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212</article>
213  
214  <section class="block block-views block-views-634c6470eabb8e2173f01880731b109e">
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216        <h2 class="block-title">Kontributoren</h2>
217    
218      <div class="view view-autorinnen-liste view-id-autorinnen_liste view-display-id-autorinnen_block view-dom-id-2d68355d576bf15523a68b2997b8b2d3">
219        
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221  
222      <div class="view-content">
223        <h3>Michael R. Ott  </h3>
224  <div>
225      
226  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/herolde-und-ihre-geraeuschkulisse-1414-1530">Herolde und ihre Geräuschkulisse (1414-1530)</a></span>  </div>  </div>
227  <h3>Klaus Aringer </h3>
228  <div>
229      
230  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/die-ueberlieferung-der-musik-fuer-tasteninstrumente-1400-1520">Die Überlieferung der Musik für Tasteninstrumente (1400-1520)</a></span>  </div>  </div>
231  <div>
232      
233  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/orgeln-und-orgelmusik-der-region-oesterreich">Orgeln und Orgelmusik in der Region Österreich</a></span>  </div>  </div>
234  <h3>Aneta Bialecka </h3>
235  <div>
236      
237  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/die-wiener-gotsleichbruderschaft">Die Wiener Gotsleichbruderschaft</a></span>  </div>  </div>
238  <div>
239      
240  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-spectaculum-scarlaci-scharlachrennen">Schlaglicht: Spectaculum scarlaci (Scharlachrennen)</a></span>  </div>  </div>
241  <h3>Horst Brunner </h3>
242  <div>
243      
244  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/spruchsang-den-oesterreichischen-laendern">Spruchsang in den österreichischen Ländern</a></span>  </div>  </div>
245  <h3>Helen Coffey </h3>
246  <div>
247      
248  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/minstrels-and-instrument-makers-maximilians-realm">Minstrels and Instrument-Makers in Maximilian&#039;s realm*</a></span>  </div>  </div>
249  <h3>Stefan Engels </h3>
250  <div>
251      
252  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/geistliche-lieder-des-moenchs-von-salzburg">Geistliche Lieder des Mönchs von Salzburg</a></span>  </div>  </div>
253  <div>
254      
255  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/osterfeier-im-kloster">Osterfeier im Kloster</a></span>  </div>  </div>
256  <div>
257      
258  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-die-notation-der-mondsee-wiener-liederhandschrift">Schlaglicht: Die Notation der „Mondsee-Wiener Liederhandschrift“</a></span>  </div>  </div>
259  <div>
260      
261  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-visitatio-sepulchri">Schlaglicht: Visitatio sepulchri </a></span>  </div>  </div>
262  <h3>Winfried Frey </h3>
263  <div>
264      
265  <div class="views-field views-field-title">
265        <span class="field-content"><a href="/essays/cayphas-cantat-cum-synagoga-singende-juden-geistlichen-spielen">Cayphas cantat cum synagoga: Singende Juden in geistlichen Spielen</a></span>  </div>  </div>
266  <h3>Wolfgang Fuhrmann </h3>
267  <div>
268      
269  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/himmlische-und-irdische-musik">Himmlische und irdische Musik </a></span>  </div>  </div>
270  <h3>Giulia Gabrielli </h3>
271  <div>
272      
273  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-das-bozner-fragment">Schlaglicht: Das Bozner Fragment</a></span>  </div>  </div>
274  <h3>Stefan Gasch </h3>
275  <div>
276      
277  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/heinrich-isaac-im-dienst-von-maximilians-kirchlich-staatlichen-zeremonien">Heinrich Isaac im Dienst von Maximilians kirchlich-staatlichen Zeremonien</a></span>  </div>  </div>
278  <div>
279      
280  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/henricus-isaac">Henricus Isaac</a></span>  </div>  </div>
281  <div>
282      
283  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/ludwig-senfl">Ludwig Senfl</a></span>  </div>  </div>
284  <div>
285      
286  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musik-fuer-die-familie-fugger-augsburg">Musik für die Familie Fugger in Augsburg*</a></span>  </div>  </div>
287  <div>
288      
289  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/wiener-alamire-handschriften">Wiener Alamire-Handschriften*</a></span>  </div>  </div>
290  <h3>Marco Gozzi </h3>
291  <div>
292      
293  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/rhythmischer-choralgesang-der-cantus-fractus">Rhythmischer Choralgesang: Der cantus fractus</a></span>  </div>  </div>
294  <h3>Andrea Grafetstätter </h3>
295  <div>
296      
297  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/die-tiroler-spieltradition-musik-und-tanz-geistlichen-und-weltlichen-spielen">Die Tiroler Spieltradition. Musik und Tanz in geistlichen und weltlichen Spielen</a></span>  </div>  </div>
298  <h3>Markus Grassl </h3>
299  <div>
300      
301  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/augustin-schubinger">Augustin Schubinger</a></span>  </div>  </div>
302  <div>
303      
304  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/instrumentale-musikpraxis-im-lebensbereich-augustin-schubingers-ca-1460-153132">Instrumentale Musikpraxis im Lebensbereich Augustin Schubingers (ca. 1460–1531/32)</a></span>  </div>  </div>
305  <div>
306      
307  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/kontinuitaet-und-wandel-die-kapelle-ferdinands-i-den-1520er-jahren">Kontinuität und Wandel. Die Kapelle Ferdinands I. in den 1520er Jahren</a></span>  </div>  </div>
308  <h3>Andrea Horz </h3>
309  <div>
310      
311  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/aggressionen-und-aengste-judenhass">Aggressionen und Ängste. Judenhass</a></span>  </div>  </div>
312  <div>
313      
314  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/odengesang-bei-den-humanisten">Odengesang bei den Humanisten</a></span>  </div>  </div>
315  <h3>Martin Kirnbauer </h3>
316  <div>
317      
318  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/instrumentalkuenstler-am-hof-maximilians-i">Instrumentalkünstler am Hof Maximilians I.</a></span>  </div>  </div>
319  <h3>Mirjam Kluger </h3>
320  <div>
321      
322  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/hofmusik-albrecht-ii-und-friedrich-iii">Hofmusik. Albrecht II. und Friedrich III.</a></span>  </div>  </div>
323  <h3>Robert Klugseder </h3>
324  <div>
325      
326  <div class="views-field views-field-title">
326        <span class="field-content"><a href="/essays/antiphonale-mus-hs-15505">Antiphonale Mus. Hs. 15505*</a></span>  </div>  </div>
327  <h3>Marc Lewon </h3>
328  <div>
329      
330  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/das-phaenomen-neidhart">Das Phänomen  „Neidhart“</a></span>  </div>  </div>
331  <div>
332      
333  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/instrumentenmuseum">Instrumentenmuseum</a></span>  </div>  </div>
334  <div>
335      
336  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/oswald-mss-a-und-b">Oswald Mss. A und B*</a></span>  </div>  </div>
337  <div>
338      
339  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/oswald-von-wolkenstein">Oswald von Wolkenstein*</a></span>  </div>  </div>
340  <h3>Birgit Lodes, Reinhard Strohm, Marc Lewon </h3>
341  <div>
342      
343  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/einleitung">Einleitung*</a></span>  </div>  </div>
344  <h3>Birgit Lodes </h3>
345  <div>
346      
347  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/aggressionen-und-aengste-tuerken">Aggressionen und Ängste. Türken*</a></span>  </div>  </div>
348  <div>
349      
350  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/jacob-obrecht">Jacob Obrecht*</a></span>  </div>  </div>
351  <div>
352      
353  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/koerper-und-seele">Körper und Seele*</a></span>  </div>  </div>
354  <div>
355      
356  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/medien-mehrstimmiger-vokalmusik-am-beispiel-von-obrechts-missa-salve-diva-parens">Medien mehrstimmiger Vokalmusik um 1500 (am Beispiel von Jacob Obrechts Missa Salve diva parens)</a></span>  </div>  </div>
357  <div>
358      
359  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musik-fuer-kaiser-karl-v-1530">Musik für Kaiser Karl V. (1530)</a></span>  </div>  </div>
360  <div>
361      
362  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musikalische-huldigungsgeschenke-fuer-maximilian-i">Musikalische Huldigungsgeschenke für Maximilian I.</a></span>  </div>  </div>
363  <div>
364      
365  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/mehrfacher-sinn-jacob-obrechts-missa-salve-diva-parens-und-die-koenigskroenung-maximilians">„Mehrfacher Sinn“: Jacob Obrechts Missa Salve diva parens und die Königskrönung Maximilians</a></span>  </div>  </div>
366  <h3>Grantley McDonald </h3>
367  <div>
368      
369  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/humanisten-maezene-intellektuelle">Humanisten, Mäzene, Intellektuelle*</a></span>  </div>  </div>
370  <div>
371      
372  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/memorialkultur-maximilians-monumente">Memorialkultur. Maximilians Monumente*</a></span>  </div>  </div>
373  <div>
374      
375  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/memorialkultur-remembering-paul-hofhaimer">Memorialkultur. Remembering Paul Hofhaimer</a></span>  </div>  </div>
376  <h3>David Merlin </h3>
377  <div>
378      
379  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/johannes-winterburgers-antiphonarius-1519">Johannes Winterburgers Antiphonarius, 1519</a></span>  </div>  </div>
380  <div>
381      
382  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musik-und-verehrung-von-lokal-heiligen">Musik und Verehrung von (Lokal-)Heiligen</a></span>  </div>  </div>
383  <h3>Marko Motnik </h3>
384  <div>
385      
386  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/tanz-und-verderben-de-ludo-coree-eine-wiener-tanzpredigt-des-15-jahrhunderts">Tanz und Verderben. De ludo coree: eine Wiener Tanzpredigt des 15. Jahrhun
386derts</a></span>  </div>  </div>
387  <div>
388      
389  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/tanz-und-verderben-tanzwut-klosterneuburg">Tanz und Verderben. Tanzwut in Klosterneuburg</a></span>  </div>  </div>
390  <h3>N.N. </h3>
391  <div>
392      
393  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/die-melker-reform">Die Melker Reform*</a></span>  </div>  </div>
394  <h3>Christian Neuhuber </h3>
395  <div>
396      
397  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/der-kremsmuensterer-ludus-de-sancta-dorothea-spiel-von-der-hl-dorothea">Der Kremsmünsterer ludus de sancta dorothea (Spiel von der Hl. Dorothea)</a></span>  </div>  </div>
398  <h3>Deanna Pellerano </h3>
399  <div>
400      
401  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/krieg-und-lied-im-spaetmittelalter">Krieg und Lied im Spätmittelalter</a></span>  </div>  </div>
402  <h3>Alexander Rausch </h3>
403  <div>
404      
405  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/kloesterliche-mehrstimmigkeit-grundlagen">Klösterliche Mehrstimmigkeit. Grundlagen</a></span>  </div>  </div>
406  <div>
407      
408  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/spekulative-musiktheorie-und-chorallehre">Spekulative Musiktheorie und Chorallehre</a></span>  </div>  </div>
409  <h3>Margret Scharrer </h3>
410  <div>
411      
412  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/joyeuses-entrees-den-niederen-landen">Joyeuses entrées in den niederen Landen</a></span>  </div>  </div>
413  <h3>Bernhold Schmid </h3>
414  <div>
415      
416  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/organisten-und-kopisten">Organisten und Kopisten</a></span>  </div>  </div>
417  <h3>Nicole Schwindt </h3>
418  <div>
419      
420  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/lieder-der-region-oesterreich-ca-1450-ca-1520">Lieder in der Region Österreich, ca. 1450–ca. 1520</a></span>  </div>  </div>
421  <div>
422      
423  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/senfls-vermaechtnis-das-liederbuch-muenchen-bayerische-staatsbibliothek-musms-3155">Senfls Vermächtnis: Das Liederbuch München, Bayerische Staatsbibliothek, Mus.ms. 3155</a></span>  </div>  </div>
424  <h3>Ute Monika Schwob </h3>
425  <div>
426      
427  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/formen-der-laienfroemmigkeit">Formen der Laienfrömmigkeit</a></span>  </div>  </div>
428  <div>
429      
430  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/laienfroemmigkeit-die-rolle-der-kirche">Laienfrömmigkeit: Die Rolle der Kirche</a></span>  </div>  </div>
431  <h3>Kateryna Schöning </h3>
432  <div>
433      
434  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/lautenisten-und-lautenspiel-der-buergerlichen-gesellschaft-des-fruehen-16-jahrhunderts">Lautenisten und Lautenspiel in der bürgerlichen Gesellschaft des frühen 16. Jahrhunderts</a></span>  </div>  </div>
435  <h3>Reinhard Strohm </h3>
436  <div>
437      
438  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/a-wn-cod-5094-souvenirs-aus-einem-wiener-organistenmilieu">A-Wn, Cod. 5094: Souvenirs aus einem Wiener „Organistenmilieu“</a></span>  </div>  </div>
439  <div>
440      
441  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/advenisti-fuersten-und-diplomaten-auf-reisen">Advenisti: Fürsten und Diplomaten auf Reisen*</a></span>  </div>  </div>
442  <div>
443      
444  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/bozen-bolzano-musik-im-umkreis-der-kirche">Bozen/Bolzano: Musik im Umkreis der Kirche</a></span>  </div>  </div>
445  <div>
446      
447  <div class="views-field views-field-title">
447        <span class="field-content"><a href="/kapitel/cultural-history-cultural-studies-and-music-history">Cultural History, Cultural Studies and Music History</a></span>  </div>  </div>
448  <div>
449      
450  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/das-geistliche-lied-des-14-und-15-jahrhunderts">Das geistliche Lied des 14. und 15. Jahrhunderts</a></span>  </div>  </div>
451  <div>
452      
453  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/der-innsbrucker-cantionarius-cod-457-der-universitaets-und-landesbibliothek-tirol">Der Innsbrucker Cantionarius: Cod. 457 der Universitäts- und Landesbibliothek Tirol</a></span>  </div>  </div>
454  <div>
455      
456  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/der-wiener-codex-von-ca-1415">Der Wiener Codex von ca. 1415*</a></span>  </div>  </div>
457  <div>
458      
459  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/die-klang-aura-der-stadt">Die Klang-Aura der Stadt</a></span>  </div>  </div>
460  <div>
461      
462  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/die-linzer-fragmente">Die Linzer Fragmente*</a></span>  </div>  </div>
463  <div>
464      
465  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/gesaenge-zu-weihnachten-im-stift-seckau">Gesänge zu Weihnachten im Stift Seckau</a></span>  </div>  </div>
466  <div>
467      
468  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/hermann-poll">Hermann Poll</a></span>  </div>  </div>
469  <div>
470      
471  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/hofmusik-innsbruck-unter-herzog-siegmund">Hofmusik. Innsbruck unter Herzog Siegmund*</a></span>  </div>  </div>
472  <div>
473      
474  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/i-trcap-93-eine-zentrale-sammlung-europaeischer-messenmusik">I-TRcap 93: Eine zentrale Sammlung europäischer Messenmusik</a></span>  </div>  </div>
475  <div>
476      
477  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/johannes-lupi">Johannes Lupi </a></span>  </div>  </div>
478  <div>
479      
480  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/jugendliche-musiker-bei-hofe">Jugendliche Musiker bei Hofe*</a></span>  </div>  </div>
481  <div>
482      
483  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/kloesterliche-mehrstimmigkeit-arten-und-kontexte">Klösterliche Mehrstimmigkeit. Arten und Kontexte</a></span>  </div>  </div>
484  <div>
485      
486  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/kompositorische-lernprozesse">Kompositorische Lernprozesse*</a></span>  </div>  </div>
487  <div>
488      
489  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musik-im-gottesdienst-wien">Musik im Gottesdienst: Wien </a></span>  </div>  </div>
490  <div>
491      
492  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musik-der-burg-burgen-und-ihre-privatkapellen">Musik in der Burg: Burgen und ihre Privatkapellen*</a></span>  </div>  </div>
493  <div>
494      
495  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musiker-aus-anderen-laendern-eigenes-und-fremdes">Musiker aus anderen Ländern; Eigenes und Fremdes*</a></span>  </div>  </div>
496  <div>
497      
498  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/musiker-der-stadt">Musiker in der Stadt</a></span>  </div>  </div>
499  <div>
500      
501  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/nicolaus-krombsdorfer">Nicolaus Krombsdorfer</a></span>  </div>  </div>
502  <div>
503      
504  <div class="views-field views-field-title">
504        <span class="field-content"><a href="/kapitel/schlaglicht-argentum-et-aurum-poeten-musik-und-geld">Schlaglicht: Argentum et aurum: Poeten, Musik und Geld*</a></span>  </div>  </div>
505  <div>
506      
507  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-christ-ist-erstanden">Schlaglicht: Christ ist erstanden</a></span>  </div>  </div>
508  <div>
509      
510  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-die-missa-o-oesterreich">Schlaglicht: Die Missa O Österreich*</a></span>  </div>  </div>
511  <div>
512      
513  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-die-motette-o-propugnator-miserorum-auf-den-hl-leopold">Schlaglicht: Die Motette O propugnator miserorum auf den hl. Leopold</a></span>  </div>  </div>
514  <div>
515      
516  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-dienstregelung-der-salzburger-nachtwaechter-1503">Schlaglicht: Dienstregelung der Salzburger Nachtwächter, 1503</a></span>  </div>  </div>
517  <div>
518      
519  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-gottes-namen-faren-wir-mehrstimmige-bearbeitungen">Schlaglicht: In Gottes namen faren wir: Mehrstimmige Bearbeitungen</a></span>  </div>  </div>
520  <div>
521      
522  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-kontrafaktur">Schlaglicht: Kontrafaktur*</a></span>  </div>  </div>
523  <div>
524      
525  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/schlaglicht-kulturgeschichte-kulturwissenschaft-und-musikgeschichte">Schlaglicht: Kulturgeschichte, Kulturwissenschaft und Musikgeschichte</a></span>  </div>  </div>
526  <div>
527      
528  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-singen-und-pilgern-der-aufbruch-von-felix-faber">Schlaglicht: Singen und Pilgern. Der Aufbruch von Felix Faber</a></span>  </div>  </div>
529  <div>
530      
531  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-st-georg-und-friedrich-iii">Schlaglicht: St. Georg und Friedrich III.*</a></span>  </div>  </div>
532  <div>
533      
534  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/staedtisches-musikleben">Städtisches Musikleben</a></span>  </div>  </div>
535  <div>
536      
537  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/traditionsbildungen-des-deutschen-und-lateinischen-liedes">Traditionsbildungen des deutschen und lateinischen Liedes</a></span>  </div>  </div>
538  <div>
539      
540  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/ueberlieferung-der-wiener-kirchenmusik-des-15-jahrhunderts">Überlieferung der Wiener Kirchenmusik des 15. Jahrhunderts</a></span>  </div>  </div>
541  <div>
542      
543  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/ueberlieferung-europaeischer-musik-im-raum-oesterreich-ca-1430-ca-1490">Überlieferung europäischer Musik im Raum Österreich, ca. 1430–ca. 1490*</a></span>  </div>  </div>
544  <div>
545      
546  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/universitaet-und-musik-persoenlichkeiten">Universität und Musik. Persönlichkeiten*</a></span>  </div>  </div>
547  <h3>Marc Lewon, Reinhard Strohm </h3>
548  <div>
549      
550  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/ars-antiqua-und-ars-nova-unbenutzte-fragmente-praktische-vorbilder">Ars antiqua und Ars nova: Unbenutzte Fragmente - praktische Vorbilder?*</a></span>  </div>  </div>
551  <h3>Birgit Lodes, Reinhard Strohm </h3>
552  <div>
553      
554  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/frauen-wort-ton-und-bild">Frauen in Wort, Ton und Bild*</a></span>  </div>  </div>
555  <h3>Bob Mitchell, Reinhard Strohm </h3>
556  <div>
557      
558  <div class="views-field views-field-title">
558        <span class="field-content"><a href="/essays/geistliche-mehrstimmigkeit-den-juengeren-trienter-codices">Geistliche Mehrstimmigkeit in den jüngeren Trienter Codices*</a></span>  </div>  </div>
559  <h3>Björn R. Tammen </h3>
560  <div>
561      
562  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/engelsmusik-der-region-osterreich-ihre-reprasentationsleistungen">Engelsmusik in der Region Österreich, ihre Repräsentationsleistungen – und die Grenzen der musikalischen Ikonographie</a></span>  </div>  </div>
563  <h3>Sandra Désirée Theiß </h3>
564  <div>
565      
566  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/die-tiroler-spieltradition-das-sterzinger-spielarchiv">Die Tiroler Spieltradition. Das Sterzinger Spielarchiv</a></span>  </div>  </div>
567  <h3>Sonja Tröster </h3>
568  <div>
569      
570  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/spaetmittelalterliche-volkslieder-trug-spuren-oesterreichischen-quellen">Spätmittelalterliche „Volkslieder“ – (Trug-)Spuren in österreichischen Quellen</a></span>  </div>  </div>
571  <h3>Susana Zapke </h3>
572  <div>
573      
574  <div class="views-field views-field-title">        <span class="field-content"><a href="/kapitel/schlaglicht-die-fronleichnamsprozession-von-st-stephan-wien">Schlaglicht: Die Fronleichnamsprozession von St. Stephan in Wien</a></span>  </div>  </div>
575  <div>
576      
577  <div class="views-field views-field-title">        <span class="field-content"><a href="/essays/universitaet-und-musik-musikbuecher-im-universitaeren-umfeld">Universität und Musik. Musikbücher im universitären Umfeld</a></span>  </div>  </div>
578    </div>
579  
580  
581  
582  
583  
584  
585</div>
586
587  
588</section>
589 
590
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603              <section class="block block-book block-book-navigation block-odd clearfix">
604
605        <h2 class="block-title"><a href="/ueber" class="book-title">Über</a></h2>
606    
607      <ul class="menu"><li class="first leaf"><a href="/node/19113">About</a></li>
608<li class="expanded active-trail"><a href="/autorinnen" class="active-trail active">AutorInnen</a><ul class="menu"><li class="first last leaf"><a href="/autorinnen-hoerbeispiel-texte">AutorInnen Hörbeispiel-Texte</a></li>
609</ul></li>
610<li class="leaf"><a href="/mitarbeiterinnen">MitarbeiterInnen</a></li>
611<li class="last leaf"><a href="/partner">Partner</a></li>
612</ul>  
613</section>          </div>
614      </aside>
615    
616
617    
618  </main>
619  <!--/.l-main -->
620
621
622
623
624  
625  <!--.l-footer -->
626  <footer class="l-footer panel row" role="contentinfo">
627          <div class="copyright large-3 columns">
628        &copy; 2026 Musikleben des Spätmittelalters in der Region Österreich Alle Rechte vorbehalten.      </div>
629    
630
631      <div id="footer-main" class="footer large-9 columns">
632            <section class="block block-menu block-menu-menu-footer-menu">
633
634      
635      <ul class="menu"><li class="first leaf"><a href="/impressum-public" title="">Impressum</a></li>
636<li class="last leaf"><a href="/datenschutzerklaerung" title="">Datenschutz</a></li>
637</ul>  
638</section>
639          <div class="right">
640            <a href="http://www.fwf.ac.at/" target="_blank" title="FWF – Der Wissenschaftsfonds"><img src="/sites/default/themes/musical_foundation/images/logo_fwf.jpg" height="30""></a>
641          </div>
642
643          <div class="right" style="margin-right:30px;">
644            <a href="http://www.univie.ac.at/" target="_blank"><img src="/sites/default/themes/musical_foundation/images/logo_univie.png"></a>
645          </div>
646      </div>
647
648
649
650  </footer>
651  <!--/.l-footer -->
652
653
654
655
656            <div class="floater">
657            <section class="block block-locale block-locale-language">
658
659      
660      <ul class="language-switcher-locale-url"><li class="de first active"><a href="/autorinnen" class="language-link active" xml:lang="de">DE</a></li>
661<li class="en last"><a href="/en/autorinnen" class="language-link" xml:lang="en">EN</a></li>
662</ul>  
663</section>        </div>
664    
665
666
667<button class="hamburger hamburger--elastic" type="button">
668  <span class="hamburger-box">
669    <span class="hamburger-inner"></span>
670  </span>
671</button>
672
673
674<a href="https://www.univie.ac.at" class="unilink" title="Ein Projekt der Universität Wien" target="_blank"><span>Universität Wien</span></a>
675
676
677
678  </div>
679<!--/.page -->
680  
681 
682<!--
683 
683<script type="text/javascript" src="/sites/default/themes/musical_foundation/js/_maps.js"></script>
683
684-->
685
686 
687 
688
689</body>
690</html>

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