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82 83 84 85<body class="html not-front not-logged-in one-sidebar sidebar-second page-node page-node- page-node-46 node-type-seite i18n-de lang-de section-autorinnen" > 86 87 88 89 <div class="skip-link"> 90 <a href="#main-content" class="element-invisible element-focusable">Direkt zum Inhalt</a> 91 </div> 92 93 <!--.page --> 94<div role="document" class="page"> 95 96 <!--.l-header --> 97 <header role="banner" class="l-header"> 98 99 100 <!-- Title, slogan and menu --> 101 <section class="row h-row "> 102 <div class="large-12 columns"> 103 104 <nav id="secondary-menu" class="navigation" role="navigation"> 105 <h2 class="element-invisible">Sekundärmenü</h2><ul id="secondary-menu-links" class="links clearfix"><li class="menu-1737 first"><a href="/quellen" title="">Quellen</a></li> 106<li class="menu-1292"><a href="/literatur?s=author&f%255Bag%255D=A" title="">Literatur</a></li> 107<li class="menu-901 active-trail"><a href="/ueber" class="active-trail">Ãber</a></li> 108<li class="menu-4527"><a href="https://www.univie.ac.at" title="">Universität Wien</a></li> 109<li class="menu-4720 last active"><a href="/autorinnen" class="active">AutorInnen</a></li> 110</ul> </nav> <!-- /#secondary-menu --> 111 112 <div id="site-name"> 113 <strong> 114 <a href="/" title="Startseite" rel="home"><span>Musikleben des Spätmittelalters in der Region Ãsterreich</span></a> 115 </strong> 116 </div> 117 118 119 <nav id="main-menu" class="navigation" role="navigation"> 120 <h2 class="element-invisible">Hauptmenü</h2><ul id="main-menu-links" class="links inline-list clearfix"><li class="menu-1569 first"><a href="/leitthemen" title="">Leitthemen</a></li> 121<li class="menu-3950"><a href="/map" title="">Karte</a></li> 122<li class="menu-4332"><a href="/hoerbeispiele" title="">Hörbeispiele</a></li> 123<li class="menu-1568"><a href="/instrumente" title="">Instrumente</a></li> 124<li class="menu-1630"><a href="/mediengalerie" title="Abbildungen und Notenbeispiele">Mediengalerie</a></li> 125<li class="menu-4581"><a href="/literatur" title="">Literatur</a></li> 126<li class="menu-4580"><a href="/quellen" title="">Quellen</a></li> 127<li class="menu-4582"><a href="/ueber" title="">Ãber</a></li> 128<li class="menu-1282 last"><a href="/suche" title="">Suche</a></li> 129</ul> </nav> <!-- /#main-menu --> 130 131 </div> 132 133 </section> 134 <!-- End title, slogan and menu --> 135 136 137 </header> 138 <!--/.l-header --> 139 140 141 142 143 144 145 <!-- FRONT ROWS --> 146 <!-- FRONT ROWS END--> 147 148 149 150 151 152 <!--.l-main --> 153 <main role="main" class="row l-main"> 154 <!-- .l-main region --> 155 <div class="medium-9 main columns"> 156 157 158 <a id="main-content"></a> 159 <h2 class="element-invisible">Sie sind hier</h2><ul class="breadcrumbs"><li><a href="/">Startseite</a></li><li><a href="/ueber">Ãber</a></li><li class="current"><a href="#">AutorInnen</a></li></ul> 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 <article id="node-46" class="large-12 main columns node node-seite view-mode-full" about="/autorinnen" typeof="sioc:Item foaf:Document"> 178<div class="row article-inner"> 179 180 181 <div class="page-text medium-12 columns"> 182 183<!--
184 <span property="dc:title" content="AutorInnen" class="rdf-meta element-hidden"></span>--> 185 186 <h1 id="page-title" class="title" class="node-title">AutorInnen</h1> 187 <span property="dc:title" content="AutorInnen" class="rdf-meta element-hidden"></span> 188 189 190 <div class="body field"><p> 191  </p> 192<p> 193  </p> 194<p> 195  </p></div> <div id="book-navigation-19" class="book-navigation"> 196 <ul class="menu"><li class="first last leaf"><a href="/autorinnen-hoerbeispiel-texte">AutorInnen Hörbeispiel-Texte</a></li> 197</ul> 198 <div class="page-links clearfix"> 199 <a href="/node/19113" class="page-previous" title="Zur vorherigen Seite">â¹ About</a> 200 <a href="/ueber" class="page-up" title="Gehe zur übergeordneten Seite">nach oben</a> 201 <a href="/autorinnen-hoerbeispiel-texte" class="page-next" title="Zur nächsten Seite">AutorInnen Hörbeispiel-Texte âº</a> 202 </div> 203 204 </div> 205 206 207 <ul class="links inline"><li class="translation_en first last"><a href="/en/authors" title="Authors" class="translation-link">EN</a></li> 208</ul> 209</div> 210 211</div> 212</article> 213 214 <section class="block block-views block-views-634c6470eabb8e2173f01880731b109e"> 215 216 <h2 class="block-title">Kontributoren</h2> 217 218 <div class="view view-autorinnen-liste view-id-autorinnen_liste view-display-id-autorinnen_block view-dom-id-2d68355d576bf15523a68b2997b8b2d3"> 219 220 221 222 <div class="view-content"> 223 <h3>Michael R. Ott </h3> 224 <div> 225 226 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/herolde-und-ihre-geraeuschkulisse-1414-1530">Herolde und ihre Geräuschkulisse (1414-1530)</a></span> </div> </div> 227 <h3>Klaus Aringer </h3> 228 <div> 229 230 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/die-ueberlieferung-der-musik-fuer-tasteninstrumente-1400-1520">Die Ãberlieferung der Musik für Tasteninstrumente (1400-1520)</a></span> </div> </div> 231 <div> 232 233 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/orgeln-und-orgelmusik-der-region-oesterreich">Orgeln und Orgelmusik in der Region Ãsterreich</a></span> </div> </div> 234 <h3>Aneta Bialecka </h3> 235 <div> 236 237 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/die-wiener-gotsleichbruderschaft">Die Wiener Gotsleichbruderschaft</a></span> </div> </div> 238 <div> 239 240 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-spectaculum-scarlaci-scharlachrennen">Schlaglicht: Spectaculum scarlaci (Scharlachrennen)</a></span> </div> </div> 241 <h3>Horst Brunner </h3> 242 <div> 243 244 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/spruchsang-den-oesterreichischen-laendern">Spruchsang in den österreichischen Ländern</a></span> </div> </div> 245 <h3>Helen Coffey </h3> 246 <div> 247 248 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/minstrels-and-instrument-makers-maximilians-realm">Minstrels and Instrument-Makers in Maximilian's realm*</a></span> </div> </div> 249 <h3>Stefan Engels </h3> 250 <div> 251 252 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/geistliche-lieder-des-moenchs-von-salzburg">Geistliche Lieder des Mönchs von Salzburg</a></span> </div> </div> 253 <div> 254 255 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/osterfeier-im-kloster">Osterfeier im Kloster</a></span> </div> </div> 256 <div> 257 258 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-die-notation-der-mondsee-wiener-liederhandschrift">Schlaglicht: Die Notation der âMondsee-Wiener Liederhandschriftâ</a></span> </div> </div> 259 <div> 260 261 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-visitatio-sepulchri">Schlaglicht: Visitatio sepulchri </a></span> </div> </div> 262 <h3>Winfried Frey </h3> 263 <div> 264 265 <div class="views-field views-field-title">
265 <span class="field-content"><a href="/essays/cayphas-cantat-cum-synagoga-singende-juden-geistlichen-spielen">Cayphas cantat cum synagoga: Singende Juden in geistlichen Spielen</a></span> </div> </div> 266 <h3>Wolfgang Fuhrmann </h3> 267 <div> 268 269 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/himmlische-und-irdische-musik">Himmlische und irdische Musik </a></span> </div> </div> 270 <h3>Giulia Gabrielli </h3> 271 <div> 272 273 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-das-bozner-fragment">Schlaglicht: Das Bozner Fragment</a></span> </div> </div> 274 <h3>Stefan Gasch </h3> 275 <div> 276 277 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/heinrich-isaac-im-dienst-von-maximilians-kirchlich-staatlichen-zeremonien">Heinrich Isaac im Dienst von Maximilians kirchlich-staatlichen Zeremonien</a></span> </div> </div> 278 <div> 279 280 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/henricus-isaac">Henricus Isaac</a></span> </div> </div> 281 <div> 282 283 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/ludwig-senfl">Ludwig Senfl</a></span> </div> </div> 284 <div> 285 286 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musik-fuer-die-familie-fugger-augsburg">Musik für die Familie Fugger in Augsburg*</a></span> </div> </div> 287 <div> 288 289 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/wiener-alamire-handschriften">Wiener Alamire-Handschriften*</a></span> </div> </div> 290 <h3>Marco Gozzi </h3> 291 <div> 292 293 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/rhythmischer-choralgesang-der-cantus-fractus">Rhythmischer Choralgesang: Der cantus fractus</a></span> </div> </div> 294 <h3>Andrea Grafetstätter </h3> 295 <div> 296 297 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/die-tiroler-spieltradition-musik-und-tanz-geistlichen-und-weltlichen-spielen">Die Tiroler Spieltradition. Musik und Tanz in geistlichen und weltlichen Spielen</a></span> </div> </div> 298 <h3>Markus Grassl </h3> 299 <div> 300 301 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/augustin-schubinger">Augustin Schubinger</a></span> </div> </div> 302 <div> 303 304 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/instrumentale-musikpraxis-im-lebensbereich-augustin-schubingers-ca-1460-153132">Instrumentale Musikpraxis im Lebensbereich Augustin Schubingers (ca. 1460â1531/32)</a></span> </div> </div> 305 <div> 306 307 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/kontinuitaet-und-wandel-die-kapelle-ferdinands-i-den-1520er-jahren">Kontinuität und Wandel. Die Kapelle Ferdinands I. in den 1520er Jahren</a></span> </div> </div> 308 <h3>Andrea Horz </h3> 309 <div> 310 311 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/aggressionen-und-aengste-judenhass">Aggressionen und Ãngste. Judenhass</a></span> </div> </div> 312 <div> 313 314 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/odengesang-bei-den-humanisten">Odengesang bei den Humanisten</a></span> </div> </div> 315 <h3>Martin Kirnbauer </h3> 316 <div> 317 318 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/instrumentalkuenstler-am-hof-maximilians-i">Instrumentalkünstler am Hof Maximilians I.</a></span> </div> </div> 319 <h3>Mirjam Kluger </h3> 320 <div> 321 322 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/hofmusik-albrecht-ii-und-friedrich-iii">Hofmusik. Albrecht II. und Friedrich III.</a></span> </div> </div> 323 <h3>Robert Klugseder </h3> 324 <div> 325 326 <div class="views-field views-field-title">
326 <span class="field-content"><a href="/essays/antiphonale-mus-hs-15505">Antiphonale Mus. Hs. 15505*</a></span> </div> </div> 327 <h3>Marc Lewon </h3> 328 <div> 329 330 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/das-phaenomen-neidhart">Das Phänomen âNeidhartâ</a></span> </div> </div> 331 <div> 332 333 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/instrumentenmuseum">Instrumentenmuseum</a></span> </div> </div> 334 <div> 335 336 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/oswald-mss-a-und-b">Oswald Mss. A und B*</a></span> </div> </div> 337 <div> 338 339 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/oswald-von-wolkenstein">Oswald von Wolkenstein*</a></span> </div> </div> 340 <h3>Birgit Lodes, Reinhard Strohm, Marc Lewon </h3> 341 <div> 342 343 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/einleitung">Einleitung*</a></span> </div> </div> 344 <h3>Birgit Lodes </h3> 345 <div> 346 347 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/aggressionen-und-aengste-tuerken">Aggressionen und Ãngste. Türken*</a></span> </div> </div> 348 <div> 349 350 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/jacob-obrecht">Jacob Obrecht*</a></span> </div> </div> 351 <div> 352 353 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/koerper-und-seele">Körper und Seele*</a></span> </div> </div> 354 <div> 355 356 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/medien-mehrstimmiger-vokalmusik-am-beispiel-von-obrechts-missa-salve-diva-parens">Medien mehrstimmiger Vokalmusik um 1500 (am Beispiel von Jacob Obrechts Missa Salve diva parens)</a></span> </div> </div> 357 <div> 358 359 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musik-fuer-kaiser-karl-v-1530">Musik für Kaiser Karl V. (1530)</a></span> </div> </div> 360 <div> 361 362 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musikalische-huldigungsgeschenke-fuer-maximilian-i">Musikalische Huldigungsgeschenke für Maximilian I.</a></span> </div> </div> 363 <div> 364 365 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/mehrfacher-sinn-jacob-obrechts-missa-salve-diva-parens-und-die-koenigskroenung-maximilians">âMehrfacher Sinnâ: Jacob Obrechts Missa Salve diva parens und die Königskrönung Maximilians</a></span> </div> </div> 366 <h3>Grantley McDonald </h3> 367 <div> 368 369 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/humanisten-maezene-intellektuelle">Humanisten, Mäzene, Intellektuelle*</a></span> </div> </div> 370 <div> 371 372 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/memorialkultur-maximilians-monumente">Memorialkultur. Maximilians Monumente*</a></span> </div> </div> 373 <div> 374 375 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/memorialkultur-remembering-paul-hofhaimer">Memorialkultur. Remembering Paul Hofhaimer</a></span> </div> </div> 376 <h3>David Merlin </h3> 377 <div> 378 379 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/johannes-winterburgers-antiphonarius-1519">Johannes Winterburgers Antiphonarius, 1519</a></span> </div> </div> 380 <div> 381 382 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musik-und-verehrung-von-lokal-heiligen">Musik und Verehrung von (Lokal-)Heiligen</a></span> </div> </div> 383 <h3>Marko Motnik </h3> 384 <div> 385 386 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/tanz-und-verderben-de-ludo-coree-eine-wiener-tanzpredigt-des-15-jahrhunderts">Tanz und Verderben. De ludo coree: eine Wiener Tanzpredigt des 15. Jahrhun
386derts</a></span> </div> </div> 387 <div> 388 389 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/tanz-und-verderben-tanzwut-klosterneuburg">Tanz und Verderben. Tanzwut in Klosterneuburg</a></span> </div> </div> 390 <h3>N.N. </h3> 391 <div> 392 393 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/die-melker-reform">Die Melker Reform*</a></span> </div> </div> 394 <h3>Christian Neuhuber </h3> 395 <div> 396 397 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/der-kremsmuensterer-ludus-de-sancta-dorothea-spiel-von-der-hl-dorothea">Der Kremsmünsterer ludus de sancta dorothea (Spiel von der Hl. Dorothea)</a></span> </div> </div> 398 <h3>Deanna Pellerano </h3> 399 <div> 400 401 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/krieg-und-lied-im-spaetmittelalter">Krieg und Lied im Spätmittelalter</a></span> </div> </div> 402 <h3>Alexander Rausch </h3> 403 <div> 404 405 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/kloesterliche-mehrstimmigkeit-grundlagen">Klösterliche Mehrstimmigkeit. Grundlagen</a></span> </div> </div> 406 <div> 407 408 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/spekulative-musiktheorie-und-chorallehre">Spekulative Musiktheorie und Chorallehre</a></span> </div> </div> 409 <h3>Margret Scharrer </h3> 410 <div> 411 412 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/joyeuses-entrees-den-niederen-landen">Joyeuses entrées in den niederen Landen</a></span> </div> </div> 413 <h3>Bernhold Schmid </h3> 414 <div> 415 416 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/organisten-und-kopisten">Organisten und Kopisten</a></span> </div> </div> 417 <h3>Nicole Schwindt </h3> 418 <div> 419 420 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/lieder-der-region-oesterreich-ca-1450-ca-1520">Lieder in der Region Ãsterreich, ca. 1450âca. 1520</a></span> </div> </div> 421 <div> 422 423 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/senfls-vermaechtnis-das-liederbuch-muenchen-bayerische-staatsbibliothek-musms-3155">Senfls Vermächtnis: Das Liederbuch München, Bayerische Staatsbibliothek, Mus.ms. 3155</a></span> </div> </div> 424 <h3>Ute Monika Schwob </h3> 425 <div> 426 427 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/formen-der-laienfroemmigkeit">Formen der Laienfrömmigkeit</a></span> </div> </div> 428 <div> 429 430 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/laienfroemmigkeit-die-rolle-der-kirche">Laienfrömmigkeit: Die Rolle der Kirche</a></span> </div> </div> 431 <h3>Kateryna Schöning </h3> 432 <div> 433 434 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/lautenisten-und-lautenspiel-der-buergerlichen-gesellschaft-des-fruehen-16-jahrhunderts">Lautenisten und Lautenspiel in der bürgerlichen Gesellschaft des frühen 16. Jahrhunderts</a></span> </div> </div> 435 <h3>Reinhard Strohm </h3> 436 <div> 437 438 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/a-wn-cod-5094-souvenirs-aus-einem-wiener-organistenmilieu">A-Wn, Cod. 5094: Souvenirs aus einem Wiener âOrganistenmilieuâ</a></span> </div> </div> 439 <div> 440 441 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/advenisti-fuersten-und-diplomaten-auf-reisen">Advenisti: Fürsten und Diplomaten auf Reisen*</a></span> </div> </div> 442 <div> 443 444 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/bozen-bolzano-musik-im-umkreis-der-kirche">Bozen/Bolzano: Musik im Umkreis der Kirche</a></span> </div> </div> 445 <div> 446 447 <div class="views-field views-field-title">
447 <span class="field-content"><a href="/kapitel/cultural-history-cultural-studies-and-music-history">Cultural History, Cultural Studies and Music History</a></span> </div> </div> 448 <div> 449 450 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/das-geistliche-lied-des-14-und-15-jahrhunderts">Das geistliche Lied des 14. und 15. Jahrhunderts</a></span> </div> </div> 451 <div> 452 453 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/der-innsbrucker-cantionarius-cod-457-der-universitaets-und-landesbibliothek-tirol">Der Innsbrucker Cantionarius: Cod. 457 der Universitäts- und Landesbibliothek Tirol</a></span> </div> </div> 454 <div> 455 456 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/der-wiener-codex-von-ca-1415">Der Wiener Codex von ca. 1415*</a></span> </div> </div> 457 <div> 458 459 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/die-klang-aura-der-stadt">Die Klang-Aura der Stadt</a></span> </div> </div> 460 <div> 461 462 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/die-linzer-fragmente">Die Linzer Fragmente*</a></span> </div> </div> 463 <div> 464 465 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/gesaenge-zu-weihnachten-im-stift-seckau">Gesänge zu Weihnachten im Stift Seckau</a></span> </div> </div> 466 <div> 467 468 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/hermann-poll">Hermann Poll</a></span> </div> </div> 469 <div> 470 471 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/hofmusik-innsbruck-unter-herzog-siegmund">Hofmusik. Innsbruck unter Herzog Siegmund*</a></span> </div> </div> 472 <div> 473 474 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/i-trcap-93-eine-zentrale-sammlung-europaeischer-messenmusik">I-TRcap 93: Eine zentrale Sammlung europäischer Messenmusik</a></span> </div> </div> 475 <div> 476 477 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/johannes-lupi">Johannes Lupi </a></span> </div> </div> 478 <div> 479 480 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/jugendliche-musiker-bei-hofe">Jugendliche Musiker bei Hofe*</a></span> </div> </div> 481 <div> 482 483 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/kloesterliche-mehrstimmigkeit-arten-und-kontexte">Klösterliche Mehrstimmigkeit. Arten und Kontexte</a></span> </div> </div> 484 <div> 485 486 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/kompositorische-lernprozesse">Kompositorische Lernprozesse*</a></span> </div> </div> 487 <div> 488 489 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musik-im-gottesdienst-wien">Musik im Gottesdienst: Wien </a></span> </div> </div> 490 <div> 491 492 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musik-der-burg-burgen-und-ihre-privatkapellen">Musik in der Burg: Burgen und ihre Privatkapellen*</a></span> </div> </div> 493 <div> 494 495 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musiker-aus-anderen-laendern-eigenes-und-fremdes">Musiker aus anderen Ländern; Eigenes und Fremdes*</a></span> </div> </div> 496 <div> 497 498 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/musiker-der-stadt">Musiker in der Stadt</a></span> </div> </div> 499 <div> 500 501 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/nicolaus-krombsdorfer">Nicolaus Krombsdorfer</a></span> </div> </div> 502 <div> 503 504 <div class="views-field views-field-title">
504 <span class="field-content"><a href="/kapitel/schlaglicht-argentum-et-aurum-poeten-musik-und-geld">Schlaglicht: Argentum et aurum: Poeten, Musik und Geld*</a></span> </div> </div> 505 <div> 506 507 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-christ-ist-erstanden">Schlaglicht: Christ ist erstanden</a></span> </div> </div> 508 <div> 509 510 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-die-missa-o-oesterreich">Schlaglicht: Die Missa O Ãsterreich*</a></span> </div> </div> 511 <div> 512 513 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-die-motette-o-propugnator-miserorum-auf-den-hl-leopold">Schlaglicht: Die Motette O propugnator miserorum auf den hl. Leopold</a></span> </div> </div> 514 <div> 515 516 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-dienstregelung-der-salzburger-nachtwaechter-1503">Schlaglicht: Dienstregelung der Salzburger Nachtwächter, 1503</a></span> </div> </div> 517 <div> 518 519 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-gottes-namen-faren-wir-mehrstimmige-bearbeitungen">Schlaglicht: In Gottes namen faren wir: Mehrstimmige Bearbeitungen</a></span> </div> </div> 520 <div> 521 522 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-kontrafaktur">Schlaglicht: Kontrafaktur*</a></span> </div> </div> 523 <div> 524 525 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/schlaglicht-kulturgeschichte-kulturwissenschaft-und-musikgeschichte">Schlaglicht: Kulturgeschichte, Kulturwissenschaft und Musikgeschichte</a></span> </div> </div> 526 <div> 527 528 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-singen-und-pilgern-der-aufbruch-von-felix-faber">Schlaglicht: Singen und Pilgern. Der Aufbruch von Felix Faber</a></span> </div> </div> 529 <div> 530 531 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-st-georg-und-friedrich-iii">Schlaglicht: St. Georg und Friedrich III.*</a></span> </div> </div> 532 <div> 533 534 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/staedtisches-musikleben">Städtisches Musikleben</a></span> </div> </div> 535 <div> 536 537 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/traditionsbildungen-des-deutschen-und-lateinischen-liedes">Traditionsbildungen des deutschen und lateinischen Liedes</a></span> </div> </div> 538 <div> 539 540 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/ueberlieferung-der-wiener-kirchenmusik-des-15-jahrhunderts">Ãberlieferung der Wiener Kirchenmusik des 15. Jahrhunderts</a></span> </div> </div> 541 <div> 542 543 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/ueberlieferung-europaeischer-musik-im-raum-oesterreich-ca-1430-ca-1490">Ãberlieferung europäischer Musik im Raum Ãsterreich, ca. 1430âca. 1490*</a></span> </div> </div> 544 <div> 545 546 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/universitaet-und-musik-persoenlichkeiten">Universität und Musik. Persönlichkeiten*</a></span> </div> </div> 547 <h3>Marc Lewon, Reinhard Strohm </h3> 548 <div> 549 550 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/ars-antiqua-und-ars-nova-unbenutzte-fragmente-praktische-vorbilder">Ars antiqua und Ars nova: Unbenutzte Fragmente - praktische Vorbilder?*</a></span> </div> </div> 551 <h3>Birgit Lodes, Reinhard Strohm </h3> 552 <div> 553 554 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/frauen-wort-ton-und-bild">Frauen in Wort, Ton und Bild*</a></span> </div> </div> 555 <h3>Bob Mitchell, Reinhard Strohm </h3> 556 <div> 557 558 <div class="views-field views-field-title">
558 <span class="field-content"><a href="/essays/geistliche-mehrstimmigkeit-den-juengeren-trienter-codices">Geistliche Mehrstimmigkeit in den jüngeren Trienter Codices*</a></span> </div> </div> 559 <h3>Björn R. Tammen </h3> 560 <div> 561 562 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/engelsmusik-der-region-osterreich-ihre-reprasentationsleistungen">Engelsmusik in der Region Ãsterreich, ihre Repräsentationsleistungen â und die Grenzen der musikalischen Ikonographie</a></span> </div> </div> 563 <h3>Sandra Désirée Theià </h3> 564 <div> 565 566 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/die-tiroler-spieltradition-das-sterzinger-spielarchiv">Die Tiroler Spieltradition. Das Sterzinger Spielarchiv</a></span> </div> </div> 567 <h3>Sonja Tröster </h3> 568 <div> 569 570 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/spaetmittelalterliche-volkslieder-trug-spuren-oesterreichischen-quellen">Spätmittelalterliche âVolksliederâ â (Trug-)Spuren in österreichischen Quellen</a></span> </div> </div> 571 <h3>Susana Zapke </h3> 572 <div> 573 574 <div class="views-field views-field-title"> <span class="field-content"><a href="/kapitel/schlaglicht-die-fronleichnamsprozession-von-st-stephan-wien">Schlaglicht: Die Fronleichnamsprozession von St. Stephan in Wien</a></span> </div> </div> 575 <div> 576 577 <div class="views-field views-field-title"> <span class="field-content"><a href="/essays/universitaet-und-musik-musikbuecher-im-universitaeren-umfeld">Universität und Musik. Musikbücher im universitären Umfeld</a></span> </div> </div> 578 </div> 579 580 581 582 583 584 585</div> 586 587 588</section> 589 590 591 </div> 592 <!--/.l-main region --> 593 594 595 596 597 598 599 <aside role="complementary" class="medium-3 sidebar-second columns sidebar"> 600 <span class="filtertoggle" title="Filter und Suchoptionen anzeigen"></span> 601 <div class="inner asideinner"> 602 <span class="filtertoggle" title="Filter und Suchoptionen anzeigen"></span> 603 <section class="block block-book block-book-navigation block-odd clearfix"> 604 605 <h2 class="block-title"><a href="/ueber" class="book-title">Ãber</a></h2> 606 607 <ul class="menu"><li class="first leaf"><a href="/node/19113">About</a></li> 608<li class="expanded active-trail"><a href="/autorinnen" class="active-trail active">AutorInnen</a><ul class="menu"><li class="first last leaf"><a href="/autorinnen-hoerbeispiel-texte">AutorInnen Hörbeispiel-Texte</a></li> 609</ul></li> 610<li class="leaf"><a href="/mitarbeiterinnen">MitarbeiterInnen</a></li> 611<li class="last leaf"><a href="/partner">Partner</a></li> 612</ul> 613</section> </div> 614 </aside> 615 616 617 618 </main> 619 <!--/.l-main --> 620 621 622 623 624 625 <!--.l-footer --> 626 <footer class="l-footer panel row" role="contentinfo"> 627 <div class="copyright large-3 columns"> 628 © 2026 Musikleben des Spätmittelalters in der Region Ãsterreich Alle Rechte vorbehalten. </div> 629 630 631 <div id="footer-main" class="footer large-9 columns"> 632 <section class="block block-menu block-menu-menu-footer-menu"> 633 634 635 <ul class="menu"><li class="first leaf"><a href="/impressum-public" title="">Impressum</a></li> 636<li class="last leaf"><a href="/datenschutzerklaerung" title="">Datenschutz</a></li> 637</ul> 638</section> 639 <div class="right"> 640 <a href="http://www.fwf.ac.at/" target="_blank" title="FWF â Der Wissenschaftsfonds"><img src="/sites/default/themes/musical_foundation/images/logo_fwf.jpg" height="30""></a> 641 </div> 642 643 <div class="right" style="margin-right:30px;"> 644 <a href="http://www.univie.ac.at/" target="_blank"><img src="/sites/default/themes/musical_foundation/images/logo_univie.png"></a> 645 </div> 646 </div> 647 648 649 650 </footer> 651 <!--/.l-footer --> 652 653 654 655 656 <div class="floater"> 657 <section class="block block-locale block-locale-language"> 658 659 660 <ul class="language-switcher-locale-url"><li class="de first active"><a href="/autorinnen" class="language-link active" xml:lang="de">DE</a></li> 661<li class="en last"><a href="/en/autorinnen" class="language-link" xml:lang="en">EN</a></li> 662</ul> 663</section> </div> 664 665 666 667<button class="hamburger hamburger--elastic" type="button"> 668 <span class="hamburger-box"> 669 <span class="hamburger-inner"></span> 670 </span> 671</button> 672 673
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