAD8A6Nsyaa3Ku2h9RDmUd/wxy3HkJhPgRgVrdbEDIdQYSW89IQL/2Q==" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="800.16" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Pressure</em><!--[-->early 1970s, painted wood<!--]--></div></div><!----></div></div></div><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--narrow CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p>For over sixty years, Richard Tuttleâs work has comprised radically minimal gestures made through the barest of means, reshaping the ways painting, sculpture, drawing and poetry are conceived. This exhibition centres hand-sized, roughly hewn assemblages constructed from everyday materials. In one work, a single length of painted wire delicately delineates a volume of space; in others jigsaw-cut timber or plywood slats both collapse and construct new spatial forms. Each work discovers its own internal measure, balancing resolve with openness and instinctiveness. As Tuttle observed, âThe work rests at the unconscious level. Bringing it to the conscious level is like resisting its own will.</p><!--]--></div></div></div></div><div class="ModulesImages ModulesImages--inline Modules__module"><div class="BaseSwiper BaseSwiper--inline ModulesImages__swiper ModulesImages__swiper--default"><div class="BaseSwiper__container-wrap"><swiper-container init="false" class="BaseSwiper__container swiper-container"><!--[--><swiper-slide class="BaseSwiper__slide"><!--[--><img srcset="https://cdn.sanity.io/images/xt8jik0o/production/ae07b5308fd91d129d94efd4bee550e6a6830094-2500x1667.jpg?w=950&fm=webp&fit=max 950w, https://cdn.sanity.io/images/xt8jik0o/production/ae07b5308fd91d129d94efd4bee550e6a6830094-2500x1667.jpg?w=2500&fm=webp&fit=max 2500w" sizes="(min-width: 992px) 2500px, 100vw" src="https://cdn.sanity.io/images/xt8jik0o/production/ae07b5308fd91d129d94efd4bee550e6a6830094-2500x1667.jpg?w=2500&fm=webp&fit=max" width="2500" height="1667" alt loading="lazy" class="BaseImage ModulesImages__image"><!--]--></swiper-slide><!--]--></swiper-container><!----><!----></div><div class="BaseSwiper__caption-container"><!--[--><div class="active BaseSwiper__caption wrap-full"><!--[--><div class="ModulesImages__caption--black ModulesImages__caption ff-secondary flex flex-wrap flex-align-en
90d ma-b"><div class=""><div class="cta"><em></em><!----></div></div><!----></div><!--]--></div><!--]--></div><!----></div></div><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--right Modules__module" _key="859953395036"><div class="CompositeBlocks__col CompositeBlocks__col--left flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--small CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:0.8;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,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" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="1500" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Work</em><!--[-->, early 1970s, birch dowel, acrylic paint, nail<!--]--></div></div><!----></div></div></div></div><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--large CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:1.4997000599880024;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAGQAAAgMBAAAAAAAAAAAAAAAAAAQBAgUH/8QAHxAAAgIDAAIDAAAAAAAAAAAAAQIAAwQFESExBhJR/8QAFQEBAQAAAAAAAAAAAAAAAAAABAX/xAAdEQACAwACAwAAAAAAAAAAAAABAgADEQQFITGR/9oADAMBAAIRAxEAPwDu+73Ta7IWsVB/sO9JitfyK6xlVMYMzegDNvJwcbKcNfUrsPAJladfi0WB6qVVh6Mg38PsnvLV3hU31nnPkWltATCmmNVMxrUuOMR5H5CT2EugYMhJ/9k=" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="800.16" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Beyond the Edge</em><!--[-->, early 1970s, acrylic on corrugated cardboard<!--]--></div></div><!----></div></div></div><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--narrow CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p>These works emerged at a moment when American Minimalism was increasingly defined by large-scale, industrially fabricated objects. Tuttle instead foregrounded what might otherwise be overlooked or undervalued, adopting a distinctly intuitive approach shaped by the world around him. Throughout his career, Tuttle has responded closely to the gallery environment, creating works that convey a profound sense of physical vulnerability that challenges prevailing assumptions about spectacle, material authority and permanence. As Tuttle has stated, âPeople like something that lasts; I like something that vanishes.â</p><!--]--></div></div></div></div><div class="ModulesImages ModulesImages--inline Modules__module"><div class="BaseSwiper BaseSwiper--inline ModulesImages__swiper ModulesImages__swiper--default"><div class="BaseSwiper__container-wrap"><swiper-container init="false" class="BaseSwiper__container swiper-container"><!--[--><swiper-slide class="BaseSwiper__slide"><!--[--><img srcset="https://cdn.sanity.io/images/xt8jik0o/production/a37eeaf7b2d963bf4e02e52656e05d43f41bbc45-2500x1667.jpg?w=950&fm=webp&fit=max 950w, https://cdn.sanity.io/images/xt8jik0o/production/a37eeaf7b2d963bf4e02e52656e05d43f41bbc45-2500x1667.jpg?w=2500&fm=webp&fit=max 2500w" sizes="(min-width: 992px) 2500px, 100vw" src="https://cdn.sanity.io/images/xt8jik0o/production/a37eeaf7b2d963bf4e02e52656e05d43f41bbc45-2500x1667.jpg?w=2500&fm=webp&fit=max" width="2500" height="1667" alt loading="lazy" class="BaseImage ModulesImages__image"><!--]--></swiper-slide><!--]--></swiper-container><!----><!----></div><div class="BaseSwiper__caption-container"><!--[--><div class="active BaseSwiper__caption wrap-full"><!--[--><div class="ModulesImages__caption--black ModulesImages__caption ff-secondary flex flex-wrap flex-align-en
90d ma-b"><div class=""><div class="cta"><em></em><!----></div></div><!----></div><!--]--></div><!--]--></div><!----></div></div><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--right Modules__module" _key="737433e6c2a9"><!----><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><!----><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--default CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p>Although Tuttle had already exhibited in significant exhibitions across Europe, including <em>documenta 5</em> in Kassel, 1972, he was first introduced to a wider American public in 1975 through a one-person exhibition at New Yorkâs Whitney Museum organised by Marcia Tucker. The radically reduced aspects of the work proved controversial, and eventually led to Tuckerâs departure from the Whitney and her founding of the New Museum of Contemporary Art.</p><!--]--></div></div></div></div><div class="ModulesVideo module Modules__module" data-v-8a286089><div class="ModulesVideo__video-container" data-v-8a286089><div class="BaseMuxVideo ModulesVideo__video" data-v-8a286089 data-v-319c58be><media-controller data-v-319c58be><mux-video playback-id="T6LgnPgmnvlzjBuxJHc8mlTIc001ih2m6400Sq6NZfn5U" max-resolution="1080p" min-resolution="720p" slot="media" crossorigin data-v-319c58be></mux-video><media-poster-image slot="poster" src="https://cdn.sanity.io/images/xt8jik0o/production/ba60f2c3e3edb4377af33fcc4b955ea4ba451a62-2500x1667.jpg?rect=0,131,2500,1406&w=1920&h=1080&fm=webp&fit=max" data-v-319c58be></media-poster-image><media-play-button slot="centered-chrome" data-v-319c58be><svg slot="play" width="34" height="39" viewBox="0 0 34 39" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><path d="M34 19.5L0.250002 38.9856L0.250004 0.0144276L34 19.5Z" fill="white" data-v-319c58be></path></svg></media-play-button><media-control-bar data-v-319c58be><media-play-button data-v-319c58be><svg slot="play" width="34" height="39" viewBox="0 0 34 39" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><path d="M34 19.5L0.250002 38.9856L0.250004 0.0144276L34 19.5Z" fill="white" data-v-319c58be></path></svg><svg slot="pause" width="11" height="15" viewBox="0 0 11 15" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><rect width="3.57143" height="15" fill="white" data-v-319c58be></rect><rect x="7.14307" width="3.57143" height="15" fill="white" data-v-319c58be></rect></svg></media-play-button><media-seek-backward-button seekoffset="10" data-v-319c58be><svg slot="icon" width="17" height="19" viewBox="0 0 17 19" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><path d="M1 10.6333C1 14.7018 4.29817 17.9999 8.36667 17.9999C12.4352 17.9999 15.7333 14.7018 15.7333 10.6333C15.7333 6.56477 12.4352 3.2666 8.36667 3.2666C6.81435 3.2666 5.37418 3.74674 4.18656 4.5666" stroke="white" stroke-width="1.5" data-v-319c58be></path><path d="M4.27401 0.899902L3.2666 4.79574L6.5 6.8999" stroke="white" stroke-width="1.5" data-v-319c58be></path><path d="M7.24091 8.3055V13.25H6.01566V10.089H4.73241V9.2625C5.47916 9.2625 6.12441 9.0015 6.18966 8.3055H7.24091ZM12.097 10.785C12.097 12.6917 11.082 13.3443 10.0452 13.3443C8.98674 13.3443 7.98624 12.67 7.98624 10.785C7.98624 8.9 9.02299 8.2475 10.0452 8.2475C11.053 8.2475 12.097 8.8855 12.097 10.785ZM10.0452 9.19C9.30574 9.19 9.16074 10.06 9.16074 10.785C9.16074 11.5172 9.30574 12.4017 10.0452 12.4017C10.7847 12.4017 10.9152 11.5245 10.9152 10.785C10.9152 10.06 10.7775 9.19 10.0452 9.19Z" fill="white" data-v-319c58be></path></svg></media-seek-backward-button><media-seek-forward-button seekoffset="10" data-v-319c58be><svg slot="icon" width="17" height="19" viewBox="0 0 17 19" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><path d="M15.7334 10.6333C15.7334 14.7018 12.4352 17.9999 8.36673 17.9999C4.29823 17.9999 1.00006 14.7018 1.00006 10.6333C1.00006 6.56477 4.29823 3.2666 8.36673 3.2666C9.91905 3.2666 11.3592 3.74674 12.5468 4.5666" stroke="white" stroke-width="1.5" data-v-319c58be></path><path d="M12.4594 1L13.4668 4.89583L9.50013 6.1" stroke="white" stroke-width="1.5" data-v-319c58be></path><path d="M7.24091 8.3055V13.25H6.01566V10.089H4.73241V9.2625C5.47916 9.2625 6.12441 9.0015 6.18966 8.3055H7.24091ZM12.097 10.785C12.097 12.6917 11.082 13.3443 10.0452 13.3443C8.98674 13.3443 7.98624 12.67 7.98624 10.785C7.98624 8.9 9.02299 8.2475 10.0452 8.2475C11.053 8.2475 12.097 8.8855 12.097 10.785ZM10.0452 9.19C9.30574 9.19 9.16074 10.06 9.16074 10.785C9.16074 11.5172 9.30574 12.4017 10.0452 12.4017C10.7847 12.4017 10.9152 11.5245 10.9152 10.785C10.9152 10.06 10.7775 9.19 10.0452 9.19Z" fill="white" data-v-319c58be></path></svg></media-seek-forward-button><media-time-range data-v-319c58be></media-time-range><media-pip-button data-v-319c58be>
90<svg slot="icon" width="16" height="16" viewBox="0 0 16 16" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><path d="M13.2727 6.45455V1H1V13.2727H7.47727" stroke="white" stroke-width="1.5" data-v-319c58be></path><rect x="7.88599" y="7.20459" width="7.36364" height="7.36364" stroke="white" stroke-width="1.5" data-v-319c58be></rect></svg></media-pip-button><media-fullscreen-button data-v-319c58be><svg slot="enter" width="14" height="15" viewBox="0 0 14 15" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><line x1="0.750244" y1="3.27836e-08" x2="0.750244" y2="4.79972" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="12.9634" y1="14.4902" x2="12.9634" y2="9.69051" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="0.000244141" y1="13.7402" x2="4.79997" y2="13.7402" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="13.7134" y1="0.75" x2="8.91366" y2="0.75" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="4.7998" y1="0.75" x2="8.15392e-05" y2="0.75" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="8.91406" y1="13.7402" x2="13.7138" y2="13.7402" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="0.750244" y1="9.59961" x2="0.750244" y2="14.3993" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="12.9634" y1="4.7998" x2="12.9634" y2="8.15064e-05" stroke="white" stroke-width="1.5" data-v-319c58be></line></svg><svg slot="exit" width="14" height="15" viewBox="0 0 14 15" fill="none" xmlns="http://www.w3.org/2000/svg" data-v-319c58be><line x1="0.750244" y1="3.27836e-08" x2="0.750244" y2="4.79972" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="12.9634" y1="14.4902" x2="12.9634" y2="9.69051" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="0.000244141" y1="13.7402" x2="4.79997" y2="13.7402" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="13.7134" y1="0.75" x2="8.91366" y2="0.75" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="4.7998" y1="0.75" x2="8.15392e-05" y2="0.75" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="8.91406" y1="13.7402" x2="13.7138" y2="13.7402" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="0.750244" y1="9.59961" x2="0.750244" y2="14.3993" stroke="white" stroke-width="1.5" data-v-319c58be></line><line x1="12.9634" y1="4.7998" x2="12.9634" y2="8.15064e-05" stroke="white" stroke-width="1.5" data-v-319c58be></line></svg></media-fullscreen-button></media-control-bar></media-controller></div><div class="module-caption ff-secondary" data-v-8a286089><div class="cta" data-v-8a286089><!----><!----></div></div></div></div><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--right Modules__module" _key="6a3aede65825"><!----><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><!----><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--default CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p>The exhibition also includes <em>Homage to Claude</em>Â (1977), a sculpture first exhibited at that yearâs Whitney Biennial, presented here as a single work. Tuttle explained that he was âintrigued by the tiny figures you see in Claude [Lorrainâs] huge landscapes, but the title is non-consequential â perhaps, the first piece is about space and the second is about timeâ. Tuttleâs work is at once singular and familiar, its understated forms carrying an insistent, unknowable order. Viewed together, his exhibitions often resemble a musical score in which scale, space and perception are brought into intimate, sensual relation.</p><!--]--></div></div></div></div><div class="ModulesImages ModulesImages--inline Modules__module"><div class="BaseSwiper BaseSwiper--inline ModulesImages__swiper ModulesImages__swiper--default"><div class="BaseSwiper__container-wrap"><swiper-container init="false" class="BaseSwiper__container swiper-container"><!--[--><swiper-slide class="BaseSwiper__slide"><!--[--><img srcset="https://cdn.sanity.io/images/xt8jik0o/production/634c0469f167f463a841c213017f174a4ac56f49-2500x1667.jpg?w=950&fm=webp&fit=max 950w, https://cdn.sanity.io/images/xt8jik0o/production/634c0469f167f463a841c213017f174a4ac56f49-2500x1667.jpg?w=2500&fm=webp&fit=max 2500w" sizes="(min-width: 992px) 2500px, 100vw" src="https://cdn.sanity.io/images/xt8jik0o/production/634c0469f167f463a841c213017f174a4ac56f49-2500x1667.jpg?w=2500&fm=webp&fit=max" width="2500" height="1667" alt loading="lazy" class="BaseImage ModulesImages__image"><!--]--></swiper-slide><!--]--></swiper-container><!----><!----></div><div class="BaseSwiper__caption-container"><!--[--><div class="active BaseSwiper__caption wrap-full"><!--[--><div class="ModulesImages__caption--black ModulesImages__caption ff-secondary flex flex-wrap flex-align-en
90d ma-b"><div class=""><div class="cta"><em></em><!----></div></div><!----></div><!--]--></div><!--]--></div><!----></div></div><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--left Modules__module" _key="4bc3374d2231"><!----><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--large CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:1.4997000599880024;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAGAAAAgMAAAAAAAAAAAAAAAAAAAYBBQj/xAAgEAABBQACAgMAAAAAAAAAAAABAAIDBAUGERIhMUFR/8QAFAEBAAAAAAAAAAAAAAAAAAAAA//EABoRAAMBAAMAAAAAAAAAAAAAAAABAgMSITH/2gAMAwEAAhEDEQA/ANBbui3JybNx47ETewP0/SVuDc1k3rs1O5CyKYDyZ4H0Qm3Vz6+pSfUttLoX/IB6VRk8Pycq825Thc2do6BLiUVrTmnPg0PNQ1S7GMFChCUE/9k=" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="800.16" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>End</em><!--[-->, early 1970s acrylic on fir plywood, nail<!--]--></div></div><!----></div></div></div><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--narrow CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p>Richard Tuttle was born in 1941 in Rahway, New Jersey. He lives and works in New York and Abiquiú, New Mexico. At the age of 23, he joined Betty Parsons Gallery as an assistant. He mounted his first exhibition there the following year, in 1965. His work was soon included in exhibitions, among them <em>When Attitudes Become Form</em>, Kunsthalle Bern (1969), <em>Anti-Illusion: Procedures/Materials</em>, Whitney Museum of American Art, New York (1969); and <em>documenta 5</em>, Kassel (1972). A travelling retrospective, <em>The Art of Richard Tuttle</em>, was organised by San Francisco Museum of Modern Art in 2005 and mounted at venues including the Whitney Museum of American Art, Des Moines Art Center, Dallas Museum of Art, Museum of Contemporary Art, Chicago, and Museum of Contemporary Art, Los Angeles. In 2014, Tuttle was commissioned to create a new installation for the Turbine Hall at Tate Modern, which coincided with a solo exhibition at the Whitechapel Gallery, London. Tuttleâs solo exhibition <em>Half-Light</em>
90 opened at Dia Beacon in July 2026 and is on long-term view.</p><!--]--></div></div></div></div><div class="CompositeBlocks flex flex-wrap flex-md-justify-center CompositeBlocks--left Modules__module" _key="ce223397ebc9"><div class="CompositeBlocks__col CompositeBlocks__col--left flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--small CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:0.8004;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,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" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="1499.2503748125937" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Center</em><!--[-->, early 1970s, 1/4 fir plywood, nails, viridian<!--]--></div></div><!----></div></div></div></div><div class="CompositeBlocks__col flex-md flex-md-wrap flex-md-align-end"><div class="ModulesCompositeBlocksImage ModulesCompositeBlocksImage--large CompositeBlocks__item" data-v-99e5aba5><div class="ModulesCompositeBlocksImage__inner module" data-v-99e5aba5><div style="aspect-ratio:1.4997000599880024;" class="BaseImageWrap ModulesCompositeBlocksImage__image-wrap" data-v-99e5aba5><!--[--><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAFgABAQEAAAAAAAAAAAAAAAAAAwAI/8QAGxAAAgIDAQAAAAAAAAAAAAAAAQIAEQMSUWH/xAAVAQEBAAAAAAAAAAAAAAAAAAAAAf/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/ANIk1DTKHYgG+RHXZasj0Qhg1YNuxrsga5SlKP/Z" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="800.16" alt class="BaseImageLazy ModulesCompositeBlocksImage__image v-lazy-image" data-v-99e5aba5><!--]--></div><div class="module-caption flex flex-wrap ff-secondary" data-v-99e5aba5><div class="" data-v-99e5aba5><div class="cta" data-v-99e5aba5><em data-v-99e5aba5>Rest</em><!--[-->, early 1970s, 1/2" molding painted white, nail<!--]--></div></div><!----></div></div></div><div class="ModulesCompositeBlocksText ff-secondary ModulesCompositeBlocksText--narrow CompositeBlocks__item" data-v-6cc5c663><div class="BaseContent text ModulesCompositeBlocksText__body" data-v-6cc5c663><!--[--><p>Tuttleâs work is held in collections including Musée National dâArt Moderne â Centre Pompidou, Paris; Louisiana Museum of Modern Art, Humlebæk; Museum Ludwig, Cologne; Museum of Modern Art, New York; the Stedelijk Museum, Amsterdam; Des Moines Art Center; Serralves Museum, Porto; Kunstmuseum Winterthur; Moderna Museet, Stockholm; Museum of Modern Art, New York; Museum Brandhorst, Munich; Ludwig Museum, Cologne; S.M.A.K. â Stedelijk Museum voor Actuele Kunst, Ghent; Whitney Museum of American Art, New York, Tate, London; and the Walker Art Center, Minneapolis.</p><p></p><p>For press enquiries, please contact <a href="mailto:[email protected]" target="_blank" class="cta" linktype="linkExternal"><!--[-->Sam Talbot<!--]--></a>.</p><!--]--></div></div></div></div><!--]--></div><div class="PageExhibitionsEntry__section PageExhibitionsEntry__section--related-entries"><div class="PageExhibitionsEntry__section-title wrap-full ta-c"><h3 class="ma-b">Related</h3></div><div class="RelatedEntries" data-v-018806d5><swiper-container init="false" class="RelatedEntries__swiper-container swiper-container" data-v-018806d5><!--[--><swiper-slide class="RelatedEntries__swiper-slide" data-v-018806d5><div class="RelatedEntriesArtist RelatedEntries__entry" data-v-018806d5><a href="/en/artists/richard-tuttle" class="related__image-wrap"><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAGQAAAgMBAAAAAAAAAAAAAAAAAAUBBAYH/8QAIBAAAgEEAgMBAAAAAAAAAAAAAQIDAAQFEQYSEyExUf/EABQBAQAAAAAAAAAAAAAAAAAAAAP/xAAXEQEBAQEAAAAAAAAAAAAAAAABAgAh/9oADAMBAAIRAxEAPwDvPJM2MJbwytbvP5H6aU/KWLy9fLEslm6h2C77g63WivrOC9iCXMYdQd6NUYsDj4pVdbdeynYoqm145JYDpmyN2UH9oqR6Hyilx7//2Q==" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="799.6800000000001" alt class="BaseImageLazy related__image v-lazy-image"></a><span class="related__title ff-secondary ta-c"><a href="/en/artists/richard-tuttle" class="cta"><em><!--[-->Richard<!--]--> Tuttle</em></a><!----><!----></span></div></swiper-slide><swiper-slide class="RelatedEntries__swiper-slide" data-v-018806d5><div class="RelatedEntriesExhibition RelatedEntries__entry" data-v-018806d5><a href="/en/exhibitions/village-v" class="related__image-wrap"><img src="data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAMGBQf/xAAjEAACAgECBgMAAAAAAAAAAAABAgADERMhBAUGEhQVMmGB/8QAFgEBAQEAAAAAAAAAAAAAAAAAAQIE/8QAGxEAAgIDAQAAAAAAAAAAAAAAAAECEwMRMVH/2gAMAwEAAhEDEQA/AOl+QgrOwzFgql+Sy4JmAOdWdpbRSI9/aWI0U2+5ktXorDLXCoPFoT8YSPu6iuR8ChD+wjYiKJn/2Q==" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="800" alt class="BaseImageLazy related__image v-lazy-image"></a><span class="related__title ff-secondary ta-c"><a href="/en/exhibitions/village-v" class="cta"><em>Village V</em></a><br> Bury Street</span></div></swiper-slide><swiper-slide class="RelatedEntries__swiper-slide" data-v-018806d5><div class="RelatedEntriesProduct RelatedEntries__entry" data-v-018806d5><a href="/en/products/thestars" class="related__image-wrap"><img src="data:image/jpeg;base64,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" sizes="(min-width: 992px) 1200px, 100vw" width="1200" height="900.3201707577375" alt class="BaseImageLazy related__image v-lazy-image"></a><span class="related__title ff-secondary ta-c"><a href="/en/products/thestars" class="cta"><em>TheStars</em></a><!--[--><br>Richard Tuttle<!--]--></span></div></swiper-slide><!--]--></swiper-container><!----><!----></div></div><div class="PageExhibitionsEntry__button-wrap wrap-full ta-c"><button aria-label="Back to top" class="ButtonBackToTop cta PageExhibitionsEntry__button">Back to Top</button><a href="https://cdn.sanity.io/files/xt8jik0o/production/74647dcd49745831bdbf0fc8128c0840789bbe4f.pdf" rel="noopener noreferrer" target="_blank" class="PageExhibitionsEntry__button cta">Press Release</a></div></div></div><div class="BaseOverlay view" data-v-981b2880><div class="BaseOverlay__inner" data-v-981b2880><!--[--><div class="PageExhibitionsEntry__view-content--press-release view-content wrap flex flex-wrap flex-align-center"><div class="view-top"><h3>Press Release</h3></div><div class="PageExhibitionsEntry__view-content-inner"><div class="PageExhibitionsEntry__press-image-container col col-ce
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90ie, créant des Åuvres qui expriment un profond sentiment de vulnérabilité physique et remettent en question les présupposés dominants concernant le spectaculaire, lâautorité de la matière et la permanence. Comme lâa déclaré Tuttle : « Les gens aiment ce qui dure ; moi, jâaime ce qui disparaît. »",[],{"_key":1352,"_type":698,"children":1353,"markDefs":1357,"style":706},"b0e1c48cbbd4",[1354],{"_key":1355,"_type":702,"marks":1356,"text":1341},"3e9fc42a92740",[],[],{"_key":1359,"_type":698,"children":1360,"markDefs":1373,"style":706},"5785d0dff4ae",[1361,1365,1369],{"_key":1362,"_type":702,"marks":1363,"text":1364},"c4c2f4bbf1f90",[],"Bien que Tuttle ait déjà exposé dans dâimportantes expositions à travers lâEurope, notamment à la ",{"_key":1366,"_type":702,"marks":1367,"text":1368},"c4c2f4bbf1f91",[1170],"documenta 5",{"_key":1370,"_type":702,"marks":1371,"text":1372},"c4c2f4bbf1f92",[]," de Kassel en 1972, câest en 1975 quâil fut présenté pour la première fois à un public américain plus large, à travers une exposition personnelle au Whitney Museum de New York, organisée par Marcia Tucker. Les aspects radicalement réduits de son travail suscitèrent la controverse et conduisirent finalement au départ de Tucker du Whitney, puis à la fondation par celle-ci du New Museum of Contemporary Art.",[],{"_key":1375,"_type":698,"children":1376,"markDefs":1380,"style":706},"c543eac989c9",[1377],{"_key":1378,"_type":702,"marks":1379,"text":1341},"5e4de7975b3d0",[],[],{"_key":1382,"_type":698,"children":1383,"markDefs":1396,"style":706},"c3b0987be149",[1384,1388,1392],{"_key":1385,"_type":702,"marks":1386,"text":1387},"1ad9d5aac2a60",[],"Lâexposition comprend également ",{"_key":1389,"_type":702,"marks":1390,"text":1391},"1ad9d5aac2a61",[1170],"Homage to Claude",{"_key":1393,"_type":702,"marks":1394,"text":1395},"1ad9d5aac2a62",[]," (1977), une sculpture présentée pour la première fois lors de la Whitney Biennial de cette même année et présentée ici comme une Åuvre autonome. Tuttle expliquait quâil était « intrigué par les minuscules figures que lâon voit dans les immenses paysages de Claude [Lorrain], mais que le titre nâa pas de conséquence â peut-être que la première Åuvre parle de lâespace et la seconde du temps ». Le travail de Tuttle est à la fois singulier et familier ; ses formes discrètes sont porteuses dâun ordre insistant et pourtant insondable. Considérées ensemble, ses expositions évoquent souvent une partition musicale dans laquelle lâéchelle, lâespace et la perception sont mis en relation de manière intime et sensuelle.",[],{"_key":1398,"_type":698,"children":1399,"markDefs":1403,"style":706},"d076d0c4039d",[1400],{"_key":1401,"_type":702,"marks":1402,"text":1341},"e38b005d30650",[],[],{"_key":1405,"_type":698,"children":1406,"markDefs":1450,"style":706},"150106e595af",[1407,1411,1415,1419,1423,1427,1430,1434,1438,1442,1446],{"_key":1408,"_type":702,"marks":1409,"text":1410},"4a9f4e2fab610",[],"Richard Tuttle est né en 1941 à Rahway, dans le New Jersey. Il vit et travaille à New York et à Abiquiú, au Nouveau-Mexique. à lââge de 23 ans, il rejoint la galerie Betty Parsons en tant quâassistant. Il y organise sa première exposition lâannée suivante, en 1965. Son travail est rapidement présenté dans de nombreuses expositions, parmi lesquelles ",{"_key":1412,"_type":702,"marks":1413,"text":1414},"4a9f4e2fab611",[1170],"When Attitudes Become Form",{"_key":1416,"_type":702,"marks":1417,"text":1418},"4a9f4e2fab612",[],", Kunsthalle de Berne (1969) ; ",{"_key":1420,"_type":702,"marks":1421,"text":1422},"4a9f4e2fab613",[1170],"Anti-Illusion: Procedures/Materials",{"_key":1424,"_type":702,"marks":1425,"text":1426},"4a9f4e2fab614",[],", Whitney Museum of American Art, New York (1969) ; et ",{"_key":1428,"_type":702,"marks":1429,"text":1368},"4a9f4e2fab615",[1170],{"_key":1431,"_type":702,"marks":1432,"text":1433},"4a9f4e2fab616",[],", Kassel (1972). Une rétrospective itinérante, ",{"_key":1435,"_type":702,"marks":1436,"text":1437},"4a9f4e2fab617",[1170],"The Art of Richard Tuttle",{"_key":1439,"_type":702,"marks":1440,"text":1441},"4a9f4e2fab618",[],", est organisée en 2005 par le San Francisco Museum of Modern Art et présentée dans plusieurs institutions, notamment au Whitney Museum of American Art, au Des Moines Art Center, au Dallas Museum of Art, au Museum of Contemporary Art de Chicago et au Museum of Contemporary Art de Los Angeles. En 2014, Tuttle est invité à réaliser une nouvelle installation pour la Turbine Hall de la Tate Modern, à Londres, à lâoccasion de laquelle une exposition personnelle lui est également consacrée à la Whitechapel Gallery de Londres. 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Les Åuvres de Richard Tuttle figurent dans les collections de nombreuses institutions, parmi lesquelles le Centre Pompidou, Paris ; le Louisiana Museum of Modern Art, Humlebæk ; le Museum Ludwig, Cologne ; le Museum of Modern Art, New York ; le Stedelijk Museum, Amsterdam ; le Des Moines Art Center, Iowa ; le musée de Serralves, Porto ; le Kunstmuseum Winterthur ; le Moderna Museet, Stockholm ; le Museum Brandhorst, Munich ; le Ludwig Museum, Cologne ; le S.M.A.K. â Stedelijk Museum voor Actuele Kunst, Gand ; le Whitney Museum of American Art ; la Tate, Londres ; et le Walker Art Center, Minneapolis.",[],{"cn":8,"en":1452,"fr":1461},[1453],{"_key":1454,"_type":698,"body":8,"children":1455,"links":8,"markDefs":1460,"style":706}
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