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96</head> 97 <body data-email-protected="" 98 data-section-key="news" 99 data-section-id="569f77d9cfaf347f2d8b457d" 100 class=" 101 ada-compliance s-news 102 "> 103 <a href="#contentWrapper" id="skipToContent">Skip to content</a> 104 <input type="hidden" value="" id="email-protected-header"/> 105 <input type="hidden" value="" id="email-protected-description"/> 106 <input type="hidden" value="First Name" id="email-protected-first-name-field-text"/> 107 <input type="hidden" value="Last Name" id="email-protected-last-name-field-text"/> 108 <input type="hidden" value="Email" id="email-protected-email-field-text"/> 109 <input type="hidden" value="Subscribe" id="email-protected-subscribe-button-text"/> 110 111 <header class='main-header 112 '> 113 <div class='container'> 114 <a class='logo' href='/'><img itemprop="image" class="alt-standard" alt="AINA Gallery" src="https://s3.amazonaws.com/files.collageplatform.com.prod/application/65b96d8b105ea3d323069fd9/08d7f29ec91ccc85dce9b5ee3143b0be.png" width="150"/></a><nav class='main'><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/fairs">Fairs</a><a href="/publications">Publications</a><a href="/news/c/news" class="active">News</a><a href="/about">About</a></nav><nav class='languages'></nav><div class="mobile-menu-wrapper"><nav class='mobile'><a class="menu" href="#">Menu</a><div class="navlinks"><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/fairs">Fairs</a><a href="/publications">Publications</a><a href="/news/c/news" class="active">News</a><a href="/about">About</a></div></nav></div> 115 </div> 116 </header> 117 <div id="contentWrapper" tabindex="-1" class="contentWrapper"> 118 <section class='news home'> 119 120 121 122 123 124 125<div id="news-grid" class='grid-container custom-grid-container custom-grid-news'> 126 127 128 129 130 131 132<div class="container "><header class="section-header divider links-only 133 134 "><span class='links switch'><a class='active' href='/news/c/news'>News</a><a href='/news/c/archive'>Archive</a><a href="/news?period=past">View All</a></span></header></div> 135 136 <div id="" class='container fixed-font custom-grid-news'><div class='entry'> 137 <a href='/news/aina-gallery-opens-october-1-2026'> 138 <div class="placeholder"> 139 <div class="image"> 140 <img itemprop="image" alt='AINA Gallery Opens October 1, 2026' 141 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2eee94433f0fa3a5cffa2830e1f6e0af.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2eee94433f0fa3a5cffa2830e1f6e0af.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2eee94433f0fa3a5cffa2830e1f6e0af.jpeg 2x" 142 class="rollover-image-out"> 143 </div> 144 </div> 145 <div class="titles" data-categories="News"> 146 <div class="title">AINA Gallery Opens October 1, 2026</div> 147 148
149 <span class="subtitle">Aicon Art's Next Chapter</span> 150 <span class="date"> 151 September 12, 2026 152 </span> 153 </div> 154 </a> <div class="summary paragraph-styling"><p>AINA Gallery is pleased to announce its launch in New York's Chelsea neighborhood, establishing a permanent destination for non-Western modern and global contemporary art.</p></div> 155 <div class='links'> 156 </div> 157 </div><div class='entry'> 158 <a href='/news/camden-newsroom-landmark-exhibition-of-acclaimed-artist-lancelot-ribeiro-returns-to-swiss-cottage'> 159 <div class="placeholder"> 160 <div class="image"> 161 <img itemprop="image" alt='Camden Newsroom | Landmark exhibition of acclaimed artist Lancelot Ribeiro returns to Swiss Cottage' 162 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69ab6dfe942f2234735899ea49a55196.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69ab6dfe942f2234735899ea49a55196.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69ab6dfe942f2234735899ea49a55196.png 2x" 163 class="rollover-image-out"> 164 </div> 165 </div> 166 <div class="titles" data-categories="News"> 167 <div class="title">Camden Newsroom | Landmark exhibition of acclaimed artist Lancelot Ribeiro returns to Swiss Cottage</div> 168 169 170 <span class="subtitle">Lancelot Ribeiro</span> 171 <span class="date"> 172 July 01, 2026 173 </span> 174 </div> 175 </a> <div class="summary paragraph-styling"><p>Camden Council is proud to present Lancelot Ribeiro: A Retrospective Revisited, a major exhibition celebrating the life and work of one of Britain's most distinctive modern artists, at Swiss Cottage Gallery from 1 July to 6 August 2026.</p></div> 176 <div class='links'> 177 </div> 178 </div><div class='entry'> 179 <a href='/news/youlin-magazine-fragile-frugal-fervent-the-art-of-punjab-at-venice-biennale'> 180 <div class="placeholder"> 181 <div class="image"> 182 <img itemprop="image" alt='Youlin Magazine | Fragile, Frugal, Fervent: The Art of Punjab at Venice Biennale' 183 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/13cb7745ee0911250112688a9b4d092b.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/13cb7745ee0911250112688a9b4d092b.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/13cb7745ee0911250112688a9b4d092b.jpeg 2x" 184 class="rollover-image-out"> 185 </div> 186 </div> 187 <div class="titles" data-categories="News"> 188 <div class="title">Youlin Magazine | Fragile, Frugal, Fervent: The Art of Punjab at Venice Biennale</div> 189 190
191 <span class="subtitle">Faiza Butt</span> 192 <span class="date"> 193 June 30, 2026 194 </span> 195 </div> 196 </a> <div class="summary paragraph-styling"><p>When political and divisive discourses stall, creative expressions provide the subtle vocabulary needed to bridge deep divides. ‎</p></div> 197 <div class='links'> 198 </div> 199 </div><div class='entry'> 200 <a href='/news/marie-claire-beauty-protest-and-power-these-are-the-women-leading-the-way-at-the-venice-biennale-2026'> 201 <div class="placeholder"> 202 <div class="image"> 203 <img itemprop="image" alt='Marie Claire | Beauty, Protest and Power: These Are the Women Leading the Way at the Venice Biennale 2026' 204 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0fd04991ac6fc869b201ef9bc33c2b71.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0fd04991ac6fc869b201ef9bc33c2b71.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0fd04991ac6fc869b201ef9bc33c2b71.png 2x" 205 class="rollover-image-out"> 206 </div> 207 </div> 208 <div class="titles" data-categories="News"> 209 <div class="title">Marie Claire | Beauty, Protest and Power: These Are the Women Leading the Way at the Venice Biennale 2026</div> 210 211 212 <span class="subtitle">Faiza Butt</span> 213 <span class="date"> 214 June 24, 2026 215 </span> 216 </div> 217 </a> <div class="summary paragraph-styling"><p>Inspired by Koyo Kouoh, the Venice Biennale curator who passed away before her vision was realised, Marie Claire columnist Bakul Patki shares her pick of the best female presentations at this year’s edition.</p></div> 218 <div class='links'> 219 </div> 220 </div><div class='entry'> 221 <a href='/news/images-faiza-butt-
221on-representing-pakistan-at-the-venice-biennale'> 222 <div class="placeholder"> 223 <div class="image"> 224 <img itemprop="image" alt='Images | Faiza Butt on representing Pakistan at the Venice Biennale' 225 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0a18b1d68eb2bc17ca6d368996fd7569.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0a18b1d68eb2bc17ca6d368996fd7569.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0a18b1d68eb2bc17ca6d368996fd7569.jpeg 2x" 226 class="rollover-image-out"> 227 </div> 228 </div> 229 <div class="titles" data-categories="News"> 230 <div class="title">Images | Faiza Butt on representing Pakistan at the Venice Biennale</div> 231 232 233 <span class="subtitle">Faiza Butt</span> 234 <span class="date"> 235 April 25, 2026 236 </span> 237 </div> 238 </a> <div class="summary paragraph-styling"><p>Titled ‘Punj •AB — A Sublime Terrain’, this year’s Pakistan Pavilion marks only the second time the country has participated in the Venice Biennale.</p></div> 239 <div class='links'> 240 </div> 241 </div><div class='entry'> 242 <a href='/news/artnet-the-monumental-impact-of-indian-miniature-painting'> 243 <div class="placeholder"> 244 <div class="image"> 245 <img itemprop="image" alt='ArtNet | The Monumental Impact of Indian Miniature Painting' 246 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/abf5e8eede610562dbb9bb586fbb4b00.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/abf5e8eede610562dbb9bb586fbb4b00.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/abf5e8eede610562dbb9bb586fbb4b00.jpeg 2x" 247 class="rollover-image-out"> 248 </div> 249 </div> 250 <div class="titles" data-categories="News"> 251 <div class="title">ArtNet | The Monumental Impact of Indian Miniature Painting</div> 252 253
254 <span class="subtitle">Aicon Art</span> 255 <span class="date"> 256 April 4, 2026 257 </span> 258 </div> 259 </a> <div class="summary paragraph-styling"><p>Aicon Art presents "Courtly Visions: Indian Miniature Painting," the gallery's first exhibition dedicated to the historic tradition.</p></div> 260 <div class='links'> 261 </div> 262 </div><div class='entry'> 263 <a href='/news/phillips-the-light-and-the-landscape'> 264 <div class="placeholder"> 265 <div class="image"> 266 <img itemprop="image" alt='Phillips | The Light and the Landscape' 267 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/fc180e368cffdb0de5b300258e048bae.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/fc180e368cffdb0de5b300258e048bae.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/fc180e368cffdb0de5b300258e048bae.jpeg 2x" 268 class="rollover-image-out"> 269 </div> 270 </div> 271 <div class="titles" data-categories="News"> 272 <div class="title">Phillips | The Light and the Landscape</div> 273 274 275 <span class="subtitle">Lancelot Ribeiro</span> 276 <span class="date"> 277 March 7, 2026 278 </span> 279 </div> 280 </a> <div class="summary paragraph-styling"><p>Marsha Ribeiro on her father's legacy and the South Asian artists who blur the distinctions between modern and contemporary art today.</p></div> 281 <div class='links'> 282 </div> 283 </div><div class='entry'> 284 <a href='/news/observer-after-dohas-spectacle-delhi-delivered-substance'> 285 <div class="placeholder"> 286 <div class="image"> 287 <img itemprop="image" alt='Observer | After Doha's Spectacle, Delhi Delivered Substance' 288 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bec680aa5b12fde23a4b77e119125553.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bec680aa5b12fde23a4b77e119125553.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bec680aa5b12fde23a4b77e119125553.jpeg 2x" 289 class="rollover-image-out"> 290 </div> 291 </div> 292 <div class="titles" data-categories="News"> 293 <div class="title">Observer | After Doha's Spectacle, Delhi Delivered Substance</div> 294 295
296 <span class="subtitle">India Art Fair 2026</span> 297 <span class="date"> 298 February, 9, 2026 299 </span> 300 </div> 301 </a> <div class="summary paragraph-styling"><p>This year's India Art Fair showcased a self-sufficient ecosystem that balances regional depth, global ambition and a rapidly expanding collector base.</p></div> 302 <div class='links'> 303 </div> 304 </div><div class='entry'> 305 <a href='/news/art-asia-pacific-faiza-butt-to-represent-pakistan-at-61st-venice-biennale'> 306 <div class="placeholder"> 307 <div class="image"> 308 <img itemprop="image" alt='Art Asia Pacific | Faiza Butt to Represent Pakistan at 61st Venice Biennale' 309 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1d6b3e6b7eb2479f5b1d0277abbb1f7b.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1d6b3e6b7eb2479f5b1d0277abbb1f7b.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1d6b3e6b7eb2479f5b1d0277abbb1f7b.jpeg 2x" 310 class="rollover-image-out"> 311 </div> 312 </div> 313 <div class="titles" data-categories="News"> 314 <div class="title">Art Asia Pacific | Faiza Butt to Represent Pakistan at 61st Venice Biennale</div> 315 316 317 <span class="subtitle">Faiza Butt</span> 318 <span class="date"> 319 January 29, 2025 320 </span> 321 </div> 322 </a> <div class="summary paragraph-styling"><p>Curated by Beatriz Cifuentes Feliciano and titled “Punj•AB—A Sublime Terrain,” the Pakistani Pavilion will explore the cultural landscape of Punjab—a region that was split during the partition of India in 1947.</p></div> 323 <div class='links'> 324 </div> 325 </div><div class='entry'> 326 <a href='/news/asia-art-pacific-inside-the-life-mind-and-vision-of-an-artistic-pioneer'> 327 <div class="placeholder"> 328 <div class="image"> 329 <img itemprop="image" alt='Asia Art Pacific | Inside the Life, Mind, and Vision of an Artistic Pioneer' 330 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/45b9a5e9bc367023ed64761938ea9a04.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/45b9a5e9bc367023ed64761938ea9a04.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/45b9a5e9bc367023ed64761938ea9a04.jpeg 2x" 331 class="rollover-image-out"> 332 </div> 333 </div> 334 <div class="titles" data-categories="News"> 335 <div class="title">Asia Art Pacific | Inside the Life, Mind, and Vision of an Artistic Pioneer</div> 336 337
338 <span class="subtitle">Maqbool Fida Husain</span> 339 <span class="date"> 340 January 23, 2026 341 </span> 342 </div> 343 </a> <div class="summary paragraph-styling"><p>Qatar Foundation has unveiled Lawh Wa Qalam: M. F. Husain Museum—a new addition to the cultural and creative landscape of Qatar and the Arab world.</p></div> 344 <div class='links'> 345 </div> 346 </div><div class='entry'> 347 <a href='/news/air-india-air-india-celebrates-the-new-year-with-a-collaboration-with-renowned-artist-paresh-maity'> 348 <div class="placeholder"> 349 <div class="image"> 350 <img itemprop="image" alt='Air India | Air India celebrates the New Year with a collaboration with renowned artist Paresh Maity' 351 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c9bec7c7c760d1620788c1a5fc669112.png' 352 class="rollover-image-out"> 353 </div> 354 </div> 355 <div class="titles" data-categories="News"> 356 <div class="title">Air India | Air India celebrates the New Year with a collaboration with renowned artist Paresh Maity</div> 357 358 359 <span class="subtitle">Paresh Maity</span> 360 <span class="date"> 361 January 02, 2026 362 </span> 363 </div> 364 </a> <div class="summary paragraph-styling"><p>Air India has conceptualised a special ‘Art Edition’ that places Indian art and artistic expression firmly at the heart of its narrative, reinforcing the airline’s intent to represent India beyond travel. </p></div> 365 <div class='links'> 366 </div> 367 </div><div class='entry'> 368 <a href='/news/tussle-sneha-shrestha-a-new-caligraphic-abstraction'> 369 <div class="placeholder"> 370 <div class="image"> 371 <img itemprop="image" alt='TUSSLE | Sneha Shrestha A New Caligraphic Abstraction' 372 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9ddb0860312a3b5167167b24139436da.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9ddb0860312a3b5167167b24139436da.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9ddb0860312a3b5167167b24139436da.jpeg 2x" 373 class="rollover-image-out"> 374 </div> 375 </div> 376 <div class="titles" data-categories="News"> 377 <div class="title">TUSSLE | Sneha Shrestha A New Caligraphic Abstraction</div> 378 379
380 <span class="subtitle">Sneha Shrestha</span> 381 <span class="date"> 382 December 20, 2025 383 </span> 384 </div> 385 </a> <div class="summary paragraph-styling"><p>“I was born and raised in Nepal; I didn’t really meet artists. I’d never been to a gallery in my life when I was in Nepal.” So says Boston-based artist Sneha Shrestha.</p></div> 386 <div class='links'> 387 </div> 388 </div><div class='entry'> 389 <a href='/news/nbc4-washington-artist-tells-story-behind-huge-red-sculpture-in-logan-circle'> 390 <div class="placeholder"> 391 <div class="image"> 392 <img itemprop="image" alt='Victor Ekpuk Poses With His Sculpture "The Dance" on 14th and R St. DC. Photo by: Eugene O. Smith, Jr. ' 393 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0dc06b494210f9f3de15f20f204cf30a.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0dc06b494210f9f3de15f20f204cf30a.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0dc06b494210f9f3de15f20f204cf30a.png 2x" 394 class="rollover-image-out"> 395 </div> 396 </div> 397 <div class="titles" data-categories="News"> 398 <div class="title">NBC4 Washington | Artist tells story behind huge red sculpture in Logan Circle</div> 399 400 401 <span class="subtitle">Victor Ekpuk</span> 402 <span class="date"> 403 October 14, 2025 404 </span> 405 </div> 406 </a> <div class="summary paragraph-styling"><p>Victor Ekpuk said the idea behind <em>The Dancer </em>was to capture the essence of the neighborhood. He spoke with News4’s Shawn Yancy about the project and what he hopes people will take from it.</p></div> 407 <div class='links'> 408 </div> 409 </div><div class='entry'> 410 <a href='/news/artnet-how-one-collector-helped-shape-the-legacy-of-indias-most-celebrated-modernist'> 411 <div class="placeholder"> 412 <div class="image"> 413 <img itemprop="image" alt='ARTNET | How One Collector Helped Shape the Legacy of India's Most Celebrated Modernist' 414 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/836d1ee90e96bc145573b98ab9fe5314.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/836d1ee90e96bc145573b98ab9fe5314.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/836d1ee90e96bc145573b98ab9fe5314.jpeg 2x" 415 class="rollover-image-out"> 416 </div> 417 </div> 418 <div class="titles" data-categories="Reviews and Features, News"> 419 <div class="title">ARTNET | How One Collector Helped Shape the Legacy of India's Most Celebrated Modernist</div> 420 421
422 <span class="subtitle">Maqbool Fida Husain</span> 423 <span class="date"> 424 October 12, 2025 425 </span> 426 </div> 427 </a> <div class="summary paragraph-styling"><p>Aicon Art presents a solo exhibition on Maqbool Fida Husain and his generative relationship with patrons Chester and Davida Herwitz.</p></div> 428 <div class='links'> 429 </div> 430 </div><div class='entry'> 431 <a href='/news/minimal-featuring-rasheed-araeen-at-the-pinault-collection-bourse-de-commerce-paris-france'> 432 <div class="placeholder"> 433 <div class="image"> 434 <img itemprop="image" alt='âMinimalâ featuring Rasheed Araeen at the Pinault Collection, Bourse de Commerce, Paris, France' 435 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/221a635e23573e33d81d9a10e29cb09f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/221a635e23573e33d81d9a10e29cb09f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/221a635e23573e33d81d9a10e29cb09f.jpeg 2x" 436 class="rollover-image-out"> 437 </div> 438 </div> 439 <div class="titles" data-categories="News"> 440 <div class="title">âMinimalâ featuring Rasheed Araeen at the Pinault Collection, Bourse de Commerce, Paris, France</div> 441 442 443 <span class="subtitle">Rasheed Araeen</span> 444 <span class="date"> 445 October 8, 2025 446 </span> 447 </div> 448 </a> <div class="summary paragraph-styling"><p>From 8 October 2025 – 19 January 2026, the Pinault Collection presents ‘Minimal’ featuring Rasheed Araeen at the Bourse de Commerce.</p></div> 449 <div class='links'> 450 </div> 451 </div><div class='entry'> 452 <a href='/news/the-2025-margaret-h-demant-african-art-award-honoree'> 453 <div class="placeholder"> 454 <div class="image"> 455 <img itemprop="image" alt='The 2025 Margaret H. Demant African Art Award Honoree' 456 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5823b3c2ace59079adbf182ff1307a74.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5823b3c2ace59079adbf182ff1307a74.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5823b3c2ace59079adbf182ff1307a74.jpeg 2x" 457 class="rollover-image-out"> 458 </div> 459 </div> 460 <div class="titles" data-categories="News"> 461 <div class="title">
461The 2025 Margaret H. Demant African Art Award Honoree</div> 462 463 464 <span class="subtitle">Victor Ekpuk</span> 465 <span class="date"> 466 October 5, 2025 467 </span> 468 </div> 469 </a> <div class="summary paragraph-styling"><p>Marvin & Betty Danto Lecture Hall - Detroit Institute of Arts</p></div> 470 <div class='links'> 471 </div> 472 </div><div class='entry'> 473 <a href='/news/bradford-2025-faiza-butt-announced-as-the-next-artist-for-draw'> 474 <div class="placeholder"> 475 <div class="image"> 476 <img itemprop="image" alt='Bradford 2025 | Faiza Butt announced as the next artist for DRAW!' 477 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e8db8c466f7ae407886cc046676931cd.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e8db8c466f7ae407886cc046676931cd.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e8db8c466f7ae407886cc046676931cd.jpeg 2x" 478 class="rollover-image-out"> 479 </div> 480 </div> 481 <div class="titles" data-categories="News"> 482 <div class="title">Bradford 2025 | Faiza Butt announced as the next artist for DRAW!</div> 483 484 485 <span class="subtitle">Faiza Butt</span> 486 <span class="date"> 487 September 5, 2025 488 </span> 489 </div> 490 </a> <div class="summary paragraph-styling"><p>British-Pakistani artist Faiza Butt has been announced as the September featured artist for DRAW!, a nation-wide drawing project presented byâ¯Bradfordâ¯2025 UK City of Cultureâ¯and inspired and supported byâ¯Bradford-born artist David Hockney.</p></div> 491 <div class='links'> 492 </div> 493 </div><div class='entry'> 494 <a href='/news/the-new-yor
494k-times-daunted-by-the-sprawling-armory-show-try-these-13-certified-winners'> 495 <div class="placeholder"> 496 <div class="image"> 497 <img itemprop="image" alt='The New York Times | Daunted by the Sprawling Armory Show? Try These 13 Certified Winners.' 498 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69f916443dca5af534f71d959e08c144.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69f916443dca5af534f71d959e08c144.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69f916443dca5af534f71d959e08c144.jpeg 2x" 499 class="rollover-image-out"> 500 </div> 501 </div> 502 <div class="titles" data-categories="News"> 503 <div class="title">The New York Times | Daunted by the Sprawling Armory Show? Try These 13 Certified Winners.</div> 504 505 506 <span class="subtitle"></span> 507 <span class="date"> 508 September 4, 2025 509 </span> 510 </div> 511 </a> <div class="summary paragraph-styling"><p>With its crowd-pleasers and safe bets, this big trade show tones it down for an uncertain art market. Our critics sampled the global art scene for these discoveries.</p></div> 512 <div class='links'> 513 </div> 514 </div><div class='entry'> 515 <a href='/news/tussle-victor-ekpuk-looking-back-and-forward'> 516 <div class="placeholder"> 517 <div class="image"> 518 <img itemprop="image" alt='Tussle | Victor Ekpuk Looking Back and Forward' 519 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9fd5959b7ca1ba1ca98c006f4af21ede.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9fd5959b7ca1ba1ca98c006f4af21ede.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9fd5959b7ca1ba1ca98c006f4af21ede.jpeg 2x" 520 class="rollover-image-out"> 521 </div> 522 </div> 523 <div class="titles" data-categories="Reviews and Features, News"> 524 <div class="title">
524Tussle | Victor Ekpuk Looking Back and Forward</div> 525 526 527 <span class="subtitle">Victor Ekpuk</span> 528 <span class="date"> 529 July 25, 2025 530 </span> 531 </div> 532 </a> <div class="summary paragraph-styling"><p><em>Victor Ekpuk: Looking Back and Forward</em> is not comprehensive enough to be a retrospective. But it spans most of Ekpuk’s artistic career, and it says enough to validate two things. First, with regard to both portraiture and collage, we see him pushing boundaries. Second, it tells us that the artist Victor Ekpuk is both authentically African and authentically global.</p></div> 533 <div class='links'> 534 </div> 535 </div><div class='entry'> 536 <a href='/news/canal-algerie-lexposition-les-nuits-du-destin-de-rachid-koraichi-anime-aicon-gallery-a-new-york'> 537 <div class="placeholder"> 538 <div class="image"> 539 <img itemprop="image" alt='Canal Algérie | L'exposition &quot;les Nuits du Destin&quot; de Rachid Koraïchi anime Aicon gallery à New York' 540 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/07f284f869debd3fe2eff24502b66171.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/07f284f869debd3fe2eff24502b66171.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/07f284f869debd3fe2eff24502b66171.jpeg 2x" 541 class="rollover-image-out"> 542 </div> 543 </div> 544 <div class="titles" data-categories="News"> 545 <div class="title">Canal Algérie | L'exposition "les Nuits du Destin" de Rachid Koraïchi anime Aicon gallery à New York</div> 546 547 548 <span class="subtitle">Rachid Koraïchi</span> 549 <span class="date"> 550 May 11, 2025 551 </span> 552 </div> 553 </a> <div class='links'> 554 </div> 555 </div><div class='entry'> 556 <a href='/news/djunta-mo'> 557 <div class="placeholder"> 558 <div class="image"> 559 <img itemprop="image" alt='Djunta Mo' 560 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f7017ec613248021db1a0aea13a1cac7.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f7017ec613248021db1a0aea13a1cac7.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f7017ec613248021db1a0aea13a1cac7.jpeg 2x" 561 class="rollover-image-out"> 562 </div> 563 </div> 564 <div class="titles" data-categories="News"> 565 <div class="title">Djunta Mo</div> 566 567
568 <span class="subtitle">Rachid Koraïchi</span> 569 <span class="date"> 570 April 2025 571 </span> 572 </div> 573 </a> <div class="summary paragraph-styling"><p>On the occasion of Rachid Koraïchi's 2025 exhibition <em>Le Nuits du Destin</em> at Aicon Art, New York.</p></div> 574 <div class='links'> 575 </div> 576 </div><div class='entry'> 577 <a href='/news/the-guardian-finally-we-are-being-seen-as-contenders-delight-in-india-as-demand-for-south-asian-art-booms'> 578 <div class="placeholder"> 579 <div class="image"> 580 <img itemprop="image" alt='The Guardian | âFinally we are being seen as contendersâ: delight in India as demand for south Asian art booms' 581 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/14a844f2ff31f2a363de2a9c77e012d7.jpeg' 582 class="rollover-image-out"> 583 </div> 584 </div> 585 <div class="titles" data-categories="News"> 586 <div class="title">The Guardian | âFinally we are being seen as contendersâ: delight in India as demand for south Asian art booms</div> 587 588 589 <span class="subtitle"></span> 590 <span class="date"> 591 April 10, 2025 592 </span> 593 </div> 594 </a> <div class="summary paragraph-styling"><p>As wealth in India has grown, so has the number of arts patrons championing both India’s 20th century modern masters and the next generation</p></div> 595 <div class='links'> 596 </div> 597 </div><div class='entry'> 598 <a href='/news/the-telegraph-argus-bradfords-tower-of-now'> 599 <div class="placeholder"> 600 <div class="image"> 601 <img itemprop="image" alt='The Telegraph &amp; Argus | Bradford's Tower of Now' 602 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/cdb9
602006609760c95873d319690dcb2b4.jpeg' 603 class="rollover-image-out"> 604 </div> 605 </div> 606 <div class="titles" data-categories="News"> 607 <div class="title">The Telegraph & Argus | Bradford's Tower of Now</div> 608 609 610 <span class="subtitle">Saad Qureshi</span> 611 <span class="date"> 612 April 2, 2025 613 </span> 614 </div> 615 </a> <div class="summary paragraph-styling"><p>First section of sculpture arrives in city</p></div> 616 <div class='links'> 617 </div> 618 </div><div class='entry'> 619 <a href='/news/artnews-m-f-husain-work-sells-for-13-8-m-at-christies-shattering-the-auction-record-for-modern-indian-art'> 620 <div class="placeholder"> 621 <div class="image"> 622 <img itemprop="image" alt='ARTnews | M. F. Husain Work Sells for $13.8 M. at Christieâs, Shattering the Auction Record for Modern Indian Art' 623 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/7726cbe06d8b14a96770dc4ca70cf9ab.jpeg' 624 class="rollover-image-out"> 625 </div> 626 </div> 627 <div class="titles" data-categories="News"> 628 <div class="title">ARTnews | M. F. Husain Work Sells for $13.8 M. at Christieâs, Shattering the Auction Record for Modern Indian Art</div> 629 630 631 <span class="subtitle">M. F. Husain</span> 632 <span class="date"> 633 March 19, 2025 634 </span> 635 </div> 636 </a> <div class="summary paragraph-styling"><p>M. F. Husain's<em> Untitled (Gram Yatra) (1954)</em> sold for $13.8 million.</p></div> 637 <div class='links'> 638 </div> 639 </div><div class='entry'> 640 <a href='/news/artsy-9-artists-break-auction-records-at-sothebys-south-asian-sale'> 641 <div class="placeholder"> 642 <div class="image"> 643 <img itemprop="image" alt='ARTSY | 9 artists break auction records at Sotheby's South Asian sale' 644 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b4ded5eec2
64403e47f1565a81609fb67e5.jpeg' 645 class="rollover-image-out"> 646 </div> 647 </div> 648 <div class="titles" data-categories="News"> 649 <div class="title">ARTSY | 9 artists break auction records at Sotheby's South Asian sale</div> 650 651 652 <span class="subtitle"></span> 653 <span class="date"> 654 March 18, 2025 655 </span> 656 </div> 657 </a> <div class="summary paragraph-styling"><p>Nine artists broke auction records at Sotheby’s modern and contemporary South Asian sale in New York on March 17th. The sale totaled $16.8 million, more than tripling its low estimate of $4.9 million (all prices include fees).</p></div> 658 <div class='links'> 659 </div> 660 </div><div class='entry'> 661 <a href='/news/financial-times-african-modernists-have-been-unjustly-overlooked-until-now'> 662 <div class="placeholder"> 663 <div class="image"> 664 <img itemprop="image" alt='Financial Times | African modernists have been unjustly overlooked - until now' 665 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0b736b898ebafb3efed0a01a277e3a5c.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0b736b898ebafb3efed0a01a277e3a5c.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0b736b898ebafb3efed0a01a277e3a5c.jpeg 2x" 666 class="rollover-image-out"> 667 </div> 668 </div> 669 <div class="titles" data-categories="News"> 670 <div class="title">Financial Times | African modernists have been unjustly overlooked - until now</div> 671 672 673 <span class="subtitle">Serge Hélénon</span> 674 <span class="date"> 675 March 7, 2025 676 </span> 677 </div> 678 </a> <div class="summary paragraph-styling"><p>A presentation of mostly 20th-century Nigerian pioneers at Tefaf in Maastricht ri
678des a wave of global recognition.</p></div> 679 <div class='links'> 680 </div> 681 </div><div class='entry'> 682 <a href='/news/whitehot-magazine-sheetal-gattani-beneath-the-surface-at-aicon-art'> 683 <div class="placeholder"> 684 <div class="image"> 685 <img itemprop="image" alt='Whitehot Magazine | Sheetal Gattani: &quot;Beneath the Surface&quot; at Aicon Art' 686 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3454c00651d764fdc411eb0ca3aeda8d.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3454c00651d764fdc411eb0ca3aeda8d.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3454c00651d764fdc411eb0ca3aeda8d.jpeg 2x" 687 class="rollover-image-out"> 688 </div> 689 </div> 690 <div class="titles" data-categories="Reviews and Features, News"> 691 <div class="title">Whitehot Magazine | Sheetal Gattani: "Beneath the Surface" at Aicon Art</div> 692 693 694 <span class="subtitle">Sheetal Gattani</span> 695 <span class="date"> 696 March 2, 2025 697 </span> 698 </div> 699 </a> <div class="summary paragraph-styling"><p>Gattani's exhibition<em> Beneath the Surface</em> is on view through March 8, 2025.</p></div> 700 <div class='links'> 701 </div> 702 </div><div class='entry'> 703 <a href='/news/bbc-sculpture-celebrates-incredible-city-artist'> 704 <div class="placeholder"> 705 <div class="image"> 706 <img itemprop="image" alt='BBC | Sculpture celebrates 'incredible city' - artist' 707 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a46ff916d5f3e4f6ce9233ceadc55c43.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a46ff916d5f3e4f6ce9233ceadc55c43.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a46ff916d5f3e4f6ce9233ceadc55c43.jpeg 2x" 708 class="rollover-image-out"> 709 </div> 710 </div> 711 <div class="titles" data-categories="News"> 712 <div class="title">BBC | Sculpture celebrates 'incredible city' - artist</div> 713 714
715 <span class="subtitle">Saad Qureshi</span> 716 <span class="date"> 717 February 27, 2025 718 </span> 719 </div> 720 </a> <div class="summary paragraph-styling"><p>A 50ft (15m) sculpture to be installed in Bradford as part of its City of Culture year was inspired by the area's multiculturalism, its creator has said.</p></div> 721 <div class='links'> 722 </div> 723 </div><div class='entry'> 724 <a href='/news/the-boston-globe-part-of-the-icas-goal-with-the-foster-prize-is-to-encourage-boston-artists-to-stay'> 725 <div class="placeholder"> 726 <div class="image"> 727 <img itemprop="image" alt='The Boston Globe | Part of the ICA's goal with the Foster Prize is 'to encourage Boston artists to stay'' 728 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a4f634a54b12f267799edd6e82107908.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a4f634a54b12f267799edd6e82107908.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a4f634a54b12f267799edd6e82107908.jpeg 2x" 729 class="rollover-image-out"> 730 </div> 731 </div> 732 <div class="titles" data-categories="News"> 733 <div class="title">The Boston Globe | Part of the ICA's goal with the Foster Prize is 'to encourage Boston artists to stay'</div> 734 735 736 <span class="subtitle">Sneha Shrestha</span> 737 <span class="date"> 738 February 20, 2025 739 </span> 740 </div> 741 </a> <div class="summary paragraph-styling"><p>Maqbool Fida Husain’s Untitled (Gram Yatra), 1954. Oil on canvas. 35½ x 166â in (90.2 x 422.6 cm). Photograph: Christie’s</p></div> 742 <div class='links'> 743 </div> 744 </div><div class='entry'> 745 <a href='/news/stir-pad-from-raza-to-munshi-aicon-art-presents-modern-art-pieces-at-the-india-art-fair-2025'> 746 <div class="placeholder"> 747 <div class="image"> 748 <img itemprop="image" alt='STIR Pad | From Raza to Munshi: Aicon Art presents modern art pieces at the India Art Fair 2025' 749 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/217cc710d01daffdd875a4802f2fe6dc.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/217cc710d01daffdd875a4802f2fe6dc.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/217cc710d01daffdd875a4802f2fe6dc.jpeg 2x" 750 class="rollover-image-out"> 751 </div> 752 </div> 753 <div class="titles" data-categories="News"> 754 <div class="title">STIR Pad | From Raza to Munshi: Aicon Art presents modern art pieces at the India Art Fair 2025</div> 755 756
757 <span class="subtitle"></span> 758 <span class="date"> 759 February 8, 2025 760 </span> 761 </div> 762 </a> <div class="summary paragraph-styling"><p>Aicon Art, New York, participating in the India Art Fair in Delhi, is showcasing works by artists including Sayed Haider Raza, Sheetal Gattani, Lancelot Ribeiro and Mohan Samant.</p></div> 763 <div class='links'> 764 </div> 765 </div><div class='entry'> 766 <a href='/news/mint-how-artist-veer-munshi-integrates-beauty-and-conflict-in-his-work'> 767 <div class="placeholder"> 768 <div class="image"> 769 <img itemprop="image" alt='Mint | How artist Veer Munshi integrates beauty and conflict in his work' 770 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9dc06b211e7847b294e1cba35159c85f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9dc06b211e7847b294e1cba35159c85f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9dc06b211e7847b294e1cba35159c85f.jpeg 2x" 771 class="rollover-image-out"> 772 </div> 773 </div> 774 <div class="titles" data-categories="News"> 775 <div class="title">Mint | How artist Veer Munshi integrates beauty and conflict in his work</div> 776 777 778 <span class="subtitle">Veer Munshi</span> 779 <span class="date"> 780 February 6, 2025 781 </span> 782 </div> 783 </a> <div class="summary paragraph-styling"><p>Veer Munshi on his first solo in the US and why his practice + is built on Kashmir, both in terms of subject and belonging Veer Munshi on his first solo in the US and why his practice + is built on Kashmir, both in terms of subject and belonging.</p> 784 785<p> </p> 786 787<p> </p></div> 788 <div class='links'> 789 </div> 790 </div><div class='entry'> 791 <a href='/news/abir-pothi-aicon-arts-free-standing-temple-at-india-art-fair-2025-to-display-modernists'> 792 <div class="placeholder"> 793 <div class="image"> 794 <img itemprop="image" alt='Lancelot Ribeiro, Divinity' 795 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4cca95f7eb2c009dc82fa2b9bc607b3a.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4cca95f7eb2c009dc82fa2b9bc607b3a.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4cca95f7eb2c009dc82fa2b9bc607b3a.jpeg 2x" 796 class="rollover-image-out"> 797 </div> 798 </div> 799 <div class="titles" data-categories="News"> 800 <div class="title">Abir Pothi | Aicon Art's Free Standing Temple at India Art Fair 2025 to Display Modernists</div> 801 802
803 <span class="subtitle"></span> 804 <span class="date"> 805 February 1, 2025 806 </span> 807 </div> 808 </a> <div class="summary paragraph-styling"><p>As India Art Fair 2025 nears the horizon, our excitement is escalating. Numerous galleries have walked the pavilions of IAF 2025, with some establishing themselves as a staple in this art fair.</p></div> 809 <div class='links'> 810 </div> 811 </div><div class='entry'> 812 <a href='/news/itv-gold-face-to-face-with-veer-munshi-art-identity-and-beyond'> 813 <div class="placeholder"> 814 <div class="image"> 815 <img itemprop="image" alt='ITV Gold | Face to Face with Veer Munshi : Art, Identity, and Beyond' 816 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/24440dfafb719e35624422e9339b313b.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/24440dfafb719e35624422e9339b313b.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/24440dfafb719e35624422e9339b313b.jpeg 2x" 817 class="rollover-image-out"> 818 </div> 819 </div> 820 <div class="titles" data-categories="News"> 821 <div class="title">ITV Gold | Face to Face with Veer Munshi : Art, Identity, and Beyond</div> 822 823 824 <span class="subtitle">Veer Munshi</span> 825 <span class="date"> 826 January 28, 2025 827 </span> 828 </div> 829 </a> <div class="summary paragraph-styling"><p>Presented by ITV Gold, the longest running South Asian TV station in the US.</p></div> 830 <div class='links'> 831 </div> 832 </div><div class='entry'> 833 <a href='/news/bradford-2025-tower-of-now'> 834 <div class="placeholder"> 835 <div class="image"> 836 <img itemprop="image" alt='Bradford 2025 | Tower of Now' 837 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1bedd5c493a16bc8179db4ca731fa81d.jpeg' 838 class="rollover-image-out"> 839 </div> 840 </div> 841 <div class="titles" data-categories="News"> 842 <div class="title">Bradford 2025 | Tower of Now</div> 843 844
845 <span class="subtitle">Saad Qureshi</span> 846 <span class="date"> 847 January 18, 2025 848 </span> 849 </div> 850 </a> <div class="summary paragraph-styling"><p>This soaring sculpture explores what it means to be British – and celebrates Bradford’s dazzling diversity.</p></div> 851 <div class='links'> 852 </div> 853 </div><div class='entry'> 854 <a href='/news/the-impulse-francis-newton-souza-straddles-several-traditions-but-serves-none'> 855 <div class="placeholder"> 856 <div class="image"> 857 <img itemprop="image" alt='The Impulse | Francis Newton Souza âStraddles Several Traditions but Serves Noneâ' 858 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0ff74a6a27954f0b3f5dca68dfcc0af6.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0ff74a6a27954f0b3f5dca68dfcc0af6.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0ff74a6a27954f0b3f5dca68dfcc0af6.jpeg 2x" 859 class="rollover-image-out"> 860 </div> 861 </div> 862 <div class="titles" data-categories="News"> 863 <div class="title">The Impulse | Francis Newton Souza âStraddles Several Traditions but Serves Noneâ</div> 864 865 866 <span class="subtitle">F. N. Souza</span> 867 <span class="date"> 868 November 29, 2024 869 </span> 870 </div> 871 </a> <div class="summary paragraph-styling"><p>Francis Newton Souza (1924–2002) was an Indian modernist painter renowned for his art writing and founding membership of the Bombay Progressive Artist Group in 1947. Aicon Art's current show, <em>Francis Newton Souza: A Celebration of the Centenary</em>, honors his seven-decade-long career.</p></div> 872 <div class='links'> 873 </div> 874 </div><div class='entry'> 875 <a href='/news/varsity-rasheed-araeen-at-heong-gallery-arts-uniting-force'> 876 <div class="placeholder"> 877 <div class="image"> 878 <img itemprop="image" alt='My First Sculpture 1959' 879 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ae592dc4209a459b973e0f5a3d254b82.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ae592dc4209a459b973e0f5a3d254b82.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ae592dc4209a459b973e0f5a3d254b82.jpeg 2x" 880 class="rollover-image-out"> 881 </div> 882 </div> 883 <div class="titles" data-categories="News"> 884 <div class="title">Varsity | Rasheed Araeen at Heong Gallery: artâs uniting force</div> 885 886
887 <span class="subtitle">Rasheed Araeen</span> 888 <span class="date"> 889 November 8, 2024 890 </span> 891 </div> 892 </a> <div class="summary paragraph-styling"><p>Jen Price reviews the Heong Gallery’s new exhibition, exploring how multi-disciplinary work encourages innocence and play</p></div> 893 <div class='links'> 894 </div> 895 </div><div class='entry'> 896 <a href='/news/morningstar-qatar-museums-unveils-unprecedented-exhibition-of-visual-arts-and-architecture-from-pakistan'> 897 <div class="placeholder"> 898 <div class="image"> 899 <img itemprop="image" alt='Image Credit: Farida Batool, Nai Reesan Shehr Lahore Diyan, 2006 Lenticular print, 81.2 x 162 cm, Private collection' 900 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0182959cc35af48d198daa5e8f2bde6e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0182959cc35af48d198daa5e8f2bde6e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0182959cc35af48d198daa5e8f2bde6e.jpeg 2x" 901 class="rollover-image-out"> 902 </div> 903 </div> 904 <div class="titles" data-categories="News"> 905 <div class="title">Morningstar | Qatar Museums Unveils Unprecedented Exhibition of Visual Arts and Architecture From Pakistan</div> 906 907 908 <span class="subtitle"></span> 909 <span class="date"> 910 911 </span> 912 </div> 913 </a> <div class="summary paragraph-styling"><p>Qatar Museums has opened <em>MANZAR: Art and Architecture from Pakistan 1940s to Today, </em>a first-of-its-kind exhibition commemorating the diverse work of painters, photographers and architects who have shaped the narratives, histories, and contemporary perspectives of Pakistan’s cultures since the 1940s. </p></div> 914 <div class='links'> 915 </div> 916 </div><div class='entry'> 917 <a href='/news/the-guardian-they-loved-the-beauty-around-them-the-exquisite-taste-that-made-the-mughals-great'> 918 <div class="placeholder"> 919 <div class="image"> 920 <img itemprop="image" alt='King of the world ⦠Shah Jahan by Bichitr, circa 1628-30. Photograph: Chester Beatty Library/(c) The Trustees of the Chester Beatty Library, Dublin' 921 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0c4ce2a7def72952e978808a56f1bace.png' 922 class="rollover-image-out"> 923 </div> 924 </div> 925 <div class="titles" data-categories="News"> 926 <div class="title">The Guardian | âThey loved the beauty around themâ: the exquisite taste that made the Mughals great</div> 927 928
929 <span class="subtitle">Waqas Khan</span> 930 <span class="date"> 931 932 </span> 933 </div> 934 </a> <div class="summary paragraph-styling"><p>Ahead of a major V&A exhibition, artist Waqas Khan celebrates the majesty of the Mughal empire – from the towering Taj Mahal down to the labyrinthine detail of their miniatures</p></div> 935 <div class='links'> 936 </div> 937 </div><div class='entry'> 938 <a href='/news/church-times-lancelot-ribeiro-heads-in-and-out-of-our-time-ben-uri-gallery-london-nw8'> 939 <div class="placeholder"> 940 <div class="image"> 941 <img itemprop="image" alt='Church Times | Lancelot Ribeiro: Heads â In and Out of Our Time (Ben Uri Gallery, London NW8)' 942 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4a5c1d406b7f6a1c77d199762f83d086.png' 943 class="rollover-image-out"> 944 </div> 945 </div> 946 <div class="titles" data-categories="News, Reviews and Features"> 947 <div class="title">Church Times | Lancelot Ribeiro: Heads â In and Out of Our Time (Ben Uri Gallery, London NW8)</div> 948 949 950 <span class="subtitle">Lancelot Ribeiro</span> 951 <span class="date"> 952 November 1, 2024 953 </span> 954 </div> 955 </a> <div class="summary paragraph-styling"><p>Jonathan Evens looks at the Expressionist work of Lancelot Ribeiro, an artist born in Goa.</p></div> 956 <div class='links'> 957 </div> 958 </div><div class='entry'> 959 <a href='/news/nyc-gov-nyc-dot-selects-five-artists-to-create-five-public-artworks-across-the-five-boroughs'> 960 <div class="placeholder"> 961 <div class="image"> 962 <img itemprop="image" alt='NYC.gov | NYC DOT Selects Five Artists to Create Five Public Artworks Across the Five Boroughs' 963 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9919f6168a48693df0b4cb9dc7fce041.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9919f6168a48693df0b4cb9dc7fce041.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9919f6168a48693df0b4cb9dc7fce041.jpeg 2x" 964 class="rollover-image-out"> 965 </div> 966 </div> 967 <div class="titles" data-categories="News"> 968 <div class="title">NYC.gov | NYC DOT Selects Five Artists to Create Five Public Artworks Across the Five Boroughs</div> 969 970
971 <span class="subtitle">Sneha Shrestha</span> 972 <span class="date"> 973 October 31, 2024 974 </span> 975 </div> 976 </a> <div class="summary paragraph-styling"><p>Selected Artists Are Designing and Installing Temporary, Site-Specific Public Artworks on NYC DOT Infrastructure in Collaboration With Community-Based Organizations</p></div> 977 <div class='links'> 978 </div> 979 </div><div class='entry'> 980 <a href='/news/the-week-frieze-london-2024-indian-art-steals-spotlight-with-vibrant-displays'> 981 <div class="placeholder"> 982 <div class="image"> 983 <img itemprop="image" alt='The Week | Frieze London 2024: Indian art steals spotlight with vibrant displays' 984 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ba4da789216b0f9e768be75604524726.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ba4da789216b0f9e768be75604524726.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ba4da789216b0f9e768be75604524726.jpeg 2x" 985 class="rollover-image-out"> 986 </div> 987 </div> 988 <div class="titles" data-categories="News"> 989 <div class="title">The Week | Frieze London 2024: Indian art steals spotlight with vibrant displays</div> 990 991 992 <span class="subtitle">Aicon Art, Booth D11</span> 993 <span class="date"> 994 October 11, 2024 995 </span> 996 </div> 997 </a> <div class="summary paragraph-styling"><p>Frieze London showcases a wide range of artworks by Indian artists</p></div> 998 <div class='links'> 999 </div> 1000 </div><div class='entry'> 1001 <a href='/news/artsy-the-15-best-booths-at-frieze-london-and-frieze-masters-2024'> 1002 <div class="placeholder"> 1003 <div class="image"> 1004 <img itemprop="image" alt='ARTSY | The 15 Best Booths at Frieze London and Frieze Masters 2024' 1005 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/df56681f3b14bc1847d2c7bd4e25bba1.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/df56681f3b14bc1847d2c7bd4e25bba1.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/df56681f3b14bc1847d2c7bd4e25bba1.jpeg 2x" 1006 class="rollover-image-out"> 1007 </div> 1008 </div> 1009 <div class="titles" data-categories="News"> 1010 <div class="title">ARTSY | The 15 Best Booths at Frieze London and Frieze Masters 2024</div> 1011 1012
1013 <span class="subtitle">Aicon Art, Booth D11</span> 1014 <span class="date"> 1015 October 10, 2024 1016 </span> 1017 </div> 1018 </a> <div class="summary paragraph-styling"><p>Below, we present our 15 best booths from Frieze London and Frieze Masters 2024.</p></div> 1019 <div class='links'> 1020 </div> 1021 </div><div class='entry'> 1022 <a href='/news/stir-pad-aicon-art-presents-indian-artist-mohan-samant-as-the-archaeologist-at-the-ancient-city'> 1023 <div class="placeholder"> 1024 <div class="image"> 1025 <img itemprop="image" alt='STIR Pad | Aicon Art presents Indian artist Mohan Samant as the 'Archaeologist at the Ancient City'' 1026 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f6f6515743415e1acf577b1add160bd9.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f6f6515743415e1acf577b1add160bd9.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f6f6515743415e1acf577b1add160bd9.jpeg 2x" 1027 class="rollover-image-out"> 1028 </div> 1029 </div> 1030 <div class="titles" data-categories="News"> 1031 <div class="title">STIR Pad | Aicon Art presents Indian artist Mohan Samant as the 'Archaeologist at the Ancient City'</div> 1032 1033 1034 <span class="subtitle">Mohan Samant</span> 1035 <span class="date"> 1036 August 25, 2024 1037 </span> 1038 </div> 1039 </a> <div class="summary paragraph-styling"><p>The Indian modernist's retrospective at Aicon Art charts his practice from the early 1960s - 2003, unveiling his heavily textured surfaces, three-dimensional paper cut-outs, and more. </p></div> 1040 <div class='links'> 1041 </div> 1042 </div><div class='entry'> 1043 <a href='/news/the-federal-how-mohan-samants-bold-disruptive-experiments-in-indian-modern-art-were-forgotten'> 1044 <div class="placeholder"> 1045 <div class="image"> 1046 <img itemprop="image" alt='The Federal | How Mohan Samant's bold, disruptive experiments in Indian Modern art were forgotten' 1047 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9fd1456d97600be3b334a4a2ed28b247.jpeg' 1048 class="rollover-image-out"> 1049 </div> 1050 </div> 1051 <div class="titles" data-categories="News"> 1052 <div class="title">The Federal | How Mohan Samant's bold, disruptive experiments in Indian Modern art were forgotten</div> 1053 1054
1055 <span class="subtitle">Mohan Samant</span> 1056 <span class="date"> 1057 August 23, 2024 1058 </span> 1059 </div> 1060 </a> <div class="summary paragraph-styling"><p>In the year of centenaries, KNMA in Delhi brings the works of Mohan Samant, the unsung master of Progressive Artists' Gropu, back into spotlight with a seminal exhibition, 'Magic in the Square.'<br /> 1061<br /> 1062 </p></div> 1063 <div class='links'> 1064 </div> 1065 </div><div class='entry'> 1066 <a href='/news/the-indian-express-technology-cannot-overtake-true-creativity'> 1067 <div class="placeholder"> 1068 <div class="image"> 1069 <img itemprop="image" alt='The Indian Express | 'Technology cannot overtake true creativity'' 1070 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/327c1f91d0177c2a66b53d1725aa8cd6.jpeg' 1071 class="rollover-image-out"> 1072 </div> 1073 </div> 1074 <div class="titles" data-categories="News"> 1075 <div class="title">The Indian Express | 'Technology cannot overtake true creativity'</div> 1076 1077 1078 <span class="subtitle">Paresh Maity</span> 1079 <span class="date"> 1080 August 23, 2024 1081 </span> 1082 </div> 1083 </a> <div class="summary paragraph-styling"><p>Paresh Maity, one of India's most prolific painters, talks about his early and recent inspirations to paint.</p></div> 1084 <div class='links'> 1085 </div> 1086 </div><div class='entry'> 1087 <a href='/news/india-today-soft-power'> 1088 <div class="placeholder"> 1089 <div class="image"> 1090 <img itemprop="image" alt='India Today | Soft Power' 1091 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4e14c7964d9988334d2919c1b3485f93.png' 1092 class="rollover-image-out"> 1093 </div> 1094 </div> 1095 <div class="titles" data-categories="News"> 1096 <div class="title">India Today | Soft Power</div> 1097 1098
1099 <span class="subtitle">Kiran Nadar: India as a culture Czarina</span> 1100 <span class="date"> 1101 August 20, 2024 1102 </span> 1103 </div> 1104 </a> <div class="summary paragraph-styling"><p>The growing interest in Indian art underscores the need for continued investment and collaboration to keep inspiring each other, driving one another forward</p></div> 1105 <div class='links'> 1106 </div> 1107 </div><div class='entry'> 1108 <a href='/news/art-daily-new-exhibition-rasheed-araeen-a-british-story'> 1109 <div class="placeholder"> 1110 <div class="image"> 1111 <img itemprop="image" alt='Art Daily | New Exhibition &quot;Rasheed Araeen: A British Story&quot;' 1112 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/03b9f3b7ab09b598d89bb998c9e3c162.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/03b9f3b7ab09b598d89bb998c9e3c162.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/03b9f3b7ab09b598d89bb998c9e3c162.jpeg 2x" 1113 class="rollover-image-out"> 1114 </div> 1115 </div> 1116 <div class="titles" data-categories="News"> 1117 <div class="title">Art Daily | New Exhibition "Rasheed Araeen: A British Story"</div> 1118 1119 1120 <span class="subtitle">Rasheed Araeen</span> 1121 <span class="date"> 1122 August 19, 2024 1123 </span> 1124 </div> 1125 </a> <div class="summary paragraph-styling"><p>Opening in Cambridge, UK, October 18, 2024.</p></div> 1126 <div class='links'> 1127 </div> 1128 </div><div class='entry'> 1129 <a href='/news/frieze-17-centuries-of-south-asian-art-at-frieze-masters-2024'> 1130 <div class="placeholder"> 1131 <div class="image"> 1132 <img itemprop="image" alt='Frieze | 17 Centuries of South Asian Art at Frieze Masters 2024' 1133 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3d39498ca0878fb1f2a2db61dab2b534.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3d39498ca0878fb1f2a2db61dab2b534.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3d39498ca0878fb1f2a2db61dab2b534.jpeg 2x" 1134 class="rollover-image-out"> 1135 </div> 1136 </div> 1137 <div class="titles" data-categories="News"> 1138 <div class="title">Frieze | 17 Centuries of South Asian Art at Frieze Masters 2024</div> 1139 1140
1141 <span class="subtitle"></span> 1142 <span class="date"> 1143 August 16, 2024 1144 </span> 1145 </div> 1146 </a> <div class="summary paragraph-styling"><p>From 4th-century Hindu sculpture to modernist photography, discover the South Asian artists who revolutionized creative culture at home and abroad.</p></div> 1147 <div class='links'> 1148 </div> 1149 </div><div class='entry'> 1150 <a href='/news/art-review-m-f-husain-gets-the-immersive-treatment'> 1151 <div class="placeholder"> 1152 <div class="image"> 1153 <img itemprop="image" alt='Art Review | M. F. Husain Gets the Immersive Treatment' 1154 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2f120d1402e9284822ec52298efda6f6.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2f120d1402e9284822ec52298efda6f6.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2f120d1402e9284822ec52298efda6f6.jpeg 2x" 1155 class="rollover-image-out"> 1156 </div> 1157 </div> 1158 <div class="titles" data-categories="News"> 1159 <div class="title">Art Review | M. F. Husain Gets the Immersive Treatment</div> 1160 1161 1162 <span class="subtitle">Maqbool Fida Husain</span> 1163 <span class="date"> 1164 August 9, 2024 1165 </span> 1166 </div> 1167 </a> <div class="summary paragraph-styling"><p>One of the more unusual collateral exhibitions at this year’s Venice Biennale, The Rooted Nomad: M.F. Husain, might be a test case for what immersive art can and can’t do.</p></div> 1168 <div class='links'> 1169 </div> 1170 </div><div class='entry'> 1171 <a href='/news/the-art-newspaper-i-am-discosailing'> 1172 <div class="placeholder"> 1173 <div class="image"> 1174 <img itemprop="image" alt='The Art Newspaper | I am Discosailing...' 1175 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a517a7ce8786d887c375ccc629ebea2d.png' 1176 class="rollover-image-out"> 1177 </div> 1178 </div> 1179 <div class="titles" data-categories="News"> 1180 <div class="title">The Art Newspaper | I am Discosailing...</div> 1181 1182
1183 <span class="subtitle">Rasheed Araeen</span> 1184 <span class="date"> 1185 August 1, 2024 1186 </span> 1187 </div> 1188 </a> <div class="summary paragraph-styling"><p>Rasheed Araeen's water ballet comes to east London's outdoor sculpture trail, The Line.</p></div> 1189 <div class='links'> 1190 </div> 1191 </div><div class='entry'> 1192 <a href='/news/architectural-digest-this-book-on-f-n-souza-is-a-befitting-tribute-to-the-audacious-legacy-of-the-modernist-giant'> 1193 <div class="placeholder"> 1194 <div class="image"> 1195 <img itemprop="image" alt='Architectural Digest | This book on F.N. Souza is a befitting tribute to the audacious legacy of the Modernist giant' 1196 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/aeed3e7f86d6e37bce487c16481cac1c.png' 1197 class="rollover-image-out"> 1198 </div> 1199 </div> 1200 <div class="titles" data-categories="News"> 1201 <div class="title">Architectural Digest | This book on F.N. Souza is a befitting tribute to the audacious legacy of the Modernist giant</div> 1202 1203 1204 <span class="subtitle">F. N. Souza</span> 1205 <span class="date"> 1206 July 25, 2024 1207 </span> 1208 </div> 1209 </a> <div class="summary paragraph-styling"><p>Written by Janeita Singh, titled <em>F. N. Souza</em>: <em>The Archetypal Artist</em>, the book celebrates the artist’s centenary through an incisive analysis of his life and work.</p> 1210 1211<p> </p></div> 1212 <div class='links'> 1213 </div> 1214 </div><div class='entry'> 1215 <a href='/news/dna-meet-woman-brain-behind-mukesh-ambanis-bahu-radhika-merchants-viral-pink-lehenga'> 1216 <div class="placeholder"> 1217 <div class="image"> 1218 <img itemprop="image" alt='DNA | Meet woman, brain behind Mukesh Ambani's bahu Radhika Merchant's viral pink lehenga' 1219 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/09f16bcc63ff826b44b2d3a525e39506.png' 1220 class="rollover-image-out"> 1221 </div> 1222 </div> 1223 <div class="titles" data-categories="News"> 1224 <div class="title">DNA | Meet woman, brain behind Mukesh Ambani's bahu Radhika Merchant's viral pink lehenga</div> 1225 1226
1227 <span class="subtitle">Jayasri Burman</span> 1228 <span class="date"> 1229 July 15, 2024 1230 </span> 1231 </div> 1232 </a> <div class="summary paragraph-styling"><p>The<em> lehenga</em>, an exquisite creation, is brought to life by Jayasri Burman's painting, featuring 12 panels hand-painted on special Italian canvas.</p></div> 1233 <div class='links'> 1234 </div> 1235 </div><div class='entry'> 1236 <a href='/news/the-new-indian-express-the-artist-as-printing-machine'> 1237 <div class="placeholder"> 1238 <div class="image"> 1239 <img itemprop="image" alt='The New Indian Express | The artist as printing machine' 1240 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9fa5dd355cd5b520cbe86f1e3df7da6d.jpeg' 1241 class="rollover-image-out"> 1242 </div> 1243 </div> 1244 <div class="titles" data-categories="News"> 1245 <div class="title">The New Indian Express | The artist as printing machine</div> 1246 1247 1248 <span class="subtitle">Somnath Hore</span> 1249 <span class="date"> 1250 July 14, 2024 1251 </span> 1252 </div> 1253 </a> <div class="summary paragraph-styling"><p>From Nandalal Bose’s Dandi March print to Tagore’s linocut experiments, a Delhi exhibition traces the unique approaches of 13 artists, the evolution of printmaking from a mass-reproduction medium to a fine-art form, and how it influenced the 20th-century art world</p></div> 1254 <div class='links'> 1255 </div> 1256 </div><div class='entry'> 1257 <a href='/news/the-hindu-bureau-raja-ravi-varma-award-presented-to-surendran-nair'> 1258 <div class="placeholder"> 1259 <div class="image"> 1260 <img itemprop="image" alt='The Hindu Bureau | Raja Ravi Varma Award presented to Surendran Nair' 1261 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a14ec504f0f76108cac5ff3c72ebc35f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a14ec504f0f76108cac5ff3c72ebc35f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a14ec504f0f76108cac5ff3c72ebc35f.jpeg 2x" 1262 class="rollover-image-out"> 1263 </div> 1264 </div> 1265 <div class="titles" data-categories="News"> 1266 <div class="title">The Hindu Bureau | Raja Ravi Varma Award presented to Surendran Nair</div> 1267 1268
1269 <span class="subtitle">Raja Ravi Varma</span> 1270 <span class="date"> 1271 July 11, 2024 1272 </span> 1273 </div> 1274 </a> <div class="summary paragraph-styling"><p>Artist Surendran Nair uses art as an instrument to express his politics while firmly adhering to humanism.</p> 1275 1276<p> </p></div> 1277 <div class='links'> 1278 </div> 1279 </div><div class='entry'> 1280 <a href='/news/harpers-bazaar-india-12-indian-artists-who-will-steal-the-spotlight-at-the-ongoing-venice-art-biennale'> 1281 <div class="placeholder"> 1282 <div class="image"> 1283 <img itemprop="image" alt='Harper's Bazaar India | 12 Indian artists who will steal the spotlight at the ongoing Venice Art Biennale' 1284 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/77fc566c01fa65045aae639d8330ce9d.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/77fc566c01fa65045aae639d8330ce9d.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/77fc566c01fa65045aae639d8330ce9d.png 2x" 1285 class="rollover-image-out"> 1286 </div> 1287 </div> 1288 <div class="titles" data-categories="News"> 1289 <div class="title">Harper's Bazaar India | 12 Indian artists who will steal the spotlight at the ongoing Venice Art Biennale</div> 1290 1291 1292 <span class="subtitle">Paresh Maity</span> 1293 <span class="date"> 1294 July 10, 2024 1295 </span> 1296 </div> 1297 </a> <div class="summary paragraph-styling"><p>Artists like MF Husain, Paresh Maity, and Sonal Ambani among others have found place in the landmark 60th edition of the art festival.</p> 1298 1299<p> </p></div> 1300 <div class='links'> 1301 </div> 1302 </div><div class='entry'> 1303 <a href='/news/lbn-liverpool
1303-cathedral-offers-realm-of-sensory-exploration'> 1304 <div class="placeholder"> 1305 <div class="image"> 1306 <img itemprop="image" alt='LBN | Liverpool Cathedral offers 'realm of sensory exploration'' 1307 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9d03820c5021d33e7284dc6301c29ffb.jpeg' 1308 class="rollover-image-out"> 1309 </div> 1310 </div> 1311 <div class="titles" data-categories="News"> 1312 <div class="title">LBN | Liverpool Cathedral offers 'realm of sensory exploration'</div> 1313 1314 1315 <span class="subtitle">Rasheed Araeen</span> 1316 <span class="date"> 1317 April 10, 2024 1318 </span> 1319 </div> 1320 </a> <div class="summary paragraph-styling"><p>A new group exhibition coming to Liverpool Cathedral this spring will offer visitors a ‘realm of sensory exploration’.</p></div> 1321 <div class='links'> 1322 </div> 1323 </div><div class='entry'> 1324 <a href='/news/musee-dart-moderne-de-paris-arab-presences'> 1325 <div class="placeholder"> 1326 <div class="image"> 1327 <img itemprop="image" alt='Musée d'Art Moderne de Paris | Arab Presences' 1328 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e0462db5845e8c9f300f0edb6912a313.jpeg' 1329 class="rollover-image-out"> 1330 </div> 1331 </div> 1332 <div class="titles" data-categories="News"> 1333 <div class="title">Musée d'Art Moderne de Paris | Arab Presences</div> 1334 1335 1336 <span class="subtitle">Rachid Koraïchi</span> 1337 <span class="date"> 1338 April 5, 2024 1339 </span> 1340 </div> 1341 </a> <div class="summary paragraph-styling"><p>Modern Art and Decolonisation: Paris 1908-1988</p></div> 1342 <div class='links'> 1343 </div> 1344 </div><div class='entry'> 1345 <a href='/news/the-architectural-review-lay-to-rest-jardin-dafrique-in-zarzis-tunisia'> 1346 <div class="placeholder"> 1347 <div class="image"> 1348 <img itemprop="image" alt='The Architectural Review | Lay to rest: Jardin d'Afrique in Zarzis, Tunisia' 1349 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5fbe5227548a854122d0db15ef672b67.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5fbe5227548a854122d0db15ef672b67.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5fbe5227548a854122d0db15ef672b67.jpeg 2x" 1350 class="rollover-image-out"> 1351 </div> 1352 </div> 1353 <div class="titles" data-categories="News"> 1354 <div class="title">The Architectural Review | Lay to rest: Jardin d'Afrique in Zarzis, Tunisia</div> 1355 1356
1357 <span class="subtitle">Rachid Koraïchi</span> 1358 <span class="date"> 1359 April 4, 2024 1360 </span> 1361 </div> 1362 </a> <div class="summary paragraph-styling"><p>The cemetery near the Tunisian town of Zarzis, designed by artist Rachid Koraïchi, offers a respectful final resting place for migrants lost on their journey to Europe.</p></div> 1363 <div class='links'> 1364 </div> 1365 </div><div class='entry'> 1366 <a href='/news/the-new-york-times-what-to-see-in-n-y-c-galleries-in-march'> 1367 <div class="placeholder"> 1368 <div class="image"> 1369 <img itemprop="image" alt='The New York Times | What to See in N.Y.C. Galleries in March' 1370 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8653568dfa84cc37e8dfe28595d60880.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8653568dfa84cc37e8dfe28595d60880.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8653568dfa84cc37e8dfe28595d60880.jpeg 2x" 1371 class="rollover-image-out"> 1372 </div> 1373 </div> 1374 <div class="titles" data-categories="News"> 1375 <div class="title">The New York Times | What to See in N.Y.C. Galleries in March</div> 1376 1377 1378 <span class="subtitle">Khadim Ali</span> 1379 <span class="date"> 1380 March 13, 2024 1381 </span> 1382 </div> 1383 </a> <div class="summary paragraph-styling"><p>This week in Newly Reviewed, Jillian Steinhauer covers Maria Prymachenko’s allegorical paintings, Khadim Ali’s imagined creatures and Jody Wood’s “Social Pharmacy.”</p></div> 1384 <div class='links'> 1385 </div> 1386 </div><div class='entry'> 1387 <a href='/news/artsy-how-contemporary-women-artists-are-reimagining-cubism-and-the-body'> 1388 <div class="placeholder"> 1389 <div class="image"> 1390 <img itemprop="image" alt='Artsy | How Contemporary Women Artists Are Reimagining Cubismâand the Body' 1391 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/eda72968de858255a4aae004496417c8.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/eda72968de858255a4aae004496417c8.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/eda72968de858255a4aae004496417c8.jpeg 2x" 1392 class="rollover-image-out"> 1393 </div> 1394 </div> 1395 <div class="titles" data-categories="News"> 1396 <div class="title">Artsy | How Contemporary Women Artists Are Reimagining Cubismâand the Body</div> 1397 1398
1399 <span class="subtitle">Mequitta Ahuja</span> 1400 <span class="date"> 1401 February 29, 2024 1402 </span> 1403 </div> 1404 </a> <div class="summary paragraph-styling"><p>Artists like Farah Atassi, Tahnee Lonsdale, Mequitta Ahuja, Akea Brionne, and Danielle Orchard fracture and distort the body, evoking the dissonance between exterior and interior worlds and the dynamic nature of identity.</p></div> 1405 <div class='links'> 1406 </div> 1407 </div><div class='entry'> 1408 <a href='/news/hyperallergic-redefining-modern-art-in-the-muslim-world'> 1409 <div class="placeholder"> 1410 <div class="image"> 1411 <img itemprop="image" alt='Hyperallergic | Redefining Modern Art in the Muslim World' 1412 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b9a1434132f8183cd7f985c86ea9ade4.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b9a1434132f8183cd7f985c86ea9ade4.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b9a1434132f8183cd7f985c86ea9ade4.jpeg 2x" 1413 class="rollover-image-out"> 1414 </div> 1415 </div> 1416 <div class="titles" data-categories="News"> 1417 <div class="title">Hyperallergic | Redefining Modern Art in the Muslim World</div> 1418 1419 1420 <span class="subtitle">Rasheed Araeen</span> 1421 <span class="date"> 1422 January 21, 2024 1423 </span> 1424 </div> 1425 </a> <div class="summary paragraph-styling"><p>Though at times a puzzling read, artist Rasheed Araeen’s latest book critiques Western scholarship that ignores Islam’s influence on modern art.</p></div> 1426 <div class='links'> 1427 </div> 1428 </div><div class='entry'> 1429 <a href='/news/hyperallergic-10-art-shows-to-see-in-new-york-this-january'> 1430 <div class="placeholder"> 1431 <div class="image"> 1432 <img itemprop="image" alt='Hyperallergic | 10 Art Shows to See in New York This January' 1433 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6c621dc06c52485d407d01a6472ec1f8.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6c621dc06c52485d407d01a6472ec1f8.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6c621dc06c52485d407d01a6472ec1f8.jpeg 2x" 1434 class="rollover-image-out"> 1435 </div> 1436 </div> 1437 <div class="titles" data-categories="Reviews and Features, News"> 1438 <div class="title">Hyperallergic | 10 Art Shows to See in New York This January</div> 1439 1440
1441 <span class="subtitle">Kelly Sinnapah Mary</span> 1442 <span class="date"> 1443 January 7, 2024 1444 </span> 1445 </div> 1446 </a> <div class="summary paragraph-styling"><p>This month: Kelly Sinnapah Mary, Cynthia Lahti, the Met Museum’s rehung galleries, and more.</p></div> 1447 <div class='links'> 1448 </div> 1449 </div><div class='entry'> 1450 <a href='/news/artnet-news-spotlight-kelly-sinnapah-mary-explores-personal-histories-and-ancestry-in-her-first-u-s-solo-show'> 1451 <div class="placeholder"> 1452 <div class="image"> 1453 <img itemprop="image" alt='ArtNet News | Spotlight: Kelly Sinnapah Mary Explores Personal Histories and Ancestry in Her First U.S. Solo Show' 1454 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b793c4234eeaee8a2630345692c5c76b.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b793c4234eeaee8a2630345692c5c76b.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b793c4234eeaee8a2630345692c5c76b.jpeg 2x" 1455 class="rollover-image-out"> 1456 </div> 1457 </div> 1458 <div class="titles" data-categories="Reviews and Features, News"> 1459 <div class="title">ArtNet News | Spotlight: Kelly Sinnapah Mary Explores Personal Histories and Ancestry in Her First U.S. Solo Show</div> 1460 1461 1462 <span class="subtitle">Kelly Sinnapah Mary</span> 1463 <span class="date"> 1464 December 21, 2023 1465 </span> 1466 </div> 1467 </a> <div class="summary paragraph-styling"><p>On view at Aicon Art, the show features a range of dynamic new paintings and sculptures.</p></div> 1468 <div class='links'> 1469 </div> 1470 </div><div class='entry'> 1471 <a href='/news/the-conversation-victor-ekpuk-is-a-nigerian-artist-who-uses-ancient-african-graphic-writing-systems-to-unveil-a-stunning-new-display-of-creativity'> 1472 <div class="placeholder"> 1473 <div class="image"> 1474 <img itemprop="image" alt='The Conversation | Victor Ekpuk is a Nigerian artist who uses ancient African graphic writing systems to unveil a stunning new display of creativity' 1475 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0398f186f57f84147ed8b3605fad5e95.jpeg' 1476 class="rollover-image-out"> 1477 </div> 1478 </div> 1479 <div class="titles" data-categories="Reviews and Features, News"> 1480 <div class="title">The Conversation | Victor Ekpuk is a Nigerian artist who uses ancient African graphic writing systems to unveil a stunning new display of creativity</div> 1481 1482
1483 <span class="subtitle">Victor Ekpuk</span> 1484 <span class="date"> 1485 December 12, 2023 1486 </span> 1487 </div> 1488 </a> <div class="summary paragraph-styling"><p>Ekpuk’s presence in the United Arab Emirates marks a transformative historical, cultural and artistic moment. Well received by audiences, he firmly inserts African art into the region. He invites us to (re)examine simplistic definitions of calligraphy, the boundaries between architecture, sculpture and script, the distinctions between writing, graphic writing and art – and to eagerly await his next creations.</p></div> 1489 <div class='links'> 1490 </div> 1491 </div><div class='entry'> 1492 <a href='/news/elle-dit-8-kelly-sinnapah-mary-une-artiste-inspiree-par-maryse-conde'> 1493 <div class="placeholder"> 1494 <div class="image"> 1495 <img itemprop="image" alt='Elle dit 8 | Kelly Sinnapah Mary: une artiste inspirée par Maryse CondÃ' 1496 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e6b8929d6bec2f0ee39da85829434efd.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e6b8929d6bec2f0ee39da85829434efd.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e6b8929d6bec2f0ee39da85829434efd.jpeg 2x" 1497 class="rollover-image-out"> 1498 </div> 1499 </div> 1500 <div class="titles" data-categories="News"> 1501 <div class="title">Elle dit 8 | Kelly Sinnapah Mary: une artiste inspirée par Maryse CondÃ</div> 1502 1503 1504 <span class="subtitle">Kelly Sinnapah Mary</span> 1505 <span class="date"> 1506 November 13, 2023 1507 </span> 1508 </div> 1509 </a> <div class="summary paragraph-styling"><p>Décrire Kelly Sinnapah Mary comme une "artiste engagée" serait un pléonasme. Dans sa façon d'appréhender le monde, "l'artiste est un être politique" par définition. Cette artiste guadeloupéenne au rayonnement international nous ouvre les portes de son univers. Inspirée par l'auteur Maryse Condé, elle nous délivre des clés de lecture pour mieux aborder ses œuvres, donne des pistes aux artistes désireux d'exposer hors de l'archipel et plus encore.</p></div> 1510 <div class='links'> 1511 </div> 1512 </div><div class='entry'> 1513 <a href='/news/the-indian-express-spanish-artist-salvador-dalis-famous-horse-sculpture-installed-in-ahmedabad-mall'> 1514 <div class="placeholder"> 1515 <div class="image"> 1516 <img itemprop="image" alt='The Indian Express | Spanish artist Salvador Dali's famous horse sculpture installed in Ahmedabad mall' 1517 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/dc244841eacdd84266192b8069f89b25.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/dc244841eacdd84266192b8069f89b25.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/dc244841eacdd84266192b8069f89b25.jpeg 2x" 1518 class="rollover-image-out"> 1519 </div> 1520 </div> 1521 <div class="titles" data-categories="Reviews and Features, News"> 1522 <div class="title">The Indian Express | Spanish artist Salvador Dali's famous horse sculpture installed in Ahmedabad mall</div> 1523 1524
1525 <span class="subtitle">Veer Munshi</span> 1526 <span class="date"> 1527 November 10, 2023 1528 </span> 1529 </div> 1530 </a> <div class="summary paragraph-styling"><p>The 'Golden Deer' by Kashmiri artist Veer Munshi was also installed at Palladium Mall.</p></div> 1531 <div class='links'> 1532 </div> 1533 </div><div class='entry'> 1534 <a href='/news/art-spectacle-international-asia-at-the-circles-center'> 1535 <div class="placeholder"> 1536 <div class="image"> 1537 <img itemprop="image" alt='Art Spectacle International Asia | At the Circle's Center' 1538 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a8d67ba07a8a5dac67e94d799685f529.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a8d67ba07a8a5dac67e94d799685f529.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a8d67ba07a8a5dac67e94d799685f529.jpeg 2x" 1539 class="rollover-image-out"> 1540 </div> 1541 </div> 1542 <div class="titles" data-categories="News"> 1543 <div class="title">Art Spectacle International Asia | At the Circle's Center</div> 1544 1545 1546 <span class="subtitle">Aisha Khalid</span> 1547 <span class="date"> 1548 October 17, 2023 1549 </span> 1550 </div> 1551 </a> <div class="summary paragraph-styling"><p>“At the Circle’s Center” offers a glimpse into the artist’s diverse practice, comprising small works on paper, large-scale paintings, embroidered and pinned textiles, mixed media photo-based works and video. The show takes its title from a recent diptych of Gouaches on paper, richly painted in green, red and blue, using her signature geometric patterns and circles.</p></div> 1552 <div class='links'> 1553 </div> 1554 </div><div class='entry'> 1555 <a href='/news/artsy-victor-ekpuk-turns-ancient-african-communication-systems-into-captivating-contemporary-abstraction'> 1556 <div class="placeholder"> 1557 <div class="image"> 1558 <img itemprop="image" alt='Artsy | Victor Ekpuk Turns Ancient African Communication Systems into Captivating Contemporary Abstraction' 1559 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c4756a830c2c86e6f396ad1a5e9bdb92.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c4756a830c2c86e6f396ad1a5e9bdb92.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c4756a830c2c86e6f396ad1a5e9bdb92.png 2x" 1560 class="rollover-image-out"> 1561 </div> 1562 </div> 1563 <div class="titles" data-categories="News"> 1564 <div class="title">Artsy | Victor Ekpuk Turns Ancient African Communication Systems into Captivating Contemporary Abstraction</div> 1565 1566
1567 <span class="subtitle">Victor Ekpuk</span> 1568 <span class="date"> 1569 October 3, 2023 1570 </span> 1571 </div> 1572 </a> <div class="summary paragraph-styling"><p>Speaking to Artsy, Ekpuk suggested that the growing interest in his work from the region could be due to the “nature of the abstraction of my work that has to do with writing and touches on calligraphy,” adding that he believes the work “resonates with the aesthetics of the Middle East.”</p></div> 1573 <div class='links'> 1574 </div> 1575 </div><div class='entry'> 1576 <a href='/news/frieze-saad-qureshis-new-commission-is-a-cultural-time-machine'> 1577 <div class="placeholder"> 1578 <div class="image"> 1579 <img itemprop="image" alt='Photograph by Angus Mill' 1580 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b0aefebcea8b4b0aca801f875569d576.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b0aefebcea8b4b0aca801f875569d576.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b0aefebcea8b4b0aca801f875569d576.jpeg 2x" 1581 class="rollover-image-out"> 1582 </div> 1583 </div> 1584 <div class="titles" data-categories="News"> 1585 <div class="title">FRIEZE | Saad Qureshi's New Commission Is a Cultural Time Machine</div> 1586 1587 1588 <span class="subtitle">Saad Qureshi</span> 1589 <span class="date"> 1590 September 29, 2023 1591 </span> 1592 </div> 1593 </a> <div class="summary paragraph-styling"><p>The Oxford-based artist reflects on Convocation, now on view in London at The OWO.</p></div> 1594 <div class='links'> 1595 </div> 1596 </div><div class='entry'> 1597 <a href='/news/hyperallergic-using-a-nigerian-secret-writing-system-to-expose-social-injustices'> 1598 <div class="placeholder"> 1599 <div class="image"> 1600 <img itemprop="image" alt='hyperallergic | Using a Nigerian Secret Writing System to Expose Social Injustices' 1601 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5ac4d191b131555d76ee8e9cea26e051.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5ac4d191b131555d76ee8e9cea26e051.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5ac4d191b131555d76ee8e9cea26e051.jpeg 2x" 1602 class="rollover-image-out"> 1603 </div> 1604 </div> 1605 <div class="titles" data-categories="News"> 1606 <div class="title">hyperallergic | Using a Nigerian Secret Writing System to Expose Social Injustices</div> 1607 1608
1609 <span class="subtitle">Victor Ekpuk</span> 1610 <span class="date"> 1611 August 29, 2023 1612 </span> 1613 </div> 1614 </a> <div class="summary paragraph-styling"><p>Artist Viktor Ekpuk discovered that the symbols of the Nsibidi script could function as a form of abstraction — a way to reduce ideas to their essence.</p></div> 1615 <div class='links'> 1616 </div> 1617 </div><div class='entry'> 1618 <a href='/news/harpers-bazaar-india-five-eminent-female-artists-talk-about-their-idea-of-the-feminine-form'> 1619 <div class="placeholder"> 1620 <div class="image"> 1621 <img itemprop="image" alt='Harper's Bazaar India | Five Eminent Female Artists Talk about Their Idea of the Feminine Form' 1622 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/920cbdd87128bd2975ea63d763ddc5a2.jpeg' 1623 class="rollover-image-out"> 1624 </div> 1625 </div> 1626 <div class="titles" data-categories="News"> 1627 <div class="title">Harper's Bazaar India | Five Eminent Female Artists Talk about Their Idea of the Feminine Form</div> 1628 1629 1630 <span class="subtitle">Rekha Rodwittiya, Jayasri Burman, Anjolie Ela Menon</span> 1631 <span class="date"> 1632 August 21, 2023 1633 </span> 1634 </div> 1635 </a> <div class="summary paragraph-styling"><p>These five fantastic artists speak about an artwork that celebrates the ideals of womanhood and explores the multiple avatars that a positioned stance of female empowerment embraces. </p></div> 1636 <div class='links'> 1637 </div> 1638 </div><div class='entry'> 1639 <a href='/news/new-jersey-stage-montclair-art
1639-museum-presents-four-new-exhibitions-opening-this-fall'> 1640 <div class="placeholder"> 1641 <div class="image"> 1642 <img itemprop="image" alt='New Jersey Stage | Montclair Art Museum Presents Four New Exhibitions Opening This Fall' 1643 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ac011ced14e9566da874991b7f39df90.jpeg' 1644 class="rollover-image-out"> 1645 </div> 1646 </div> 1647 <div class="titles" data-categories="News"> 1648 <div class="title">New Jersey Stage | Montclair Art Museum Presents Four New Exhibitions Opening This Fall</div> 1649 1650 1651 <span class="subtitle">Mequitta Ahuja</span> 1652 <span class="date"> 1653 August 16, 2023 1654 </span> 1655 </div> 1656 </a> <div class="summary paragraph-styling"><p> The Montclair Art Museum (MAM) has announced four new, visually inspiring exhibitions opening this September and November including, <em>Taking Space: Contemporary Women Artists and the Politics of Scale.</em></p></div> 1657 <div class='links'> 1658 </div> 1659 </div><div class='entry'> 1660 <a href='/news/nj-arts-victor-ekpuk-communicates-in-unique-way-in-princeton-show'> 1661 <div class="placeholder"> 1662 <div class="image"> 1663 <img itemprop="image" alt='NJ Arts | Victor Ekpuk Communicates in unique way in Princeton show' 1664 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2473e6d329ec49a70f313b9ca7ff9288.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2473e6d329ec49a70f313b9ca7ff9288.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2473e6d329ec49a70f313b9ca7ff9288.jpeg 2x" 1665 class="rollover-image-out"> 1666 </div> 1667 </div> 1668 <div class="titles" data-categories="News"> 1669 <div class="title">NJ Arts | Victor Ekpuk Communicates in unique way in Princeton show</div> 1670 1671
1672 <span class="subtitle">Victor Ekpuk</span> 1673 <span class="date"> 1674 August 3, 2023 1675 </span> 1676 </div> 1677 </a> <div class="summary paragraph-styling"><p>[Ekpuk] may be the rare fine artist with the spirit of an incendiary cartoonist, but he doesn’t resort to strip comic tricks. His drawings, sculptures and acrylic paintings contain language, and ideas, too volatile to be contained by an oval.</p></div> 1678 <div class='links'> 1679 </div> 1680 </div><div class='entry'> 1681 <a href='/news/dart-magazine-victor-ekpuk-language-and-lineage-at-princeton-university-gallery'> 1682 <div class="placeholder"> 1683 <div class="image"> 1684 <img itemprop="image" alt='Princeton University Art Museum, Photo by: Joseph Hu' 1685 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/dcde775a5e61dc1374801febcd72f5e9.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/dcde775a5e61dc1374801febcd72f5e9.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/dcde775a5e61dc1374801febcd72f5e9.jpeg 2x" 1686 class="rollover-image-out"> 1687 </div> 1688 </div> 1689 <div class="titles" data-categories="News"> 1690 <div class="title">DART Magazine | Victor Ekpuk: Language and Lineage at Princeton University Gallery</div> 1691 1692 1693 <span class="subtitle">Victor Ekpuk</span> 1694 <span class="date"> 1695 August 2, 2023 1696 </span> 1697 </div> 1698 </a> <div class="summary paragraph-styling"><p>Victor Ekpuk: <em>Language and Lineage </em>is on view at Art@Bainbridge, a gallery project of the Museum located in downtown Princeton. Four available rooms show seventeen selections from a thirty-year career. </p></div> 1699 <div class='links'> 1700 </div> 1701 </div><div class='entry'> 1702 <a href='/news/the-voice-take-part-in-zero-to-infinity'> 1703 <div class="placeholder"> 1704 <div class="image"> 1705 <img itemprop="image" alt='The
1705Voice | Take Part in 'Zero to Infinity'' 1706 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/238f07f9f979fa673d05c4968ea3ba51.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/238f07f9f979fa673d05c4968ea3ba51.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/238f07f9f979fa673d05c4968ea3ba51.jpeg 2x" 1707 class="rollover-image-out"> 1708 </div> 1709 </div> 1710 <div class="titles" data-categories="News"> 1711 <div class="title">The Voice | Take Part in 'Zero to Infinity'</div> 1712 1713 1714 <span class="subtitle">Rasheed Araeen</span> 1715 <span class="date"> 1716 July 26, 2023 1717 </span> 1718 </div> 1719 </a> <div class="summary paragraph-styling"><p>You don’t often get the chance to visit a museum and touch, move, shift or stack anything, making a date with the cubes, exploring ideas of symmetry, shape, and geometry, a fairly unique opportunity.</p></div> 1720 <div class='links'> 1721 </div> 1722 </div><div class='entry'> 1723 <a href='/news/riding-the-elephant-pakistani-born-artist-has-lattice-cubes-display-at-londons-tate-modern'> 1724 <div class="placeholder"> 1725 <div class="image"> 1726 <img itemprop="image" alt='Riding the Elephant | Pakistani-born artist has lattice cubes display at London's Tate Modern' 1727 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/94f0b82864d2d97de7207056452d007b.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/94f0b82864d2d97de7207056452d007b.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/94f0b82864d2d97de7207056452d007b.jpeg 2x" 1728 class="rollover-image-out"> 1729 </div> 1730 </div> 1731 <div class="titles" data-categories="News"> 1732 <div class="title">Riding the Elephant | Pakistani-born artist has lattice cubes display at London's Tate Modern</div> 1733 1734
1735 <span class="subtitle">Rasheed Araeen</span> 1736 <span class="date"> 1737 July 25, 2023 1738 </span> 1739 </div> 1740 </a> <div class="summary paragraph-styling"><p>Rebel artist, now 88, had to wait till his mid-70s for international recognition</p></div> 1741 <div class='links'> 1742 </div> 1743 </div><div class='entry'> 1744 <a href='/news/art-daily-visitors-at-tate-modern-bring-participatory-artworks-by-rasheed-araeen-to-life'> 1745 <div class="placeholder"> 1746 <div class="image"> 1747 <img itemprop="image" alt='Art Daily | Visitors at Tate Modern bring participatory artworks by Rasheed Araeen to life' 1748 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4c15f6814fe8aade48e9a21cf2a10afa.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4c15f6814fe8aade48e9a21cf2a10afa.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4c15f6814fe8aade48e9a21cf2a10afa.jpeg 2x" 1749 class="rollover-image-out"> 1750 </div> 1751 </div> 1752 <div class="titles" data-categories="News"> 1753 <div class="title">Art Daily | Visitors at Tate Modern bring participatory artworks by Rasheed Araeen to life</div> 1754 1755 1756 <span class="subtitle">Rasheed Araeen</span> 1757 <span class="date"> 1758 July 25, 2023 1759 </span> 1760 </div> 1761 </a> <div class="summary paragraph-styling"><p>From Saturday 12 August, <em>Zero to Infinity</em> will be joined by <em>Shamiyaana IV (Food for Thought: Thought for Change)</em>, an installation by Araeen outside Tate Modern comprising four colourful gazebos with tables and chairs.</p></div> 1762 <div class='links'> 1763 </div> 1764 </div><div class='entry'> 1765 <a href='/news/ebony-nigerian-artist-victor-ekpuks-new-exhibit-brings-ancient-nsibidi-visual-language-to-a-modern-day-era'> 1766 <div class="placeholder"> 1767 <div class="image"> 1768 <img itemprop="image" alt='Ebony | Nigerian Artist Victor Ekpuk's New Exhibit Brings Ancient Nsibidi Visual Language to a Modern-Day Era' 1769 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/532d0bc5e2cef4d376c23568a4ae3022.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/532d0bc5e2cef4d376c23568a4ae3022.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/532d0bc5e2cef4d376c23568a4ae3022.png 2x" 1770 class="rollover-image-out"> 1771 </div> 1772 </div> 1773 <div class="titles" data-categories="News"> 1774 <div class="title">Ebony | Nigerian Artist Victor Ekpuk's New Exhibit Brings Ancient Nsibidi Visual Language to a Modern-Day Era</div> 1775 1776
1777 <span class="subtitle">Victor Ekpuk</span> 1778 <span class="date"> 1779 July 19, 2023 1780 </span> 1781 </div> 1782 </a> <div class="summary paragraph-styling"><p>His upcoming exhibit, <em>Language and Lineage</em> at Princeton University Art Museum in New Jersey explores various themes that have unfolded in Ekpuk’s work over the last three decades.</p></div> 1783 <div class='links'> 1784 </div> 1785 </div><div class='entry'> 1786 <a href='/news/fad-magazine-ever-changing-artwork-comes-to-tates-turbine-hall'> 1787 <div class="placeholder"> 1788 <div class="image"> 1789 <img itemprop="image" alt='FAD Magazine | Ever-Changing Artwork Comes to Tate's Turbine Hall' 1790 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4cdf7978736d9cc0a1f68c68615f3c08.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4cdf7978736d9cc0a1f68c68615f3c08.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4cdf7978736d9cc0a1f68c68615f3c08.jpeg 2x" 1791 class="rollover-image-out"> 1792 </div> 1793 </div> 1794 <div class="titles" data-categories="News"> 1795 <div class="title">FAD Magazine | Ever-Changing Artwork Comes to Tate's Turbine Hall</div> 1796 1797 1798 <span class="subtitle">Rasheed Araeen</span> 1799 <span class="date"> 1800 July 18, 2023 1801 </span> 1802 </div> 1803 </a> <div class="summary paragraph-styling"><p>This summer, you have the chance to participate in an ever-changing artwork as Rasheed Araeen’s interactive <em>Zero to Infinity i</em>s brought to life. Staged in the gallery’s iconic Turbine Hall as part of UNIQLO Tate Play – Tate Modern’s free programme of playful art-inspired activities for families in partnership with UNIQLO – the work features 400 brightly coloured geometric cubes which people of all ages are encouraged to stack, tilt and balance to create new configurations. </p></div> 1804 <div class='links'> 1805 </div> 1806 </div><div class='entry'> 1807 <a href='/news/tate-modern-uniqlo-tate-play-rasheed-araeen-zero-to-infinity'> 1808 <div class="placeholder"> 1809 <div class="image"> 1810 <img itemprop="image" alt='Tate Modern | Uniqlo Tate Play | Rasheed Araeen, Zero to Infinity' 1811 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/41d2a6cc3071234d59a30a4f5cd14275.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/41d2a6cc3071234d59a30a4f5cd14275.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/41d2a6cc3071234d59a30a4f5cd14275.jpeg 2x" 1812 class="rollover-image-out"> 1813 </div> 1814 </div> 1815 <div class="titles" data-categories="News"> 1816 <div class="title">Tate Modern | Uniqlo Tate Play | Rasheed Araeen, Zero to Infinity</div> 1817 1818
1819 <span class="subtitle">Rasheed Araeen</span> 1820 <span class="date"> 1821 1822 </span> 1823 </div> 1824 </a> <div class="summary paragraph-styling"><p>Take part in the performance of Rasheed Araeen’s endlessly changing sculpture. July 22 - August 27, 2023.</p></div> 1825 <div class='links'> 1826 </div> 1827 </div><div class='entry'> 1828 <a href='/news/art-bainbridge-victor-ekpuk-language-and-lineage'> 1829 <div class="placeholder"> 1830 <div class="image"> 1831 <img itemprop="image" alt='Art@Bainbridge | Victor Ekpuk: Language and Lineage' 1832 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5d80a58ed84fcd53834ce674dc8be18d.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5d80a58ed84fcd53834ce674dc8be18d.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5d80a58ed84fcd53834ce674dc8be18d.jpeg 2x" 1833 class="rollover-image-out"> 1834 </div> 1835 </div> 1836 <div class="titles" data-categories="News"> 1837 <div class="title">Art@Bainbridge | Victor Ekpuk: Language and Lineage</div> 1838 1839 1840 <span class="subtitle">Victor Ekpuk</span> 1841 <span class="date"> 1842 1843 </span> 1844 </div> 1845 </a> <div class="summary paragraph-styling"><p>Opening Saturday July 22, 2023 at the Princeton University Art Museum's Art@Bainbridge.</p></div> 1846 <div class='links'> 1847 </div> 1848 </div><div class='entry'> 1849 <a href='/news/observer-the-rise-of-the-contemporary-artist-historian'> 1850 <div class="placeholder"> 1851 <div class="image"> 1852 <img itemprop="image" alt='Observer | The Rise of the Contemporary Artist-Historian' 1853 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/72ae1c092903459c73c812fd4dccff6a.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/72ae1c092903459c73c812fd4dccff6a.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/72ae1c092903459c73c812fd4dccff6a.jpeg 2x" 1854 class="rollover-image-out"> 1855 </div> 1856 </div> 1857 <div class="titles" data-categories="News"> 1858 <div class="title">Observer | The Rise of the Contemporary Artist-Historian</div> 1859 1860
1861 <span class="subtitle">Mequitta Ahuja</span> 1862 <span class="date"> 1863 May 17, 2023 1864 </span> 1865 </div> 1866 </a> <div class="summary paragraph-styling"><p>Archival art serves to situate artists whose pasts have been belittled, denied or erased.</p></div> 1867 <div class='links'> 1868 </div> 1869 </div><div class='entry'> 1870 <a href='/news/the-news-on-sunday-the-magic-of-a-new-realism'> 1871 <div class="placeholder"> 1872 <div class="image"> 1873 <img itemprop="image" alt='The News on Sunday | The magic of a new realism' 1874 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bf3862586cc5c646890a60baa3348e51.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bf3862586cc5c646890a60baa3348e51.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bf3862586cc5c646890a60baa3348e51.jpeg 2x" 1875 class="rollover-image-out"> 1876 </div> 1877 </div> 1878 <div class="titles" data-categories="News"> 1879 <div class="title">The News on Sunday | The magic of a new realism</div> 1880 1881 1882 <span class="subtitle">Faiza Butt</span> 1883 <span class="date"> 1884 May 7, 2023 1885 </span> 1886 </div> 1887 </a> <div class="summary paragraph-styling"><p>In her new paintings, Faiza Butt employs a new visual language.</p></div> 1888 <div class='links'> 1889 </div> 1890 </div><div class='entry'> 1891 <a href='/news/the-news-on-sunday-the-presence-of-aisha-khalid'> 1892 <div class="placeholder"> 1893 <div class="image"> 1894 <img itemprop="image" alt='The News on Sunday | The Presence of Aisha Khalid' 1895 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/426df6086a0f86e25e1d0819df47e59c.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/426df6086a0f86e25e1d0819df47e59c.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/426df6086a0f86e25e1d0819df47e59c.jpeg 2x" 1896 class="rollover-image-out"> 1897 </div> 1898 </div> 1899 <div class="titles" data-categories="News"> 1900 <div class="title">The News on Sunday | The Presence of Aisha Khalid</div> 1901 1902
1903 <span class="subtitle">Aisha Khalid</span> 1904 <span class="date"> 1905 April 9, 2023 1906 </span> 1907 </div> 1908 </a> <div class="summary paragraph-styling"><p>The artist recently opened her retrospective,<em> I Am And I Am Not</em> – at the Govett-Brewster Art Gallery in New Zealand, and peels back the layers of the motivations and concerns shared between herself, curator Masuma Halai Khwaja, and gallery director Zara Stanhope.</p></div> 1909 <div class='links'> 1910 </div> 1911 </div><div class='entry'> 1912 <a href='/news/art-news-with-an-emphasis-on-color-and-form-s-h-raza-broke-new-ground-for-modernism'> 1913 <div class="placeholder"> 1914 <div class="image"> 1915 <img itemprop="image" alt='Art News | With an Emphasis on Color and Form, S. H. Raza Broke New Ground for Modernism' 1916 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/153c20ab9e57c15b70ad5b980379189f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/153c20ab9e57c15b70ad5b980379189f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/153c20ab9e57c15b70ad5b980379189f.jpeg 2x" 1917 class="rollover-image-out"> 1918 </div> 1919 </div> 1920 <div class="titles" data-categories="News"> 1921 <div class="title">Art News | With an Emphasis on Color and Form, S. H. Raza Broke New Ground for Modernism</div> 1922 1923 1924 <span class="subtitle">S. H. Raza</span> 1925 <span class="date"> 1926 March 27, 2023 1927 </span> 1928 </div> 1929 </a> <div class="summary paragraph-styling"><p>In a belated effort to help rectify that, S.H. Raza’s paintings have been united in a rare, though restrained gathering of some 90 paintings at the Centre Pompidou in Paris, on view until May 15. The exhibition is a first retrospective for the artist in France, where he lived from 1950 until 2011, and highlights his earlier, lesser-known experimental works.</p></div> 1930 <div class='links'> 1931 </div> 1932 </div><div class='entry'> 1933 <a href='/news/apollo-art-dubai-comes-into-its-own'> 1934 <div class="placeholder"> 1935 <div class="image"> 1936 <img itemprop="image" alt='Apollo | Art Dubai comes into its own' 1937 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a83d22d3048e853ba61a0ffea15666f1.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a83d22d3048e853ba61a0ffea15666f1.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a83d22d3048e853ba61a0ffea15666f1.jpeg 2x" 1938 class="rollover-image-out"> 1939 </div> 1940 </div> 1941 <div class="titles" data-categories="News"> 1942 <div class="title">Apollo | Art Dubai comes into its own</div> 1943 1944
1945 <span class="subtitle">Rasheed Araeen</span> 1946 <span class="date"> 1947 March 8, 2023 1948 </span> 1949 </div> 1950 </a> <div class="summary paragraph-styling"><p>For a fair whose eye is so clearly on commerce, there was a merciful absence of the typical artists from big Western fairs. Instead, the focus was on artists from the surrounding region and South Asia. The fair’s artistic director, Pablo del Val, boasted that this edition of the fair ‘had the highest percentage of artists from the Global South’ in its history.</p></div> 1951 <div class='links'> 1952 </div> 1953 </div><div class='entry'> 1954 <a href='/news/artnet-news-what-does-it-mean-to-be-an-afrofuturist-now'> 1955 <div class="placeholder"> 1956 <div class="image"> 1957 <img itemprop="image" alt='ArtNet News | What Does it Mean to Be an Afrofuturist Now?' 1958 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b0302660f562a7f8086a3689f8ac44e7.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b0302660f562a7f8086a3689f8ac44e7.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b0302660f562a7f8086a3689f8ac44e7.jpeg 2x" 1959 class="rollover-image-out"> 1960 </div> 1961 </div> 1962 <div class="titles" data-categories="News"> 1963 <div class="title">ArtNet News | What Does it Mean to Be an Afrofuturist Now?</div> 1964 1965 1966 <span class="subtitle">Mequitta Ahuja</span> 1967 <span class="date"> 1968 March 6, 2023 1969 </span> 1970 </div> 1971 </a> <div class="summary paragraph-styling"><p>Three contemporary artists on what the term means to them. Alisha Wormsley, Mequitta Ahuja, and Cauleen
1971Smith all help move the conversation beyond Black science fiction tropes. </p></div> 1972 <div class='links'> 1973 </div> 1974 </div><div class='entry'> 1975 <a href='/news/stir-pad-india-art-festival-2023-adds-a-diverse-and-novel-perspective-with-aicon-art'> 1976 <div class="placeholder"> 1977 <div class="image"> 1978 <img itemprop="image" alt='STIR Pad | India Art Festival 2023 adds a diverse and novel perspective with Aicon Art' 1979 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d28bee1e8b7691c33456e430e4ae3fb2.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d28bee1e8b7691c33456e430e4ae3fb2.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d28bee1e8b7691c33456e430e4ae3fb2.jpeg 2x" 1980 class="rollover-image-out"> 1981 </div> 1982 </div> 1983 <div class="titles" data-categories="News"> 1984 <div class="title">STIR Pad | India Art Festival 2023 adds a diverse and novel perspective with Aicon Art</div> 1985 1986 1987 <span class="subtitle"></span> 1988 <span class="date"> 1989 February 8, 2023 1990 </span> 1991 </div> 1992 </a> <div class="summary paragraph-styling"><p>The international gallery is set to curate showcases by M. F. Husain, Rasheed Araeen, Victor Ekpuk, Sheetal Gattani, and more at the 14th edition of IAF.</p></div> 1993 <div class='links'> 1994 </div> 1995 </div><div class='entry'> 1996 <a href='/news/stir-world-stir-curates-a-selection-of-unmissable-works-at-the-upcoming-india-art-fair-1'> 1997 <div class="placeholder"> 1998 <div class="image"> 1999 <img itemprop="image" alt='STIR World | STIR curates a selection of unmissable works at the upcoming India Art Fair' 2000 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c6a8b6873cca14dc3b1200371c02a88c.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c6a8b6873cca14dc3b1200371c02a88c.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c6a8b6873cca14dc3b1200371c02a88c.jpeg 2x" 2001 class="rollover-image-out"> 2002 </div> 2003 </div> 2004 <div class="titles" data-categories="News"> 2005 <div class="title">STIR World | STIR curates a selection of unmissable works at the upcoming India Art Fair</div> 2006 2007
2008 <span class="subtitle"></span> 2009 <span class="date"> 2010 February 1, 2023 2011 </span> 2012 </div> 2013 </a> <div class="summary paragraph-styling"><p>STIR speaks to galleries on their special inclusion at the India Art Fair which will present 86 exhibitors and more than 1000 artists from February 9-12, 2023, in New Delhi.</p></div> 2014 <div class='links'> 2015 </div> 2016 </div><div class='entry'> 2017 <a href='/news/syracuse-com-take-me-to-the-palace-of-love-on-view-at-the-su-art-museum'> 2018 <div class="placeholder"> 2019 <div class="image"> 2020 <img itemprop="image" alt='Syracuse.com | 'Take Me To the Palace of Love' on view at the SU Art Museum' 2021 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c4b3919d0fa303d7598e3fbb018152e9.jpeg' 2022 class="rollover-image-out"> 2023 </div> 2024 </div> 2025 <div class="titles" data-categories="News"> 2026 <div class="title">Syracuse.com | 'Take Me To the Palace of Love' on view at the SU Art Museum</div> 2027 2028 2029 <span class="subtitle">Rina Banerjee</span> 2030 <span class="date"> 2031 January 17, 2023 2032 </span> 2033 </div> 2034 </a> <div class="summary paragraph-styling"><p>A new exhibition of critical artworks by acclaimed international artist Rina Banerjee will open at the Syracuse University Art Museum on Thursday, Jan. 19.</p></div> 2035 <div class='links'> 2036 </div> 2037 </div><div class='entry'> 2038 <a href='/news/wm-mequitta-ahuja-black-word-at-aicon-art'> 2039 <div class="placeholder"> 2040 <div class="image"> 2041 <img itemprop="image" alt='WM | Mequitta Ahuja: Black-word at Aicon Art' 2042 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4d7576ddc43e02462ea38b9ae8806997.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4d7576ddc43e02462ea38b9ae8806997.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4d7576ddc43e02462ea38b9ae8806997.jpeg 2x" 2043 class="rollover-image-out"> 2044 </div> 2045 </div> 2046 <div class="titles" data-categories="News"> 2047 <div class="title">WM | Mequitta Ahuja: Black-word at Aicon Art</div> 2048 2049
2050 <span class="subtitle">Mequitta Ahuja</span> 2051 <span class="date"> 2052 January 2023 2053 </span> 2054 </div> 2055 </a> <div class="summary paragraph-styling"><p>We see from “Black-word” that Ahuja is pushing art-world boundaries. In different ways and in different works of hers, she alludes to or appropriates tropes and conventions that the history of Western art brought to the fore in different times, especially during the Renaissance and the period of modernism. </p></div> 2056 <div class='links'> 2057 </div> 2058 </div><div class='entry'> 2059 <a href='/news/artnet-news-spotlight-artist-mequitta-ahuja-tells-her-familys-story-through-portraits-based-on-her-late-grandmothers-research'> 2060 <div class="placeholder"> 2061 <div class="image"> 2062 <img itemprop="image" alt='Artnet News | Spotlight: Artist Mequitta Ahuja Tells Her Family's Story Through Portraits Based on Her Late Grandmotherâs Research' 2063 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/7b5bbe1e7d9843187db73ddcfbaf9a3f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/7b5bbe1e7d9843187db73ddcfbaf9a3f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/7b5bbe1e7d9843187db73ddcfbaf9a3f.jpeg 2x" 2064 class="rollover-image-out"> 2065 </div> 2066 </div> 2067 <div class="titles" data-categories="News"> 2068 <div class="title">Artnet News | Spotlight: Artist Mequitta Ahuja Tells Her Family's Story Through Portraits Based on Her Late Grandmotherâs Research</div> 2069 2070 2071 <span class="subtitle">Mequitta Ahuja</span> 2072 <span class="date"> 2073 January 6, 2023 2074 </span> 2075 </div> 2076 </a> <div class="summary paragraph-styling"><p>Her second solo show with New York's Aicon Art, "Black-word," opens today.</p></div> 2077 <div class='links'> 2078 </div> 2079 </div><div class='entry'> 2080 <a href='/news/telegraph-india-cima-hosts-interaction-with-indo-american-artist-and-sculptor-rina-banerjee'> 2081 <div class="placeholder"> 2082 <div class="image"> 2083 <img itemprop="image" alt='Telegraph India | CIMA hosts interaction with Indo-American artist and sculptor Rina Banerjee' 2084 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c33720e6d6b8e6699b5970ab606aa6e8.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c33720e6d6b8e6699b5970ab606aa6e8.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/c33720e6d6b8e6699b5970ab606aa6e8.jpeg 2x" 2085 class="rollover-image-out"> 2086 </div> 2087 </div> 2088 <div class="titles" data-categories="News"> 2089 <div class="title">Telegraph India | CIMA hosts interaction with Indo-American artist and sculptor Rina Banerjee</div> 2090 2091
2092 <span class="subtitle">Rina Banerjee</span> 2093 <span class="date"> 2094 January 3, 2023 2095 </span> 2096 </div> 2097 </a> <div class="summary paragraph-styling"><p>The session was attended by students, art enthusiasts, artists and others</p></div> 2098 <div class='links'> 2099 </div> 2100 </div><div class='entry'> 2101 <a href='/news/india-west-journal-anjolie-ela-menon-embraces-being-called-a-maverick'> 2102 <div class="placeholder"> 2103 <div class="image"> 2104 <img itemprop="image" alt='India West Journal | Anjolie Ela Menon Embraces Being Called a Maverick' 2105 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/86c328bc50a9a49a03e878c3cefc81f1.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/86c328bc50a9a49a03e878c3cefc81f1.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/86c328bc50a9a49a03e878c3cefc81f1.jpeg 2x" 2106 class="rollover-image-out"> 2107 </div> 2108 </div> 2109 <div class="titles" data-categories="News"> 2110 <div class="title">India West Journal | Anjolie Ela Menon Embraces Being Called a Maverick</div> 2111 2112 2113 <span class="subtitle">Anjolie Ela Menon</span> 2114 <span class="date"> 2115 January 2, 2023 2116 </span> 2117 </div> 2118 </a> <div class="summary paragraph-styling"><p>Anjolie Ela Menon embraces being called a maverick in her latest solo exhibition, 'Nostalgia'. </p></div> 2119 <div class='links'> 2120 </div> 2121 </div><div class='entry'> 2122 <a href='/news/the-news-on-sunday-tracing-modernism'> 2123 <div class="placeholder"> 2124 <div class="image"> 2125 <img itemprop="image" alt='The News on Sunday | Tracing Modernism' 2126 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2e7c9a89d214df64b507c0609d4f2e0f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2e7c9a89d214df64b507c0609d4f2e0f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2e7c9a89d214df64b507c0609d4f2e0f.jpeg 2x" 2127 class="rollover-image-out"> 2128 </div> 2129 </div> 2130 <div class="titles" data-categories="News"> 2131 <div class="title">The News on Sunday | Tracing Modernism</div> 2132 2133
2134 <span class="subtitle">Rasheed Araeen</span> 2135 <span class="date"> 2136 November 27, 2022 2137 </span> 2138 </div> 2139 </a> <div class="summary paragraph-styling"><p>In artist Rasheed Araeen’s aesthetics, there is hardly a conflict between modernity and faith</p></div> 2140 <div class='links'> 2141 </div> 2142 </div><div class='entry'> 2143 <a href='/news/stir-world-rasheed-araeens-islam-modernism-at-aicon-art-is-a-seminal-exhibition-of-works'> 2144 <div class="placeholder"> 2145 <div class="image"> 2146 <img itemprop="image" alt='stir world | Rasheed Araeen's 'Islam &amp; Modernism' at Aicon Art is a seminal exhibition of works' 2147 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6cbc434b60f42604c47c4edef07bf035.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6cbc434b60f42604c47c4edef07bf035.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6cbc434b60f42604c47c4edef07bf035.jpeg 2x" 2148 class="rollover-image-out"> 2149 </div> 2150 </div> 2151 <div class="titles" data-categories="News"> 2152 <div class="title">stir world | Rasheed Araeen's 'Islam & Modernism' at Aicon Art is a seminal exhibition of works</div> 2153 2154 2155 <span class="subtitle">Rasheed Araeen</span> 2156 <span class="date"> 2157 November 17, 2022 2158 </span> 2159 </div> 2160 </a> <div class="summary paragraph-styling"><p>Rejecting the contradictions in the characterisation of his oeuvre by western institutions, Araeen considers the influence of Islamic thought in the development of modernism.</p></div> 2161 <div class='links'> 2162 </div> 2163 </div><div class='entry'> 2164 <a href='/news/affic
2164hes-parisiennes-a-work-of-art-in-tribute-to-the-victims-of-the-algerian-war'> 2165 <div class="placeholder"> 2166 <div class="image"> 2167 <img itemprop="image" alt='Affiches Parisiennes | A work of art in tribute to the victims of the Algerian war' 2168 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/50e03fc00f28ecac1fafb63d567a24b2.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/50e03fc00f28ecac1fafb63d567a24b2.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/50e03fc00f28ecac1fafb63d567a24b2.jpeg 2x" 2169 class="rollover-image-out"> 2170 </div> 2171 </div> 2172 <div class="titles" data-categories="News"> 2173 <div class="title">Affiches Parisiennes | A work of art in tribute to the victims of the Algerian war</div> 2174 2175 2176 <span class="subtitle">Rachid Koraïchi</span> 2177 <span class="date"> 2178 November 4, 2022 2179 </span> 2180 </div> 2181 </a> <div class="summary paragraph-styling"><p>The department of Seine-Saint-Denis inaugurated, on November 1, the work "Le Vigilant" by the internationally renowned Algerian visual artist Rachid Koraïchi, installed in the Georges-Valbon park in La Courneuve.</p></div> 2182 <div class='links'> 2183 </div> 2184 </div><div class='entry'> 2185 <a href='/news/le-quotidien-doran-le-vigilant'> 2186 <div class="placeholder"> 2187 <div class="image"> 2188 <img itemprop="image" alt='Le Quotidien d'Oran | Le Vigilant' 2189 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/31621cb5bee3d40b86f026ec128aad27.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/31621cb5bee3d40b86f026ec128aad27.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/31621cb5bee3d40b86f026ec128aad27.jpeg 2x" 2190 class="rollover-image-out"> 2191 </div> 2192 </div> 2193 <div class="titles" data-categories="News"> 2194 <div class="title">Le Quotidien d'Oran | Le Vigilant</div> 2195 2196
2197 <span class="subtitle">Rachid Koraïchi</span> 2198 <span class="date"> 2199 November 2, 2022 2200 </span> 2201 </div> 2202 </a> <div class="summary paragraph-styling"><p>“Le Vigilant," a monumental sculpture by Rachid Koraïchi, was inaugurated on November 1st 2022 in the park of the Courneuve, in Seine-Saint-Denis to pay tribute to those, French and Algerian, who sacrificed their lives for an independent Algeria.</p></div> 2203 <div class='links'> 2204 </div> 2205 </div><div class='entry'> 2206 <a href='/news/bella-naija-design-week-lagos-2022-is-over'> 2207 <div class="placeholder"> 2208 <div class="image"> 2209 <img itemprop="image" alt='Bella Naija | Design Week Lagos 2022 is Over!' 2210 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d53151c1ffe8c74dacfb7b2fe77e45fd.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d53151c1ffe8c74dacfb7b2fe77e45fd.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d53151c1ffe8c74dacfb7b2fe77e45fd.jpeg 2x" 2211 class="rollover-image-out"> 2212 </div> 2213 </div> 2214 <div class="titles" data-categories="News"> 2215 <div class="title">Bella Naija | Design Week Lagos 2022 is Over!</div> 2216 2217 2218 <span class="subtitle">Victor Ekpuk</span> 2219 <span class="date"> 2220 October 31, 2022 2221 </span> 2222 </div> 2223 </a> <div class="summary paragraph-styling"><p>Here are some amazing Highlights from the show</p></div> 2224 <div class='links'> 2225 </div> 2226 </div><div class='entry'> 2227 <a href='/news/artforum-a-minimalist-pioneers-reflections-on-islam-and-modernity'> 2228 <div class="placeholder"> 2229 <div class="image"> 2230 <img itemprop="image" alt='Artforum | A Minimalist pioneer's reflections on Islam and modernity' 2231 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/fe0e7a0ff499fc69ea60d665a3928f6e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/fe0e7a0ff499fc69ea60d665a3928f6e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/fe0e7a0ff499fc69ea60d665a3928f6e.jpeg 2x" 2232 class="rollover-image-out"> 2233 </div> 2234 </div> 2235 <div class="titles" data-categories="News"> 2236 <div class="title">Artforum | A Minimalist pioneer's reflections on Islam and modernity</div> 2237 2238
2239 <span class="subtitle">Rasheed Araeen</span> 2240 <span class="date"> 2241 October 27, 2022 2242 </span> 2243 </div> 2244 </a> <div class="summary paragraph-styling"><p>On occasion of his new publication<em> Islam & Modernism</em> (Grosvenor 2022) and a solo exhibition at New York’s Aicon Art (on through November 19), Araeen discusses the persistence of Eurocentrism in discourses of modernism.</p></div> 2245 <div class='links'> 2246 </div> 2247 </div><div class='entry'> 2248 <a href='/news/splendor-and-magnificence-the-art-of-natvar-bhavsar'> 2249 <div class="placeholder"> 2250 <div class="image"> 2251 <img itemprop="image" alt='Splendor and Magnificence | The Art of Natvar Bhavsar' 2252 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/304af762e43d4813af6ec3b4430a3e5b.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/304af762e43d4813af6ec3b4430a3e5b.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/304af762e43d4813af6ec3b4430a3e5b.jpeg 2x" 2253 class="rollover-image-out"> 2254 </div> 2255 </div> 2256 <div class="titles" data-categories="News"> 2257 <div class="title">Splendor and Magnificence | The Art of Natvar Bhavsar</div> 2258 2259 2260 <span class="subtitle">by Fré Ilgen</span> 2261 <span class="date"> 2262 October 19, 2022 2263 </span> 2264 </div> 2265 </a> <div class="summary paragraph-styling"><p>“I have felt from the very start of my art education that the excitement by color was by itself for me, uplifting. There was something very direct and biological about it, which engulfed me in a way…. What I was trying to express was that the color has given me charge to use it as completely, like in music, as the sound becomes a vehicle for creating a universe.”</p></div> 2266 <div class='links'> 2267 </div> 2268 </div><div class='entry'> 2269 <a href='/news/this-day-at-the-frieze-art
2269-fair-two-nigerian-creative-amazons-hold-court'> 2270 <div class="placeholder"> 2271 <div class="image"> 2272 <img itemprop="image" alt='This Day | At the Frieze Art Fair, Two Nigerian Creative Amazons Hold Court' 2273 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9c01c097c9cb0d4a7704a94bbfb78f0d.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9c01c097c9cb0d4a7704a94bbfb78f0d.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9c01c097c9cb0d4a7704a94bbfb78f0d.png 2x" 2274 class="rollover-image-out"> 2275 </div> 2276 </div> 2277 <div class="titles" data-categories="News"> 2278 <div class="title">This Day | At the Frieze Art Fair, Two Nigerian Creative Amazons Hold Court</div> 2279 2280 2281 <span class="subtitle">Peju Alatise</span> 2282 <span class="date"> 2283 October 16, 2022 2284 </span> 2285 </div> 2286 </a> <div class="summary paragraph-styling"><p>Two renowned Nigerian female artists, drawn from different generations, Peju Alatise and Nike Davies-Okundaye, are having their moments in the international limelight at the Frieze Art Fair in London, UK.</p></div> 2287 <div class='links'> 2288 </div> 2289 </div><div class='entry'> 2290 <a href='/news/artnet-news-in-pictures-see-the-colorful-cheeky-outdoor-art-of-the-10th-annual-frieze-sculpture'> 2291 <div class="placeholder"> 2292 <div class="image"> 2293 <img itemprop="image" alt='ArtNet News | In Pictures: See the Colorful, Cheeky Outdoor Art of the 10th Annual Frieze Sculpture' 2294 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9c6c01bf7583e0e675b5c22f0d78a5e6.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9c6c01bf7583e0e675b5c22f0d78a5e6.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9c6c01bf7583e0e675b5c22f0d78a5e6.jpeg 2x" 2295 class="rollover-image-out"> 2296 </div> 2297 </div> 2298 <div class="titles" data-categories="News"> 2299 <div class="title">ArtNet News | In Pictures: See the Colorful, Cheeky Outdoor Art of the 10th Annual Frieze Sculpture</div> 2300 2301
2302 <span class="subtitle">Peju Alatise</span> 2303 <span class="date"> 2304 September 16, 2022 2305 </span> 2306 </div> 2307 </a> <div class="summary paragraph-styling"><p>The 2022 exhibition is on view through November 13.</p></div> 2308 <div class='links'> 2309 </div> 2310 </div><div class='entry'> 2311 <a href='/news/forbes-algerian-artist-rachid-koraichis-works-are-shining-beacons-of-hope-of-a-more-human-world'> 2312 <div class="placeholder"> 2313 <div class="image"> 2314 <img itemprop="image" alt='Forbes | Algerian Artist Rachid Koraïchi's Works are Shining Beacons of Hope of a More Human World' 2315 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5f4507b520e22adce74450598c8a1269.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5f4507b520e22adce74450598c8a1269.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/5f4507b520e22adce74450598c8a1269.jpeg 2x" 2316 class="rollover-image-out"> 2317 </div> 2318 </div> 2319 <div class="titles" data-categories="News"> 2320 <div class="title">Forbes | Algerian Artist Rachid Koraïchi's Works are Shining Beacons of Hope of a More Human World</div> 2321 2322 2323 <span class="subtitle">Rachid Koraïchi</span> 2324 <span class="date"> 2325 September 1, 2022 2326 </span> 2327 </div> 2328 </a> <div class="summary paragraph-styling"><p>Y-Jean Mun-Delsalle sits down with the artist to discuss his background, his art and how he came to build this paradisaical cemetery for migrants.</p></div> 2329 <div class='links'> 2330 </div> 2331 </div><div class='entry'> 2332 <a href='/news/stir-world-de-layering-the-show-blemish-in-deep-pink-everyplace-begins-by-rina-banerjee'> 2333 <div class="placeholder"> 2334 <div class="image"> 2335 <img itemprop="image" alt='STIR World | De-layering the show 'Blemish, In Deep Pink Everyplace Begins' by Rina Banerjee' 2336 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a01b34dfd781e284fcaa4c8ab56b5943.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a01b34dfd781e284fcaa4c8ab56b5943.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a01b34dfd781e284fcaa4c8ab56b5943.jpeg 2x" 2337 class="rollover-image-out"> 2338 </div> 2339 </div> 2340 <div class="titles" data-categories="News"> 2341 <div class="title">STIR World | De-layering the show 'Blemish, In Deep Pink Everyplace Begins' by Rina Banerjee</div> 2342 2343
2344 <span class="subtitle">Rina Banerjee</span> 2345 <span class="date"> 2346 September 1, 2022 2347 </span> 2348 </div> 2349 </a> <div class="summary paragraph-styling"><p>Rina Banerjee’s imaginative, complex and layered world comes to life at the Hunterdon Art Museum as she explores ideas of gender, identity, beauty, and human psyche.</p></div> 2350 <div class='links'> 2351 </div> 2352 </div><div class='entry'> 2353 <a href='/news/stir-world-when-the-material-is-unabashedly-camp'> 2354 <div class="placeholder"> 2355 <div class="image"> 2356 <img itemprop="image" alt='STIR World | When the material is unabashedly camp' 2357 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9be72e510518f510bea0cc39487c1951.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9be72e510518f510bea0cc39487c1951.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9be72e510518f510bea0cc39487c1951.jpeg 2x" 2358 class="rollover-image-out"> 2359 </div> 2360 </div> 2361 <div class="titles" data-categories="News"> 2362 <div class="title">STIR World | When the material is unabashedly camp</div> 2363 2364 2365 <span class="subtitle">The practice of Max Colby</span> 2366 <span class="date"> 2367 August 20, 2022 2368 </span> 2369 </div> 2370 </a> <div class="summary paragraph-styling"><p>New York-based artist Max Colby uses found objects and materials to create artworks that are at once camp and a subversive mimicry of it to evoke revival, embrace, and opulence.</p></div> 2371 <div class='links'> 2372 </div> 2373 </div><div class='entry'> 2374 <a href='/news/observer-review-aicon-art-presents-colorful-victor-ekpuk-and-natvar-bhavsars-pigments-in-parallel-ex
2374hibitions'> 2375 <div class="placeholder"> 2376 <div class="image"> 2377 <img itemprop="image" alt='OBSERVER | Review: Aicon Art Presents Colorful Victor Ekpuk and Natvar Bhavsarâs Pigments in Parallel Exhibitions' 2378 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/74997ac74b8c145d0f5d27e163017bec.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/74997ac74b8c145d0f5d27e163017bec.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/74997ac74b8c145d0f5d27e163017bec.jpeg 2x" 2379 class="rollover-image-out"> 2380 </div> 2381 </div> 2382 <div class="titles" data-categories="News"> 2383 <div class="title">OBSERVER | Review: Aicon Art Presents Colorful Victor Ekpuk and Natvar Bhavsarâs Pigments in Parallel Exhibitions</div> 2384 2385 2386 <span class="subtitle">Victor Ekpuk & Natvar Bhavsar</span> 2387 <span class="date"> 2388 August 17, 2022 2389 </span> 2390 </div> 2391 </a> <div class="summary paragraph-styling"><p>The impressive side by side solo exhibitions work together, not apart. A love of deep color isn't all the artists have in common at Aicon Art.</p></div> 2392 <div class='links'> 2393 </div> 2394 </div><div class='entry'> 2395 <a href='/news/afternoons-with-lorenzo'> 2396 <div class="placeholder"> 2397 <div class="image"> 2398 <img itemprop="image" alt='Afternoons with Lorenzo' 2399 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/48535bbf9440a1055e52e6ac55df88a9.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/48535bbf9440a1055e52e6ac55df88a9.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/48535bbf9440a1055e52e6ac55df88a9.jpeg 2x" 2400 class="rollover-image-out"> 2401 </div> 2402 </div> 2403 <div class="titles" data-categories="News"> 2404 <div class="title">Afternoons with Lorenzo</div> 2405 2406
2407 <span class="subtitle">Victor Ekpuk</span> 2408 <span class="date"> 2409 2410 </span> 2411 </div> 2412 </a> <div class="summary paragraph-styling"><p>A short video detailing the making of <em>Afternoon with Lorenzo</em> featured in the exhibition <em>I am My Ancestor's Essence</em>.</p></div> 2413 <div class='links'> 2414 </div> 2415 </div><div class='entry'> 2416 <a href='/news/new-jersey-stage-two-exhibitions-cross-the-lines-between-art-craft-and-poetry'> 2417 <div class="placeholder"> 2418 <div class="image"> 2419 <img itemprop="image" alt='New Jersey Stage | Two Exhibitions Cross the Lines Between Art, Craft and Poetry' 2420 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/03149b31665d995f3ab5bde979312fa6.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/03149b31665d995f3ab5bde979312fa6.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/03149b31665d995f3ab5bde979312fa6.jpeg 2x" 2421 class="rollover-image-out"> 2422 </div> 2423 </div> 2424 <div class="titles" data-categories="News"> 2425 <div class="title">New Jersey Stage | Two Exhibitions Cross the Lines Between Art, Craft and Poetry</div> 2426 2427 2428 <span class="subtitle">Rina Banerjee</span> 2429 <span class="date"> 2430 July 16, 2022 2431 </span> 2432 </div> 2433 </a> <div class="summary paragraph-styling"><p>Behold the titles used by Rina Banerjee. They read like poems. </p></div> 2434 <div class='links'> 2435 </div> 2436 </div><div class='entry'> 2437 <a href='/news/le-parisien-independance-de-lalgerie-une-sculpture-geante-rendra-hommage-aux-victimes-au-parc-de-la-courneuve'> 2438 <div class="placeholder"> 2439 <div class="image"> 2440 <img itemprop="image" alt='Le Parisien | Indépendance de lâAlgérie : une sculpture géante rendra hommage aux victimes au parc de La Courneuve' 2441 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d119c78ed9451a184b9c80cd5d0bc494.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d119c78ed9451a184b9c80cd5d0bc494.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d119c78ed9451a184b9c80cd5d0bc494.jpeg 2x" 2442 class="rollover-image-out"> 2443 </div> 2444 </div> 2445 <div class="titles" data-categories="News"> 2446 <div class="title">Le Parisien | Indépendance de lâAlgérie : une sculpture géante rendra hommage aux victimes au parc de La Courneuve</div> 2447 2448
2449 <span class="subtitle">Rachid Koraïchi</span> 2450 <span class="date"> 2451 July 5, 2022 2452 </span> 2453 </div> 2454 </a> <div class="summary paragraph-styling"><p>Le projet a été dévoilé ce week-end, alors que ce mardi marquera le 60e anniversaire de l’indépendance de l’Algérie. Rachid Koraïchi, l’artiste de renommée internationale a choisi de faire don de sa future sculpture à la Seine-Saint-Denis qui l’avait contacté pour un travail mémoriel.</p></div> 2455 <div class='links'> 2456 </div> 2457 </div><div class='entry'> 2458 <a href='/news/independence-of-algeria'> 2459 <div class="placeholder"> 2460 <div class="image"> 2461 <img itemprop="image" alt='Independence of Algeria' 2462 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1857ba3e9abf14f3b5721f064b6abfd3.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1857ba3e9abf14f3b5721f064b6abfd3.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1857ba3e9abf14f3b5721f064b6abfd3.jpeg 2x" 2463 class="rollover-image-out"> 2464 </div> 2465 </div> 2466 <div class="titles" data-categories="News"> 2467 <div class="title">Independence of Algeria</div> 2468 2469 2470 <span class="subtitle">Rachid Koraïchi</span> 2471 <span class="date"> 2472 July 4, 2022 2473 </span> 2474 </div> 2475 </a> <div class="summary paragraph-styling"><p>Artist Rachid Koraïchi donates a work to the Department of Seine-Saint-Denis</p></div> 2476 <div class='links'> 2477 </div> 2478 </div><div class='entry'> 2479 <a href='/news/mint-lounge-a-students-heartfelt
2479-tribute-to-his-teacher-somnath-hore'> 2480 <div class="placeholder"> 2481 <div class="image"> 2482 <img itemprop="image" alt='Mint Lounge | A student's heartfelt tribute to his teacher, Somnath Hore' 2483 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b8a44f51ef3086ac0fadca98518ac29d.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b8a44f51ef3086ac0fadca98518ac29d.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b8a44f51ef3086ac0fadca98518ac29d.png 2x" 2484 class="rollover-image-out"> 2485 </div> 2486 </div> 2487 <div class="titles" data-categories="News"> 2488 <div class="title">Mint Lounge | A student's heartfelt tribute to his teacher, Somnath Hore</div> 2489 2490 2491 <span class="subtitle">Somnath Hore</span> 2492 <span class="date"> 2493 July 2, 2022 2494 </span> 2495 </div> 2496 </a> <div class="summary paragraph-styling"><p>Sculptor K.S. Radhakrishnan has put together a non-linear show of the artist’s iconic works at Emami Art Gallery, Kolkata </p></div> 2497 <div class='links'> 2498 </div> 2499 </div><div class='entry'> 2500 <a href='/news/stir-world-assembly-required-at-pulitzer-arts-foundation-invites-public-participation'> 2501 <div class="placeholder"> 2502 <div class="image"> 2503 <img itemprop="image" alt='Stir World | 'Assembly Required' at Pulitzer Arts Foundation invites public participation' 2504 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/47a9205bd04dee8a7e90f914dd83c8ff.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/47a9205bd04dee8a7e90f914dd83c8ff.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/47a9205bd04dee8a7e90f914dd83c8ff.jpeg 2x" 2505 class="rollover-image-out"> 2506 </div> 2507 </div> 2508 <div class="titles" data-categories="News"> 2509 <div class="title">Stir World | 'Assembly Required' at Pulitzer Arts Foundation invites public participation</div> 2510 2511
2512 <span class="subtitle">Rasheed Araeen</span> 2513 <span class="date"> 2514 June 30, 2022 2515 </span> 2516 </div> 2517 </a> <div class="summary paragraph-styling"><p>STIR explores the possibilities and limitations of participatory art that is highly political in nature, and can the original context and idea of public space be retained?</p></div> 2518 <div class='links'> 2519 </div> 2520 </div><div class='entry'> 2521 <a href='/news/rachid-koraichi-shortlisted-for-aga-khan-award-for-architecture'> 2522 <div class="placeholder"> 2523 <div class="image"> 2524 <img itemprop="image" alt='Rachid KoraÃchi Shortlisted for Aga Khan Award for Architecture' 2525 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ef3b8f2933a514e60e61b3885f0d9d5f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ef3b8f2933a514e60e61b3885f0d9d5f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ef3b8f2933a514e60e61b3885f0d9d5f.jpeg 2x" 2526 class="rollover-image-out"> 2527 </div> 2528 </div> 2529 <div class="titles" data-categories="News"> 2530 <div class="title">Rachid KoraÃchi Shortlisted for Aga Khan Award for Architecture</div> 2531 2532 2533 <span class="subtitle">Rachid Koraïchi</span> 2534 <span class="date"> 2535 June 2, 2022 2536 </span> 2537 </div> 2538 </a> <div class="summary paragraph-styling"><p>Aicon Art is proud to announce Rachid Koraïchi’s <em>Le Jardin d’Afrique</em> in Zarzis, Tunisia, has been shortlisted for the Aga Khan Award for Architecture, 2020-2022 cycle. The Jardin was a focal point of his solo exhibition at the gallery earlier this year: <em>Le Chant de l’Ardent Désir.</em></p></div> 2539 <div class='links'> 2540 </div> 2541 </div><div class='entry'> 2542 <a href='/news/firstpost-s-h-razas-centenary-kiran-nadar-talks-about-his-immeasurable-impact-on-the-world-of-art'> 2543 <div class="placeholder"> 2544 <div class="image"> 2545 <img itemprop="image" alt='Firstpost | S. H. Raza's centenary: Kiran Nadar talks about his immeasurable impact on the world of art' 2546 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ab7240ff394df7568a56f2e889868da8.jpeg' 2547 class="rollover-image-out"> 2548 </div> 2549 </div> 2550 <div class="titles" data-categories="News"> 2551 <div class="title">Firstpost | S. H. Raza's centenary: Kiran Nadar talks about his immeasurable impact on the world of art</div> 2552 2553
2554 <span class="subtitle">S. H. Raza</span> 2555 <span class="date"> 2556 May 18, 2022 2557 </span> 2558 </div> 2559 </a> <div class="summary paragraph-styling"><p>Raza’s impact on the world of art was immense and immeasurable, says Kiran Nadar. The Kiran Nadar Museum of Art is currently exhibiting works that explore the acclaimed painter’s evolution as an artist</p></div> 2560 <div class='links'> 2561 </div> 2562 </div><div class='entry'> 2563 <a href='/news/the-news-on-sunday-reclaiming-the-future'> 2564 <div class="placeholder"> 2565 <div class="image"> 2566 <img itemprop="image" alt='The News on Sunday | Reclaiming the future' 2567 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/460ba606101704ebdb384dcbaee3956c.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/460ba606101704ebdb384dcbaee3956c.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/460ba606101704ebdb384dcbaee3956c.jpeg 2x" 2568 class="rollover-image-out"> 2569 </div> 2570 </div> 2571 <div class="titles" data-categories="News"> 2572 <div class="title">The News on Sunday | Reclaiming the future</div> 2573 2574 2575 <span class="subtitle">Rasheed Araeen</span> 2576 <span class="date"> 2577 May 15, 2022 2578 </span> 2579 </div> 2580 </a> <div class="summary paragraph-styling"><p>Rasheed Araeen’s new work on display at the COMO Museum can be connected to his earlier paintings in terms of abstraction.</p></div> 2581 <div class='links'> 2582 </div> 2583 </div><div class='entry'> 2584 <a href='/news/atfixdaily-artwire-iridescent-sculpture-installations-ambiguou
2584s-ceramic-forms-on-view-in-new-exhibitions-at-hunterdon-art-museum'> 2585 <div class="placeholder"> 2586 <div class="image"> 2587 <img itemprop="image" alt='AtfixDaily Artwire | Iridescent Sculpture Installations, Ambiguous Ceramic Forms On View In New Exhibitions at Hunterdon Art Museum' 2588 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/457eb89e72e732be66df256452641d6c.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/457eb89e72e732be66df256452641d6c.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/457eb89e72e732be66df256452641d6c.jpeg 2x" 2589 class="rollover-image-out"> 2590 </div> 2591 </div> 2592 <div class="titles" data-categories="News"> 2593 <div class="title">AtfixDaily Artwire | Iridescent Sculpture Installations, Ambiguous Ceramic Forms On View In New Exhibitions at Hunterdon Art Museum</div> 2594 2595 2596 <span class="subtitle">Rina Banerjee</span> 2597 <span class="date"> 2598 May 11, 2022 2599 </span> 2600 </div> 2601 </a> <div class="summary paragraph-styling"><p>Hunterdon Art Museum presents two new exhibitions opening Sunday, May 15, 2022. “Rina Banerjee: Blemish, In Deep Pink Everyplace Begins” and “Maxwell Mustardo: Dish-Oriented” will be on view through Sept. 4, 2022. </p></div> 2602 <div class='links'> 2603 </div> 2604 </div><div class='entry'> 2605 <a href='/news/nj-monthly-fun-things-to-do-in-nj-in-may'> 2606 <div class="placeholder"> 2607 <div class="image"> 2608 <img itemprop="image" alt='NJ Monthly | Fun Things to Do In NJ in May' 2609 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3152e56cb129e0a141aee1cf93f0f32e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3152e56cb129e0a141aee1cf93f0f32e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3152e56cb129e0a141aee1cf93f0f32e.jpeg 2x" 2610 class="rollover-image-out"> 2611 </div> 2612 </div> 2613 <div class="titles" data-categories="News"> 2614 <div class="title">NJ Monthly | Fun Things to Do In NJ in May</div> 2615 2616
2617 <span class="subtitle">Rina Banerjee</span> 2618 <span class="date"> 2619 May 1, 2022 2620 </span> 2621 </div> 2622 </a> <div class="summary paragraph-styling"><p>Blemish, In Deep Pink Everyplace Begins, May 15 - September 4 at Hunterdon Museum</p></div> 2623 <div class='links'> 2624 </div> 2625 </div><div class='entry'> 2626 <a href='/news/channelstv-artist-peju-alatises-solo-exhibition-alafia'> 2627 <div class="placeholder"> 2628 <div class="image"> 2629 <img itemprop="image" alt='#ChannelsTv | Artist, Peju Alatise's Solo Exhibition 'Alafia'' 2630 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ca71c35c1bde230ea30a7267a709a952.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ca71c35c1bde230ea30a7267a709a952.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ca71c35c1bde230ea30a7267a709a952.jpeg 2x" 2631 class="rollover-image-out"> 2632 </div> 2633 </div> 2634 <div class="titles" data-categories="News"> 2635 <div class="title">#ChannelsTv | Artist, Peju Alatise's Solo Exhibition 'Alafia'</div> 2636 2637 2638 <span class="subtitle">Peju Alatise</span> 2639 <span class="date"> 2640 April 30, 2022 2641 </span> 2642 </div> 2643 </a> <div class="summary paragraph-styling"><p>Video tour of Peju Alatise's exhibition 'Alafia; at kó, Lagos, Nigeria, April 4-30, 2022.</p></div> 2644 <div class='links'> 2645 </div> 2646 </div><div class='entry'> 2647 <a href='/news/grn-algerian-artist-rachid-koraichi-
2647highlights-the-importance-of-intercultural-dialogue-through-art'> 2648 <div class="placeholder"> 2649 <div class="image"> 2650 <img itemprop="image" alt='GRN | Algerian artist Rachid Koraïchi highlights the importance of intercultural dialogue through art' 2651 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3100b12a99f188faedb5c06f1792c267.jpeg' 2652 class="rollover-image-out"> 2653 </div> 2654 </div> 2655 <div class="titles" data-categories="News"> 2656 <div class="title">GRN | Algerian artist Rachid Koraïchi highlights the importance of intercultural dialogue through art</div> 2657 2658 2659 <span class="subtitle">Rachid Koraïchi</span> 2660 <span class="date"> 2661 April 30, 2022 2662 </span> 2663 </div> 2664 </a> <div class="summary paragraph-styling"><p>Rachid Koraïchi participated in the I Conference on Islamic Ornamentation organized by the José Val del Omar School of Art in Granada.</p></div> 2665 <div class='links'> 2666 </div> 2667 </div><div class='entry'> 2668 <a href='/news/the-kathmandu-post-art-should-rise-above-the-personal'> 2669 <div class="placeholder"> 2670 <div class="image"> 2671 <img itemprop="image" alt='The Kathmandu Post | âArt should rise above the personalâ' 2672 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d4e27e569b2f7976a65bddcd48b71347.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d4e27e569b2f7976a65bddcd48b71347.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d4e27e569b2f7976a65bddcd48b71347.jpeg 2x" 2673 class="rollover-image-out"> 2674 </div> 2675 </div> 2676 <div class="titles" data-categories="News"> 2677 <div class="title">The Kathmandu Post | âArt should rise above the personalâ</div> 2678 2679
2680 <span class="subtitle">Youdhishtir Maharjan</span> 2681 <span class="date"> 2682 April 9, 2021 2683 </span> 2684 </div> 2685 </a> <div class="summary paragraph-styling"><p>Maharjan sat down with the Post’s Shranup Tandukar to discuss his relationship with language, his satisfaction in laborious monotony, and his opinion on personal art.</p></div> 2686 <div class='links'> 2687 </div> 2688 </div><div class='entry'> 2689 <a href='/news/the-news-on-sunday-ode-to-an-artist2'> 2690 <div class="placeholder"> 2691 <div class="image"> 2692 <img itemprop="image" alt='The News on Sunday | Ode to an artist' 2693 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/905e874673c39a0131971444a1f93d2f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/905e874673c39a0131971444a1f93d2f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/905e874673c39a0131971444a1f93d2f.jpeg 2x" 2694 class="rollover-image-out"> 2695 </div> 2696 </div> 2697 <div class="titles" data-categories="News"> 2698 <div class="title">The News on Sunday | Ode to an artist</div> 2699 2700 2701 <span class="subtitle">Rasheed Araeen</span> 2702 <span class="date"> 2703 April 3, 2022 2704 </span> 2705 </div> 2706 </a> <div class="summary paragraph-styling"><p>Noted artist Rasheed Araeen’s public sculpture, unveiled at Bagh-i-Jinnah recently, has the ability to draw in viewers for close inspection</p></div> 2707 <div class='links'> 2708 </div> 2709 </div><div class='entry'> 2710 <a href='/news/this-day-live-with-a-recent-celebration-of-two-female-art
2710-luminaries-nike-art-centre-ups-the-ante'> 2711 <div class="placeholder"> 2712 <div class="image"> 2713 <img itemprop="image" alt='This Day Live | WITH A RECENT CELEBRATION OF TWO FEMALE ART LUMINARIES, NIKE ART CENTRE UPS THE ANTEâ¦' 2714 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6420439a8c6821c893378aa4c17a5635.jpeg' 2715 class="rollover-image-out"> 2716 </div> 2717 </div> 2718 <div class="titles" data-categories="News"> 2719 <div class="title">This Day Live | WITH A RECENT CELEBRATION OF TWO FEMALE ART LUMINARIES, NIKE ART CENTRE UPS THE ANTEâ¦</div> 2720 2721 2722 <span class="subtitle">Peju Alatise</span> 2723 <span class="date"> 2724 April 3, 2022 2725 </span> 2726 </div> 2727 </a> <div class="summary paragraph-styling"><p>A steadily growing attendance at the Nike Art Centre’s last-Sunday-of-the-month Spotlight Art and Artists Review programme lets on to the fact that it is gradually catching on with the Lagos art community. Of course, this may also have something to do with the charisma of the latest featured duo, Peju Layiwola and Peju Alatise, who are among Nigeria’s leading female contemporary artists. </p></div> 2728 <div class='links'> 2729 </div> 2730 </div><div class='entry'> 2731 <a href='/news/the-telegraph-online-portrait-of-an-artist-and-an-unwritten-autobiography'> 2732 <div class="placeholder"> 2733 <div class="image"> 2734 <img itemprop="image" alt='The Telegraph Online | Portrait of an artist and an unwritten autobiography' 2735 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/220f89a4c05d2015c0281c0e1d499273.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/220f89a4c05d2015c0281c0e1d499273.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/220f89a4c05d2015c0281c0e1d499273.jpeg 2x" 2736 class="rollover-image-out"> 2737 </div> 2738 </div> 2739 <div class="titles" data-categories="News"> 2740 <div class="title">The Telegraph Online | Portrait of an artist and an unwritten autobiography</div> 2741 2742
2743 <span class="subtitle">Francis Newton Souza</span> 2744 <span class="date"> 2745 March 28, 2022 2746 </span> 2747 </div> 2748 </a> <div class="summary paragraph-styling"><p>A friend salutes Francis Newton Souza on his 20th death anniversary — and expresses remorse for having let him down</p></div> 2749 <div class='links'> 2750 </div> 2751 </div><div class='entry'> 2752 <a href='/news/ocula-the-2022-march-meeting-contends-with-global-decolonisation'> 2753 <div class="placeholder"> 2754 <div class="image"> 2755 <img itemprop="image" alt='OCULA | The 2022 March Meeting Contends with Global Decolonisation' 2756 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b057afea41a89f7c1f672cfca15337c0.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b057afea41a89f7c1f672cfca15337c0.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b057afea41a89f7c1f672cfca15337c0.jpeg 2x" 2757 class="rollover-image-out"> 2758 </div> 2759 </div> 2760 <div class="titles" data-categories="News"> 2761 <div class="title">OCULA | The 2022 March Meeting Contends with Global Decolonisation</div> 2762 2763 2764 <span class="subtitle">Rachid Koraïchi</span> 2765 <span class="date"> 2766 March 23, 2022 2767 </span> 2768 </div> 2769 </a> <div class="summary paragraph-styling"><p>Koraïchi introduced a project he initiated in Tunisia in response to the Mediterranean migrant crisis by creating cemeteries for victims to be buried and remembered with dignity.</p></div> 2770 <div class='links'> 2771 </div> 2772 </div><div class='entry'> 2773 <a href='/news/money-control-s-h-raza-centenary-unpacking-the-universal-appeal-of-artist-s-h-razas-works'> 2774 <div class="placeholder"> 2775 <div class="image"> 2776 <img itemprop="image" alt='Money Control | S. H. Raza centenary: Unpacking the universal appeal of artist S. H. Raza's works' 2777 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a8d4bba753acfe0f7c9c8bfdefd791c8.jpeg' 2778 class="rollover-image-out"> 2779 </div> 2780 </div> 2781 <div class="titles" data-categories="News"> 2782 <div class="title">Money Control | S. H. Raza centenary: Unpacking the universal appeal of artist S. H. Raza's works</div> 2783 2784
2785 <span class="subtitle">S. H. Raza</span> 2786 <span class="date"> 2787 March 20, 2022 2788 </span> 2789 </div> 2790 </a> <div class="summary paragraph-styling"><p>The first physical exhibition mounted by the Piramal Art Museum celebrates five decades of Raza's work, with some special paintings from its collection.</p></div> 2791 <div class='links'> 2792 </div> 2793 </div><div class='entry'> 2794 <a href='/news/artasiapacific-from-20th-century-paintings-to-nfts-art-dubai-2022'> 2795 <div class="placeholder"> 2796 <div class="image"> 2797 <img itemprop="image" alt='ArtAsiaPacific | From 20th-century Paintings to NFTs: Art Dubai 2022' 2798 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b1b330c7c26f112d2a293f91ac858fab.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b1b330c7c26f112d2a293f91ac858fab.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b1b330c7c26f112d2a293f91ac858fab.jpeg 2x" 2799 class="rollover-image-out"> 2800 </div> 2801 </div> 2802 <div class="titles" data-categories="News"> 2803 <div class="title">ArtAsiaPacific | From 20th-century Paintings to NFTs: Art Dubai 2022</div> 2804 2805 2806 <span class="subtitle">K. S. Kulkarni</span> 2807 <span class="date"> 2808 March 16, 2022 2809 </span> 2810 </div> 2811 </a> <div class="summary paragraph-styling"><p>New York’s Aicon Art mounted a retrospective of Indian artist KS Kulkarni (1918–1994), foregrounding colorful semi-abstract canvases from his late career. Fusing modern and traditional approaches, Kulkarni was inspired by landscapes, religious motifs, and everyday life.</p></div> 2812 <div class='links'> 2813 </div> 2814 </div><div class='entry'> 2815 <a href='/news/the-national-top-12-booths-to-see-at-art-dubai'> 2816 <div class="placeholder"> 2817 <div class="image"> 2818 <img itemprop="image" alt='The National | Top 12 Booths to See at Art Dubai' 2819 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d26d90b6b2e8848808ee085e9fddb87c.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d26d90b6b2e8848808ee085e9fddb87c.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d26d90b6b2e8848808ee085e9fddb87c.jpeg 2x" 2820 class="rollover-image-out"> 2821 </div> 2822 </div> 2823 <div class="titles" data-categories="News"> 2824 <div class="title">The National | Top 12 Booths to See at Art Dubai</div> 2825 2826
2827 <span class="subtitle">K. S. Kulkarni</span> 2828 <span class="date"> 2829 March 11, 2022 2830 </span> 2831 </div> 2832 </a> <div class="summary paragraph-styling"><p>Top 12 booths to see at Art Dubai as it returns home to Madinat Jumeirah for 2022. Dubai's pre-eminent art fair is back to its original location with more than 100 participating galleries.</p></div> 2833 <div class='links'> 2834 </div> 2835 </div><div class='entry'> 2836 <a href='/news/stlpr-please-touch-this-art-pulitzer-arts-foundation-exhibition-seeks-audience-participation'> 2837 <div class="placeholder"> 2838 <div class="image"> 2839 <img itemprop="image" alt='STLPR | Please touch this art - Pulitzer Arts Foundation exhibition seeks audience participation' 2840 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/296f1d6c78e2318569668554532458f1.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/296f1d6c78e2318569668554532458f1.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/296f1d6c78e2318569668554532458f1.jpeg 2x" 2841 class="rollover-image-out"> 2842 </div> 2843 </div> 2844 <div class="titles" data-categories="News"> 2845 <div class="title">STLPR | Please touch this art - Pulitzer Arts Foundation exhibition seeks audience participation</div> 2846 2847 2848 <span class="subtitle">Rasheed Araeen</span> 2849 <span class="date"> 2850 March 11, 2022 2851 </span> 2852 </div> 2853 </a> <div class="summary paragraph-styling"><p>An exhibition now on view at Pulitzer Arts Foundation turns that instruction on its head. Visitors to “Assembly Required” are encouraged to pick up, fold, walk into or even wrap the artworks around themselves.</p></div> 2854 <div class='links'> 2855 </div> 2856 </div><div class='entry'> 2857 <a href='/news/stuff-three-tapestries-smuggled-out-of-afghanistan-are-part-of-a-new-exhibition-at-new-plymouth-govett-brewster-art-gallery'> 2858 <div class="placeholder"> 2859 <div class="image"> 2860 <img itemprop="image" alt='STUFF | Three tapestries smuggled out of Afghanistan are part of a new exhibition at New Plymouth Govett Brewster Art Gallery' 2861 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/74f12d8968d51829e29909b531b9c4ac.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/74f12d8968d51829e29909b531b9c4ac.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/74f12d8968d51829e29909b531b9c4ac.jpeg 2x" 2862 class="rollover-image-out"> 2863 </div> 2864 </div> 2865 <div class="titles" data-categories="News"> 2866 <div class="title">STUFF | Three tapestries smuggled out of Afghanistan are part of a new exhibition at New Plymouth Govett Brewster Art Gallery</div> 2867 2868
2869 <span class="subtitle">Khadim Ali</span> 2870 <span class="date"> 2871 March 12, 2022 2872 </span> 2873 </div> 2874 </a> <div class="summary paragraph-styling"><p>They have been knifed, disguised and abandoned, and now three towering tapestries successfully smuggled out of Afghanistan as the Taliban took over are on display in New Plymouth.</p></div> 2875 <div class='links'> 2876 </div> 2877 </div><div class='entry'> 2878 <a href='/news/the-national-art-dubai-2022-what-to-expect-at-the-uaes-biggest-art-fair'> 2879 <div class="placeholder"> 2880 <div class="image"> 2881 <img itemprop="image" alt='The National | Art Dubai 2022: What to Expect at the UAE's biggest art fair' 2882 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1461b2892cd811f5b76cd6221acbc388.jpeg' 2883 class="rollover-image-out"> 2884 </div> 2885 </div> 2886 <div class="titles" data-categories="News, News"> 2887 <div class="title">The National | Art Dubai 2022: What to Expect at the UAE's biggest art fair</div> 2888 2889 2890 <span class="subtitle">K. S. Kulkarni</span> 2891 <span class="date"> 2892 March 11, 2022 2893 </span> 2894 </div> 2895 </a> <div class="summary paragraph-styling"><p>One of the big events on the calendar is undoubtedly Art Dubai, with the 15th event taking place from Friday, March 11 to Sunday, March 13 at Madinat Jumeirah. This year, the art fair is gearing up for its biggest programme thus far with more than 100 contemporary and modern galleries participating.</p></div> 2896 <div class='links'> 2897 </div> 2898 </div><div class='entry'> 2899 <a href='/news/the-new-arab-the-sublime-is-an-experience-looking-for-context-algerian-artist-rachid-koraichis-le-chant-de-lardent-desir'> 2900 <div class="placeholder"> 2901 <div class="image"> 2902 <img itemprop="image" alt='The New Arab | The sublime is an experience looking for context': Algerian artist Rachid Koraïchi's Le Chant de lâArdent Désir' 2903 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/6a832dd8a43561736d46e35be8f4f88b.jpeg' 2904 class="rollover-image-out"> 2905 </div> 2906 </div> 2907 <div class="titles" data-categories="News"> 2908 <div class="title">The New Arab | The sublime is an experience looking for context': Algerian artist Rachid Koraïchi's Le Chant de lâArdent Désir</div> 2909 2910
2911 <span class="subtitle">Rachid Koraïchi</span> 2912 <span class="date"> 2913 March 10, 2022 2914 </span> 2915 </div> 2916 </a> <div class="summary paragraph-styling"><p>Inimitable Algerian artist Rachid Koraïchi's latest exhibition Le Chant de l’Ardent Désir is a transcendental and hypnotic experience that compels the viewer into examining our shared experiences of loss, longing, human suffering and dignity.</p></div> 2917 <div class='links'> 2918 </div> 2919 </div><div class='entry'> 2920 <a href='/news/elle-india-5-women-artists-shaping-the-narrative-of-indian-art-you-need-to-know-about'> 2921 <div class="placeholder"> 2922 <div class="image"> 2923 <img itemprop="image" alt='Elle India | 5 Women Artists Shaping the Narrative of Indian Art You Need To Know About' 2924 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f7709f025df2c525cb4e2e1473311a4f.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f7709f025df2c525cb4e2e1473311a4f.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f7709f025df2c525cb4e2e1473311a4f.jpeg 2x" 2925 class="rollover-image-out"> 2926 </div> 2927 </div> 2928 <div class="titles" data-categories="News"> 2929 <div class="title">Elle India | 5 Women Artists Shaping the Narrative of Indian Art You Need To Know About</div> 2930 2931 2932 <span class="subtitle">Anjolie Ela Menon & Rekha Rodwittiya</span> 2933 <span class="date"> 2934 March 8, 2022 2935 </span> 2936 </div> 2937 </a> <div class="summary paragraph-styling"><p>These women artists have consistently commanded critical acclaim for their work across the world with the diversity of their art practices and continue to be some of the most sought-after artists by seasoned collectors of Indian Art.</p></div> 2938 <div class='links'> 2939 </div> 2940 </div><div class='entry'> 2941 <a href='/news/the-times-of-india-art-exposures-nft-debut-with-paresh-maity'> 2942 <div class="placeholder"> 2943 <div class="image"> 2944 <img itemprop="image" alt='The Times of India | Art Exposure's NFT Debut with Paresh Maity' 2945 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b2b727c8879b1332ea6e393f78088257.jpeg' 2946 class="rollover-image-out"> 2947 </div> 2948 </div> 2949 <div class="titles" data-categories="News"> 2950 <div class="title">The Times of India | Art Exposure's NFT Debut with Paresh Maity</div> 2951 2952
2953 <span class="subtitle">Paresh Maity</span> 2954 <span class="date"> 2955 March 5, 2022 2956 </span> 2957 </div> 2958 </a> <div class="summary paragraph-styling"><p>The world has woken up to the new transactional idiom of NFTs and India’s stellar artist Paresh Maity’s NFT debut with Artexposure as the owner , is a classic case of ownership with the physical asset as well as the digital in his historic pandemic creation The Perpetual Glare.</p></div> 2959 <div class='links'> 2960 </div> 2961 </div><div class='entry'> 2962 <a href='/news/the-indian-express-what-we-love-about-s-h-raza'> 2963 <div class="placeholder"> 2964 <div class="image"> 2965 <img itemprop="image" alt='The Indian Express | What we Love about S. H. Raza' 2966 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4c5d7c8bbf1fe822569d128366f04305.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4c5d7c8bbf1fe822569d128366f04305.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4c5d7c8bbf1fe822569d128366f04305.jpeg 2x" 2967 class="rollover-image-out"> 2968 </div> 2969 </div> 2970 <div class="titles" data-categories="News"> 2971 <div class="title">The Indian Express | What we Love about S. H. Raza</div> 2972 2973 2974 <span class="subtitle">S. H. Raza</span> 2975 <span class="date"> 2976 March 4, 2022 2977 </span> 2978 </div> 2979 </a> <div class="summary paragraph-styling"><p>February 22 marked the centenary of one of India's most famous modernist painters, SH Raza. Six people -- a collector, a gallerist, artists, a teacher and a curator -- recount their favourite thing about the iconic master's art and life</p></div> 2980 <div class='links'> 2981 </div> 2982 </div><div class='entry'> 2983 <a href='/news/settimana-entendre-le-cri-des-migrants'> 2984 <div class="placeholder"> 2985 <div class="image"> 2986 <img itemprop="image" alt='Settimana | Entendre le cri des migrants' 2987 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e38f4ec73f6229ed562afda156513c30.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e38f4ec73f6229ed562afda156513c30.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e38f4ec73f6229ed562afda156513c30.jpeg 2x" 2988 class="rollover-image-out"> 2989 </div> 2990 </div> 2991 <div class="titles" data-categories="News"> 2992 <div class="title">Settimana | Entendre le cri des migrants</div> 2993 2994
2995 <span class="subtitle">Rachid Koraïchi</span> 2996 <span class="date"> 2997 February 25, 2022 2998 </span> 2999 </div> 3000 </a> <div class="summary paragraph-styling"><p>David Miliband praised the "remarkable project carried out in Zarzis, which is an inspiration to us all. All over the world there is every reason to think that nothing can change, but through your art and your determination to remind us of our common humanity, you show that special things happen when people take responsibility."</p></div> 3001 <div class='links'> 3002 </div> 3003 </div><div class='entry'> 3004 <a href='/news/dart-international-magazine-rachid-koraichi-le-chant-de-lardent-desir'> 3005 <div class="placeholder"> 3006 <div class="image"> 3007 <img itemprop="image" alt='Dart International Magazine | Rachid Koraïchi: Le Chant de lâArdent Désir' 3008 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8ef9e56b53e190e21c0cc189c0d9e747.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8ef9e56b53e190e21c0cc189c0d9e747.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8ef9e56b53e190e21c0cc189c0d9e747.jpeg 2x" 3009 class="rollover-image-out"> 3010 </div> 3011 </div> 3012 <div class="titles" data-categories="News"> 3013 <div class="title">Dart International Magazine | Rachid Koraïchi: Le Chant de lâArdent Désir</div> 3014 3015 3016 <span class="subtitle">Rachid Koraïchi</span> 3017 <span class="date"> 3018 February 19, 2022 3019 </span> 3020 </div> 3021 </a> <div class="summary paragraph-styling"><p>In inventing a unique artistic language, Koraïchi draws upon many languages and cultures, including those of the Berber and Tuareg peoples. Within his fold, too, are invented Chinese ideograms plus magical squares and talismanic glyphs and other auspicious signs. </p></div> 3022 <div class='links'> 3023 </div> 3024 </div><div class='entry'> 3025 <a href='/news/lexpression-centre-culturel-algerien'> 3026 <div class="placeholder"> 3027 <div class="image"> 3028 <img itemprop="image" alt='L'
3028Expression | Centre Culturel AlgÃrien' 3029 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b5ae1ca3670d067952cf206515ce13cf.jpeg' 3030 class="rollover-image-out"> 3031 </div> 3032 </div> 3033 <div class="titles" data-categories="News"> 3034 <div class="title">L'Expression | Centre Culturel AlgÃrien</div> 3035 3036 3037 <span class="subtitle">Rachid Koraïchi</span> 3038 <span class="date"> 3039 February 14, 2022 3040 </span> 3041 </div> 3042 </a> <div class="summary paragraph-styling"><p>On Friday February 25, 2022 from 6:30 p.m., the Algerian Cultural Center, located in Paris, is organizing an evening devoted to the work of Rachid Koraïchi, in the presence of the artist. </p></div> 3043 <div class='links'> 3044 </div> 3045 </div><div class='entry'> 3046 <a href='/news/the-karachi-collective-between-culture-politics-and-spirituality'> 3047 <div class="placeholder"> 3048 <div class="image"> 3049 <img itemprop="image" alt='The Karachi Collective | Between Culture, Politics, and Spirituality' 3050 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1a19e9ebcd2782a49501b836fb1d361e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1a19e9ebcd2782a49501b836fb1d361e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/1a19e9ebcd2782a49501b836fb1d361e.jpeg 2x" 3051 class="rollover-image-out"> 3052 </div> 3053 </div> 3054 <div class="titles" data-categories="News"> 3055 <div class="title">The Karachi Collective | Between Culture, Politics, and Spirituality</div> 3056 3057 3058 <span class="subtitle">Aisha Khalid</span> 3059 <span class="date"> 3060 February 13, 2022 3061 </span> 3062 </div> 3063 </a> <div class="summary paragraph-styling"><p>“I Am And I Am Not” was showcased at Chawkandi Art Gallery, Frere Hall, and Gandhara Art-Space, from 28 November 2021, till 21 January 2022. Curated by Masuma Halai Khawaja, the retrospective was organized and hosted by Chawkandi Art Gallery and sponsored by HBL.</p></div> 3064 <div class='links'> 3065 </div> 3066 </div><div class='entry'> 3067 <a href='/news/the-guardian-empty-shops-could-be-studios-for-next-bacon-or-hirst-says-leading-curator'> 3068 <div class="placeholder"> 3069 <div class="image"> 3070 <img itemprop="image" alt='The Guardian | Empty shops could be studios for next Bacon or Hirst, says leading curator' 3071 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e46c404fd4cf3e43a171678cc9b79f45.jpeg' 3072 class="rollover-image-out"> 3073 </div> 3074 </div> 3075 <div class="titles" data-categories="News"> 3076 <div class="title">The Guardian | Empty shops could be studios for next Bacon or Hirst, says leading curator</div> 3077 3078
3079 <span class="subtitle">Mequitta Ahuja</span> 3080 <span class="date"> 3081 February 12, 2022 3082 </span> 3083 </div> 3084 </a> <div class="summary paragraph-styling"><p>Britain’s empty high street shops and derelict department stores should be transformed into artists’ studios and galleries to bring life back to city centres, according to the outgoing director of one of the country’s leading art spaces.</p></div> 3085 <div class='links'> 3086 </div> 3087 </div><div class='entry'> 3088 <a href='/news/artnet-news-spotlight-algerian-born-artist-rachid-koraichi-creates-a-shrine-for-migrants-lost-in-the-mediterranean-sea'> 3089 <div class="placeholder"> 3090 <div class="image"> 3091 <img itemprop="image" alt='Artnet news | Spotlight: Algerian-Born Artist Rachid Koraïchi Creates a Shrine for Migrants Lost in the Mediterranean Sea' 3092 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9bfd42f70ba473dbeb8e8e46538b805e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9bfd42f70ba473dbeb8e8e46538b805e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9bfd42f70ba473dbeb8e8e46538b805e.jpeg 2x" 3093 class="rollover-image-out"> 3094 </div> 3095 </div> 3096 <div class="titles" data-categories="News"> 3097 <div class="title">Artnet news | Spotlight: Algerian-Born Artist Rachid Koraïchi Creates a Shrine for Migrants Lost in the Mediterranean Sea</div> 3098 3099 3100 <span class="subtitle">Rachid Koraïchi</span> 3101 <span class="date"> 3102 February 11, 2022 3103 </span> 3104 </div> 3105 </a> <div class="summary paragraph-styling"><p>Every month, hundreds of galleries add newly available works by thousands of artists to the Artnet Gallery Network—and every week, we shine a spotlight on one artist you should know. This week, Artnet spotlights Rachid Koraïchi at Aicon Art.</p></div> 3106 <div class='links'> 3107 </div> 3108 </div><div class='entry'> 3109 <a href='/news/fox-5-the-phillips-collection-celebrates-100-years'> 3110 <div class="placeholder"> 3111 <div class="image"> 3112 <img itemprop="image" alt='Fox 5 | The Phillips Collection Celebrates 100 Years' 3113 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f0e459af19c928ba5e9bced5062299e3.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f0e459af19c928ba5e9bced5062299e3.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f0e459af19c928ba5e9bced5062299e3.jpeg 2x" 3114 class="rollover-image-out"> 3115 </div> 3116 </div> 3117 <div class="titles" data-categories="News"> 3118 <div class="title">Fox 5 | The Phillips Collection Celebrates 100 Years</div> 3119 3120
3121 <span class="subtitle">Victor Ekpuk</span> 3122 <span class="date"> 3123 February 5, 2022 3124 </span> 3125 </div> 3126 </a> <div class="summary paragraph-styling"><p>The Phillips Collection is marking its 100th anniversary with a new graphic installation by D.C. based artist Victor Ekpuk. FOX 5's Gwen Tolbart spoke to the artist about his work, which was inspired by ancient Nigerian script.</p></div> 3127 <div class='links'> 3128 </div> 3129 </div><div class='entry'> 3130 <a href='/news/mid-day-worli-traffic-island-gets-a-cutting-decor'> 3131 <div class="placeholder"> 3132 <div class="image"> 3133 <img itemprop="image" alt='Mid Day | Worli traffic island gets a 'cutting' décor' 3134 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a1b251d5e1d5f779e987f4e836c3a89e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a1b251d5e1d5f779e987f4e836c3a89e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/a1b251d5e1d5f779e987f4e836c3a89e.jpeg 2x" 3135 class="rollover-image-out"> 3136 </div> 3137 </div> 3138 <div class="titles" data-categories="News"> 3139 <div class="title">Mid Day | Worli traffic island gets a 'cutting' décor</div> 3140 3141 3142 <span class="subtitle">Sheetal Gattani</span> 3143 <span class="date"> 3144 February 1, 2022 3145 </span> 3146 </div> 3147 </a> <div class="summary paragraph-styling"><p>The traffic island garden, which sees heavy traffic going to North and South Mumbai, now hosts a 10-foot-high installation of two hands, each holding a glass of ‘cutting chai’</p></div> 3148 <div class='links'> 3149 </div> 3150 </div><div class='entry'> 3151 <a href='/news/celebrity-homes-at-artists-jayasri-burman-and-paresh-maitys-house-songs-of-parrots-and-a-special-place-for-durga'> 3152 <div class="placeholder"> 3153 <div class="image"> 3154 <img itemprop="image" alt='Celebrity Homes | At artists Jayasri Burman and Paresh Maityâs house, songs of parrots and a special place for Durga' 3155 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b41f138ae60ce66b5badb79deb073037.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b41f138ae60ce66b5badb79deb073037.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b41f138ae60ce66b5badb79deb073037.jpeg 2x" 3156 class="rollover-image-out"> 3157 </div> 3158 </div> 3159 <div class="titles" data-categories="News"> 3160 <div class="title">Celebrity Homes | At artists Jayasri Burman and Paresh Maityâs house, songs of parrots and a special place for Durga</div> 3161 3162
3163 <span class="subtitle">Paresh Maity</span> 3164 <span class="date"> 3165 January 28, 2022 3166 </span> 3167 </div> 3168 </a> <div class="summary paragraph-styling"><p>Everything in the three-story house was done up after careful consideration of each others’ wishes. The result: special places reserved for the couple's own art, separate work areas, and more.</p></div> 3169 <div class='links'> 3170 </div> 3171 </div><div class='entry'> 3172 <a href='/news/deccan-herald-the-legacy-of-a-polarizing-icon'> 3173 <div class="placeholder"> 3174 <div class="image"> 3175 <img itemprop="image" alt='Deccan Herald | The Legacy of a Polarizing Icon' 3176 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/2d6ff44be11d1b4e45d85e549c52b429.jpeg' 3177 class="rollover-image-out"> 3178 </div> 3179 </div> 3180 <div class="titles" data-categories="News"> 3181 <div class="title">Deccan Herald | The Legacy of a Polarizing Icon</div> 3182 3183 3184 <span class="subtitle">Jamini Roy</span> 3185 <span class="date"> 3186 January 23, 2022 3187 </span> 3188 </div> 3189 </a> <div class="summary paragraph-styling"><p>This year marks the 50th death anniversary of Jamini Roy, often hailed as the father of modern Indian art. But he has had his fair share of detractors too.</p></div> 3190 <div class='links'> 3191 </div> 3192 </div><div class='entry'> 3193 <a href='/news/the-shillong-times-art-sans-borders'> 3194 <div class="placeholder"> 3195 <div class="image"> 3196 <img itemprop="image" alt='The Shillong Times | Art Sans Borders' 3197 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/444c94c39539ba14469d776b7c799ee1.jpeg' 3198 class="rollover-image-out"> 3199 </div> 3200 </div> 3201 <div class="titles" data-categories="News"> 3202 <div class="title">The Shillong Times | Art Sans Borders</div> 3203 3204
3205 <span class="subtitle">Rina Banerjee</span> 3206 <span class="date"> 3207 January 16, 2022 3208 </span> 3209 </div> 3210 </a> <div class="summary paragraph-styling"><p>Banerjee rejects the notion that people choose to be artists. Rather, she says, “Let’s say that art is a reflex for artists and art seekers, and its boundless quality makes me work very hard and love it very much. I could also say that people never fail us; it’s our fixation on being fixed, rigid, standing in one place, that fails people, and this is where migration and ethnicity studies, postcolonialism and culture studies, queer studies keep us awake and moving as we are meant to.”</p></div> 3211 <div class='links'> 3212 </div> 3213 </div><div class='entry'> 3214 <a href='/news/times-of-india-7-habits-of-highly-effective-hyderabadis-artist-laxma-goud-tells-us-what-sets-him-apart-from-the-rest'> 3215 <div class="placeholder"> 3216 <div class="image"> 3217 <img itemprop="image" alt='Times of India | 7 Habits of Highly Effective Hyderabadis: Artist Laxma Goud tells us what sets him apart from the rest' 3218 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/30e6973837b97064d36a38740acf1c8e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/30e6973837b97064d36a38740acf1c8e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/30e6973837b97064d36a38740acf1c8e.jpeg 2x" 3219 class="rollover-image-out"> 3220 </div> 3221 </div> 3222 <div class="titles" data-categories="News"> 3223 <div class="title">Times of India | 7 Habits of Highly Effective Hyderabadis: Artist Laxma Goud tells us what sets him apart from the rest</div> 3224 3225 3226 <span class="subtitle">Laxma Goud</span> 3227 <span class="date"> 3228 January 14, 2022 3229 </span> 3230 </div> 3231 </a> <div class="summary paragraph-styling"><p>Working towards a better version of yourself in 2022? We bring you inspiration from some very inspiring Hyderabadis. Master draughtsman, painter, printmaker and one of the most celebrated names in contemporary Indian art, Laxma Goud tells us what sets him apart from the rest.</p></div> 3232 <div class='links'> 3233 </div> 3234 </div><div class='entry'> 3235 <a href='/news/hyperallergic-aisha-khalid-examines-womens-roles-and-spirituality-through-textiles-and-geometry'> 3236 <div class="placeholder"> 3237 <div class="image"> 3238 <img itemprop="image" alt='Hyperallergic | Aisha Khalid Examines Women's Roles and Spirituality Through Textiles and Geometry' 3239 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3464bba9e09bed7722324d2670097000.jpeg' 3240 class="rollover-image-out"> 3241 </div> 3242 </div> 3243 <div class="titles" data-categories="News"> 3244 <div class="title">Hyperallergic | Aisha Khalid Examines Women's Roles and Spirituality Through Textiles and Geometry</div> 3245 3246
3247 <span class="subtitle">Aisha Khalid</span> 3248 <span class="date"> 3249 January 3, 2022 3250 </span> 3251 </div> 3252 </a> <div class="summary paragraph-styling"><p>In her current retrospective viewers can see the beginning of an oeuvre that scrutinizes personal, social, and cultural issues such as prescribed societal norms associated with the female gender.</p></div> 3253 <div class='links'> 3254 </div> 3255 </div><div class='entry'> 3256 <a href='/news/the-telegraph-online-debris-of-the-old-in-the-new'> 3257 <div class="placeholder"> 3258 <div class="image"> 3259 <img itemprop="image" alt='The Telegraph online | Debris of the old in the new' 3260 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/d6ee579e284b9824745bfdff3eced929.jpeg' 3261 class="rollover-image-out"> 3262 </div> 3263 </div> 3264 <div class="titles" data-categories="News"> 3265 <div class="title">The Telegraph online | Debris of the old in the new</div> 3266 3267 3268 <span class="subtitle">Sheetal Gattani</span> 3269 <span class="date"> 3270 January 1, 2022 3271 </span> 3272 </div> 3273 </a> <div class="summary paragraph-styling"><p>New Canvases — that’s the simple title, shorn of thematic references. But the new canvases of Sheetal Gattani, presented by Chemould Prescott Road, Mumbai, at its recent show — both in the gallery and online — overturned the very idea of ‘new’ being virgin, untarnished territory.</p></div> 3274 <div class='links'> 3275 </div> 3276 </div><div class='entry'> 3277 <a href='/news/african-arts-hidden-elements-victor-ekpuks-illustrations-for-the-daily-times-of-nigeria'> 3278 <div class="placeholder"> 3279 <div class="image"> 3280 <img itemprop="image" alt='African Arts | Hidden Elements: Victor Ekpuk's Illustrations for the Daily Times of Nigeria' 3281 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8107bf08a6ae971ba7c5e6f57c2090a5.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8107bf08a6ae971ba7c5e6f57c2090a5.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/8107bf08a6ae971ba7c5e6f57c2090a5.jpeg 2x" 3282 class="rollover-image-out"> 3283 </div> 3284 </div> 3285 <div class="titles" data-categories="News"> 3286 <div class="title">African Arts | Hidden Elements: Victor Ekpuk's Illustrations for the Daily Times of Nigeria</div> 3287 3288
3289 <span class="subtitle">Victor Ekpuk</span> 3290 <span class="date"> 3291 December 2021 3292 </span> 3293 </div> 3294 </a> <div class="summary paragraph-styling"><p>Ekpuk’s scribbling from the mid-1990s similarly oscillates between transparency and secrecy. Some signs may be familiar to those with a basic knowledge of nsibidi, other African ideographic systems, Nigerian current affairs, and global popular culture, while others come tantalizingly close but ultimately refuse to reveal themselves and supply any specific meaning to the narrative. </p></div> 3295 <div class='links'> 3296 </div> 3297 </div><div class='entry'> 3298 <a href='/news/telangana-today-the-making-of-modern-indian-art'> 3299 <div class="placeholder"> 3300 <div class="image"> 3301 <img itemprop="image" alt='Telangana Today | The making of modern Indian Art' 3302 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69e932c6b8e917b9d1fdcf54f0a53060.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69e932c6b8e917b9d1fdcf54f0a53060.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/69e932c6b8e917b9d1fdcf54f0a53060.jpeg 2x" 3303 class="rollover-image-out"> 3304 </div> 3305 </div> 3306 <div class="titles" data-categories="News"> 3307 <div class="title">Telangana Today | The making of modern Indian Art</div> 3308 3309 3310 <span class="subtitle">Jehangir Sabavala, Jamini Roy, F. N. Souza, S. H. Raza, M. F. Husain.</span> 3311 <span class="date"> 3312 December 27, 2021 3313 </span> 3314 </div> 3315 </a> <div class="summary paragraph-styling"><p>Artists have created a hybrid Indo-European style of paintings, thus advancing the cultural hegemony of western artistic expression<br /> 3316While the history of Indian art stretches back to the ancient era, the 19th century witnessed an early progression of Indian art being adapted to the western visual lexis with the emergence of Company Style painting.</p></div> 3317 <div class='links'> 3318 </div> 3319 </div><div class='entry'> 3320 <a href='/news/the-news-on-sunday-the-in-complete-year'> 3321 <div class="placeholder"> 3322 <div class="image"> 3323 <img itemprop="image" alt='The News on Sunday | The (in)complete year' 3324 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b75b61c1ff03416a1c9ad9462b73cd88.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b75b61c1ff03416a1c9ad9462b73cd88.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b75b61c1ff03416a1c9ad9462b73cd88.jpeg 2x" 3325 class="rollover-image-out"> 3326 </div> 3327 </div> 3328 <div class="titles" data-categories="News"> 3329 <div class="title">The News on Sunday | The (in)complete year</div> 3330 3331
3332 <span class="subtitle">Faiza Butt, Adeela Suleman, Sadequain, Khadim Ali, Waqas Khan, Aisha Khalid, Salman Toor</span> 3333 <span class="date"> 3334 December 26, 2021 3335 </span> 3336 </div> 3337 </a> <div class="summary paragraph-styling"><p>As compared to the previous year, 2021 allowed art to stage a comeback with shows and exhibitions.</p> 3338 3339<p> </p> 3340 3341<p> </p></div> 3342 <div class='links'> 3343 </div> 3344 </div><div class='entry'> 3345 <a href='/news/apollo-in-the-studio-with-salman-toor'> 3346 <div class="placeholder"> 3347 <div class="image"> 3348 <img itemprop="image" alt='Apollo | In the studio with...Salman Toor' 3349 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e03b081769f45c33c1160f20713a2b66.jpeg' 3350 class="rollover-image-out"> 3351 </div> 3352 </div> 3353 <div class="titles" data-categories="News"> 3354 <div class="title">Apollo | In the studio with...Salman Toor</div> 3355 3356 3357 <span class="subtitle">Salman Toor</span> 3358 <span class="date"> 3359 December 16, 2021 3360 </span> 3361 </div> 3362 </a> <div class="summary paragraph-styling"><p>Born in Lahore and based in New York, the painter Salman Toor depicts the lives of queer, South Asian men in imagined surroundings that draw as much from the Old Masters as they do from the modern metropolis. Toor’s scenes are often casual – his figures dance at house parties and stare into smartphones – but always meticulously composed.</p></div> 3363 <div class='links'> 3364 </div> 3365 </div><div class='entry'> 3366 <a href='/news/my-kolkata-with-river-of-faith-jayasri-burman-goes-back-to-the-roots-of-her-inspiration'> 3367 <div class="placeholder"> 3368 <div class="image"> 3369 <img itemprop="image" alt='My Kolkata | With River of Faith, Jayasri Burman goes back to the roots of her inspiration' 3370 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/324ad98c41bf1c079f2596aad0b18efc.jpeg' 3371 class="rollover-image-out"> 3372 </div> 3373 </div> 3374 <div class="titles" data-categories="News"> 3375 <div class="title">My Kolkata | With River of Faith, Jayasri Burman goes back to the roots of her inspiration</div> 3376 3377
3378 <span class="subtitle">Jayasri Burman</span> 3379 <span class="date"> 3380 December 15, 2021 3381 </span> 3382 </div> 3383 </a> <div class="summary paragraph-styling"><p>For millennia now, the Ganges has been revered and disregarded in equal measure, much like women themselves [...] This and more have been a source of insatiable inspiration and curiosity for artist Jayasri Burman since her childhood, which has now culminated into a show of enormous scale called River of Faith.</p></div> 3384 <div class='links'> 3385 </div> 3386 </div><div class='entry'> 3387 <a href='/news/inspire-design-capturing-the-capital-city'> 3388 <div class="placeholder"> 3389 <div class="image"> 3390 <img itemprop="image" alt='Inspire Design | Capturing the Capital City' 3391 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/54e8f936c2a155c1676d61f43ae66ca2.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/54e8f936c2a155c1676d61f43ae66ca2.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/54e8f936c2a155c1676d61f43ae66ca2.jpeg 2x" 3392 class="rollover-image-out"> 3393 </div> 3394 </div> 3395 <div class="titles" data-categories="News"> 3396 <div class="title">Inspire Design | Capturing the Capital City</div> 3397 3398 3399 <span class="subtitle">Victor Ekpuk</span> 3400 <span class="date"> 3401 December 6, 2021 3402 </span> 3403 </div> 3404 </a> <div class="summary paragraph-styling"><p>The lobby [of the Kimpton Banneker in Washington DC] also features an abstract mural by Nigerian-American artist Victor Ekpuk in addition to work from Aziza Claudia Gibson-Hunter, a co-founding member of Black Artists of DC.</p></div> 3405 <div class='links'> 3406 </div> 3407 </div><div class='entry'> 3408 <a href='/news/cultbytes-pattern-decoration-and-the-new-avant-garde-at-art-basel-miami'> 3409 <div class="placeholder"> 3410 <div class="image"> 3411 <img itemprop="image" alt='Cultbytes | Pattern, Decoration, and the New Avant-Garde at Art Basel Miami' 3412 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/27aeaf24394067180221ab05b85d05b4.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/27aeaf24394067180221ab05b85d05b4.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/27aeaf24394067180221ab05b85d05b4.jpeg 2x" 3413 class="rollover-image-out"> 3414 </div> 3415 </div> 3416 <div class="titles" data-categories="News"> 3417 <div class="title">Cultbytes | Pattern, Decoration, and the New Avant-Garde at Art Basel Miami</div> 3418 3419
3420 <span class="subtitle">Suchitra Mattai</span> 3421 <span class="date"> 3422 December 3, 2021 3423 </span> 3424 </div> 3425 </a> <div class="summary paragraph-styling"><p>Kavi Gupta showed A mended heart, a lightened soul and A murmer of a prayer, both 2021 by Guyanese artist Suchitra Mattai who has used every day wearable objects tied to her cultural heritage – cut, woven, and tied vintage saris with mounts of ghungroo bells – to create new landscapes, or maps.</p></div> 3426 <div class='links'> 3427 </div> 3428 </div><div class='entry'> 3429 <a href='/news/the-new-york-times-the-depths-of-our-humanity'> 3430 <div class="placeholder"> 3431 <div class="image"> 3432 <img itemprop="image" alt='The New York Times | The Depths of our Humanity' 3433 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f841216786708ebe35eb10958b1af5d0.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f841216786708ebe35eb10958b1af5d0.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f841216786708ebe35eb10958b1af5d0.jpeg 2x" 3434 class="rollover-image-out"> 3435 </div> 3436 </div> 3437 <div class="titles" data-categories="News"> 3438 <div class="title">The New York Times | The Depths of our Humanity</div> 3439 3440 3441 <span class="subtitle">Rachid Koraïchi</span> 3442 <span class="date"> 3443 December 3, 2021 3444 </span> 3445 </div> 3446 </a> <div class="summary paragraph-styling"><p>One such site is Zarzis in southeastern Tunisia, where last June Rachid Koraichi, an Algerian artist,
3446decided to build a cemetery, scented by jasmine blossoms and flowering orange trees, that he calls the Jardin d’Afrique, or Garden of Africa. </p></div> 3447 <div class='links'> 3448 </div> 3449 </div><div class='entry'> 3450 <a href='/news/the-national-news-uae-at-50-artist-mohammed-kazem-reflects-on-the-rapid-rise-of-the-countrys-art-scene'> 3451 <div class="placeholder"> 3452 <div class="image"> 3453 <img itemprop="image" alt='The National News | UAE at 50: artist Mohammed Kazem reflects on the rapid rise of the country's art scene' 3454 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/97115fde7e01abb50e0a854f6da95144.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/97115fde7e01abb50e0a854f6da95144.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/97115fde7e01abb50e0a854f6da95144.jpeg 2x" 3455 class="rollover-image-out"> 3456 </div> 3457 </div> 3458 <div class="titles" data-categories="News"> 3459 <div class="title">The National News | UAE at 50: artist Mohammed Kazem reflects on the rapid rise of the country's art scene</div> 3460 3461 3462 <span class="subtitle">Mohammed Kazem</span> 3463 <span class="date"> 3464 December 2, 2021 3465 </span> 3466 </div> 3467 </a> <div class="summary paragraph-styling"><p>As the UAE celebrates its Golden Jubilee, Kazem reflects on how rapidly the art scene has evolved – from once-in-a-year shows in the 1980s to an amalgamation of galleries, institutions, collectives and increasingly global events today.</p></div> 3468 <div class='links'> 3469 </div> 3470 </div><div class='entry'> 3471 <a href='/news/artnet-news-we-cannot-keep-up-dealers-return-to-a-red-hot-market-at-art-basel-miami-beach-where-vips-are-clamoring-for-contemporary-art'> 3472 <div class="placeholder"> 3473 <div class="image"> 3474 <img itemprop="image" alt='Artnet News | âWe Cannot Keep Upâ: Dealers Return to a Red-Hot Market at Art Basel Miami Beach, Where VIPs Are Clamoring for Contemporary Art' 3475 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3fe804bcf5dc212dc3afac80df598cde.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3fe804bcf5dc212dc3afac80df598cde.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3fe804bcf5dc212dc3afac80df598cde.jpeg 2x" 3476 class="rollover-image-out"> 3477 </div> 3478 </div> 3479 <div class="titles" data-categories="News"> 3480 <div class="title">Artnet News | âWe Cannot Keep Upâ: Dealers Return to a Red-Hot Market at Art Basel Miami Beach, Where VIPs Are Clamoring for Contemporary Art</div> 3481 3482
3483 <span class="subtitle">Suchitra Mattai</span> 3484 <span class="date"> 3485 December 1, 2021 3486 </span> 3487 </div> 3488 </a> <div class="summary paragraph-styling"><p>Olivia Walton, who recently took over as chairperson of the Crystal Bridges Museum of American Art from billionaire founder Alice Walton, bought a work by Suchitra Mattai made of saris from the artist’s mother and grandmother, priced around $30,000.</p></div> 3489 <div class='links'> 3490 </div> 3491 </div><div class='entry'> 3492 <a href='/news/domus-american-pastoral'> 3493 <div class="placeholder"> 3494 <div class="image"> 3495 <img itemprop="image" alt='domus | American Pastoral' 3496 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bb395ecbd2e0548188eab0ca9383c572.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bb395ecbd2e0548188eab0ca9383c572.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bb395ecbd2e0548188eab0ca9383c572.jpeg 2x" 3497 class="rollover-image-out"> 3498 </div> 3499 </div> 3500 <div class="titles" data-categories="News"> 3501 <div class="title">domus | American Pastoral</div> 3502 3503 3504 <span class="subtitle">Bernardo Siciliano</span> 3505 <span class="date"> 3506 November 19, 2021 3507 </span> 3508 </div> 3509 </a> <div class="summary paragraph-styling"><p>At Aicon Art in New York, Bernando Siciliano’s works of art, explicitly inspired by Philip Roth, immortalise the moments that narrate these two pandemic years.</p></div> 3510 <div class='links'> 3511 </div> 3512 </div><div class='entry'> 3513 <a href='/news/india-today-paresh-maity-interview'> 3514 <div class="placeholder"> 3515 <div class="image"> 3516 <img itemprop="image" alt='India Today | Paresh Maity Interview' 3517 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/71cd2bd3ace8906371f1c317f405911a.jpeg' 3518 class="rollover-image-out"> 3519 </div> 3520 </div> 3521 <div class="titles" data-categories="News"> 3522 <div class="title">India Today | Paresh Maity Interview</div> 3523 3524
3525 <span class="subtitle">Paresh Maity</span> 3526 <span class="date"> 3527 November 13, 2021 3528 </span> 3529 </div> 3530 </a> <div class="summary paragraph-styling"><p>Artist and Painter Paresh Maity spoke exclusively to India Today about his latest exhibition in Kolkata. Paresh Maity is exhibiting his art in Kolkata after a gap of six years. Watch the full interview.</p></div> 3531 <div class='links'> 3532 </div> 3533 </div><div class='entry'> 3534 <a href='/news/the-observer-picturing-motherhood-now-at-cma-reimagines-our-deepest-connections'> 3535 <div class="placeholder"> 3536 <div class="image"> 3537 <img itemprop="image" alt='The Observer | &quot;Picturing Motherhood Now&quot; at CMA reimagines our deepest connections' 3538 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9f0238f0a77dd8585cb3f8df8a5561d9.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9f0238f0a77dd8585cb3f8df8a5561d9.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/9f0238f0a77dd8585cb3f8df8a5561d9.jpeg 2x" 3539 class="rollover-image-out"> 3540 </div> 3541 </div> 3542 <div class="titles" data-categories="News"> 3543 <div class="title">The Observer | "Picturing Motherhood Now" at CMA reimagines our deepest connections</div> 3544 3545 3546 <span class="subtitle">Mequitta Ahuja</span> 3547 <span class="date"> 3548 November 12, 2021 3549 </span> 3550 </div> 3551 </a> <div class="summary paragraph-styling"><p>The first piece in the hall is Mequitta Ahuja’s 2020 oil painting entitled “Portrait of Her Mother,” a gentle rendition of the artist’s studio with Ahuja standing in the foreground, her body turned slightly away as though she is torn between us and her work. </p></div> 3552 <div class='links'> 3553 </div> 3554 </div><div class='entry'> 3555 <a href='/news/indulge-express-celebrated-artist-paresh-maitys-work-on-display-at-cima-and-birla-academy-of-art-and-culture'> 3556 <div class="placeholder"> 3557 <div class="image"> 3558 <img itemprop="image" alt='Indulge Express |
3558Celebrated artist Paresh Maity's work on display at CIMA and Birla Academy of Art and Culture' 3559 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b4d19ae2e0ae83b2c24f87220c1fd84d.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b4d19ae2e0ae83b2c24f87220c1fd84d.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b4d19ae2e0ae83b2c24f87220c1fd84d.jpeg 2x" 3560 class="rollover-image-out"> 3561 </div> 3562 </div> 3563 <div class="titles" data-categories="News"> 3564 <div class="title">Indulge Express | Celebrated artist Paresh Maity's work on display at CIMA and Birla Academy of Art and Culture</div> 3565 3566 3567 <span class="subtitle">Paresh Maity</span> 3568 <span class="date"> 3569 November 12, 2021 3570 </span> 3571 </div> 3572 </a> <div class="summary paragraph-styling"><p>Seeing how the idol makers brought the Goddess Durga to life, a seven-year-old child from a remote village in Midnapore’s Tamluk area tried his tender hands in clay molding and even managed to sell a few pieces at the local fairs for as little as 10-15 paise in the early 70s. Who would have thought back then that some 48 odd years later that very child’s artwork would sell at a premium all over the country and beyond? That’s Paresh Maity for you.</p></div> 3573 <div class='links'> 3574 </div> 3575 </div><div class='entry'> 3576 <a href='/news/writing-is-drawing-rachid-koraichi-at-centre-pompidou-metz'> 3577 <div class="placeholder"> 3578 <div class="image"> 3579 <img itemprop="image" alt='Writing is drawing | Rachid Koraïchi at Centre Pompidou-Metz' 3580 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/054a7598d221275edb2b6b466f754930.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/054a7598d221275edb2b6b466f754930.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/054a7598d221275edb2b6b466f754930.png 2x" 3581 class="rollover-image-out"> 3582 </div> 3583 </div> 3584 <div class="titles" data-categories="News"> 3585 <div class="title">Writing is drawing | Rachid Koraïchi at Centre Pompidou-Metz</div> 3586 3587
3588 <span class="subtitle">November 6, 2021 - February 21, 2022</span> 3589 <span class="date"> 3590 3591 </span> 3592 </div> 3593 </a> <div class="summary paragraph-styling"><p>The exhibition juxtaposes precious old manuscripts, grouped together in three display cases, and works by contemporary artists and writers, most of which are from the Cabinet d’Art Graphique at the Centre Pompidou, in which writing is combined with imagery, sometimes even disappearing completely. This journey through inscriptions bears witness to a primordial interweaving of writing and drawing and reveals a universal vital energy. This energy circulates through gestures and lines, fragile crucibles of history, human beliefs and emotions.</p></div> 3594 <div class='links'> 3595 </div> 3596 </div><div class='entry'> 3597 <a href='/news/african-artists-from-1882-to-now'> 3598 <div class="placeholder"> 3599 <div class="image"> 3600 <img itemprop="image" alt='African Artists From 1882 to Now' 3601 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ded282e52c483ba9b891e448ddf51a23.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ded282e52c483ba9b891e448ddf51a23.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ded282e52c483ba9b891e448ddf51a23.png 2x" 3602 class="rollover-image-out"> 3603 </div> 3604 </div> 3605 <div class="titles" data-categories="News"> 3606 <div class="title">African Artists From 1882 to Now</div> 3607 3608 3609 <span class="subtitle">Victor Ekpuk</span> 3610 <span class="date"> 3611 October 22, 2021 3612 </span> 3613 </div> 3614 </a> <div class='links'> 3615 </div> 3616 </div><div class='entry'> 3617 <a href='/news/the-news-herald-cleveland-museum-of-arts-new-exhibition-picturing-motherhood-now-focuses-on-role-through-wide-contemporary-lens'> 3618 <div class="placeholder"> 3619 <div class="image"> 3620 <img itemprop="image" alt='The News-Herald | Cleveland Museum of Art's new exhibition 'Picturing Motherhood Now' focuses on role through wide, contemporary lens' 3621 src='https://static-assets.artlogic.net/w_345,h_245,c_limit/exhibit-e/65b96d8b105ea3d323069fd9/9b32d5e1b025c9384a9ec026f840c76d.jpeg' 3622 class="rollover-image-out"> 3623 </div> 3624 </div> 3625 <div class="titles" data-categories="News"> 3626 <div class="title">The News-Herald | Cleveland Museum of Art's new exhibition 'Picturing Motherhood Now' focuses on role through wide, contemporary lens</div> 3627 3628
3629 <span class="subtitle">Mequitta Ahuja</span> 3630 <span class="date"> 3631 October 20, 2021 3632 </span> 3633 </div> 3634 </a> <div class="summary paragraph-styling"><p>‘Picturing Motherhood Now’ emerged during the global pandemic and in the wake of the murder of George Floyd and the important conversations about race that followed,” Liebert says. “I think these world events did inflect the show. They inevitably shaped the way artists were thinking, and the issues that were on the minds of our catalog contributors.</p></div> 3635 <div class='links'> 3636 </div> 3637 </div><div class='entry'> 3638 <a href='/news/art-and-faith-a-portrait-by-boualem-gueritli'> 3639 <div class="placeholder"> 3640 <div class="image"> 3641 <img itemprop="image" alt='Art and Faith | A portrait by Boualem Gueritli' 3642 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/06e27e112973636c65d124222b22dc16.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/06e27e112973636c65d124222b22dc16.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/06e27e112973636c65d124222b22dc16.jpeg 2x" 3643 class="rollover-image-out"> 3644 </div> 3645 </div> 3646 <div class="titles" data-categories="News"> 3647 <div class="title">Art and Faith | A portrait by Boualem Gueritli</div> 3648 3649 3650 <span class="subtitle">Rachid Koraïchi</span> 3651 <span class="date"> 3652 October 18, 2021 3653 </span> 3654 </div> 3655 </a> <div class='links'> 3656 </div> 3657 </div><div class='entry'> 3658 <a href='/news/cleveland-museum-of-art
3658-picturing-motherhood-now'> 3659 <div class="placeholder"> 3660 <div class="image"> 3661 <img itemprop="image" alt='Cleveland Museum of Art | Picturing Motherhood Now' 3662 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/572cabc0cd62eeecf5ebcf503214cd6e.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/572cabc0cd62eeecf5ebcf503214cd6e.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/572cabc0cd62eeecf5ebcf503214cd6e.jpeg 2x" 3663 class="rollover-image-out"> 3664 </div> 3665 </div> 3666 <div class="titles" data-categories="News"> 3667 <div class="title">Cleveland Museum of Art | Picturing Motherhood Now</div> 3668 3669 3670 <span class="subtitle">Mequitta Ahuja</span> 3671 <span class="date"> 3672 October 16, 2021 3673 </span> 3674 </div> 3675 </a> <div class="summary paragraph-styling"><p>There is a long history of picturing motherhood. That history illuminates the culture from which it springs. What, then, do contemporary pictures of motherhood say about our own time? </p></div> 3676 <div class='links'> 3677 </div> 3678 </div><div class='entry'> 3679 <a href='/news/canvas-waters-of-hope'> 3680 <div class="placeholder"> 3681 <div class="image"> 3682 <img itemprop="image" alt='canvas | Waters of Hope' 3683 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/0ec4f36d5db88873d0bbdba967075537.jpeg' 3684 class="rollover-image-out"> 3685 </div> 3686 </div> 3687 <div class="titles" data-categories="News"> 3688 <div class="title">canvas | Waters of Hope</div> 3689 3690 3691 <span class="subtitle">Rachid Koraïchi</span> 3692 <sp
3692an class="date"> 3693 September-October 2021 3694 </span> 3695 </div> 3696 </a> <div class="summary paragraph-styling"><p>For Algerian artist Rachid Koraïchi, art has the power to enact change, and his paradisical cemetery for migrants who drowned while crossing the Mediterranean is a shining beacon of hope.</p></div> 3697 <div class='links'> 3698 </div> 3699 </div><div class='entry'> 3700 <a href='/news/art-review-city-nigerian-born-artist-and-architect-peju-alatise-on-her-back-to-back-venice-biennales-yoruba-influences-and-giving-back-to-africa'> 3701 <div class="placeholder"> 3702 <div class="image"> 3703 <img itemprop="image" alt='Art Review City | Nigerian-born artist and architect Peju Alatise on her back-to-back Venice Biennales, Yoruba influences, and giving back to Africa' 3704 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/75457407e0ef6b5bd2fa8800eae38ac3.jpeg' 3705 class="rollover-image-out"> 3706 </div> 3707 </div> 3708 <div class="titles" data-categories="News"> 3709 <div class="title">Art Review City | Nigerian-born artist and architect Peju Alatise on her back-to-back Venice Biennales, Yoruba influences, and giving back to Africa</div> 3710 3711 3712 <span class="subtitle">Peju Alatise</span> 3713 <span class="date"> 3714 August 11, 2021 3715 </span> 3716 </div> 3717 </a> <div class="summary paragraph-styling"><p>We recently sat down with Nigerian-born artist and architect Peju Alatise at her new Glasgow studio to find out more about her back-to-back Venice Biennales, how she juxtaposes being a contemporary architect and fine artist, and how Yoruba culture has helped her work stand out in today’s global art world.</p></div> 3718 <div class='links'> 3719 </div> 3720 </div><div class='entry'> 3721 <a href='/news/experiment-station-decoding-victor-ekpuks-new-installation-what-do-you-see'> 3722 <div class="placeholder"> 3723 <div class="image"> 3724 <img itemprop="image" alt='Experiment Station | Decoding Victor Ekpuk's New Installation - What Do You See?' 3725 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f53ddf79d1feaaeb89782a4d01e12574.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f53ddf79d1feaaeb89782a4d01e12574.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/f53ddf79d1feaaeb89782a4d01e12574.jpeg 2x" 3726 class="rollover-image-out"> 3727 </div> 3728 </div> 3729 <div class="titles" data-categories="News"> 3730 <div class="title">Experiment Station | Decoding Victor Ekpuk's New Installation - What Do You See?</div> 3731 3732
3733 <span class="subtitle">Victor Ekpuk</span> 3734 <span class="date"> 3735 August 9, 2021 3736 </span> 3737 </div> 3738 </a> <div class="summary paragraph-styling"><p>2021-22 Sherman Fairchild Fellow Shiloah Coley speaks with Victor Ekpuk about the sociopolitical signs and symbols in his centennial commission.</p></div> 3739 <div class='links'> 3740 </div> 3741 </div><div class='entry'> 3742 <a href='/news/sculpture-magazine-how-we-live-a-conversation-with-pooja-iranna'> 3743 <div class="placeholder"> 3744 <div class="image"> 3745 <img itemprop="image" alt='Sculpture Magazine | How We Live: A Conversation with Pooja Iranna' 3746 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bb85cce7ea9feedf6ca4a82a75b43b91.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bb85cce7ea9feedf6ca4a82a75b43b91.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bb85cce7ea9feedf6ca4a82a75b43b91.jpeg 2x" 3747 class="rollover-image-out"> 3748 </div> 3749 </div> 3750 <div class="titles" data-categories="News"> 3751 <div class="title">Sculpture Magazine | How We Live: A Conversation with Pooja Iranna</div> 3752 3753 3754 <span class="subtitle">Pooja Iranna</span> 3755 <span class="date"> 3756 July 16, 2021 3757 </span> 3758 </div> 3759 </a> <div class="summary paragraph-styling"><p>Pooja Iranna coaxes industrial materials and office accessories, including cement, mirrors, and staples, into thought-provoking portrayals of how the world and its proliferating cities are evolving. </p></div> 3760 <div class='links'> 3761 </div> 3762 </div><div class='entry'> 3763 <a href='/news/phillips-centennial-art-commissions'> 3764 <div class="placeholder"> 3765 <div class="image"> 3766 <img itemprop="image" alt='Phillips | Centennial Art Commissions' 3767 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bd2dd95ef5a47a2ea6b2ddf1f3e01cb0.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bd2dd95ef5a47a2ea6b2ddf1f3e01cb0.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/bd2dd95ef5a47a2ea6b2ddf1f3e01cb0.jpeg 2x" 3768 class="rollover-image-out"> 3769 </div> 3770 </div> 3771 <div class="titles" data-categories="News"> 3772 <div class="title">Phillips | Centennial Art Commissions</div> 3773 3774
3775 <span class="subtitle">Victor Ekpuk</span> 3776 <span class="date"> 3777 May 6, 2021 3778 </span> 3779 </div> 3780 </a> <div class="summary paragraph-styling"><p>Victor Ekpuk is internationally renowned for his paintings, drawings, and sculptures, which reimagine the ancient Nigerian communication system, Nsibidi, to create his own unique language of abstraction.</p></div> 3781 <div class='links'> 3782 </div> 3783 </div><div class='entry'> 3784 <a href='/news/the-news-international-fire-in-the-soil'> 3785 <div class="placeholder"> 3786 <div class="image"> 3787 <img itemprop="image" alt='The News International | Fire in the Soil' 3788 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ad61537813aea888595392c4bdcf4e7c.jpeg' 3789 class="rollover-image-out"> 3790 </div> 3791 </div> 3792 <div class="titles" data-categories="News"> 3793 <div class="title">The News International | Fire in the Soil</div> 3794 3795 3796 <span class="subtitle">Khadim Ali</span> 3797 <span class="date"> 3798 January 24, 2021 3799 </span> 3800 </div> 3801 </a> <div class="summary paragraph-styling"><p><em>What Now My Friend?</em>, curated by Salima Hashmi at Aicon Art, New York (December 17–January 23) denotes the perpetual saga of strife between the oppressors and the oppressed. </p></div> 3802 <div class='links'> 3803 </div> 3804 </div><div class='entry'> 3805 <a href='/news/artnet-news-baltimore-artist-mequitta-ahuja-on-how-her-new-exhibition-is-an-ode-to-motherhood-and-loss'> 3806 <div class="placeholder"> 3807 <div class="image"> 3808 <img itemprop="image" alt='Artnet News | Baltimore Artist Mequitta Ahuja on How Her New Exhibition is an Ode to Motherhood and L
3808oss' 3809 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/afe67ac5e4582a76868930babfd1d342.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/afe67ac5e4582a76868930babfd1d342.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/afe67ac5e4582a76868930babfd1d342.jpeg 2x" 3810 class="rollover-image-out"> 3811 </div> 3812 </div> 3813 <div class="titles" data-categories="News"> 3814 <div class="title">Artnet News | Baltimore Artist Mequitta Ahuja on How Her New Exhibition is an Ode to Motherhood and Loss</div> 3815 3816 3817 <span class="subtitle">Mequitta Ahuja</span> 3818 <span class="date"> 3819 January 11, 2021 3820 </span> 3821 </div> 3822 </a> <div class="summary paragraph-styling"><p>“Ma”, the artist’s new exhibition at New York’s Aicon Art, includes 20 oil sketches and five large oil paintings. The works may be the artist’s most intimately personal yet—made over the past 15 months, during the final period of her mother Sonja’s life, the works are a form of grieving. Loss, healing, gratitude, and connection exist as interconnected and equal energies.</p></div> 3823 <div class='links'> 3824 </div> 3825 </div><div class='entry'> 3826 <a href='/news/kajal-one-piece-by-mequitta-ahuja-xpect'> 3827 <div class="placeholder"> 3828 <div class="image"> 3829 <img itemprop="image" alt='Kajal | One Piece by Mequitta Ahuja, Xpect' 3830 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3ff58686bbf1c47b945e52223ee28d86.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3ff58686bbf1c47b945e52223ee28d86.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3ff58686bbf1c47b945e52223ee28d86.jpeg 2x" 3831 class="rollover-image-out"> 3832 </div> 3833 </div> 3834 <div class="titles" data-categories="News"> 3835 <div class="title">Kajal | One Piece by Mequitta Ahuja, Xpect</div> 3836 3837
3838 <span class="subtitle">Mequitta Ahuja</span> 3839 <span class="date"> 3840 January 3, 2021 3841 </span> 3842 </div> 3843 </a> <div class="summary paragraph-styling"><p>Xpect is a self-portrait. The model is Ahuja. Her classic pose is made decidedly contemporary by her pregnant belly, the sonogram she is holding, and her slight smile. It’s a birth announcement! An Instagram trope inside a painting that is loaded with rebuttals to art history.</p></div> 3844 <div class='links'> 3845 </div> 3846 </div><div class='entry'> 3847 <a href='/news/cornell-business-review-fall-2020-observing-the-art-world-from-six-feet-away'> 3848 <div class="placeholder"> 3849 <div class="image"> 3850 <img itemprop="image" alt='Cornell Business Review: Fall 2020 | Observing the Art World from Six Feet Away' 3851 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/df7b754f6b38b74d3b73e56c1f4146ea.jpeg' 3852 class="rollover-image-out"> 3853 </div> 3854 </div> 3855 <div class="titles" data-categories="News"> 3856 <div class="title">Cornell Business Review: Fall 2020 | Observing the Art World from Six Feet Away</div> 3857 3858 3859 <span class="subtitle">Pages 32-35</span> 3860 <span class="date"> 3861 3862 </span> 3863 </div> 3864 </a> <div class="summary paragraph-styling"><p>The difficulty of having a show during this time is that the atrocities in the world today make it difficult to have any kind of celebration while so many around the world find themselves in mourning, but I suppose that revelation is a continuous need. I wish that people could come and enjoy it with me but I understand that that's not possible at the moment.</p></div> 3865 <div class='links'> 3866 </div> 3867 </div><div class='entry'> 3868 <a href='/news/the-new-yor
3868k-times-3-art-gallery-shows-to-see-right-now'> 3869 <div class="placeholder"> 3870 <div class="image"> 3871 <img itemprop="image" alt='The New York Times | 3 Art Gallery Shows to See Right Now' 3872 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/3711b1d2599e784e0259a2d07cc58c22.jpeg' 3873 class="rollover-image-out"> 3874 </div> 3875 </div> 3876 <div class="titles" data-categories="News"> 3877 <div class="title">The New York Times | 3 Art Gallery Shows to See Right Now</div> 3878 3879 3880 <span class="subtitle">Sonja Ferlov Mancoba | Ernest Mancoba</span> 3881 <span class="date"> 3882 October 1, 2020 3883 </span> 3884 </div> 3885 </a> <div class="summary paragraph-styling"><p>If museums are serious about globalizing their collections, it won't do just to pick out a few Africans or Asians or Latin Americans whose art superficially resembles what the West already approbates. Art history has to be preconceived as a perpetual migration of artists, images and ideas - across oceans, across decades. A sterling case study awaits in the upstairs space of Aicon Art, displaying the lean, precise, calligraphic abstractions of Ernest Mancoba (1904 - 2002), a South African painter who spent his career in Denmark and France.</p></div> 3886 <div class='links'> 3887 </div> 3888 </div><div class='entry'> 3889 <a href='/news/artdaily-com-solo-exhibition-of-the-early-work-of-seasoned-new-york-artist-natvar-bhavsar-opens-at-aicon-art'> 3890 <div class="placeholder"> 3891 <div class="image"> 3892 <img itemprop="image" alt='artdaily.com | Solo Exhibition of the Early Work of Seasoned New York Artist Natvar Bhavsar Opens at Aicon Art' 3893 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/07c36e3264244931f6e27572e339fa29.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/07c36e3264244931f6e27572e339fa29.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/07c36e3264244931f6e27572e339fa29.jpeg 2x" 3894 class="rollover-image-out"> 3895 </div> 3896 </div> 3897 <div class="titles" data-categories="News"> 3898 <div class="title">artdaily.com | Solo Exhibition of the Early Work of Seasoned New York Artist Natvar Bhavsar Opens at Aicon Art</div> 3899 3900
3901 <span class="subtitle">Natvar Bhavsar</span> 3902 <span class="date"> 3903 September 28, 2020 3904 </span> 3905 </div> 3906 </a> <div class="summary paragraph-styling"><p>Aicon Art New York brought us through Natvar Bhavsar: Beginnings (March 1-April 6, 2019) an astonishing show on this Indian-American artist’s early color-field paintings. Now, by giving us Natvar Bhavsar: Sublime Light from September 26-October 31, 2020, the gallery is spotlighting his paintings from the late 1970s through the 1980s. </p></div> 3907 <div class='links'> 3908 </div> 3909 </div><div class='entry'> 3910 <a href='/news/widewalls-11-contemporary-artists-to-watch-right-now'> 3911 <div class="placeholder"> 3912 <div class="image"> 3913 <img itemprop="image" alt='Widewalls | 11 Contemporary Artists to Watch Right Now' 3914 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ec795bfe11fabb876dae85e3d4993e2a.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ec795bfe11fabb876dae85e3d4993e2a.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/ec795bfe11fabb876dae85e3d4993e2a.jpeg 2x" 3915 class="rollover-image-out"> 3916 </div> 3917 </div> 3918 <div class="titles" data-categories="News"> 3919 <div class="title">Widewalls | 11 Contemporary Artists to Watch Right Now</div> 3920 3921 3922 <span class="subtitle">Mequitta Ahuja</span> 3923 <span class="date"> 3924 September 23, 2020 3925 </span> 3926 </div> 3927 </a> <div class="summary paragraph-styling"><p>A contemporary American painter of African American and South Asian descent who lives in Weston, Connecticut, Mequitta Ahuja casts herself as mythic warriors, epic heroes, and power figures desce
3927nding from traditions across cultures. She synthesizes her multicultural heritage into works that evoke the process of identity construction.</p></div> 3928 <div class='links'> 3929 </div> 3930 </div><div class='entry'> 3931 <a href='/news/ianslife-artist-pooja-iranna-and-calling-a-medium-her-own'> 3932 <div class="placeholder"> 3933 <div class="image"> 3934 <img itemprop="image" alt='IANSLife | Artist Pooja Iranna and calling a medium her own' 3935 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/48ba92dcdedf90a691e78f4b0a904c38.jpeg' 3936 class="rollover-image-out"> 3937 </div> 3938 </div> 3939 <div class="titles" data-categories="News"> 3940 <div class="title">IANSLife | Artist Pooja Iranna and calling a medium her own</div> 3941 3942 3943 <span class="subtitle">Pooja Iranna</span> 3944 <span class="date"> 3945 August 29, 2020 3946 </span> 3947 </div> 3948 </a> <div class="summary paragraph-styling"><p>The lockdown must serve as the time to understand and introspect the result of our actions.</p></div> 3949 <div class='links'> 3950 </div> 3951 </div><div class='entry'> 3952 <a href='/news/the-hindu-businessline-the-situation-teaches-us-more-than-schools-we-go-to-pooja-and-gr-iranna'> 3953 <div class="placeholder"> 3954 <div class="image"> 3955 <img itemprop="image" alt='The Hindu Businessline | âThe situation teaches us more than schools we go toâ: Pooja and GR Iranna' 3956 src='https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/4d7c9838c41713d813dec072a816526e.jpeg' 3957 class="rollover-image-out"> 3958 </div> 3959 </div> 3960 <div class="titles" data-categories="News"> 3961 <div class="title">The Hindu Businessline | âThe situation teaches us more than schools we go toâ: Pooja and GR Iranna</div> 3962 3963
3964 <span class="subtitle">Pooja Iranna</span> 3965 <span class="date"> 3966 August 27, 2020 3967 </span> 3968 </div> 3969 </a> <div class="summary paragraph-styling"><p>Artist-couple Pooja and GR Iranna on finding artistic interpretation in a pandemic</p></div> 3970 <div class='links'> 3971 </div> 3972 </div><div class='entry'> 3973 <a href='/news/stir-world-amid-the-covid-19-lockdown-pooja-irannas-staple-pinned-plea-to-slow-down-rings-true'> 3974 <div class="placeholder"> 3975 <div class="image"> 3976 <img itemprop="image" alt='Stir World | Amid the COVID-19 lockdown, Pooja Iranna's staple-pinned plea to slow down rings true' 3977 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b091d9b5585e87f470bbfc3984a297b8.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b091d9b5585e87f470bbfc3984a297b8.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/b091d9b5585e87f470bbfc3984a297b8.jpeg 2x" 3978 class="rollover-image-out"> 3979 </div> 3980 </div> 3981 <div class="titles" data-categories="News"> 3982 <div class="title">Stir World | Amid the COVID-19 lockdown, Pooja Iranna's staple-pinned plea to slow down rings true</div> 3983 3984 3985 <span class="subtitle">Pooja Iranna</span> 3986 <span class="date"> 3987 April 23, 2020 3988 </span> 3989 </div> 3990 </a> <div class="summary paragraph-styling"><p>In her latest solo, <em>Silently,</em> at the Centre for Contemporary Art in New Delhi, artist Pooja Iranna talks about encroachment and urban overgrowth, urging for ecological redressal.</p></div> 3991 <div class='links'> 3992 </div> 3993 </div><div class='entry'> 3994 <a href='/news/the-guardian-ekpuk-and-the-art-of-native-contents'> 3995 <div class="placeholder"> 3996 <div class="image"> 3997 <img itemprop="image" alt='The Guardian | Ekpuk and the art of native contents' 3998 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e18722450c633b59df646b141462ff26.jpeg' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e18722450c633b59df646b141462ff26.jpeg 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/e18722450c633b59df646b141462ff26.jpeg 2x" 3999 class="rollover-image-out"> 4000 </div> 4001 </div> 4002 <div class="titles" data-categories="News"> 4003 <div class="title">The Guardian | Ekpuk and the art of native contents</div> 4004 4005
4006 <span class="subtitle">Victor Ekpuk</span> 4007 <span class="date"> 4008 April 5, 2020 4009 </span> 4010 </div> 4011 </a> <div class="summary paragraph-styling"><p>Illustration, one of the basic pedestals on which strong creative skill in art is mounted, exists in the trajectory of U.S.-based Victor Ekpuk.</p> 4012 4013<p>Over the years, he has shown a mastery of illustration both for newspapers and books, creating minimal contents for mainstream art exhibitions. However, in the last few years, Ekpuk has installed large public space art and shows across three continents. More interesting is the artist’s sculptural executions.</p></div> 4014 <div class='links'> 4015 </div> 4016 </div><div class='entry'> 4017 <a href='/news/eelive-smithsonian-acquires-p
4017ainting-by-nigerias-victor-ekpuk'> 4018 <div class="placeholder"> 4019 <div class="image"> 4020 <img itemprop="image" alt='Eelive | Smithsonian Acquires Painting by Nigeriaâs Victor Ekpuk' 4021 src='https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/15963c967d5699fcd19c41d1f312111f.png' srcset="https://static-assets.artlogic.net/w_345,h_245,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/15963c967d5699fcd19c41d1f312111f.png 1x, https://static-assets.artlogic.net/w_690,h_490,c_lfill/exhibit-e/65b96d8b105ea3d323069fd9/15963c967d5699fcd19c41d1f312111f.png 2x" 4022 class="rollover-image-out"> 4023 </div> 4024 </div> 4025 <div class="titles" data-categories="News"> 4026 <div class="title">Eelive | Smithsonian Acquires Painting by Nigeriaâs Victor Ekpuk</div> 4027 4028 4029 <span class="subtitle">Victor Ekpuk</span> 4030 <span class="date"> 4031 March 31, 2020 4032 </span> 4033 </div> 4034 </a> <div class="summary paragraph-styling"><p>US-based Nigerian artist, Victor Ekpuk has made public the acquisition of his paintwork <em>Union of Saint and Venus</em> by the Smithsonian National Museum of African American History and Culture, (NMAAHC).</p></div> 4035 <div class='links'> 4036 </div> 4037 </div></div> 4038</div> 4039 4040 4041 4042</section> 4043 </div> 4044 4045<footer class="divider show2col"><div class="container clearfix"><div class='divider'></div><div class='footer-cols'><div class="footer-col1"><p><span style="font-size: 16px;">AINA Gallery</span></p><p>550 West 29th Street <br /> 4046New York, NY 10001<br /><br /> 4047Phone: 646-539-8300<br /> 4048Email: [email protected]</p></div><div class="footer-col2"><p class="ee-editor-block" style="border-color:#000000;border-style:solid;border-width:1px;">© AINA Gallery, 2026</p></div></div><div class="footer-social"><a href="https://www.instagram.com/ainagallery.ny/?hl=en" target="_blank"><img itemprop="image" src="https://static-assets.artlogic.net/w_200,h_50,c_limit/exhibit-e/65b96d8b105ea3d323069fd9/2bdee01e6b65dd6a94a9c03784dd156a.png" alt="Instagram"/></a></div><span><a href="/site-index" class="footer-siteindex">Site Index</a></span></div></footer> 4049 </body> 4050 </html>
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