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1<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
2
3<HTML>
4
5<HEAD> <TITLE> Bob Stepno's Index</TITLE>
6 </HEAD><BODY BGCOLOR="#FFFFFF"><BLOCKQUOTE>
7
8<H1>Pages named
9
10<A HREF="http://www.stepno.com">Stepno</A></H1>
11
12<H3>Bob's
13
14<A HREF="http://pages.emerson.edu/faculty/bob_stepno">best
15bets</A>,
16
17<A HREF="bobpages.html">bytes (webstuff)</A>,
18
19<A HREF="boats">boats</A> &amp; 
20
21<A HREF="rbsmusic.html">banjos</A></H3>
22
23<UL>
24
25<LI><A HREF="notv2.html">
26
27<IMG SRC="strobetv.gif" 
28
29ALT="(Annoying picture of snowy TV screen; click to turn it off)" 
30HEIGHT=50 WIDTH=75 ALIGN=LEFT></A>This is an archive of pages kept 
31at blake.unc.edu and www.unc.edu/~rbstepno from 1994 to 1999, at 
32which point they became "cobwebs," no longer kept up to date. In Fall 
33'99 I 
34became an assistant professor of journalism (and online journalism) at 
35<a href="../ec">Emerson College</a> in Boston, while
36remaining 
37a doctoral candidate at the University of North Carolina at Chapel Hill
38School of Journalism and Mass Communication...
39which is where I started looking at
40the World Wide
41Web as a communication medium. That includes attempts by the slightly-old 
42"500 channels and nothing worth watching"  media
43to adapt to a digital world. (Click on the TV if you're annoyed by 
44television or gratuitous Web graphics.) 
45
46This page leads to others including
47<A HREF="bobpages.html">Webstuff</A> I've been involved with for school, for
48<A HREF="http://www.nando.net">money</A> 
49<A HREF="res.html"><IMG SRC="1296BOBS.JPG" 
50ALT="(Photo of my face, taken by Ed Cooper, Christmas 1997)" height=105 
51width=75 ALIGN=RIGHT></a>or for
52<A HREF="rbsmusic.html">fun</A>, connections 
53to some sites I find interesting or amusing, and links to Web
54<A href="tabletrickery.html">tips</a> and resources I find useful. 
55Those are the <A HREF="http://pages.emerson.edu/faculty/bob_stepno">best
56bets</A> referred to in the menu above. 
57
58<A HREF="res.html">My resume</A> (not that
59I'm actively looking for work or anything...)  was my first HTML page,
60written in 1994 and updated a few times since then. 
61It has links to places I've studied or worked (including "The
62nation's oldest newspaper of continuous publication" for you trivia
63fans), and to my decade-old master's project about hypertext. That HTML
64resume led to my job for three years at Nando.net's
65
66<A HREF="http://www.nando.net">Nando Times</A>, which I left to work for
67the <a href="http://research.unc.edu/grad/funding">Graduate School</a> at
68UNC-CH, and to teach <a
69href="http://www.unc.edu/courses/jomc050/july98bob/">summer school</a>
70in the School of Journalism and Mass Communication. Meanwhile, I tried a
71few more Web
72<a href="plated.html">bells</a> and <a href="reefer.html">whistles</a>,
73and to got some momentum going on the dissertation I still hope to finish.
74</LI> <p>
75
76<LI>I've been thinking a lot about newspapers and &quot;new 
77technology,&quot; including some
78
79<A HREF="graphic"><IMG SRC="baths.jpg"
80ALT="(A New York Graphic composograph of a wild party)"
81HSPACE=5 VSPACE=5 HEIGHT=90 WIDTH=130 ALIGN=LEFT></a>technology that has
82been around longer than you might think, particularly the virtual reality
83of
84<A HREF="graphic">manipulating
85photographs</A> to attract an audience. This picture of a celebrity-filled
86wild party on Broadway is more than 70 years old, and it's a fake.
87It was created by a newspaper art department using old-fashioned scissors
88and glue to illustrate a story about what one sensational writer called a 
89"wine-bath orgy." I especially like the touch of having one of the
90revellers hiding his face from the camera.  That picture made the front
91page in its day, probably sold a few papers,
92and fanned the flames of a controversy that helped put a Broadway big shot
93in prison...
94
95Imagine what the editors could have accomplished with Photoshop! (As I
96told my students this summer, the 
97<a href="graphic/hubris.html">temptation</a> is 
98certainly there for all of us.) Fortunately my own
99<a href="pix3.html">experience as a photographer</a> has been more
100conventional.
101
102<p>
103
104</LI>
105
106
107
108<LI>For the past few years I've paid part of the rent by writing about the
109Internet for 
110<A HREF="http://www.soundingspub.com">Soundings</A> magazine, where I
111previously was
112a full-time staff writer and photographer.  I did some research for the
113publisher about putting stories and advertising online a couple of years
114before the Web arrived. Now <I>Soundings</I> has a new publisher and has
115its marine classifieds on the Web. An archive of stories--including a
116series I started about the Internet--was online for a year or two, but
117didn't survive a recent transition in ownership of the company. With
118the editor's permission, I've preserved my first couple of
119<A HREF="boats">DataWaves</A> articles as
120samples of my work. In addition to <B>Navigating Cyberspace</B> and
121<B>Becoming a Virtual Community</B>, there's a selection of websites about
122boating, although some of them may be derelicts by now since I don't
123actively keep the page up to date. 
124
125<p></LI>
126
127
128<LI>Away from computers,
129
130<A HREF="rbsmusic.html">folk music and contra dancing</A> are among my
131favorite things to do, so I collect related bookmarks. I was the first 
132Webmaster
133for the <A HREF="http://rtpnet.org/~folk">Triangle Folk Music Society</A>,
134building its  collection
135of music-related online resources. The Internet helped me get involved
136with starting the group, something I was invited to talk about at a <a
137href="folktalk.html">Conference on Urban
138Livability</a> in the spring of 1998.</LI><P>
139
140<LI>Here are my
141
142<A HREF="boblinks.html">Best Bets</A>,Web sites I use most often, or at
143least tell myself I ought to. I have scores of other
144<A HREF="bkmk/57bkmks.htm">old</A> and <a
145href="http://pages.emerson.edu/faculty/bob_stepno/overload">new
146bookmarks</a>,
147which I upload to the Web server from time to time, mostly for my own
148use.... They're not very organized or annotated. In fact, I may not have
149looked at some of them yet if they came from computers I shared with
150other users.
151
152<p></LI>
153
154
155<LI>Personal revelations on the Web: Evidence that I am an &quot;early
156adopter,&quot; not only of technology... a few months before Hurricane
157Fran I was the first in my neighborhood with this kind of
158<A HREF="tree.html">arboreal adventure.</A>
159Writing this quick and dirty Web page saved me from telling the story over
160and over to friends in New England who aren't used to such big trees
161falling on them.
162
163Soon the whole town was catching up, thanks to
164<A HREF="http://sunsite.unc.edu/maggot/fran/">Fran.</A>(Campus
165hurricane-damage images by classmate Mark McCarthy at Sunsite.)</LI></UL>
166
167
168<HR WIDTH="100%"><P>
169
170<A NAME="bits"></A></P>
171
172<H3>Thoughts...</H3><P>I saw this quote (in the now-defunct 
173online edition of a book titled <i>
174<!--
175<"http://rilke.neo.com/Aether/gl.anonftp.html">
176-->
177AetherMadness</i>)
178about FTP servers, and find it's also a useful way to think about the Web: 
179</P><BLOCKQUOTE>
180
181<P><I>... like a library where they reshuffle the card catalog every day,
182where new books are shelved under old titles, where new titles are given
183to old books, where the staff is always changing, and where the total
184number of books grows with each visit. 
185 </I></P></BLOCKQUOTE>
186
187<P>Final comment: 
188
189Writing itself is <A HREF="champion.html">'magick'</A>, when you stop and
190think about it. Today we may be writing and reading hypertext, but pay
191attention to the text and resist the hype. </P></BLOCKQUOTE>
192
193<P>
194
195<HR>Comments or questions? 
196
197<A HREF="mailto:[email protected]">[email protected]</A></P>
198
199<P>
200
201Last revision 13 August, 2000</P></BODY></HTML>
202

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